#Edited:11/30
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arcgeminga · 2 years ago
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Arago was only here for few minutes and he was already lost… Where was the entrance of the Sanctuary again? Where was he supposed to meet his guide? He was told that his guide was a saint named Aspros, whoever, that person was. He was kind of glad it was not Regulus. He liked the boy and so did his cousin. It was just the boy’s cosmos was too bright for his liking which was ironic coming from someone who was in the Lugh clan. He spotted a man in gold armour and decided there was no harm in asking. “Hi, can you tell me where I can find a saint named Aspros?… Gemini Aspros, I believe.”
♕┊ Aspros was directed to go just outside of Sanctuary to fetch a guest from Ireland. It wasn't uncommon for Sanctuary to receive guests, so long as said people were expected and escorted in by high officials.
Sanctuary's entrance was, for the most part, very obscure. Hidden within the mountain range just outside of Athens. Innocent travelers would most likely skip Sanctuary by accident. After all, the powerful, ancient barrier around the location made Sanctuary adopt an avoidance characteristic to non-citizens -- evading outsiders with illusionary pathways that lead past the ancient militant metropolis.
He was instructed to meet the person in a small outpost town at the foot of Hymettus. The town was already acquainted with Sanctuary and even benefited from the amicable relations with the confidential city-state. It wasn't Rodorio. Rodorio was a village within Sanctuary -- a safe space for the growing families of Saints. Since this small town had frequent visitors from Sanctuary, none of the citizens batted an eye in confusion when the man donned in full, golden armor walked down the street.
Aspros made a very quick pitstop at a produce shop. After all, Defteros had asked to bring back something. If it was to humor his brother, then so be it. The Gemini Saint made a quick purchase of some figs, cherries, and apples. Just as the Gold Saint was gathering the basket of fruits in his arms, a person with silver hair and a scar between his brows approached him.
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♕┊ "..." Aspros stared at the stranger. His immediate thought was, 'who the fuck is this to be asking around for me?'
...then he realized, oh, perhaps he got too carried away in the pleasant conversation with the very handsome shopkeeper. He momentarily forgot that he was on escort duty.
"I take it you're the visitor?" Aspros finally kicked himself into replying after he took a good look at the person. Testing the waters still, he continued with an amicable front while carefully evaluating the other. "Argos... wait, no. Arago Lugh?"
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takkytakk · 2 years ago
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wasn’t expecting it at all
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rockweiler-again · 3 months ago
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Show poster.
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staryarn · 3 months ago
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@lets-lament 's oc Schneewittchen
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thrilling-oneway · 1 year ago
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Tsukasa Tenma
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I've mentioned it before but WxS is the group I would consider to be the least close on a personal level. It's complicated to put into words. They clearly love and treasure each other dearly and Our Happy Ending really works to show us just how much their friendship means to them and how broken they would be without it. But despite that there's still barriers. I come back to what Rui said in KAITO's initial card about how he and Tsukasa aren't the kind of close friends who talk about their childhood memories. Like... how to put this. WonderlandsxShowtime is an incredibly tight-knit and valued circle of friendship, but Tsukasa in particular very rarely divulges information about his past. Mainly in regards as to how he came to be like this, like Tsukasa. They know about the shows and that he wanted to make Saki smile but there's those small personal details that are only known because of Toya telling Rui about them.
WxS is incredibly important to Tsukasa, Our Happy Ending is evidence enough of that in that he actually broke down crying for the 3 whole seconds they were disbanded. I think it's more obvious that they're important on a professional level (thanking Emu for hiring him in OHE, thanking Rui for being their director in the connect live), but he does care about them on a personal level he's just less vocal about that part. It's still very obviously there but just not explicitly in the words "I love my friends thank you for being with me", and by no means does it need to be. Maybe the audience interpretation is not helped by the fact that Tsukasa is somewhat single-minded about theatre. He throws himself all into that - theatre comes first, evidenced by Phoenix where he neglects his health for the sake of a role and his development. As well as this there's the fact he tries to tackle most of his challenges alone, rather than asking for help. He goes into tunnel vision when theatre is concerned, although it has been stated a few times that his childhood experiences very much did shape who he is, and I do wonder if having to take care of himself so often from such a young age plays into his mindset of having to do things on his own, even when he encourages his friends to do the opposite. However, over time he is gradually learning to, well, learn from other people. He's got WxS and he's got other actors around him to help him, and he is learning that he can rely on them when he hits roadblocks. A star shines brighter because of those around him, a lesson he learnt well in the main story.
And while there isn't really anything to confirm this, I get the feeling that part of the reason he never got an event covering his feelings over the disbandment and overall seemed to be far more ok with the idea is maybe because he's a realist in some ways. As I said, nothing to actually suggest this, mainly just thinking what would make sense given his childhood where he was constantly exposed to the harsher things in life through Saki being in hospital for a lot of it. That said, he kinda just doesn't like to think about negative things. We see him faced with the possibility of the group disbanding a few times, but his reaction is always to worry about it later, and enjoy it now. Or something along those lines. Like think about in Dazzling Light where it takes him a while to realise that actually he used the piano when he was lonely the same way Torpe used the stars. Or in Phoenix at the Sky's Edge where he has to force himself to break down in defeat and accept that he isn't as good as his peers.
As I said, WxS are important friends to him, even if he usually only vocalises this on a professional level. Like even if it isn't said it's obvious by his actions that they mean something personally. He respects Emu's wishes to make people smile over everything because they align with his own. Both of their dreams were sparked by a loved one that they treasure dearly and with their whole heart. He wants Emu to be happy as well, and wants her to be more open with the troupe (Smile of Dreamer), and in Wonder Magical Showtime, he put the competition that could get him a head start in his career aside for Emu's dreams to uphold her grandfather's legacy, knowing full well that he was giving up an opportunity for himself. It was a completely selfless act for her benefit.
He respects Nene's talent and aspirations, and again they align with his own, to be able to be good enough to see stages worldwide. Even if they bicker, he does care about her, checking in on her at school to see how she's doing in her new class (Hello Good Day), and encouraging her as she improves her singing and works towards her dreams. He gets genuinely worried for her and not just the show in Holy Night when she hits a roadblock with her singing. Admittedly I think their relationship is a little less defined that Tsukasa's relationships with Emu and Rui, but also I am going off memory on this one so it might just be that I remember Nene events less. Nonetheless, they have a lot of respect for each other, despite their bickering and Nene usually acting annoyed at him, they are still close friends who are important to each other both personally and professionally. Due to them being the main actors of the group as well, they naturally fall into that respectful and friendly rivalry. Both of them are incredibly talented and can see each other's abilities as a goal to work towards, though this is more defined from Nene's side, given she's slightly more focused on the singing side of things over acting.
Skipping over the relationships that don’t involve Tsukasa and going straight to Rui because, well, this is an analysis of Tsukasa. But, how to put it, it feels like Tsukasa and Rui’s relationship might be one of the most misunderstood within WxS? Like maybe it’s because they’re the designated comedy duo as Oddball 1-2, but also there’s like 2 and a bit events dedicated to it so I dunno. Anyway.
Tsukasa dislikes the Oddball 1-2 bit because he doesn’t like getting in trouble at school. In 2nd year he was the class president and in 3rd year he joined the disciplinary committee because he didn’t like the fact he had a bad reputation and was supposedly (definitely) considered a problem child. He adamantly refuses that he is a problem child and wants to be a responsible model student. That's the issue he has with it. He actually doesn't actually mind doing all of Rui's stunts even if he does complain sometimes, because he knows even if they sound dangerous Rui wouldn't do something that would get him hurt (Wonder Halloween).
Tsukasa's relationship with Rui is built on a mutual trust, because obviously as an actor and director they have to be able to understand and work with each other (Curtain Call). Tsukasa trusts that Rui will help him to shine, Rui trusts that Tsukasa will perform under his direction to 12000%, and they trust each other to put on the greatest show together. And again respect comes into play because of their aligned goals. That said their relationship isn't strictly limited to the professional side and Pandemonium is definitely the biggest game changer in that aspect. Actually while everyone talks about the end there's actually a couple earlier scenes that are needed to add the full context of it, even if the event is mostly from Rui's POV. Actually the most important scene is probably the part where Shizuku tells an anecdote about her and Tsukasa as kids and then mentions that Tsukasa is the kind of person who really loves his friends, and then Rui realises that Tsukasa had been looking out for him the entire trip and making sure he was getting along with his classmates. So even if it's not from the POV of Tsukasa himself, it's very clear that Tsukasa does care about Rui a lot and values him as both a good friend and a director. They actually become significantly closer after this event if recent interactions are anything to go by (Tsukasa's new 2* has them going shopping together, something Emu and Nene do often who were always closer friends than the boys were).
I don't think the scene at the end was one-sided either. Even though Rui says that he was able to change because of Tsukasa, what Tsukasa said in response isn't wrong. He accepted Rui's thanks, but he still turns it back on him because it's true that even if Tsukasa gave him the chance to stand on stage, Rui never would've actually changed if he didn't take his hand. Tsukasa's pretty selfless when it comes to the people in his life. While yes, he can be selfish sometimes about his dreams, but that's just what you have to do when you're passionate about something. With people it's different. He does the same thing with Saki, and a few other characters. Tsukasa has positively impacted the lives of multiple characters but when it's pointed out to him he will find a way to turn the situation on its head and find how those people took what he gave them and helped themself with it because that's just who he is. He's happy to see his friends happy and will point out their good points that they fail to notice. Tsukasa didn't need to talk about his own experiences then either. That would be very out-of-character for him. It wasn't his moment to share, not to mention he doesn't talk about that sort of stuff to anyone but his family. It was Rui's moment to express his gratitude and Tsukasa's moment to accept it, not unload his trauma (also, it was a Rui event).
I think part of the reason Tsukasa's events are heavily focused on him and only him when the others get events that are more tied to their relationships with the unit is simply because his arc is more closely linked to his personal growth in regards to acting. While Emu had plenty of friends, she didn't have anyone at Wonder Stage with her, she needed people to take her dream seriously. Rui had been outcast by everyone around him and just needed friends to accept him for who he was. Nene was shy and needed an outlet to rediscover her passion for theatre and people to encourage her to push through the past trauma holding her back. WxS obviously was what set off Tsukasa becoming a better person, but he always has dealt with everything personal alone. Even in the main story after WxS split, he went to the SEKAI and had to unpack his childhood memories by himself (I guess a plushie did help him out actually), and he had to get Emu back by himself.
Rui and Emu's events are especially slightly more focused on their relationships with the unit, because they're the ones who have always been pretty satisfied with where they are. They have their dreams, and they're working towards them. But what has always been the most important for them has always been having friends who truly accept them and take them seriously. That's why they were the ones who got the events focused on the possibility of the unit disbanding. Because WxS is especially dear to them.
On the other hand, Nene and Tsukasa are the ones with huge dreams of a worldwide stage. It's clear Nene wants to go to Broadway (fes card), and Tsukasa mentions wanting to go abroad multiple times. Their events are always focused on them honing their talents and skills to get closer to that dream. However there is a stark difference in how they do it. While Nene still often works on her own, she's always been pushed forwards by the others, she knows she can rely on them, and she even got to meet her idol and be mentored by her. She's got a stable (professional) support system and knows that there's people to help her out even if the work is something only she can do.
Tsukasa is the opposite - he tries to deal with problems alone. He doesn't take help until he's pushed himself as far as he can alone, he lies to Saki when she's worried about him. As I said earlier, it genuinely does seem like he feels he cannot accept help, that he has to work alone. Because the game makes it very clear that Saki is massively important to him, she is literally what sparked his dream in the first place, him lying to her is a big out of character moment for him. Phoenix makes it very clear that his craft comes first, but he also has a very unhealthy mindset when it comes to some of the roadblocks he faces in said craft.
The thing you have to remember is that all of this comes from Saki. Specifically, the situation she and her family were in way back when. Saki was chronically ill, and she had to be away all the time. It was all completely out of her control. However, in one instance of her being home, Tsukasa saw how happy she was at a play, and he built his entire life around that. And obviously as Saki's illness worsened, he started to develop a persona to make himself more confident and mature. He had to take care of himself even when he was a kid because of how often he was left in the house alone. Not to stray too far into speculation, but the thing is when these sorts of things happen at such a young age they will start to mesh with who you are. Because you are growing and if you're having to be completely independent and put on a persona to act in an ideal way, that is going to grow into you. And it very clearly did, just read the main story and it's clear that persona and idea of being independent got to his head. It's also clear that he pushed a lot of what actually caused those things to happen to the back of his mind, the SEKAI existing is proof he never really forgot, but he pushed it away for some reason, presumably because it isn't a nice thing to think about. It's never outright confirmed, but to me it seems pretty clear that the things that happened in his childhood shaped how he acts now.
Actually, a lot of his arc outside of him improving as an actor is about learning the lesson that he cannot do everything alone, and that there are people here to support him. It's what Rui teaches him in the main story when he leaves: Tsukasa cannot become a star on his own. When Tsukasa runs into roadblocks he usually will try to deal with them on his own at first, which is what most people would do, of course. However he tends to really push his limits before he accepts help, because he's stubborn, and it's frustrating that he can't work out how to get into character for certain roles. But there's a very clear development in how he accepts help. Compare the main story, where he only cared about himself and couldn't work well with other people, to Phoenix, where he's surrounded by people to support him and is able to openly show his insecurity to them. However, there's a certain disconnect between his personal and professional sides; even as he learns to open up about his problems, they're specifically his professional ones.
I think the reason his relationship with WxS is less obviously important, with you instead having to read a bit between the lines to see it does go deeper than just coworkers, is simply because Tsukasa isn't good at dealing with his emotions, mainly regarding his past (also, as I've said, he just never really vocalises it). He was worried for Saki but he had to be brave for her, he had to be happy so she could be happy, he couldn't be vulnerable because a good big brother isn't vulnerable, so he created a persona for himself. He had to take care of himself and was lonely so often, but Saki had it worse, so he would play the piano and then he pushed the experience aside when it was all over. Even if Saki had it worse, Tsukasa didn't have it good. And as I said, he pushes it aside. He rarely talks about his childhood. Saki and Toya obviously know, and Rui knows what Toya told him, but Tsukasa just never brings it up to anyone outside of his family. He's not great at processing his emotions. I think all of that sort of builds up an emotional wall between him and WxS that just makes him seem less close in a way. It's there, the closeness is there but it's limited by the fact he holds so much back compared to everyone else. There's a lot of things they don't know about him that so far has had to come from a third person (that being Toya in a couple area conversations and Never Give Up Cooking).
And, of course, it does make sense that he was able to grow closer to WxS through theatre, considering just how much of his life it takes up. Theatre is so so much to him, so it's no wonder that as he learns to open up about how he feels, the feelings that he opens up about connect to his craft. But it's that, the fact that it's all theatre. It takes up so much of who he is, which is by no means whatsoever a bad thing, but there's still a lack of his life beyond that. The phrasing there is a bit misleading, so let's put it this way: obviously WxS and we as the audience know he's an excellent older brother, he's incredibly kind and loves and cares for his friends so much, he gets pretty good grades in school but he does cram, he's loud and bombastic and loves being in the limelight, and most importantly he loves theatre, and wants to make people smile just like his sister did way back when. But then only his family and we as the audience know about the other things from his past, like how much of a toll Saki being in hospital took on him, how he was lonely, the extent to what the piano means to him. Pretty much all of what WxS knows about him is about him now. They don't know much about his past outside what they've been told by other people. You don't have to know about someone's past to be their friend, but knowing about their past can help you to understand them better, their inner workings and how their past shaped them into who they are now. It can help you to develop a deeper personal connection. Even if they don't get a whole event and it's only mentioned in passing, like Kohane for example (though it's plot relevant for her), every other character has discussed their past with their unit, be it their childhood or only a year before the game is set. Tsukasa is the only character who has his past shown and talked about who doesn't ever talk about it with his unit (outside the basics of Saki and shows). We're shown more than quite a few characters get but these scenes are only for the audience and his family to know about, not his friends.
Come Our Happy Ending, Tsukasa's relationships with the others is clearly an important one. There's a reason he's broken up by the very real possibility of the group splitting up. As I said, he tends not to dwell on the negatives, he always pushes those aside unless he has no choice but to face them, and this was one of those times he had no choice. WxS has given him so many opportunities as both a craftsman and as a person. He's a better person because of them, he's changed because of them, he's closer to his dream than ever before because of them. Even if he doesn't always vocalise this, even if he still puts up walls and limits how close their relationships can be, those relationships are still nonetheless valuable to him. As said by Shizuku, Tsukasa is someone who really loves and treasures his friends, his friends and family are the most important people to him. Despite how bombastic of a character he is, he's extremely nuanced and there's a lot of subtlety when it comes to how his experiences and the people in his life affect him. He just needs to be a bit more open to talk.
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skyloftian-nutcase · 2 years ago
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Ask Idea! (Any version of these two Links!)
Time being a “Dad” for Legend.
(@thepinklink @hermitdrabbles56 @triforce-of-mischief @servantprincess come enjoy)
The emergency department was fairly abandoned as Time entered. The surgeon made his way directly to the charge nurse station and saw Warriors coordinating some bed assignments to get patients to the floors where they needed to go upon admission. When the charge nurse finally finished his task, he let out a sigh of relief upon noticing Time.
"Your patient's in the 300 block," Warriors said. "Census is finally low enough that I have an actual excuse to kick him out. Please help."
"How many?" Time asked, more out of morbid curiosity than anything.
"This is night eleven."
The surgeon's eyes widened. Eleven? He remembered his residency days when he would work well over a hundred hours in a week and was on the brink of insanity while being expected to work. Eleven shifts... that made for, what, 132 hours?
"Eleven consecutive shifts?" he repeated.
"Yeah," Warriors confirmed tiredly. "It isn't safe, Time. For anyone. I'm not letting management get away with it. Get him out of here."
With that, the conversation was cut off as the phone rang and Warriors had to start dealing with another situation. Time watched him a moment longer and then sighed, heading for the area sectioned off for the 300 rooms.
The emergency department was divided into several "blocks" of rooms, usually separated by acuity. The 100s were the "primary care" rooms, where patients who really didn't have an emergency but had nowhere else to go would be sorted. The 200s were the behavioral health area, secluded from the rest of the ER with doors that were always closed to mute the noise of the rest of the department. The 300s and 400s were the acutely ill while the 500s were the critically ill, and the 600s was the pediatric block.
The 300s wasn't far from the charge nurse station, so it didn't take Time long to reach the open area. The nurse station for each block sat in the center of the room so they could easily see all their patients, alongside the "doc box," where the physicians worked. Off to the left side of the nurse's station was the person in question.
Legend sat in front of a computer, a patient's chart open with an assessment half charted. Legend had his head propped on his right fist, his left hand absentmindedly typing words until the computer autocompleted them and he'd tab to the next box.
"Legend?" Time prompted as he approached him.
The travel nurse perked up slightly, some energy lighting his dull eyes. "Hey. Can I help you? They... they didn't put in a trauma consult for the guy in 12, it's a simple fracture. Right?"
"Nobody put in for a trauma consult," Time assured him, resting his hands on the counter in front of him. Legend looked very small and, for lack of a better word, defeated.
They stared at each other for a moment longer, Legend clearly not processing what was going on, and the nurse eventually settled his eyes back on charting with a noncommittal hum of acknowledgement.
"Legend."
The nurse's eyes gazed back up at the surgeon.
"Warriors changed assignments," Time explained. "Someone is picking up your patients."
"I only have one," Legend remarked confusedly. "Wait, what? Shouldn't I be picking up someone's assignment? Why are you even talking about--what?"
"He told me you had one patient, who is waiting for some paperwork from the physician and then is getting discharged," Time said slowly, gently tapping his fingers on the counter as he waited for Legend to process his words. "Which means you really don't have much of a patient assignment right now."
"Yes...?"
"You're going home, Legend."
Legend blinked. Then he blinked again.
Before he could argue, another nurse slid in beside him, stating exactly what Time had just articulated. Legend stared between the two, baffled.
"Then what am I...?"
"You're. Going. Home." Time repeated, stressing each word.
The travel nurse's coworker cleared her throat with a smile, and Legend hastily gave her report before staring at Time once more.
Then it finally seemed to click.
"What kind of bullsh--"
"Legend."
"Why the hell did that idiot think he could send me home--"
"Legend."
"What, does he think things are going to stay calm just because census has settled? I swear, the instant I leave the hospital the waiting room's gonna flood--"
"Legend!" Time finally said a little louder, making the travel nurse jump at his snappish tone. Then the surgeon settled. "Don't worry about what's happening here. That's Warriors' job. You've been working far too much lately."
"They're short staffed," Legend argued, motioning at the barren nurse's station. "What the hell was I going to do, just let them flounder?"
Time sighed and put a hand on his shoulder. "Your sentiment is admirable and good, Legend, but wearing yourself to the bone isn't going to help, either. You'll burn out and fall apart, and they'll be short staffed all the same."
"You're saying I'm replaceable," Legend grumbled, looking at the ground.
"I'm saying you can't help them if you have nothing left to give," Time corrected him patiently, understanding that the nurse's exhaustion was no doubt going to lead to irritability and false assumptions.
"I have plenty to give," Legend fired back, taking a step away and stumbling. "I'll--"
Here he faltered, scrambling for an argument and unable to find one. Time crossed his arms and raised an eyebrow, making the travel nurse wave at him dismissively with an irritated tch.
"Where are you going?" Time asked as Legend walked away.
"To see if I'm needed elsewhere," was the terse reply.
"Legend," Time warned. "We can do this the easy way or the hard way."
The travel nurse froze, throwing a seething glare in his direction. "What, you think you can boss me around like you do Twilight or Wild? I'm not your kid, and I'm not part of your little war veteran posse either. What difference do I make, shouldn't you be in surgery or something? Pretty sure you have a job you're supposed to be doing."
Time took a steadying breath and walked towards Legend. His silence intimidated the travel nurse far more than his words did, and Legend took a wary step away. "What are you--"
With a swift motion, Time reached forward and slung the travel nurse over his shoulder, Legend squealing in alarm. A curious family member peeked out of one of the rooms, but beyond that Legend's hemming and hawing did little to change the situation.
Time had to admit, he was impressed at the combination of curse words the travel nurse was coming up with, though.
By the time they reached the alcove just outside the staff room for the ED, Legend had settled a little, only occasionally cussing Time out, jumping to different languages when he felt particularly irate.
"You need to clock out."
"Fuck you."
"All right, you can deal with it later."
They reached the entrance to the waiting room, and Time finally paused. "Am I going to have to carry you out of here, or will you walk with me?"
Legend's death grip on Time's shirt eased a little, followed by a defeated sigh. "Fine, dammit, I'll walk with you. Just put me down."
With that settled, Time slowly eased Legend to the ground, watching the nurse stumble a little with a dizzy spell. He steadied him by his shoulders, and Legend hissed, pushing him away.
Time furrowed his brow. "What compels you to think you can singlehandedly save everything and everyone, Legend?"
Legend's glare lost its bite, and he looked away. "It's my job, damn it. I'm a travel nurse, we come in to help departments who don't have enough nurses. This is what people rely on me for."
"Well, I don't know what your other assignments did to abuse you so much that you think eleven shifts is acceptable," Time stated, his words softened by his gentle tone. "But you have support here. We're not letting you burn yourself out like this."
"I'm not burnt out!"
Time stared at him until Legend withered under his gaze. He didn't have to rub salt in the wound. Instead, he just said, "Let's go."
Legend followed him somberly to the exit. The longer they walked, though, the more confused the young man became.
"Wait, my car's in a different deck. Where are we going?"
"I'm driving you home."
"What?" Legend stopped in the middle of the parking deck. "Come on, old man, I can handle driving myself home. Do you trust me that little?"
"You do realize that the level of exhaustion you're at probably makes you as addled as if you were drunk?" Time threw back. "You're coming home with me, Ledge. Someone has to take care of you since you don't seem to know how to take care of yourself."
Surprisingly, this didn't merit another string of curses or a fit. Instead, Legend deflated, suddenly out of energy to argue. Time left him be, willing to give the boy some space since he'd been manhandling him so much already. Instead, he unlocked his car and walked towards it, opening the passenger door. Legend dragged his feet over, sliding in silently and buckling up.
The travel nurse was out like a light before they even left the parking deck.
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kairithemang0 · 6 months ago
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Thinking about how Owen was literally one step ahead of Curt
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christakisbang · 2 years ago
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thank you for 200 episodes of channie’s room, here’s to many, many more
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nguyenfinity · 7 months ago
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Another project, a dozen drawings based on 3 rules you set for yourself!! mine were flower heads, shows the sky somewhere, and they're all different times of day
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mybeautifulchristianjourney · 4 months ago
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True Rest
28 Come unto ME, all ye that labor and are heavy laden, and I will give you rest. 29 Take MY yoke upon you, and learn of ME; for I am meek and lowly in heart; and ye shall find rest unto your souls. 30 For MY yoke is easy, and MY burden is light. — Matthew 11:28-30 | King James Bible: Purple Letter Edition (KJBP) The King James Bible: Purple Letter Edition © 2009 by Jim Musser. All rights Reserved. Cross References: Numbers 12:3; Psalm 116:7; Proverbs 3:17; Isaiah 28:12; Jeremiah 31:25; Matthew 12:1; John 7:37; 1 John 5:3
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What is the significance of Jesus saying, “I will give you rest”
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rachthechaosbi · 5 months ago
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me when i'm almost three full years into college and i'm only now discovering the way to overcome the perfectionist executive dysfunction writer's block
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margaritadaemonelix · 2 years ago
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oh to love and be loved by yuezun
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boyjoan · 1 year ago
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goooooood morning. changing my life today btw
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nevermoorsource · 1 year ago
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5 years ago, Wundersmith: The Calling of Morrigan Crow was released in Australia and the UK!
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sandralovesyou · 1 year ago
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💕11/30 edits of Jun 💕
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