#Emil x Michelle

[faewild-moonchild]

Okay but like can Yurio and Emil be friends? Just imagine Yurio being like "Hey Yuuri go run into that wall"

"Uh no, why?"

"It'll be funny lol"

Then Emil's like "I'll do it" and just bolts into the wall for no reason (probably stops right before it so he's not hurt but falls over all dramatically and makes Mickey have a heart attack).

Yurio keeps telling him to do stupid dangerous stuff and he just does (or does a safer alternative that still satisfies Yuri) and that makes Yuri respect him.

If asked Yurio will be like "oh Emil? Yeah he's pretty cool, not like we're friends or anything though" like your text conversations would say otherwise Yuri

[lou-is-lurking]

yoi x princess cafe, emimike edition <3

[masterdisastre]

Given that nearly no one reads my stories for more popular ships, this EmiMike is probably going to fall into the void... But you know what, screw that, I like this story and I still want to share.

Let me know what you think about it!

[rikeijo]

Today's translation #587

Febri vol. 40, Toyonaga Toshiyuki x Uchiyama Koki interview

Part 13.

-- Yes, the commentary was amazing, wasn't it?

Toyonaga: [Back to the topic of favorite scenes] Among the scenes that I was involved in, the parking lot scene in episode 7. We had to re-take that scene so many times, that even I didn't know what it was about in the end, so it was a very memorable scene to me. Other than that, the scene when Emil doesn't qualify for the Grand Prix Final, and standing behind Sara and Michele, he says "Let's go clubbing later!" - how quickly he recovered from what had happened (laugh). I quite like that lightness.

Uchiyama: Like "Let's try our best at the next competition!".

Toyonaga: That "next time, next time" - that lightness (laugh). And my favorite character is Popovich. We see him only once in episode 10., and he already has a new girlfriend.

Uchiyama: He's fast (laugh).

Toyonaga: It's amazing, how fast he can move on (laugh). At the studio, there were whispers about 'Popo-chan has a new girlfriend now, so he'll become a normie and his artistic expression will suffer' theory, that seems very credible.

Uchiyama: The type that does badly at work, when their private life is too good.

Toyonaga: Yeah, yeah. He's the type that skates better, when he's heartbroken, I think? - we were having a lot of fun, arbitrarily imagining what kind of character he is.

[ghegheganu]

Suzanne Fabry (Belgian painter) 1904 - 1985

Female Nudes by the Sea, 1943

oil on canvas

157 x 173 cm. (61.75 x 68 in.)

signed and dated Suzanne Fabry/ 1943 (lower right)

private collection

© photo Sotheby's

Catalogue Note Sotheby's

Born in Brussels in 1904, Suzanne Fabry was the daughter of the Belgian symbolist painter Émile Fabry (1865–1966) and his wife Virginie Duchênes. Her brother, Barthélémy, was born in 1898. Three years before Suzanne’s birth, her father was named Professor of Drawing at the l’Académie Royale des Beaux-Arts de Bruxelles, where he had been a student in the 1880s, and her childhood was spent in his house-studio at rue Verte (today rue du Collège Saint-Michel, n°6) in Woluwe-Saint-Pierre, a south-eastern neighborhood of Brussels.

At the start of World War I, Suzanne moved with her family to England where they remained until the end of the war, first in Herefordshire and later in the Cornish town of Saint-Ives. They returned to their home in Belgium after the war and in 1923 Suzanne enrolled as a student at the Académie Royale des Beaux-Arts where she studied under Jean Delville (1867-1953) and Constant Montald (1862-1944), two of the founders, alongside her father, of a group of artists who called themselves “L'art monumental.” The group’s aim was to produce public, monumental, and culturally sophisticated art that would elevate the public consciousness through the representation of idealized universal themes. Their commanding nudes would constitute an important source of inspiration for Suzanne’s own work.

Suzanne graduated from the Académie in 1928 and embarked on her career as a painter in the 1930s, taking part in the triennial Salon in Antwerp (1930) and the quadrennial Salon in Liège (1931). Around the same time, her father was completing a cycle of large-scale paintings for the entrance and staircase of Brussels’ opera house, La Monnaie, where, many years later, Suzanne and her husband Edmond Delescluze (1905-1993) would be employed as costume and set designer respectively, a collaboration that began in 1948 and is recorded in over 900 sketches and stage maquettes preserved today in the archives of La Monnaie. She continued to pursue her career as a painter, alongside her work as head of the opera’s costume workshop, until her death in 1985.

In this monumental multi-figure composition, painted in 1943, Fabry adapted the solidity, scale, and style favored by the Symbolist painters of her father’s generation to a defiantly modern feminine subject. Fabry perfected her own brand of pointillism, establishing the pale blue background in broad loosely layered brushstrokes against which the four figures are sharply defined in saturated ochre tones. The palette and composition–statuesque theatrically posed figures arranged across a picture plane–ehcoing her father’s work, notably Maternity (1923) and Towards the Unknown, for which Suzanne posed and was photographed as aide memoires (see Jacqueline Guisset, Emile Fabry, 2000).

These photographs, and the studio practice they elucidate, suggest the context in which Suzanne developed her own working methods and artistic style. Suzanne’s four figures are arguably full-length self-portraits–with idealized features resembling the artist’s own, looking to her self-portrait with paintbrush in hand (1932) –making the composition a triumphant declaration of her artistic identity as both creator and muse.

The central figure’s pose recalls Botticelli’s iconic Birth of Venus, recasting the Renaissance goddess in a personal and fiercely modern mode. Rather than covering herself, Fabry’s figure reaches up to her auburn hair, staring straight at the viewer and seemingly strides forward, trading Botticelli’s stationary feigned modesty for confidence in motion. Impastoed splashes of water at her feet evoke Venus’s outsized shell in a more realistic and yet abstract reference perhaps to her own rebirth as an artist.

Fabry returned to the female nude the following year in a large-scale single-figure representation of a woman–perhaps herself–called L’Attente (1944), exhibited at the Salon de printemps that year. Holding an amphora above her head with two hands against a distant background of ancient ruins, the figure stands tall, matching the height of the doric column behind her, as a pillar of strength and fortitude, peering fearlessly ahead, her weight shifted to the front of her toes as if to leap forward.

Female Nudes by the Sea is an important rediscovery within the oeuvre of Suzanne Fabry, and the 20th-century Symbolist movement. In this multi-figure self-portrait, Fabry audaciously contends with her artistic heritage and asserts her own distinctive identity and aesthetic.

* * *

Born in Brussels in 1904, Suzanne Fabry was the daughter of the Belgian symbolist painter Émile Fabry (1865–1966) and his wife Virginie Duchênes. Her brother, Barthélémy, was born in 1898. Three years before Suzanne’s birth, her father was named Professor of Drawing at the l’Académie Royale des Beaux-Arts de Bruxelles, where he had been a student in the 1880s, and her childhood was spent in his house-studio at rue Verte (today rue du Collège Saint-Michel, n°6) in Woluwe-Saint-Pierre, a south-eastern neighbourhood of Brussels of recent urbanisation.

At the start of the First World War, Émile Fabry moved with his family to England, first staying in Herefordshire and later in the Cornish town of Saint-Ives, where he would continue to paint, and they would remain until the end of the conflict. Back in Brussels, the family returned to their home on rue Verte, and in 1923 Suzanne enrolled as a student at the Académie Royale des Beaux-Arts, where her teachers included Jean Delville (1867-1953) and Constant Montald (1862-1944), two of the founders, alongside Suzanne’s father, of the group “L'art monumental”. Their aim was to produce art for the public sphere, monumental in scale and steeped within the cultural tradition of the period, intended to elevate the public conscience by means of representing idealised, universal themes. Their commanding nudes would constitute an important source of inspiration for Suzanne’s own work.

Having graduated from the Académie in 1928, Suzanne began her career as a painter in the 1930s, taking part in the triennial Salon in Antwerp (1930) and the quadrennial Salon in Liège (1931). Around the same time, her father was completing a cycle of large-scale paintings for the entrance and staircase of Brussels’ opera house, La Monnaie, where, many years later, Suzanne and her husband Edmond Delescluze (1905-1993) would be employed as costume and set designer respectively, a collaboration that began in 1948 and is recorded in over 900 sketches and stage maquettes preserved today in the archives of La Monnaie. She continued to pursue her career as a painter, alongside her work as head of the opera’s costume workshop, until her death in 1985.

Source: Ambrose Naumann Fine Art

[vintagelacerosette]

i haven't watched it myself but ik you like yuri on ice ;)

Hiii dearest thank you for the ask!! 🥰 I loveee Yuri on Ice 🥰

Favourite character: Yuri Katsuki my sweet anxious boi 🥰

Funniest character: Tie between Victor Victor Nikiforov & Yuri "Yurio" Plisetsky. Victor can be such a dork underneath being a five time world champion at ice skating & Yurio is an edge teenage boy, who tries to be all mature but can be bratty in the funniest of ways. 🤣

This kid that secretly flew to Japan from Russia in secret to find Victor to be his teacher then to getting found out by his coach bc he posted a pic of himself with a tiger shirt in japan on instagram 🤣

Best-looking character: For me, it's my guy Yuri! Look at all that Eros! 🔥

3 favourite ships: Victuuri: Victor x Yuri

Their relationship is really the core of the show how they grow & make each better. Bring the love & passion of ice skating back into each other's lives 🥰

Also they're so engaged 💍🥹💕

Otakyuri: Yurio x Otabek

Yurio's dubs him as his first real friend. They were cute. A friendship I think that could blossom into something more.

Leo x Guang Hong

Just cute side charcter skaters that I think would be cute haha.

Other ships are just fun fanon ☺️

Least favourite character: Michele Crispino who's nickname is Mickey haha. He maybe a grouch & surley but unlike my GOAT character Mickey Milkovich he's got none of the charm lmao. Also, it's mainly bc he had that Japanese charcter trope of too protective of his sister & that it was pretty insufferable haha. But he is in one of my top ships with another ice skater Emil who is a sunshine.

Least favourite ship: I would say Yuri X Victor X Yurio just really not for me

Reason why I watch it: How relatable it is with dealing with mental struggles & just the layers of each character. It feels so human & encouraging about preserving going after your dreams. The way the character grow & gain understanding of each other. Plus the music is sensational! It's a passion project made by people who love ice skating & have a heartfelt story to tell & it absolutely shines through. I love this series to bits & I would show all my loved ones this series bc it has a special place in my heart ❤️

Why I started watching it: I was late to the train for Yuri on Ice, but one of my best friends recommended it to me & said I would love it & she was right! Became my whole personality in 2017 😆

[bluebirdsboi]

Yuuri on Ice Masterlist | Last Updated: 6/12/23

Key

Fluff = 🥰 | Angst = 😢 | Smut = 🥵 | Hurt Comfort = 🩹 Platonic = 🤝 Headcanons = 📝 | ABC Headcanons = 👩‍🏫 | Oneshot = 📘 | Series = 📚 AU = 🌎 | Songfic = 🎵 Male Reader = 💙 | Gender Neutral Reader = 💜 | Female x Female = 💖 Story on hold = ✋ | Character on hold = 🔒

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Christophe Giacometti

Coming soon...

Emil Nikola

Coming soon...

Jean-Jacques Leroy (JJ)

Coming soon...

Michele Crispino

Coming soon...

Otabek Altin

Coming soon...

Yuri Katsuki

Coming soon...

[carleybenazzi-blog-blog]

9.85

  BODY SKIN  | Tres Beau – bibi skin EVOX – brownie HEAD | LeLUTKA – Ora Head 3.1 EVO X HAIR | Magika – Michelle – BODY | Reborn – OUTFIT JACKET |  Vive x Brior – Dionne distressed Blazer- (reborn) -NEW!@DreamDay TOP |  Vive x Brior – Dionne Top – NEW!@DreamDay BOTTOM |  MOGUL – Emil flared leggings – NEW!@CAKEDAY ACCESSORY | MAJESTY – Bondage bag ACCESSORY | LEN$ – 120 -cream BACKDROP |…

[kowimarch12]

I missed them so much 🤧💙💜

[eumenisz]

(っ’･_･)っ

[lou-is-lurking]

[masterdisastre]

You've probably heard of pining Emil Nekola, but have you ever heard about painfully aware of his feelings Michele Crispino and apparently stalking someone else Emil Nekola?

Well, now you do.

@ibovaryyou the day has finally come! (somehow, well, I introduced the thing)

[emimiketrash]

EmiMike Zine 2017 | Assassin/Music School AU

“It’s been a while. I know I shouldn’t have kept you waiting. But I’m here now.” -Spears, Britney Jean (2007) #freebritney

Hello, everybody! I’m so sorry if I’ve been MIA for the longest time. I’ve now become a working boy and it’s become nearly impossible to maintain this Tumblr account. But I’m back to post my submission for the @emimikezine, curated by the hardworking @dettsu.  💙💜

Just to recap: for the zine, I’m creating an assassin-slash-music school AU artwork wherein Mickey is a assassin-slash-classical violinist who gets involved with his schoolmate Emil Nekola, a jazz saxophonist. (Lol my apologies if the saxophone is inaccurately illustrated. I had a hard time with it.)

Made with @adobe Illustrator CC 2015.

[auronevardell]

Chapters: 1/2 Fandom: Yuri!!! on Ice (Anime) Rating: Mature Warnings: No Archive Warnings Apply Relationships: Michele Crispino/Emil Nekola, Michele Crispino & Emil Nekola, Sara Crispino & Emil Nekola, background sara/mila Characters: Michele Crispino, Emil Nekola, Sara Crispino, Christophe Giacometti Additional Tags: Alternate Universe - Soulmates, Soulmates, Romantic Soulmates, soulmate dreams, Dreams, Miscommunication, YOI Soulmates Week 2020, Angst with a Happy Ending Summary:

Soon after you turn 18 you have a dream about your soulmate. There are no other types of dreams in this universe. The only dreams you have are about your soulmate. If you are older than your soulmate, then society mandates that you have to wait until they are 18 to tell them you are soulmates. Mickey and Sara are four years older than their soulmates. Can Mickey and Sara wait to tell their soulmates about their dreams? And what will happen when they do?

Written for YOI Soulmate Week 2020 Day 5: Communication

[regu-1]

heart emoji

[blueetaurus]

Pride month-day 22

Pride Ship #22 ~ Michemil

“He’s not human...”

Bonus:

“Mickey! Let's go to Barcelona together!"

In summary: overprotective brother doesn’t realize the guy is hitting on him and not his sister