#Each episode was a monster of the week and the plot was a character or 2 being in a Situation™ | Explore Tumblr posts and blogs

absolutebl · 2 months ago

Text

This Week in BL - It's odd rn but VERY PRETTY

Organized, in each category, with ones I'm enjoying most at the top.

Oct 2024 Week 1

Ongoing Series - Thai

Jack & Joker (Thai Mon IQIYI) ep 4 of 12 - I love Joke so much! And I love War in this role so much. It’s great. This is a great show it’s such fun. The comedy is somewhat leaving me flat. But that’s normal for me in this kind of Thai BL. I also like Hope. I shouldn’t, but I do. I love the little girl character as well, and I do believe that Joke has found his scion in her.

(As per usual the grandma of this BL speaks for all of us.)

Kidnap (Fri YT) ep 5 of 12 - Coils be coiling. Mummy dearest is v hot. I do like the twist on the henchmen. It would’ve been really gut-wrenching if Q had put the rope around his own wrist the night that he slept by himself (or tried to). And they have now made "the promise that is destined to be broken" waves at trope. Meanwhile, great flirting. Next week being episode six we should be getting our kiss.

(Was GMMTV gently poking at Jack & Joker with that play-within-a-play reference to Jack as Min's stunt part?)

Fourever You (Thai Thurs YT) ep 1 of 16 - Sampler pack university BL from Wabi Sabi that's trying to be a gay Boys Over Flowers (4 older med student hot boys + frosh) and it’s exactly what I want right now. Is it good? No, not really. Do I care? Not at all. It is, in fact, boys over flowers... only boys no flowers. I really couldn’t want anything more than that. What can I say? I’m easy. I love a pining seme. I guess what I am saying is, I am trash for trash. Inject this shit directly into my eyeballs.

Love Sick 2024 (Thai Sun iQIYI) ep 3 of 15 - At least in this version they talk bit more with each other about what’s going on. (Then again in the original we didn't need it, the acting was so good.) Still it’s a lot more modern to see representation of communication, but but the previous version felt more honest to teen behavior. This open communication entirely changes the push pull dynamic of Phun & Noh's whole relationship. I actually LIKE that change because it makes it very different from the original. I’ve been hoping that this one would veer in a different direction. I'm enjoying that they've made it Phun with the long term crush, and that he’s sort of testing himself with heterosexuality. It is selfish, but it is also a very rich kid thing to do. I love the shouted confessions and the decision to not date. This is a really good twist on the original. I’m liking this a hell of a lot more now that it’s substantially changed in direction, if not in tone.

Monster Next Door (Thai Thurs Gaga ) ep 11 of 12 - It’s very sweet and wholesome. And everyone kisses pretty. And I do like the communication and green flag aspects of this show. But I'm also finding it a touch dull.

Battle of the Writers (Sun YT) ep 9 of 12 - I don’t know. The pretending to be blind thing is weird. This whole show is weird. I’m kinda weirded out by it. I like the two side couples well enough, but we get barely any time with them at all.

I Saw You in My Dream (Weds Gaga) ep 12 fin - I like that they did come around to the dreaming thing as a major plot point in the end. Even though it felt like they forgot about it in the middle. And I liked that it was an inherited family trait. I didn’t expect that (should have, but I didn't). And I thought it suited this kind of drama, even if it was a little pat. The whole family helping at the very end was very sweet and a nice full circle for the narrative. (Like the Ae's family sort of adopting the next-door kids originally.

Summation

A cute friends to lovers romance, that’s a little bit like the stepbrothers trope since these two grow up next-door to each other and in and out of each other’s lives. The paranormal element is about prophetic dreams, and it is threaded through the narrative even if it gets somewhat lost in the muddy middle. All in all, a sweet fun little series with decent chemistry. 8/10

Addicted Heroin (Thai Tues WeTV) ep 8 of 10 - I've totally forgotten what’s going on. There was another kidnapping. Maybe they’re actually dating now? I don’t know. Honestly, it won’t really matter cause everything will change by the end of this episode... again. That said, I did love the parental confrontation sequence. It’s not as good as in the original because it’s a lot more direct and modernized, but it was pleasingly aggressive. Which I weirdly appreciated for the military angle. The cross-dressing thing was odd. The dolls advertising thing is even odder. Jealous baby on sports day was good though.

Bad Guy My Boss (Thai Sun Gaga) ep 3 of 10 - Why did I feel like I’ve seen this entire episode already. It’s just different characters saying the same thing to the main characters or flirting the same way or whatever.

Live in Love (Sun Gaga) ep 5 fin - I did not like this ep at all. Fully half of it was evil backstabbing and some bullying and some sort of trying to engender sympathy for a friendship betrayal. And I was not on board. (Wouldn’t mind seen Hali and that cute kid in something together tho.)

Conclusion

Basically this was a story about online relationships and how they interface with the real world, and in personal friendships, plus bullying of all types and some backstabbing and shipping. The acting was weak, the sound was terrible, and generally it was an old style pulp offering. It tried to deal with some interesting issues, but was awfully clumsy about it. 5/10

Ongoing Series - Not Thai

Sugar Dog Life (Japan Sun grey) ep 9 fin - Such a great confession, so truthful and earnest and honest. And he’s also like that with his friends. And such a nice answer. I love that during the cool off they both realize how very much they both act like are boyfriends to each other all the time. Ooo running of the gays! And we even got a cute little smile kiss!!!! and an adorable boyfriend montage at the end. How unexpectedly satisfying of you, Japan!

Summation

This is a phenomenally charming and adorable little romance about a forlorn university kid and the police officer who adopts him. They are relentlessly kind to each other, in fact it’s an extremely kindly show over all (everyone in it is so nice to everyone else including us) so there’s very little tension. But what it lacks in drive and complexity it makes up for in earnest acts of service and simple affection. These two are basically boyfriends from the get-go, it’s just one of them acts like it and doesn’t realize it and the other one realizes it and has to figure out how to make it a reality. It’s incredibly sweet and incredibly wholesome, nourishing but delicious. Everybody who can should watch this show. It will make you feel better about life.

Easy 9/10 on this one from me.

GO WATCH IT

Teenager Judge (Vietnam Sat YT) ep 2 of ? - We have some semblance of a plot! Yay! Our BV tsundere character is secretly an online judge who whistleblows and exposes corruption in the school system. How very Pump Up the Volume. I am not mad about it. Also 2 of the prettiest seme bullies EVER. The epic pout-off with these bad boys. Be still my heart.

Our Golden Times (Hong Knong ??? YT) 1-4 of ? - Billed as a BL from Hong Kong I’m not sure we can trust this one to a get finished or be cohesive or have an HEA. But the optics are good. Everybody’s very pretty. It’s chaotic and clumsy and a little odd. But most of the stuff on my dash is these days, so what the hell? And ya know what, I kinda like it.

Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 4 of 10 eps - It remains entertaining but off kilter in that way that indicates 50% chance of ultimate dissatisfaction in the JBL pantheon.

First Note Of Love (Taiwan Mon Gaga) ep 9 of 12 - I wish we knew a little bit more about Sea's background/family. Neil should just tell him what the hell is going on. Why wouldn’t he? Instead they artificially wedged the main couple apart for most of this episode and Orca wasn’t there at all? = Not a good episode IMHO.

It's airing but...

My Damn Business (Korea Sat ????) 7 eps - supposedly airing on Saturdays starting 10/5 have no roleand I found the trailer but nothing else.

The Hidden Moon (Sat WeTV) ep 1 of 10 - This is a supernatural romance (my ghost boyfriend trope) by Violet Rain (I Feel You Linger). A man is hired to write an article about an old mansion in Chiang Mai being converted into a café. He sees the ghosts of people who died at the mansion, falls in love with one of them. Was substantially recast. I loved IFYLITA except the ending so I think I'll let this one run it's course you can tell me if it's work tracking down... if they managed to land it. I have my doubts.

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Coming Oct 2024:

10/7 Every You Every Me (Thai Mon Gaga) 10 eps - Jade and Chin have lived over a thousand lifetimes. In each one they somehow manage to fall in love with each other. (This pair, TopMick was piloted in a My Universe ep, that was one of the only ones I liked.)

10/10 Eccentric Romance (Korea Thurs Viki & Gaga) 12 eps - Silkwood’s 2nd Thai/Korean colab, that has been in production since 2022 which is a LONG time in the BL world. I'm worried but I like the concept: friends of 10 years who’ve been hiding feelings for each other enter the same university. Plus MURDER.

10/10 Gangster and His Boyfriend (Korea Thurs ????) 8 eps? - Kim Dong Bin (famous trainee & idol reality competitor, yeah that happens) stars as a fallen idol who unexpectedly becomes entangled in a gangster family. Discovers that his friend’s father is responsible for the murder of his entire family years ago. I don't know much about this one, neither does anyone else and I'm not sure where I got that release date so……

10/21 Love in the Big City (Korea ????) 8 eps - Okay both a movie (already out) and a series. Neither one is likely BL and I can't imagine it will end happily. I'm giving both a pass but here's your synopsis.

Cynical fun loving student Young pinballs from home, to class, to on night stands. He and Jaehee, his female besie and roommate, frequent nearby bars where they push away their worries about life, love, and money with soju and hookups.

10/23 See Your Love (Taiwan Gaga Viki) 10 eps? - Zi Xiong, a third-generation heir, attempting to flee from taking over their family business, meets and falls in love with Shao Peng, who works as a hearing-impaired nurse. From the same production house as Kiseki Dear To Me in partnership with Shinehouse Theatre, funded by Taiwan’s BIGART + Japan's Rakuten (Viki). Show includes Lin Chia Yo (Be Loved in House: I Do). Director Chiang Ping Chen’s childhood experiences with his deaf uncle have inspired the drama.

THIS WEEK’S BEST MOMENTS

I kinda love it when someone else does the prophetic claiming. Our Golden Times

Crumbs in Summer Nights but they very cute crumbs. We didn't even really get to see them get together but I'm glad that they are.

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many at-ings.

157 notes · View notes

startrekprodigyfan · 3 months ago

Text

Incoming Rant.

I feel weird as a Star Trek fan because right now there’s more Star Trek than even when I was growing up… and yet… so much of it doesn’t feel like Star Trek to me.

Picard was awful all the way through. It’s bleak, it’s depressing, it’s inconsistent tonally, and it’s just flat out boring. It doesn’t add anything new to the universe and instead just mercilessly kills off many beloved characters for no reason. From Icheb, to Hue, to Q, and even to Bruce Maddox.

Section 31 is an interesting idea. A rogue mission impossible style agency within the federation doing covert missions? That’s fun… but this whole mirror universe Terran empire stuff has no appeal to me and the show looks nothing like Star Trek.

Discovery keeps doing the universe is in danger and spent so much time with the main character that we never got to know anyone else in the show. Then it just randomly jumps forward several hundreds of centuries. It’s so far removed from the Star Trek content I like, in both directions.

I’ve been wanting a Starfleet Academy show since I was a kid. Having a series follow cadets as they learn each week about different starship dynamics and regulations and protocols? That’s fun. I like that. But I do not want it set in the Discovery universe so far into the future. I always felt Starfleet Academy should be around the Wrath of Kahn era in between the old and the new Trek series.

Strange New Worlds is the closest we have to monster-of-the-week style classic Trek storytelling.. but due to streaming’s limited number of episodes we’ve barely surpassed Season 2 of TNG in terms of episode numbers after 3 years and a lot of the times the writing feels to just fall short of being good.

Both Prodigy and Lower Decks which both feel the most like Star Trek and focus the most on the ideals of classic Trek were cancelled and brought to an end far too soon. There’s so much more we can do with either series but the big-wigs don’t seem to care.

I’m convinced more than ever now that Star Trek flourishes when it’s animated and aimed at kids. I think the media landscape for adult oriented TV shows has moved so far into darkness and shocking content that doing Trek now doesn’t feel the same. The sense of joy and wonder at exploring space and sci-fi concepts is gone.

Everything has to be a universe ending storyline.

Everything has to be grim dark and depressing.

There’s no time to spend with any of the characters because we’ve gotta keep moving the plot forward because we only have 10 episodes to tell everything in.

Bigger budgets allow different looking tech and scenery, but they still want to be nostalgic for the past while not giving us the stuff we want.

I feel like getting Star Trek isn’t hard. Yet it’s weird how many of the people in charge don’t seem to get it at all.

#star trek prodigy #star trek #prodigy

153 notes · View notes

genericpuff · 7 months ago

Text

Y'all brought a lot of energy to that Covenant post, how about some love for Time & Time Again? 😘🤙💓

I've been reading this webtoon since it began, the creator is super cool and absolutely deserves more attention on their work. They're an extremely prolific comic creator with loads of work under their belt already, but Time & Time Again is their first Originals series on the platform. It unfortunately doesn't get advertised much by the platform but lemme tell you, it's one of the best out there if you're looking for a good series to binge and keep up with. It's literally a time-travelling vampire x werewolf duo going on wacky adventures through time, it's structured like those monster-of-the-week shows where every story arc is a new adventure and mystery to solve (but there's also an overarching plot that threads them together, much of it involving the main characters' angsty backstory >:3).

Also they're gay and their names are literally Adam and Steve (and iirc Steve is transmasc and Adam is non-binary !!). I don't think I have to even explain its appeal further than that , go read it LMAO And if you like it, please consider adding it to your list of books to order for your shelf!!! Deo has done a great job adapting it to print, and every book contains each story arc so rather than its seasons on WT being haphazardly divided into a limited amount of chapters, each book is cleanly organized into each adventure!

Time & Time Again is currently on hiatus, so fortunately the creator hasn't run into any issues like explodikid where they haven't been allowed to promote the books in their episodes... but that's simply because it hasn't been posting new episodes, so it remains to be seen if Deo will also face similar roadblocks. Hopefully Webtoons will have learned their lesson by that point, but until then, it's better safe than sorry to spread the word around now; and if you haven't heard of the series before, then now's your time to read it so you can catch up to it before it makes its return! (•̀ᴗ•́)و

Read the webtoon here:

Pre-order the books here:

#time and time again #webtoon recommendations #please reblog #artist support #originals creator support

185 notes · View notes

writingquestionsanswered · 8 months ago

Note

ant tips on writing episodoc story but still having an overarching plot?

Overarching Plot for Episodic Story

It really depends on how you want to structure your overall story. With an episodic story, you can either take a big story and break it into smaller pieces--at which point the overarching plot is just the regular plot--or you can follow a TV show model and tell more encapsulated stories that are united beneath an overarching plot.

In the case of breaking a story into smaller pieces, you're going to flesh out your plot and structure the way you would if you were writing a novella or novel. Then, you'll look for natural "episodes" within to break up the story. Most of the episodes will likely center around a story beat, such as the introduction, the inciting incident, the dark night of the soul, etc. In this scenario, the story is the story. The story you're telling is the one that resolves the main conflict.

In the case of a TV show model, you're sort of telling stories within a bigger story. I like to use The X-Files as an example here... the overarching story (aka the "myth arc") of TXF was aliens and the government conspiracy to hide their existence. But the everyday story was two FBI agents tasked with investigating unsolved paranormal cases. Many of the episodes were stand alone stories known in TV as "monster of the week episodes," because they center around a different conflict or "monster" each week rather than being progressive segments of a primary conflict. However, the "myth arc" would be explored and furthered with periodic "myth arc episodes" where the central conflict was specific to the myth arc. And, sometimes monster of the week episodes would tie back to the myth arc or would have a myth arc subplot. So, in this type of story, you still want to look at the premise and flesh out the main plot as you would for any other story, figuring out the "myth arc" conflict, the "big bad," and what the protagonist must do to resolve the myth arc conflict and defeat the big bad. However, rather than break that story up into smaller pieces, you'll figure out a "monster of the week" framework that works with the premise and allows you to develop the characters, explore the world, and tie in bits of the "myth arc."

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

LEARN MORE about WQA

SEE MY ask policies

VISIT MY Master List of Top Posts

COFFEE & FEEDBACK COMMISSIONS ko-fi.com/wqa

#wqaadvice

183 notes · View notes

bluebugjay · 4 months ago

Text

just saw a post saying they miss the monster/guy/problem of the week format with tv shows, and Dead Boy Detectives has that! pretty much every episode has a new case to solve and therefore new characters, a new part of the town is explored and each case is linked to the issues and journeys the main cast are dealing with so give us a deeper yet natural look into the characters. they have a few overarching plot lines too like them being stuck in port townsend in the first place, plus each characters individual emotional arcs.

I just keep finding more and more things I love about this show!!!

#its also so scooby doo coded which i adore #dead boy detectives #dead boy detective agency #dbda

97 notes · View notes

utilitycaster · 1 year ago

Text

Part of why it’s tough to talk about the most recent episodes is that I feel a lot of people treat party dynamics, culpability vs. victimhood, and overall character focus on the show, based on an idea of a zero sum game, and I find that fallacious.

It’s really valid for everyone to be furious at Ashton, and I don’t think anyone has behaved wildly inappropriately towards them. I don’t think Bells Hells behaved in a therapy-approved manner either, but as is frequently discussed this is fiction and not real life and therapy-approved discussions are so boring and unnatural in, to be honest, either fiction or real life, that this is not a metric anyone whose opinion I respect would use.

It’s also extremely understandable how Ashton got here. As Taliesin said on 4SD, and now in-game and in-character, the fact that nothing good had ever really happened to Ashton means that they jumped at the first sign that they might be special and ran with it. The Ashton and FCG parallels continue; the past week has been a bunch of important people telling him how unique and cool he is. Jumping into the lava even worked out well for them! And so, riding high on that hubris, and with the knowledge that the rest of the party would probably stop them, they deliberately deceived everyone but Fearne. He even admits that the fact that “very smart people” (Evontra’vir, Allura, arguably Percy) advised against it was part of why he made the decision he did. It was perfectly in character, it did come from their trauma, and it still was a choice that was harmful to them, to the rest of the party, and to a vitally important mission. Ashton covers the situation well: they wanted someone else to blame, but in the end it was their fault.

Ashton is both deeply traumatized and also responsible for a number of their own problems. To be honest, I think this can be said to an extent about everyone in the party, but that’s beside the point. Within the fandom, swinging entirely to one side (They are a horrible selfish monster who ruined everything and are lucky the party is still talking to them) or the other (He has had a very hard life and exploding hurt a lot and everyone should be nice to him as a result) is an incomplete picture at best and a realization of the post author’s unexamined bias at worst.

It’s much easier to cover the other kind of zero sum: that of the show’s, and the fandom’s focus. The show is telling a story. In a good story, everyone will get their time in the sun, but if you’re counting how many minutes each person talks you have quite literally lost the plot. If your favorite isn’t getting the time you wish they did, it’s worth considering what sort of actions they take. Rarely do I find a main PC to actually be sidelined; more frequently, they just have a more subtle plot and the actor playing them realizes this. And in the case of the fandom’s focus; I’d be a hypocrite if I said complaining wasn’t valid, but you’ll achieve far more by making good posts about an underrated character than whining that other characters exist. People can enjoy multiple things at once, and frequently do.

#i've been trying to write something else like this re: mean-spiritedness #which is an EVEN BIGGER turnoff #but honestly that one either requires very specific examples or just being like. hey. learn the difference.#learn how to be a hater and an asshole without being mean-spirited. it's not hard.#cr spoilers

214 notes · View notes

weepingchoir · 5 months ago

Text

DOCTOR WHO SERIES 14: A FULL SEASON REVIEW

Another decade, another frantic Doctor Who resuscitation. (Not that there were news of potential cancellation, but things must’ve been dire for the BBC to sell one of their most storied shows to the Mouse.) Chibnall is out, Moffat on retainer, Russell “Thee” Davies is in. The theme song is the best since Matt Smith, which, through weird and inexplicable coincidence, was also the last time I watched Who with any serious interest. Good start.

The Star Beast

While not technically part of the season, the specials preceding series 14 signal the beginning of a shift in tone and rules for Doctor Who, including the introduction of the new Doctor. Not yet, though. First we get an OLD DOCTOR FUCK YES DAVID TENNANT IS BACK.

I already know Tennant won’t stick around, and I’m glad. That would’ve stunk of Disney nostalgia-raking. Nevertheless, as a returning viewer, I’m grateful for the breakfall. “The Star Beast” doesn’t yet carry the magic that’ll characterize Gatwa’s series. It’s a standard scifi monster of the week serial, and the monster rules. Looking for returning companion Donna Noble, the Doctor runs into the Meep, a no-pronouns gremlin-Yoda puppet living in Donna’s shed, under the care of her daughter, Rose.

UNIT comes under attack by Kamen Riders. The Meep tears off the blorbo mask to reveal a genocidal dictator on the lam from the Intergalactic Criminal Court. It’s a hilarious turn in an episode whose emotional core relies on Rose’s transgenderedness. Pronouns are a real-time strategy game and evil space aliens are better at it than humans.

Quick dustup on weird plot shit: if Donna remembers the Doctor she dies. She has to remember anyway, in order to stop the Meep’s ship from taking off. Turns out that she’s since become immune to Time Lord neuron overload by offloading it on her daughter. Donna and Rose expel the toxic memories by harnessing their feminine emotional intelligence.

I don’t want it to land. Facing the Doctor, who was a woman one episode ago, Rose says that a man could never understand how she just harnessed the divine feminine. Nevertheless it passes, maybe because any representation of a transgender woman as through-and-through female is a gasp of fresh air. For better or worse, this also cues the season’s cardinal rule: what you feel is true is more important than what makes sense.

Wild Blue Yonder

The TARDIS crashlands at the edge of the universe and disappears when it senses danger, one of those things that it’s never done before and will only do again if it’s funny or cool.

The “edge of the universe” is a spaceship floating in ink-black, with Marvin the Paranoid Timebomb making its way down the hall, one step at a time. This is a great opportunity to ease us into the budgetful new Doctor Who, with sleek but understated shots of the spaceship’s exterior. When the Doctor and Donna split up to fix the ship, they converse with each other’s doppelgangers: “not-things” from beyond reality, looking to assimilate physics. Communication with the not-things goes awry as an eerie set of medium close-ups pull back to reveal their overlong limbs.

Backed with half a decade of set chemistry, Tennant and Catherine Tate ace all four characters in this bottle episode. Much of the runtime consists of the Doctor and Donna’s mind games against each other. It’s less a restatement and more a self-justifying exploration of why bother with a last hurrah for two fan favorites. Well-earned, too, as the Doctor nearly leaves the real Donna to die in the ship’s explosion. It’s impossible to be done exploring the fullness of a relationship. But one day, and soon, we will have to move on.

The Giggle

Two crucial stopgaps against the not-things. One, a line of salt on the floor, which the Doctor tricks them into thinking they can’t cross, since they’re sorta vampires. Two, cognitive dissonance. It’s hard enough for the uncreatures to assimilate beliefs, let alone simultaneous contradictory ideas.

The Doctor fears that, by invoking fiddly rules at the edge of reality, he’s opened a door for fell mythos. This episode stars the Toymaker, a villain from a partially restored First Doctor serial. Originally a Fu Manchu caricature, the new Toymaker is Neil Patrick Harris putting on a German accent, which he can always do, it’s never racist.

The Toymaker has snuck a mind-warping signal into every screen, starting with the 1925 Stookie Bill experiment. Now mankind is mad , reacting with explosive hostility at any confrontation. Over the last decade, as writers have moved from mocking subsets of people for being on phone to everyone being on phone, we’ve uncovered more cohesive portrayals of what 24/7 connection is doing to us. Writ large, more and more of us are looking to win arguments. Even losing is a thrill.

It’s a contrived plan for a villain whose power transcends mere limitless control over physical matter. The only thing that binds the Toymaker is the rules of the game. We can trace the evolution of TV drama by comparing his first appearance to his last, William Hartnell’s almost congenial gotchas to Tennant’s panic at genuine omnipotence. The Toymaker traps the Doctor and Donna in a theater for a puppet play about the many deaths of the former’s companions. The Doctor, ever the hero, denies them three times.

Well, are they dead? These specials have proven that, even in the megacorp mines, fan favorite returns don’t have to be Rise of Skywalker gruel. Donna, and the Fourth Doctor’s returning Mel Bush, bring necessary continuity to the transition into new-new Who.

Not everything, at least, has to end in tragedy. When the Toymaker commandeers the giant laser gun the government is cool with UNIT keeping in uptown London, the Doctor bigenerates, splitting into straight Tennant (presumably) and gay Ncuti Gatwa. Together they beat the Toymaker at catch, which banishes him for good.

From here on, we follow Gatwa’s Doctor. Tennant stays with Donna. There is movement in rest, organic, within. Their relationship may continue to develop, just where we can’t see it. Not everything is for screen consumption.

The Church On Ruby Road

Every time I see this episode’s title I get Hüsker Dü’s “Girl Who Lives On Heaven Hill” stuck in my head, except the Inter Arma cover because that’s the first time I heard that. The Doctor is fortunate enough to run into one of the few actresses that can match his energy, Millie Gibson as Ruby Sunday: songwriter, orphan and ingenue. Ruby lives a zoomer kitsch apartment with string lights on the walls, alongside her adoptive mother and grandmother. She suffers from a curse of bad luck, bewitched by an airshipful of baby-eating goblins.

The Doctor and Ruby stop the goblins from eating a baby, to the tune of an R&B paean to Jabba-the-Hut, the only logical step from the Toymaker’s Spice Girls lipsync sequence. The goblins retaliate by traveling in time to eat baby Ruby, abandoned by her mother on Christmas day on the porch of The Church That Lives On Ruby Road. Watching Ruby’s mother go, Gatwa cries his series-first tear of silent grief. He’s very good at that.

The Doctor’s rule of no self-interaction has fucked his opportunity to let Ruby meet her biological mother. Pay attention, this’ll be on the test. Other than that, “The Church” is an easy, fun, low-stakes introduction to the Doctor’s companion and many of the season’s dominos, only some of which will receive a proper knockdown.

Space Babies

The first real ostentatious show of Disney budget is a quick but lush visit to James Cameron's Mesozoic. A CGI diplodocus doesn’t have to be bad. CGI baby mouths, on the other hand.

Budget cuts strand a colony spaceship, replete with babies in a bizarre state of semi-suspended animation: they’ve been toddlers for six years. Only accountant Jocelyn remains. The babies are terrorized by the Boogeyman, a snot monster generated by glitched-out educational software. Jocelyn almost airlocks the Boogeyman until the Doctor reminds her that it’s kind of her baby also.

The Doctor’s memory of Ruby Road changes to feature Ruby’s mother pointing at him. It starts snowing indoors, another magic plot puzzle piece. Cue tear of silent grief. There’s not much else to say about “Space Babies”. It’s a lot of terrible ideas, executed with functional neatness: quoting a friend, the platonic ideal of a Russell T 6/10.

The Devil’s Chord

1925 again! There’s a whole pantheon of Toymaker-type evil gods. This one’s Maestro, the god of music, played by a spectacular Jinkx Monsoon. Over the course of four decades, Maestro ruins music so thoroughly that even Abbey Road sounds like dogwater.

The Doctor and Ruby negotiate with the Beatles, who make dodgy gestures towards the whole of music being an embarrassing business. It’s never made clear how Maestro has convinced the world of this, or, like the Toymaker’s giggle, why they bothered when they have the power to eat music itself. We’ve crossed into the realm of magic. It’s not about the method, but the goal: within a hundred years, musicless mankind will self-exterminate to vent its anger, leaving Maestro to enjoy pure aeolian tones.

It’s hard to agree that music is the salve keeping mankind from abject violence when contending with the history of, Burzum, Chris Brown or Meni Mamtera. Nor does the idea that Maestro can be defeated by a seven-note scale available to basic Western music theory hold much water. “The Devil’s Chord” is an altogether less cohesive “The Giggle”, and only three episodes after its predecessor, too. On the other hand, as a piece of musical cinema, it’s a brilliant watch for Monsoon’s performance, the playful metanarrative gestures, and the closing number, ‘There’s Always A Twist At The End’.

Boom

On the ravaged planet of Kastarion-3, there is only war. A landmine vaporizes a guy, attracting an 'ambulance' automaton to euthanize his friend Vater by reducing him into an awesomely gross flesh tube.

Gatwa leaves the TARDIS in a super-sexy leather jacket and steps on a mine. What follows is ten agonizing minutes of the Doctor and Ruby figuring out the logistics of the situation. The Doctor can’t move off the smart mine or exhibit high emotion. On finding Vater’s tube, Ruby convinces the Doctor to let her hand it to him to use as a counterweight, in a move that almost kills them both. The pressure is immense, achieved with nothing but close-ups to tears of silent grief and a silly prop of a landmine with LEDs.

Vater’s daughter finds the duo, triggering the flesh tube to generate a grief counselor hologram of her father. Ruby gets shot while managing a haywire ambulance. The only way to get the ambulance to treat her is to admit that the Kastarians never existed. With a full third of characters dead, Cyber-Vater betrays its parent corporation to end the war. This is the most stressful Doctor Who gets, in all the best ways. For a second, and against all logic, I was even convinced it might be the end of Ruby Sunday.

“Boom” is the closest Gatwa’s Doctor has to a companion capsule episode. This focus on their relationship might’ve gone over even better if it’d been earlier in the run, especially given “The Devil’s Chord” has the opposite problem. I suspect the prime reason why it’s placed in an awkward middle slot is to not give away the game: “Boom” front-and-centers Susan Twist, who’s played minor roles in almost every episode since “Wild Blue Yonder”, as the face of the combat ambulance AI. There’s always a twist at the end, remember?

73 Yards

The Doctor’s always stepping on some bullshit. After intruding on a ritual circle, he disappears, leaving Ruby alone with a mysterious woman that’s always standing 73 yards away. Everyone who talks to the woman flies goes no-contact with Ruby: a hiker, a bar-goer, UNIT, even, in a harrowing turn, Ruby’s adoptive mother. So Ruby spends the next twenty years alone. Without her family, and also alone in this ethereal way where she’s meant to be on startlit adventures, not half-there on a wine bar date.

Gibson carries this mammoth episode on her shoulders, evolving from panicked 20 year old to middle-aged, purpose-driven mercenary. The closest thing to a co-star is the cinematography, following her eyes towards the woman-shaped hole in the near horizon. This is one of the subtler metanarrative moments of the season: the woman is impossible to photograph, blurry in pictures just as she’s never in focus for the camera.

Ruby makes up a mission: save the world from ‘Mad Jack’ Roger ap Gwilliam, a presidential candidate whom the Doctor off-hand warned would lead the world to nuclear ruin. Infiltrating, Jack’s presidential campaign, she maneuvers the woman into manifesting next to him, which makes him run screaming from office. The world is saved. Ruby isn’t. As she lays dying of old age, alone, the mystery woman is revealed to be herself, traveling back in time to warn the Doctor off the circle.

This is the furthest Doctor Who can stray from its own standards before becoming a different show altogether. The theme song doesn’t even play (shame). Not a coincidence, it’s also the episode to most demand that we trust emotion over logic, and it pays back that trust with dividends. It doesn’t matter that we never find out why there was a shrine to Mad Jack atop a cliff in Wales twenty years before his time, or the mechanism by which Ruby created a closed time loop. The important bit is the emotional resonance, the click of catharsis when we discover just enough details to let it rest.

Dot and Bubble

I feared, as “Dot” opened on a woman so dependent on social media that she can’t navigate her immediate surroundings without GPS, that this would be the Phone Bad episode “The Giggle” had managed to surpass. The truth is more complex: Finetime’s residents can afford to spend all day Whatsapping because they’re the offspring of another planet’s leisure class, here on permanent vacation.

Giant man-eating slugs have invaded Finetime, and the Dot-Bubble navigation system is walking people straight into their maws. Our lead is neither Gatwa nor Gibson, but Callie Cooke as Lindy Pepper-Bean in yet another of the acting masterclasses that characterize this season. An ongoing tension point is whether Lindy can keep her Bubble down long enough to string together two tasks. This means the season’s highest ratio of close-ups to other shots. Cooke carries this focus with recidivist disdain, processing the situation in arbitrary bursts only to default to anger at the Doctor for intruding on her groupchat, or elation at meeting a celebrity singer.

The slugs are an invention of the Dot, which, after years of servicing Finetime, has learned hate. Huddled outside the habitat dome, the all-white survivors reject the Doctor’s 'dirty' safe passage, and strike out to colonize the wilderness, ‘like their ancestors’.

Laterally to Phone Bad, an ongoing trend in wronghead fiction is Rich Bad. Movies like Bodies Bodies Bodies portray the bourgeoise as a self-obsessed bunch who will fall snarling on themselves at the first provocation. This is not what makes the bourgeoise dangerous, but in fact the exact opposite: because the rich have everything to lose, they will close ranks against you, no matter how much good you’ve done for them, no matter what you could yet do.

Rogue

Before the season ends, anybody want to defend England one last time? Playing nobility at a Regency London ball, the Doctor runs into Rogue, a bounty hunter who mistakes him (at gunpoint) for a shapeshifting, murderous Chuldur.

The Chuldur are fans of Bridgerton, on Earth to cosplay it to death. In order to lure them out, The Doctor and Rogue publicize their whirlwind romance. If “Dot and Bubble” was a response to the idea that Gatwa might run into racism if he travels to the past, “Rogue” is its inversion: the plan works because the modern Chuldur can’t resist the titillation of wearing a black gay man. They run after the hypervisible Doctor, while the white Rogue becomes “the other one”. He’s less problematized, less interesting, the one you get stuck with if you don’t call intersectional shotgun.

After the trap is sprung by accident, Rogue's banished alongside the Chuldur to a random dimension of nobody’s knowing. The Doctor declares it’s impossible to find him. We’ll see about that.

For all its nods towards fandom, “Rogue” isn’t a po-faced condemnation of fan culture. Ultimately, the Chuldur too are defeated through cosplay. Plus, it’s a straight beat-by-beat of the strongest points in Who structure: strong side characters, scifi logistics, a villain as goofy as it’s horrific. Whether its back-to-back placement with its thematic mirror, or as a segue to the season finale, is ideal, is anyone’s guess.

The Legend of Ruby Sunday

The Doctor asks for UNIT’s help in figuring out why Susan Twist follows him everywhere. On 2024 Earth, she’s Susan Triad, tech CEO on the verge of releasing some kind of Alexa thing. But before we get to that, the Doctor decides now’s the time to meet Ruby’s biomom.

Using a ‘Time Window’, Ruby visualizes The Church That Lives On Ruby Road. Ruby cries: the Window refuses to show her mother’s face. The machine goes all creepypasta on some UNIT boot. Panicked, the Doctor chases down Triad, who reveals she can remember her past lives in dreams.

Triad pulls away to her conference. Though she’s live worldwide, her soundstage is empty, the crowd canned. Where much of this season has dealt with the phenomenons of mass media and TV, “The Legend” digs into a grief specific to Doctor Who, an ill-kempt archive of decades forever on the verge of cancellation.

Little else happens, for two good reasons. First, this episode is a two-parter. Second, much of its runtime is dedicated to extracting maximum stress out of the situation. Ruby is too compromised to act, while the Doctor and UNIT are late from the start, only just figuring out the situation in time to witness it unfold. The big reveal paying off all this anxiety, crossed purposes, fear and despair is, unfortunately, a CGI dog with a hat.

Empire of Death

Sutekh is a Fourth Doctor villain who’s been locked in the Time Vortex for thousands of years or a dozen seasons, whichever’s longest. He has spawned harbingers like Triad in every planet that the Doctor’s visited, and his “dust of death” has the power to kill nost just everyone, but everyone at every point in time. In the era of streaming television (and stream-only television), the C-suite can overnight erase all evidence that a show ever existed.

Through a bit of absurd circular logic, the Doctor declares that the Time Window’s memory of a TARDIS is in fact a functioning TARDIS. The crew escapes to roam a deserted universe. The memory TARDIS begs to tie long-dangling plot strands into knots of neat logic. Instead, a bunch of nonsense dialogue happens. When Ruby asks the Doctor why Sutekh has a The Mummy thing going on, the Doctor answers “cultural appropriation”, and fails to elaborate. Laterally, when Ruby casually lists the chameleon circuit’s AOE as 73 yards, the Doctor asks how she knew that. She’s not sure. Nothing comes of this.

Because Sutekh is incapable of seeing Ruby’s mother, the Doctor decides it’s all tied together and heads to a government office in Mad Jack Britain, containing the UK’s forcibly harvested genetic data. Much more cohesive commentary on racism than reminding us cultural appropration is a thing Doctor Who has done. Armed with knowledge, the Doctor baits Sutekh into the Time Vortex, where he forces him to, like, kill death and then die in turn.

It’s a fantastic turn of character for the Doctor, who oft makes a spurious point of not killing in order to condemn villains to fates worse than death, or adopts a ‘War Doctor’ persona which kills a bunch of people anyway. It’s a matter of framing, but also a genuine point of no return. As for less satisfying character beats: Ruby gets to meet her mother, who’s just some middle-aged Instagrammer with a bad haircut and a passion for rocky beaches.

So why was this character immune to everyone from the Time Window to Sutekh, and the unwitting carrier of Ruby’s inherited power to make it snow? Because, the Doctor explains, we cared about her.

Which begs the question: who is we?

The easiest answer is: the last people left alive in the universe. But Ruby’s been making it snow since “Space Babies”. Not proximity to the Doctor either, else the Doctor himself would have magic powers: on the contrary, he’s spent the whole season grappling with his limited ratfic ability to deal with the supernatural. And there’s millions of orphans out there. Ruby is, in this regard as in most else, not special.

Taken all together along with the season’s metanarrative overtures, which keep going right up to the last second of “Empire”, the only answer is that we are the audience. Or the audience and the crew, anyhow: the camera, the screen, Ruby’s protagonism and the people that accept it. We have imbued Ruby Sunday with transcendental power, because we would like her to transcend.

This doesn’t work unless I am more emotionally than narratively invested in Ruby Sunday.

Not that I didn’t get torn up when Ruby met her mother. But that’s just cinema trickery. A season’s worth of promises, a bit of music, very good acting: of course I was going to care. Not more than I care about finding out what the fuck was going on, though. As an explanation, this all rounds out to: what was going on is what was going on. Ruby’s mom was important because she mattered to us, and it mattered to us because she was important. Me, I refuse to be complicit.

There is an unpleasant extreme to the logical lens, the CinemaSinners combing through scripts, sacrificing the greater story to the tendentious idol of Plot Holes. Doctor Who has long been plagued by these types, pitfalls of being an easy-watching BBC show with a large audience. Series 14 scans like a concerted effort to not give these guys an inch. In overcorrecting, it created a maudlin mess of unfulfilled promise.

That is as far as the season's connected plotline goes. Fortunately, most of the episodes are gems, directed with a sense of fun almost unseen in the revival series’ longstanding gloom. The Doctor has turned into a killer, maybe for good. We are promised that his tale will end in tragedy. I hold out hope that, next time the story tries to hit me where it hurts, it’ll follow through.

7/10

#mine #doctor who #not a spoiler free review

55 notes · View notes

thecreaturecodex · 3 months ago

Text

Kami, Oxter

Image accessed at the Ultraman Wiki here

[I'm back! It's the start of a new school year, so I've been busy busy busy. I do hope to return to my summer schedule of one new monster a week.

And what a monster we start with! Oxter is one of the weirder designs in Return of Ultraman, but has connections to Ultra kaiju before and after. The plot of the episode, and Oxter's acidic powers, feels a lot like Stegon, who I've already statted up here. And the same author who wrote this episode wrote an episode of Ultraman Ace with another bovine kaiju, Cowra. The Cowra episode is notable not for the powers or appearance of the kaiju, which are fairly sedate by the standards of Ultraman Ace. But the way a character turns slowly into Cowra feels like it started out as transformation fetish porn, and then was repurposed into a kid's show about a giant silver alien/angel who punches monsters. The "writer's barely disguised fetish" trope goes way back.]

Kami, Oxter CR 19 N Outsider (native) This creature’s head resembles that of a cow, but its anatomy otherwise bears little resemblance to ordinary animals. It is bipedal, with a thick slug-like tail and stumpy legs. Its back has a high bony hump, and its head is set low on its shoulders. Instead of arms, it has large red horns, which articulate on jointed stumps. Its ears stick out at a wide angle, and a ribbon-like tongue flickers in its tusked mouth

An oxter is a bizarre kami that guards a site of mass animal death and protects their remains from desecration and disrespect. They can be found in any natural environment, from tar pits and volcanic craters to water holes that had dried up at an inopportune time. Oxters do not care much for the reasons their ward might be disturbed and respond to any disturbances with violence. From wizards seeking out supplies for necromancy or golem construction, to scientists studying the natural processes that occurred at the site, all are likely to find themselves subject to the oxter’s destructive scrutiny.

Oxters are slow and cumbersome on land, but they are surprisingly mobile in the water. As such, they often remain stationary and probe out disturbances using their supernaturally long tongues, which can extend for hundreds of feet. These tongues are coated in corrosive saliva, and anyone who gets close to an oxter will be sprayed by a torrent of acid. An oxter’s melee weapons are its horns, which are capable of surprising mobility and can strike repeatedly at multiple targets as if they were swords. Oxters have few spell-like abilities in comparison to other kami, but can use magic to move through impeding terrain or to smite interlopers in a particularly desperate battle. An oxter will fight to the death to protect their ward.

Because of their association with mass mortality events, oxters and stegons can be found in association with each other. Stegons are the only undead creatures oxters will tolerate, and the kami see such assemblages as a natural consequence of particularly serious disturbances. Oxters will permit other creatures to live in their wards, even sapient ones, as long as they respect the peace of the dead who lie there. They rarely associate with other kami unless their wards overlap, but in such cases the oxters tend to defer to their more intelligent kin, even if they are much physically weaker.

Kami, Oxter CR 19 XP 204,800 N Colossal outsider (kami, native) Init +9; Senses blindsense 60 ft., darkvision 60 ft., Perception +26

Defense AC 34, touch 7, flat-footed 29(-8 size, +5 Dex, +27 natural) hp 330 (20d10+220); fast healing 15 Fort +19, Ref +19, Will +17 DR 15/cold iron and magic; Immune acid,bleed, mind-influencing effects, petrifaction, polymorph; Resist electricity 10, fire 10; SR 30

Offense Speed 40 ft., swim 80 ft. Melee gore +26/+21/+16/+11 (4d6+13), bite +24 (4d6+6 plus 2d6 acid) or gore +24/+24/+19/+19/+14/+14/+9 (4d6+13), bite +24 (4d6+6 plus 2d6 acid) or tongue +26 (2d8+13 plus 4d6 acid plus grab) Space 30 ft.; Reach 30 ft. (20 ft. with bite, 60 ft. with tongue) Special Attacks breath weapon (120 ft. cone, 20d6 acid, Ref DC 31, 1d4 rounds), constrict (2d8+19 plus 4d6 acid), extensible tongue (AC 23, 33 hp), trample (2d8+19, Ref DC 33) Spell-like Abilities CL 19th, concentration +23 3/day—commune with nature, freedom of movement, undeath to death (DC 21) 1/day—quickened divine power

Statistics Str 36, Dex 21, Con 32, Int 9, Wis 20, Cha 21Base Atk +20; CMB +41 (+45 grab); CMD 56 Feats Blind Fight, Double Slice, Great Fortitude, Greater Two-Weapon Fighting, Improved Initiative, Improved Two-Weapon Fighting, Multiattack, Quicken SLA (divine power), Two-Weapon Fighting, Weapon Focus (gore) Skills Knowledge (nature) +16, Perception +26, Sense Motive +22, Survival +22, Swim +37; Racial Bonuses +4 Perception, +4 Swim Languages Senzar, telepathy 100 ft. SQ articulated horns, merge with ward, ward (animal graveyard of 4 square km or less)

Ecology Environment any Organization solitary Treasure incidental

Special Abilities Horns (Ex) The horns of an oxter are capable of making iterative attacks as if they were manufactured weapons. An oxter can fight with both horns in the same turn as if using two manufactured weapons (and most oxters take Two Weapon Fighting and other feats for this purpose). In any round in which an oxter makes a melee attack with its articulated horns, it treats its other natural weapons as secondary natural attacks. Extensible Tongue (Ex/Su) An oxter treats its tongue as a primary natural attack that deals bludgeoning damage. It can make attacks with a reach of 60 feet ordinarily, but if the oxter spends a move action, it can extend its tongue 60 feet. It can continue to spend move actions to keep extending its tongue at a rate of 60 feet per round to a maximum of 1200 feet long. The tongue can attack around corners and even enter buildings; if the oxter cannot see what it’s attacking, the tongue can use the oxter’s blindsense. An oxter cannot use its tongue as a weapon in a round where it attacks with other natural weapons. The oxter’s tongue has hit points equal to 1/10 the oxter, and an AC of 10 + ½ the oxter’s natural armor bonus. It uses the oxter’s saving throws, resistances and immunities if attacked separately. The oxter’s tongue can make Stealth checks as a Medium creature, and is five feet in diameter. If an oxter’s tongue is reduced to 0 hp, it is shed, and the oxter grows a new tongue over the course of the next 24 hours.

#pathfinder 1e #kami #oxter #native outsider #ultraman #return of ultraman #kaiju #bovine

30 notes · View notes

cornfieldsrambles · 5 months ago

Note

I saw your explanation about lords in black and I have a question: tgwdlm the main lord in black is pokey, in black friday it is wiggly, and in npmd, who would it be?

oh god that post is going to haunt me forever (joke)

well, NPMD isn't really that simple I don't think. It's all of them. All five Lords in Black. And I think that makes sense.

Let me back up and explain. So NPMD happened after both Nightmare Times had been released. Obviously NPMD had been "in the works" before then, but for the actual finished show, I think Starkid assumed that a substantial amount of the people watching would've seen Nightmare Time. So I reckon they wanted to give something new to those people, while also not excluding people who hadn't watched it. That's just my assumption, though.

Not every Nightmare Time story is directly related to the Lords in Black.* About half the episodes have a bit more of a 'monster of the week' vibe. Hatchetfield Ape-Man, Forever and Always, Perky’s Buds and Killer Track are some examples. Generally, the pattern goes: a monster of the week, then a Lord in Black, then a monster of the week, then a Lord in Black.**

So when NPMD rolled around and (again, this is kind of me speculating) Starkid wanted to give something new/rewarding to those who watched Nightmare Time, while accommodating those who didn't, so they decided to do both. A particularly memorable and exciting monster-of-the-week is the main event, and we also get to see the Lords. Hatchetfield lore is referenced but you don't need to know much about it, and the stuff you do need to know is communicated through what the characters learn. The Waylons were in a cult and had their weird book which they used to worship Wiggly and co., and now they're dead and their house is cursed or something. Got it.

The other thing about Nightmare Time is... we've already seen each Lord in action. Heck, including TGWDLM we've seen Pokey twice. So what's better than one Lord in Black? FIVE LORDS IN BLACK!!!!!

So having not just Wiggly, but ALL of the Lords - with brand new Tumblr sexyman forms to boot - and showing them in a new and interesting role of pretty much the Deus Ex Machina of the show (this is hands-down the most helpful they've ever been) is something that feels very new and very rewarding to NMT watchers. Like "Oh my god! I know those guys! But it's all of them! This rules!"***

But also, showing Wiggly again gives the non-NMT watchers something to latch onto. Showing his brothers is in itself the new exciting thing, like "Oh my god, it's Wiggly! Wait - there's more of him? What the hell?!" At its core, their purpose in the plot is simple and comprehensible. It's deal-with-the-devil plotline, it's not rocket science. That, and showing all the Lords and dropping crumbs of lore could also get non-NMT watchers excited and interested, and would hopefully entice them to watch Nightmare Time. (Which I am once again encouraging you to do! There's so much you're missing out on!)

So TL;DR - My guess is that Starkid wanted the show to be rewarding to Nightmare Time watchers, and accessible to non-NMT watchers. They did this by combining the two main Nightmare Time episode formats (monster of the week and Lords in Black) in a way that felt new and exciting, wasn't too lore heavy to confuse non-NMTs, but was just lore-y enough to get them interested and feeling rewarding for NMT watchers who already knew about this stuff. So that's why they used all five Lords.

Wow I did not mean for this to turn out so long, I am sorry lol

*If you want to be pedantic, you could say everything/most things in Hatchetfield lead back to things like the Witchwood or the Starry Children or whatever, which arguably lead back to the Lords, but what I mean is not every Nightmare Time is about one or more Lord in Black directly making a mess. The 'monster of the week' things I mentioned are all related to stuff that happened years and years ago, so they don't count as much.

**Okay, NMT2 doesn't really stick to this formula as cleanly, but that doesn't really matter for my point.

***This was pretty much my reaction, after a lot of incoherent excited yelling lmao

#hatchetfield #nightmare time #the guy who didn't like musicals #black friday #starkid #team starkid #the lords in black #hatchetfield lore #hatchetverse #nerdy prudes must die

37 notes · View notes

absolutebl · 3 months ago

Text

This Week in BL - Screw everything else inject On1y into my damn veins

Organized, in each category, with ones I'm enjoying most at the top.

Aug 2024 Week 4

Ongoing Series - Thai

Monster Next Door (Thai Thurs Gaga ) eps 5-6 of 12 - Extreme introvert dealing with a very hot, very drunk, very affectionate extrovert was an excellent experience all around. “I was drunk and talking out of my ass, but I wasn’t lying” maybe one of the world’s greatest confessions. How meta that he’s checking out the book of the story that he’s in. Carry on boys, very enjoyable, very Thai BL.

My Love Mix-Up Th (Fri YT) ep 12 fin - It’s cute. They are all very cute. I do like it when high school BL gives us a coming out sequence. I know it’s old-fashioned, but it’s a trope that goes with this particular setting really well, and I just like it when it’s done nicely. I’m not sure I needed it to totally dominate the final episode of the series. But it was fine.

I gotta say, Fourth is an absolutely outstanding actor. He really did knocked it out of the park in this last episode especially.

In conclusion:

It was fine and it was charming, but it was also a little lackluster. Thailand managed to take one of Japan's softest cutest most bonkers BLs in recent memory and make it softer and cuter and... dull. They did this by watering it down. JBLs almost always have an edge to them, even the rom-coms, by dulling the edge, MLMU lost a great deal of the sparkle and tension as well. What an office setting managed to mostly maintain in the consummate hands of TayNew felt somewhat lackluster when handed off to the next generation and a high school setting. Cherry Magic was a lovely reinterpretation, Mix Up was an amateur's watercolor rendition of a colorful oil painting. Am I being harsh? G4 tried their best, and Fourth turned in some outrageously good acting in the latter half. But the show? It was fine. If you like water colors and you haven't seen (and loved) Kieta Hatsukoi. 8/10

This Love Doesn't Have Long Beans (Fri iQIYI) ep 8 fin - This was the first hint we got that the lead's relationship was anything more than sexual. And it was utilized for a breakup?! JJ and Wan's friendship is the best thing about this show. PWan selling JJ out to Methas was great. I was modestly delighted by the big fuck off ownership engagement ring. I admire a boy who likes to mark his territory with bling. I actually thought this was a decent final episode. If very rushed. I know, in general this ending was objectively weak, but I grinned the entire time, so I can’t really complain that much.

Final thoughts?

A story about a kid who infiltrates a cooking competition under false pretenses and then has to deal with the consequences when he falls in love with the head chef. The side couple is a poor little rich boy meets physical therapist (morality chain). The core friendships are excellent and the chemistry cannot be faulted across the (charcuterie) board. What this show lacks in substance it makes up for in health code violations. It was all chili all the time. Considering that the plot centered on betrayal but the romantic relationship never sweetened enough to balance that bitterness; one could be forgiven for throwing this one in the compost. But I got over all its weaknesses in flavor balancing for an ultimately satisfying meal, with a great dessert course. I've always loved spicy food. Plus the blooper reels were fantastic. 8/10

Addicted Heroin (Thai Tues WeTV) ep 2 of 10 - I like the side couple a lot. It’s nice to see that dynamic developed (as it wasn't in the CBL version). Of course, Thailand leans into a secondary couple, but I also like the super popular jock + geeky boy who couldn’t care less. You know what? I’m actually really enjoying this. And yes, I AM biased because it's August. (Wait, that could be taken several different ways this month. But you know what I mean.) Anygay, this is a lot softer than the original, and so Hero is much more of a pining character and less harsh. But I'm still enjoying it. I like the stepbrothers trope (we don’t get it very much from Thailand), and I enjoy the beats and pulses of this particular story. We will see if it derails into inconsequence and lack of conflict the way My Love Mixup did.

Sunset X Vibes (Sat iQIYI) ep 11 of 12 - I’m enjoying this show but it should’ve been just 10 eps. It’s feeling bloated at this juncture. That said, I loved our little GL kiss. Very pretty. I also really like the bit with Sam and Yo flirting with each other. Sam trying to get Yo to call him P'Sam was fucking brilliant. And then slipping in all of those nongs. Delightful. Linguistic negotiation, it's what's for dinner... along with Sam's d**k apparently. I frankly did not think they would take this couple that far. So, thank you very much everybody involved.

Battle of the Writers (Sun YT) ep 4 of 12 - I do enjoy watching Yim freak out and fall in love all over again. The reality is still better for me than the fantasy parts, but it’s all fun enough. The magic mushrooms bit was odd. In fact, there is definitely a core tenor of ODD going on with the show. Which I’m accustomed to from Japan but I’m not really sure about from Thailand. Thus I remain engaged but suspicious of this BL.

I Saw You in My Dream (Weds Gaga) ep 6 of 12 - Yu wants to take his baby on a trip, gets thwarted by his younger brother. Ouch. I really do think it’s time for Ai to tell Yu what’s going on with his dreams! Drunken boyfriend bolster pillow is a fav trope of mine. As usual, I’m catching second lead syndrome. What? I liked the rich boy badminton player. And then he picked up a guitar. Oh well.

The Trainee (Sun YouTube) ep 8 of 12 - No one cares about the hets. He was jelly? Cute. Also kinda an arse, by hey this is BL.

Ongoing Series - Not Thai

The On1y One (Taiwan Thurs Gaga) eps 1-2 of 12 - announced in 2023, high school, stepbrothers, and is reputed to be high heat. Based on a novel Mou Mou + the Your Name Engraved Herein team.

ARE YOU READY? I'M GOING TO NOT SO QUIETLY LOSE MY DAMN MIND

This is old-school BL and it’s bloody fantastic. Tsundere seme to beat all tsundere (smartest + tallest + bestest at everything but people) meets socially-ept cutie smart-ass protag.

They living together by end of ep 1 and start kissing by end of ep 2.

There is an Unknown quality to this, and that I love. Also, and ironic to say this while Addicted Heroin Th is airing, but this REALLY reminds me of Addicted. It’s so fucking good. I am all in on this show. Shut up while this eats my life.

Cosmetic Playlover (Japan Tues Gaga) eps 5-6 of 8 - Of course! The POV shift to the seme character at ep 5! How could I forget? Japan loves this beat! AND.... The running of the gays. And a use of a first name! So darling. Also some crazy great communication and conversation that is NOT a hallmark of Japan. Sahashi is so very possessive. I loved the switch that went on in his brain and the mania in his eyes when he thought someone else was interested in Natsume. I continue to love this.

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 10 of 12 - I’m never going to like Maya. Sorry. And the leads were separated for most of this episodes so it was largely disappointing. I did like the insight into the way T sees the world, and sees the alienation of a disability and what it's dong to his friend. It’s very empathic. He’s such an appealing character in his obtuse bull-headed way.

Seoul Blues (Korea Fri? YouTube) ep 2 of 8 - It’s intriguing, and I'm happy to have anything from Korea on my dash. But, like Blue Boys, I’m not entirely sure if I like it or not.

First Note Of Love (Taiwan Mon Gaga) eps 3-4 of 12 - This may be Taiwan but I’m still in the "no singing" camp. I’m getting a slightly better chemistry feel off the leads in this episode. I’m not sure if they’re keeping it stiff because the younger character is under age or if it’s just that the actors aren’t there yet? (In other words is this a directing choice or a performance issue?)

Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 8 of 10 - I've finally come down firmly on the fact that it’s the uneven power distribution (in terms of interest and enthusiasm for the relationship) that I dislike about this show. Generally, I like a power dynamic differential, kinky and all that. But this particular dynamic, when it’s the weaker personality that’s so much more into the stronger one? I never like it, unless it engages a serious pivot at some point. (See My Personal Weatherman or Takara & Amagi.)

It's airing but...

Sugar Dog Life (Japan Sun grey) ep 3 of 10 - I was really loving this one but I can't find ep 3 anywhere so I guess I gotta wait it out. I hope I get to see it eventually.

4 Minutes (Sat Gaga) eps 1-6 of 8 - Gaga picked this one up so we can watch it there. If I have time, I'll get caught up and put it into rotation.

In case you missed it

Meet You at the Blossom (China) - I'm eating crow, binging the fucker, and live blogging.

The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer IS COMING IN SEPTEMBER!!!! (Yeah this is gonna sit here until then).

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Coming Next Month:

The Time of Fever (Korea)

9/1 Live in Love (Thai)

9/3 Happy of the End (Japan)

9/6 Kidnap (Thai)

9/7 The Hidden Moon (Thai)

9/9 Jack & Joker (Thai)

9/14 Love Sick 2024 (Thai)

9/17 Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan)

More deets next week. It's late and I'm tired.

THIS WEEK’S BEST MOMENTS

It was pretty. I am very shallow.

Even more pretty. Petition to have Tenon with his shirt off and hair back in every subsequent Thai BL? Just because.

(SunsetXVibes)

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

Sigh, Tumblr in its infinite wisdom doesn't like too many tags.

198 notes · View notes

freddiemerqwerty · 2 months ago

Text

It took over two years, but I finally finished watching the entirety of Supernatural. I took a week to process some thoughts before foisting them upon Tumblrland, so here we go!

I did not expect to like it. Specifically the ending.

The original reason this Supernatural rewatch began was to see Castiel's confession in context. I wanted to see what drove Tumblr's primary form of newscasting, what got the Supernatural fandom back from the depths of superhell, and thrust the bury your gays queerbaiting discussion to the forefront of every YouTube video essay—and to potentially seek justice for my first ever gay ship, good ol' Destiel. It is for this reason that I wholeheartly did not expect leave 15 seasons of this fucking show feeling content.

This was a hard task. I wanted to stop so badly. I don't think I could tell you a single season I liked the plot of. HOWEVER, it did teach a valuable lesson: if you're looking for good representation in Supernatural, you're looking in the wrong place. This applies to even to show's representations of itself.

Supernatural should have ended 11 seasons before it did, and yet, much like nearly every character in the show, it just keeps on coming. Season 12 nearly did me in, but oh? Season 13-15? It was worth it to get to the seasons where the target demographic was literally anyone who would watch the show. The main plot? Nope. The filler? Yes. I loved so many episodes from these seasons! Scoobynatural, Advanced Thanatology, Tombstone, The Scorpion and the Frog, Various & Sundry Villains, Optimism, Peace of Mind, Atomic Monsters, Golden Time, Last Call, The Heroes' Journey, The Gamblers, Last Holiday.

Cass's confession made me absolutely bawl my eyes out for the remaining episodes of Supernatural (I was a blubbering little ball, throwing in a good few mutterings about Our Flag Means Death along the way) However, in the end, it just felt right that it should end this way. Not in terms of good queer representation, not in terms of my love of Destiel, but this is what the characters each needed.

Death means nothing on Supernatural because of the ways characters need each other to keep going. Cass telling Dean how he feels means he can let go. Dean getting permission from Sam to stop fighting death means he can let go. Sam living out a full life away from hunting means he can let go. All the characters have what they need so we as an audience can let go.

As much as I will still very much struggle to sit through the main plot points of Supernatural, the characters will always have a place in my heart. They just couldn't die, couldn't fully fit the original format of the show, and just kept finding family (and trauma) in literally everything. I'm glad they're resting well.

I final note I absolutely had to include: DEAN IS SO BISEXUAL THE ENTIRE SHOW! I somehow thought "oh maybe we've been exaggerating this". No, no. I—I... I have problems now. Problems that can only be resolved with getting back into the Supernatural fandom.

Thank you for a wild ride Supernatural. Destiel forever

#Supernatural #Supernatural Rewatch #Supernatural Season 15 #Supernatural Spoilers #Do I Even Need to Tag That #Destiel #Dean Winchester #Castiel #Cass #Sam Winchester #Spn #SpnFandom

27 notes · View notes

azure-firecracker · 1 month ago

Text

The X-Files Season 4 Review (First-Time Watcher)

It has been a minute but we are back!

(Full disclosure - I am actually a little ways into Season 5 as I write this. College has given me more time with energy for watching than energy for writing. Such is life!)

Life seemed to stand between me and this season. I finished the first half in about a week and a half, and then the second half in three times that because…college happened. But we got there! And oh boy did we get a lot.

This season was hyped up to me even before I watched it (it won my favorite seasons poll a while back) and it DID NOT disappoint! I think this season managed to merge the melancholic energy of season 2 with the consistency of season 3. The first half was especially consistent (out of the first 10 episodes, there wasn’t a single one I didn’t like), and while the second half was a bit more uneven in terms of quality, when it hit it hit hard!

I thiiink Season 2 still takes my favorite spot among the seasons, but this is a close second. It’s just so good, and the second half especially has this looming sense of heartbreak that I haven’t seen in the other seasons. If Season 1 is a campy monster flick, Season 2 is an alien soap opera, and Season 3 is an action movie, then Season 4 is a Shakespearean tragedy of epic proportions, wrought with miscommunication, near-misses, and hurtling towards an unavoidable, doomed ending that lurks in the background even of the most mundane moments. I’m a sucker for a good tragedy, so I loved every moment we got. I was also happy that Scully got to have a real emotional arc. Especially in Season 1 and 2, those usually belonged to Mulder, but the cancer arc is first and foremost about her, and the show takes a lot of care to keep her at the center of that story - which I appreciate.

I found the MSR dynamic this season to be fascinating. It’s like they’re in this territory - even before the cancer arc but especially during it - where they’re realizing how much they mean to each other but also how much it could damage them both. They’re closer than ever and yet more at odds than ever. They’ll cling desperately to each other in the face of death but run away from each other in the daylight because they’re afraid of what it means. It’s tragic and less fun than what we’ve seen from them before, but it’s also fascinating.

As always, I do have a few gripes. My biggest is that, while the cancer arc is beautiful and heart-wrenching, I wish they’d explored it a little more. Only Memento Mori, Elegy, and Gethsemane center around it (and Never Again, if you go off of airing order instead of intended order). Maybe Zero Sum too, but that’s about Skinner and kind of its own thing. And I just felt like there was some wasted potential there. Scully was literally DYING and losing control of her life and Mulder was powerless to stop it. There’s so much plot and character potential there that really wasn’t touched on, and it felt like they really only scratched the surface. Of course, part of the fun of this show is that they leave a lot for us fans to do ourselves, but it feels a bit like a wasted opportunity on the show’s part (friends: please be kind and point me to the fanfic now!)

Also, while I love the cancer arc for emotional value, I do have some qualms about yet another major arc about Scully having her bodily autonomy taken away. Why must all of the female protagonist’s arcs have to do with this? (I wrote about it in Season 2 here).

But frustrations aside, I think this is objectively the second-strongest season after Season 3, and subjectively my second-favorite after Season 2. Its overall arc is maybe the most compelling of the show, and the individual episodes (for the most part) are all fantastic.

Speaking of which, let’s get into the individual episodes! Quick disclaimer- because this season took me so long to watch, it’s been quite a while since I watched the earliest episodes. Just something to keep in mind:)

Herrenvolk: Unfortunately, I feel that this was the show’s weakest season opener so far. It’s not bad by any means, but it falls victim to the same gripe I have with many mytharc episodes, which is that it prioritizes plot over character work, and that rarely works for me. On top of that, the plot here was kind of hard to follow, especially Mulder’s half (Scully’s half was easier because she was literally explaining everything like the scientist she is I love her so much). Also they were separated which is never fun. At this point, I sort of feel like the show is just adding more and more elements of the conspiracy without explaining what we already have, and it’s getting to be a lot. I did adore the hospital scenes between Mulder and Scully, though - it’s a vulnerability and openness we rarely get from both of them (and I think it scares the shit out of them both - hence why their dynamic for the next 3 episodes is kind of weird). Anyway I’ll give this one a 7/10

Home: I know opinions on this are mixed, but I really liked it. It was genuinely SO creepy, especially the scene where the Peacocks are beating up the sheriff and their car music plays in the background. I agree with @graciehart who says that Mulder and Scully’s dynamic in here was odd, but I kind of get it. Scully represses a lot of her emotions, and it would make sense that she might not think or talk about motherhood until she sees a distorted version of it, and she can examine it from a more scientific angle. For Mulder’s part, @theswisscheeserag said that this episode was sort of an exploration into Mulder’s privilege, and how he’s a little bit immune to the darkness that lurks behind the small-town American ideal (in part because that ideal is something he never had). All of that is interesting. I also liked Scully really taking the lead on the case, especially when they thought there was an innocent woman in danger. This show has a trend of victimizing women, so it was really nice to see Scully, who’s been a victim of this trend herself, fight against that. Overall I’ll give this a 9/10

Teliko: I am never safe from the ethnic flute, am I?

Plot-wise, this episode was boring. The pacing was slow, Mulder and Scully were fantastic when together, but that wasn’t a lot, and really not much happened the whole time.

But that wasn’t the real problem - the problem is that this is a “cultural episode.” And a bad one. They sort of half-engaged with all of the racial issues, and they said some super out-of pocket stuff that they then didn’t elaborate on, and it almost seemed like they got what they were talking about for a second but then they didn’t and the whole thing was weird but definitely problematic.

When I tell you I have never hated a score more - TRIBAL CHANTING AND DRUMS SHOULD NOT BE USED TO SHOW HOW OMINOUS YOUR VILLAIN IS! DO YOUR PROPER FOLK MUSIC RESEARCH!!

Alas I would love to 100% hate this episode, but I love the climax SO much. This is the first genuine kidnapping loss-of-bodily autonomy role rehearsal that I’ve been begging for since Season 2, and this is my favorite trope, so I devoured it. It’s also SO sweet. I wrote a meta about it. It’s here.

Anyway my love for the climax will bring this episode up to a 6/10 but without the climax it’s like a 3 lol.

Unruhe: Okay. Kind of like Our Town, I have to separate my feelings about this episode from its actual quality. Because in quality alone, this episode is fantastic. The villain is interesting, the tension is palpable, the climax is gut-wrenching, and Mulder and Scully’s dynamic has this fascinating push/pull that’s reminiscent of early seasons but starkly more intense. The way they yell for each other when he’s saving her from the van (trailer? Large vehicle) is haunting, especially for her part, because Scully never screams like that. And the outro of this episode - Scully talking about finally being forced to understand evil and how it can be inside her and come for her while a single tear slides down her face - is my favorite of the whole show.

But it seems I am not recovered from Season 2, and the second I saw violence against women I knew exactly where this was going. I spent the whole episode waiting for the other shoe to drop, and when it did I was more annoyed than anything else. There is one hilarious frame right after Scully wakes up in the trailer where Gillian stares into the camera and looks annoyed af as if to say am I seriously filming this kind of scene again? and I was like same, girl, same. But with the understanding that most of this comes from me and not the episode itself, I’ll still give it a 10/10

The Field Where I Died: I have mixed feelings. I like the idea of past lives here, and the idea that Mulder and Scully were always friends, I love. I know it bothers some people that they weren’t together romantically, but I don’t think they need to have been romantic in past lives in order to be romantic now. I actually really love the idea of the same souls reconnecting in different lives but always in different ways (I’m thinking of the musical Ghost Quartet if anyone here knows it). I also love the concept of Scully always dying before Mulder in past lives - it adds another layer to the tragedy.

But also this episode feels like it’s missing something, and introducing a one-off character to be in the reincarnation cycle was kind of weird, and even though I think the concepts are cool, I just can’t quite love it. I’ll give it a 7.5/10

Sanguinarium: Finally a short episode review! This one was spooky and fun! Nothing in particular to love or hate about it, just a really creepy good time. A good episode for spooky season. 7.5/10

Musings of a Cigarette Smoking Man: Naturally, I missed Mulder and Scully during this, but I thought it was really interesting! I’d much rather take a tour of CSM’s past than see another meeting with the high school board of trustees shady government organization of white men that I don’t care about. I also love that he’s an aspiring author and that he sucks at it - he’s kind of a bad bad guy too if you think about it. My favorite thing about this is that it wasn’t a tragic backstory and that he wasn’t redeemed! A tragic villain who redeems himself is great, but it’s also great to let your villains just suck. 8/10

Tunguska/Terma: Okay Mulder/Krycek shippers, I may not live on your planet, but I now see the roots from which you sprung. Their dynamic in these was actually wild.

This was overall an excellent two-parter! It focused more on character tension than alien plot, which I feel is always better. I liked the juxtaposition of very different high-stakes scenarios for Mulder and Scully - the Russian gulag and Scully being held in contempt of Congress, and kind of the implications that all corrupt governments are the same with that parallel - all good stuff! Although, for being hyped up as inescapable, Mulder sure got out of that prison camp real fast. Also…Mulder being injected with the black stuff is a HELL of a plot point to never touch again, but it is in character for the show. But TELL ME why there are no post-ep fics for this! There’s so much angst potential! Anyway 9.5/10

Paper Hearts: *cries*

See this is what Oubliette could have been if it had properly utilized Mulder and Scully’s dynamic, because Mulder’s search for Samantha is him making all the wrong choices, knowing they’re wrong but always digging in the dirt anyway, and Scully seeing the inevitability of Mulder’s downfall but standing there and letting him hold onto her after he breaks, coming back again and again because he always needs her and she’ll always follow him.

I do think the climax was a bit underwhelming given the emotional weight of the episode. I think Mulder maybe figured the killer (forget his name) out too early. But the post-climax scene is, of course, phenomenal, as is this episode overall. Point me to the fics for this one too! 10/10

El Mundo Gira: And this time the ethnic flute is accompanied by a vaguely Spanish guitar! And a boring plot! And some actors who are supposed to be native Spanish speakers who are very obviously not! 2/10

Never Again: Yes, I did watch this before Leonard Betts, and I’m glad I did, because I think it’s more interesting to look at Scully’s actions through a lens of her reaching breaking point than as a trauma response. I know this is controversial- the wonderful @mulders-too-large-shirt and @thursdayinspace aren’t the biggest fans, but I’m going to have to disagree and say I adored this one. Scully episodes are always treats for me, and this one was no exception. I know that people don’t like the implication that she sees Mulder as a disapproving authority figure, but I saw that as more of a manifestation of her fears than anything else. Scully will always crave the approval of those she loves, no matter how much they show her that she doesn’t have to earn it, she will try, and especially with Mulder, who can be a bit oblivious, the extent to which he values her can go unnoticed, and she’s left feeling like she’s bending over backwards for nothing. She doesn’t feel this way all the time, but here that feeling reaches a peak for her, and she gets these desires to break the mold and do something else and just try everything she never tried before. And as someone who also has a good girl identity, this really resonated with me.

The ending is also killer. Mulder wanting to say it’s become mine but he can’t finish the sentence…especially knowing what’s coming for them…GOD. This is in fact a 10/10 for me.

Leonard Betts: I mean, this is really just cancer arc setup. All of that, and the last few scenes with Scully, are fantastic. Individually, this is pretty good! Nothing to really complain about. 8/10

Memento Mori: *cries* I seem to be doing that a lot this season.

What a fantastic introduction to the cancer arc. I adore that this episode starts with Scully’s narration, to really emphasize how this is her story, and she will be taking center stage. I love how this episode showed Scully and Mulder’s reaction to her disease, and really dove into their psyches in a way they really wouldn’t again. It’s Scully’s desire to maintain her strength, to keep going, to just accept it and keep working as she does so many things. It’s the way the fear of death hangs over her, and she accepts it with open arms because it would almost be more vulnerable to fight it, but Mulder fights it because there’s nothing he fears more than losing her, and yet when she calls him he’s there in an instant, because he’ll give up every answer to be with her. It’s One Breath all over again.

And of course, the hallway scene. Gillian Anderson the actor you are. They both look at each other with so much care and grief and tragedy and love, and it’s fantastic. Though this is not the show’s first forehead kiss (there was a blink and you’ll miss it one in Irresistible) it was the first noticeable one, and it’s so tender but also heartbreaking. I was sobbing in my dorm room. 10/10

Kaddish: I did enjoy the parallel to Mulder not wanting to let go of Scully. And I loved the score, which actually drew on elements from Yiddish folk music (Yiddish is a very prominent folk music for Eastern European Jews). Makes me wonder why they couldn’t do that for the non-white “cultural episodes.”

They seemed to be a bit more clear on the messaging regarding antisemitism than they are when they’re dealing with non-white cultures, but it still felt a bit muddled to me, what with the villain being one of the Jewish people (sort of). I’ll give this a 7/10

Unrequited: What’s that? There was an episode? I must have fallen asleep. 3/10

Tempus Fugit/Max: My lovely friend @california-112 loves these - alas I must disagree. These fall victim to the “too much plot, not enough character stuff” thing that I don’t like. I want to emphasize that this is a subjective taste thing for me, but it does impact my viewing experience nonetheless. I was just annoyed that there was a big mytharc two-parter and Scully was LITERALLY DYING OF CANCER and it wasn’t about that. It felt like that whole plot was just sitting there, wanting to be used, and it wasn’t. And while the plot with Max was nice, it seemed like an awful lot of significance to give a one-off character. If he had been recurring, I might have liked this more.

But I did, of course, love the birthday bookend scenes. He finally celebrates her birthday because he thinks he may never get to again😭😭😭 And her explanation at the end. I love them❤️ Overall these two are a 7.5/10

Synchrony: I actually really liked this one! Maybe it’s because I’m a physics girlie but I liked the time travel elements of the whole thing, and I thought the continually unraveling mystery was really cool. I guessed some of the plot twists for sure, but not all of them! Also Mulder literally quoted Scully’s thesis at her, which was especially fun because, as a physics student, I now know what the Twin Paradox is. Anyway this was an 8/10 for me.

Small Potatoes: I need David Duchovny to star in a comedy immediately. This episode gave us some much needed levity in a pretty gloomy season. All of the jokes landed for me, and I love how pathetic of a villain Eddie is…and that’s exactly why he’s dangerous. I also love every second of body-swapped Mulder and the way the show takes the opportunity to make fun of itself. “Where do I sleep?” might be my favorite joke in the whole show.

I also like that this episode has layers, and kind of gets sadder the more you think about it. Read what I wrote on that here.

All that being said, I do agree with @california-112 that this episode falls into the trap of belittling women who were victims of SA, and I do think that that’s generally icky and a problem. With that in mind, I’ll give this episode a 10/10 for my personal enjoyment but an objective 8/10.

Zero Sum: Another Skinner episode! I do feel like Avatar gave us more insight into his character than this, but I still thought this was intriguing. I thought the push-pull between Mulder and Skinner was entertaining, and the thought that Skinner was willing to go to such lengths while Scully was sick is an interesting one - but most of this episode escaped my memory and I did watch it fairly recently, which I think is telling. So 6/10

Elegy: *cries* Scullyyyyyy

First of all, the ghost makeup in here? Terrifying. It got me. And I’m not easily spooked by this show.

But I loved Scully’s reaction to this. Her in therapy, only admitting how much she needs Mulder when she knows he can’t hear it, because she’s still fighting those same battles with her emotional walls and her self-image. Her refusal to believe in what was happening to her because of science, but also because she doesn’t want to admit that she’s dying and that things aren’t normal and they can’t be normal and they can’t go on. I also don’t know if this is the episode where she finds out her cancer has metastasized (what we learn in Gethsemane), but her final argument with Mulder hits so much harder if you think it is. I know what you’re afraid of, because I’m afraid of the same thing…and what that really is is being apart. And the final shots of her in the car…this season has so much Scully crying and I hate it but I love it. 9.5/10

Demons: Dare I say…tied with Irresistible for new favorite episode? I’ve already made a meta about this, so you know I adored it. Plus it takes place in my hometown which is awesome!

All jokes aside, this episode was so sad but so wonderful. Mulder feeling like his life is spinning away from him and he can’t save anyone, taking desperate measures to find answers, and just being fully swallowed by his self-hatred, willing to go further than he ever has because there’s no hope left.

And Scully, who is his beacon of hope, following him and believing in him when no one else does. She stays until the case is solved and she puts every single piece together herself because she has to. She follows him into the house and stares down the barrel of his gun because she will never fear him, no matter how far he goes, and he will run endlessly into the darkness chasing the truth, and she will run just as far to pull him back.

God. He’s so broken and she’s so devoted to him and this episode showed both things in spades. It was beautiful (and, on a more self-indulgent note, played into all of my favorite tropes. It felt like an upgraded version of one of my fanfics). Obvious 10/10

Gethsemane: Like Talitha Cumi, this is more of a precursor to Redux than a finale in itself, but it’s still a really good episode. High stakes all around! This really digs deep into the question of is it aliens or the government or both, and that’s an ambiguity I’ve always loved, so it was nice to see it back. Scully saying her cancer had metastasized absolutely killed me, but what really got me was the ending. Holy shit! 9.5/10

I think this may be my longest review so far, which is fitting for Season 4! Please feel free to tell me your thoughts on these episodes or the season as a whole, or to send me asks about TXF or anything at all! There’s truly nothing I love more than fangirling with all of you! I’ve had such a stressful few weeks with college, and you’ve all been so kind to me, sending me asks and commenting on my writing and chatting with me, and it’s just meant the world to me, so thank you❤️

On another note, my birthday is coming up in a few weeks, and I’d love to make something special for it, so if any of y’all have ideas, please let me know:)

Until next time!

#the x files #txf #txf s4 #x files #dana scully #fox mulder #msr #david duchovny #gillian anderson #mulder and scully #mulder x scully #azure txf reviews

21 notes · View notes