#Emotional growth in movies

[cssdevelopmentservices-review]

Inside Out 2: A Journey Through Emotional Growth That Delights and Inspires

Inside Out 2 Review When Inside Out debuted in 2015, it left an indelible mark on audiences, offering a creative glimpse into the inner workings of our emotions. Fast forward to 2024, and Pixar has once again delivered magic with Inside Out 2. This highly anticipated sequel dives deeper into the emotional landscape, blending humor, heart, and innovation to create a film that feels both fresh and…

[arihi]

Feeling unsafe is not the same as being unsafe and people are unable to distinguish between the two - you always have a right to be safe, but you do not necessarily have the right to always feel safe. This is an underlying theme in a lot of issues, like judging others' kinks, queerness, race, media analysis, and more; what the real heart of the problem is is unfamiliarity, things that people do not know and thus shrink away from in fear or disgust or discomfort. It can be a basic instinct to approach change and unfamiliarity with caution, but it needs to be an intentional act to challenge that fear/world view. It is something that we owe to the people around us, and that we owe to ourselves.

[thisisadonaldduckblognow]

bangs pots and pans

raph was never any less suited to leadership than leo

raph was never any less suited to leadership than leo

raph was N E V E R any less suited to leadership than leo

idk how many times i can say it before it sinks in that in rise there was never once any point where that was the point being made

if you just like leo’s character better than you like raph’s, that’s fine! if you just like it better when leo is leader, that’s fine! i have no issue!

but we need to stop trying to circle that leadership change back to somehow being about better or worse or ~more cut out for it~ because it sucks to throw the great job raph did through the series under the bus in order to prop up leo’s good qualities. 

they’re both great leaders. they both have strong suits and weak suits in the role, they both have growth and development when they’re in that role. they BOTH make on-screen mistakes in that role and aren’t very good at it at first! not getting a more in-depth explanation about it in the movie or series stinks and it’s very interesting to explore, but seriously. 

[autobotmedic]

dinobots 🦖 or predacons 🐉 ?

This or That?

"... This is going to sound. Odd. But because I have raised a Predacon and I care for her dearly, that is my answer. I am sorry to the Dinobots, it isn't anything personal; it's parental priorities."

[greenofrain]

Okay so I keep coming back to "shouldn't you say thank you?"

Because it's not aggressive and confident like when she leaves with Willy, and it's not sheepish like when she's caught with the clicker, it's something else entirely.

Scary has done the team a service. She has just solved the problem that they've spent two months on, she is being a team player, she's earning the position of leader that she didn't originally want, she's making her friends proud.

But she is so deep into Willy's manipulation that she cannot see what happened. She gave the command to kill a man at a dinner party in front of his peers and their children. She set Willy Stampler, known monster who wants to absorb the doodler and become god, free, with no knowledge on what he might have done to their family and friends.

And when Linc reacts (justifiably) negatively after watching a man die in his arms, this is where Scary finds herself. This is where she says "shouldn't you say thank you?" Not as a snappy line, but out of genuine confusion. Why don't her friends appreciate what she's done for them? She was trying to help, shouldn't they be thanking her for it? Why don't they understand her? Why don't they say thank you?

Scary, more than anything, wants to be seen and appreciated, something she's found in Willy Stampler. The more she spends time with Willy, the more desensitized she becomes to her actions. And the more desensitized she becomes to her actions, the more she alienates everyone else around her.

And you can get mad at Scary for choosing Willy. Even without the knowledge we the audience have about all the terrible things he's done, she still had the journal recap, right? She should still trust her friends not wanting to work with him, right?

But Scary Marlowe is choosing to trust a man who has shown her kindness. And why shouldn't she? After all, she's only a kid.

[mulders-too-large-shirt]

s5 episode 20 thoughts

last episode of the season!!!

things have seemed… tense lately between my best friends mulder and scully. i hope they can work it out. 

anyway, it says here that there is a boy with psychic powers… another child case. they deal with these so often!!!

but maybe he can unlock the secrets of the x files?? how?? i guess i will have to tune in!

post-episode thoughts: scully, i want to hug you. CSM, count your days. destroying information is a crime in my realm, and it will be punished with banishment. mulder, you need to learn how to talk about your feelings. i am no longer suggesting this politely. it must be done. now. skinner, you are the star on top of my metaphorical christmas tree. spender, my feelings towards you are pretty neutral.

we begin in vancouver, where a chess tournament is going on between a grown man and a child. there is a very large crowd and a guy who seems to be up to no good in the ceiling. 

the kid hears voices in his head as this sniper loads up a bullet… can he figure out what is about to happen?? but the voices just sound like weird noises!!!

noooo, don’t kill this little boy!!! he wins just in time, stands up, and the bullet hits the other guy!!! 

so he knew it was going to happen and won just in time to stand up…

leave this little boy alone!! don’t piss me off!!!

OHHH shortened intro AND new words on the screen today… “THE END” <- now there is a movie coming up shortly so i KNOW this is a lie!!!

i am preparing myself for some sort of cliffhanger….

ohohoho kryek is here today, according to the “guest starting” list…. getting ready for some rat-like activities

CSM is buttoning up his shirt as some people arrive upon his frosty property. they have guns… and his alarms are going off… 

BLAM! he shoots one man dead right then and there!! you really cannot underestimate this guy!!! unless we’re talking about his abilities to write fiction!!!

so he’s running barefoot into the snow??? yowch! bloody feet!

the guy in the mask catches him! OH SHIT! IT’S KRYCEK!! “go on! take your shot, alex” <- HOT DAMN! not the first name usage!

he says he was sent to being CSM back…….. by whomst?

there is a sticky note on mulder’s poster. i can’t tell what it says!

OH mulder has a picture of him and scully pinned to his board🥹that's fine that's super fine and i'm not gonna cry!

it’s skinner poking around their office!!! what is he doing down here??

HE WANTS TO KNOW MULDER’S LONG TERM PLANS?! and mulder says they’re right in his hands, referring to the x files

skinner loves his most special and difficult agents. it's true!

“what do you hope to find? i mean, in the end” (mulder looks at skinner suspiciously) “whatever i hope to find is in here. and maybe i’ll know when i find it”

now what is going on…..? something is afoot. somehow i doubt skinner just got randomly curious and started reading through the x files for the funsies.

skinner has a case for him: the assassination of a russian chess player. and agent spender was put in charge of the case by someone from OUTSIDE the bureau!! oh, that must be what has skinner so freaked out. who tf is just putting people in charge of cases?

(i mean, we, the audience, know the answer to this. but if i were skinner, i would be deeply uncomfy at the thought)

“he was very specific that you be excluded” (mulder smiles) lmaoooo

skinner's messy for that!!! and i giggled!!!

BAHAHA scully is in the room listening to spender debrief, and when mulder walks in, spender looks SO mad!! “please continue”, mulder says, after spender gets so caught off guard by seeing him that he literally cannot finish his sentence

you can try to separate mulder and scully, but the universe will find a way to reunite them. like a bonded pair of kitties. 

mulder asks him to rewind the tape and spender says basically no LMAOOO

“let me get through this, if you have any questions, we can talk later” “i-i don’t have any questions, no, i just think you’re wrong” <- LMAOOOOOO i’m at once giggling and cringing in second hand embarrassment 

mulder hates this dude, i'm crying!!!!

scully asks wtf mulder is doing, and he explains he thinks the killer was aiming for the boy!! spender reluctantly does rewind the tape, and mulder points out that the kid pushes back right before the bullet is fired. 

who is this random lady agreeing with mulder that the kid could sense the bullet coming…? he looks utterly shocked to hear her say this!!

and skinner says rewind it again so we can all see for ourselves LMAO everyone hates this spender mfer

(listen. sorry to this man, but i think it would also piss me off if some random guy got put in charge of an investigation because outside forces decreed it to be so)

sure enough, when spender rewinds the tape, the kid looks right at the camera!!! mulder turns to this random woman again in amazement 

meanwhile, krycek is bringing CSM back to the syndicate on a random side street. OH SHIT!! CSM calls them out right then and there for trying to kill him LMAOOO

that had to be awkward as hell! i'm giggling

CSM moves on from that pretty fast. he seems like the type to hold grudges, so perhaps this is part of his secret plot for revenge.

the well-groomed man (and i know that isn’t his name, but i can’t remember what it actually is, and when i tried to google it last time i got spoilers so: to me, he is WGM) says: the boy is a problem to us!! and i say: leave him alone!! let him play chess!!

CSM offers to kill the kid and well-groomed man says “dear god”... umm, well y’all were just trying to do that, so why now are we getting squeamish...!!!

this other dude is called “first elder” by the subtitles! good to know

CSM says he’ll do it… and walks off.

so this lady that was sticking up for mulder is named agent fowley, and scully is making polite small talk as mulder drives them... somewhere. she requested reassignment. hmm…

“1991, that’s about when you started work on the x files”, scully points out. “more or less, yeah”, mulder says. and does not elaborate.

(long lingering eye contact between mulder and fowley)

now… is this woman who i think she is……?

the boy (named gibson) is watching the simpsons. OH SHIT!!! “my name is fox… this is dana and diana”

SHE IS WHO I THOUGHT SHE WAS!!!!!!!!!!!!!!!!

oh man. oh man. okay, so i know a tiny bit about this. going bonkers rn.

what i DO know is enough to realize that diana is a controversial topic among the fandom, but i vow to speak my truth. as i always do. and i hope you will treat me with the grace you typically have afforded me.

gibson says he lives in the philippines, that mulder has a dirty mind, and he does NOT want to play any chess. yes, he truly is a psychic.

scully is like wtf is he going on about…. and mulder accuses the boy of being able to read minds

“i know what’s on your mind. i know you’re thinking about one of the girls you brought” (mildly amused scully look) “one of them’s thinking about you”

diana laughs and asks which one… gibson says mulder doesn’t want him to say.

(shakes head) hey! what’s going on?

mulder declares that gibson needs around the clock protection

oh, a canon-typical fight in the hallway between our agents on if this is possible or not… diana is listening in…. “you know what to do, diana”, mulder says before leaving <- hey. i don’t like that. the tone with which he speaks nor the implication of there being some pre-scully lilith-like figure.

“so you two know each other”, scully points out. “it was along time ago” (long lingering scully glance)

OHHHH spender is NOT letting mulder talk to the assassin… “you’re insulting me when you should be taking notes”, he says <- DAMN!!! the ego on this man! he isn't entirely wrong, but there is no humility about him!

he pushes past spender and gets into the cell, where the shooter claims spender hasn’t given him food or water. mulder orders him off to go get some. 

ohhh he’s playing hardball… he tells the dude that he’ll tell spender he fessed up to the kid being psychic… and if he cooperates with him, maybe he can get him into the witness protection program… does mulder hold this kind of influence?

mulder steals the food that was being brought for him. mulder! you're being a dick! on many fronts!

AWWW, scully and gibson are holding hands as she walks him down the hall :( he didn’t like the tests! poor kid! and he says scully’s wondering about “that other girl” and “she’s wondering about you, too” 

hey…. i get the sense we are pitting two bad bitches against each other via this little boy's mind reading. not a narrative choice i am fond of.

now a group of people are testing gibson for psychic abilities by holding up cards only they can see.

diana says she’s seen clairvoyants, but never of this skill level. she says she spent time with mulder is psychiatric hospitals?? scully.exe is not working 

she has to leave because she is weirded tf out…

(i don't blame her, though. i would also be very weirded out if my partner of 5 years had another partner he very evidently has a history with and never bothered to mention until she suddenly materialized. if i were scully, i'd be like hey mulder... remember all those times i tended to your wounds and held your sobbing body and broke the law for you? yeah, that was super cool. i love how we trust each other. anyway, wtf else are you hiding from me?)

((and i'm not saying that is necessarily the RIGHT or RATIONAL thing to feel, but c'mon. you can't look at me and tell me you wouldn't also be equal parts stung and curious))

shooter guy is being handed a note. it’s on a cigarette pack!!! and it says "you’re a dead man"!!! oh brother... not the CSM on the loose! how is he getting into these buildings still?!?!

LMAOOO???? WHAT IS SCULLY DOING WITH FROHIKE?!?!

look at her looking up into his camera system... she is just so PRETTY!!

bro is in his pajamas and has an absurd number of locks on his door. and i'm giggling!

she’s bringing the whole crew scans of gibson’s brain!! “and you want us to what?” “analyze the data. with an eye to the parapsychological” <- OHHH they’re gagged by that... and i am too! scully opening herself up to extreme possibilities?! or simply trying to anticipate and counter mulder's argument in favor of the kid's clairvoyance?

OHHHH.... SHE WANTS TO KNOW WHO TF DIANA IS LMAOOOOO 

i can’t tell if she’s jealous, or nosy, or both. but i can tell you that i love when scully is nosy. 

frohike says she was mulder’s “chickadee” (LMAO, crazy phrasing) out of the academy. she was with him when he discovered the x files. and she has some sort of background in parascience. whatever that means.

NOOOOO scully looks so sad 💔💔💔 MULDER, DON’T HIDE THINGS FROM HER!!! SHE’LL CRY

stop. stop!!!

gibson is watching cartoons while diana watches him. and here comes mulder. OH, she called him fox. don’t like that. i thought he was adamantly anti-being referred to as fox! is that a development from the past 5 years, or does she not care about what he thinks?

“i sense you could have used an ally, though- someone who thinks like you, with some background” HEY. WATCH HOW YOU TALK ABOUT SCULLY!!!

“oh, you mean scully?” now is that defensiveness i see in his eyes? he doesn’t sound like he’s laughing.

“she’s not what i’d call an open mind on the subject” <- well, diana, you don’t even know her!!! and just because you're right doesn't mean you should go around judging her!

he laughs, but it doesn’t feel like he really means it….

(i was trying to psychoanalyze everything in this godforsaken scene and i had NO idea what the vibe actually was LMAOOOO)

“she’s a, uh… she’s a scientist. she just makes me work for everything” <- HEY!!! what happened to her being “rigid, but in a wonderful way”??? defend her honor in her absence!

“yes, but i’m… i’m sure there were times when two like minds on a case would have been advantageous” <- well girl, from what i've heard, it sounds like you left and went to germany!

“i’ve done okay without you” okay. are we setting boundaries now? is this progress?

NO. it does not appear that this is the case. she is grabbing his hand. “hey. i’m on your side” side eye. from me. sounds like she is implying scully is NOT on his side, which i loathe. and please don’t kiss... i don’t want to see all that. 

where is scully going….? OH NO!!! she walked by and saw them holding hands!!

oh my god, she is leaving….. and i don’t blame her!!

the sad music!!!! stop!!!!! look at her sadly getting in her car!!!!! sadly staring at the wheel!!! sadly buckling up!!!! 

she sounds like she’s going to cry as she calls mulder and says she wants to show him something. and she doesn't want to show it to him there.

now why is agent spender rolling up as she heads out?! we have enough problems to deal with at this time that aren’t him!!!

OH SHIT!!! CSM IS TALKING TO HIM!!!! saying he gave him the case!!!!

he’s trying to give him some fatherly advice despite the fact this dude has no idea they are related. “you’re a bright boy” okay… well that is certainly an avuncular thing to say. perhaps uncomfortably so when coming from a guy you literally just met. “know which men to sacrifice and when” <- now that's some standard CSM advice.

OH SHIT!!!!!!! MULDER SEES HIM!! CSM retreats into the shadows. “i was told he was dead”, mulder pants. “well obviously whoever it is, he’s not” spender has literally no idea who tf this guy is………..

(laughing even harder at his response as i edit my notes. spender must think this mulder fellow is the weirdest dude alive)

i’m kinda laughing, because spender has no idea wtf is going on, while mulder’s world just got rocked upside down and inside out. that’s the devil that killed his dad and took his scully and killed scully’s sister!!! he thought the evil was defeated and it is back!!! poor spender is just here to chat with a stranger. he truly doesn't know anything about the situation! it's comical!

scully and mulder and all of spender’s team are in skinner’s office!!! she has the brain test results from gibson… and she is finding the results hard to believe…

something something about him having intense brain activity in the god something or other. maybe he is the next einstein??? well, that would be cool! yeah, get the little boy into nuclear physics!

but mulder thinks that maybe this intense brain activity will allow him to also explain all sorts of unexplained phenomena. 

i guess i can see the correlation between intense brain activity and psychic abilities, but how will it let him explore the jersey devil?

mulder proposes giving the killer immunity to explain wtf is going on, which spender immediately shoots down: “you want to give a murderer a free ride for the secrets to the pyramids?” <- well that is an oversimplification!

ANGRY SCULLY!!! “you mischaracterize what i’ve said” <- GET HIM AGAIN FOR ME!! “this would be quantifiable scientific proof of everything that agent mulder and i have investigated over the past five years”

i don’t really see the correlation from a plot perspective but okay ❤️ yay ❤️

oh diana, i am suspicious of you…. “how do you quantify the spiritual? it can’t be done. you ask for immunity for a killer on that basis, the attorney general’s gonna go off. you’re allowed to investigate the x files as an indulgence. but draw the wrong kind of attention and they’ll close you down”

okay………… rude. but not necessarily wrong. in fact, she seems quite right, at least about the attorney general shutting down the case part. clearly, some levels of spirituality can be quantified if the results show up on brain scans; scully will use science to find a way. scully glances at mulder, who is staring at diana

“put an end to all your work. something i happen to have an interest in myself” WELL NO ONE ASKED???? girl! it isn't your project!!

perhaps i am the one who will need immunity from the attorney general as i bravely ask the question i am thinking: am i bad feminist, or is diana supposed to piss me off?

scully’s watching mulder stare at diana……. skinner says, everyone go take a break. but you may absolutely NOT leave my office, mulder. 

he says that diana is right. if they poke around too much they’ll get shut down- but mulder is willing to risk it!!!!!

“if what agent scully’s found is true- and i have every reason to believe that it is- then the answers i might have spent a lifetime searching for may fall together like a million puzzle pieces” <- OHH!! FAITH IN SCULLY!! FAITH IN SCULLY GIVING HIM THE TRUTH!

“you’d risk the x files?”, asks skinner.

“how soon can you call the attorney general?” 

so, there is your answer.

mulder is always having some sort of power struggle with skinner. hey. can mulder, buddy. can we use a "please" and "thank you" every now and then? your old pal skinner has put up with a LOT of your nonsense!

bro is in his cranky era.

ohhhh, so he goes and tell the shooter that he gave his request for immunity, but the attorney general needs more information before she can make a decision… “i need answers from you” UH OH!! will he have them before CSM breaks in? because we know he is stalking his prey!

he says the kid is a missing link; he’s genetic proof. spender wants to know of what, and this is very convenient, because so do i. so he thinks the kid is part alien….. spender is heckling him for this. but CSM is on the prowl… we don't have time for interpersonal conflict!

(so, maybe he's part alien but distantly? or maybe they made one of the alien hybrids like emily, but this one didn't die? why did emily die, again? because we know there are plenty others of the alien hybrids because they had that whole bit about saving "their mothers" back in... i think it was s3? maybe a bunch of them, like emily, die, but some of them do survive, and gibson is a son of the half alien? so he is a quarter alien? or maybe he is from a different alien race?

everything is a bit foggy when it comes to mytharc, i suppose. i guess it all comes down to the writers wanting to torture my best friend agent scully)

well-groomed man and krycek pull up to heckle CSM, which is an important part of their job description. they’re saying he failed them, but CSM says it’s all part of the plan. take their pieces one by one. 

hey, you’re gonna kill the kid, aren’t you?

at least JFK was a grown man!!!

do you think he bulk ordered the cigarettes from like, the cigarette equivalent of sam’s club, and had them sent to his snowy canadian hideaway? i mean, the number he goes through, it should have raised some red flags for the people trying to find him!

scully is watching the boy watch cartoons. she is pondering. 

“how do you do it?” “i just hear you thinking… like on a radio. and sometimes there are lots of radios, and i want to shut them off and watch some TV” <- you know what, that is entirely understandably.

gibson says that scully doesn’t care what other people think… “except for her. the other one”

is she trying to impress diana…..? has she moved beyond vying for people's approval after the horrors of cancer and emily, or is it manifesting in a new way as she hopes this mysterious figure from mulder's past will approve of her? does she think that if diana likes her, mulder will let her in about his past? does she feel a solidarity despite their differences in belief because of the fact they are both women in a male-dominated field?

the implications... i must explore them.

ah. and in diana comes. 

scully says they’ll talk about that stuff later. queen of knowing the time and place to have a debrief. and he says “they want to kill me” OHHH poor little gibson :( just let him watch cartoons!

scully promises no one will hurt him :( and he says “i know you do" :(

is diana going to kill the kid…..?

(author's note: LMAO!! listen... i thought they were going with the double agent angle for about 2 minutes. in my defense, i'm still shocked from the whole krycek and marita thing, so i'm trying to expect the unexpected. this is not the most wildly incorrect plot point i have guessed!)

the shooter gets another note…  this time it’s an empty cigarette carton, and BAM!!! CSM SHOOTS HIM!!!

well. there goes any possibility of an explanation.

diana fell asleep watching gibson and he’s looking out the window!!! he says there’s a man with a gun!!! and he says he’s aiming at her!!!! and BAM!! she gets shot too!!

hey guys! once again i ask what’s going on.

mulder and scully are pulling in while diana gets taken into an ambulance. and mulder’s grasping her hand while scully just wants to know where tf the kid is!!!!

the shooter was killed!!! skinner shows mulder the cigarette carton!!!!! 

NOOOO!! CSM has the boy and is bringing him to the well-groomed man. gibson called him a liar when he said he won't get hurt.

“you’ve never had the stomach for our business”

“just not for your practices”

“i’m a necessity. the complement to your cowardice” <- omggg……..

the dichotomy between CSM and well-groomed man... were the girls writing old man yaoi back when this aired? because i bet they would if this show dropped now.

(i was about to joke that if we all work really hard now, we can make that ship trend, but how tf can you write romantic fanfiction between two nameless characters? yeesh. that has to be a pain. "the well-groomed man moved in closer towards the cigarette smoking man, inhaling his burnt, acidic scent; he knew he was as bad for him as the cancer coursing through the other man's bloodstream" <- yeah, i didn't enjoy typing that, and it isn't fun to read either)

“your work is done now” SO WHAT ARE THEY GONNA DO TO THE BOY???

“my work is just beginning” nope. do not like that. 

well-groomed man leads gibson into the car driven by krycek, who says he has a nice straight shot at CSM!!! but well-groomed man says not to shoot. you may need him in the future.

krycek is the last man i would trust with a child.

WOAHHHHH mulder is ATTACKING SPENDER saying he will get him PROSECUTED FOR MURDER!!! “you’re wrong, agent mulder, it’s your days that are numbered” <- NOW WHAT DOES *THAT* MEAN??

is he collaborating with daddy to kill mulder or lead him down an incredibly intricate path leading to his peril?!?

NOOOOO, skinner is on the phone with scully in mulder’s apartment 💔 spender is going after mulder and there are talks of reassignment!

his first question when she gets off of the phone is about diana….

NOOO, the justice department wants to close down the x files 💔💔

mulder says this is all part of plan he couldn’t see and walked into

“this time they may have won” NOOOOO💔💔💔💔you have to find some faith!

CSM is in mulder’s office………. looking at the files….. PICKING OUT THE ONE ON SAMANTHA………… WHERE IS HE TAKING IT???

TO SPENDER?!! “who are you?” “i’m your father” <- YOOO, I DIDN’T THINK HE WOULD JUST OUT AND SAY IT??

DID HE LIGHT ALL THE OTHER FILES ON FIRE???

HOLY HELL, HE DID???

mulder is here in his t shirt and scully is here in a lab coat and they find their whole office burnt to a crisp!!!!

she grabs his arms and leans in, putting her head on his chest as he looks around in fury

woah…. woaugh……….

the end.

CSM ruined the work of their whole lives!!!

this is why archivists are so important. because they always keep files saved on at least 3 sources. inshallah the good FBI archivists had them on a bunch of floppy disks. please please please.

(i started to type “on a bunch of flash drives”, but then i realized idk if those were popular, effective, or invented at the time. and a floppy disk really couldn’t hold much. maybe there is a huge cardboard box in one of the back rooms with all of them backed up! i like the ones that were colorful!)

well, now there’s a damn movie i need to watch!!! but first i have to get all of my s5 content sorted out!!!!

i have many questions. i have a terrible feeling that poor boy is gonna end up another sacrificial lamb. and i know that CSM saved the file on samantha to keep the fire burning beneath mulder, just enough so he meets his dastardly plans. damn. this guy really is an evil genius. which does not translate to literary talent.

what is spender going to do? is he going to believe that CSM is his father? will he follow him in dastardly deeds, or will he reject them? i mean, he sure isn't a believer in aliens like mulder is, so learning his father is basically a diplomat to the alien people isn't going to go over well. or is he going to stand up to daddy and save the day, probably nobly sacrificing himself in the process?

what about scully? i just KNOW she blames herself for gibson getting kidnapped because she promised him he would be safe, and she's all torn up about mulder hiding things from her!!! poor scully!

and mulder, what is he going to do about the reappearance of diana and then her sudden death or near-death? will he stop being so cranky anytime soon? it doesn't seem likely, but a girl can hope.

and i wanna know what is going through skinner's mind, too. because he really is like an uncle to me. i remember my earlier posts about not trusting him, and i think that narrative was intentionally cultivated by the writers, but now i'm thinking, man. that's my ride or die. skinner, i should have never doubted you. not only that, i love your little house buddha and desk globes and i wish i could slap mulder across the face for the way he acts towards you!

well, i have a lot of work to do with the s5 wrapups before i can dive into this film, and so work i must. and perhaps i will save the film for next weekend when i can focus appropriate attention.

i also expect that the movie writeup will be VERY LONG. and my writeups are already SO LONG. i tossed around the idea of splitting it up into parts, but i think it will be better to just do it all in one go. unless there is a very clear midpoint spot where i can divide the post in two, which i doubt???

will diana grow on me? will the movie be enjoyable? will scully get a damn break? will CSM and WGM kiss? will krycek continue to be a problematic bisexual?

hmm. well, stay tuned, and share all of your thoughts!

[lhrry]

x

[anti-gravity-insanity]

Something something so many horror movies base around high schoolers, I think there is a cool potential for a movie that the horror is a representation of the capitalist hellscape awaiting those teetering on the verge of adulthood. Or perhaps the horror itself is falling into completely separate paths from those you have spent the majority of your days with, in the same building, in the same structure of classes and homework and activities together, slowly everyone gets picked off and away, a group, a class, a whole generation whittled down until you realize you are alone with your horrors not because you have survived but because that was how it was always going to be. At its core much of horror can be boiled down to a gross aberration of the norm, a disruption of what “should be” or what always has been, or what one expects it to be. And no group is primed more in these concepts than teenagers, rung through their institutional learning, filled with hope or dread over their future, and inexperienced in the uniquely adult isolation that comes with legal independence in an individualized American culture.

Anyways, what if the real monster was the 20s you enter along the way?

[mister13eyond]

basically vin's morality is "you have to play with your cat until he's exhausted or he WILL make his own fun and it WILL be destroying your furniture"

[tariah23]

If look back is getting a movie fr, I swear I’m gonna start bawling rn

[art-for-a-reason]

Barbie should've won all the awards

Barbie (2023) really had Barbie say “hey. I know the reason you hurt me is because I hurt you. I’m sorry I hurt you, because you didn’t deserve that. I know you are a better person than this, and you are fully capable of being that person. I can’t change the past, and I don’t think we can be in each other’s lives anymore without hurting each other, but i am sorry and I want you to be happy. I want you to find your identity and love yourself and live.” and then she realizes she’s also talking about herself.

she’s saying “I deserve to live. We both deserve to live.” it is one of the kindest things I have ever seen done to someone and to themselves in any piece of media ever

[with-you-trauma-survivor]

I WAS RAPED & LOVED IT

Children Can't Consent…

ABUSE IS NOT YOUR FAULT!!!

For over two decades, I carried the weight of this secret that I thought I had to keep hidden as a child, and is so mortifying to recall as an adult.

I am in my mid-thirties now, and I want to share my story to help others who are struggling with similar experiences and to emphasize that abuse is never the fault of the victim.

When I was seven, I experienced genuine attention and interest for the first time from a family friend. He was what I now recognize as a pedophile. At the time, I saw him as a man who showed me more attention and care than any other adult had. He called me his princess, and I felt a unique connection with him that no one else had ever given me. My child's mind was starved for affection, and I believed that he truly cared for me.

He easily manipulated me into believing his actions were love. He told me that to continue being his beautiful princess, I had to keep our special secret. THAT WASN'T HARD FOR ME TO DO… SADLY.

These secrets involved things that were happening to my most private parts.

I was groomed and molested, and the worst part was that.

I enjoyed the physical and emotional sensations he provided.

He always stopped when I said no, and he made me feel good, both physically and emotionally.

This manipulation created a bond that was toxic and addictive, and I was too young to understand the gravity of what was happening.

The realization that what he was doing was wrong came much later. I felt overwhelming guilt for three reasons:

I STAYED SILENT

I ENJOYED IT

NEVER TOLD A SOUL TILL THIS MOMENT

This guilt is a heavy burden that I carried for decades, believing in my soul that I was somehow to blame.

But I want to make it clear:

Abuse is never the fault of the victim. IT'S NOT YOUR FAULT.

YOU DID NOT, I REPEAT, NOT DESERVE IT. YOU WERE TAKEN ADVANTAGE OF. Period.

No matter the circumstances, no one deserves to be abused. The guilt and shame that I felt were a result of the manipulation and control exerted by him and my love for him. It took a long time to let go of that guilt and to understand that the responsibility lies entirely with the abuser.

If you are reading this and you are going through something similar, please know that:

You are NOT alone! It's NOT Your Fault!

You have every right to break free from the burdens of pain that weigh heavily on your heart and the shadows of secrecy that darken your mind.

There is help available, and you can find the strength to break free from the cycle of abuse.

You are not alone, and you do not deserve this.

Your voice matters, and you have the right to live a life free from harm.

[trapangeles]

Milli Banks Unveils Soulful Transformation in 'Movie' Official Music Video

Milli Banks, a rising star in the music scene, has just dropped an enchanting visual masterpiece to accompany her latest single, "Movie." The official music video not only showcases her undeniable talent but also takes viewers on an emotional journey through her past and present.

The heart of "Movie" lies in its skillful use of a sample that infuses the track with a soulful vibe. Milli Banks' velvety voice effortlessly complements the musical arrangement, creating a perfect harmony that resonates with listeners. The track's production and lyrics come together to paint a vivid picture of her personal growth and transformation.

The music video is a testament to Milli's storytelling prowess. It begins by depicting her early struggles, capturing moments of financial difficulties shared with her mother. As the video unfolds, we witness Milli's evolution—her journey from those challenging times to her current glamorous existence. Flashy cars, opulent jewelry, and sprawling mansions provide a stark contrast to the hardships of her past, underlining the song's message of triumph over adversity.

The visual narrative is a powerful accompaniment to the song's themes, inviting viewers to reflect on their own journeys and experiences. Milli Banks' authenticity shines through as she bares her soul, creating a connection that goes beyond the music.

If you're in search of a song that not only resonates with your soul but also inspires you to embrace your own growth, "Movie" by Milli Banks is an absolute must-listen.

Have you been spending all your money and time on making music and shooting videos, but still not getting any exposure? Tired of just spinning your wheels? You know to get exposure you need to get featured on blogs, radio stations, playlist, and get your music e-mail blasted out to the masses. Need help getting all that done? Then check out the Package we’ve made available for you below!

Like & Listen To Our Spotify Playlist

trapLAXradio On The Air Now!

The Latest Music, Videos, News, Entertainment……

[cazshmere]

12th House Sign in the Natal Chart and How you can Heal and Find Closure from Past Wounds 🩵

materialist🔖

DISCLAIMER : healing is a journey, not a destination, and everyone moves at their own pace. these tips are here to give you a nudge, not to create pressure or perfection. if you’re reading this and some things resonate, that’s wonderful :) take what feels right and leave the rest. and remember, there’s no one right way to heal or find closure. it’s okay to stumble, feel lost, or take a break. trust that every small step forward, even the tiniest ones, are part of the process. be kind to yourself along the way; you’re doing the best you can 🩵

🧩 aries in the 12th house

1. you’re bold in action, but sometimes hesitant in introspection. reflect on fears you might avoid and tackle them directly, like you would any challenge.

2. pent-up frustrations weigh on your subconscious. try activities like boxing, painting, or writing letters you’ll never send.

3. give yourself time alone without needing constant action. Silence and stillness help you get in touch with buried emotions.

4. reflect on times you acted quickly and accept that growth often means making mistakes.

5. indulge in something silly, like playing a game or watching cartoons. It helps you reconnect with yourself. watching your comfort movie with your favourite snacks will surely help

HEALING TIP : try journaling with a twist : write letters to yourself from different ages, like your 5-year-old self or your future self, to see your emotions from new perspectives. this could be super cathartic for you and help you move through the hard feelings holding you back also try meditation that is targeted towards inner peace

🧩 taurus in the 12th house

1. learn to release your hold on past pain. Healing for you often means loosening your grip on comfort zones, even in memories.

2. reflect on areas where you’ve felt unappreciated, finding self-worth from within rather than external validation.

3. you resist change, so make small, gradual adjustments to your daily life that invite healing over time.

4. practice acceptance of things you cannot control or predict; even small, symbolic acts like letting go of a token can help.

5. revisit an old hobby that once brought you joy, like gardening, knitting, or cooking. it’ll remind you of your inner peace.

HEALING TIP : try a sensory grounding exercise: touch something soft, listen to calming music, and smell something grounding like lavender to soothe your mind and body. also something that can temporarily help is watching a super scary movie or just eating spicy food, it can help you distract yourself from your thoughts, at least momentarily

🧩 gemini in the 12th house

1. your mind runs fast, but your 12th house challenges you to slow down and acknowledge buried insecurities.

2. release old narratives, whether it’s past gossip, harsh words, or regrets, let go of thoughts that weigh you down. Practice rephrasing past stories with kindness.

3. try creative outlets that let you express emotions without words, like art or dance, to connect with deeper feelings.

4. when you socialize, make time for connections that feel supportive and honest, without intellectual posturing.

5. quieting your inner monologue helps you access the quiet truths below the surface. Breathing exercises can help here.

HEALING TIP : try recording voice memos on your phone when you feel overwhelmed. Sometimes saying things out loud can help you make sense of them faster than writing.

🧩 cancer in the 12th house

1. you tend to tuck away your deepest fears. Make time to reflect on past emotions without judgment or the need to ‘fix’ them.

2. address any unconscious attachment to people or situations that no longer serve you, knowing it’s okay to need change.

3. offer compassion to yourself, revisit times when you felt misunderstood or unsupported, and give your younger self the love they needed.

4. learn to let go without feeling abandoned. Spend time nurturing your sense of self apart from your relationships.

5. forgive old wounds, allow yourself to release grudges or hurts, understanding that they don’t define your future connections.

HEALING TIP : write a letter to someone from your past you’ve never fully moved on from, then release it (you don’t have to send it).

🧩 leo in the 12th house

1. step back from needing validation, explore who you are outside of praise or recognition. spend time with yourself, just being rather than performing.

2. acknowledge areas where you might have felt rejected or unappreciated. practice self-love that doesn’t rely on others’ feedback.

3. try activities where you’re a beginner. learning something new can help you find power in vulnerability.

4. let go of ego-driven fears, focus on what makes you feel genuinely fulfilled, not just admired. reframe your goals around personal joy rather than approval.

5. reclaim your authenticity by exploring what brings you joy outside of an audience, like a private creative hobby that brings you peace.

HEALING TIP : try visualising your inner child, close your eyes and picture yourself as a child full of hope and joy, and send love to that younger version of you.

🧩 virgo in the 12th house

1. acknowledge that some things don’t need fixing. practice letting go without feeling the need to control every detail.

2. practice self-compassion, allow room for mistakes and honor your efforts without focusing solely on flaws. embrace your progress, not perfection.

3. stop overanalyzing (ik it’s hard but your overthinking is what causes majority of your problems, the more you overthink the more power you’re giving to those unwanted thoughts) give your mind permission to take a break. activities like meditative gardening or painting can help soothe the inner critic.

4. connect with your intuition, trust your instincts rather than rationalizing everything. allow yourself to simply “know” without overthinking it.

5. embrace the chaos haha, let things be messy or spontaneous without judgment. Flexibility helps you grow beyond rigid expectations.

HEALING TIP : try writing a list of what you’re grateful for, it's a simple but powerful tool to shift your focus from worries to abundance.

🧩 libra in the 12th house

1. find comfort in solitude, learn to enjoy your own company, separate from others’ opinions or companionship. practice inner peace.

2. let go of past people-pleasing, allow yourself to address buried feelings of resentment that may stem from overextending for others.

3. balance your inner harmony, focus on inner alignment rather than external harmony. Journaling or meditating on your needs helps you center.

4. heal relationship wounds, reflect on past connections that left an impact. release blame, knowing each taught you something valuable.

5. set boundaries with yourself, give yourself permission to say “no” without guilt. embrace your inner balance, free from others’ demands.

HEALING TIP : you can try a heart-centered meditation to connect with self-love and release neediness for outside validation or try a balance-focused yoga routine, it can be both grounding and soothing, helping you connect with your inner equilibrium.

🧩 scorpio in the 12th house

1. embrace your emotional vulnerability, lean into your feelings without fearing loss or control. Sharing emotions helps relieve hidden weight.

2. release grudges (ik this is something hard for you but letting go is better than holding on to the things that cause you problems - forgive but don’t forget perhaps), practice forgiveness as a way of releasing old hurts that drain you.

3. face your darkest worries with courage, knowing they don’t define you. Write them down and let them go.

4. reclaim personal power, you’re literally THAT bitch don’t forget that queen, focus on how you can empower yourself from within, instead of seeking control externally.

5. trust others with your feelings when it feels right; vulnerability can be deeply healing.

HEALING TIP : you can try shadow journaling by exploring both light and dark thoughts to understand yourself more deeply or if you want something fun instead try listening to a mystery podcast or an immersive story app where you can dive into thrilling narratives. this helps you tap into your emotional depth while being entertained, offering healing through mystery and intrigue.

🧩 sagittarius in the 12th house

1. look inward for meaning, sometimes answers lie within, not in new experiences. find fulfillment in self-reflection rather than escapism.

2. explore spiritual grounding, sagittarius craves meaning, so find practices that connect you to a sense of purpose, like guided meditation.

3. release judgment and let go of self-criticism about past “mistakes.” accept that growth is a journey, not a fixed outcome.

4. embrace introspection by giving your adventurous mind permission to slow down and find contentment in stillness.

5. cultivate patience please (so so important) you may be prone to quick fixes; practice patience with yourself and your journey to healing.

HEALING TIP : start a personal travel vlog (even if it's just to document your local adventures) or use digital journaling apps to record your thoughts, dreams, and philosophical insights. It’ll allow you to process your emotions while in a fun way <3

🧩 capricorn in the 12th house

1. release pressure to always be “on”, let go of needing to achieve every moment. It’s okay to just “be” sometimes, without a goal in sight.

2. forgive your past mistakes, address any old guilt you’re holding onto. you’re allowed to grow beyond your old decisions and learn without punishment.

3. embrace vulnerability (very important) being open about your feelings doesn’t weaken you; it strengthens your ability to understand and trust yourself.

4. trust life’s timing, not everything has to be perfectly planned. lean into moments of uncertainty and find peace in simply experiencing.

5. reflect on your worth beyond productivity, spend time exploring who you are outside of what you “do” or “produce.”

HEALING TIP : try weekly self-check-ins to connect with your needs and desires, away from the hustle of daily demands.

🧩 aquarius in the 12th house

1. embrace your quirks and shadows, you have a unique mind, so allow yourself to be different even in your struggles. reflect on hidden fears and accept them.

2. let go of needing to understand everything, release the need to overanalyze or intellectualize every emotion; trust that some things are just felt, not solved.

3. balance independence with connection, don’t isolate yourself too much. healing also comes through genuine human connections.

4. explore spontaneous introspection, give yourself the freedom to meditate or journal in unconventional ways, like painting or singing.

5. lean into self-compassion, you may be hard on yourself for being “too different” or processing wounds and hurts “differently” but learn to embrace that unique perspective as your strength.

HEALING TIP : try creative expression exercises that bring your thoughts to life, like freeform art, dance, editing, posting stuff online (blogs, reels etch) or sound journaling helps too.

🧩 pisces in the 12th house

1. set healthy boundaries with emotions, your empathy can pull you into others’ feelings. spend time differentiating between your own emotions and theirs.

2. give yourself closure without finality, understand that sometimes closure isn’t perfect or neat, and let go of needing every question answered.

3. create a soothing retreat, build a healing environment, like a cozy corner or blanket fort lmao, where you can escape and connect with your inner peace.

4. release victim mentality, move beyond past hardships by reclaiming your personal power and seeing yourself as a survivor, not a sufferer.

5. TRUST. YOUR. INTUITION. you’re naturally in touch with the unseen. lean into that gift by tuning into your feelings without judgment.

HEALING TIP : create a healing playlist filled with calming music, or even soothing ASMR sounds, to help you unwind and feel safe in your own space.

© cazshmere 2024 [All Rights Reserved]

banner & pic credits to the rightful owners <3

[pearlprincess02]

pluto in a man's birthchart

pluto in 1st house

with pluto in the 1st house, a man often experiences life with intense passion and a profound sense of power and control. his presence can be magnetic, drawing others in while he navigates deep-seated issues of obsession and jealousy. this placement fosters a transformative approach to self-expression, where renewal comes through confronting personal taboos and exploring the subconscious. his sexuality is marked by a powerful, often compelling energy that drives him to uncover and embrace hidden desires and deeper truths about himself. in relationships, this intensity can lead to a dynamic where power plays a significant role, pushing him toward profound personal growth and understanding.

keywords: magnetic enigma, alpha, dark horse, intense lover, power player, obsessive pursuer, transformative leader, taboo breaker, complex anti-hero, passionate visionary.

examples from movies/tv: don draper (mad men), patrick bateman (american psycho), tom ripley (the talented mr. ripley), dexter morgan (dexter), jesse pinkman (breaking bad)

pluto in 2nd house

with pluto in the 2nd house, a man’s approach to life is deeply intertwined with intensity and passion, especially regarding personal values and material security. he often seeks power and control through financial stability and possessions, leading to obsessive tendencies about wealth and resources. this placement can stir feelings of jealousy over material success or status, pushing him toward significant transformation and renewal in his self-worth and values. delving into taboos and the subconscious, he explores deep-seated fears and desires related to his value system and personal assets. his sexuality is characterized by a profound, sometimes all-consuming drive, revealing a need to merge deeply with his desires and those of his partners, transforming both self and relationship dynamics.

keywords: resourceful enigma, possessive tycoon, obsessive collector, transformative financier, taboo-breaking sensualist, passionate materialist, controlling patriarch, 

examples from movies/tv: gordon gekko (wall street), frank underwood (house of cards), walter white (breaking bad), tyler durden (fight club), michael corleone (the godfather),

pluto in 3rd house

with pluto in the 3rd house, a man experiences intense passion and drive in his communication and intellectual pursuits. his need for power and control manifests through his interactions and thought processes, often leading to obsessive focus on his ideas and relationships. jealousy might surface in his exchanges, particularly if he feels challenged or threatened intellectually. this placement fosters significant transformation and renewal through exploring deeply held beliefs and confronting subconscious patterns. he may be drawn to uncover and engage with taboos, especially those related to communication and learning. in sexuality, his approach is intense and transformative, reflecting a deep desire to connect profoundly and intellectually with his partners, reshaping his perceptions and experiences of intimacy.

keywords: intense communicator, manipulative wordsmith, obsessive researcher, transformative thinker, taboo-breaking provocateur, passionate debater, controlling intellect, 

examples from movies/tv: hannibal lecter (the silence of the lambs), john doe (se7en), tony stark (iron man), roy waller (matchstick men), william foster (falling down),

pluto in 4th house

with pluto in the 4th house, a man’s intensity and passion are deeply rooted in his home life and family dynamics. his quest for power and control often centers on creating a secure and dominant presence within his domestic sphere, leading to obsessive tendencies regarding his personal space and family relationships. jealousy may emerge over issues of control or security within the home. this placement drives profound transformation and renewal through revisiting and resolving deep-seated familial and emotional issues. he is drawn to explore taboos and subconscious fears related to his upbringing and emotional foundations. in sexuality, his approach is deeply transformative, seeking to merge his intimate desires with a profound emotional connection, reshaping his understanding of personal and relational intimacy.

keywords: intense patriarch, controlling homebody, obsessive family man, transformative foundation builder, taboo-breaking ancestor, passionate nurturer, 

examples from movies/tv: norman bates (psycho), tyrion lannister (game of thrones), thomas shelby (peaky blinders), tony soprano (the sopranos), frank gallagher (shameless),

pluto in 5th house

with pluto in the 5th house, a man’s intensity and passion are channeled into his creative pursuits, romantic relationships, and self-expression. his desire for power and control often manifests through his creative projects and romantic involvements, leading to obsessive behaviors around these areas. jealousy might surface in matters of love or competition, driving him to confront deeper issues of self-worth and recognition. this placement encourages significant transformation and renewal through exploring and redefining his sources of pleasure and creativity. he may be drawn to uncover and engage with taboos related to self-expression and romance, delving into the subconscious aspects of his desires. in sexuality, his approach is profoundly transformative, seeking to fuse passion with emotional depth, reshaping his experiences of intimacy and personal fulfillment.

keywords: intense charmer, controlling stage presence, obsessive performer, transformative creator, taboo-breaking artist, passionate lover, 

examples from movies/tv: christian grey (fifty shades of grey), james bond (james bond series), joker (the dark knight), david aames (vanilla sky), bojack horseman (bojack horseman),

pluto in 6th house

with pluto in the 6th house, a man’s intensity and passion are deeply intertwined with his work, health, and daily routines. his drive for power and control is channeled into his professional life and personal well-being, often leading to obsessive behaviors regarding productivity and perfectionism. jealousy may arise in competitive work environments or over perceived inadequacies in his routines. this placement promotes profound transformation and renewal through confronting and overhauling old habits and health issues. he is compelled to explore taboos and subconscious fears related to his work environment and daily life. in sexuality, his approach is transformative, seeking to integrate his desires with a deeper understanding of his own needs and those of his partners, reshaping his intimate connections and personal growth.

keywords: intense workaholic, controlling perfectionist, obsessive researcher, transformative healer, taboo-breaking rebel, passionate servant, 

examples from movies/tv: dr. gregory house (house m.d.), michael bluth (arrested development), howard stark (agent carter), elliot alderson (mr. robot), paul atreides (dune),

pluto in 7th house

with pluto in the 7th house, a man experiences intense passion and drive in his relationships and partnerships. his need for power and control often emerges through dynamics with others, leading to obsessive behaviors and deep-seated issues around partnership and commitment. jealousy may manifest in romantic or business relationships, prompting him to confront and resolve underlying fears. this placement fosters significant transformation and renewal through the exploration and redefinition of his relational patterns. he is drawn to delve into taboos and subconscious patterns related to intimacy and collaboration. in sexuality, his approach is profound and transformative, seeking to deeply connect with partners while continuously evolving his understanding of intimacy and personal connection.

keywords: intense partner, controlling manipulator, obsessive lover, transformative union seeker, taboo-breaking rebel, passionate collaborator, 

examples from movies/tv: julius caesar (rome), gordon ramsay (hell’s kitchen), patrick jane (the mentalist), rick sanchez (rick and morty), victor von doom / doctor doom (fantastic four),

pluto in 8th house

with pluto in the 8th house, a man experiences profound intensity and passion in areas related to intimacy, shared resources, and personal transformation. his drive for power and control often surfaces in matters of joint finances or deep emotional connections, leading to obsessive tendencies and complex dynamics around trust and vulnerability. jealousy may arise over issues of control or emotional depth within relationships. this placement is marked by significant transformation and renewal through confronting and integrating profound psychological and emotional experiences. he is compelled to explore taboos and the subconscious, delving into the darker aspects of his psyche and desires. in sexuality, his approach is intensely transformative, seeking deep, meaningful connections that challenge and reshape his understanding of intimacy and personal power.

keywords: intense enigma, controlling power broker, obsessive investigator, transformative healer, taboo-breaking mystic, passionate lover, 

examples from movies/tv: anton chigurh (no country for old men), nicholas van orton (the game), david (the skin i live in), lestat de lioncourt (interview with the vampire), james bond (casino royale),

pluto in 9th house

with pluto in the 9th house, a man’s intensity and passion are directed towards his pursuit of higher knowledge, philosophical beliefs, and long-distance endeavors. his need for power and control manifests through intellectual and spiritual pursuits, often leading to obsessive exploration of big ideas and ideological frameworks. jealousy might arise in academic or philosophical debates, pushing him to confront deep-seated fears about his beliefs and understanding. this placement drives significant transformation and renewal through a profound reassessment of his worldviews and personal philosophies. he is drawn to uncover taboos and subconscious patterns related to his exploration of meaning and purpose. in sexuality, his approach is intense and transformative, seeking to integrate his desires with a deeper understanding of his own values and how they shape his intimate connections.

keywords: intense philosopher, controlling ideologue, obsessive seeker, transformative visionary, taboo-breaking explorer, passionate idealist, 

examples from movies/tv: richard alpert (lost), professor charles xavier (x-men), clyde shelton (law abiding citizen), frank abagnale jr. (catch me if you can), rick grimes (the walking dead),

pluto in 10th house

with pluto in the 10th house, a man’s intensity and passion are focused on his career, public image, and aspirations for success. his drive for power and control manifests through his professional life, often leading to obsessive behavior in achieving career goals and maintaining a dominant public presence. jealousy may surface in competitive work environments or when confronted with others' success, prompting deep self-reflection and transformation. this placement fosters significant renewal through re-evaluating and reshaping his career path and public persona. he is drawn to explore taboos and subconscious fears related to authority and achievement. in sexuality, his approach is profoundly transformative, seeking to integrate his desires with his ambitions, reshaping his intimate relationships to align with his broader goals and personal power.

keywords: intense leader, controlling visionary, obsessive achiever, transformative titan, taboo-breaking maverick, passionate reformer, 

examples from movies/tv: howard hughes (the aviator), donnie brasco (donnie brasco), j.r. ewing (dallas), bruce wayne / batman (batman begins), hank moody (californication),

pluto in 11th house

with pluto in the 11th house, a man’s intensity and passion are directed towards his social circles, friendships, and long-term goals. his quest for power and control often plays out within group dynamics or through his involvement in social causes, leading to obsessive behavior in achieving his idealistic visions. jealousy might arise in relation to his peers or within social networks, prompting him to confront deep-seated fears about acceptance and influence. this placement drives significant transformation and renewal through a profound reassessment of his role within groups and his aspirations. he is drawn to explore taboos and subconscious patterns related to social interactions and collective ideals. in sexuality, his approach is intense and transformative, seeking to align his intimate connections with his broader social and personal ambitions.

keywords: intense revolutionary, controlling idealist, obsessive reformer, transformative visionary, taboo-breaking rebel, passionate humanist, 

examples from movies/tv: jim morrison (the doors), lenny leonard (the simpsons), george costanza (seinfeld), michael scott (the office), boris yellnikoff (whatever works),

pluto in 12th house

with pluto in the 12th house, a man experiences profound intensity and passion within his inner world and subconscious mind. his need for power and control often manifests through hidden or private struggles, leading to obsessive behaviors around his personal fears and psychological patterns. jealousy may emerge from unseen or repressed emotions, prompting deep self-exploration and confrontation with his own shadow self. this placement fosters significant transformation and renewal through working on internal issues and subconscious material. he is drawn to uncover taboos and delve into the depths of his psyche, exploring hidden aspects of his being. in sexuality, his approach is deeply transformative, seeking to integrate his desires with a profound understanding of his inner self, reshaping his intimate relationships through personal growth and introspection.

keywords: intense recluse, controlling shadow self, obsessive seeker, transformative healer, taboo-breaking mystic, passionate visionary, 

examples from movies/tv: travis bickle (taxi driver), rorschach (watchmen), jack torrance (the shining), david (the omen), donnie darko (donnie darko),

all observations are done by me !!! @pearlprincess02

[love-takes-work]

Streamily.com Presents: The Steven Universe Cast Reunion Q&A Part 1

Here's a complete overview of the Q&A that was put on by Streamily, hosted by Elijah ("Not-So-Average Fangirl"), featuring Rebecca Sugar as the showrunner/creator, Deedee Magno Hall as Pearl, Lo (formerly known as Charlyne Yi) as Ruby, Estelle as Garnet, Susan Egan as Rose Quartz/Pink Diamond, Tom Scharpling as Greg Universe, Michaela Dietz as Amethyst/Famesthyst, and Larissa Gallagher as Bluebird Azurite. Read below to find out about a secret scrapped episode, Rebecca's comment on how to look at Rose Quartz, and lots of hilarious commentary from the cast about the experience of voicing characters on Steven Universe.

When the stream opened, everyone did their introductions:

Rebecca said they created the show.

Deedee said she played Pear. LOL, then said Pearl.

Lo said they played Ruby.

Susan said I play Rose . . . (with a cringe) and Pink.

Tom said "I was Greg, and I still am Greg, I guess."

Michaela: "Famethyst for life baby!"

Larissa played Bluebird, and a little bit like the character, she pops up when you don't expect it!

Estelle was not on the call at the very beginning but joined shortly after the questions began.

Here are the questions and the participants' answers!

Q: There were so many messages in SU. Which one do you hope viewers keep with them the most?

A (Rebecca): Rebecca learned to trust themself in being the authority about who they are. They were a bit rocky on this issue when the show began in their twenties, and learned they needed to be true to the art they made. That was reflected in the characters too. They hope people watching will learn to trust in themselves too, in the face of other people trying to tell you who you are.

Q: For Deedee Magno Hall: Pearl grew and changed in the show. How did it feel playing her in the first few episodes vs. the last few?

A (Deedee): There was no way for Deedee to know Pearl's journey when she started voicing her. She relied on Rebecca and the Crew to learn how to voice Pearl. The group had been talking about the pilot before they jumped onto the call, and Deedee says if she had listened side by side to what Pearl sounded like in the Pilot and what she ended up sounding like at the end, Pearl (along with character growth), vocally got exaggerated--it was Deedee's voice but really "went there"! Pearl felt so many feels. Deedee hopes she executed it well direction-wise. What a blast to play Pearl! And to see the growth in her character! It was fun and a challenge, and Deedee was grateful!

Q: For Michaela Dietz: Amethyst is silly and chaotic usually--what did Michaela pull from for the more emotional and serious moments?

A (Michaela): Many of the more emotional moments are about figuring out origins (the Kindergarten, etc.). Michaela is a transracial / transnational adoptee, so she pulled from that and was looking for her birth family while they were recording the Kindergarten episode. That was an easy well to tap. The growth that Amethyst had over the course of the series and movie and Future, Michaela feels like it parallels her relationship with the other actors and their characters. She's grateful to have made so many friends and is so happy to have learned so much from Rebecca (she joked about calling Rebecca "Reba").

Q: Question for all: If you could hang out with your character for one day, what would you do?

A (Rebecca): Steven is based on their brother, so they would love to spend time with Steven. It was challenging through Covid to not spend time with Steven. They always make time for Steven. They love spending time with people who played the characters! They never got to have a wrap party because of Covid! They were together for 8 years and they still want to have a belated wrap party. They would also love to spend time with Ruby (the self-insert character) and they love spending time with Lo too. Then they said "I need to be stopped because I'll go through every person."

Announcement: Estelle just joined!

Belatedly, the mod asks Estelle's question: Garnet is such an iconic character. Did Estelle know she was a Fusion from the beginning?

A (Estelle): No. She was the big grown Gem who took care of the others. She found out in real time with the cast when she did the recording. She was surprised by the lines in real time and had to calm herself down to record each line. She felt it was an honor.

Back to the "all: question of what each would do if they could hang out with their character.

A (Deedee), misunderstanding the question: If she could hang out with characters, would do tae bo with Garnet, get french fries with Steven, and have a karaoke and dance party with Amethyst.

A (Lo): When they were in kindergarten they would spit all over a tree and try to cover it with their spit. If they hung out with Ruby, they would ask for Ruby's help spitting on trees. There would be lots of hugging, punching pillows, etc. The moderator Elijah thinks fan artists will have fun with that.

A (Estelle): If she hung out with Garnet, she would ask Garnet to give her all the future information. She would want to borrow her "future vision goggles" too and want to know the future.

A (Tom): He would just drive around with Greg and listen to records. Go eat more. And end up going bowling.

A (Michaela): She would eat trash with Amethyst (and also some quality food?). They would mess around the San Gabriel Valley, get meal after meal, maybe buy an illegal turtle? No, that's not funny. They might hit up Ruby and spit on trees. Take in some underground wrestling. Amethyst is very intensely chill, and Michaela thinks they could do a great many things together.

A (Larissa): Going from intensely chill to intensely chaotic. She wants to bring it down from chaos and go ride Lion on the beach, with Bluebird carrying swords.

A (Susan): She wants to go into Rose's room to unpack. Pearl would need to be with her to Marie Kondo the situation. Then she would throw on a Universe shirt and hit music festivals.

Deedee realizes she misunderstood the question and wants to add: if she hung out with Pearl they would do laundry and some spring, summer, winter, and fall cleaning. Definitely Marie Kondo-ing the whole universe together.

Q for Susan Egan: Rose turned out to be a very complex character. As the story progressed and more about her was revealed, did Susan's approach to voicing her change?

A (Susan): She can't sing the praises of Rebecca enough: Susan didn't know at all what Rose's deal was. She got some hate comments when it was revealed that she was Pink, and she LOVED that because it meant the fans were invested. She was as shocked as everyone else. Pink was aging in reverse; Rose was wise and flawed, and then Susan would be voicing Pink and had to be petulant and immature, and she's thankful for Rebecca's direction in getting that right.

Q for Lo: Ruby is adorable. We got to meet so many versions of her. Other than Garnet's Ruby, which Ruby was Lo's favorite to play, and why?

A (Lo): They loved playing Navy. They got to be hammy. They ask if you know how when you order stuff at the drive-thru and you become that? They don't know why. It felt good. While voicing Ruby, they got to get in touch with how angry they were. Being seen as an Asian woman, it was nice to have a spot to channel that anger, and being Navy is like making fun of who you have to become when you're a people-pleaser. "I LOVE DIRT!"

Q for Tom Scharpling: Greg is an eccentric but loving father. What was Tom's favorite part of playing him and does he have a favorite scene?

A (Tom): Doing Greg was so fun. It's not Tom but it's more him than he thought all along. He had never done voice stuff before this, so he went in completely new. A script would say "walla walla" but he thought he was supposed to say "walla walla." Everybody laughed at him. He knew literally nothing about proper voice acting. So he got to really try and work at it. It was so satisfying to get to better at it. Anything from "Mr. Greg" was the big one in terms of a memorable episode. It was the best time.

Q for Larissa Gallagher: Bluebird Azurite is quite a menace. Did she listen to the individual Ruby and Aquamarine voice acting for inspiration?

A (Larissa): Yes. The script said Bluebird was Cockney, so she already knew what to aim for, but it turned out that taking those inspirations from the two characters she's made of would have led to this kind of voice naturally.

Q for All: Where do you each of the participants think their character is now and what are they doing?

A (Rebecca): To the cast, they know what the characters are up to post-show, but they can't say, it's too canonical.

A (Deedee): Says she doesn't know what canonical means. Pearl is probably doing more laundry and working on an album.

A (Lo): They guess they're just . . . fused. (Perhaps separating for scouting?) They might play Ruby Rider but not alone anymore. Interdependence, learning how to ground; Lo is not really sure how to answer since they feel like Ruby would spend most of her time as Garnet.

A (Estelle): She doesn't know. She figures Garnet sees what was gonna happen and just said "mmm." Just chilling. Even when she's fighting she has to be chill with the fighting-related grunting. She got direction to "flatline" her acting. She found it pretty natural though.

A (Tom): Greg is probably right where everything started again. Maybe working at a GameStop. Maybe he owns a bowling alley now. When asked what Greg would name it, he replies "Strikes and Spares."

A (Michaela): Amethyst would randomly get rich with Bitcoin and is retired. Maybe she would play Taiwanese Mahjong. Living a great retired life.

A (Larissa): Bluebird would be plotting and scheming and planning. Probably on a big planning board.

A (Susan): If Rose and/or Pink exists on any level, the only appropriate thing for her to be up to is community service. Like cleaning up trash at the bowling alley? Susan thinks it's time to start having a positive impact.

Q for Rebecca Sugar: Were there any scenes that ended up on the cutting room floor that you wish you could have included?

A (Rebecca): There was a bunker episode that they spent weeks on trying to crack; they wish they'd finished it. Ronaldo had a doomsday bunker. Sadie and Lars were trapped in it (with Steven). There's no way to leave. They were working on it so long and just couldn't make it work but they were determined to (maybe a little bit of the sunk cost fallacy!).

But usually the things that got left on the floor ended up evolving and changing into something different, even if they were really attached to the original idea. The idea for "Barn Mates" was originally that Sadie and Lapis would be the roommates with Sadie going to college. They feel that the Sadie story they ended up actually using was great. They love what they ended up doing with Lapis too.

In the very earliest version of "Giant Woman," Steven was going to unfuse into the two parts of him. And his "perfect" form, the big glowing muscular adult-looking Steven, was a Season 1 idea, and they didn't use him until Future. (After all, our roly-poly Steven is perfect!)

Now there are some fan-submitted questions. Their usernames are included.

Q for Deedee Magno Hall, from Makittuu: In what ways is Pearl special to you?

A (Deedee): She feels like a broken record, but she says again she was grateful to be voicing someone with the same natural voice as she had, and she had always wanted to be able to sing in a cartoon. She loves that she got to sing in the show. Pearl was the first major voice acting role that she had ever done and there's no way she would have known what the show was going to become and how successful it would be. She was auditioning for everything and was new to voice acting at the time. But one thing that she loved about voicing Pearl is that she got to share the experience with her kids. She connected the love Pearl had for Steven with the love she had for her sons. When she started voicing Pearl her kids were 2 and 8. For them to be able to watch Steven Universe on TV and hear Mommy's voice was so cool to share with her family. Now her kids are 13 and 19!

Q for Estelle, from Gonosoi: Do you have any fun stories from recording your lines on the show?

A (Estelle): When she was going through things in her life--and she thinks this is true no matter where you are or how you identify--the show somehow could speak to whatever she was going through. The lines would often be relevant. She'd come in with sunglasses on because it was early for her and her voice would be low. She'd be crying behind her glasses in difficult moments. She liked a fresh first take instead of knowing ahead of time what she'd be reading, so she didn't read the script ahead of time. She was surprised by needing to do the "ugh" and "ah" noises in different ways. It'd be difficult vocally. With Michaela, Zach, and Deedee, in between the lines and reading things together, hearing them switch back and forth between talking about life and then doing their recordings, it was so cool to see them do their work.

Q for Michaela Dietz, from Mal: Which one of your other characters would get along well with Amethyst?

A (Michaela): Definitely Vee from The Owl House. Maybe Maj'el from Star Trek Prodigy. She would be so "What is this purple being? Why do you eat? Where does the food go?" She'd be fascinated with Amethyst. And Michaela feels like Amethyst would thrive and try to do weird stuff in response. The shapeshifting she has in common with Vee. They'd get up to some trouble. Fun trouble. Harmless trouble. (Another fanart cue!)

Q for Susan Egan, from Gladde: Does Susan feel that Rose forgot about Spinel? Does she think she wanted to go back?

A (Susan): Susan thinks a lot was forgotten in her mind when she became Rose. Rose was so enamored of what's in front of her in every moment; she lives in the moment and can be a good quality but obviously Susan didn't know all of that when she was recording! Steven Universe is her kids' favorite thing she's done. Rebecca?

A (Rebecca): So much of the show is about how--something that was ultimately captured in the end credits song-- when you don't think of yourself as someone with power, Pink had less power than everyone around her, and she didn't know how much she mattered to others. She did things to them that she didn't think twice about because her importance to others didn't register. Feeling that she didn't matter, it radiated out. To her--her relationship with Spinel, Spinel was a toy to her. When she got a chance to grow up, she thought it made sense to leave Spinel behind. Pink is actually a softened version of what she was originally planned to be like. The sympathetic side of that and her self deprecation grew as they developed Pink over time. In aspiring to be a better person than she thought she was, that became who she was.

A (Susan): Rebecca brought all these characters' complexity to the table. It's easy to make things two-dimensional but people are complicated and we need to look at that in context. Good and bad can exist in the same person. She doesn't want Rose to always want to think about being Pink, but she thinks it helped her want to save more characters as Rose.

A (Rebecca): Rebecca likes to think of the Pink Diamond / Rose character as a cautionary tale.

Q for Lo, from stiffcorpse00: What kind of dates would Ruby and Sapphire go on?

A (Lo): Axe-throwing. They reference walking through doors and accidentally crashing into the frame, and they say "That's me." So they wouldn't do axe-throwing personally. Maybe Ruby and Sapphire would get some boba. Go walking. Teach Ruby how to float in water back because anger makes Ruby sink. Helping Ruby get anger out by screaming into pillows. Swinging one way and the other way.

Michaela suggests they could go to a rage room.

Lo objects that they're so expensive, and that they could just break stuff without needing to pay for it.

Susan suggests it'd be a writeoff because it's for work.

Lo says they'll go there and take a date.

Michaela says the experience is exhausting and therefore you don't need much time there.

Lo says a Ruby and Sapphire date involving paintball would be great, but everyone would run from Sapphire. Ruby's rage would get in the way. Sapphire would coldly get everyone.

There is more discussion of smashing fax machines and glass etc. in a rage room. Deedee asks "What is a fax machine?"

Q for Tom Scharpling, from GalixyYouniverse: What was his reaction to Greg getting his hair cut and was he upset?

A (Tom): He was fine with it. He was always coming from a different place than everyone else. His change would be getting rich or getting a haircut. Everyone else's was huge and cosmic. Anything with Greg, he related to Greg more than he should admit to.

Rebecca points out they have like drawings from 2013 with Greg with short hair. Sacrificing hair in a battle is something they always wanted to do.

Q for Larissa Gallagher from 1F4cnt4ND: How does she think Aquamarine and Ruby met and what was it like when they fused?

A (Larissa): She says it was a little bit mean to put her after Tom answering about the hair cut! But she doesn't know. If she had to say anything, it'd be existential. When you meet someone and you get that ball of energy inside you and you don't know whether it's good or bad--you don't know what's going to happen but something will happen. She likes to think that's the kind of energy that evolved. It didn't go in the most helpful emotional way but it was that moment attraction that no one can explain. Rebecca?

A (Rebecca): They had discussed in the writers room what Steven's influence is on Homeworld, how there'd be all these Gems on the wrong side of history, whether they were high status like Aquamarine or low like Eyeball, they'd pool into an out-group and meet to be frustrated about it. They'd been working on something that made sense before Steven changed the rules. Different types of fusions / collaborations and one born out of frustration and spite was one they wanted on the show.

Q for all participants, from trynottohappen: What was the hardest scene to record?

A (Susan): The first thing she did as Rose was the VHS tape. The monologue was her first time playing a mother, and it spoke to her heart. Like Michaela looking for her biological parents, there's something the character can teach you. Susan had to pull herself together after reading it--she needed to be joyful about her progeny coming. It makes her weep even today. It was one of her favorite things. She loved recorded with Deedee, and loved the love between them, the betrayal of Rose to Pearl, when we finally get to know what was really going on between them.

A (Larissa): The scene where Bluebird revealed her backstory of why they felt the way they felt. The complexity of the characters in the show, the hate isn't just "I hate because someone did this and said that." It's grounded, a real space of hurt that can never be fixed. Having to recreate that and not hate the character but love the character because of how much pain they were in. That was difficult but incredible.

A (Michaela): The hardest scenes were toward the end because she knew the show was ending. They were cherishing every moment together. In 2016, the day after the election, that was a hard day. Everybody was really distraught. There was a group hug at the end. In a time of such uncertainty, it gave her so much solace to know they had each other and they had art, they had ways of expressing themselves, that day sticks out.

A (Tom): For him, the songs were difficult. He would get sent a demo Rebecca recorded the night before, he's driving into NYC from New Jersey and listening to the song for hours all morning so he'd have it in his head, and then would be so nervous doing the songs because he didn't want the whole recording to be just him going word by word, line by line. The songs were the big thing he was hung up on. He'd try to do the songs first, then the spoken lines, and then the things where he yelled--he'd end up screaming sometimes and he'd not have a voice left. He wanted to do right by these very special songs. He jokes that Rebecca said he let them down over and over. (Rebecca denies.)

A (Estelle): She doesn't remember many hard moments. She'd attribute that to Rebecca's direction. She took a laid-back approach. The grunts and noises weren't familiar but also weren't difficult for her. She'd drink tea after. Real life would be happening but they always had each other in their bubble.

A (Lo): The Ruby Rider episode was the most fun and the hardest. They always wanted to play a cowboy! They were also going through a divorce during the recording. It was tough leading up to marrying Sapphire, delivering the lines, and they started crying because the opposite was happening in their life. And then they got direction to be more emotional even though they were crying. They said their voice was dead inside even though they were quite emotional. They're shy in the booth. Lo felt sweaty and weird doing the acting in front of other people, feeling awkward, and this is the first time they had to be a voice actor. This was THE WORST playing multiple characters during the baseball episode.

Michaela was so impressed with Lo having to be "like 800 characters."

Lo comments that doing 5 voices around other people as a neurodivergent person was so difficult.

A (Deedee): She loved receiving the demo recordings before having to sing a song. One of her favorite things was the singing. She wants the album of all Rebecca's demos. She remembers getting a script Monday to prepare and record on Wednesday. She heavily depended on the voice director and Rebecca. The really wordy scripts were difficult for Deedee with "ten-dollar words." The screaming was also really difficult. (She'd also do singing at the beginning, speaking in the middle, screaming at the end.)

A (Rebecca): Instead answering what scene was the hardest to write, they say there are so many. Because it was storyboard-driven, the script was in flux until it was animated, and they'd still be working with dialogue. With the potluck, when Lars doesn't show, Sadie has dialogue as she's walking down the street talking about Lars. They did a thousand drafts of it. With Sadie's story, there's a matryoshka of struggling with self-esteem while commenting on other people's self-esteem. There was a long path to get Steven to step into his mom's shoes. The biggest thing was tracking the ongoing storyline in a storyboard-driven show. Rose's speech was pored over as well. They wanted it to be layered and make more sense as you learn more about her. Does this line encapsulate everything you're going to learn about this character 60 episodes from now?

Q from CaughtMoonlight: If each of them could play any other Gem, who would it be?

A (Susan): Everyone wants to be Garnet, but could never!

A (Larissa): Ditto. 100%. Also, not a Gem, but she wants to be Lion.

A (Michaela): Peridot. All the way.

A (Tom): He says he can't do that and he's just a slob doing the voice of a slob. These things are all out of his reach.

A (Estelle): She'd go with turbocharged Peridot. She says the things that are in Garnet's brain. She'd get spicy with it.

A (Lo): Lo would choose Greg. They say he's not a slob. The world should be more relaxed and accessible.

Tom says he doesn't mean slob in a bad way. But he owns his slobbiness.

A (Deedee): Hard question! She loved voicing Pearl and all the Pearls. Everybody else, it would be so hard to voice. No comment.

A (Rebecca): Early on they decided to take a back seat and not cast themself. They loved being in the director role. They put a lot of themself into SO many characters. That let them have a presence in everyone. One thing they're really grateful for, but their former boarder Adam Muto on Adventure Time, they got to voice Marceline's mother. The composers aivi and surasshu asked them to sing "Love Like You" because it's really a reflection of so many characters that they got to write.

Q for All: They are asked to share their projects and socials.

A (Rebecca): Working on things they can't talk about yet. Last year they released an independent album. Years ago Estelle said Rebecca should tour. Susan said kind things. Lo texts songs back and forth. They would not have been able to make that album without that encouraging. Tom had them on the radio show. So humbling. Spiral Bound is a little EP and they're so grateful. They'd love to do more stuff like that.

A (Deedee): She loves the album. She is doing some recurring voices for Kiff on the Disney channel, and singing praise and worship at church.

A (Lo): They're playing Larry in StuGo who's shirtless and gender fluid on Disney. They want everyone to know sunsets are awesome. Catch them while you can to chase away depression.

A (Estelle): She has a new album coming out early next year, with two singles out now. The music is uplifting. And there's the Estelle Show (on Apple radio!). She's just living her best life.

A (Tom): The Best Show/podcast is still on every week. He started writing a new book--he wrote one a few years ago and thinks the one he's writing now will be done in maybe 11 years, so check it out in 2038. Just working on TV stuff and dealing with whatever happens.

A (Michaela): Exciting stuff we can't talk about. It's tangerine season! Trees going off! Been harvesting.

A (Larissa): Just got back from Japan. Trying to get back there. Video games are coming out but she can't talk about it. She is working on a startup called Ethovox, trying to protect voice actors int he age of AI. Larissa got so much fandom just from doing Bluebird for two minutes! She's so grateful for that.

A (Susan): She produces live concert content for Disney worldwide. She loves being behind the scenes and creating jobs for others and bringing joy. They've been in 18 countries! She wrote shows for the Hollywood Bowl.

Part Two comes out November 18, 2024! You can get signed prints at Streamily!