#Fachhochschule

[btaut]

Dortmund, Dezember 2024

[martinstieger-blog]

Österreich: 30 Jahre Fachhochschulen - FH-Rekordausbau mit 800 zusätzlichen Studienplätzen

30 Jahre Fachhochschulen: Anlässlich des diesjährigen Jubiläums stellt das BMBWF dem FH-Sektor mehr Budget zur Verfügung. Das ermöglicht einen doppelten Ausbauschritt ab dem Studienjahr 2025/26. Die Ausschreibung dafür läuft bis 30. April.  2024 feiert der österreichische Fachhochschulsektor sein 30-jähriges Bestehen. Was im Herbst 1994 mit zehn Fachhochschulstudiengänge mit rund 700…

[scoutlive]

Campusfest 2024

Das Campusfest ging gestern in die nächste Runde! Noch mehr DJs, noch mehr Party … dafür stehen die Macher des Campusfestes in Nordhausen.Viele Besucher kamen zum mittlerweile traditionellen Campusfest der Hochschule Nordhausen auf den Weinberghof bei leider nicht so guten guten Wetter. Mitten drin – auch das hat Tradition – ein Fotograf von Harzpix.de…Ab zum Tanzrausch! Eine garantiert…

[betamax65]

Der #Staat soll #Kinder ernähren durch die #Kindergrundsicherung, sich um die #Erziehung kümmern durch #Kindergarten und #Schule, eine hochwertige Ausbildung ermöglichen in #Universität oder #Fachhochschule. Was ist da eigentlich die Aufgabe der #Eltern, außer zu #vögeln? #fdp #lindner

[haileydilmore]

girl who doesn't know what she wants to do after this year

[mycstilleblog]

"Lauschangriff durch smarte Zähler" von Margit Krug. Leseempfehlung

Ist der technische Fortschritt nicht eine großartige Sache? Jein müssten wir anhand dessen, was wir bereits schon erlebt haben, antworten. Aber wird nicht in der einen oder anderen Sache unser Leben durch angewendeten technischen Fortschritt spürbar und nachhaltig erleichtert? Das können wir im Großen und Ganzen bestätigen. Achten wir jedoch nicht rechtzeitig auf Haken und Ösen, werden wir von…

[stadttauben]

Eröffnung der Ausstellung

Heute ist es soweit! Um 18:00 Uhr wird unsere Ausstellung im Landtag Brandenburg endlich eröffnet.

Wir freuen uns schon sehr auf euch :)

[germanpostwarmodern]

Shortly after the Second World War had ended the German Ruhr region became a hotbed of modern art: spearheaded by the group „junger westen“ abstract art was the universal language of artists shaking off the doctrinaire art policies of the defeated dictatorship. Among his peers of the „junger westen“ Gustav Deppe (1913-99) stood out as the one oscillating between abstraction and figuration as well as the one who most directly channelled the surrounding industrial landscape. Power lines, shaft towers as well as organic, amorphic forms take turns in Deppe’s extensive oeuvre. But although he limited himself to the depiction of certain distinctive forms present in the Ruhr region, Deppe over time changed his rendition of these objects, very prominently in the series of shaft towers that he translated into almost fully abstract forms. In his late work of the 1980s and 1990s Deppe then turned to collages and further reduced his pictorial language to basic geometric forms as a means to depict the now often defunct industrial scenery around him.

In 2002 the Kunstverein Witten organized the traveling retrospective „Gustav Deppe - Industrie Technik Landschaft“ that was accompanied by the present catalogue. It contains a large number of works from all work phases, beginning in the late 1940s and concluding with the early 1990s. In addition eight brief but informative essays by companions and experts address the gradual changes in Deppe’s art and also shed light on his long-term teaching at Werkkunstschule and Fachhochschule Dortmund.

Although Gustav Deppe to this day is the least prominent of the „junger westen“ members, his oeuvre in its rigorous adherence to the depiction of the Ruhr region’s industrial landscape is a significant contribution to the region’s art history. Well worth discovering!

[schadenfreudich]

That is fascinating

Actually really fascinated by free school lunches in the US. Some of the schools I went to didn't even have a cafeteria. And when they did it sure wasn't free.

Also the like, not lunch food was quite expensive compared to just going to the Lidl or something. But you might not have enough time to go or end up with only 5 minutes left of your lunch break when you get back.

[whirrfox]

The last two days have been...really interesting for me... And for some reason I really want to hide in a hole right now...

Yesterday the new semester at uni started for me, and I decided to go there as a girl and introduce myself as such starting this semester. For context, I'm going to a "university of applied sciences" (we call it "Fachhochschule" here in Germany) and I'm currently studying applied CS, but I've studied a different study path before this one at the same uni. Also, I'm still not passing and probably look like a guy to most people, though I'm already trying to show some feminity.

Yesterday in my first course we had introductions, and I was the last one to introduce myself. I introduced myself as Lilli (which was a bit scary, but I did it), but I didn't get any reactions from that. After that, we had a task where we should talk to a person we never talked to before and analyze their speaking. There I also introduced myself as Lilli to that person, but he didn't really say anything about it. My guess is that nobody noticed me using a girls name.

Today in a different course we did introductions again, but this time the task was to talk to a person we never talked before and then introduce that person to the whole class. When I told him my name, he sounded a bit confused, and wanted me to spell it (?). After some time, we introduced our partners to the whole class, and at some point my partner introduced me. He told my name, and then said "I didn't know Lilli was a male name", to which I replied "actually, it's a girls name...". It really was embarrassing for me, and I wanted to flee the room at that moment. He then apologized, and the lecturer looked at the class list (since she wanted to check who was there), and noticed that there wasn't anyone named Lilli on that list. Then I had to to explain how my old name is still on that list, and then I told her my deadname. And then, to my surprise, she crossed out my deadname from that list and wrote my chosen name there. And even though that was a very nice thing to do, it still made me feel very embarassed.

In summary, I'm surprised how accepting everyone is, and how even that lecturer was so supportive to even write my chosen name on that list. Still, I'm feeling very embarassed on what happened there today, and I'm constantly thinking about it. And I really want to hide in a hole right now >.<...

[scotianostra]

April 22nd 2005 saw the death of the sculptor and artist Eduardo Paolozzi

Paolozzi’s Italian parents ran a small ice cream parlour in Leith, in June 1940, when Italy declared war Eduardo was interned (along with most other Italian men in Britain).During Eduardo’s three-month internment at Saughton prison his father, grandfather and uncle, who had also been detained, were among the 446 Italians who drowned when the ship carrying them to Canada, the Arandora Star, was sunk by a German U-boat.

There is little online about his internment and you wouldn’t have condemned him if he decided to leave Scotland after his release, the words of a Proclaimer’s song always springs to mind when I read about Eduardo Paolozzi, and other Scots=Italians:

Joseph D'Angelo dreams of the days

When Italian kids in the Grassmarket played

We burned out his shop when the boys went to war

But auld Joe's a big man and he forgave all

By the time Eduardo was released it was 1943 and he began attending Edinburgh College of Art before moving to London and feigned madness to secure his release from army duties in order that he could study sculpture at the Slade School of Fine Art from 1944 to 1947.

Paolozzi is widely considered to be one of the first Pop artists and created many collages including the famous ‘I was a rich man’s plaything’ in 1947, which was the first artwork to feature the word ‘Pop’ in it.

After a spell in Paris he returned to London and moved into a studio in Chelsea and by the 1950s was establishing himself as a surrealist artist through a series of screen-prints, pioneering the technique in which each print can have a separate colourway, predating Warhol’s famous prints of the same nature by four years.

In 1968 Paolozzi taught sculpture and ceramics at the University of California, Berkeley. He worked in Berlin from 1974, and was Professor at the Fachhochschule in Cologne from 1977 to 1981. He also later taught at the Akademie der Bildenden Künste in Munich.

Paolozzi might have spent many years away from his home town of Edinburgh but didn’t forget it, he donated a great deal of work to the Scottish National Gallery, who have since displayed a reconstruction of his studio and a large body of his work in the Dean Gallery.

If you have wandered around Edinburgh and visited St Mary’s Catholic Cathedral you will have come across Eduardo Paolozzi statues, “Manuscript of Monte Cassino” which comprises a giant foot and matching hand and ankle. The work was a gift to the city by entrepreneur Tom Farmer, the work is found outside St Mary’s RC Cathedral, I like how the area there has three pieces of art, on the left at Picardy Place you can enjoy a statue of Sherlock Holmes, and on the right you have two giant Giraffes outside the Omni Centre made of scrap metal.

Eduardo Paolozzi suffered a serious stroke in 2001 and he died in a hospital in London in April 2005.

The pics I have chosn are all held by The National Gallery of Scotland, if you like his work you will find loads of it on their website, over 12 hundred are tagged in his name. https://www.nationalgalleries.org/search?search=eduardo%20paolozzi

[btaut]

Dortmund, Dezember 2024

[martinstieger-blog]

ASAS-Zertifikatskurse - in Kooperation mit der Allensbach Hochschule - auch als Kontaktstudien und in Fernlehre absolvierbar

Das österreichische Bildungsunternehmen ASAS Aus und Weiterbildung GmbH bietet aktuell 6 MBA-Fernstudienprogramme und 3 Expertenlehrgänge in Kooperation mit der Fachhochschule Burgenland Weiterbildung an. Als zertifiziertes Weiterbildungsinstitut (Ö-CERT, ISO 21001:2018) werden auch ASAS–eigene Diplomlehrgänge und Zertifikatskurse angeboten, für die österreichweit Förderungen wie beispielsweise…

[scoutlive]

Campusfest 2023

Das Campusfest ging gestern in die nächste Runde! Noch mehr DJs, noch mehr Party … dafür stehen die Macher des Campusfestes in Nordhausen.Viele Besucher kamen zum mittlerweile traditionellen Campusfest der Hochschule Nordhausen auf den Weinberghof bei leider nicht so guten guten Wetter. Mitten drin – auch das hat Tradition – der City-Scout …Ab zum Tanzrausch! Eine garantiert unvergessene Nacht –…

[betamax65]

Der #Staat soll #Kinder ernähren durch die #Kindergrundsicherung, sich um die #Erziehung kümmern durch #Kindergarten und #Schule, eine hochwertige Ausbildung ermöglichen in #Universität oder #Fachhochschule. Was ist da eigentlich die Aufgabe der #Eltern, außer zu #vögeln? #fdp #lindner

[drawdownbooks]

A5/02 Philips – Twen: Realism is the Score

Between 1961 and 1968, the magazine Twen produced a series of LP recordings in collaboration with the Philips record label. During this period, all editions of Twen were accompanied by LPs drawn from the realms of jazz, classical music, radio plays, world music, or pop. For the designs of his record covers, art director Willy Fleckhaus used Concrete Art by Karl Gerstner, Max Bill, and other dedicated graphic designers such as Heinz Edelmann and Günther Kieser. This now-forgotten series, comprising around 70 discs, is a masterful instance of the conjunction of music and graphic design. In collaboration with music archives and private collections, this rare series is reunited in its entirety and documented in this publication.

This volume is part of the Lars Müller A5 series, intended as a growing archive of graphic design. Each volume introduces outstanding personalities and important themes from the history of international graphic design, with numerous illustrations, essays, and interviews. A5 is a cooperation between the labor visuell in the design department at the Fachhochschule Düsseldorf and Lars Müller Publishers.

Designed by Jens Müller

Published by Lars Müller Publishers, 2009

In German and English

Softcover, 96 pages, full color, 5.75 × 8.25 inches

ISBN 978-3-03778-180-7