#Enter the Picture

[angelyuji]

some yandere stan and ford thoughts:

tw // stalking, nonconsensual picture taking, breaking and entering, general yandere themes

18+!!!!!

saw someone say stan would take polaroid pics of you after fucking you and im gonna take that and go further with yandere creepy boss stan taking pictures of you. like remember when i said he would call you into his office to make u do stupid tasks for him? he would sooo take upskirt/ass pics of you when you’re bent over. if we’re at the stage of him manipulating you into having sex or something, when you’re not looking, he’s taking pictures of you naked or while you have his dick in your mouth. for blackmail (and to “rub one out” to later)



yandere ford, who’s trying to get used to life back in gravity falls, sees you and realizes you’re perfect to stalk watch (for science!! to see how regular people behave in society these days). he writes notes in his journal about you. these notes start off innocent like “they say good morning and smile at everyone they pass - this is behavior the average fall’s citizen exhibit” to “they waves hello to me today when i passed them at their work - my careful scheduling is working” to “the door to their home was open and i carefully catalogued every article of clothing they own- *lists your sizes in underwear, tshirts, and more*”

[hellouniversehowareyou]

precious idiots

[puppetmaster13u]

Another Ghost Dragon Prompt? Indeed.

The Ward had made a mistake. Had stolen something that had caused the very Skies to lash out, entire worlds at risk from their actions.

Time Itself shrieked in rage at the loss of Its child, or at least that's how every magic user- and the speedsters, pale and shaken and looking sick- had described it.

Someone had taken the young prince of the Infinite, and it was not the Tyrant King, long since sealed away, that lead the charge, but the Queen Regent that many had long since forgotten.

Many forgot that it was not the Dark who courted Time, but Time who courted the Dark. That It was just, if not more so, merciless as Its partner, and would Devour worlds should Its child- still with newdeath soft scales- was not returned.

Which meant that for the heroes, there was now a Clock ticking down ever so quietly. They had to take care of what was a government branch, had to deal with consequences of going over the law, or their World would End in dragon fire.

[curseofdelos]

mentally I'm still here:

Nico insisting that neither of them are going to be sacrificed/left behind to satisfy the prophecy is a perfect encapsulation of his growth over the series and it makes me SO soft to think about

Nico as a character - particularly in BoO - doesn't have a lot of self-preservation. He doesn't really care what happens to him as long as the mission gets done. We see this most explicitly after he almost fades into nothingness after the Bryce Lawrence incident:

And again when he considers shadow travelling into Octavian's tent to assassinate him:

(Nico himself notes here that it was unlikely he would survive another jump. If Will hadn't stopped him, he probably would have died.)

In both cases, Nico was willing to risk death for the sake of ending the war. He puts very little value on his own life, and repeatedly argues to Reyna, Hedge, and Will that the possibility of saving camp (a place he never felt welcome at, might I add) is worth the risk of losing his life.

Even before Nico went on the quest with Reyna and Hedge, the others were concerned about his safety. Percy tried to remind him how unpredictable his shadow travelling could be, and Hazel notes that he has been acting strangely lately:

It's not quite clear what Hazel is worried about here, but my interpretation of this scene is that she's concerned that Nico isn't thinking - or perhaps, isn't caring - about what effect the constant shadow travelling will have on his wellbeing. Between Tartarus, the jar, and the Cupid incident, Nico's mental state is at its worst at this point in the series, and I think Hazel is worried he'll do something reckless - something he can't come back from.

And so in TSATS, when Nico is told that he's going to have to leave something of equal value behind in order to save Bob, the old him would have had zero issue sacrificing himself if that's what it took to ensure Will and Bob's survival. This version of Nico, who's been going to therapy w/ Mr D and opening up more and built a little support system for himself, can't fathom it.

Nico in BoO did not have a future. He had fully convinced himself that nobody cared about him or would miss him if he was gone - not Percy who fought for him at every turn in PJO, not his sister Hazel, not his new friends Jason and Reyna. He was ready to leave both camps behind because he couldn't see himself ever being happy there. He couldn't see himself being happy at all.

But now, in TSATS, he has a boyfriend that he loves, he has friends that he loves, and he has a community in Camp Half-Blood. He has experienced so much loss that losing someone else is his worst fear. The old Nico would have considered sacrificing himself to protect Will and Bob. At the very least, he would have kept that option in his back pocket as a 'just in case'; he wouldn't have sworn on the Styx that he wouldn't stay behind.

This Nico, however, is doing much better - not perfect, but better. He loves Will, and he wants a life with him, and he's not willing to give that up for anything. Nico has hope for the future, and he's clinging to that hope with everything he has. He sees a light at the end of the tunnel, and he wants to reach it. He's not willing to sacrifice himself because it means losing that future.

Gone is the cynical pessimistic Nico who assumes the worst because the worst is all he thinks he can have. Here is the Nico who has had a taste of happiness and is willing to fight to keep it. He's not going to sacrifice himself because he wants to live. He's not just fighting for Will here; he's fighting for himself too.

And seeing him go from "if it kills me, it kills me" to "it's not going to be me" makes me so ASDFGHJKL

[johndoeappollogist]

John's favorite color is gold but not because he used to be the king but because its now the color of Arthur's eyes

[daily-sifloop]

Sifloops but they are sunbathing...enjoying the sun...taking a little napies

Day 55: beach episode

[variousqueerthings]

I think it's so funny (affectionately) that every person to play the doctor so far has been some guy (including jodie whittaker) by which I mean, yes sure DT won some polls calling him very attractive, but essentially he's just a lanky dude who's good at being sad, and most everyone else has equally been some character actor type who because of playing the doctor was getting their picture taken a fair bit suddenly, and JW is a lesbian dream, and every one of them has their fans who find them very attractive, and that's right and good, but... some guy in the end, doing their best for the photographer or deliberately leaning into the silly vibes, because that's what they're known for. meanwhile ncuti gatwa is Modelesque, is a Style Icon, is being shot artistically nude for queer pride issues, the doctor is now in The Club according to that first trailer, everyone's first reaction upon meeting this doctor so far has been 👀👀👀 can you imagine jack harkness??????

[my-wee-hughie]

Hughie in Season 4:

Episode 1 - Found out his dad had a stroke and he wasn't there to answer his phone call

Episode 2 - Dealing with his mum who is not apologetic about abandoning them. He's furious and upset that she's been given power of attorney for his dad

Episode 3 - Nearly killed by Homelander, facing his mum and trying to understand why she left them

Episode 4 - Obtaining Compound V for his dad, getting injured and ruthlessly killing someone in the process

Episode 5 - His mum goes behind his back and gives his dad the Compound V, which results in innocent lives being lost. Hughie had to euthanise his own father

Episode 6 - On the same day as the funeral, he gets molested by Ashley and almost raped by Tek Knight. He had an emotional breakdown at the end after he bottled everything up

Episode 7 - Gets attacked by a shapeshifter, tries and fails to convince Neuman to change her mind, deceived into having sex with the shapeshifter.

Episode 8 - 🫠

[outletcrash]

shakes her around like a beetle in a jar

[aphel1on]

WAS NO ONE GOING TO TELL ME THERE WAS A FUCKING ME HOY MINOY EVENT IN THE MANGA???

[pralinesims]

Gamer Girl™

[carnivalcarriondiscarded]

after failing miserably the first go around, (crochet) Home's walls are complete! we're less than halfway there but hey! The Walls!

[moonyswarmsweaters]

Because of this post by @starkayezer Sirius for another room: AGHHHHHHHHHH

*sounds of smashing glass*

Remus: What’s gotten into him?

James: No wait don’t tell-

Peter: Netflix are making a Dorian Gray adaptation-

Remus: ?

Peter: with Dorian and Basil as siblings

*runs away*

Remus: WHAT!?!

[shaykai]

Durgetash doodle idea: Gortash could be sick and Vat'il could be reacting to that

Completely normal to spend all day at your allies house to make sure he’s being taken care of

[idalenn]

bunnies enjoy exploring tiny holes... right?

Faren belongs to @zoroarkthief.

[bi-hop]

why the vulture scene in atsv is pure horror (spoilers under the cut)

As promised, I now have the mental bandwidth to actually talk about Adriano Tumino aka the Medieval Vulture in Across the Spiderverse. This is a spoiler fest, so I'm putting everything under the cut. Enjoy!

So, at some point when I was younger, I first heard about Flatland. It's this satirical novella from 1884. When I was looking it up again last night to prepare myself to explain it to other people, I was SHOCKED to hear it was satire on Victorian society and class structures. I had only ever heard about it in science and horror spaces. As a work, it's mainly known now for exploring the idea of 4th dimensions before Einstein, but it also continues elements that are straight out of horror. So, instead of breaking down the whole thing, I'm going to be focusing on that stuff specifically.

Flatland is about A. Square (yes, that's his name), who is a square. As you can imagine, his entire world is two-dimensional and functions as such. There's a lot of worldbuilding, but just keep in mind that

The people in his world cannot conceive of a 3rd dimension, and any mention of such is heretical.

Circles are the highest ranked people in this world.

One day, he encounters what he thinks is a circle. Said character is actually a sphere. Even as said sphere fucks with his perception by looking like disks sliding in and out of reality and tells him about the 'truth' of the world, A. Square can't comprehend the third dimension until his teacher lifts him into it, into Spaceland. The square is enlightened! His mind has been opened! He tells the sphere, if his reality is false and there's truly a third dimension, what if there are more? What if a fourth dimension exists with fourth dimensional beings who cannot be accurately perceived?

His teacher immediately casts him back down into Flatland, where he is subsequently imprisoned. No one believes that the third dimension and Spaceland exist. He only is able to write the novella and hope that one day Flatland will be ready for this knowledge.

All of this to say that Adriano is A. Square.

I read a lot of dimension-based horror. Maybe it's because the multiverse has compelled me since I was a kid, or maybe it's because I've heard way too many thought experiments about how every person on the planet may see the world differently, and we just use the same language to describe fundamentally different visuals because we can't accurately verify anything. The horror of it all, for both readers and writers, isn't necessarily the idea of seeing things others can't. At least, it's not in the hands of someone sincerely thinking about the 'eldritch'. Instead, imagine a higher being grabbing you and exposing you to a whole new, weighty aspect of reality you could never conceive without actively being dragged into it. And then you're thrown back into your reality. It consumes you, drives you, and no one believes you. How can they, when it's something so alien to your reality that no one can even think of it unless shown?

Because of the ripple effects of the collider, Adriano Tumino is dragged into Earth-65, the home of Spider-Woman (Gwen Stacy). We don't know a lot about his world. As far as I remember, we don't even get a number designation. But his design, dialogue, and track all communicate a great deal about him. Vulture Meets Culture as a track blends Gwen's theme with the sort of opera he might listen to back home. He's designed heavily on the aesthetics of Da Vinci notebooks. As he affects the world, you can even see notations a la research scribbles next to diagrams. From memory alone, disregarding the fact that he's Italian (though I'm sure the insistence on English in Earth-65 was probably disorientating if his entire world speaks Italian), he also finds this new reality to be abhorrent and lashes out. This alone, an exposure to new colors and strange art and even weirder people who look nothing like you and the rest of your world, would be hard enough to cope with.

And then Miguel, this Spider-Man from 2099, drags Adriano out into the modern day.

The thing with movies being in theaters is that I'm at the mercy of random people who film showings on their phone to get footage. Because everyone finds the helicopter scene directly after this more interesting (which is valid), I don't have a picture of this moment. But when Adriano is flying out into this future, when he lays his eyes on these towering skyscrapers alight with color, you can see his shock, perhaps even terror. It'd be rough enough being exposed to a version of Italy that's, say, his time period but in technicolor. But this is worse. This is his Spaceland moment. The opera builds almost mournfully.

Soon, he will be sent back to his reality. This will happen in an even more incomprehensible future dimension, with even more people who look nothing like him. Perhaps there's a version of his granddaughter there. Tiana Tumino? It doesn't matter. Imagine this though. Your grandfather is yanked out of existence. He comes back. And he tells you 'I have seen colors beyond the ones we live in. I have seen towers of glass and metal scraping the sky, all alight in these colors. I have seen art that contains more art, and it was hideous. No one understood me. Flying things neared me that were beyond anything even our greatest geniuses can make.'

Do you believe him? Can you even imagine it all, even if he describes it, even if he shows you drawings of what he witnessed?

What will you say?