#Every fictional character that i love died

[su-alteza-emia]

I would have been a "Whatever you say beautiful" to young Coriolanus Snow cause I LOVE BLONDE AND BLUE EYED FICTIONAL BAD GUYS, but was his fault Sejanus' death and there's a thing a like more than blonde blue eyed fictional bad people...

Brown eyed innocent people.

[crunchsomebones]

Ohhhh manga knives you are so fucking slimy you need to be put down like a rabid dog immediately I love you so much please kill yourself

[tiredgeekgirl]

fellas it has been three months since the beach episode and thinking about neil and eva in any capacity still makes me ILL

[anxiously-sidequesting]

To me personally malistaire is the funniest and most pathetic villain wizard101 has ever had AND I MEAN THAT SINCERELY!!! Between doomed children who have been manipulated, groomed, and isolated into becoming products of their environments, someone scorned who has been punished unfairly by having your biological heart torn out your chest and turning your children and all of reality against you to satiate their own ego, a nonhuman entity so powerful and so clueless they unintentionally threaten the lives of everyone around them, Malistaire FELL DOWN BRO. Like yeah you're bitchless now. You and me both. Get in line. Everyone in this room is bitchless. We are ALL living that ✨💅🏾💃🕺 Single Life™. You are a middle-aged man. Cope

[broke-on-books]

☕

The live action Scooby-Doo movies?

I did not see this ask until RIGHT now (first time on desktop since crab day, second time since Nov 5 2020 [which was DOUBLY experience since I got my phone taken the same day]) so I'm going to assume this ask got eaten on mobile because tumblr, HOWEVER you poked a bear with this ask anon (as I'm sure you knew when asking) SO without further ado: my Scooby Doo live action opinions

So when you say 'live action Scooby-Doo movies' I'm assuming you're talking about the James Gunn films, starting with Scooby-Doo (2002) followed by Scooby-Doo 2: Monsters Unleashed, just due to like, generally popularity and also the fact that I have actually seen those films. However shoot another ask if you wanted me to include Curse of the Lake Monster in this (because I will if anyone cares and turn this into a live-action scooby dissertation, i'd just need to like. watch the movie first) But anyways where I'm going with this is that this post is about the Gunn movies aka the ones with SMG, Freddie Prinze Jr., Linda Cardellini, and ofc our #1 man, Matthew Lilliard.

Okay so my take on these movies is... complicated. I wouldn't say it's as complicated as my feelings towards SDMI, because I watched the live actions way less as a kid and generally care less about them, but still no matter how much shit I throw at these two movies there are parts that I generally like (even love) that stops me from totally condemning them wholesale. Like the fact that these movies are FUNNY! There's so many moments from this duology that are just beyond iconic "like, that's one of my favorite names!" the whole thing with Scooby in the dress at the airport, ET. CETERA (like I can go on!)

The Gunn movies are genuinely SO fun and I can 100% see and understand how they've stood so well in the public view as a representation of Scooby. HOWEVER, this is where you start to see my problems with them. For the general American, (because that is the audience I'm familiar with) ESPECIALLY millennials and younger, who happen to make up the majority of both people on this site AND people I talk about Scooby with in real life, these movies, and the elements they introduced as "quintessential scooby tropes" are the base of their understanding of the Scooby franchise, along with likely some miscellaneous WAY episodes and maybe SDMI.

Which is where I get pissed off. In the pushing of the narrative of "breaking away" from the Scooby norm, Gunn basically invents (aka totally makes up) an idea of what classic era Scooby was like, cementing an idea of classic Scooby into the public mind that is totally disingenuous and just straight up false. For example, in attempting to portray Daphne as having taken strides to be seen more seriously in solving mysteries and defending herself, it pushes the narrative that in the classic era she WASN'T taken seriously, and only existed as a damsel-in-distress prop of a character, which is just not true??? Like yes, Daphne is clumsy, that's a part of her character, and her friends (because, fun fact, the gang ARE friends) joke about it sometimes because that's what friends DO. Framing that in some kind of sexist "that's all she does" lens is just total bull, especially as gang members fall into secret passageways/get lost etc. in WAY ALL THE DAMN TIME because that's how the plot functions! Like are we calling Velma ditzy for losing her glasses every other episode? Of course not, and Fred falls into passageways all the time, not to MENTION Shaggy and Scooby and all they get up to. Also one last thing on the topic of Daphne, like this idea of her mystery solving skills not being respected by the gang is just so supremely bullshit it amazes me sometimes, especially when she was the LEADER (or leader adjacent) through pretty much all of her appearances in the 1980s [Not that James Gunn could look at '80s era Scooby without spitting on it, but I digress]

AND THIS IS JUST DAPHNE! Like the perceptions pushed towards Fred (and Velma, but mostly Fred) through these movies are just as bad! Like okay, with Fred---In these movies Fred is just an asshole. I hate Gunn Movies!Fred. I mean yeah he can be funny but it's almost always so mean! Almost nothing makes me madder than a mean Fred by the way. If he's putting other gang members down (even halfway, like with his whole "dorky chicks like you turn me on too" line, which... ew) then to me something has gone very, very, VERY, wrong in your basic understanding of Frederick Herman Jones as a character. Like he's the cheerleader! He puts himself in between his friends and danger! He loves nets, and traps, and Elvis impressions, and wrestling, and the trapeze, and cars, and most of all he LOVES sharing the things he loves with his friends! (Sometimes to a bit of an extreme. No one wants to hear about your net facts, Fred) And the live action movies just don't understand that at all. And I know there's maybe something to say I suppose in that some of those aspects of his characterization hadn't been "established yet" by the time "Scooby-Doo" came out in 2002. But it's there if you look. For Fred Jones, being the leader means being the caretaker, (he's the Mom friend what can I say) and any version where he's cruel and arrogant and just DOESN'T CARE about his friends in the way he's shown to in the Gunn movies is just so far from Fred to me it's not even funny. And what makes it even worse for me is that this (or at least something similar) is the idea of Fred that has really spread to the popular culture. Just the "leader", the jock that makes the rules, the one that [insert X adaptation here] finally gave a personality and made interesting (something that has been said more times than I can count for pretty much every gang member, save Shaggy and Scooby).

And I haven't even touched on Velma, and how they gave her a bit of a early 2000s smart superiority girl complex against Daphne, plus the whole makeover thing and etc. etc. The Gunn Movies are pretty much what would happen if you took someone who hadn't seen Scooby since they were 7 years old (and honestly had a pretty negative outlook against it then) and tried to "fix" it, only his memory was so bad he just made up problems (and threw in a good helping of early 2000s style sexism with it) convincing pretty much the entirety of the popular culture that said problems exist and that Gunn was absolutely brilliant for fixing them (and then bringing up said "problems" whenever anyone wants to talk about Scooby) and this entire rant has been without even fucking MENTIONING what is probably the reason you, anonymous tumblr user sent this ask in the first place, to I, Swishy "Scrappy Doo Redemption Arc" Broke-on-books (dot tumblr dot com), which is his HIGHLY SUCESSFUL and utterly sadistic character assassination of my number one man, Scrappy Doo.

And I am going to try my damnedest here not to get totally into my highly passionate opinions over what James Gunn did to Scrappy in the first of his Scooby movies and how thoroughly it has pissed me the fuck off because I have been writing this post for over an hour now and if we start to really get into my feelings on this topic it will certainly be a couple of hours more but like. That Fucking Bitch. I give James Gunn personally a solid eighty-five percent of the blame for making my life as a Scrappy Doo fan UTTERLY unbearable with this stupid fucking movie alone, and just his Scrappy crimes would honestly be enough for me to say that I hate this movie, not even considering the numerous Scooby crimes I've been talking about here for the past million paragraphs, but the part about this movie that makes me the MOST mad the most pissed off is that it's actually a good fucking movie. James Gunn wrote two hilarious and entertaining movies that have become beloved in the popular culture for their successes in that arena, while at the same time pissing all over the core themes and messages of the franchise of which it was based, that of friendship.

TLDR; The Live Action Scooby Doo movies (written by James Gunn) are highly entertaining and fun pieces of media to watch, and are widely loved by the general public and looked at with fondness and nostalgia because of that. However, as a hardcore Scooby Doo fan (writing that phrase sounds so ridiculous but oh well) the existence of these movies and their impact on the popular culture can be extremely frustrating (despite any personal nostalgia said fan may have) due to their spreading of a misinformed picture of what "typical Scooby Doo" looks like. This picture is especially frustrating due to the fabrication or exaggeration of problems present in classic Scooby (such as sexism in regards to the girls), as well as giving more ammunition to other problems in Scooby fandom (such as oversexualization, and sexualization in general, which no one wants to see in regards to their children's cartoons, like HONESTLY.) Discussions of sexism and sexualization in Scooby (both of which ARE present and are issues, although not at their worst in WAY) can often lead to an overlooking of the issues that are very present and clear in WAY and have continued since then with far too little resistance (I'm 100% talking about the racism here) HOWEVER that topic deserves at least a dozen posts of its own that I am no way informed or qualified enough to even begin to think about writing. The Gunn Movies are frustrating to many longtime Scooby fans because of these reasons, but for me, and fellow Scrappy Doo fans there is also the added aspect of the demonization of Scrappy Doo in the live action movies and the affects that has had on the popular culture as well, making it uniquely inhospitable to like or enjoy the character of Scrappy. End post.

[caterpillarinacave]

Cannot possibly explain how much I, an incredibly lonely autistic child, love and have always loved Henry Fairchild

[trips2saturn]

😂😂😂😂😂😂😂😂 you wouldn’t last an hour in the asylum where they raised me (the walking dead season 5 episodes 8 and 9)

[hopeymchope]

No hardcore fandom has ever died so quickly and so completely as Veronica Mars. This is the story of its murder.

They should study Veronica Mars in Hollywood. I'm serious. It's an incredible story of how to go from "loud, passionate fanbase with its own fandom name that campaigns and advocates constantly for it" to "absolutely zero fucking interest" damn near OVERNIGHT with just ONE epically terri-bad decision.

If you weren't there, you don't understand: From 2007 to 2014, the fandom — the "Marshmallows," as they called themselves — were everywhere in the Internet's geek spaces, my friends. They routinely beat the drum about the series' three seasons and its excellence, lamented its cancellation, pushed others to give the show a try, and always - ALWAYS - proudly and loudly called for the series to be revived.

FULL DISCLOSURE/CONFESSION: I've not even watched that much Veronica Mars, frankly... ? Yeah, I'm sorry! it does seem pretty good from like the four-or-five hours I've experienced firsthand. I just never took the time to sit down with it. Regardless, I find fandoms and their dynamics — both how they operate internally and how they display to others externally — deeply fascinating. And I honestly find them easier to study from the outside than the inside. Like, if I'm IN a fandom, I'm more likely to stay in my corner and ignore places that seem negative. But being on the outside lets me just... absorb what's out there, looking into every forum without judgment. It's like studying pop-culture sociology or something? And it helps that I'm very close to some serious(-ly burnt) Marshmallows. It makes it so much easier to find and absorb the gamut of the fandom.

Besides: There is NO fandom story I've ever seen that's anything like what happened to Veronica Mars and the Marshmallows.

(Time to insert a brief explainer for the uninitiated: Veronica Mars was a TV series that aired from 2004-2007 on the now-deceased UPN network wherein Kristen Bell played the titular character, a high school girl whose single dad was a private detective in the fictional community of Neptune, California. She grew up working "unofficially" as his assistant, which meant that she herself was effectively a teenage private detective.

The three core elements of the series were: 1) Veronica investigating each week's big mystery with plenty of quips and snark, 2) Watching Veronica's various relationships develop and shift, with most of the focus given to a) her relationship to her father and b) Her romantic pursuits (which began as the Veronica/Duncan/Logan triangle before eventually becoming focused on the slow-burn, off-on Veronica/Logan love story), and 3) The gradual development of that season's "mytharc" — the overarching BIG MYSTERY that doesn't get resolved or wrapped until the season finale. So it went over the course of two seasons that took place in high school and the third, shorter season that was at the start of Veronica's collegiate career.)

Just how big and how passionate were the Marshmallows? WELL! When series creator Rob Thomas (not the Matchbox 20 guy) and star Kristen Bell announced the Kickstarter campaign for the Veronica Mars movie in March 2013, it achieved its heretofore-unprecedented goal of TWO MILLION GODDAMN DOLLARS within less than 12 hours. At that time, it was the biggest Kickstarter goal to ever succeed — and certainly the fastest to reach that kind of height. Fans fell OVER themselves to pay out for it. Hell, my own significant other was DEEP in the tank for VM at the time and invested enough to get multiple t-shirts as backer rewards as well as a disk copy of the movie when it eventually came home.

And AFTER the movie hit in 2014? It was thankfully beloved and embraced! The once-teenage characters were adults who were actually out living on their own and working for a living, but the fandom had grown up with them, so it wasn't like they were begging for them to stay young students. They embraced Adult Veronica and her new adventure. The fandom rejoiced loudly and continued to be all over the geek side of the Internet... where they, of course, still wanted more. Sure, there were new novels in the aftermath (which were written by the creator of the series), but most of the Marshmallows were calling for more movies or a streaming revival.

And then, at long last... season four was actually announced. And there was much (premature) rejoicing yet again.

Yes, Veronica Mars returned for a fourth season on Hulu in 2019. It was just eight episodes, and it was heavily centered on one season-long mystery instead of sprinkling that amongst a bunch of smaller ones, but it would still feature the same ol' Veronica. They promised a new, more "adult" mystery/investigation plus a strong focus on Veronica and Logan's love story.

New Hulu purchased the rights to the first three seasons and hyped up its presence on the platform while marketing the return for the new run. The marketing team played up the most popular quips from the show's history plus put out TONS of stuff centered on the Logan/Veronica ship to pump up the fans.

The season was dropped all at once using the classic Netflix "binge" model in July 2019. And then... afterwards?

There was a brief explosion of LOUD RAGE from the Marshmallows at what series creator Rob Thomas had to done to burn and spite the fandom and ruin his own goodwill.

SPOILERS FOR SEASON 4: See, at the end of the movie, Veronica and Logan finally entered into a long-term relationship. In season four, they've been dating for years, and Logan proposes marriage. But of course there has to be drama/obstacles: In this case, Veronica isn't sure she's ready to marry... or capable of being in a marriage. Ah, but of course she eventually realizes how much Logan means to her. The two are married, and, in the season finale... Logan is killed by a car bomb in the penultimate scene. The final scene is a flashfoward to a year later, where Veronica leaves Neptune alone.

For most fandoms, that'd be a memorable point of pain. A big ol' speed bump that ultimately throws some people off the bus, leaving only the die-hards. But the fact that fans had been invested in this relationship for literally 15 years and that Hulu (and creator Rob Thomas) had heavily marketed the new season as being a big romantic event for the ship... it was too much. Unlike the aftermath of the Star Wars sequels, there was no lingering group of die-hard fans who were open to whatever was next — at least no significant one. I did some Googling and could only find TWO people who still wanted another season.

Funnily enough? Critics LOVED this. Hell, Vanity Fair infamously penned an editorial about how Veronica Mars had "finally grown up" with this finale. I suppose all the other murders and deaths and drug overdoses and r*pe weren't "mature" enough before now for... some... reason. (The same editorial also featured the author openly hating on Veronica ever being in a relationship because it causes "arrested development" and declaring that the movie -- which was acclaimed by both critics AND fans alike, I remind you -- was a lame dud. So. The writer must be a reeeaaaal fun person.)

But a series doesn't live based on critical acclaim, as it turns out. The fandom was murdered overnight. "Marshmallows" stopped appearing in geek spaces online entirely. No one expressed interest in seeing the next season or the next movie. The constant flow of fan AMVs on YouTube and fanfics on AO3 dried up to nothing or damn nearly so.

Since 2019 ? Nothing. Chirping crickets. An intensely dedicated fandom of 12 years was just... vaporized.

I've never seen anything like it before OR since.

That's why it's so fucking fascinating.

So what went wrong?

Creator Rob Thomas was adamant about two things: ONE, the series was intended to be a noir show, which meant there couldn't be any happiness for its protagonist. And TWO, the death of Logan was necessary to evolve and grow the series.

Thomas thought that having Veronica in a relationship would be holding her back, and that a marriage would absolutely kill the series and leave her stagnant. It never even occurred to him that marriage isn't the end of a character's life and growth. It never occurred to him that plenty of drama can be had AFTER someone is married, or that development/growth could be that the characters mature enough to be capable of maintaining a committed relationship. Thomas' view of his own universe was so myopic that he couldn't conceive of any possible way that Veronica could still be a private detective involved in life-threatening investigations AND be married at the same time. Futhermore, he felt that fans just wanted Veronica to become a pregnant housewife, which is about as far from what Marshmallows were after as you can get without straight-up killing Veronica and/or Logan. He managed to do the only thing wronger than what he wrongly thought was their insistence.

On top of the above, Rob Thomas only viewed "noir" as a vehicle for total fatalism... despite the fact that many of the most famous noir stories are cynical and full of moral ambiguity, but they still feature a positive outcome. The Big Sleep still has the protagonist get the girl. The Set-Up arguably ends with the happiest possible ending in spite of the beating the hero receives.

Perhaps most importantly? Despite Thomas own insistence that Veronica Mars was always "noir," the majority of both TV critics and fans did not think that designation ever truly applied. I suspect that's the reason why Thomas decided to go as dark and fatalistic as possible: He wanted to be noir, and he was being told that he wasn't. So he went so far into noir that he killed his own most popular property.

He was adamant that it was the only way for the series to grow. But as it turns out, it was instead the only way for the series to permanently end. Without that season four finale, a passionate group of fans would still be begging for more. With it? It's over. Nobody fucking cares now.

That's kind of amazing.

[requiemforthepoets]

hii do you write for franco? if yes can i request a fic where reader is short and insecure about her height so she’s afraid their relationship won’t survive his “f1 career” cause of the lifestyle and all the girls he’s going to meet so despite really loving him she tries to breakup with him but he won’t let her?

tell me that you’re still mine, tell me that we’ll be just fine 𖦹 FC43

PAIRINGS: franco colapinto x female!reader

SUMMARY: when you found out that franco will be racing for williams racing, you were so proud of him. though at the back of your mind, you can’t help but overthink about your relationship with him now that he’s finally in f1.

AUTHOR’S NOTE: hi! thank you so much for sending your request. it’s my first time writing for franco, but i really had fun. i hope you’ll like this one and it’s up to what you were expecting. enjoy! :)

REMINDERS: this is purely fiction, the way how the character is portrayed in my story does not reflect the person that is portraying my character in real life. always separate fiction from reality, and do not repost or copy my work in any way.

WORD COUNT: 1.6k

WARNINGS: not proofread, typos, insecurities (mostly comparing self to others), cursing, low self esteem, overthinking, anxiety, and no use of y/n

As you stand in the Williams garage, you can clearly hear the hum of the whole circuit buzzing all around, and you can’t help but feel so proud. Franco had just achieved what he had been dreaming of since childhood—his first official race in Formula 1. It should have been one of the happiest moments of your life, watching him stand there, helmet in hand, chatting animatedly with the engineers, that wide grin plastered on his face. You knew how hard he worked for this, how many nights you spent listening to his dreams, encouraging him through the frustrations of karting, and celebrating every win, every milestone. You were there through it all, and here he was now—your Franco, living his dream.

However, alongside the pride that you were feeling, a bitter feeling also crept in. It had been lurking at the back of your mind for days now, only growing stronger with each passing moment. It was not about Franco’s career, but more about where you fit into his new world. The glitz and glamor, cameras that seemed to follow every move, the polished and perfect people that surrounded him—people you had never imagined yourself fitting in with.

Lily, Alex’s girlfriend, had been nothing but sweet to you all weekend. You bonded with her quickly, her kind words and warmth is a welcoming comfort amidst the chaos. Yet, as much as you liked her, being around someone so gorgeous and effortlessly poised had only made you feel even smaller. You weren’t tall or glamorous like her or the other WAGs, nor were you used to the attention, and you barely have a successful career. You were just…you. A university student trying to get by through her classes, someone who barely knew what to do when a camera pointed your way, and someone who couldn’t help but wonder if you were truly cut out for this kind of life.

When Franco finally made his way back to you, you could hardly breathe. He greeted you with that same wide smile and a soft tender kiss on the lips, his eyes still sparkling from the thrill of the race.

“Can you believe it?” He laughed, pulling you into a hug. “I can’t believe I just raced in F1. This is really insane.”

You smiled weakly, arms wrapped around him. Trying to steady your racing heart. “I’m so proud of you,” you murmured against his chest. But the words felt heavy, there was something you needed to say, something you dreaded.

After the media frenzy died down and the team began to clear out, you knew it was time. You asked Franco if the two of you can go to his driver’s room, away from the lights, cameras, and the noise. He nodded and led you towards his driver’s room, completely oblivious to the storm brewing inside of you.

When you reached his driver’s room, he locked the room to give you two some privacy. Franco quickly sensed that something was off with you, immediately frowning.

“What’s wrong?” He asked, as your hands shook as you fumbled with the words. “Franco…I don’t know if I can do this.”

“Do what?” His voice is gentle but confused.

“This. All of this.” You gestured around vaguely. “I don’t belong in this kind of world. I don’t look like the other girls in this kind environment, I don’t act like them. I just feel like…I’m not cut out for this, you know. For you.”

He blinked at you, and then—he laughed. A soft incredulous sound that only made your chest tighten. “You’re joking, right?” But you just shook your head, throat tightening painfully. “I’m serious, Franco.”

His smile faltered, eyes searching your face, and then he grew serious. “You’re breaking up with me?” He sounded like he couldn’t believe what he was hearing at all.

You bit your lip, feeling your resolve crack under the weight of his words. “I think I have to.”

Franco stepped closer, shaking his head in disbelief. “No. No way. Hell no. You’re not doing this.” He grabbed your hands, holding them tightly. “Tell me why. What’s really going on?”

You stared at the ground, unable to meet his eyes. How could you even tell him? How could you put into words the overwhelming insecurities that you had been drowning in.

“I’m not enough for this life, for your life,” you whispered, voice barely audible. “I’m just…me. You deserve someone who can handle all of this, someone who doesn’t feel like they are drowning every time the cameras turn their way. I’m scared that this will change us, that it will change you.”

Franco squeezed your hands tighter, forcing you to look at him. “You’re scared?” He asked softly. “Of what exactly? That I’ll stop loving you because I’m in F1 now?”

You nodded, chest tightening as tears began to fill your eyes. “I’m not like them, Franco. I don’t belong here.”

He pulled you into his arms, resting his chin on top of your head. “Listen to me, and you listen well,” he whispered. “You’ve been with me through everything, literally everything. Since my karting days. You’re the one I want with me, not some random model, not someone from this kind of environment. You.” He gently cupped your face, making sure that you were looking directly into his eyes. “I’m not breaking up with you. Not because of this, not because of anything. I love you so much. If this life makes you uncomfortable, we’ll figure it out. Together.”

You shook your head, still overwhelmed with doubts. “But I don’t know how to—”

“I don’t care,” he interrupted softly. “I don’t really care about any of that. All I care about is you. I’m not losing you just because you think that you’re not enough. You’ve always been more than enough for me.”

Tears finally spilled over, and Franco wiped them away with his thumb. “You’re not getting rid of me that easily, okay?” He added.

You let out a choked laugh, burying your face in his chest. “Okay,” you whispered, feeling the weight of your fears slowly start to lift.

Franco kissed the top of your head as he kept you close, his voice soft but firm. “Look at me,” he said, lifting your chin so your eyes met his. “There’s no one else I see in my future but you. No one else who matters like you do. I don’t care about the noise or what other people say. Let them talk all they want, I don’t give a shit. You’re the most important person in my life.”

His words wrapped around you like a warm blanket chasing away the chill of insecurity. You couldn’t help the way your heart fluttered, how much you wanted to believe him. “But people will judge, Franco. They already are.”

Franco shook his head, brushing a strand of hair away from your face. “I don’t care about them. They don’t know you like I do. I’ve seen you at your best and your worst, and I’ve loved you through it all. That’s what matters, not their opinions.”

You bit your lip, trying to push away the lingering doubts. “It’s just I don’t want to hold you back. You deserve someone who—”

“I already have someone I deserve,” he cut you off, voice unwavering. “You’ve been there for me through everything, you believed in me when no one else did, even when I wasn’t sure I believed in myself. I’m not letting you go because of some stupid insecurities about fitting in with this world. I don’t need someone from this world. All I need is you.”

Tears welled in your eyes again, but this time they weren’t from doubt or fear. They were from the overwhelming love you felt at that moment. “You’re sure?” You whispered, voice trembling. “You’re really sure?”

Franco smiled, the kind of smile that made everything else melt away. “I’ve never been more sure of anything in my life. You’re my future, not them. Not anything else. Just you.”

As you stood there in his arms, you let yourself believe it. Because the way he looked at you, the way he spoke, it left no room for any doubts. You were the one he wanted, and that was enough.

After a long moment of silence, just feeling the comfort of being in his arms, you finally pulled back, wiping the last of your tears and giving him a small and sweet smile. The tension that had been weighing on you had lifted, already been replaced by the familiar warmth you always felt around Franco.

You wrinkled your nose playfully, trying to lighten the mood. “Okay, as sweet as this moment is, you really need to freshen up. You stink.” You teased, giving him a playful nudge.

Franco let out a laugh, the sound light and easy. “What? No way, I smell like pure victory,” he grinned, pulling you back into his arms, purposely trying to rub his post-race sweat on you.

“Franco!” You squealed, trying to push him away. “Ew, Franco! You’re all sweaty!”

He laughed harder, his arms tightening around you for a second before he finally let you go, raising his hands in surrender. “Alright, alright, I’ll go and freshen up,” he said, his grin still wide. “But don’t think I didn’t notice how you were crying on me. If anything, you owe me for that.”

You rolled your eyes but couldn’t help smiling. “Fine, fine. I’ll owe you. Just go clean up before I regret taking you back,” you teased, earning an exaggerated gasp from him.

Franco winked at you before heading off to freshen up, not forgetting to steal a kiss from you. “Don’t go anywhere, I’ve got plans for us to celebrate.” He threw a playful look over his shoulder.

You shook your head with a laugh, feeling lighter than you had in days. The doubts that once felt overwhelming now seemed small in comparison to the love you shared. Franco was right—together, you could figure out everything, just like how you both always do.

[fuckyeahgoodomens]

Neil talking about the responses to Good Omens Season 2 - from the Neil Gaiman interview with Brian Levine for The Gould Standard (x,x)

BL: The audience that you have built is a very passionately engaged audience. They, frankly, they love you. And one of the reasons they love you is that you fit into what I think of as one of two great divisions in art. There's, or in writing, um, there is: I'm entertained, I'm amused. I may be even enchanted; and then there's this hits me at a visceral level. You understand me as no one else does. You have touched something very central to my experience. And it seems to me that Much of your writing, maybe all of your writing, actually reaches your audience at that latter level. You know. I would say in the former category, sort of my quintessential and beloved example would be P. G. Woodhouse. He amuses me, but I don't feel like he's revealed my inner self at a very deep level. Um, were you aware that you were going to be able to achieve that? Um, that this is something... was it a startling thing when people began coming up to you, who'd read your work and said, this means so much to me?

Neil: Yeah. It was huge. And it wasn't expected. I... if I had a mountaintop I was heading towards, it was gonna be P. G. Woodhouse. Um, I wanted to be a proficient entertainer with a clear prose style who could tell stories. Um, it probably wasn't until Sandman that I found... I started to realize that in order for a story to work, I had to show too much. In order for a story to resonate, in order for a story to matter, I had to let it matter too much. And, and I remember the first people who would start coming up to me and saying, um, you, you know, your, your Sandman comics got me through the death of a loved one. Your death character got me through my child's death, through my parent's death, through my partner's death, through my friend's death. Um, and that left me kind of amazed. I'm like, well, I didn't write it to do that. I wrote it to feed my children. I wrote it to satisfy myself. I wrote it because nobody else had ever written it. And if I didn't write it, it wouldn't be written, but I don't think I wrote it to give you what you've taken from it. And I spent really about 20, 25 years feeling awkward about that. And then my father died, in March 2009, and never got to cry about it. Never... I, you know, I've, I've got on a plane and I went to the UK and dealt with the funeral stuff and organized all of that stuff and came back and go toff the plane and went and did Stephen Colbert's Colbert Report and wearing the funeral suit because and that was all I had with me and carried on. And then, somewhere in the middle of summer, I was reading a friend's script. They'd sent me a script and said, can you look this over? And I'm reading it, and on page 20, the lead character meets somebody, and on page 26 maybe, she's dead, and I burst into tears. And I'm bawling. I am sobbing. It is coming out of me in giant racking waves. And I realized that it's everything that I'd been, hadn't let myself feel, or hadn't been able, hadn't stopped enough to let myself feel, was suddenly being given permission to feel by the death of a fictional person who I'd met six pages earlier, ia script. And I thought that... and it was huge for me, and I thought, okay, that's that thing that people are talking about sometimes, when they come tome and they say, you, you did this. So right now, I'm in this weird, wonderful place where I think a lot of people in Good Omens Season 2 thought they were signing up for the P.G. Woodhouse, and didn't know that, no, no, no, you've, you've signed up for the whole thing. You've signed up for the feelings. You've signed up for the emotions. I... it is my job to make you care and to make you feel and to feel things you haven't felt before. And which meant that the first week or so after Good Omens came out, I was getting angry, furious, deeply upset messages on every possible social medium telling me that I had betrayed people, and it was awful, and they couldn't stop crying, and why would I do that to them, and did I hate them? And they hated me. And then a weird sort of phenomenon happened as people would watch the show again. And again. And now they started to know, okay, this is where it's gonna go, this is what's gonna happen, this is how it works. And they started realizing that they were actually feeling things, and that was good. And that they were caring about two people who don't exist. You know, I made them up, and then and Terry Pratchett made them up, and then, um, David Tennant and Michael Sheen gave them life, and then they get to walk around on a screen and you know they don't exist, but you can cry for them, you can love them, they can make you laugh, they can make you exult, and most important of all, they can make you care. And the number of people who are now writing to me, saying, 'This was so important to me. This has changed my life. This makes me feel like I belong. This makes me feel like I can cope. And it's let me sort of find myself. P. S. I hope you get to do Season Three.' is, is huge.

[corseque]

On the scale of 1 (Rise of Skywalker) to 10 (Shadowbringer/Endwalker), where would you place Veilguard?

critical post

I’ve burst into enraged tears like 5 times since I finished it, which is not nearly even close to as many times as Rise of Skywalker, but still 5 times too many. Just the shallowness of the writing, the obviousness, the incredible frustration at the simplicity, the ignoring so much of my favorite character in order to make a stupidly simple plot work, the horrendous time I had trying to ignore Rook’s annoying stupid fuckass pov while just trying to self-insert myself into the end of my favorite fictional character of all time’s story after waiting 10 years. I screamed in frustration that I had to hear the painfully obvious commentary these brand newcomer characters who I did not give a shit about, explaining to me like a toddler how I should feel about revelations I have been writing about for 10 years, especially when what they were saying was stupid as fuck. I cried at the thought of so many cutscenes and so much effort went into stories I found very forgettable and went nowhere, while they were able to only scrounge up like 10 total animated shots reuniting Solas and Lavellan. I mourn that I could not make any decisions in a BioWare game. I mourn Solas’ story so much, and probably will for years. I will never get over the way they talked down to him and never listened to him for even a second, lest they actually have to write a branching path into their game. I hate that the theme was regret but Rook regrets nothing ever so (shrugs) regret doesn’t affect them or mean anything to them. I mourn the loss of the voice and point of view of his people, the ones he was fighting for, the ones who are alive. I mourn that it turns out that he’s just a stupid feral dog who is 100% wrong about everything always and he always has been from the beginning of time. I cried that the game said the answer was that Solas should NOT try to help his people and they never even discussed it as a philosophical question or the ethics of it or anything, or playing as a character so dense they never once even wondered if accidentally freeing the gods killed more people overall than the veil coming down would have. (We avoided this question like the plague, lest we feel less like purely Good Heroes who could talk down to the gods with righteous fury). I mourn that I’m never going to know what would have happened without the Veil. I feel so stupid for thinking that elves or spirits as factions would appear in any capacity with lines and perspectives in this game. I’m so angry at how safe and smoothed over everything in the setting is, and how it felt like the main characters never struggled with anything and have nothing to say. I can’t believe Dragon Age is so shallow and unsatisfying and head-empty. I mourn that the story of Dragon Age is Over to me and I will never play another game.

I’ve also cried a few times at the completely separated and individual imagery and music in the last scene. I’ve cried that my favorite character didn’t die in any world after 10 years of being at death’s door. I’ve cried at the thought of him being a little worm spirit, and that I was right about him the whole time. I cried when activating Felassan’s crystal in the final fight and seeing all the buffs. I cried when I turned the page and realized the default inquisitor was exactly the same as my personal Lavellan, down to hair style, eye color, hair color, vallaslin removed. I cried when I realized Solas thought he should have died as a spirit rather than be born. I cried that the main story Dragon Age has been telling the whole time has been about the reconciliation and freeing of my favorite fictional character. I cried that Solas and Lavellan got married in the end, when I genuinely wasn’t expecting either of them to even be alive. They’re both still alive and in love in every single world. I can’t wrap my head around that.

I have no idea where to put it. It’s a few high highs but some intolerably low fucking lows. It could have been so much worse but the bar is on the fucking floor. I go back and forth between moderate enjoyment to just being so angry. It could have been so much more and I do not know who to bite for it.

I have no idea.

[hamliet]

Love is Life, and Also Unpredictable

The Decameron is a brilliant, beautiful show that deserves way more praise than the lukewarm reviews. I don’t think I’ve ever seen a love story so beautiful and characters who subverted expectations in the most satisfying ways.

Every time you think a character is an unforgivable lout, you'll be surprised at how human they'll be. The character you think is a buffoon and whom you wish would die because they're THAT level of annoying ends up making you bawl with their words a single episode later, and it still feels in character.

I dunno, the show has pretty mixed reviews, but if you like dark humor and a study on humanity, this show is for you. Also, if you like love stories of any sort, because this show contains several of the single most unique love stories I could have ever imagined. Yes, including queer and... ace love.

*yes i have read boccaccio's work on which it's based

Spiritual, Agape Love: Neifile and Panfilo

I genuinely think the sexless marriage and partnership of a gay man and a devout, neurotic straight woman is one of the most beautiful love stories I've seen in media, ever. They genuinely want each other to be happy, and they aren't content just being each other's "beard" or financial security. They want to know each other more. They want honesty. They want to be together and to have intimacy, just not romantic or sexual.

The scene where they reconcile in front of Ruggiero is stunningly wholesome and--dare I say it--pure.

The scene where Neifile falls in the well and waits for God to save her is clearly a riff on the classic parable of the guy who is drowning and turns down two boats and a helicopter rescue saying "no thanks, God will save me," only to die and get to heaven and cry, "God, why didn't you save me?" Then God replies, "you dumbass, I sent you two boats and a helicopter!"

Neifile is rescued because her husband Panfilo pays someone to rescue her and to tell her God sent a vision telling them where to find Neifile. When she finds out Panfilo orchestrated it, she's furious about him deceiving her. But the reality, we later realize, is that he didn't exactly. Neifile wanted proof God still cared about her. He sent her a husband who loved her so much he would do anything to save her.

Neifile's faith isn't perfectly written, but it's not mocked. In the end, Neifile and Panfilo live like Christ--which is to say, they save their friends even though they die. Neifile dies afraid, but life comes with no guarantees. It's unpredictable, just like love. And after her death, Panfilo seems to lose the will to live--but when he decides to sacrifice his life to die alongside Neifile, it's not so much out of a desire to die as it is out of a desire to have his friends survive. And it's not a coincidence that the foe they face off with is a self-proclaimed prophet who's really a cruel, hypocritical cult leader. Neifile's dead, plague-ridden body is more holy than the cult leader's sword.

Romantic/Eros Love: Misia and Filomena, Tindaro and Stratilia, (and everyone)

Everyone has romantic love and/or a sexual relationship in the story. Everyone has a "pairing," but it is seldom their most important bond.

Dioneo and Licisca

Filomena and Misia

Pampinea and Sirisco

Tindaro and Stratilia

Neifile and Panfilo/Ruggiero

Panfilo and Neifile/Andreoli

The two that are the most important here are Misia and Filomena, and Tindaro and Stratilia. Yet they are both quite unique portrayals as well, because while Misia and Filomena's love is requited, Tindaro's loev for Stratilia is completely unrequited. Yet, its power still shines through.

Tindaro's love for Stratilia is utterly unrequited and stays that way. However, his love for her is nonetheless real and he proves it over and over, and it isn't dependent on her returning it. His determination to love her, no matter what she does or doesn't give him, is honestly a beautiful exploration of unrequited love. Usually in fiction unrequited love is either someone wasting their time or a tragedy.

Rarely does unrequited love have power to redeem and save, but here it does. It motivates Tindaro to change himself for the better and to become the best version of himself, and it saves Stratilia's life and the life of her son.

Yet, the story avoids any kind of iffy subtext about sex corrupting love. Misia and Filomena get a happily ever after (the only pairing in the series that does), but Tindaro's love for Stratilia, which literally starts as hate sex and stays that way for her, redeems Tindaro. So the show avoids saying that sex is all that love is, and avoids the implication that sex ruins love as well.

Familial Love: Licisca and Filomena, Stratilia and Jacopo

The series addresses sibling love in a variety of ways. Filomena and Licisca are clearly sisters long before we get the official reveal that Licisca is actually Filomena's half-sister in blood. And even when we see them fighting and pushing each other off a bridge (literally), they love each other. They can't bear to see each other die, even as they peck at each other and insult each other constantly.

Filomena: Licisca, you saved me again! Licisca: Yeah, you dumb bitch. Love's got long claws.

Truly, a sister exchange right there.

What gets in the way of their familial relationship is class. The series juxtaposes class issues against familial ones quite a bit. Leonardo, for example, we never meet, but the way he treats Stratilia and Jacopo (his son) is pretty terrible.

And yet, Jacopo has a good life. Stratilia loves him, even though he is the reason she can never leave the villa, marry, or have any sort of life of her own. She knows Leonardo never plans to have Jacopo as an heir or treat him as a son in any way, but she loves him and sticks around for him, and doesn't resent him for it. And he in turn adores his mother and wants to protect her. Love is a burden, as Panfilo says directly, but so is life. Love anchors.

What gets in the way of love for this mother and son, temporarily, is again class. Not for herself, but for her son, Stratilia eventually decides to take the villa since Leonardo is dead and Jacopo is the rightful heir. But clinging to class and material possessions in this series never ends well.

When Stratilia realizes her desire to seize the villa in the name of justice for her son will likely get them all killed, she cries and blames herself for their coming deaths.

As Tindaro says:

Stratilia: I failed my son Tindaro: No. You have given him everything. And love most of all. He is blessed. You understand that Jacopo? You are blessed.

In other words, love doesn't have to be perfect. It can involve major screwups and pain, but that doesn't mean the life they had or the love was any less powerful.

Also of note: the whole reason the peasants turn to mercenaries and cults is because the rich lock themselves away from the poor, when in reality they are all humans. You can't counter acts of God (or, y'know, rats) but where humans do have power, in all the terrible hands life slaps them with, is the ability to love each other and help each other. While this sounds cheesy, the juxtaposition of this idea with a black comedy plague setting actually makes it shine.

The Loveless: Pampinea

At the start of the story, there are two buffoons: Tindaro and Pampinea.

Tindaro is misogynistic and pathetic, and Pampinea is equally insufferable but more sympathetic because her insufferable tendencies are clearly driven by her status as an unmarried woman in a patriarchal, misogynistic society.

Yet Pampinea has all of these kinds of love, and can't accept any of them. Sirisco loves her and thinks she is beautiful. She not only pushes him away, but is cruel in doing so. She has the respect of Neifile and Licisca. She has unrequited loyalty and love from Misia, and uses it to manipulate Misia into killing Ruggiero for her (and the irony is that Misia, who is traumatized from killing Ruggiero, then kills Pampinea).

Pampinea is a well-written villain, imo. You love to hate her, but you also see her humanity. The way she treats Misia, though, is increasingly horrifying, and their relationship foils Tindaro and Dioneo's, Filomena and Licisca's, and Leonardo's and Stratilia's/Sirisco's.

In fact, Filomena even directly acknowledges that she's no better than Pampinea for how she's treated Licisca. Tindaro doesn't get the chance to have that realization about Dioneo while Dioneo is alive, but he does give him a decent burial when he definitely didn't have to. And, there's an aspect of tragedy there too--Dioneo did care about Tindaro, but Tindaro's inability to show any kind of care for Dioneo while he lived means that he doesn't realize that Dioneo did in fact find love in the end, though he acknowledges that this was what Dioneo did primarily want in life.

In contrast, Pampinea has chance after chance after chance to choose differently, to choose a single bond, and she doesn't. She also recognizes that her servant wants love more than anything, just like Tindaro and Dioneo, but instead of using that to honor them, she uses it to degrade and manipulate Misia.

Bad Victims and Toxic Love: Misia and Pampinea

Misia is a bad victim. It takes forever for her to realize she's being abused and even longer to accept it. She does in fact murder someone for her mistress, and she keeps going back to Pampinea even when it means essentially betraying Filomena, whom she romantically loves. When she asks for help, she pushes the people she's asked away.

Eventually, the only way she sees to free herself is to kill Pampinea, because love for Pampinea is a way to cage someone rather than a way to set them free. Pampinea's already introduced the idea of killing for love, so it's not really a surprise when this comes back to bite Pampinea and she is killed.

Yet the story doesn't demonize Misia for this. It shows how damn difficult it is to free oneself from an abuser, and how genuine the love for an abuser can be. In fact, the victim can often not even realize they're being abused and taken advantage of.

Furthermore, Misia's abuse doesn't make her a better person. Most people tend to assume that victims cry and wait for rescue, but that's not realistic. Victims lash out and can sometimes have a massive cognitive dissonance, as demonstrated in the show when Misia begs Sirisco for help and then blames him for Ruggiero's death when he calls her out on Pampinea's abuse of her.

Even Misia killing Pampinea isn't portrayed as a moral positive. It's tragic, but it also doesn't have to destroy Misia's future. Filomena loves her and forgives her, and that love can tether Misia to life despite her having two murders under her belt.

Sirisco also goes down a bad path, similar to Misia. He brings misery and problems to the villa in his outage over Pampinea's treatment of him. Yet he does repent after he sees that his actions have directly led to the deaths of the peasants who treat him well, and he survives.

[afterglowkatie]

friend night into date night | l.w.

leah williamson x reader | 1.6k | an almost weekly tradition where leah gets to spend uninterrupted time with her favourite person

ˏˋ°•*⁀this is my first time writing for a real person, i used to write for fictional characters. hope you like it :)

Ever since you got back from your year long trip, Leah made sure you had one night almost every week where it was just the two of you. The two of you together doing anything you wanted, free from any and all expectations. Leah always tried to make time for these nights though there would always be a break whenever she was away on camp with England. Leah loved representing her country but hated being away from you, though the messages you’d send her of how proud of Leah you were would always help.

Normally these nights consisted of going out for dinner, exploring places you haven’t been or just staying in with either takeout or you cooked for her. Either way they always ended the same with you sprawled out on Leah’s couch watching movies and today was just like any other. Leah insisted on taking you to this new restaurant that just opened, remembering how you had been talking her ear off about it for months. There was no doubt in her mind when she instantly made a booking to take you there. Leah would do anything to make you happy, anything to see a smile brighten up your face.

Leah knew she made the right choice when you didn’t stop gushing over the food and how good it was and how happy you were to be there with her. You might talk a lot but never once did Leah make you feel like you were annoying or boring her. She always listened with a smile spread across her face.

‘Who’s idea was it to walk,’ You complained while wrapping your arms around your body trying to find some warmth on the walk back to Leah’s apartment.

‘If you’re cold,’ Before you could protest Leah took off her jacket and placed it over your shoulders while wrapping an arm around your waist pulling you closer to her. Warmth quickly spread over you, liking the idea of having Leah wrapped around you in some way or another.

‘But what if you get cold Le?’ You breathed out softly, leaning your head on her shoulder looking up at her. ‘I have like a million layers on, I’m sure I can spare you one without freezing,’ Leah smiled down at you warmly, watching the way you threw your head back slightly while laughing.

‘Keep it babe. It looks better on you anyway,’ Leah stopped you from giving her jacket back the second you walked through her apartment doors. Feeling your cheeks grow warm, you turned your head away slightly trying to keep your smile under control, ‘You get the snacks and I’ll get the blankets?’ You nodded thankful for the distraction from how your heart had started beating a little faster.

The movie hadn’t been on for long before Leah wrapped her arm around your shoulder pulling you into her side. You liked being close to her, something about Leah always made you feel warm and safe. Leah often kept you close, feeling the need to protect you whether it was in big crowds or just the two of you, knowing you were close to her made her happy. It wasn’t long after she held you close that your head ended up laying in Leah’s lap with her fingers running gently through your hair.

Anyone who didn’t know the two of you often mistook you for being together, not knowing how long you had been such close friends for. You were most comfortable around Leah and she was most comfortable around you. It had always been that way, even when you were little, and it had never changed.

‘Le,’ You whined out, ‘Can I use your phone? Mine died and I’m way too comfortable to get up,’ Leah laughed softly at the way you dramatically threw your phone down against the couch. She rolled her eyes playfully while you gave her a look that she just couldn’t say no to.

‘Sure, now put those eyes away,’ Leah smiled at you before covering your eyes, they were her biggest weakness and you knew how to play that to your advantage.

‘Le, aw I’m your lock screen. You’re mine too! See,’ Reaching for your phone trying to get it to light up to show her before groaning remembering that it was dead, ‘Oh I’ll show you later. Passcode please Le,’ Not tearing your eyes away you watched while Leah pressed each number, instantly recognising the group of numbers, ‘Wait, Le that’s my birthday,’ You turned your head furrowing your eyebrows slightly.

‘Oh is that what that is,’ Leah tried to feign innocence. A quick and brief comment while turning her head back to the movie, pretending to watch it while her thoughts were racing through her mind. Leah realises that you know her well enough to know that anything she does is never out of coincidence.

Thankfully, for Leah, you didn’t press that topic, happily turning your attention to the phone in your hand while listening to the movie playing and enjoying the way Leah’s fingers massaged your head. It wasn’t until the movie ended that you could feel Leah staring down at you. Locking her phone, you placed it down alongside your currently dead phone before meeting her gaze smiling softly at each other. Leah’s mind was racing with thoughts of you, ones she couldn’t shake no matter what she did. You noticed the way her smile faltered slightly and her body tensed up against yours. Eyebrows furrowed in confusion caused Leah to sigh.

‘I have to show you something,’ Leah was normally confident and bold but right now she was slightly apprehensive. Her slight change in demeanour had made you a little unsettled but you let Leah pull you from the couch and into her room. Sure you had been in her room plenty of times but right now it made you nervous to be in here, not knowing what was about to happen. 

Leah rummaged through her closet, almost wishing she could back out from what she was about to show you knowing it might change things. Hoping things between the two of you wouldn’t change for the worse. It was a risk Leah was willing to take, her heart just couldn’t take it much longer. Leah pulled out a small box from the top of her closet, gently placing it down on the bed next to you. Careful with the box as if the contents inside could break easily.

You gave Leah a reassuring smile, it was enough to get her to open allowing you to see the contents of the small box. Your eyes were wide and in awe at what was inside, ‘Le you kept all the letters I sent you?’ It really shouldn’t have been a surprise seeing all the letters and little gifts you had sent her while you were away on your year long trip. Though you were sure maybe some would’ve gotten lost or accidentally thrown away but you recognised every single one was there, ‘Wow you must really love me,’ Your comment was slightly teasing, though you knew Leah only loved and saw you as her best friend.

‘Yep…’ Leah breathed out quietly, though it was loud enough that you managed to catch it and the way she had said it along with the longing look in her eyes. You always did know how to read her.

‘What?’ You questioned, hoping that she would say the words you had always wished to hear from her. Hoping she meant it in the way that you wanted her to mean it.

‘Look,’ Leah moved the box sitting down next to you on the bed, fidgeting with her fingers. You shakily placed your hand on top of hers, holding them and trying to reassure her to continue on. Leah instantly laced your fingers together, looking at them while taking a moment to contemplate her next words to you. Hoping you felt the same way and that she wasn’t about to ruin the friendship the two of you had, ‘babe, when you were gone for the entire year it killed me not being able to see you. The time apart made me realise how much you mean to me. It’s why I suggested these weekly nights, just the two of us. It wasn’t about a night away from work, it was more about spending uninterrupted time with you,’ Leah paused, playing with your fingers, trying not to let her fear take over her and take back everything she’s already said.

‘Leah, what are you saying?’ You had a good idea where she was going. You kept pushing, wanting to actually hear Leah say the words to you.

Leah lifted her gaze from where your hands held each other, catching your eyes softly, ‘I love you. More than I could ever express to you. I want to turn our weekly friend nights into date nights,’ 

Your smile widened at Leah’s confession, heart racing you gave her hands a small squeeze of affection, ‘I love you too Le. So much. I didn’t think you felt the same, it’s the reason I left for so long because it was too painful to think or see you with someone that wasn’t me,’ You looked down feeling stupid for how you handled your feelings and worried Leah would be upset with you.

Leah softly pulled her hands from yours, gently taking your head in her hands so you were now looking at her. Rubbing her thumb along your cheek she smiled at you before leaning in, capturing your lips between hers. You relaxed into Leah’s touch, both of you smiling against each other's lips before pulling away. Leaning her forehead against yours she whispered out, ‘You’ll never have to worry about that. For as long as you’ll have me, I am completely yours,’

[changbunnies]

Moonstruck (18+)

♡ Pairing: Changbin x Ghost Fem!Reader

♡ Genre: very loosely inspired by corpse bride, horror in a goofy + silly + fluffy sort of way, ghost / human relationship, love at first sight vibes, smut, takes place vaguely during a time where ppl still use landlines more predominantly than cellphones

♡ Word Count: 6.5k

♡ Summary: Changbin is a scaredy cat– and despite that, he likes to read to the deceased in the cemetery, likes to help the souls that may linger there feel less lonely, likes to let them know they aren’t forgotten. His poems of choice are sweet things, full of love and joy– and his utterances of true love stir you; a soul who died before knowing love, and who craves it even in death. And Changbin decides, then and there, that he wants to give you what you couldn’t have in life.

♡ Warnings: discussions about death ofc (reader is quite literally dead and a ghost lol), i thought making reader the ghost instead of bin would be a fun lil twist as that usually isn't the case in fics like these? just wanted to try somethin a lil different :')

♡ Smut Warnings: sweet + tender smut because i'm a yearner for bin first and foremost!, no intended dom/sub dynamics but i did write a lot of bin begging so :), pet names (baby, honey), exhibitionism, voyeurism, some nipple play, mutual masturbation while cuddling

♡ Notes: my kinktober opened up dark but we are returning to standard form with my precious sweet binnie!! i did originally have something dark planned for bin too but i scrapped it pretty early on cause it didn't feel right lol i couldn't do it!! also the poem binnie is reading at the beginning of the fic is "since feeling is first" by e.e. cummings!

♡ Disclaimer: please read responsibly, and remember that this work is fiction and meant strictly for imaginative fun. the idols used in fics are more accurately faceclaims and personality outlines for imaginary characters, and should not be interpreted as factual representations of existing people.

Changbin curses the autumn sun for setting so early– why on earth is it already so dark at 6 o’clock?!

The full moon hangs over him, and gosh, he wishes he could've gotten here earlier in the day– maybe then he wouldn’t still be here, in the local cemetery at night, with nothing but his poem book in hand.

He wishes even more that he at least had a flashlight– but the batteries were drained in the one he has sitting in his car's glove box, and it's not like he can leave spares in there; that's dangerous! So all he can do now is keep turning in the moonlight, trying to get it to hit the page of his book just right so he can keep reading. 

Perhaps the reason he's here is silly, but Changbin fully believes in ghosts. Well, to be more precise, he thinks that there are many souls in the world, and that not every soul is here physically. 

Most souls, he thinks, depart for a better place when their flesh dies, but he also thinks there are many that don’t– many that stick around because there is something they still wish to do, or because they have someone they still wish to see. 

That’s what always brings him here when he can spare a moment from his busy life. Because he believes that if spirits do still linger in this world like he thinks they do, if they haven’t yet found peace and moved on, they must be lonely. 

It must be sad– to exist in the world you once knew, but be unable to interact with it the way you used to. For others to no longer be able to see you, touch you, or hear you.. He doesn’t want anyone, alive or otherwise, to feel forgotten or ignored. And if he can make a difference somehow, in whatever small and silly way it is, he’ll do it; because he’d want someone to do it for him. 

Naturally, he didn’t intend to still be here at night; he just got caught up at work, and arrived here later than he typically would. But still, he didn’t want to just turn around and go home– he promised last week that he’d come back today to read! 

And maybe ghosts, or spirits, or whatever you want to call them aren’t real; maybe he spends his time here reading to nothing and no one. But if there’s even a chance that someone can hear him, and who looks forward to the days he returns to keep them company, then he has to keep his promises. 

Still, he’d be lying if he said he isn’t more than a little freaked out right now. He’s been here during the day plenty of times, and you’d think that’d mean he wouldn’t be scared of the place at night, but oh, you’d be so sorely mistaken. 

He jumps every time the crisp, freshly fallen autumn leaves rustle from the wind, and from every shadow cast from the newly bare tree branches. He constantly glances over his shoulder, alerted from every small noise, whether it be an owl hooting or a cricket chirping.

And when a black cat appeared out of nowhere to bump against his leg, he let out the shrillest shriek before erupting into a fit of sneezes. He even jumped out of his skin from accidentally kicking a can while walking– and why is there litter in a cemetery anyways? Whoever left their trash here is so disrespectful! 

Suffice it to say, Changbin really wants to get out of here– but there’s only one more batch of graves he hasn’t read over yet, and he doesn’t want to skip them over. It wouldn’t feel fair to them, especially not if they're waiting for him– the last thing he wants to do is disappoint someone.

“H-Hi everyone! Changbinnie’s back to read again, uhm– s-sorry I came so late, I’ll still read to you like I promised! J-Just give me a sec,” he says, trying to temper the fear in his voice as he continues to adjust the position of his book in the moonlight. Finally, he finds the perfect position for the moon to make the words in his book clear, and for the shadow he himself casts to not obscure them.

He takes one more tentative glance around, takes a breath to settle his nerves before he clears his throat to start. And thankfully, the fear does naturally start to dissipate a bit as he reads– serves as a good enough distraction from his eerie surroundings. "Since feeling is first, who pays any attention to the syntax of things, will never wholly kiss you. Wholly to be a fool while–"

Changbin pauses when he hears an unfamiliar sound, goosebumps erupting all along his skin as he looks up from his book. It was a soft, light and airy sound– almost like a voice, though he’s certain it couldn’t have been; because when he looks around, he doesn't see anyone. He’s as alone as he’s been from the start; so he assumes he's just psyching himself out, mistaking the steadily blowing wind for something it isn’t. 

"Aish, it's nothing! Stop scaring yourself!" he whispers to himself before he continues to recite the words on the page. But he pauses yet again when he hears fallen leaves crinkle and a brittle tree branch snap just feet away from him. It spooks him good, it does– and he lets out an awkward laugh at himself when he realizes it was the black cat he saw earlier that made the sound; hopefully it keeps enough distance that he doesn't get the sneezes again.

Looking away from the cat that is currently working overtime to fray his nerves, he turns his attention back to his book. There's only a tiny bit of the poem left to go, and Changbin is confident he can get through it! No more being a scaredy cat over the little things, no more trembling breaths and anxious stutters– he can do this!

"The best gesture of my brain is less than your eyelids' flutter, which says we are for each other; then laugh, leaning back in my arms. For life's not a paragraph, and death, I think, is no parenthesis."

With a sigh of relief to be finished, he closes his book and prepares to bid the inhabitants of the cemetery, that may or may not actually exist, a pleasant goodbye; and a swear that he's never staying past sundown again. He’ll stay longer next time, he promises, but he has to go home before he loses his mind. 

He really hopes they do exist– he doesn't want to think he stuck around while scared out of his wits for no reason; he hopes someone heard him, and was comforted by his presence. And honestly, he thinks he deserves a pat on the back after all the trials he's gone through in the last 30 minutes!

And as he finishes tucking his poem book in his arm and looks up, he sees someone. Translucent, hazy, floating, just a few feet in front of him– he can see straight through them, can see all the dark trees and short, stone headstones that live in the ground that the figure should obscure were they physically here.

Changbin blinks, almost wanting to cartoonishly rub his eyes and slap his cheeks to make sure he's seeing properly and not losing his mind like he fears. What he does instead is shriek, positively jumps out of his skin once again as he drops his book and falls back on his behind from the fright.

He scrambles backwards, ducks behind a nearby headstone and brings a hand over his racing heart. He takes a few breaths, does his best to calm down before he slowly peeks out from behind the headstone to see if the figure is still there. 

He doesn't see anyone anymore– was he just seeing things? He has been really scared, so he doesn't think it impossible that his mind would start tricking him. But what if he really saw a ghost? The thought makes goosebumps rise on his skin again– God, he needs to go home already. 

"Hello? Can you hear me?" he hears a voice, airy and otherworldly, just behind him. His breath hitches, and hesitantly, slowly, he starts to turn toward the source of the voice. You float there, brows furrowed as you call to him, glowing ever so slightly in the palest shade of blue. 

A chill runs down his spine, and it's not just from how frightened he is– it's because cold air is quite literally radiating off of you. "Y-You– You're– You're a–" You're a ghost, he's trying to say, but the word catches in his throat. It doesn't help that his teeth are chattering now– he can even see his breath with every word he manages to choke out.

And yes, he already thought ghosts were real– the whole reason he comes here to comfort spirits is because he believes in them! But he’s never actually seen one before, nor heard their disembodied voices calling to him. And now that it’s actually happening, he doesn’t know what to do with himself. 

“You can hear me! I knew it! You can see me too, can’t you?” you exclaim joyously, clapping your hands together in utter delight. You’re less transparent than before, your form less blurry– but you don’t look solid either. If he stuck his hand out to touch you, he’s sure it’d pass right through you. 

He swallows as he watches you dart side to side in your glee, the motions so smooth it’s unnatural. You look around his age, he thinks, though it’s impossible for him to tell exactly how old you are– or rather, were. Your hair is wispy, floats around you in a way reminiscent of being underwater; your long dress does too, light and delicate in appearance. 

“I’m sorry for scaring you, Changbin,” you tell him earnestly as you float down to his eye level, “I didn’t mean to, I just got so excited you could finally hear me– I'm so happy!” 

“You– you know my name?” Changbin questions, bewildered– honestly, he feels like he’s going to pass out. “Of course I do! You come here every week to read to me,” you reply with a giggle, as if the idea that you wouldn’t know his name is a silly one.

“O-Oh, right, yeah, of course, that makes sense,” he mutters. He’s still shocked, but he’s not as scared as before, and he manages to relax just a little. “You, uhm– you listen to me read often then..?” he follows up hesitantly; and it’s probably such a silly question, but you’ll have to forgive him because he’s never had a conversation with a ghost before. 

“Yes! I love when you come to visit and read your poems, it always makes me happy,” you tell him, adjusting your position so you’re sitting down with him– though you aren’t actually sitting on the dirt like he is, but levitating off the ground.

You introduce yourself after that, smile happily when he repeats it, because it’s been oh so long since someone said your name. “If you’re always here, why couldn’t I see you before?” Changbin can’t help but ask after, because now that the fear is dissipating he’s full of questions he wants to ask you.

“Well, the conditions have to be right! You can’t see me when it’s bright out, and you never stay 'til dark. And now I know why, scaredy cat,” you tease him, giggling when he pouts and huffs. You honestly find it endearing that someone as seemingly strong as Changbin is so easily frightened by little things.

“Hey, you’d be scared too!” he complains, though he can’t help but smile as you keep giggling at him. He never expected to befriend a ghost, but you’re obviously a kind spirit, and your delight to be talking to him is evident. And now that he’s over the shock and the fear, and really looks at you, he thinks you’re pretty too– beautiful, even. 

Is that strange? Maybe; but you are still a person at the end of the day. You float, you’re a little transparent, you glow pale blue and cold air surrounds you, but you’re still a person.

And at the same time, he can’t help but feel sad too– death comes for everyone, he knows, but it feels unfair that someone like you is already gone from this world. Someone as young, kind, and beautiful as you should’ve lived a long, full life.

“You need to have strong emotions to manifest, y’know? And the moon helps– when it's full like this, it gives me more energy than I usually have,” you continue to explain when your giggling subsides, and Changbin hums contemplatively, thinking for a moment before he responds.

“You have strong emotions then? Something that keeps you here?” It makes sense that you would– as far as he knows, strong emotions are the only things tethering spirits to the physical world; so if you’re not at rest, it has to be because there’s something within you that feels unresolved, something you needed or wanted but never obtained. 

Tentatively you nod, fiddling with your fingers and averting your gaze slightly. “I do, but.. It’s– it’s silly,” you mumble, and Changbin’s previous lighthearted, curious expression shifts, suddenly turning serious as he gazes at you with a slight frown.

“If it mattered to you– if it still matters to you, it’s not silly,” he says, and the sincerity in which he says it would make your heart race if you were still alive. If you’re being entirely honest, you’re in love with Changbin– and that’s part of the problem.

When you were alive, all you’d ever wanted was love– to meet someone that knocked you off your feet with just a glance, someone sweet, sincere, and tender. Someone that you could marry someday, maybe start a family with while living together in a quaint little idyllic house. 

But that never happened– and the sense of despair and unfulfillment you felt from having your dreams taken away from you are what kept you here. You didn’t know what to do when you realized what happened to you– spent your days wailing in frustration and sadness to the few other spirits inhabiting the cemetery with you over the unfair circumstances. 

What were you supposed to do? How were you supposed to find peace and move on? Maybe the only way would be to learn to accept it– accept that your dreams would never come true, and just let them go. You didn’t want to, but if you kept holding onto them, who knows when you’d finally move on from this world? 

And around the same time you were grappling with such thoughts and feelings is when you first saw Changbin, who came to the cemetery for no reason other than to give you and the other inhabitants some company. And he wasn’t talking only to you, but it always felt like he was– like every word that left his lips was entirely for you alone. 

“I’m here for you, you’re not alone as long as Changbin is here,” “This poem is my favorite, I hope you like it too,” “Did you have a good day today? It’s okay if you didn’t– Binnie’ll hopefully make it better!” 

That’s all it took, really– and suddenly, you weren’t bound to this world because you never knew love; you were bound to this world because you felt it too much. You love him; not just because of his sweet personality, but every little detail about him– from the swoop and curl of his hair, to his chubby cheeks, to his cute, pretty and pouty lips. 

And you long to kiss him, but Changbin is alive, and you very much aren’t anymore– and there’s no way he’ll fall in love with a ghost. Still, you believe him when he says that what binds you here isn’t silly– or that he won’t think so, at least. 

“It’s just.. Well, I can’t have what I want, I know I can’t, but I still want it anyways; like, even though I should just let it go, I can’t bring myself to. I think that’s why I’m still here,” you tell him, deciding it’s best to keep your desires down to their vaguest parts.

Changbin is sweet, and he looks at you with so much care that you’re certain he’d be understanding and sympathetic, but it’s probably for the best that you don’t pour your heart out beyond that. 

“Is there really no way for you to have what you want? If there’s anything I can do to help, you can tell me! I’d do my best,” he expresses sincerely, and though you can’t physically cry anymore, it almost makes you feel like you will. He’s just too sweet, you can’t take it.

“M-Maybe, but I wouldn’t ask for it,” you reply, and his brows furrow a little. “Why not? You don’t have to tell me if you really don’t want to, but I hope you know that I mean it when I say I'd be happy to help you," Changbin says, smile so patient, gentle and sweet that it if you were still alive, your cheeks would definitely be heating up right now. 

Should you give it a shot? What's the worst that could happen? You're already dead, so it's not like you can die from embarrassment if he shuts you down. The worst he can say is no– and that would be okay too, because maybe with his rejection you'd finally be able to let go of what keeps you here.

“You could.. kiss me?” you say after a moment of hesitation, and Changbin almost squeaks from how surprised he is, blinks at you with the cutest flustered expression you’ve ever seen.

“Th-That’s– that’s what you want?” he stutters out, and even in the low light of the moon, you can tell he’s blushing, the soft pink spreading over his cheeks and crawling up to the tips of his ears.

“It’s– it’s what I wanted when I was alive. To kiss someone I love, I mean,” you answer, and it gets Changbin’s heart racing. Not just that someone as pretty as you, ghost or not, wants to kiss him, but the implication that you love him that definitely wasn’t missed by him. 

“It was the poems, wasn’t it?” he says with a bashful little downturned smile a moment later, and you laugh, in your delightfully light and airy way as you nod. “They helped. But really, I just think you’re very cute– and very sweet.”

It’s a little strange, being complimented like this by a ghost, and learning that said ghost has very deep rooted feelings for him– but he likes it. And maybe it’s a little unorthodox, but he’d be happy to give you what you want; especially if it will help you find peace.

“I’ll kiss you,” he tells you, and it’s not because he feels obligated, or like he should– it’s because, believe it or not, he sincerely wants to. He thinks you're pretty, you're sweet and earnest, and you love him– so who cares if you're a ghost; why shouldn't he kiss you?

“A-Are you sure? You really don’t have to,” you assure him, and Changbin smiles at you as he nods, entirely certain. “I know I don’t have to. I want to kiss you.” Your spiritual heart soars and burns with joy– and slowly, timidly, you return his smile before you float your way closer to him, and reach your hand out to touch his cheek.

He doesn’t feel your touch, not really– just the cold that pours from you. Regardless, he closes his eyes for you, purses his lips and slightly tilts his head the way he would if he were kissing anyone else. And again, he doesn’t feel your lips, but the cold– that is, until the feeling suddenly starts to become fuller. 

Slowly, he can begin to feel the way your hand rests on his cheek, can feel your lips slotted against his. He can feel your other hand resting on his chest, right over his heart, can feel the weight of your body on his lap, and he shivers– not because of the cold, but because he can actually feel you now.

Instinctively, he moves his hands to try and touch you– and is pleasantly surprised to find he can. His hands don’t phase through you like he thought they would earlier– he can feel you under his fingertips, as if you’re just as corporeal as he himself is. And so he holds you close, kisses you slow and sweet, over and over until he’s out of breath. 

“You’re still here,” he can’t help but whisper when he pulls away; he half expected you to dissipate the moment you got what you wanted, though he’s not sure if that’s actually how it's supposed to work. And he’s left with a strange feeling– on one hand, he’s sad for you because he really did want to help you move on. On the other hand, he likes that you’re still here, that he can still see you and feel you. 

In reality, you feel like his kiss tethered you even more to the physical world. You’re the happiest you’ve ever been, and instead of it giving you the peace you needed to move on, it bound you here stronger. You're filled with a strong desire to remain here, to be with Changbin, and you feel that it has made you manifest more than you’d ever been able to before. 

You’ve tried many times before, but have never been able to manifest yourself this much; to the point that not only could you be seen and heard, but felt– and whether it’s because the full moon is helping, or because Changbin’s kiss gave you more energy and purpose, or a mix of both, you’re happy.

“I think I like you too much to move on.” you tell him, and he giggles as he squeezes you closer, his nose scrunching cutely whilst he hugs you. 

“I’m sorry– I feel like I shouldn’t be, but I’m happy you’re still here,” he says, and you shake your head, returning his smile as you share the sentiment. “I’m happy I’m still here too.” 

It’s a bit strange, having a ghost for a partner. Sharing a kiss attached you to him; and no longer bound to your grave, but to Changbin himself, now you go wherever he goes. You don’t need to always be right on him, of course– but you do have to be close; and every time one of you steps too far out of that radius, you always end up snapping back to him. 

It’s a generous radius, really– you can go several miles before the invisible tether connecting you snaps you back to his side. It’s more than enough for you to exist in his house while he goes to work– and really, he’s happy to share his home with you; he’s sure it beats staying in the cemetery all day, every day. 

And even when he can’t see you, whether because the sun is too bright in the sky or because you don’t have enough energy to manifest that day, he can feel you– and you make yourself known in little ways. His house is always cold now, but it’s especially cold when you’re nearby. You flicker his lights and turn his tv screen to static to get his attention, or leave a message in the steam from his hot showers on the mirror. 

He’ll get a phantom phone call to his landline, where all that exists on the other line is static– but even if he can’t hear it, he’s sure at that moment you’re saying something sweet. And while he's mostly used to these occurrences now, he'll still jump when he hears a sudden noise before he remembers it’s you; a tapping on the wood of his bed frame, usually– 8 knocks meant to signify “I love you.”

Nights of the full moon are always when you can manifest yourself the fullest and easiest, and you both take full advantage of the time you have before you eventually start to become hazy and transparent again. Tonight is one of those nights; the moon hanging high, bright and beautiful, illuminating his dark room in the same pretty, pale blue that glows off you. 

“Baby, please–! You’re so cold, warn me first!” Changbin cries when you first touch him. He already knows you’re not going to waste any time in getting to touch him when you first manifest, but the chill that radiates off you still jolts him every time.

“You’re just so warm,” you muse happily as you snake your limbs around him, sap him for all the warmth he’s worth under his fluffy comforter, “my big teddy bear.” He huffs, but smiles as he does– he can’t actually be upset with you, after all. 

“You should let me take your warmth anyways– you were so mean, ignoring me all day,” you pout as you snuggle into him, burying your head in the warm crook of his neck.

“Hey, hey! Don’t say that, that’s not fair! You know I couldn’t see you!” he wails dramatically, and you have to make an effort not to giggle, bury your face further into him so he can’t see you smiling.

Of course, you know it’s not his fault in the slightest that he couldn’t see your or hear you earlier today, but you still like to tease him over it just a little– his reactions to it are always so cute. “So mean,” you repeat, your voice muffled by his sweater.

He knows that you’re doing it to get a rise out of him, and you know that he knows. But he likes doing this with you– it’s silly fun, and he loves the precious smile that spreads on your face when he plays along and inevitably dotes on you while begging for your forgiveness.

“Aigoo, my baby is really upset. Guess Binnie just has to make it up to you, huh?” he says, and you lift your head just enough to peek an eye at him. “Tell Changbinnie what you want, he’ll give it to you. He’s really sorry,” he entices you further, and the cute smile he was expecting and loves so much makes its full appearance.

“Want a kiss,” you say, pursing your lips at him in that cute duck shape as you wait for him to comply. He tries to coo at you, but it comes out more like a giggle before he’s lifting his head from the pillow to kiss you, tender and sweet.

“Do you forgive me now?” he asks when he pulls away, and you hum as you pretend to think about it. “Mm, I don’t know. I think I might need another one to decide.”

Changbin fully laughs then, shakes his head and mutters something about you being cute before he kisses you again. He shifts onto his side as he kisses you, making it easier for you to tangle your legs with his. He hisses when your cold toes touch the backs of warm calves, and you giggle an apology, though he knows you’re not actually sorry about it at all.

You always tell him how much you love his warmth, and how it radiates from every inch of him. And he’ll pout and shout, half-heartedly complain when you surprise him by touching him with your cold digits, simply because he knows it makes you laugh; you both know that in reality, he’s happy to be your personal heater.

He shivers when you snake your hands under his sweater; your hands aren’t as cold as they were when you first touched him anymore, but it’s still enough for goosebumps to follow the path of your fingers– or maybe he just has goosebumps because he likes you touching him.

Changbin gasps when you brush over his peaking, puffy nipples, and you take that moment to slip your tongue into this mouth. He moans when you pinch them between your fingers, tweak and twist just enough to have him squirming.

“Honey,” he breathes in a near whine when you pull away from him to kiss over his jaw, and the scar that sits on his chin, while your fingers continue to play with his body. 

“I missed you,” you speak against his skin as you press kisses along his neck, “I heard you earlier– saw you touching yourself in the shower. I wanted you so bad, but I couldn’t do anything about it.” He whimpers at that, squeezes you where his hand rests on your waist. 

Naturally, the fact that you can hear him and see him even when he can’t see or hear you always exists in the back of his mind. Every time he starts to touch himself, it’s something he considers– and he even likes it; likes knowing you’re there, watching and listening.

“I’m sorry, couldn’t help it,” he whines an apology, though he knows he doesn’t have to. You’ve both talked about it, of course– how you like watching him, and how he likes being watched in turn. There’s something naughty about it, and it always leaves him feeling extra desired and sexy when you later tell him what you saw, how much you want him because of it. 

And when he feels a sudden chill run along his body and down the length of his spine, is hit with the inexplicable sensation of being watched, he knows it’s you. It always fuels him, makes him fist his cock faster and run his mouth, hoping you like everything he’s spilling. 

Really, it’s no wonder that you always jump his bones the minute you can. Changbin thinks he’d go insane if the situation were the opposite; if he could see you touching yourself, could hear every little noise of pleasure you release, and not be able to join no matter how bad he wanted to. He’s already desperate for more intimacy with you as is– he doesn’t think he’d be able to take it. 

“Can you do it again? Touch yourself with me right here?” you ask him, and he can’t help the way his face flushes as you continue, “I want you to see me watching you this time.” You can feel the way his heart thumps in response to your request, how it picks up speed ever so slightly before he answers. “Y-Yeah, I can– I can do that for you, honey.”

You meant it when you said you like watching Changbin get off. You like watching his honeyed skin slowly take on more and more pink as he strokes his cock. You like watching his broad chest puff out, his stomach clench, his toned arms flex with every motion he makes.

You like watching the sweat build on his brow, and like to listen to his moans become more breathy and whiny as he gets closer and closer to release. And though Changbin isn’t naked now, you’ll still enjoy watching all the same; because he's beautiful, and handsome, and so utterly perfect when he's feeling good.

He reaches between your bodies, manages to get his pajama pants and underwear down just enough to release his still hardening cock from their confines. He bites his lip as he takes the short length in his hand, looks down at himself as he strokes it slowly before looking back at you.

There’s still enough lingering sensitivity from before that he squirms more than usual, but that’s not all there is to it– it's your attentive stare, the way you gaze into his eyes as he moans before you trail them away to watch him stroke himself, and back again. And you’re so close, body so tangled with his, that his fist keeps bumping into your thigh with each pump of his cock. 

Changbin keens when you kiss him, so affectionate and tender that it makes his head spin. You can feel his thighs twitch as he starts to stroke himself faster, and you pull away to watch for a few moments before you tilt your head back up to kiss him again. He's fully hard now, dripping pre-cum so steadily that the glide of his hand becomes slick and effortless.

He whimpers when you pinch his nipples again, parts his lips so you can slip your tongue back into his mouth. His breathing becomes steadily harsher and uneven, his every moan and whimper muffled by your lips against his. He brings his other hand to your ass, squeezes it as he pulls you even closer to his body, as if the fact that you're not already mere inches apart with your limbs tangled together is enough for him.

And truly, he can't get enough of having you close like this. The way you kiss him, touch him, look at him, all while he’s stroking his cock for you– it really does something to him; makes him feel so good and so desired that he swears he could cum purely from the intimacy of it alone.

“You too, please?” Changbin pleads in a breathy exhale the next time you pull back from kissing him, “Please, want to watch you too.”

“Yeah? You want to watch me?” you smile, almost giggle from the eager nod and the whiny, desperate “please, want it so bad,” he gives in response. You’re sweet to your Binnie, oblige him in an instant, and he watches with eager eyes and bated breath as you dip your hand between your bodies.

Even with your dress already hiked all the way up your thighs, you’re so closely pressed to him that he can’t get a clear sight of your pussy; but watching your hand will be enough of a view for him. He'll be able to tell what you're doing, and that's all he really needs.  

All you can reach while this close and tangled together with Changbin is your clit, and he watches you shudder at the first bit of stimulation to it from your fingers. He mimics what you’d done– alternates between watching your face and your hand, and God, every time your eyes meet again it takes his breath away. 

It’s not the same as if you had a physical body like his– your face doesn’t flush, you don't sweat from exertion, and you don’t grow breathless the way he does, but you feel the pleasure all the same. He can tell from the furrow of your brow, the tremble of your body, and the bite of your lip as you gaze at him.

And you're so pretty, face so close to his that your foreheads touch, that his every breath tickles you. "Oh my god, baby–" he whimpers when you start to moan with him, picking up the pace of your hand when he does, matching his speed.

It makes him dizzy– because when he closes his eyes, he can pretend he’s inside you; pretend that the sloppy, squelching sounds his fist creates are from your pussy instead. He can pretend that when you moan and whimper, it’s because he's stretching you out perfectly and hitting your spot just right. 

He holds your gaze when he opens his eyes again, completely stops watching the motion of your fingers between your legs so he can strictly observe you, take in your pretty face and how you look when you're feeling good with him. It’s intimate, staring at you like this; it makes him squeeze his cock tighter, the motion of his fist quickly becoming erratic as he drives himself closer to release. 

“Does it– do you feel good?” Changbin asks, because even though he knows, he still wants to hear you say it. “Do you like this? Tell me– please tell me.” 

“Feels so good, Binnie, love this, love you so much– you can’t see it, but I always touch myself with you like this, always make myself cum watching you,” you tell him, and he whimpers from your admission, high-pitched and squeaky. 

“Oh, ‘m so close– will you cum with me? Please, need you to cum with me,” Changbin whines and pleads, every inch of his body trembling as he tries to hold his orgasm back long enough to hear your answer. 

“I will, ‘m gonna cum for you, Binnie, just for you,” you promise, reaching your free hand out to cup his face, keeping your eyes locked with his as you watch each other unravel. Your paces are frantic now, bodies bucking together with every combined motion of your hands between your tangled legs. 

You lean forward to kiss him just as your high takes you, and it sends him right over the edge with you, eyes rolling back before they flutter closed. Noises of pleasure muffled by each other’s lips, his hips jolt as his cum spills over his fist, onto your thighs and the hand you have nestled between them. 

He’s sure some of it got on his comforter too, but he doesn’t care– he just keeps kissing you as he comes down from his high, because despite how breathless he is, it's all he wants to do. “I love you so much,” he tells you after another sweet kiss, and you smile at him, tell him you love him too as you wipe the sweat sticking his curly hair to his forehead away. 

You stay like that the rest of the night; tangled together, hugging each other close and kissing tenderly until Changbin’s fatigue prevents him from doing so any longer. He falls asleep like that, holding you to his body as much as he can; and even when your physical form starts to dissipate with the rising of the sun, you stay right against him.

When he wakes in the morning, he can’t see you anymore, but he knows you’re there. He tells you he loves you, and he smiles when you reply with your 8 little knocks to his bed frame. He talks to you throughout his morning, as he always does, because even if he can’t see you, he knows you’re listening. 

And when he decides to go back to the cemetery to read to the other spirits that still linger there, as he promised them he would, you go with him. He saves your grave for last, and you watch as he puts flowers on your headstone before he settles in to read to you; and even when he can’t see you because the sun is just too bright, he can feel you there, sitting next to him and listening to his poems. 

When he’s finished reading, he’ll feel a sudden touch of cold on his cheek, and he’ll know it’s from you kissing him. He’ll smile, place his hand over the spot and tell you again that he loves you. And when Changbin returns home, and the light of the moon helps you manifest again, he’ll kiss you all over and squeeze you tight, with a million promises of forever on his lips.

[badwolfrose34]

Girl in the Fireplace Rant (cont.)

There was at least some engagement on my last post about this so I decided I will in fact post a follow up. GitF was 100% a bad faith episode. Moffat wrote it because he is classist and misogynistic and hates Rose. Unfortunately, part of his purpose for the episode was to show that the Doctor will always prefer a “classy” aristocrat over Rose and he wanted to have her treated as nothing. So, all of us Rose fans have to come up with a headcanon that undermines the writer’s intentions.

I think the most common one is to believe the episode was the Doctor’s attempts to push Rose away because of her mortality and how that scares him.

That never worked for me because a major part of the Doctor’s character is his protectiveness. He would never push her away to the point of danger or abandonment. For me, I feel that fictional or not, the actions of the Doctor in that episode would be entirely unforgivable if they did happen. So my headcanon is that this episode was a nightmare Rose had.

If you are like me are also one of the fans for whom the pushing her away theory doesn’t work, read on for my explanation of why I don’t think GitF could be an actual event within canon. Moffat may be a BBC writer but it doesn’t give him a right to completely undermine the show, it doesn’t actually belong to anyone outside of financial concerns. If you’re content with believing he needed to push Rose away and that the episode did happen, you can ignore this.

Why the events GitF did not happen within canon (but could’ve happened as a nightmare)

1. Doctor Who canon is very loose as it is. With multiple writers across multiple mediums, things do contradict each other and us as fans get to decide for ourselves what fits with canon and what does not.

2. The Doctor has been clearly shown to be in love with Rose. He is protective of her to the point that if a decision will kill everyone else but give her even a slight chance of survival, he can’t actually make that decision. He almost did in Dalek, but after she didn’t get through the barricade the first time he was incapable of significantly reducing her safety for the good of everyone else. He snapped awake from a regeneration coma just because Rose said “help me”. He freaked out when Cassandra had her body and again in Tooth and Claw when she was in trouble. If you count Stone Rose that almost certainly took place before GitF and he once again, lost his mind over Rose being a statue.

I do understand seeing Sarah Jane age freaked him out. And I could’ve understood him distancing himself from Rose a bit in some way. But his instinct to protect her is so strong he’d never sacrifice her safety to push her away. Leaving her alone with clockwork for an extended period of time while he partied and invented drinks is impossible enough. Let alone the way he believed he’d have no way back to the ship when he went through the time window for the last time. Not only had he just promised she could spend the rest of her life with him, but her and Mickey would’ve likely died alone on that abandoned spaceship.

Simply, it’s just too out of character to happen within the rest of the Ninth and Tenth Doctors’ canon.

3. The horse. I have been a big horse person my entire life. Horses have extremely strong flight instincts. Even the most trusting and well trained horse in the world is never going to jump through reinforced glass. I do realize as Sci Fi fans we have to suspend disbelief for a lot of things. But we are never given an explanation as to why this horse would behave so dramatically differently from another horse. Every bizarre thing we accept in the DW universe is explained to some extent. There is a book where the Doctor tames a horse with psychic paper. But that horse is never asked to violate its instincts. That horse behaves as any other tame horse behaves. That is an example of acceptable DW suspension of belief. There is still a sci fi/alien technical explanation and I can absorb it. I cannot absorb a horse jumping through a firm glass window unless they were running from something even scarier. No matter how well trained a horse is, it’s not jumping through glass just because a humanoid asked them to. Nothing was chasing Arthur and his body language did not suggest any kind of fear to indicate he was running from something even scarier. All the droids were already in the other side of the window as well. It’s simply bizarre and impossible, even in a sci fi snow. Within this very show the Doctor states you can’t hypnotize someone beyond their survival instincts. I believe this applies to horses and a horse’s instincts is to avoid jumping through or into a reinforced barrier.

Next, we are given no explanation as to how this horse jumped through glass unscathed. Glass that was said to be so strong only a truck could break through. Horses are also extremely delicate and many have fatally injured themselves just playing in the paddock. Even for injuries not that extreme, every horse person knows that even small things result in giant vet bills.

Finally, it is once again grossly out of character for the Doctor to take a living animal and make them do something he previously calculated would required a truck.

4. Things are back to normal as if the episode never happened by the Rise of the Cybermen. If the Doctor had really developed feelings for another woman so strong that he would leave Rose for dead, then lost her, would he just be back to being the same old Doctor the very next episode? I doubt it. The Doctor is also a character known for holding on to guilt. Even if Reinette was mechanism to push Rose away, the way he abandoned her would’ve caused enough guilt he wouldn’t just be normal the very next episode. The show carries on as if Reinette never happened because Reinette never happened.

The only reference to that GitF is some clockwork droids in John Smith’s journal. Which could be explained by another encounter with the droids or by the Doctor looking at Rose’s mind to see the nightmare. Which would be an intimate enough moment to imprint on John Smith’s subconscious. The words “a girl in every fireplace” can once again refer to the Doctor seeing Rose’s nightmare or another off screen adventure entirely. There is no reference strong enough to confirm the actual events of GitF ever happened. The show functions exactly the same way without it. Because, it never happened.

5. The events of the show make perfect sense as a nightmare in Rose’s head. Take it from someone with a degree in psychology. Rose has abandonment wounds from Jimmy Stone. She also has abandonment wounds from her father dying when she was too young to understand it. School Reunion, the episode right before GitF triggers her abandonment wounds by making her see the Doctor has previously left companions and did not come back for them. It also makes her wonder if she is special to the Doctor. These doubts combined with her past trauma are a perfect recipe for her to have a bizarre nightmare where she gets abandoned in the most horrific way after the events of School Reunion.

I will leave you all with my fic where this was all a nightmare. Or you can write your own if you prefer. My point is that for those who feel the way I do about this episode, we do not have to accept the events as canon. We do not have to believe the Doctor has ever treated Rose this way except in her worst nightmares.

Update to address Deep Breath:

1. Doctor mentioned seeing clockwork droids before, but we know that the Doctor has many off screen adventures. He could’ve encountered the droids at any other point in his entire life besides GitF.

2. As for that episode stating the SS Madame De Pompadour existed, that still doesn’t confirm anything. There was a real life ship called the USS Queen of France. This was named for Marie Antoinette. Jackie dated a sailor once and Rose had a friend named Keisha whose brother was a sailor. This means Rose could’ve heard one of them discussing historical naval ships. This how she would imagine a ship named after Madame de Pompadour in the first place. She and the people who built the SS Madame de Pompadour and SS Marie Antoinette would’ve simply drawn inspiration from the same place. Also, there’s the fact that someone named a fictional ship Titan many years before Titanic ever existed.

Update 2: Rose was going to get an A level in French if she hadn’t run off with Jimmy. So she could’ve reasonably been familiar with some aspects of French history and able to imagine all of these things in a dream, even if it wasn’t a historically accurate dream, everyone knows weird things happen in dreams.

[2hightocare]

LOVE WAGER! 01

Synopsis: Meeting a crazy stranger who cuts in line, tries to tell you love like the books doesn’t exist—it’s whatever. You won’t ever see him again… right?

Pairings: jungkook x fem!reader

Genre: college au. strangers to friends to lovers. forced proximity.

Warnings: mentions of divorce parents, Jungkook lowkey being insufferable, banter, cussing, a little bit of them being enemies, nicknames, oc being a hopeless romantic at heart, Jungkook being lowkey a cynic… them meeting each other so many times, choking!

a/n: first chapter out!! Woohoo, I’ve been keeping them close to my heart for quite some time. Ever since I listened to “in between” by Gracie Abrams.. I was inspired to write them—the song is so them coded.💌

★ masterlist!

3 years ago…

You were a hopeless romantic.

Most people called it being delusional— by people, you mean the random stranger in front of you.

The first time you met Jungkook, not only did he cut in front of you in line, but he also started shit-talking about how delusional you had to be to think romance books were even remotely comparable to real life.

The line at the cupcake shop was long. You had been wanting to try the new chocolate-covered strawberry flavor from your favorite cupcake shop in the city. The shop was always full, but today it was packed to the bone— the line almost reached outside the door. The people sitting at the cute pastel-colored tables were even leaving because the space was getting so crowded.

It was a Friday, and you had just left school. Your black backpack hung loosely over one shoulder as you stared down at your phone, trying not to die playing Subway Surfers. When your phone died, you internally groaned.

You mentally rolled your eyes before looking forward, where the line was starting to move faster. You were probably the fourth person in line, which was good since you'd only been there for around twenty minutes. You slipped your phone into the back pocket of your jeans before reaching for the zipper of your backpack—pulling out the latest book you hadn’t finished reading amidst all the assignments teachers had been bombarding you with. You thought it was dumb, considering it was your senior year in high school—why not just let you off easy?

You zipped up your backpack before slipping it on, tucking in the small hair that fell into your face when you opened your book. You moved forward as the line advanced, not bothered by the conversations from everyone around you—it was like your own brown noise, which you usually looked up on YouTube whenever you wanted to act like the main character in a movie.

Romance books were your thing. The same went for movies; you loved a good romantic story with the most cliché plot in the world—it did it for you every single time.

Your dad had tried getting you into self-help books, fiction books, or even those thriller books where you had to guess who kills who. He would back this up with actually learning something from reading a book, and you tried all those genres, you really did. You were the most specific girl there could be; if the book didn't impress you within one chapter, you closed it and moved on.

You were basically in love with the idea of love, imagining someone doing all those things you had seen in movies and read about, which filled you with hope that someone could care and love you that way. Yes, you believed in soulmates; you believed that someone, somewhere in this world, was destined to be with you, no matter the circumstances. You believed that if two people were destined for each other, they would find a way to each other, one way or another.

“Hi, baby, you still haven’t ordered? The line is so fucking long.” A strange boy, who looked around your age or maybe slightly older due to his eyebrow piercing, spoke up. He had a navy blue cap with the Yankees logo on the front, and you could see small pieces of his hair. It looked like a dark brown, but at some angles, it looked black, so you thought maybe he dyed it. He was cute, with a sharp jaw and dimples, which you immediately noticed when they showed on his left cheek as he bit his lip, waiting for you to reply.

“I’m sorry—“ you started, only to be cut off by him. “I've been meaning to show you this, babe.” He cut you off before basically shoving his phone into your face. His phone showed his notes app open with a text that read, ‘Please act like you know me so I can cut in line; it’s so long, and I have somewhere to be.’

Your brows furrowed at the pleading guy. You had no clue what his name was, but he looked like he was seriously about to lose his mind if he had to wait another minute in line. You shook your head before nodding— a smile burst on his face.

“Thank you,” he mouthed to you, to which you only shrugged before closing your book. “What flavor are you getting, lovebug?” He said, his nose scrunching in disgust at what he just said. A small laugh escaped your lips since that was the cringiest shit you had heard all day, maybe even all week if you didn’t count your dad trying to write you a poem about his love for your cat.

“I want to get the new chocolate-covered strawberry flavor. What about you?” You said, your fingers fidgeting with the pages of your closed book. His eyes dropped to your hands as you moved up in line, now second in line.

“Is that your book?” He said instead of replying to your question. “Yeah, do you read?” A spike of excitement was clear in your face and voice, only to be squashed when he opened his mouth.

“Do you actually believe anything in there is remotely realistic?” He said nonchalantly before removing his cap, letting his fluffy hair fall in his face before almost immediately collecting it back, placing his cap backward this time.

“I—“ you stutter, your mouth slightly agape, not knowing how to reply without sounding dumb. Because, yeah, you strongly believed romance books were able to happen in real life if someone loved you enough. “Well.. I mean, love happens anywhere,” you shrug, but he only nods his head in a condescending way. Not only were you helping him skip in line—he was basically criticizing your view on love.

“Well, duh, love happens, but all that cringey shit is the dumbest thing our generation normalized. Like, nobody is going to confess their love with a microphone in the middle of a dance-off,” he scoffs. You didn’t understand why he actually looked like he seriously hated the idea of making gestures for someone you loved or cared about.

“Well, obviously, I find that stupid as well, but there are other gestures to show your appreciation and love for someone.” You turn your whole body to face him. He’s not much taller than you, maybe two inches if you really wanted to know, and the cap maybe added another inch, but that didn’t matter since your eyesight was eye level with his.

“Love is embarrassing,” he says, crossing his arms in front of him. You felt the lady behind you both, her eyes bore into you both, trying to figure out why the supposed couple were fighting about love.

“How is love embarrassing?” You scoff before turning around to look in front of you, at the back of the head of the man who was ordering.

“Because love makes you do embarrassing shit all the time; that’s the easiest way I can put it for you, ribbons,” he replies with a duh tone, raising his eyebrows at you, which you see from your peripheral vision.

“Ribbons?” You turn to him, your arms crossed over your book as you glare at him. “Pink ribbon. Don’t you think you look a little too old to be wearing bows?” A grin appears on his face as he casually points to the pink ribbon tied into a bow in your hair.

“The fuck? Not only did I let you skip the line, but you’re a) talking shit about my favorite genre, and b) making fun of me wearing bows.” You turn your full body to him, which he only raises his hands in defense, as if you had a gun pointed at him.

“Damn, my bad. I thought this was a free country; you know your amendments, right?” He raises an eyebrow at you. “Yes, I fucking know my amendments,” you reply, absolutely annoyed at him bringing history into this.

“Freedom of speech,” he says before walking in front of you to the cashier. You were annoyed, maybe even angry. How dare he talk shit and say freedom of speech when you just did him a favor.

“He cut in front of me,” you point to him as you tell on him to the cashier, his jaw dropping to the floor. “Did you just tell on me? What the fuck,” he side-eyes you as you just shrugged.

“I respectfully need to ask you to go to the back of the line,” the cashier says, shooting you an apologetic look. You bite on the inside of your cheek to contain the smile that is threatening to slip out, as he sends you a mocking face, which you return, because apparently, you both were literal children. He rolled his eyes before he walked off.

2 years ago..

The second time you met Jungkook, you almost died due to choking on your coke.

You and your best-friend, Amelia, sat in a booth, munching on pizza, while you hear her ramble about the latest drama on campus.

“I can’t believe he cheated on her. I was so shocked, like I couldn’t believe he would do that after he literally gave her a promise ring—I heard it was expensive as well, bro,” Amelia said, stuffing a French fry in her mouth.

Amelia and you had been best friends since your freshman year at Preston University. She ended up in your dorm room by mistake, until security escorted her to her corresponding room. You both even had your calculus class together, which ended in both of you ripping your hair out because you truly had no clue what the professor was talking about.

“Oh my god, you’re lying!” you gasped, taking a bite of your folded pizza. “Alexandra said she didn’t care, but apparently, she was crying at the frat party we were supposed to go to yesterday,” Amelia said, pressing her lips together with wide eyes. As you were about to reply, she gasped.

“Holy shit, babes, don’t turn around, but there’s this fine-ass guy behind you,” she said. Without thinking you turned your whole body to look at the guy she was talking about.

“Or just turn your whole body, I don't care,” she added, rolling her eyes.

“Wait, who?” you asked, staring at the group of boys in front of you. They were all cute, just not your type whatsoever. “He just turned around, so you can’t see his face, but the one with the black beanie,” Amelia whispered to you as she took a sip of her Dr Pepper.

As you stared at the back of the boy who was engrossed in a conversation with his friend, a loud laugh escaped his lips before he threw his head back, letting you catch a glimpse of his face.

“Oh, fuck, his laugh is hot as fuck as well,” Amelia said behind you, chewing on her crispy fries. “Do you think he has a girlfrien—“ The words melted from your mouth as the beanie boy turned around. “Yeah, he definitely has a girlfriend,” Amelia said nonchalantly, clearly not catching how your eyes widened, as you both stare at the boy who had cut in front of you in line three years ago.

He was taller, much taller, and he was built—you could tell even from his oversized long-sleeve shirt. As much as you wanted to disagree, he was undeniably attractive. The eyebrow piercing was still there, but it somehow looked better than when you first saw it.

“Ribbons?” he said, pointing at you with a chuckle, making you flinch for absolutely no reason. Amelia looked between both of you, trying to read the room.

“Mr. anti-romantic?” You fired back, a huge smile breaking out on his face before he excused himself from his friend group and made his way to your booth. “I see you got a nickname for me... I feel honored,” he said, pressing a palm to his heart dramatically before shooting a nod at Amelia, who waved with a small smile on her face.

You just rolled your eyes. He was the most childish person you had ever met, and that says a lot since this was only the second time you'd ever spoken to him. “I wouldn’t be so honored,” you mumbled, shooting him a tight-lipped smile as he shook his head with a low chuckle.

“Do you have a girlfriend?” Amelia said out of nowhere, both you and the unknown boy's heads snap to the side as a smirk makes it’s way to his mouth, while you throw daggers at Amelia with your eyes for her blunt question. “I doubt he would ever hav—“ you start, only to be rudely interrupted by none other than Mr. anti-romantic himself.

“I actually do, and I was just about to meet her here, but I saw your friend and just had to come and say hello,” he said to your best friend, all while wearing a condescending smile.

“Oof, I feel bad for her,” you shrugged, before placing the straw of your clear cup in your mouth and sipping on your coke.

“Eh, she says I’m a pretty good boyfriend, not a hopeless romantic like someone I know,” he said, watching your eyes meet his before you tilted your head in a mocking way, which he picked up immediately.

“I wonder how you even got her to say yes to you,” you bit back, your eyes maintaining contact with his, not wanting to be the first to break it. But he was too good at it; you almost felt like crumbling into a ball from how intense his stare was.

“I guess you could say there are more ways to please a woman without love letters,” he said nonchalantly. You choked on your coke as the liquid went down the wrong pipe, making you start having a coughing attack.

His and Amelia’s eyes widened as Amelia immediately swatted the man who was right beside you. His hand made contact with your arm, raising it up in the air.

“The fuck are you doing?” Amelia said aggressively, side-eyeing him, as you basically died in front of their wondering eyes. You really didn’t expect him to just talk about his sexual life so openly without a care. You would want to crawl into a hole if your boyfriend ever talked about your private moments like that to anyone.

“My mom said if you put someone’s hand up, it makes your cough go away. I don’t fucking know! I’m not a doctor,” he shot back at your best friend as he raised your arm in the air. Your cough slightly disappeared as you tapped on your chest as if that would do anything to stop it.

“Are you good?” Amelia said as she basically hovered over the table. You felt the whole dinner's eyes on you as you tried to recover from the insane coughing fit you just had. “Y-yeah, fuck,” you coughed, your arms still up in the air from his hold. “I almost for real thought you were about to die. I already imagined myself behind bars,” he said, rubbing his unoccupied hand through his face with a sigh.

“Now I’m hoping I actually died,” you said, yanking your arm away from his grasp.

“We’re leaving, Amelia. Let’s go,” you said, standing up, collecting your jacket and bag, and pushing him out of the way, standing up beside him.

He hovered over you; you almost wanted to jump up to reach his height, but you were already embarrassed enough. So instead, you fixed your denim skirt before looking up at him.

“Well, it was so not nice to see you again, and hopefully we don’t get to meet again, Mr. anti-romantic. Goodbye,” you said as you sent him a fake smile his way.

You pulled on Amelia’s hand before she could say anything and walked out of the dining room without looking back at the boy who was standing in the same place, watching the girl he almost witnessed pass away by choking on coke from him even remotely bringing up sex.

A small chuckle left past his lips as he made his way to the table where his friends were seated.

“Dude, what the fuck happened? Why was that pretty girl coughing like crazy?” Taehyung said, eyeing the door through which you had just left.

Jungkook didn’t know why his heart picked up when his best friend called you pretty. He wasn’t blind; you were beautiful. When he first met you, you both were obviously much younger. If it wasn’t for how much you had grown into your face and the braces you once had were long gone, it would’ve been your aura that gave it away. You were more outspoken, which kinda took him back but sent a sense of excitement through his body.

“No clue. Just some girl I met in my senior year... kinda taken aback I ran into her again,” Jungkook said before picking up the menu from the table, looking for what food he should order. “Maybe it’s fate, bro,” Namjoon teased, which made Jungkook drop his menu on the table.

“You guys know all that shit is bullshit, right? It was just a coincidence. I’ll probably never see her again after this,” Jungkook rolled his eyes, leaning backward onto the booth and crossing his arms in front of him defensively.

“Whatever you say, champion,” Hoseok whistled as he called the waitress.

Jungkook's brain immediately canceled out the noise as he started running through all the possible scenarios that would leave you both at the same place at the same time. His body shook from the possibility of it being fate; he hated the idea of the answer being anything besides actual proven fact. He didn’t care how cynical he might sound; he had trusted so many people in his life, including his parents, who always preached about love and honesty. But flash forward to him having to skip around each house of his parents every weekday and weekend. He hated how he believed them when they said love can get through everything. Absolutely not—divorce.

He just imagined your perfect household, two parents at the same home who still say ‘I love you’ to each other every chance they get. You get to read your books in your living room without a fight breaking out out of nowhere just because someone forgot to throw the trash out.

Love didn’t exist in his eyes. He believed in mutual respect. He doesn’t believe in the whole crazy in love charade. His girlfriend Haneul didn’t really want the whole whispering cute things in each other's ears or dancing under the moon either, and that’s why he chose her.

Plus, he wasn’t an asshole when it came to love when it came to other people. Did he want to ruin their moment and tell them they wouldn’t last? Yes—but he never does.

He saw how broken his mom was after the divorce. He thought about the idea of love and if someone came to love you, you would do anything in your power to not hurt them. It had been five years since his parents’ divorce, and everyone seemed to have moved on perfectly, while Jungkook watched how his perspective of love changed drastically over time.

He was glad that you didn’t have to go through what he had to go through, given your obvious naivety. That was entirely the only reason he shit-talked about love when he first met you, which was the most jackass move he could’ve done, especially after you let him skip the line. But after you told on him to the cashier like a little child, he was thinking of actually tackling you.

Either way, it didn’t matter for him to be worrying or thinking about you in the first place, when he didn’t even know your name. Plus, he would never see you again, that’s for sure.

Present day..

Psychology class was your number one nemesis. You literally begged the counselor to let you have another class that wasn’t psychology. Not only did he laugh, but he said it would do you good. In your mind, he basically called you crazy—maybe you did need the class after all.

As you huffed and puffed to your last class of the day, you fixed your glasses on your face and tightened the high ponytail with the white ribbon that matched the outfit Amelia helped you pick out. You pushed open the door to the class and were greeted by half-empty seats and no professor, giving you the option to choose where you sat.

You were a middle-seat row girl, unable to see far away without your glasses. You also avoided sitting too close to the front, fearing teachers would call on you.

As you took a seat in the chair, a body sat beside you without a word. You didn’t even care to look as you took out your laptop from your backpack, worrying about how this year’s professor might be. You had heard from last year’s students that the teacher might have been the devil’s spawn.

While you were finally seated, you moved your head to your left to see the body next to you engrossed in their phone. Your jaw dropped as you were met with none other than Mr. Anti-Romantic.

“What the actual fuck, are you stalking me or something?” you said, absolutely baffled by how many times you had run into him and from all the empty seats, he decided to sit next to you.

He immediately raised his head from his phone, his eyes widening as he stared at your obviously angry face. “Ribbons? What the actual fuck, I didn’t realize that was you,” he said, throwing his head back in shock.

“You had to know it was me, why else would you sit beside me?” you scoffed, crossing your arms in front of you. He looked the same as the last time you saw him, except now he had a full sleeve of tattoos on his right arm, and the eyebrow piercing was long gone.

Now that he was closer to you, you could see the small mole he had under his lip and the scar on his cheek. His hair was shorter and black, but classroom lights deceived, so maybe it was fully brown, but you didn’t dare to ask.

“Don’t think you’re special, Ribbons. I just can’t see from the back, and in the front, teachers always pick on you to talk in front of the class, and I’m trying to avoid that,” he explained, having the same process as you, but unfortunately, the other half of his brain didn’t process the idea of love.

“Are you sure you have the right class?” you bit out, hoping he had walked into the wrong class and would have to leave immediately. You seriously couldn’t even wrap your head around the fact that he was here and that he went to the same university as you—this being the first time he had seen you around campus.

“Psychology class A65,” he side-eyed you as you rolled your eyes and faced the board, trying your best to ignore his presence.

“You know you can just move to another seat, right?” he said, pointing to all the empty seats beside you. Your head slowly turned to the side to face his face as he gave you a tight-lipped smile.

“Why would I move when I was here first?” you scoffed his way as he shrugged, indicating that he couldn’t care less. “’Cause I truly don’t care, but you obviously seem affected by my presence, so Ribbons, pick your seat,” he pointed to the available seats.

You imagined the easiest way you could kill someone, but tackling him to the ground at this exact moment might bring attention to you both, so you just breathed out of your nose before giving him a fake smile and rolling your eyes.

“I’m not leaving, and for your information, I’m perfectly fine and not bothered by your presence whatsoever,” you said, trying your best to seem as calm and collected as possible.

“For your information…” he mocked beside you, trying to imitate your voice before chuckling. “I swear, Ribbons, I can see smoke coming out of your ears and nose,” he laughed.

“Stop calling me Ribbons,” you gritted your teeth, already at your limit.

“What else do you want me to call you? I don’t know your name, and you’re still wearing ribbons, I can see,” Mr. Anti-Romantic pointed to the white ribbon in your hair. You rolled your eyes before sending his calm, collected figure a scanty smile.

“Y/n,” you said, tilting your head to the side, as if asking him to tell you his name. “I like Mr. Anti-Romantic, not gonna lie,” he bit his lip, trying to contain his laughter as you were about to lose your composure at any moment.

“You aggravate me, and I don’t know why,” you mumbled, hoping he didn’t hear—but he did, loud and clear. “Jeon Jungkook,” he said, and before you could reply, the professor strode in, wearing the weirdest clothes you could imagine.

“She looks like that one crazy Victorious teacher,” he whispered softly, only for you to hear, smugly bending downward so you could hear better. A small laugh left your lips. “Sikowitz?” you whispered back as both of you stared forward at the professor, who was talking about the syllabus. “Yeah, spot the difference: hard level,” he whispered.

You looked down at your hands, trying to hide the amusement on your face.

For the rest of the class, you guys didn’t talk whatsoever, and honestly, you wouldn’t know if he tried, since you were absorbed in whatever Mrs. Calderon was saying.

“So, here’s where you start hating me, I’m giving you guys a project,” she said, leaning on her desk, making the desk creak. You could hear small groans from students around you, but not loud enough for her to hear.

“It will be a partner project, which I chose randomly, and no, I’m not changing them. I want you guys to be able to work with whomever, no matter what,” she said, a sense of dread passing through you.

“I would email each and every one of you what the project is about. It is due at the end of the quarter, so I better not hear, ‘I didn’t have time, Miss,’” Mrs. Calderon said before picking up a sheet of paper.

"Here are the partners, so after class, come and check who your partner is so you can start talking about what you both will do." With that the bell ringing, everyone stood up and rushed to the paper, including yourself. You held tightly onto your backpack strap as you waited for people to move out of the way—half of the people bitched about who they got, they couldn’t possibly be that bad.

Your heart dropped to your ass as you read your name—Jungkook squished beside you, looking for his name, only to find it where your finger was already on.

You got paired up with Jungkook. What kind of fuckery was this?

As Jungkook read "Y/n Y/ln & Jeon Jungkook," he couldn’t believe his eyes. He almost lost his mind when he realized it was you when he sat next to you, but he tried his best to act unaffected. However, this was too much of a "fuck you" sign from the universe—Jungkook didn’t think he did something so horribly to be rewarded like this.

What the fuck were the odds, and how could he scientifically prove that it’s not the universe trying to mess with him?

Taglist💌— @httpjeonlicious @thekookiedealer @somehowukook @taiwan0618 @gwsjungkookie @seokout @sealuv79 @junecat18 @joonsanswer @letjungcoook7 @skzthinker @ahgasegotarmy116recs @ivygguk (I couldn’t add some idk why😓)