#Drops this and goes into hiding

[shiroselia]

Fair Warning: This post is very rambly. Super fucking long. And has a bunch of paragraphs about topics that to be quite frank deserve their own post. This is me TLDRing like 7 different essays because I have a lot to say and can't shut the fuck up but this is despite it all still a tumblr post.

The fact that SSO exists at all in the year 2023 is not an achievement in and of itself.

That's the TLDR to this post I'm about to write because that's basically what I think, but there is a longer discussion to have here. And I think it's a discussion worth having because despite it all we still live in a world where gender makes people irrationally fucking mad, and so therefore here I am to talk shit about a horse game which I have called mediocre all day.

Well, if you don't want to read this entire thing, here's all you need to know:

If Animal Crossing in the year of 2020 can define the first year of the pandemic for basically half the internet, then SSE can optimise their game a little better in the year 2023.

And here's wonderwall: (But before wonderwall, obvious disclaimer that I'm just one cis not-het woman Swede who has opinions about things, I'm not going to solve centuries of oppression on my fucking tumblr dashboard. Neither are SSE gonna solve it, nor immortalise it, with their mediocre MMO, we all know this we are smart, let's go.)

To SSO's credit, I think it's nice that SSE has wholly embraced the fact that they are a very feminine game primarily played by and targeted towards young girls, despite it all we still need more of that, and it's cool that they're trying the most. (Just wish they wouldn't completely throw their especially above average transmasc audience under the bus for  this but that is genuinely not my post to make as I am not transmasc and this post isn't about that, but all I'm saying is that SSE aren't flawless and I was here for both 2011 and 2022 so I happen to know when they literally lie about why this game was created in the first place.)

However,

There is a difference between "We want to bring quality to this audience which usually doesn't get quality" and "Because we're the only ones targeting this audience we don't need to worry about quality". Settling for the latter, especially today, isn't actually that progressive nor is it helping anyone, especially if we're talking about the game's general quality.

So, I know that talking about like, what is a "good" game or whatever will always be a wall to wall conversation, because everyone has different ideas of what good means. (see: Some people going "I enjoy this so it's good" and some going "I enjoy this but it Isn't good" at Dorian's poll) This isn't a problem at all it's simply how the human experience works. However, if we're talking about the good as in "objective" quality, then I think we need to remember something.

It's not 2011 anymore, and being a girls game, standalone, isn't an achievement anymore. We expect some fucking effort by now.

We don't live in a world where you as an 8 year old kid have to pick between playing COD or playing SSO exclusively (a choice made in 2011 by me as an 8 year old for reference, I literally was there, don't worry). We have a lot wider a selection of games to choose from, and we live in an industry which has also gotten a Lot better at actually celebrating less traditionally masculine games.

For example, Animal Crossing and Stardew Valley, to name two examples, would probably be pretty dismissed in 2011, had they released then, because they're games that in general are seen as more feminine. (Slower, cute aesthetics, about farming, has cute little guys in them in AC's case.) But nowadays, they're some of the most popular games around, and they're games that most people, regardless of gender, have played. And obviously people still make fun of them, but it isn't cool to make fun of them anymore. Y'all remember when everyone and their mother was playing New Horizons as it came out during the perfect time for everyone to play it just as the pandemic started? And that's a really feminine game if we want to divide games into feminine and masculine, which we at the end of the day will do because humans are obsessed with binary opposition. And it still defined a whole year for a whole bunch of people!

And obviously you might say that it's unfair to compare little ol' SSO to these games. And it is. If we're comparing them as games on a technical equal ground. But we're not. I'm exemplifying that games that are more feminine/played by a lot of women don't have to suck.

So by, conciously or subconciously, implying that SSO Can't be as good as other games or Shouldn't Be Expected To Be simply because women's games just Are worse, you're dismissing the fact that feminine games Do succeed, especially recently. Not only on the market, but as entertainment. And no matter what game you make, no matter what damn resources you have, you better make sure that your audience can fucking play it with the specs you yourself recommend. Because letting a company get away with settling for mediocrity further normalises girls' games not needing to be as good because they're already so shit that someone even trying is good enough. Which in 2023, is Not good enough. Even young girls deserve not to shill out tens of thousands, which they Do Not Have, for super PCs just because SSE forgot to optimise their open world game.

Lastly, all I'm saying is that if we're going to say "Yes, SSO is good." Don't follow it up with "Compared to women's games from 2005 that are so dead nobody remembers them anymore." Because SSO is a game that exists in 2023, and at some point we have to acknowledge that. And if this game wants to survive another decade, I think the first people who need to move away from 2011, is its audience.

Women’s games don’t have to suck. And implying that they do says more about you than it does about the game. Especially if your idea of “good standard” for women’s games. are almost 20 years old. At some point, we All have to move into the present times. Even if your game of choice is a little behind.

[rottengurlz]

she’s like if the virgin mary smoked a pack of pall malls every day 🚬

[rebouks]

Previous // Next

Byrd: Why’re you scared of water? Levi: I’m not. Byrd: There must be a reason. Levi: Why is anyone scared of anything? Like why are you scared of the dark, or why is Wren scared of blood n’ stuff? Wren: ‘Cause it’s gross and no one’s supposed to bleed, swimming is fun. Byrd: I guess you could drown if you couldn’t swim or whatever. Levi: I think it started when I was a kid n’ almost drowned in the bath. Byrd: How? Levi: I don’t know, my mom was probably being shit-.. I barely remember. Byrd: Enough to be scared though. Levi: Apparently. [Byrd floated aimlessly on his back for a moment, thoughtfully peering at the clouds] Byrd: Dad says you’re supposed to do stuff you’re scared of or it gets worse, like he’s always turning the lights out on me or shoving our cuts n’ bruises in Wren’s face-.. in a nice way though, y’know? Levi: Is it working? Wren: Kinda. Byrd: Why don’t you just stick a foot in? Levi: No thanks. Byrd: C’mon, no one’s gonna shove you. Levi: Nope. Byrd: Pfft. Oscar: Christ, Byrd.. what the hell are you doing in there?! That cast is gonna stink. Byrd: Oh-.. oops. Oscar: Get out and put it in the sun! Oscar: Now. Byrd: I’m cominG-.. it’s getting chopped off soon anyway, right? Oscar: Yeah, and the poor doctor’s gonna pass out from your stank.

[sun-e-chips]

Ended my day with some magma on the @daycarefriendpickup discord!

Doodle of Sun from my waterpark au

[cquackity]

ghost of, diana khoi nguyen / neighborhood #2 (laika), arcade fire / beck idalus / antigone, sophocles / nintendo 64, alex g / big jacket, car seat headrest / mothercoyote / ghost of, diana khoi nguyen

[p1x1x]

[torgawl]

instead of just cross eyes and star eyes distinguishing dynasties in khaenri'ah, why do some khaenri'ahns cover one eye specifically? there’s many things that seem interconnected regarding the lore:

crimson moon turning around to look like an eye; irmin the one-eyed king; the unknown god’s cubes containing eyes in their design (same ones present in the cataclysm as well as the crimson moon), her glitching looking like arlecchino’s, and the four pointed star pattern that appeared when she showed up to the twins; forbidden knowledge and nibelung’s influence; fischl's auge der verurteilung aka eye of condemnation (crimson eye) and her skin's description "o holiest of sovereigns, high princess of immernachtreich (kingdom of evernight)!".

kaeya's note about the alberich saying "i saved this one memento from the fire 'father' made while he wasn’t paying attention. this was in violation of our principles. our clan's affairs should never be recorded" and "though we could not restore khaenri'ah to life, we of the alberich clan should lead lives as those who blaze like fire, rather than those who wallow in the embers [small piece of burning or glowing coal or wood in a dying fire]", father being in quotation marks and references to fire and ashes; the orphanage in khaenri'ah that wanted to house children from destroyed worlds and non-threats that leaked into the kingdom, in hopes of finding beings from beyond the sky who could transcend the gods; perinheri's first memory being transversing something like a chimney, filled with ash and being asked if he wasn't dead just for him to see the eye (crimson moon) and being told he was reborn; dust and the blood of of dragons (or dragon-like beings like durin and elynas) being connected to rhinedottir and the art of khemia; fire as rebirth and life but also, the balemoon blood specifically being connected to loss of memories and loss of memory being equivalent to death (not physical);  despite the orphanage never being able to find that transcendal person, it had many unusual individuals who became knights of the kingdom.

irmin as the first divine halberd (that once pierced the axis mundi [cosmic/world axis, world pillar, center of the world, world tree, etc.] and connected the nine worlds), the prinzessin der verurteilungas (fischl) as the last one; fischl and kaeya comparing themselves to one another and their parallels to irmin and odin; der ring des nibelungen, in which the dwarf (or nibelung) alberich creates a ring capable of controlling the world, using gold he stole from the rhinemaidens (or rheintöchter "rhine-daughters"). the conflict that arises over the ownership of this ring eventually leads to the destruction of the gods and their home, valhalla.

irminsul (irmin + sul) meaning great pillar and being a reference to the yggdrasil, the tree that supports the universe; the description of the item silver twig – collected in the center of the world - talking about a sage that hanged himself upside down in the irminsul tree to gain knowledge of the runes and the cosmos, then going into a secret kingdom down its roots [also a reference to hanged man in tarot that symbolizes wisdom, divination, sacrifice, prophecy, etc.]; odin who hung himself upside down from the sacred world tree, yggdrasil, for nine days and nights sacrificing his eye and throwing himself on his spear (gungir) as a ritual sacrifice in order to obtain secret wisdom; memories, fire and crimson moon hand in hand with the irminsul, king irmin and the concept of fate; the fake sky, the stars and being able to see fate but also fate being a means of the heavenly principles to control the world (neuvillette calling it puppet strings); khaenri'ah, a supposed godless nation but the crimson moon dynasty revering the moon (and hilichurls worshiping istaroth); the crimson moon having an eye on humanity and always being present associated with punishment and destruction (fall of gurabad, remuria and the catclysm).

crimson moon's semblance (arlecchino’s weapon) implying the crimson moon sought vengeance (“few survived the utter destruction of their kind, hiding in the shadows where the sun did not shine, longing for the crimson moon to decree their desire for vengeance be repaid”); the design of the weapon and arlecchino’s boss attacks resembling the double helix present in deathly statuette material dropped by abyss heralds, abyss lectors and shadowy husks, which has a single red eye. it apparently whispers "see, my child. all that lies under the throne of heaven shall be destroyed by upheaval. the eternal peace of the pitch-dark void shall embrace us all.” as you gaze at it.

the abyss order being founded by chlothar alberich and pierro being the first harbinger; the "sinner" – the crystal in chains from the chasm, protected by an abyss herald - not being a god but still worshipped by the abyss order. the voice stating to chlothar and the traveler’s twin that he "[knows their] fate well" and urged them to become a "transcendent one" saying he would "shed a tear at the end of time... as i gaze back upon your life". he also imbued chlothar with the power of the abyss, which alleviated his worsening conditions. the “sinner” refered to chlothar as “dear creature”; dainsleif, pierro and kaeya being examples of khaenriahns who hide their right eye; dainsleif being called “bough keeper”, bough is a branch of a tree, but also his constellation being a snake ring like ouroboros – representing the eternal renewal cycle of life, death and rebirth; the loom of fate being an operation of the abyss order first encountered during "a herald without adherents" quest.

“the threads of your fate lie in my hands” a quote by fischl connecting to the weaves of fate; fischl stating that if she does not obtain the divine halberd “...this world and everything in it is going to burn in hellfire” (legend of the shattered halberd vol. ii). some other excerpts of the book also include: “but unbeknownst to him, this was the greatest cursed sword of all, that had once burned the entire world to cinders: laevatain [in norse mythology, a weapon crafted by loki and the only capable of defeating the cockerel viðofnir, inhabiting the top of yggdrasil], the sword had extinguished after the world was burned, but... it burned bright once more. ‘the whole world... destroyed again...’ weiyang [fischl] fell unconscious as she spoke” (vol. iv), and, "the world is beyond repair. it shall be born anew from the ashes of the last” (vol. vi); dainsleif saying “none will escape the flames. see for yourself” but also neuvillette’s character story including “the puppet strings glossed as "divine rules" would one day be burned away by the fires of judgment” when talking about constellations; burning away the old world, project stuzha by the fatui and the image of dottore burning the irminsul; nahida saying fontaine's prophecy was engraved in the irminsul, implying the tree also contains the history of the future; sibylla, a prophetess who guarded the irminsul in an ancient city located in what later became the high seas (referred to as abyssal depths). she sacrificed her life for the sake of creating phobos, remus' grand symphony, but her lack of a will ultimately caused the project to fail, as her vague desire to "grant happiness to all in the world who are called humans" caused phobos to attempt to satisfy everyone's desires — including destructive and selfish ones — and set remuria towards the course of its self-destruction (possibly tying concepts of will and fate together); thinking of dottore's plan, it would make sense to burn the tree that holds memories with a fire able to erase them (arlecchino's balemoon powers) so that the world can be born anew breaking away from the shackles of fate.

there’s also the improvisation kaeya does during the play in his hangouts. "do you believe in fate? if fate decreed your life was to end in tragedy, what would you do?". he then throws a prop and we interact, choosing if we would face our fate bravely or challenge it and rise above it. kaeya then goes on saying "then so must it be! yes, so must it be! i shall discard this intaglio and rid myself of the shackles of fate", "fate means to send the machinations of war to every corner of the land to fan the flames of conflict till they ungulf the entire world… fate would see my sword tainted with the blood of innocents, that the bright banner of my homeland might fly in every nation known to mankind. but i shall not bow to the will of fate i am no pawn in heaven’s plan. i, qubad, will spend the rest of my days in a foreign land, 'till i breathe my last in a place far from home" and finishes the play with "but i must walk this path, or freedom dies by my hand. goodbye, my tribe and kin. farewell, sweet land of my birth". the prop we get from kaeya, the intaglio, symbolizes the noble origins of prince qubad in the play and the blood-red jewel (blood, red... funny, uh?) is said to be a crystallization of the question kaeya asked us about destiny. furthermore, an intaglio can be a type of engraved gem or metal signet ring.

[beneathsakurashade]

my brother is so annoying its making me want to commit acts of violence alas i will just channel my thoughts into a new oc

[ahappydnp]

phil is so mysterious like he could admit he sleeps upside down hanging from the ceiling bat style and i'd be like yeah sure checks out

[arolesbianism]

I may be failing my plan to not make any isat aus. So there's this guy her name is Euphrasie right. What if I took her and combined what could be 3 separate au concepts into one. And in the process forced myself to go back and reread a bunch of shit to make sure I know how to maximally fuck over this sad wet puppy of a woman

[wheelercore]

using pastel pink + white + florals to symbolize your cold emotionally abusive mother's control over you. starring phoebe cates.

[derpinette]

as soon as i want to relax i start thinking about how vulnerable my vitals are

[fourswords]

in my free time i'm typing out a little post-adventure of link story from loz 1 zelda's perspective on link bringing this OTHER princess zelda who was apparently asleep for centuries (and thank you SO much for the WARNING that he was going to be DOING this, IMPA [<-entirely sarcastic]) back to the castle and the acclimatization of everyone to the whole situation and it's genuinely so fun. loz 1 zelda's standing there like alright how do i gently break it to my relative from the distant peaceful past that she has to learn how to fight in this time period or she's going to get ripped to shreds by monsters. and then she says exactly that and when aol zelda predictably looks mildly freaked out about the subject and is just standing there internally screaming like yep! okay! sure! death and destruction is rampant in this world and it kind of makes me wish i'd never woken up at all! when do fighting lessons start! loz 1 zelda is just standing there like. hm. was that not gentle enough. i feel like that wasn't gentle enough.

[whiteapplesandblackblood]

thought id be destroyed by satosugu this week. instead I was decimated by togachako. im in so much pain.

[transandersrights]

Normal brain: most of the Blight in Fiona was unnatural and it all going away was an accident that cannot be replicated

The part of my brain that wants Fiona to be the protagonist of everything: Duncan used the knife he stole to cut the corruption from Fiona's body and she healed healthy

[neverendingford]

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