#Else you end up with the three endings

[steddiealltheway]

Something that is canon in my mind that I forget to tell people:

The reason why Steve can’t get bitches in his Scoops Ahoy era is because there’s a rumor going around that he’s gay (probably because someone caught him hooking up with Eddie)

[heybiji]

Roshan walks with the two Potts, gazing around at the fields and forests painted in warm colors by the setting sun. He remarks, "It is a lovely view from here."

Gazing outward, past the broken walls he had put up 20 years ago, Arthund nods and says, "Forgot. Forgot how... how pretty it all is."

I recently finished running an original oneshot for some friends, The Reaching Woods. It was a story about a little village surrounded by a big wall and the nearby forest's sudden overgrowth threatening to crush it all. It was also a story about blame and guilt.

Arthund Potts, when we met him, could barely speak at all. Too many years spent drinking and weeping. If he was even conscious he was all grunts and sloppy gestures. The scene above was at the end of the oneshot (okay, eighteenshot), once the party returned from the dark, evil woods.

[angy-grrr]

daily reminder: Ochako had to make herself physically see the damage the villains and war created in order to forget the uneasy feeling she got when Himiko smiled sadly (+ all the things she thought when she saw her). She cant forget what she has done (because she doesnt like the destruction), but that doesnt mean she cant forgive her or that made her feel distance from her.

Izuku can't forgive what Shigaraki has done, and as far as we know, he doesn't need to remind himself of the pain; his empathy doesn't make him feel weird about reaching out to a villain, at least on its own.

Its not a copy paste of the same battle or story.

Himiko and Izuku make Ochako wonder about the concept of heroism and saving, the roles heroes and villains have, and they also have an impact on her behavior, ideals, and feelings for them and herself. Shigaraki's fate and the world around Izuku seems to make him wonder about his role as a savior, because he doesnt feel like he fulfilled it really, when it ended up with someone else dying. He finds in Ochako someone who would agree on ideals about saving others, and thats great on its own.

[captain-flint]

U no like gladiator ii?

Why? 🥺

i am so sorry, anon, there was simply no way for me to like it as someone whose entire career and literal job is about understanding ancient roman history. unfortunately, they made ZERO effort at trying to make this movie seem even slightly authentic, and even though i went in expecting very little historical accuracy (big hollywood blockbuster movie by ridley scott, yes i know), the absurdity of it all had me scream laughing and pissed off to no end. not only was that entire movie an enormous, literal caricature of ancient rome and its people, it was also incredibly bad. i could've maybe forgiven the cgi baboons on steroids, killer rhinos and sharks in the amphiteatre, but the storyline genuinely lacking any depth with actors who were visibly struggling with delivering their lines that made them sound either pathetic or like they were in a low budget action movie were simply too much for me. the whole movie was an americanized idea of ancient rome told on screen. like it actually started to feel disrespectful at one point. it was a whole bunch of characters behaving like clowns trying to spin a story without a single meaningful thread and i simply hated it. gladiator 1 did a masterful job compared to this one. because it was so genuine and moving, any inauthenticity was easily overlooked. this movie tried to bank on the glory of its predecessor, but sadly it pales in comparison to the point i wouldn't even associate the two. i guess it's good if you want a mindless action movie with occasional pretty cinematography bc, in my opinion, that's about all it's got to offer 🤷‍♀️

[haveyouthoughtaboutcomicstoday]

I don’t have time to write up something properly on this topic this week, but here’s an incoherent ramble.

It’s so important to me how it was as an end point for Guy’s new52 character to be him as a Blue Lantern. The blue ring is about healing and faith (in yourself, the people around you, in things bigger than you), and is rooted in belief that things can always get better. That Guy gets to spend his future going around healing people in a universe where he didn’t get the opportunity to pursue that as a career initially is so rewarding.

His role as community leader/teacher/public servant is so integral to how he was first introduced. And through the ups and downs of his story arc in the years following, his ability to forgive people for anything, even to offer that forgiveness first, is what makes him such a good person. We see this most often in his relationship with his family and with Hal, but it’s definitely not limited to them.

There’s also something about Guy opting away from any of the rings that give him strength to do violence in favour of one that is powerful in taking down enemies in other ways. He still carries them with him, and knows sometimes he might need to use them to save people, but thats not his first instinct anymore.

Social worker Guy, psychology student Guy, the version of Guy that is gentle and timid and doesn’t like violence at all (that we only ever saw as a joke in JLI) would all be so proud of him for getting here in the end.

[heyclickadee]

Okay, to try to explain why the Bad Batch finale is driving me crazy

Imagine if Rebels ended at season three. (Thought experiment time!)

Not that it got cancelled; no one is saying it was cancelled, everyone is saying that this is where they wanted to end that chapter. And the entire season plays out exactly the same as it did in the real world*. Zero Hour, exactly as is, ends up being the series finale.

And the initial reaction is, “Great! They’re alive! They made it out, no one else besides Ahsoka died, we’re so relieved,” except—

What about Lothal? We built up to trying to save Lothal even in the third season—are we really just forgetting about it? What about Ezra becoming a Jedi? The whole sequence with the Bendu was really cool, but what about that foreshadowing line he gave to Thrawn in the end? Where is that supposed to go? Why did we waste a whole episode on space whales? Why didn’t Ezra’s talent for connecting with animals ever go anywhere? What about the side episodes about the Rebel Alliance? The episodes in the season were very good on their own-in fact, a few might be close to the best episodes in the show—but because there’s no payoff and nothing goes anywhere, it all sort of falls apart. Kallus’s redemption arc was fine, but what’s he going to do now, or is he just going to feel bad about what he did? I’m glad they’re all alive and all, but that’s it? Theres no real victory except survival? Why did we spend multiple episodes in the temple on Lothal if that wasn’t going to go anywhere besides getting Ahsoka killed?

Speaking of, Ahsoka really died, and we never dealt with it? Thirty seconds of Ezra crying, everyone looking sad, a sorrowful look from Rex, then we never discuss it, and the only time she comes up is when we’re discussing her job as Fulcrum? It was ambiguous enough to begin with, then we never really got confirmation or any processing on screen at all. We had a whole episode for Ezra to process learning that his parents died, and we never even really met those characters! But nothing for Ahsoka? She’s a fan favorite, and she means so much to a lot of people in the audience. She seemed like she was Dave’s favorite, even! It’s not like her death affected anyone either—all the character motivation was driven either by Kanan’s blindness, the fallout with Maul, or Ezra being tempted by the holocron. It was noble and tragic, sure, but narratively, they just killed her for shock value. If she’s even supposed to be dead! We don’t know for sure!

So you’re thinking through all of that, trying to figure out what the hell happened here and how a show that was otherwise very good only resolved two or three subplots, none of which was the main one, never really dealt with a main character’s death, and never fully 100% resolved anyone’s character arc, all while the showrunners refuse to say that this is the last time we’ll see these characters and insist on using the word “chapter” to refer to the end. So you’ve got a sneaking suspicion that the story isn’t actually over, that there’s something weird going on, but you don’t know for sure, and you can’t just let things lie because it’s not that it’s just a bad ending, it’s that it’s bad in a particularly insane way that would come back around to being incredible if there ended up being any follow through for a series that was somehow 99% set up and no payoff.

Anyway, this is where I’m at with The Bad Batch right now.

* For the purposes of this thought experiment, we can add a except that there’s a little epilogue at the end—not the epilogue we actually got at the end of season four of Rebels, but an epilogue where a fifteen-year-older Ezra has a conversation with Hera (no one else, and no Jacen around, no sign that Jacen even exists) about needing to go do something, and then hopping into a ship that looks a bit like the Phantom and has little mementos from various members of the ghost crew family around. Ezra mentions Zeb, Sabine, and Chopper, so we at least know they’re alive, but he doesn’t mention anyone else, and neither does Hera. Something with Ahsoka’s fulcrum symbol is sitting on Ezra’s dashboard. We learn nothing about what anyone does in the meantime. It’s completely open.

[mercless]

i would like to know more about hn talon's feathery ailment ... is it their demonic nature clashing with the angelic blood that is resulting in their worsening condition ? is there a reason why it is specifically feathers / bird-likeness as opposed to anything else ( i.e. would other demons undergo similar transformations if they also got contaminated with angel blood ) ? can you share more about how you envision the progression and prognosis ? will it kill them or will there be some sort of final stage of their transformation ( whether that's a bad thing because it only gets worse and worse , or a good thing because maybe now that it is complete , they won't be in as much pain and discomfort 🥺 ) ? is it at all affected by whatever they're doing / thinking / feeling / experiencing ( tamagotchi talon ... ) ? what do they do to manage their condition ? does it make them self-conscious or feel badly about their physical appearance ?

"-But it looks like the angels ain't done with you."

I don't recommend that anyone ingests angel blood (good thing that's a difficult thing to do these days) but I wouldn't want to definitively say how it works for anyone else either. and I think it makes sense if talon isn't too sure either, with not meeting anyone else in a similar predicament as they (yet... will get to this later) but say if it were another angel Talon had attacked and drank the blood of, I believe they would still be having similar symptoms, as angels are quite feathery beings (varus with his arm of feathers, irelia with her wings and other choicely placed feathers.) But the particular angel they stole from has had a specific impact on just how the blood has changed them.

The reason for their worsening condition is because the blood has a powerful influence, like an undiluted acid. And it is so dramatic of an change because this influence is the polar opposite to their demonic existence. The more that Talon fights against the changes, the less symbiotic the blood and their demonic nature melds, the more violent and painful the experience is for them. And without any interference either with understanding or other experiences, I see it as a bitter, drawn-out struggle. Just wallowing in fatalism until Talon is nothing more than an unrecognisable pile of bile, blood, and feathers that tore itself apart...

Fortunately for them, the more Talon interacts with their rotting world and the people (and creatures) also struggling in it, the more they will come to terms with their own potential, and reflect on how they can be something more than what they once were. Learning that they don't have to let their worst action define their existence. More than just accepting what they did, and putting in the effort to understand emotions and how to be an active part of life, will mean they are not stubbornly fighting against their affliction. This will increase the speed of it's progression, but also be far less painful of an experience since they won't be actively fighting against it. When Talon is unable to call upon any of their demonic abilities anymore, the physical changes of the affliction will be complete, but they will continue to learn and better themself in an attempt to make up for all the wrong and pain they have caused in their existence. I can picture this happening in two or three decades time, in which there is no longer any hellfire, brimstone or summoned weapons. Talon is no longer a demon, but maybe by then they'll also know if the powers that be would accept a malformed, inexperienced, makeshift samaritan as a stand-in. But that's a hopeful thought, thinking they'll live that long.

Going back to the symptoms of the affliction. Previously, Talon's form was one of shadow and brimstone, and they were able to phase in and out of being corporeal at will. Over time, this ability has been weakened - only able to vanish as a shadow for a moment at a time. Brimstone skin was made brittle until it fell away to soft flesh, hollow bone, and hair. Feathers have begun sprouting through this softer skin too, mostly across their left shoulder, arm and chest, but are beginning to sprout along their throat too. Talon used to pull them out by hand, but has forfeited the fight. Back to the left arm, a sort of carapace has begun to form over their left hand, along the thumb's metacarpal and back of the hand in layers of grey ash and weathered gold. This and the growth of the feathers is very similar to Varus' - the angel in which Talon killed and drunk the blood of - own feathers and angelic arm. But without any of the matching powers, it is a far less grand sight.

Although still considerably hot to the touch, Talon's core temperature has drastically lowered compared to the past. Whatever organs of malice and bile a demon has have made way for a growth in their chest, helping pump the foul angelic blood and pesky emotions around their body routinely, and push out more of their demonic essence every day, little by little. With this, it has already made their demonic powers incredibly weakened. Previously Talon also used to be able to disintegrate bodies with a slice of their hellish blades, but they just do not run hot enough anymore. The final physical symptom are their eyes. Once filled with hellfire, it is far more likely nowadays to see their extinguished, golden-brown irises instead. It is slightly controllable with their emotional state, or when using their powers though.

In other ways, the blood has made Talon far more empathetic, given them a conscience. Troubled with how their actions will effect others now, the suffering and cruelty of the world has become a pain all it's own. Dulling the delight in spreading fear and even disturbing the once simple exchange of souls, Talon is often contemplating their next course of action instead of only giving thought to their best interests. And how their previous, often violent actions, have caused so much.

The agony and illness of coughing up feathers and demonic bile leaves talon haggard and frail. Getting sleep and relaxation would help the most, but with their paranoia it is difficult for them to find places to fully lower their guard and properly rest. Talon's tried to get a room in the crossroad saloon before, but it's... never really worked out (Gragas doesn't let them). Hating and damning the ailment only makes it worse, since it's basically like trying to separate themself from something that has already been mixed in. Feathers get stuck in their many teeth, skin itches from keratin growing in. Fatigue and sensitivity to their own heartbeat. Talon tries their best to hide the majority of their symptoms. Their coughs and exhaustion are the most obvious.

For how the changed made by the affliction is making talon feel... I'm going to paraphrase from a previous message;

I say its dysmorphic but the more I think about it, it's also… having your health decline and your body changing along with it, at least with talons perspective right now since they're losing their demonic powers. dysphoric in the way that they're still holding on to the thought that this isn't what they're supposed to be, they're Supposed to be a being of shadow and hellfire not flesh and bone, let alone feathers and sympathy. so I want it to be much more about accepting that this is their body now moreso than finding a way to reverse the changes. That it's okay to change with age and wisdom as you open yourself up more to the world.

At this time, Talon misses being completely monstrous, of being frightening and having that implicit respect. They feel weaker than they really are because they continue to compare themself to the long-gone height of their power, and because their new physical changes make them feel vulnerable. Being constantly exhausted also doesn't help with any of this. Beyond this though, the only other thing they don't like about these changes is just that; it's different. The uncanny features still don't feel like that that's who they are, and there is this disconnect when others react to them, or comment on their looks.

poses I don't know, maybe Talon just needs some sort of big motivation to no longer see this affliction as a curse, but as an opportunity to be more than a demon that skulks in the shadows. And some encouragement that yes, that is in fact a good thing. Maybe like an ultimatum of some sorts.

[lliquidllyrium]

I like seeing my favs happy as much as the next guy but like sometimes it’s not about a happy ending for me it’s about the most interesting conflict and Lucanis sticking with the job and all the drama that comes with it is ten times more interesting in that regard if I want a runaway crow I simply already have Zevran

[dykedvonte]

I think the most baffling thing about the Tulpar as a vessel to me is the fact that the ship really did only have a one way communication system.

I know it was cheap but even the most basic of vessels regarding major transport would have some way, shape or form for outside communication. Not only that but there was absolutely no form of innate emergency signal to show they may have been offline or in trouble despite clearly having a system to dock credits if they went off course. It's another factor that really shows that bad situations are made to get worse by design. One person who is required to relay all information to the crew and make all the choices without feedback. No way to update or call for help in case of a dire situation. No way to inform of inner personal conflicts and acquire procedures accordingly.

It really is like they are all in some sort of fucked up solitary confinement. They have their own world with strict roles that are meaningless in the end, as long as the cargo makes it, it doesn't matter what happens on that ship to the company. They don't want to hear anything and will come to conclusions on what happened based on how much pay they can withhold from the workers. Even what they do send is short, sterile and corporate to the extent it was likely written and sent out with a command by some random unmanned computer in an office.

There's something to be said about how unfair it is to force absolute power and control onto one person when you as an entity could do so much more to offload it but I've said it many times before so I won't again.

[xxplastic-cubexx]

what is your favorite thing about charles and your favorite thing about erik? separately, as in what you like most about their characters :]

a devious question this one is, my friend!!! it's hard enough for me to explain my thoughts cohesively, but having to pick ONE thing i particularly love is difficult. with characters like charles and erik, theres been so much done with their characters over the decades and so they have so many components to them that make them so interesting and fun to observe. BUT I TRY FOR YOU TODAY. under the cut i kinda ramble and the size of this text box makin me anxious

i think if i were to be simple and broad, what i enjoy most about charles is his determination to help others, even if he isn't really thanked and/or if people don't even like him. ofc, this isn't to say he hasn't done wrong- to be honest, the fact he does wrong/questionable things at times is another aspect of him i really enjoy, maybe because- broadly speaking- he's meant to be altruistic (intent vs outcome and all that). i don't know if that's super exciting to most people, but it is for me

as for erik, my reason for liking him is easier to explain tbh. To Be Simple And Broad, his progression from villain to antihero over the decades has been fun to observe (as much as i have so far anyhow) and analyze. i think to be a bit more specific, him using his rage and pain as justifications for his villainous actions is definitely what compels me the most: hurt people hurt and the sort, an idea i've always found interesting (something something vicious cycles and the like). yet now, he recognizes this wasn't really. A Just Thing To Do and is beginning to change that, which i enjoy

[deer-with-a-stick]

I love how all of the companions' stories revolve around autonomy and I love how some of the romances show the whole "I love you for who you are"

Don't love how so many people are misinterpreting them though

[starflungwaddledee]

if starstruck Dee gets a comically large bow then Marc should have the comically large eyelashes

i was actually thinking that they both already have bows and eyelashes. consider: the ol' switcheroo

[icharchivist]

the artbook saying they planned on having Cole in da4 to give a compassionate voice wanting to help Solas navigate through his pain and supporting him in front of Rook and the companions, only for the final product to literally just be "bashing Solas hours because he's such a loser for always being alone and he's to blame for literally everything (rightfully so or not)" just fills me with an intense sorrow i will never recover from.

[silverselfshippingchaos]

husband.. I love him

[hanzajesthanza]

people (the rest of the hanza. not including geralt) often forget that cahir was 1. the guy that kidnapped ciri 2. an officer in the military

he’s literally so polite in geralt’s company you wouldn’t even guess he was the black knight. and yet. and yet.

i’m never certain exactly how to reconcile this tactful and strategic mind with the terrified young man

[weirfq1]

with all these gaston crackships/rarepairs that are coming out lately it would be so fucking funny if he had a flig with all the main characters (ambar, nina, simon... hell luna too if you want) and they all know it except matteo