#Drama: High School Return of a Gangster

[save-the-data]

High School Return of a Gangster | S01E01

Korean Drama - 2024, 8 episodes

~~ Adapted from the web novel "I, a Gangster, Became a High Schooler" (조폭인 내가 고등학생이 되었습니다) by Ho Rol (호롤)

Episodes| Viki | YouTube | Netflix | WeTV | Tencent | Prime | Catalogue

Native Title:  #조폭인 내가 고등학생이 되었습니다

A: "I, a Gangster, Became a High Schooler" (조폭인 내가 고등학생이 되었습니다) by Ho Rol (호롤)

Genres: #Youth 

Tags:  #Reincarnation #Student Male Lead #Bromance #Censored Adaptation of Same-sex Original Work #Adapted from a Novel 

Cast:   #Yoon Chan Young #Bong Jae Hyun #Joo Yoon Chan

[yikes-all-over]

Will High school return of a gangster heal my trauma from the Weak Hero Class 1 ending?

Probably not but I'm already invested

[whumperer-86]

Fainted

Highschool return of Gangster ep4

[randomblog-things]

i feel like i’m interrupting something idk

[ineffable-opinions]

BL “Censorship” & Commercialization

Content: 1. ubiquitous censorship - special focus on Japanese BL 2. commercial viability of live action BL & generalizations 3. solutions - special focus on state support of Thai BL 4. [update state-supported production of Love in the Big City series]

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Censorship is a sensitive topic. I have tried my best. Please feel free to comment and critique.

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History of Korean BL is one of censorship and commercialization and Korean fu-people has struggled against both. There have been different victors at different points in time. Aljosa Puzar’s "BL"(Boy Love), "GL"(Girl Love) and Female Communities of Practice and Affect in South Korea chronicles that struggle. (Highly recommended.)

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I have tried to problematize BL commercialization before. But that was in the context of fu-culture and the commodity fetishism associated with the consumption of BL, particularly in live action form which is probably its most capitalist rendition for many many reasons.

Here I would like to look at it from another angle: censorship. This is a continuation of my earlier post (Why so many shonen ai live-action?) motivated by the live action adaptation of ‘조폭인 내가 고등학생이 되었습니다’ (I, A Gangster, Became a High School Student) by 호롤 (Ho Rol).

The live action has jumped genres switching from BL to 판타스틱 휴먼 드라마 (lit. fantasy human drama). This switch got it tagged as ‘Censored Adaptation of Same-sex Original Work’ on My Drama List. I personally don’t like that tag. Almost all BL adaptation is a censored adaptation, with notable exceptions like Sei no Gekiyaku. But no one uses that tag for, say, 25 Ji, Akasaka de (2024) which censored all sexual content, especially from the volume 1 of the manga which was critical to the story and the couple’s development in the original manga series’ and its multiple adaptations’ popularity. Sukiyanen Kedo Do Yaro ka (2024) went as far as removing the more sexual second couple from the live action adaptation all together, yet it does not get a "censored" tag.

An interesting question that the controversy surrounding High School Return of a Gangster (2024) has sparked is that of BL media’s commercial viability, especially in live action form. Here’s what producers told the Korean newspaper, Hankook Ilbo, about the genre-jumping:

"BL 장르는 제작비 투자나 리쿱(제작비 회수)에 한계가 있는 게 사실이다. 그러다 보니 처음부터 이 작품은 브로맨스로 해보고 싶었다"

“The BL genre is limited in terms of investment in production costs and recoup (recovery of production costs). So, from the beginning, we planned it as a bromance (beulomaenseu).”

The author of this article cites examples of works that enjoyed success on OTT platforms, namely Watcha’s Semantic Error and TVing's Unintentional Love Story (2023). However, the article also highlights the fact that BL continues to be a niche genre and live action adaptations don’t guarantee success.

이성택 (Lee Seong Taek), the director of High School Return of a Gangster, previously directed the BL Love Class (2022). The producer 넘버쓰리픽쳐스 (Number Three Pictures Co., Ltd.) have BL works like Unintentional Love Story under its belt.

'Unintentional Love Story' Director Jang Eui-soon (장의순) | source

If the producer of one of the two most popular live action BL is admitting to it, then it is not easy to dismiss the issue of commercial viability of live action BL.

Very famous BL publishing houses (starting with JUNE) and hosting platforms with relatively lower expenses have struggled. Some of them are no more. It is also difficult for authors to survive merely on earnings from publishing houses and hosting platforms, especially when those platforms are not very rich. So, it is not difficult to imagine that live action production houses also struggle to survive.

Take GMMTV for example. They are probably one of the most successful BL producers. According to their managing director, BL content (series) is not a profitable business in itself. They rely on khujin (branded pairs) of actors to bring in advertisement revenue, merchandize sales, and pull crowds to concerts and fan-meets. It is not enough for actors to just act. They are expected to sing, dance and perform. Meanwhile, GMMTV is forced to keep working with these actor pairs and stick to templates that suit them. While it works for now, it remains to be seen how long the business model can last.

Now there is also investment from Mainland China that has migrated to other BL producers following dangai ban. But those who invest already burned themselves pretty bad with all the money they poured in during the short-lived but explosive dangai boom. It is sunk cost at this point. Another crack down could be the death knell for Chinese investments in BL. 

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More generally, it is likely that commercial viability of a live action BL project hinges on the following:

#1 Target demographic

Like all other BL content, live action too is primarily targeted at fu-people (BL audience) – both queer and non-queer. The target demography is further sub-divided based on the type of BL and purchasing power.

Sweeter ones are supposed to appeal to all ages and that’s the area Thailand and GMMTV in particular are focused on. Most of Japanese BL series are sweet. Korea too produces sweet BL. However, they are unlikely to bring in explosive success the way odo BL (those following royal road narrative progression – wherein characters face significant challenges, interpersonal or otherwise, to reach happy ending).

Older and, perhaps more hard-core fans, are likely to support jado works (BL that follow the evil path where neither happy ending nor resolution to challenges are guaranteed) with surprising frequency. This might be partly due to the erotic content in jado works.

Purchasing power of BL fans vary widely. There are those who are

“sending gifts to their actors in Thailand, sending food trucks to their shooting locations, putting up billboard advertisements and doing charity events [as well as] ordering merchandise in bulk.”

They also travel to BL producing nations [on fan pilgrimages] and attend fan meetings, concerts and other events regularly.

(Source: The Print)

The other group of BL fans who are probably younger and/or can’t afford to show support in the above-mentioned ways. BL commercially benefits from being appealing to those with higher purchasing power.

#2 Popularity of original work in case of adaptation  

Popular BL novels, manhwa, etc. bring in a set of fans who are interested in the live action. Longer and more-acclaimed works are likely to ensure success of the live action given decent making and reasonable changes during adaptation. Semantic Error is a case in point. However, missteps during adaptation can have the opposite effect.

#3 Cost of production

It is difficult to get investment in the first place, especially with how niche the genre is. Moreover, higher cost of production sets the bar for success higher too.

On the other hand, high production quality and better cast and crew (likely more expensive too) makes the viewing more pleasurable and increases the likelihood of success.

There are other factors which influence the success of BL producers. The most popular BL live action from China, Addicted, was produced by the author, Chai JiDan, with a tiny budget. Its dangai family drama remake, Stay with Me, also has an interesting producer.

Source | Mame with her Japanese fans

Orawan Vichayawannakul’s MeMindY is another BL author led production company that has enjoyed considerable success.

OP Pictures’ entry into BL genre has also been successful.

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Solutions

#1 Let’s start with the worst

BL as money laundering vehicle. It is probably the most obvious, sort of win-win until it isn’t. Sustainability depends how much skin the ruling class have in the game.

#2 State sponsorship

(or better yet, tax payer supported BL production)

State sponsorship is what Thailand has perfected.

source | 2023 seminar on "Beyond Borders: Exploring the Global Appeal and Diversity of Thailand's Boys' Love Contents" by 9 companies from Thailand organized by Department of International Trade Promotion under Thailand’s Ministry of Trade.

The eleven speakers, including an official from the Office of Commercial Affairs, Royal Thai Embassy in Japan, vigorously pitched partnerships with Japanese content companies [at the above-mentioned seminar.]

Also, several of the companies pitching at the seminar, such as Star Hunter Entertainment […] were plumping for BL not as a niche product but rather a core element of their corporate strategy.

Halo Productions representative Tewarat Supunnium [trumpeted] the vertical integration of his company, from talent representation to contents distribution.

source

Thai BL has been big hits in China, South Korea, Japan, India, Indonesia, the Philippines, and beyond, which has motivated Thailand’s government to ‘deploy Boys Love as its latest soft power weapon to promote the country on the global stage’. In an article published in The Nation, BL director, Bundit Sintanaparadee, explains how that affects production.

He pointed out that the international popularity of Thai shows can boost tourism and generate interest in the featured locations – a vital aspect of soft power. The government can facilitate this process by providing support and streamlining the bureaucratic obstacles to filming in attractive locations like Bangkok’s Chinatown district of Yaowarat.

Filming in iconic places such as Yaowarat can be costly and complicated due to the need to coordinate with multiple government agencies and pay location fees. Bundit said the government could simplify the process to benefit not just filmmakers but also tourist revenue in the locations.

Bundit also cautioned against a top-down approach to soft power, where the government dictates what represents Thailand on the world stage. He emphasises the need for industry professionals to have their say.

source

In a 2022 article, Bangkok Post explores the impact of BL on Thailand’s economy ‘as export products that can draw lucrative revenue streams and foster business opportunities in other areas, including tourism.’

[According to government estimates from 2021,] Thailand's Y content market was worth more than 1 billion baht... In June that year, the Department of International Trade Promotion held an online Y content business matching event to boost the industry, with the participation of 10 Thai content creators. More than 360 million baht was generated from the purchase of the Thai content, with the top three buyers coming from Japan, Taiwan and Vietnam.

Noppharnach Chaiyahwimhon, GMMTV's senior director of content production, said [that the] business ecosystem linked to Y Series in Thailand shows a growth of 30-40% per year. [He also said that] Y Series can also be a boon for other businesses, such as films, artist management and merchandise. [He mentioned] Y Series from Thailand [getting] translated into several languages [and one of their Y Series having received theatrical adaptation in South Korea.]

[According to] Kanokporn Prachayaset, chief commercial officer and country manager of WeTV Thailand, … Y Series from Thailand is one of the most popular content genres on its platform. [Half of all the BL content on the platform was Thai.] WeTV [was] sourcing Y Series from Asia as well as having its own WeTV original shows by working with various local production houses, such as GMMTV, TV Thunder, Dee Hup House, M Choice Studio and All This Entertainment. [She also highlighted the contribution of the fan base, which is] active in organising activities and campaigns for their idols.

Seksan Sripraiwan, director of the Tourism Authority of Thailand's (TAT) Tokyo office, said the TAT and the Royal Thai Embassy have actively promoted the country by using Thai entertainment [and that] Thai BL content is considered one of the most popular recent cultural exports to Japan. Japan's market for Thai BL is around 1 million viewers, of which 20,000-30,000 are heavily active on social media sites for renowned BL actors, led by Bright-Win and Krist-Singto. He said Japanese tour operators already offered tailor-made tour packages which contain elements related to BL TV series, such as shooting locations like universities, cafes, Wat Arun or the Amphawa floating market.

Kanokkittika Kritwutikon, director of the TAT Chengdu office, said Thai BL TV shows have gained popularity in China, such as the coming-of-age series "I Told Sunset About You", which helped drive tourists to Phuket, the main location of the story.

"Most Chinese BL fans are millennial females who can offer long-term support for their favourite actors," Mrs Kanokkittika said. [Recognizing the 3 million strong queer population of Chongqing,] she said the LGBT segment could be categorised as luxury travellers as they are high-income earners, live in key cities, and want to spend more for travel experiences.

source

Earlier this year Ministry of Commerce have partnered with Be On Cloud and Idol Factory to promote ‘Thai products, services, tourism, and culture by incorporating them seamlessly into’ their new series “Shine” and “Pin Phak” aka “The Loyal Pin” respectively.

“This will help create around 2 billion in value for Thailand’s economy,” said Commerce Minister Phumtham.

Deputy Prime Minister and Commerce Minister Phumtham Wechayachai and two actresses, Becky and Freen, witness the signing ceremony between the Ministry of Commerce and Idol Factory Co., Ltd. on February 28, 2024....

According to the Department of International Trade Promotion, the Thai movie and series sector and related industries will generate 8,000 million baht in exports by 2023. In 2024, it will likely reach 10,000 million baht, particularly in the Y-movie and Y-series, which are expected to expand in value from 1,000 million baht to 2,000 million baht as a result of the Ministry of Commerce’s proactive cooperation with the private sector.

source

The Thai government’s efforts are paying off.

Oramon Sapthaweetham, director-general of the Department of Business Development, revealed that the Boys’ Love series had helped revitalise the film production industry, generating substantial profits and extending economic benefits to allied sectors, such as advertising, leveraging actors as influencers, event organisation, and tourism. 

"Over the past 10 years, Thailand has produced over 177 Boys’ Love [series], continuously gaining popularity and expanding its customer base, eventually leading to exports to international markets," Oramon added.

The film production industry in Thailand is witnessing substantial growth. In the first four months of 2024, 56 new businesses were registered, marking a 12% increase from 2023. The total registered capital also saw a significant rise of 146.44% to 195.18 million baht. In 2023, the industry grew by 20% with 137 businesses and a capital of 258 million baht. The total revenue in 2022 was 12.895 billion baht, indicating a continuous growth trend.

source

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#3 Diversification

Ok, so this is based on my limited knowledge and imagination. Feel free to skip.

There are two production companies that I have ever been interested in - Bhavana Studios and Mammootty Kampany. Both of them have produced experimental Malayalam movies while managing to remain commercially successful. While is partially attributable to these companies being brands, I think their overall strategy of diversification have worked in their favour.

Mammootty Kampany could produce art-house movie Nanpakal Nerathu Mayakkam for award circuits and with no expectation of commercial performance by banking on their other production Kannur Squad which was action entertainer sure to bring in the big bucks. Their queer family drama Kaathal – The Core and neo-noir psychological thriller Rorschach did exceptionally well in the box office as well as garnered critical acclaim. Bhavana Studios has similar track record of their commercially successful projects kind of cross subsidizing their experimental and unique projects and lifting the heat off in case of flops.

Having production companies which are aspirational in their approach to BL while having the economics sorted out help where government support is not forth coming.

Censorship as No-thing

When sometime is truly censored, we wouldn’t know. Unless we ask. Here’s what Jooyin Saejang learned from asking.

Conclusion

I have a strong preference for live action adaptations that are willing to go the last mile in terms of sexual content, social critiques and addressing real-life issues. That’s the reason why the header image for this BL side blog is from Moothon (2019).

But realistically this isn’t always possible. And I prefer having more production companies offering variety. I don’t want them to sink under the weight of BL that didn’t do well commercially and me being left at the mercy of media conglomerates with seemingly bottomless funds and monopsony over BL authors, original works and the culture that creates them.

Also, there is queer content from Korean that is neither mainstream nor from fu-culture. Support those. Unfortunately, Cheers by Cheers 짠!하면 알 수 있어 has been removed from their YouTube channel which is now called Cheer Up. While the series is gone, there are interviews with English subtitles.

Love in the Big City

Love in the Big City, the series and the movie are based on Park Sang-young's novel of the same name that was published in 2019. In Korea, it sold over 100,000 copies. Ever since, it has been translated into 15 languages, including English. The English translation by Anton Hur was published in 2021. The book has been longlisted for the International Booker Prize in 2022 and the Dublin Literary Award in 2023.

The movie secured an investor early on. The film was produced by Showbox and Tale Farming (고래와유기농). Michigan Venture Capital, a key investor, was responsible for 2 billion won out of the net production cost of about 6 billion won. Plus M Entertainment, a subsidiary of the JoongAng Group took care of its distribution. (source)

State-sponsorship for Korean BL !

The series, on the other hand, faced difficulty attracting investment as well as had trouble finding OTT platforms willing to air the show. It was co-produced by MerryChristmas, a subsidiary of WYSIWYG Studio' a KOSDAQ-listed company, along with Big Stone Studio. Mbrella Films provided production services in Thailand. They have received the state-support through Korea Creative Content Agency under Ministry of Culture, Sports and Tourism amounting to 3 billion won as production costs support aimed at strengthening the global competitiveness of K-content through OTT.

Finally, TVING, a platform that has aired multiple BL projects previously (such as Unintentional Love Story, Jazz for Two, To My Star 2, The Eighth Sense and High School Return of a Gangster), aired the series in South Korea and the streaming platform Rakuten Viki promoted it as a BL.

[iamcatmansblog]

I love how hard the makers of High School return of a gangsta went above and beyond to establish how much Sekyung and Yieon love each other like please, I can't count all the instances of them full on lovey Dovey on both of my hands, the secret glances, the jealous side eyes, the acts of services, THE SMILES?????? but saying the g word omoooooooooooooooooo thats where we draw the line which in all honesty is fair because if they had said it then we would have not gotten the gorgeous gorgeous (YUM AS FUCK) cast we got but please this is funny to me

Especially that bgm which is so goddamn literally dripped in og classic kdrama romance but it says "you are my friend" and the fact Jae min (the villain) literally becomes their adopted child

Ummmm

Sir???? Please

You two have a better chemistry than hetero couples have a kind of love I can only imagine in my dreams to have with a guy

Shut up

[dropthedemiurge]

I just consumed two new episodes for High School Return of a gangster and I already need more :'))

Not all the characters around YeiHeon being too smart to believe this is the same person as before (looking at you, Not Me) but also fooling themselves into thinking he's either got personality disorder or it's the son and not the man himself xD And everyone still fals under his charisma hehe

And when Saegyeon used the similar voice, style of standing up to himself, those sayings and subtly threatening taking-no-bullshit dismisses... And looked at Yieheon like "did i do well?^^" gdhskabsjslam

And Dongsoo is my favourite gangster with a heart of a gold awww give him his beloved boss back

Like, I know it is a censored BL but it gives me so much serotonine. And so much fic potential xD People should not sleep on it (unless they want to boycott it but most won't be watching on official sites anyway and the drama is really fun so who cares)

(i wish there were more gif creators who giffed this show tho so i could share and convince everyone to watch :'))

[dilebe06]

My Favorite Male Characters

[noonecaresaboutmyreview]

The Return of High School Gangster - Kdrama Review

Hi everyone! I just finished this very short 8 episodes web drama called The Return of High School Gangster and wanted to share my thoughts.

Before I start, I want to say that I know that this is based on a BL manhwa but as we know about mainstream media in South Korea - the director had to remove the BL elements (not really tho).

I understand that people might want to boycott the drama for removing the BL plotline but I genuinely think that you should give it a chance. The drama doesn't suggest romance but two episodes in, I could tell that it was from a BL plotline. so....

Anyways, this is about Deuk Pal, a Gangster (second in ranking) who died while saving Song Yi Heon, a High School Student who was bullied in school. Song Yi Heon was bullied in school to the point he wanted to off himself. Deuk Pal's body sadly died and somehow his spirit entered the body of Song Yi Heon.

This drama is where it's at if you're in a drama slump. It's short, funny, filled with actions (duh, gangsters) and heartwarming scenes.

Deuk Pal as a character is a caring yet a fierce gangster. I love that the moment he entered Song Yi Heon's body, he immediately vowed to protect Song Yi Heon upon realising the abuse he had endured. Throughout the 8 episodes, his focus was to set things right for Song Yi Heon. Though we know that he is sad that his life ended, he still focused on studying hard, ending the school violence and even protecting his mum so that when Song Yi Heon comes back to his body, he gets a second chance at an easier life. Truly such a selfless character and it is understandable why his loyal underlining boys were so upset when he died.

And in Song Yi Heon's body, he build relationship with his classmates, ensured that his bullies stayed in school and graduate and protected his mum from getting hurt by his dad. He was an adult, in a 19 year old boy's body.

We also meet Choi Se Kyung, a boy that had history with Song Yi Heon (in the manhwa, he was the love interest). Choi Se Kyung is a broken boy with daddy issues yet so caring toward his friends. The chemistry between the two main characters are off the chart. Like I said, 2 episodes in, I had to check if this was BL. His eyes are always looking at Song Yi Heon (Deuk Pal) with care and concern. But he is still sassy and feisty towards those he doesn't like.

Can we please take a minute to appreciate the beauty that is Bong Jae Hyun (Golden Child). I first saw him in Twinkling Watermelon (another recommended drama!). He played the mute brother of the main character. But here, hearing his low soft voice makes me wonder why they muted him in that drama haha! He is such a good actor that I am excited to see how he will grow in the future with different roles.

But my main MVP for this drama is Yoon Chan Young. He was able to embody an ajusshi (he is only 23!) to the point that I could see Lee Seo Jin (the actor that played Deuk Pal) in him. And his voice doesn't sound awkward saying these really deep and mature sayings.

Ok I am rambling. But the most important part that I want to talk about is the ending. SPOILER. Song Yi Heon ended up not wanting to go back to his body and instead gave Deuk Pal a chance to live as him. I thought about it and I think I can get behind that ending.

(This is solely based on drama plotline and not the manhwa.)

Shin Se Kyung and even the repented bully Hong Jae Min really needed a proper adult guidance. With Deuk Pal remaining in Song Yi Heon's body, they will be able to remain friends (same age, not ahjusshi and young adult). He will be able to protect and guide them. And Deuk Pal will be able to live a different life this time. A second chance at life.

And I understand, why can't real Song Yi Heon get a second chance in life? The boy had a hard life, he is depressed enough to off himself. Deuk Pal may have bettered his high school life but Song Yi Heon is still Song Yi Heon. He might not be able to be better in college. Whatever Deuk Pal build is never Song Yi Heon's because they are not the same person.

Being depressed doesn't go away even if your life is all better now. He is afraid of his tomorrow than death, hence he chose death and I respect that. Like he said "He is happy to see at least see a smile on his face."

Overall, I think both Deuk Pal and Song Yi Heon have their own happy ending. And that is what's important.

Rating: 4.75/5

-- Fary

[bl-bam-beyond]

HIGH SCHOOL RETURN OF A GANGSTER (2024, SOUTH KOREA)

Episode 6

Song Lee Heon (YOON CHAN YOUNG) and his new bestie Choi Si Kyung (BONG JAE HYUN) are together on a trip to take Si Kyung away from his overbearing father.

The two teen boys have developed a rapport, though Si Kyung is the only one to take full notice of the changes in Lee Heon. Well everyone has noticed but Si Kyung believes Lee Heon is a doppelganger though the two were never friends before now they can't stay away from one another.

Lee Heon wanted so much to be "close friends" with Si Kyung and they are close. They are friends. But one thing remains. The real Lee Heon has left the building. Lee Heon may look like a teenager but his soul is that of 47 year old gangster Kim Deuk Pal.

[dangermousie]

I am LOVING High School Return of a Gangster which is basically this meme:

Made into an entire drama!

[save-the-data]

High School Return of a Gangster | S01E08

Korean Drama - 2024, 8 episodes

Episodes | Viki | YouTube | Netflix | WeTV | Tencent | Prime | Catalogue

Native Title:  #조폭인 내가 고등학생이 되었습니다

Genres: #Youth 

Tags:  #Reincarnation #Student Male Lead #Bromance #Censored Adaptation of Same-sex Original Work #Adapted from a Novel 

Cast:   #Yoon Chan Young #Bong Jae Hyun #Joo Yoon Chan

[mysblog]

I wish I could lose all my memories to watch these Movies/Dramas again for the first time.

1. Bloodhounds

2. Weak hero class 1

3. Blind

4. Nobody knows (2004 Japanese movie)

5. Young Adult matter (Movie)

6. Better days (Movie)

7. Extracurricular

8. Christmas Carol (Movie)

9. The Glory

10. Itaewon Class

11. Parasite (Movie)

12. Stranger from Hell

Dramas/Movies not to lose my memory for but definitely a good choice:

1. V.I.P. (Movie)

2. The Call (Movie)

3. Tunnel (Movie)

4. Seobok (Movie)

5. Train to Busan (Movie)

6. Midnight runners (Movie)

7. Move to Heaven

8. Hierarchy

9. High school return of Gangster

10. Save me

11. Sweet Home

12. Unlocked (Movie)

Not a must-watch but I watched it anyway and lowkey enjoyed it:

1. Connect

2. Duel

3. Gannibal (Japanese drama)

4. Secrets in the Hot Spring (Chinese Movie; horror and comedy: just extremely silly but kinda amusing)

5. Shadow Beauty

6. Mask Girl

7. Night has come

Movies/Dramas that will waste your time but spare you from boredom:

1. Liverleaf (jap. Movie)

Watchlist:

○ Celebrity

○ Death's Game

○ A Killer Paradox (will be released 9th February)

○ Sinkhole

○ All of us are Dead

○ Class of lies

○ Swing Kids

○ Ròm

○ In cold Blood

○ 19th floor

○ Not a murder Story

○ little Woman

I'm gonna post this List now but keep updating it.

If there are any recommendations: text me, I need to avoid Uni as much as possible before my procrastination fails me.

[whumperer-86]

Highschool return of gangster ep6

[randomblog-things]

never thought that biting would be..yk😚😚😚😊😊☺️

[ineffable-opinions]

Top 20 BL Live-action of 2024

Here are the top 20 of 2024: live-action BL that I watched and enjoyed this year. I haven't watched everything that came out this year (I'm saving up some for the upcoming year) and did revisit a lot of older stuff (not listed) when there was nothing enjoyable to watch. This year, I realized that I am able to tolerate, if not enjoy, when I'm not too familiar with the content it is adapted from with some exceptions. I don't treat BL like fables or life lessons. I don't bother with moral validation from the choice of media I consume either. But there are certain real-world killjoys in media that may affect my enjoyment, like what happened with The Sign. Please feel free to ask for content warning.

20. Love Is a Poison - This series made my wish to see Hama Shogo in a BL come true. I loved his character in Koisenu Futari (2022) and wanted more of his character’s interaction with Takahashi Issei’s character. Also, the series leaned into the surreal with the squealing, sparkling succulents. While the legal drama part of the series was light, it was the first time I was invested in the character’s careers since Beloved Enemy (2017) [which is going to have a Thai remake/adaptation]. I absolutely enjoyed the dynamics of a neo-super-darling seme paired with a devoted, kuudere uke. But, I wish there were fewer flashback/compilation scenes.

19. Unknown - I never thought Priest’s Da Ge will become something like this. I am impressed by the meticulous cultivation that source material underwent. That little carp really crossed the gate to become a dragon. The Unknown managed to tone down the golden finger bits and keep things realistic to an extent, fit the whole business venture arc neatly into Taiwan’s SME-heavy capitalism. It fleshed out Le ge, and his relationship with both his underlings and his junior and made him interesting. It gave me one of my favorite mob characters in a BL – an ex-gangster with his blacked-out tattoos running a street food stall. In line with Taiwanese tradition, this series not only employed high BL literacy but also dedicated time to educate. (more on it here)

18. Cosmetic Playlover - I was hesitant to watch this show since I had enjoyed the first few volumes of manga and lost interest in later volumes. I knew they were going to censor the hell out of the first volume. While I am still bitter about that fact, I still enjoyed the series.

17. Love is Better the Second Time Around - this had some of my favorite moments from a BL - two-faced seme employing all sorts of methods to seduce and ensnare the uke, return of the alone-at-the-railway-station trope, seme using helpless, feverish face and acting coquettish (some seriously charming gap moe), teasing a seme's seme (this one did it better than At 25:00 in Akasaka which fumbled it by choice) and kishōtenketsu - 4 part traditional East Asian narrative structure (which appeared in many series this year and the last) with family negotiation aiming at adoption reversal. (I wanted seme to recommend uke in his place to his native household - that way they can also get married, if and when it gets legalized.)

16. Living with Him – The reason why this series is on this list is pretty unique. I never understood Japanese focus and fetish of nape (the way navel is in south India) before this series. The camera managed to capture the uke's neck, especially when he had his head bent slightly, in a stunning manner. Overall, the camera language was very intimate without being bawdy, perfectly suitable for the domestic setting of this BL. I loved the series more than I did the manga.

15. Century of Love - Gave me Hindi serial style BL complete with a red cloth enveloping the main couple during their fated encounter. It is a lakorn, so that's to be expected. I felt that the pair's romance progressed at an uncharacteristically fast pace given the initial resistance. (In other words, I wanted their romance to progress slowly, like over 400 episodes.) I thoroughly enjoyed the characters including the villains.

14. Healing Thingyan – this BL from Myanmar is no longer available at SKY Production’s YouTube channel. I had a good time watching this BL set in a village in the context of New Year where friends become lovers after much hesitation and an interrupted confession from the year before. My heart was pounding when the couple poured water over the left side because that's where their hearts are at. Also, the religious restriction (I am a little weak to this trope) to physical intimacy as a tactic to skip kiss scene - I would have been irked if it wasn't for the execution - the couple standing under arching bamboo, wearing sarong and acting all sweet. It is set in 2019. Later, I came to know that allegedly (I would appreciate if someone can help me gain more clarity on this matter), SKY production could be a proxy of 7th Sense Creation, an entertainment company cofounded by Kin Thiri Thet, daughter of Senior General Min Aung Hlaing (Commander-in-Chief of Myanmar’s armed forces and Acting President against whom the Prosecutor of the International Criminal Court has filed an application for an arrest warrant, alleging his involvement in crimes against humanity targeting the Rohingya population. (source))

13. The Time of Fever - I'm not very sure if this one can be considered a complete story in itself but even if not, it is immensely satisfying. Age-blind casting shouldn't have worked so well but it did. 

12. Gray Shelter - this one made me feel as though I read a nice short story or a novel. It was viscous like honey, the way such types of Korean BL novels (like Picked Up In Winter) tend to be. It had a very masculine vibe with underlying unease of depending and being depended on. 

11. Hitochigai kara Hajimaru Koi mo Aru aka Love Can Sometimes Start with the Wrong Person [fansubs available at Drama Otaku] - substitute lover trope but this time the substitute is two-faced. Everyone has their own agenda but this love is a zero-sum game. (I wanted 3p ending though – not possible since one actor is playing both the twins). I loved all the scheming and all those little lies. This one had explicit use of BL terms like seme and uke by a main character.

10. Perfect Propose - workplace that brings workers to tears, corporate slave uke who decides to quit (without starting a job hunt 😔) and an untethered seme who grows hydroponics tomatoes in their balcony. It is adapted from a single volume manga and not a novel, yet it uses every minute it's got to make you feel ALL THAT. 

9. High School Return of a Gangster - I was sad that they meant it as a bromance and worried for the future of BL creation in South Korea since it was Number Three Pictures, the company that created popular BL Unintentional Love Story and The Time of Fever, by its own admission struggling financially with limited recovery of production costs (more on this here). When I started watching, I couldn't care any less about their intentions. It was an absolute delight. I was still immersed in the exhilaration of Aavesham (2024) and had wished to see such things in the context of a BL. And this one delivered. I was shipping the underboss with his main lackey (they have history between them and reminded me of the relationship between Ranga and Ambaan) at one point and the next moment, shipping him with his foxy classmate. The series toned down the bully-loves-bullied aspect in the novel, and humanized and contextualized the main bully with his life in the underbelly of the economy, so much so that I felt bad when the bullies were prosecuted (what will happen to Hong Jae-min's sister😟) while gangsters and the rich who hire them went scot-free in the live action. The face-slapping part left a bitter taste in my mouth with the secretary facing the brunt (and the misogyny embedded in the socio-economic fabric that breeds such hatred) while the father isn't retaliated against enough. I read and enjoyed the novel, but face-slapping was even more makjang. It is tough to get accepted in live action form as it is, in South Korea, since the gangster is middle-aged and it is only towards the end of the novel that the characters are finally out of high school, unlike in Mr. Mitsuya's Planned Feeding with a significant age gap but both are adults and are in a Japanese BL. Gong (공, Korean for seme) (a suspected psychopath, raised under constant surveillance by his father) consciously falls in love with the middle-aged su (수, Korean for uke) inhabiting the body of a high schooler, going as far as visiting his previous residence and pursuing him as one would an old person. 

8. My Damn Business - From the first episode, this one had me hooked. Week after week, I was eagerly waiting for those 8 minute long episodes. It acknowledged the manhwa side of BL and hinted at their iconic smut pages (in a way New Employee live action couldn't). It executed stalking horse trope, with Park Min-jae (R. I. P) playing the stalking horse, in a manner that had me giddy with excitement. I also appreciate GND STUDIO for casting darker-skinned actors – in this one and in Fake Buddies. GND studio also has decent BL literacy as is evident from the above-mentioned series. In the third episode, Fake Buddies used the East Asian tradition of representing gay and lesbian relationships through rose (from barazoku (薔薇族)) and lily (from yurizoku (百合族)) respectively to hint at the BL and GL couple.

7. Boku to Boku ga Sukina Kare to, Kimi to aka Me, Him, and You [fansubs available at Drama Otaku]- Honestly, I didn't expect to be this impressed by this one going in. I had such low expectations. I absolutely love the pairing between Higashi Keisuke and Hiroki Iijima, much more than Higashi Keisuke and Nakajima Sota in Ossan no Pants ga Nandatte Ii Janai ka! and Hiroki Iijima and Inukai Atsuhiro in Our Dining Table. The series played with my heartstrings a lot. I fondly remember several of the scenes and all the emotions they evoked in me. At the end, there was a longing for something, maybe some more time with those characters, especially the model and his uncle. 

6. Pit Babe (2023) - omegaverse with enigma - Japan has like 1 manga but through PitBabe I discovered that enigma has become a popular secondary gender in Thai BL space. I love buff uke and I got one paired with a two-faced, loyal loser seme in this one. Super pretty villain, Tony, had me wishing for him to be an omega (I love megalomaniac omegas). I also enjoyed reading the book – every time it rained, that silent phone call, Babe's jealousy towards omegas, the suspense and the pregnancy scare.

5. Love Sea - MAME lifted me out of a BL slump with this one. I also enjoyed the GL pair a lot - there is nothing I like more than performative cuteness/winsomeness (കൊഞ്ചൽ konjal, aegyo, sajiao, kawaii) and benevolent sexism weaponized and employed for emotional manipulation. High EQ manipulators are so rare, my favourite type of yandere (especially when paired perfectly with someone who gets swept up in the moment easily, like Techno). I wonder why MAME doesn't write Janus-faced men that way too. And the men who perform winsomeness such as Tongrak, Kengkla and Tharn, when they do so, have motivations that aren’t Machiavellian enough.

4. Heavens x Candy - OP Pictures is bringing to screens BL that are otherwise tough to get made. This one explored otaku culture, loneliness, family and love through fan pilgrimages, cute and horrifying family dynamics, adult entertainment avenues and love hotels with those transparent walls of bathrooms. It healed my heart after the blow dealt by I Became the Main Role of a BL Drama. 

3. Love Syndrome: The Beginning – I didn't expect this but I'm glad to have received it. I want more but now that the director, F Nontapat Sriwichai, has passed away, I don't expect anything anymore. If only his legacy would inspire someone with the ability and mettle. I prefer meriba endings over happy endings. So, when Love Syndrome III was the first to get an adaptation, I was drawn into Yeonim’s universe. The movie focuses on Gear and Night’s relationship and spends relatively less time on Day and Itt. Yet, it is not hesitant to portray the beginning of their relationships, especially the eroticized violence and the morbid conditioning (調教), showcasing exceptional BL literacy.

2. Kubi (2023) – [Fan-subs] I must praise the excellent production quality before anything else. It is about multiple legendary figures in Japanese history such as Oda Nobunaga, Araki Murashige, Akechi Mitsuhide, Mori Ranmaru and Yasuke. The movie has historically accurate ending with specifics changed to fit the narrative. It is based on Honno-ji Incident and Battle of Yamazaki. Those who died then, dies in the movie too but who killed who and why are fictional. (meta here)

1. Takumi-kun Series 6: Nagai Nagai Monogatari no Hajimari no Asa (2023) – this one and Kubi came out last year but I got the chance to watch them only this year. Thanks to fan subs by @furritsubs. I read and re-read those chapters from the novel and I'm still basking in the magic of Shinobu Gotoh's storytelling. First time since Unni R's story and screenplay for Charlie (2015), I got immersed in a love story where the couple barely even interact and the romance unfolds in a thriller-like fashion. While a lot of character motivation gets lost on the way in this live action, most important of them were impossible to miss when snow fluttered around in a bottle, when a delirious Takumi sought Gii in a crowded stairway landing and when Yoshizawa jumped out to stop Takabayashi from hurting. (ongoing meta series here)

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• An iconic scene from bonus chapter 2 of The New Employee aka The New Recruit manhwa adaptation (web novel written by Moscareto and illustrated by Zec) ahead.

Gong comes home to find su in a sexy position at the doorway, fingering himself according to gong's instructions over phone.