#Emma hawk

[elder-sister]

Our favorite transfem in STEM

Emma hawk, the most chaotic scientist at Celestial Labs

[tiaet-official]

Our favorite transfem in STEM, Emma Hawk!

[ask-the-trapped]

Emma, where’s my Diet Pepsi?

@cool-deity

[Emma]

Right here.

*She opens a minifridge. There are two diet pepsis. Which one is yours is unclear.

[owls-are-not-what-they-seem]

Pinup fellas of Twin Peaks by Emma Munger

[anonymouscheeses]

When the hyperfixation gets so bad you start to stalk the actors too.

[fleursfairies]

ok after three seconds of looking into it im convinced the dead poets society and the perks of being a wallflower are connected

[infictionalwonderland]

celebrity masterlist,

chris evans —

nothing yet.

sebastian stan —

nothing yet.

tom holland —

nothing yet.

andrew garfield —

nothing yet.

ben barnes —

nothing yet.

matthew gray gubler —

nothing yet.

micheal b jordan —

nothing yet.

taylor swift —

nothing yet.

lana del ray —

nothing yet.

zendaya —

nothing yet.

margot robbie —

nothing yet.

florence pugh —

nothing yet.

madelyn cline —

nothing yet.

phoebe tonkin —

nothing yet.

maya hawke —

nothing yet.

emma watson —

nothing yet.

no set pairing —

MARVEL CAST FLIRTING WITH Y/N, compilation!

MARVEL CAST FLIRTING W Y/N. P2, compilation!

[cantsayidont]

Recentish movies of note, or not:

BOTTOMS: Ridiculous "teen" comedy about two gay high school losers, PJ (Rachel Sennott, who also co-wrote with director Emma Seligman) and Josie (Ayo Edebiri), who seize on a rumor about their having been in juvenile detention to start an after-school "self-defense club," in the hope that introducing the school's hottest cheerleaders to the cathartic thrill of girls beating the shit out of each other will finally give these hopeless (and ho-less) virgins a chance to score. So silly that complaining about the stupidity of the plot seems a tad churlish, but the story misses some obvious comedic opportunities, and despite the premise, the film eventually becomes far more interested in cartoonish violence than sex. If you dig the overall vibe, you might not care, but as a gay teen sex comedy, it's ultimately less successful (and less outrageous) than BOOKSMART, even though only one of the latter film's teen loser heroines is gay.

DO REVENGE: Black comedy homage to the teen comedies of the '90s and early '00s, inspired in part by the 1951 movie version of STRANGERS ON A TRAIN, about a disgraced prep school popular girl, Drea (Camila Mendes), who joins forces with gay weirdo Eleanor (Maya Hawke) to avenge herself on her former friends and find out who leaked her sex tape — a plan that involves giving Eleanor a makeover so she can infiltrate the popular kids. Hawke is a delight, Mendes is very good, and the homoerotic tension of their odd relationship makes the movie fun for a while, especially if you appreciate the many self-conscious homages to prior teen movies. However, a major reveal late in the second act makes hash of the already sloppy plot, and the finale is both nonsensical and as antisemitic as STRANGERS ON A TRAIN author Patricia Highsmith, which leaves a sour aftertaste.

IT'S A WONDERFUL KNIFE: Bizarre slasher movie pastiche of IT'S A WONDERFUL LIFE, about a teenage girl named Winnie Carruthers (Jane Widdop of YELLOWJACKETS), who kills the masked serial killer who's been terrorizing the small town of Angel Falls and murdered her best friend (Hana Huggins) at Christmastime. A year later, everyone in town seems to have gotten over it except Winnie, who's miserable. On Christmas Eve, she's magically transported into an alternate timeline where she was never born and the masked slasher has continued murdering people, including Winnie's brother (Aiden Howard). To set things right, Winnie has to stop the villain all over again with the help of Bernie Simon (Jess McLeod), the town outcast and the only one who believes her story. Not scary, gruesome, or suspenseful enough to be much of a horror movie, but there are enough grisly murders to make the comedic holiday fantasy aspects seem a trifle sociopathic, and a late reveal that the killer has supernatural powers beyond just stabbing or slashing people feels like one ingredient too many in an already convoluted plot. The main redeeming feature is that it's ultimately a gay love story, which I wasn't expecting, but appreciated nonetheless.

THE KILL ROOM: Uma Thurman, Samuel L. Jackson, Joe Manganiello, and Maya Hawke go slumming in this dumb black comedy about a handsome hitman named Reggie (Manganiello) who becomes the sensation of the art world after his mob intermediary (Jackson) concocts a scheme to launder Reggie's payments by selling his abstract paintings (under the nom de plume "the Bagman") through a burned-out, Adderall-snorting art dealer (Thurman). Intended satire of the cutthroat vacuity of the art world lacks bite and no part of the plot makes any sense, but sheer star power gets the movie through about half its 80-minute running time before the banality becomes terminal.

POLITE SOCIETY: Silly British action-comedy by Nida Manzoor (creator of WE ARE LADY PARTS) about Ria Khan (Priya Kansara, delightful), a Pakistani teenager who aspires to be a stuntwoman, and her quest to save her flaky art student older sister Lena (Ritu Arya, radiant) from marrying a handsome doctor (Ashay Khanna) who seems a little too good to be true. It looks great, and the characters are very charming, but the story waits much too long to clarify the stakes of the plot: Until the finale, we don't know if Lena is actually in any danger or if Ria is just letting her imagination run away with her, and that uncertainty becomes an unwelcome distraction in the later action sequences. As a result, it feels more like an update of the John Hughes perennial SIXTEEN CANDLES than the over-the-top action movie it obviously aspires to be.

SHIVA BABY: Low-key but vivid comedy of manners, written and directed by Emma Seligman, starring Rachel Sennott as Danielle, a bisexual 20something Jewish girl who secretly pays her bills as a sugar baby. When she goes with her parents (Fred Melamed and Polly Draper) to a shiva, she finds herself trapped with not only her most annoying relatives, but also her disgruntled ex-girlfriend (Molly Gordon), her current sugar daddy (Danny Deferrari), his gorgeous blond wife (Dianna Agron), and their new baby. Seligman milks every awkward nuance of this uncomfortable social situation for maximum dramatic effect, and the tension of the final scene (which is nothing more complicated than the characters trying to squeeze into the back of Danielle's father's minivan) will drive you right up the wall.

VOLEUSES (WINGWOMEN): Is it really possible for a 40-year-old Frenchwoman living in the 21st century to not know that lesbians exist? One wouldn't think so, but watching this jokey buddy-action movie suggests that director/co-writer/star Mélanie Laurent desperately needs some kind of educational intervention in that regard. This is for all intents and purposes a lesbian romance: Master thieves Carole (Laurent) and Alex (Adèle Exarchopoulos) live together, routinely sleep in the same bed, and plan to retire together; they constantly express their love and affection for one another, and when Carole discovers that she's pregnant (the hows of which are never explained), Alex immediately assumes that they'll be moms together. Nonetheless, the story not only attempts to no-homo this cozy domestic scenario, but also presumes that there's no way Carole and Alex's relationship could ever be the de facto marriage it obviously already is — indeed, a crucial story moment involves Carole tearfully wishing she were a man so she could love Alex the way she deserves! If the movie had been made 50+ years ago, this might be poignant, but in 2023, it's just weird, and the resulting cognitive dissonance largely overshadows the thin plot, which concerns Carole and Alex trying to persuade their bitchy, cheerfully murderous employer Marraine (Isabelle Adjani, barely recognizable beneath her big hair and oversized sunglasses) to let them retire, while training a younger woman named Sam (Manon Bresch) to become their driver and the ambiguously defined third in their domestic ménage à trois.

[aurorawest]

Reading update

Light Up the Lamp by Kit Oliver - 5/5 stars

Kit Oliver can do no wrong, I guess. I figured I'd like this one a lot given that I loved her other two novels, but hockey books usually aren't five star reads for me. Along comes this book! Unrelentingly lovely, and even though I knew it was going to have an HEA, I still found myself worried that Gil wasn't going to figure shit out.

The Faerie Hounds of York by Arden Powell - 5/5 stars

Gorgeous book that read like a dreamy, dark fairy tale. The first book by Arden Powell I read was really funny, and this was like the complete opposite. Powell has range! This one is sad, but still has a happy ending. If you like Emily Tesh's Greenhollow Duology, I highly recommend this one. They're definitely in the same vein.

Deosil by Jordan L Hawk - 4.75/5 stars

I was SO SAD to get to the end of this series. Whyborne, Griffin, Christine, Iskander, Persephone, Maggie, Niles...I could go on, I love them all. It's hard to say good-bye but they all got a wonderful ending.

The Inside Edge by Ashlyn Kane - 3/5 stars

The Taste of Desert Green by Kim Fielding - 4.25/5 stars

Your Lonely Nights Are Over by Adam Sass - 1/5 stars

Crushed Ice by Ashlyn Kane and Morgan James - 4/5 stars

Roustabout by Morgan Brice - 3/5 stars

Prince in Disguise by Tavia Lark - 5/5 stars

Loved this one just as much as the first in the series. I expected the Draskorans to be...idk, like stereotype fantasy barbarians, so it was extremely refreshing that they weren't.

Old Time Religion by EH Lupton - 5/5 stars

Ahhhhhhhh I love this series!! I really really enjoyed the first book, and I loved this one even more. Really good, really original. I can't recommend this one and Dionysus in Wisconsin enough!

A Thief and a Gentleman by Arden Powell - 3.5/5 stars

The Devil to Pay by Katie Daysh - 4.75/5 stars

If you like Patrick O'Brian but find yourself thinking, surely this could be more gay? Then Katie Daysh's books are for you. This is the second in the series and I was delighted to learn yesterday from her newsletter that she's working on the third, because I definitely am not ready for the series to end! The first book was from Nightingale's POV (there might have been some bits from Courtney's POV? But not many), and this one is entirely from Courtney's. Courtney and Nightingale didn't actually get to spend much time together in this one so I hope they catch more of a break in book 3.

Lord of Eternal Night by Ben Alderson - DNF at pg 6

The Engineer by CS Poe - 4/5 stars

The Larks Still Bravely Singing by Aster Glenn Gray - 5/5 stars

If you're not reading Aster Glenn Gray yet, why not? Why not??? Seriously, if you like Cat Sebastian, PLEASE give Aster Glenn Gray a try. I have yet to read a book by the woman that isn't gorgeous. This book is set right at the tail end of WWI and into the interwar period and is about two young English men who were injured and invalided out of the army. They're both disabled (Robert, the POV character, is missing a leg, and David is missing a hand) and have PTSD.

Also recommended if you like KJ Charles's Will Darling Adventures trilogy. The Larks Still Bravely Singing is just straight historical romance, not romantic suspense, but it deals with similar themes.

Guardians of Dawn: Zhara by S Jae-Jones - DNF at pg 24

Mr Warren's Profession by Sebastian Nothwell - 4.75/5 stars

LOVED this book. I think it's the only historical romance I've read that uses the Industrial Revolution so heavily in the plot, which I really enjoyed. Plus, gorgeous cover.

Honey Mead Murder by Dahlia Donovan - DNF at pg 5

A Market of Dreams and Destiny by Trip Galey - 3.25/5 stars

String Theory by Ashlyn Kane and Morgan James - 3.75/5 stars

One Night in Hartswood by Emma Denny - 5/5 stars

I honestly don't know why, when I received this book in like, November, I didn't immediately put it on the top of my TBR pile. I knew I was going to love it; I was super excited to get my copy. Every time I've shuffled my TBR (like, my actual physical TBR...it's a whole thing...it's actually been mistaken for my full book collection but haha no that's just 200 books I haven't read yet sitting on my stairs...), I've lamented that it's not closer to the top. And then I realized, this is literally my TBR and my own weird fake rules that I've made up about it, so I can actually just pull it from the stack and read it now. So I did!

And yeah, I loved it. So much. Raff and Penn will probably live rent free in my mind forever, not to mention Ash and Lily. I loved the medieval setting (another setting you don't see much in queer historical romance!) and how it really felt like a different world than ours. Plus I'm a sucker for road trip romances. And daddy issues. And horrific scars.

And ugh, the training scenes. The sexual tension. The PINING. Masterfully done. Chef's kiss.

Also we're going to find out who Oliver was, right? RIGHT??? And what happened to Penn's brother?

Out of Touch by Michael Sarais - DNF at pg 7

The Long Call by Ann Cleeves - 4.25/5 stars

Always enjoy a mystery that's well-paced and well-written. I've never actually read anything by Ann Cleeves but I'm going to pick up the rest of this series.

The Death I Gave Him by Em X Liu - DNF at pg 284

[emmawatsonupdates]

10 years ago today, we were getting our first official look at Emma Watson and Ethan Hawke in 'Regression'

Full photo at the source

[thollandnewsbra]

AVY KAUFMAN (legendary Hollywood casting director) on the DEADLINE panel for The Crowded Room – "Actors needed to keep up with Tom, you know? They all had a responsability to act opposite Tom and do a great job. Every scene has to go back to the respect for Akiva and how important the story is for the world, for every human being. For whatever you go through, we all have our up's and down's and this is a very important script. So all the actors had to keep up with Tom. Whether it be Amanda [Seyfried] or Lior [Raz]. A lot of the friends in the beginning are first time actors, because they were all simple, they were enjoying life. But then you get the heaviness of it, and then you need stronger actors to present. You need to follow the rhythm to who can bring out those words and keep up with Tom, and express these situations - as heavy as they were."

[help-an-alter]

ello m8. not a fragment, but i’m just looking for names and pronouns. i’m a fictive of philza from the QSMP, and while i really do like my name, i was thinking i could try other names to distance myself from source. you can base them off crows and/or old timey stuff.

thanks so much in advance!

(could we also claim 🩸🐶 as our anon tag..)

hi! we struggled a bit with the old timey pronouns but i hope this is satisfactory

names: corvid, corvus, corbin, crow, reid, rhys, ambrose, isaac, finnegan (fin), edwin, felix, patrick, theo(dore), charlie, archie, archer, easton, montgomery, crawford, knightly, amos, atticus, auberon, cyrus, cornelius, elijah, ernest, eugene, franklin, laurence, octavius, silas, sebastian, victor, will/william (might be too close to home, sorry if it is 😭), ainsley, arden, callum, altair

pronouns: cor/vid/corvidself, corvi/dae/corvid(ae)self, crow/crows/crowself, cor/corvs/corvus(s)elf, avi/avis/aviself, avi/an/avianself, murder/murders/murderself (a group of crows is called a murder!), co/cor/corself, vi/vin/vintageself, ti/time/timeself, clo/clock/clockself, dec/decade/decadeself, ant/antique/antiqueself, ry/rys/ryself, ae/aem/aemself, nae/nym/nymself, sey/sem/semself, sep/sepia/sepiaself, quill/quills/quillself, fea/feather/featherself, tea/teas/teaself

[mxmoth]

FAVORITE HORROR FILMS | REGRESSION (2015) Elevation Pictures, Dir. Alejandro Amenábar Ethan Hawke, Emma Watson, David Thewlis, Dale Dickey

[ask-the-trapped]

Ooh, what’s the hyper event?

[Yewer]

About a thousand years ago, a weapon built by Dr. Emma Hawk to evolve Ancient Earth by billions of years was set off. It evolved the planet before the people's eyes, and a thousand years later, an apocalypse caused by a deity happened, which me and the others had to stop. At least it's over now...

[superduper-writer]

ok so ig this is like a lil rundown of what i write and stuff (no ones gonna read this tho thats embarrassing) but idk what im doing so js bear with me

ok SO

I WILL WRITE:

smut, fem!reader, gn!reader, angst, fluff/comfort, headcanons, and g!p (if there's anything else im not thinking about, ill add).

I WON'T WRITE:

rape or noncon of any sort, incest, male!reader (it's just a little odd for me since im not a dude), and i think that's it

CHARACTERS/PEOPLE I WRITE FOR:

Jenna Ortega and her characters, Emma Myers, Enid Sinclair, Maya Hawke, Robin Buckley, Nancy Wheeler, Sam Carpenter, Mindy Meeks-Martin, and Amber Freeman.

ill never write for guys unless it's platonic

SHIPS I WRITE FOR:

any of the previously mentioned characters/people x reader (obviously), Tamber, Wenclair, and Ronance

[disgruntled-welshgirl]

Natalia Dyer, Maya Hawke, Jenna Ortega, and Emma Myers should all team up to flaunt their characters' sapphism. Just subvert anything Netflix says that implies otherwise