#Dragon is a revolutionary but in more than one way

[innerfare]

Sabo’s Type 

Summary: A collection of random headcanons describing Sabo's type

Genre: Angst

CW: None // SFW

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Sabo is such a show off, it’s no joke. It’s for this reason he has such a thing for a damsel in distress. He really enjoys the opportunity to flex his powers. (Flashback to Dressrosa arc and him swooping in to rescue Rebecca but leaving poor Bartolomeo lmao.) But he likes it even more if showing off doesn’t work, since it works on basically everyone else. 

Someone who is unimpressed, or at least initially hides it from him. Sabo lives for a challenge. While he loves it when people fawn over him, he’ll become a little obsessed with someone who shrugs at his dragon claw and fire fruit ability, who brushes off his pretty face and muscular body, who doesn’t care that he’s the second in command of the Revolutionary Army and is going to tell him exactly what they think of him.  

Someone with a voice like honey that makes him want to kick his habit of hanging up the transponder snail in the middle of the call and instead stay on the other line for hours listening to them talk about nothing. 

Someone powerful. Someone who can not only hold their own in battle so he doesn’t have to constantly worry about them but also someone who can spar with him. Someone who has undergone rigorous martial arts training and insists their style is more powerful than his dragon claw. Someone who triggers his competitive side. 

Someone who will make fun of him, even going so far as to poke fun of his heritage (without going too far). The odd joke about Sabo being a pampered aristocrat will get his blood boiling. He’s the type to ignore all the people fawning over him and go straight for the person who seems uninterested (side note: Sabo does not respect the ring; if you’re married and he wants you, he’s going for you). 

Someone with as much a reason to hate the World Government as he does, perhaps even more of a reason. Someone who wants to see the world burn. But also someone who starts out as his enemy, so maybe a marine or member of Cipher Pol with a traumatic backstory working as a double agent for the Revolutionary Army. 

Someone who likes his scars. He’s come to view them as a symbol of his failure to escape Goa on his own, and even as a symbol of the reason he couldn’t be there for his found family, so he doesn’t feel proud of them the way a warrior should. But if you’re proud of them, if you run your fingers over them, he’ll grin like a fool. 

Someone who is well read and a good enough writer to read his manuscript and offer feedback, someone who can edit some of the pages and offer him some direction when he’s not sure which direction to go in. Someone who agrees with his point of view on the subject matter (typically the corruption of the World Government) and can aid him in getting that across. 

Someone who makes him feel safe enough to ask for affection. Sabo isn’t really used to positive reinforcement. Though he received some once he joined the Army, a rough childhood without a drop of real softness has left him a little thirsty for someone to run their fingers through his hair while he vents about everything wrong in the world. 

Low-key has mommy issues, craves a woman who will make him food, take a bath with him, and tuck him into bed. Refuses to admit it, though. This folds into him craving a more feminine partner because he's been surrounded by so much roughness. One of his guilty pleasures is definitely crushing on the young noble women he's supposed to be usurping.

Someone who doesn’t hesitate to make his family their own, who falls right into the ranks of the Revolutionary Army and makes themselves at home with the Straw Hats (I think it goes without saying Sabo's SO has to have Luffy's stamp of approval). 

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Hope you enjoyed it! If you want more, you can check out my masterlist here!

[mike-milkyway]

Something something, Sanji competing on The Hunger Games and making Luffy's victory his number one priority, something something.

[silkentine]

Me when they are the sisters ever: 😭😭😭 They came out soooo freaking well. I won’t lie, they took me a thousand years to finish but through the constant support from all of my buds (and my latent bisexuality), we made it 😤

Hopefully you guys know the deal by now: design choices, easter eggs, and (NEW!) closeup shots below the read more. ⬇️

I wanted Ace to have a very down-to-earth vibe and looked at Aussie beach-girls, coastal cowgirls, and vaqueras for reference. (IDK, I’ve just always envisioned Ace as part-Australian🌺 and Mexican 🏴‍☠️) Her clothing choices are mostly natural or utilitarian materials like the painted wooden beads on her top, her woven fabric and leather belts, and her denim jumpsuit. I gave her bikini top a zen-garden kind of feel because I read the first Ace’s Story Novel and I loved how idyllic and peaceful they made Sixis Island sound so I wanted to invoke that in some way.

Speaking of her painted wooden beads, they hang off the back of her top and represent her connection to Sabo and Luffy. They watch her back once she sets sail. She only wears one red glass bead earring because the other one got ripped out of her ear when a child, leaving her earlobe torn (don’t think about it too much 😢). Also, YES! she does wear a hibiscus flower just like Rouge (because I hate you and I want to make you cry, muhwahahahaha).

Also, I really wanted her to have super textured curly hair that licks behind her like flames. I am always considering whether or not a character should have long hair or not because I don’t want it to be a hindrance if they’re in a fight (or if they ARE a fighter with long hair, how to they avoid an enemy making use of that?). Ace is, of course, a Logia-type Devil Fruit User so I think she wouldn’t have trouble with people grabbing it LOL I get the feeling that she doesn’t take very good care of it even though it looks amazing. Like you’d think it would be soft and bouncy just by looking at it but if you ever get the chance to run your fingers through it, it’s a total rat’s nest and there’s sand and food all up in it. She still falls asleep while eating 😂 but she tries her best to only do it around people she can trust (woman moment 😔).

Honestly, her design is not that different from Ace’s canon look. It feels really vital to Ace’s character to have a lot of skin showing. And he’s always hanging all over himself with his hips all cocked like the weight of the world is too much to stand up straight. It is certainly not my OWN preference to make her an absolute smoke show. That’s just the character, okay? (I’m partially lying and the proof is that I turned the emblem on Ace’s hat strap into a sternum tattoo for no other reason than that it is sexy af.)

Here are some closeups of Ace:

Now for Sabo, I’ve made her very girly. I tried putting her in pants or something more militant but she told me that she’d wear the big poofy sleeves and hiked-up ruffled skirt. I think Sabo has always had a strong grasp on his fashion sense and individual flair and I truly believe that his personal style is one of the major influences for the rest of the Revolutionary Army resulting in the very flashy, queer, steampunk aesthetic (aside from Dragon’s plain-ass cloak). So of course I had to implement her nonconformist look when reimagining her as a woman and dress her up to the nines.

I’ve given her very ornate jewelry that is there to tell a story, even if she herself doesn’t know it. I like to think she picks up stuff from her travels that resonate with her, such as a damaged set of earrings with one stone missing or red cup-shaped shells featuring three nestled pearls. Another accessory that cannot go unmentioned is her dragon claw hat pin that keeps her top hat resting on top of her hair (and is definitely used as a weapon when the situation simply doesn’t call for trusty metal pipe). She also has a veil that obscures her prominent facial scar. I imagine she’s not very keen on the reminder of the incident from her childhood that took away her memories. I also kept her chipped toothed because 1) it’s fucking adorable and 2) is a visual reminder that she no longer aligns herself with the nobility who would have gotten such a thing fixed. She is so poised in almost every outward facet of her life from her dignified role as the Chief of Staff to the elegant materials in her clothing that it can be easy to forget she was also a rough and tumble forest dweller. Every time Koala remembers this, he lets out the biggest sigh.

Her hair is inspired by Gibson Girls and Elizabeth Swann from the first Pirates of the Caribbean movie. I wanted it to be fussy and tidy but fall apart when she’s in moments of distress. For example, when she remembers her sisters, her hair starts to look like Ace’s flaming mane. I’m so in love with her, I think she looks like an adorable little porcelain doll that would fuck you up. I made an effort to keep her eyes a little bit manic. I get lost in her steely black orbs (and also Ace’s warm brown ones, but we’re talking about Sabo rn).

Here are her close-ups:

Plot notes for this AU:

For this series of character designs, I wanted the expressions and outfits to be aligned with the canon plot but I don’t know if I have the heart to kill fem!Ace in my AU. I’m too attached and ASL has suffered enough!!!!! But Ace’s death is also a major defining moment for Luffy so it feels disingenuous to completely avoid it. Also a huge aspect of Sabo’s character is carrying on Ace’s will and I have so many thoughts about how the Dressrosa Colosseum scene would play out if they were all women. Oh well, I’ll cross that tragic bridge when I get to it. I’m definitely going to draw some Modern AU Girl Piece ASL though. They deserve to hang out with no stakes 😭 They are sisters!!!

Check out the tag “girl piece” on my blog for my other One Piece genderbends! 🥰

[branwinged]

dany is an interesting character because her acts of violence routinely get framed as worse and more concerning than every other character whom one would label as 'perceivably morally good' in asoiaf. some of it is probably misogyny and some of it is strictly boxing dragons in the nuke metaphor category because "angry teenager has three nukes" does not result in particularly flattering readings of the character; but the rest is because revolutionary counterviolence often gets portrayed as just as bad (worse even) as the every day violence required to uphold an oppressive institution as a way to make some point about all violence in itself being evil. now the reason i don't believe asoiaf buys into that rhetoric is because dany's adwd story arc is basically her agreeing to one concession after another until the fighting pits are re-opened, she's married to a slaver, and the yunkish are slave trading right outside her city walls. i don't know why people are reading her choosing drogon in the fighting pit as her running away from her problems because i've always interpreted it as a rescue, she's a princess in the metaphorical tower, shackled to a peace the price of which is the continuation of slavery and the dragon is her rescue, the dragon is her knight, the dragon is her and the dragon is the truth she has been avoiding the whole book, that the choice she has to make in slaver's bay is not between war and peace but between war and slavery.

now the way she reaches this conclusion is kind of bad and concerning, "dragons plant no trees" is not the ideal thing to internalise but obviously that's a low point in her character arc, the way sansa believing littlefinger's philosophy of "it's all lies" is a low point in hers. and neither are whole truths. which is something that will get addressed later, because that's how character arcs work!

[luffington]

hiii im the anon from way back when now that ur at whole cake i wanted to spin the block on my sabo request from earlier (of course only if you want to no pressure!)

✧.* art credit!

➤ prompt: can i request a sabo x f!reader who’s a strawhat who joins the revolutionary army alongside robin during the timeskip and immediately hits it off and becomes close friends with him while on baltigo and then reunites with him in dressrosa [fwb trope perhaps?? 👀👀]

➤ pairing: sabo x afab!reader

➤ word count: 2.5k

➤ warnings: dom!sabo, semi-public sex, praise kink, thigh riding, facial, friends with benefits, fluff, fem reader

in episode of sabo he officially entered the colosseum competition but it’s never explained in canon so let’s pretend he somehow snuck in before the final battle hehe

i really hope you like this after waiting for so long!! :') i've only seen him in dressrosa so i'm sorry if this isn't accurate to his character in future arcs! (also if you can't tell i Love koala <3)

NSFW under the break! minors dni thank uuu

Soldiers with guns ready to fire surrounded you the moment you landed on Baltigo. In a panic, you insisted that you weren’t an intruder. You didn’t even know where you were intruding. One moment you were on Sabaody Archipelago and then Bartholomew Kuma touched you and suddenly you were soaring through the air in a giant bubble — and that made them pause. Kuma would never send an enemy to their headquarters. The paw-shaped crater left behind was undeniable proof of your story, and your bounty poster confirmed that you were a Straw Hat Pirate instead of a spy. With no plausible way to get back to your crew, you decided to temporarily join the Revolutionary Army. 

About a week later, Sabo returned from a successful assignment and was enthusiastically welcomed back by everyone at the base. He seemed nice enough, but as the chief of staff, he obviously had more pressing issues to attend to than getting to know a new recruit. He would give you a friendly wave whenever he saw you, but nothing more.

Then the news of Ace’s death came and all of his memories flooded back. He was absolutely heartbroken, but you didn’t want to intrude on such a personal moment for a man you hardly knew, so you decided to leave him alone. Instead, you begged to borrow a ship to find your captain, who must’ve also been suffering terribly. 

As soon as Sabo heard you mention Luffy, he remembered that you were a Straw Hat – and you’d been with them long enough to have met Ace in Alabasta. He quickly latched onto you and you were more than happy to tell him stories about his brothers, as well as your brief encounter with Garp. Robin arrived at Baltigo a few days after Luffy’s appearance in the newspaper and gladly joined your conversations, but slyly gave the two of you lots of alone time.

You liked Sabo more and more each time you talked to him. It didn’t take long to notice his similarities to his family – they all had the same reckless confidence, happy-go-lucky attitudes, and admirable dedication to whatever cause they put their mind to. Even Dragon shared these qualities under his stony exterior (and you realized in horror that you now knew that entire insane family). 

But the blonde was flirty. And touchy. The friendly hugs he gave you grew longer and more intimate; his hands lingered on your shoulders and brushed against your thighs. You were delighted to reciprocate – though you had no romantic feelings for him, he was undeniably gorgeous. Sexual tension between you grew until it exploded with the help of several bottles of cheap sake and a shared hotel room. He pinned you down and fucked you dumb until you were covered in cum and screaming his name. Poor Koala in the neighboring room was traumatized, especially by the sound of your bedframe collapsing.

Sabo became your best friend and your best stress reliever, effortlessly transitioning from casual conversations to shoving his dick down your throat. Being in the Revolutionary Army was incredibly dangerous, of course, but Sabo always made sure you were well-protected and cared for. However, you still had no doubts about returning to the Straw Hats after two years had passed. You were sad to leave your friend, but he promised you’d see each other again. 

You didn’t realize it would be so soon.

Only two weeks after you departed for Sabaody, you found yourself wandering the colorful cobblestone streets of Dressrosa in an admittedly terrible disguise. Separated from your crew and searching for the SMILE Factory despite having no leads. Everything about the country, its citizens, and Law’s supposedly flawless plan felt strange. 

But what caught you off-guard the most was a hooded figure passing by and grabbing your arm, leaning close to your ear, and using a very familiar voice to whisper, “Hey.”

A hint of soft blonde hair peeking out from under the fabric nearly gave you a heart attack. “Sabo?!”

He quickly clamped a gloved hand over your mouth, shutting you up immediately. He brought his face close to yours, whispering in a teasing tone, “Are you trying to blow my cover? Naughty girl.” Your cheeks burned bright red.

Sabo glanced around cautiously, but no one in the streets spared a fleeting glance at the two of you. The majority of Dressrosans were further down the block in a large open plaza, watching the Colosseum match broadcast in real time. The opening ceremony had just finished and the first round was beginning. He didn’t give a shit – he only needed to pay attention to Hack in round two. 

“C’mon, let’s talk somewhere else.” The blonde grabbed your hand and led you down a back alley hidden behind a row of shops. Once you were sufficiently shielded by a stack of wooden storage crates, he pulled down the hood of his brown cloak.

“What the hell are y–” Soft lips slammed against your own as he caged you against the wall, pulling you into a heated kiss and biting your bottom lip. Sabo was as unpretentious as ever, not wasting any time to take what he wanted. Fingers trailing up your thigh in a very obvious way before he grabbed the meat of your ass. 

“Figured it was better than a hug,” he laughed. A beautiful sound that you missed hearing every day. He kissed along your cheek then nipped at your earlobe, causing you to flinch. “You know I’m here to stop Doflamingo’s weapons trade. I don’t have a lot of time, but I needed to see you and make sure you’re doing okay.” 

Sabo paused to run his hand down your chest until it reached your clothed core, palming you through your pants. You whimpered and instinctively bucked into his touch.

“And have a quickie. It’s been too long since I felt this pretty cunt. Don’t know when I’ll get a chance again,” he growled against your neck, using two fingers to stroke the outline of your pussy lips and push the rough fabric tighter against you.

“B-but we’re in the middle of the street…” You glanced at the sunny entrance to the alleyway, heart racing at the thought of someone seeing you. 

“I wouldn’t say the middle,” the blonde chuckled, gesturing to the desolate space around you. “Besides, with everything happening today, I don’t think public indecency is anyone’s biggest concern.”

You bit your lip anxiously, but the feeling of his warm body pressed against yours and his lips moving down your neck overrode all rational thoughts. You’d be lying if you said you didn’t fantasize about him pounding into your cunt every night since you left the Army. Plus, his cloak was large enough to completely shield your bodies from any prying eyes. To any passerby, you would look like a couple engaging in a little too much PDA – not a rare sight in the kingdom of love.

“W-why–” Your breath hitched as he shoved his hands under your top to roughly squeeze your breasts. “Why did Dragon decide to do this operation now? The meeting we had was–” You tried your best to stifle a lewd moan, the soft leather of his gloves not hiding the roughness of his fingers tugging at your nipples. “W-was weeks ago…”

“Can we please not talk about Dragon while I’m trying to fuck you?” Sabo pouted cutely, making you giggle. “We’ll have a real conversation later, I promise. I need my little stress relief toy right now.” He shoved one of his knees between yours, tensed thigh pressing insistently on your cunt. “Grind that cute pussy on my leg. Show me how much she missed me.” His eyes darkened when you immediately complied, letting out cute whimpers at the delicious friction. “Fuck, that’s so hot.”

Loud cheering echoed down the street, likely related to the tournament, and you instinctively turned towards the sound. Sabo gripped your chin and forced you to face him again. 

“Hey. Eyes on me.” You nodded obediently, and he whispered “good girl” before shoving his tongue down your throat. You tangled your fingers in his soft blonde locks, running your thumb over his scarred cheek affectionately. He truly was so handsome.

Deciding your pace was too slow, the blonde grabbed your hip and roughly guided your core back and forth on his thigh. His noticeable bulge strained against the fabric of his elegant cadet gray pants – even undercover, he was as well-dressed as always. “Sabo, please…”

“Don’t worry, I’ll give you exactly what you want.” He unbuckled his belt and let his cock spring free, bouncing against his stomach and standing proudly at full hardness. Your pants were abruptly yanked down to your knees next. Sabo didn’t miss the chance to take off his glove and swipe a finger through your wet folds, making you shiver. “You’re already dripping.”

“You’re one to talk,” you smirked, playfully running your palm up his length and wiping away the precum beading at the top.  

“Such a fucking tease.” He groaned, pretty eyes darkening. “Lift your leg for me.” 

You kicked your pants off completely and did as you were told. Sabo hooked his hand under your knee, tilting your pelvis towards him for the best angle to fuck into you. Paused to adjust his cloak, making sure you were completely concealed, and looked around for any prying eyes. Once he was satisfied with your relative privacy, he lined up his cock with your entrance, tauntingly tapping the head against your puffy clit.

“Wait, Sabo. Condom.”

“Don’t have any.” He shrugged and your eyes widened. “What? They’re not exactly essential on an espionage mission.”

You frowned, but it was too late to find one now. “Just don’t cum inside, okay?”

“‘Course not.” He chuckled lightheartedly, contrasting with the rough way he thrust his dick inside your cunt, fully sheathing it inside in one go. It stretched out your pussy perfectly, hitting every sensitive spot inside you.

“Oh, fuck,” you whined, throwing your head back, realizing too late how loud you were and quickly covering your own mouth. Sabo’s gaze darkened with lust and a smug sense of pride that he made you cry out like a whore. 

“Weren’t you concerned about being caught?” The blonde snickered, grinding his hips against yours in slow circles. He yanked your hand away, pressed a chaste kiss against your lips, then thrust his removed glove in your mouth. Not caring that it would definitely be soaked in spit by the end. 

Sabo braced one hand on the wall next to your head and fucked you hard and fast, bullying your cunt and smacking his balls against your skin with every thrust. Even without any time pressure, this was how you normally had sex – he was always impatient and greedy to take whatever he wanted, and you were more than willing to give him everything. 

The filthy sound of your wet walls squelching around his cock and his debauched groans filled your ears. You clenched onto his overcoat for stability and buried your face in the crook of his neck, but he tangled his fingers in your hair and yanked your head back. “Eyes on me, remember?”

You nodded, unable to do anything but let out muffled moans around his glove. Eyes glazed over and drool dripped down your chin. Your fucked-out expression went straight to his cock and made him rut into you even faster, the tip of his dick kissing your cervix. Feeling himself getting close, he flicked your clit and rubbed tight circles on the bundle of nerves. He leaned forward to kiss a sensitive spot right under your jaw – you never told him that he couldn’t give you hickies.

“You gonna cum?” A rhetorical question. He could definitely feel how soaked you were around him, how you desperately met his thrusts and sucked his dick in even deeper. Your body would’ve collapsed long ago if he wasn’t there to pin you in place and use you like a fuckdoll. The blonde whispered absolute filth with interludes of praise into your ear to help you to the edge even faster. 

Divine pleasure consumed your body as you hit your peak, cunt tightening around Sabo’s cock and nearly causing him to empty his balls inside of you. He carefully restrained himself to honor your request – and he had a better idea, anyways.

Once the aftershocks of your orgasm had subsided and you descended back to reality, Sabo pulled out of you. His dick was angry red and painfully hard. After removing the sticky glove from your mouth, he commanded, “On your knees.”

Your shaky legs gave out and you sank to the ground, knees hitting the solid stone street hard enough to bruise, but you barely noticed. The blonde positioned his cock in front of your face and rapidly jerked off inches away from you. You opened your mouth obediently and he murmured “fuck” underneath his breath. 

He bit his lip hard enough to bleed when he came seconds later. Thick strings of white painted your face and barely landed in your mouth. You looked up at him with cum on your eyelashes, slightly annoyed but incredibly aroused. “Sorry,” he panted with a grin, and clearly not apologetic at all. “You’re just so goddamn sexy like this.”

You swallowed the drops of cum lucky enough to land in your mouth. Sabo wiped the rest off with his cloak — it was his mess to clean, after all – then pinched your cheek lovingly. He helped you fix your clothes and hair to make sure it didn’t look like you just had rough sex in a random alleyway. 

A muffled Transponder Snail rang in his coat pocket. He looked at you for permission, and you grinned and told him he could answer it. 

“I’ve been trying to reach you!” Koala’s annoyed voice shouted through the Snail. You were obviously too preoccupied to hear any of her previous attempts to call him. “Hack lost to some green-haired weirdo. Can you figure out a way to get inside the Colosseum? We need to find that underground port.”

Sabo quickly handed you the Snail. “Hi, Koala,” you giggled.

“Oh, hey! What are you doing here?” She brightened up immediately at the sound of your voice. There was a small pause as she took a moment to process, then the Snail mimicked her furious expression. “Sabo, what the hell? Really?!”

He laughed loudly. “I couldn’t help myself. But I’ll go now.”

“You better.” Koala grumbled, then said goodbye to you in a much nicer tone. 

The blonde turned to you apologetically, but you just smiled and said, “Go win the Flare-Flare Fruit. You deserve it.” Then gave him a good-luck peck on the cheek, which made his face light up into a giant grin. “And find Luffy while you’re at it!”

After the chaos of the day was over, Sabo met you and the Straw Hats at Kyros’s house, where you were finally able to sit down and chat for a while. Before he left, he repeated his promise that he’d see you again no matter what. 

[flawseer]

On Mudwing Culture

My last deliberation on Seawings and their eccentric insult vocabulary seemed to be well-received, so here is another one of my headcanons:

Mudwings are seriously into food.

I know, pretty revolutionary take when there is only a handful of named Mudwing characters, and two of them love eating so much that it either almost or entirely eclipses their personality.

But Clay and Ochre are not what I am talking about. This isn’t about a love of eating (though many Mudwings admittedly do have that). I’m suggesting that, out of all the tribes from Pyrrhia, Mudwings are at the forefront of food preparation and culinary innovation, to the point where a large part of their culture revolves around it.

The State of Food Preparation on the Continent

Pyrrhia as a conglomerate of different cultures largely sustains its populations through hunting and gathering. The average dragon, when the hunger pangs set in, will make a hasty trip into the nearest forest, cave, or scavenger den and round up some prey animals. In most cases, this prey will go straight from the talons to the mouth, or, if the hunter is a bit more forward-thinking, into the pantry, and then from talons to the mouth.

There are a few variations of this practice; Skywings may give the carcass a quick roast on an open flame before eating it, Sandwings may dry the meat out so the excess moisture does not upset their internal water balance, Rainwings will prefer fruit over meat. Icewings will nearly always consume their prey raw and unseasoned, as their extremely delicate palate is easily overwhelmed by intense flavors that may be released through cooking.

More complex forms of food preparation seem to exist mostly outside the scope of the general populace. The practice of “cooking” appears to be limited to the ranks of aristocracy, with dedicated cooks only found within the court of a queen or in private households of other high-born individuals. It creates a sharp divide between commoners and social elites, between the wealthy and (as Sea Queen Coral once put it so succinctly) the “eel-eating masses”. All exemplified through the differing standards of food.

And yet somehow, standing in stark contrast to everywhere else on the continent, nearly every Mudwing-- from the most low-born runts of the Diamond Spray Delta to the most decorated head advisors in the Queen’s palace --knows how to cook, and will do so regularly.

Why is that, and how did it happen?

Historical Benefits of Cooking

Most things that form the backbone of a culture usually start with some ancient practice that was useful at some point in time and then, as people kept doing it, eventually got absorbed into public awareness and became “the way things are done”.

Mudwings face a unique challenge compared to anyone else, as they are the only tribe whose combat prowess is significantly affected by their environment, specifically climate, weather, and temperature. Sure, you can take any dragon, drop them into an unfavorable climate, and they will generally perform worse than under normal circumstances. But the unique weakness of Mudwings is that they lose their breath weapon when they get too cold. Place an Icewing into a burning room and they will still be able to use their frost breath. Pluck a Sandwing from their dry environment and drop them into the humid, sweltering hell of the jungle, their natural weapons will still function. But make a Mudwing cower between two piles of snow for a while, and their internal fire will go out quickly.

As you might imagine, this is a bit of a liability when you have to defend your territory from Skywings hiding and scheming among the frozen peaks bordering your country.

So the ancient Mudwings had to figure out a solution to their conundrum, and what they came up with was this: They got a large pot and filled it with water, threw in all manner of meats, plants, and herbs, whatever they could find where they were holed up, then boiled it until it was good and filling. The hot food in their bellies helped them stay warm even at high altitudes and allowed them to stand their ground against the northwestern invaders.

Soon it became tradition for troops to share a hotpot the night before battle, and a rich variety of hearty broths and stews developed from there, as these were simple to make from scraps and could be reheated easily. The practice became so popular, the Mudwings kept doing it even during peacetime. Soon, in addition to the hunting of prey animals that was commonplace, Mudwings began to cultivate vegetable gardens to have access to a more stable supply of ingredients. Eventually, their growing understanding of agriculture allowed them to grow rice, which was especially well-suited to the abundance of wetlands found in their territory. Everyone was cooking now.

The Role of Food in Mudwing Society

If you ask several Mudwings which core values represent their tribe best, many would likely put forward some variation of “camaraderie”, “family”, or “loyalty to your sibs”. They are a very social people who form deep bonds with those whom they grew up with, and one of the most direct ways to grow close to someone is to share your meals with them every day. As such, the preparation and consumption of food is a vital part in maintaining cohesion between members of a Mudwing sibling group.

Every one of these groups will have a “Bigwings”, which is understood to be a combination of a leader and caretaker role. The Bigwings is aware of all of their sibs’ culinary preferences and needs and has all of the troop’s recipes memorized. When mealtime approaches, he or she makes the call on what kind of dish will be prepared and delegates roles and tasks to the troop. This is a daily exercise that builds the Bigwings’ authority and communication skills, and reinforces trust and familiarity between all siblings.

Next to the Bigwings is the Gatherer, which historically was a role assigned to one or more troop members who foraged for wild vegetables or hunted more prey if the previous communal hunt did not yield enough. While this is still true today, many Gatherers also maintain a garden or wet patch to source fresh vegetables or grain for meals.

And lastly there is the Communicator, which is a role usually assigned to the most social and charismatic sibling. The Communicator is vital for coordinating battle strategies with other troops, which, while very important, is not really all that relevant for this deliberation. What is relevant however, is the role they fulfill during peacetime, which is to set up joint meals between two or more sibling groups. This practice is critical for maintaining morale, as doing this regularly helps expand the troop’s palette and keep their Bigwings inspired. That way the troop’s collection of recipes stays fresh and innovative instead of turning stale and rigid.

Of course how much each troop values culinary exploits varies between individuals. Some Mudwing groups are outspokenly passionate about cooking and advancing their craft. They might view their work as an expression of art and get very upset or offended if you indicate that thinking about food is unimportant or a waste of time. Some extreme cases may even get angry at you if you waste ingredients or refuse to elevate a dish to its fullest potential by not seasoning it well or doing something else to ruin it. Other groups may be more relaxed and casual about food preparation, and a few might even not think about it much at all.

If a Mudwing invites you to dinner, it is paramount to figure out which of these groups they belong to beforehand, so you may get an understanding of how much of a threat this outing may pose to your health, especially if you are an Icewing or Seawing with a limited palate.

Is there any evidence for this in the books?

To my knowledge, there isn't much. Mostly because there isn't much about Mudwings and their culture in general. Across all the books, only one of them has a Mudwing protagonist, and the vast majority of it is spent in the Sky Kingdom, so his roots don't get a lot of exposure. Then whenever another Mudwing comes into the story, they tend to exit it very quickly after, without being able to share more.

I made this theory for myself largely in response to Mudwing culture being such a big question mark. I initially came up with it when I saw a Mudwing gardener in Escaping Peril and thought "That could be a cool direction for the tribe." The guidebook that released recently gave me some additional pointers with regards to a few of the looser points of this theory.

I'm hoping it is interesting, or at the very least entertaining in some way.

[moongothic]

When people talk about there being "evidence" for the theory that Crocodile could be Luffy's other bio-dad, they tend to point out these kind surface-level details, easter eggs and Crocodile's odd behaviour during the Marineford-arc. And while all of that is very important as it lays down the groundwork for explaining the theory to people, unironically I think there's even more to the theory. When you really think about the implications the theory has on Crocodile's character and how that would tie into the long running narrative elements and themes in One Piece as a whole, I think it kind of changes everything

So, in this post I want to analyze and speculate about the theory, going a bit "beyond" the basics we already know. Heavy emphasis on the speculation-part, because I'm not here to provide conclusive evidence to prove that Crocodad is Real, rather, I'm here to speculate about how it could be real in practise, and try to explain how so many things would suddenly add up if the theory was true. I'm here to prove that Crocodad would make sense on a narrative level.

Quickly starting with a brief-ish summary of the Basic Thesis of the Crocodad Theory, just so we're all on the same page:

Naturally, if you already know the basics, feel free to skip this bit

Crocodile has secret beef with Ivankov. Although there is no proof that the beef has anything to do with Crocodile being trans, when you go out of your way to introduce a new character whose power is Magic HRT, it's a natural conclusion for people to assume that if these two know each other, then Crocodile could be a trans man. And naturally, if we're assuming he's Luffy's other dad, then he has to be trans

Dragon, as the leader of the Revolutionary Army, is in canon considdered to be the world's Most Wanted Criminal. He is extremely famous as pretty much everyone (except Luffy) knows who he is

Crocodile knowing the second-in-command of the Revolutionary Army doesn't inherently mean he was involved with the Revolutionaries, nor that he has ever met Dragon, but being familiar with Ivankov means it is entirely plausible the two could've met in the past

(Sidenote but I do have a loose theory how Crocodile could've been involved with the Revolutionaries; not relevant here but if you wanted to read it, here you go)

Despite this, when Dragon is revealed to be Luffy's father during the Summit War, although Oda includes the reactions of all the other Shichibukai, he very specifically leaves out Crocodile's reaction to the revelation. This is suspicious as hell, because surely, between his ties with Ivankov and Dragon being world famous, he would've had some thoughts about Luffy being Dragon's son (wrote about this in more depth)

For Crocodad to be real, we are assuming that Crocodile did not know Luffy was Dragon's/his son until Sengoku's announcement during Marineford, this being the reason Oda didn't show that reaction; it would've been too revealing

(We are assuming that Dragon never told Crocodile his name; this is entirely plausible considdering his full name had been a secret to the whole world (as explained post-Enies Lobby), and Dragon had kept the existence of his son a secret even from Ivankov and Kuma. We also need to assume that Crocodile did not name his son, otherwise surely he would have realized Luffy was his son when they met in Alabasta)

This is why Crocodile ends up saving Luffy's life twice in Marineford (as well as Ace's) when until the revelation he had no reason to even care about the idiot

Crocodile choosing to save Luffy's life probably means one of two things; either he really hates the World Government more than the child who foiled his plans to take over Alabasta, or he cares about his son despite knowing Luffy hates his guts

Again, this is just the basic concept, if you want to read more and see all the more easter egg-type hints, I'd reccomend this post, this post and this post (the third one repeats most of the stuff the first two do in but less detail, but also adds a few more notes extra notes). But now that we're generally speaking on the same level, we can delve deeper.

Please, go get yourself a drink and maybe a snack, this is gonna get long and deranged

Going to start with a fairly small thing.

Through out the series Oda has been repeatedly hinting at Crocodile having A Past, some History, A Backstory that lead to him becoming the way he is. But Oda hasn't actually told us what that backstory is. On the surface, this wouldn't be that strange, after all, there's lots of characters whose backstories we haven't seen, for example Mihawk. We know essentially nothing about that man and how he became the way he is. But what's different about Crocodile as opposed to Mihawk and many others, is that Oda hasn't hinted at there being an interesting backstory there that's worth telling. Like I'm sure Mihawk could have an interesting story, but Oda hasn't alluded to that at all. So the fact that he has repeatedly told us that Crocodile does have a backstory, but at most gave us two whole breadcrumbs in an SBS, is a little suspicious. (For clarity, the hints we've gotten so far to Crocodile's backstory were his repeated comments about not trusting people and how he had given up his dreams in Alabasta, while Summit War gave us the Secret Beef with Ivankov and his grudge against Whitebeard. In an SBS in Vol 78, Oda did confirm that Crocodile had his ass kicked by Whitebeard after he became a Warlord in his early 20s, and that he went "quiet for a while" until he started his heroics around his 30s, setting his eyes on Alabasta. Indeed, we have some breadcrumbs of lore, but this hardly paints a full picture. We know nothing abot what he was doing in his late 20s, which would've been the time Luffy was born btw)

What I'm getting at, is that Crocodile clearly has a backstory, but the fact that Oda hasn't spilled the beans yet would indicate to me that it's likely Oda has been saving up that backstory. Which would make sense, Crocodile hasn't been in a role in the story yet where spending time to tell his story would've been appropriate. So really, we're just waiting for the right time for those beans to be finally spilled. But what makes things even more interesting is that One Piece has a very specific track record of not giving its villians extended and dedicated backstories/flashbacks. Villians can cameo in other characters' flashbacks (Moria, Arlong), they can have their own little segments inside the the heroic characters' flashbacks (Orochi, Doflamingo), they might even get their own SHORT dedicated flashbacks (Lucci whose flashback was 6 whole panels long). But villians do not get their OWN, dedicated and EXTENDED flashbacks. Flashbacks are for the heroic characters. There has been a single exception to this rule and that was Big Mom. That's it. And while I'm positive this rule is going to be broken at least one more time before the series ends, really. What do you think is more likely to happen? That Crocodile becomes such an important villian again, this late in the game, that he deserves his own flashback so we can finally find out what his deal is? (When Blackbeard and Imu are also there mind you) Or that Crocodile's role in the story might not be that of a villian anymore, and that Oda had been saving up his backstory all this time because it could reframe his entire character and how we view him?

Oda loves taking inspiration from various mythologies and pop culture alike to bring life into his work.

This is nothing new or surprising, we all know this. For example, Oda did base the original seven Shichibukai on the Seven Heroes from Romancing SaGa 2, each Warlord more or less matching a description of one of the game's villians. Crocodile just happens to match Wagnas, the queer coded leader of the group, who had the noble swordsman Noel (Mihawk) by his side when the group was created to save the world from a great evil. Meanwhile Alabasta as a whole took a lot of inspiration of Egyptian mythology, Crocodile in that arc matching the role of the crocodile-god Sobek. Sobek is a protector god ("Guardian of Alabasta"), associated with military power (literally what Crocodile wanted to obtain) and fertility, carrying the epithet of "he who loves robbery" (man stole a lot of things, from money and lives to rain and nearly a whole dang country). Sobek's name is speculated to come from the words "to impregnate" or "to unite", both being potentially very interesting coincidences (depending on if Crocodad Real and what Cross Guild's purpose in the story is going to be) (if you want more details you can go read the Wikipedia article on Sobek). (Also I'm sure there's something interesting to be said about Sobek's fusion with the sun deity Ra, Sobek-Ra, and how Luffy is our lil Sun God)

The reason I'm pointing this out is that based on Oda's hinting and/or references to mythologies, people have in the past been able to predict certain plot twists and reveals way ahead of time. For example, most recently people were able to predict that Saint Saturn had been the one to give Ginny (and by extension, Bonney) the Sapphire Scale-disease based on a certain legent about ushi-oni, which is what Saturn just happens to be. (Here's one of the many Reddit posts that predicted that reveal) And there is one particular story from Japanese mythology I want to bring up, as it may be relevant to our Crocodad Discussion here. The story of Toyotama Hime. Here's a quick TL:DR;

Princess Toyotama had travelled from the depths of the ocean onto land so she could give birth to her child. When the time to deliver the baby came, Toyotama asked for her husband, Hoori, to not look at her while she gave birth, as she would change into her true form. And while Hoori promised he wouldn't look, he couldn't keep the promise. He peeked in on her wife as she was giving birth, only to discover that she had transformed into a gigantic wani. Horrified by what he had seen, Hoori fled, leaving his wife and child behind. Hurt by what had happened, Toyotama abandoned her son and returned to the ocean. (You can read different summaries of the legend on the Wani-article as well as Toyotama's article on Wikipedia)

Now historically speaking, "wani" in mythology can have referred to serpent dragons, sharks or sea monsters. But in modern Japanese, the word translates to "crocodile". It's what Luffy and a few other characters call Crocodile on numerous occassions. Hell, Crocodile's favorite pets are his gigantic bananawani. Historically speaking it might be more accurate to say that Toyotama had transformed into a sea serpent, but for our intents and purposes, Hoori abandoned Toyotama after she became a crocodile.

I can not tell you what exactly the relationship between Dragon and Crocodile was like, how it began and how it ended. There's no way for us to know when Crocodile transitioned (beyond "after giving birth to Luffy"), nor do we know how Dragon found out about it and how he reacted to it. There's a million options for how things could've gone down, and nothing to truly go off of to even make a guess. All we do really know, is that 1) Dragon does not seem to wear rings at all. 2) Crocodile wears rings, but leaves one out specifically on his ring finger, where one would normally wear their engagement/wedding ring (mind you; for the first half of Alabasta Oda drew Crocodile without a ring on his middle finger, but from the latter half onwards, through Impel Down and Marineford, it's always the ring finger). 3) This suspicious ass comment

"I don't know they have kids or not" YEAH RIGHT

If we wanted to use the story of Toyotama Princess as a jumping off-point though. It's entirely plausible that soon after giving birth Crocodile transitioned thanks to Ivankov's ability, and because Dragon wasn't into it, the two broke up/got divorced. The unfortunate reality is that many couples end up breaking up if/when a partner comes out as trans and chooses to transition. Just like Hoori abandoned his wife because she turned into a crocodile, Dragon could've divorced Crocodile because he transitioned into a man. And Dragon would not be a bad person for it (as long as he was respectful about it). If Dragon is straight and just couldn't see himself being with a man, that's just how it is. At the same time, this would be a gut wrenching, painful thing to go through, and this kind of heartbreak could have devastating concequences for Crocodile's character. Concequences that could play deeply into One Piece's long running narrative elements, which is why a lot of my speculation from here on does end up relying on the Toyotama Myth possibly being inspiration for Crocodile's secret backstory. I acknowledge there's no quarantee that's the case, but I am here to make an argument for why it could be.

QUICK SIDENOTES

As mentioned before, although Ivankov holds the key to a weakness Crocodile has (in their own words), we don't know what that weakness is.

Crocodile joined the Shichibukai in the first half of his 20s (SBS vol 78), and he would've been 27 years old when Luffy was born. This means it's nearly impossible for Crocodile to be stealth trans, as he would've been a public figure for years; which means, Crocodile could be openly trans

A single earring on the right ear can be read as a "gay earring". The man does like his jewelry, so there's no proof he's signaling that he's gay, but if Crocodile's happy to let the world know he's into men, then surely there'd be no issue with him being openly trans either

His transition would've happened 17 years ago pre-timeskip, so in-universe it'd be old ass news and not worth bringing up to the readers if it doesn't add anything to the current plot or his character (which it wouldn't have during Alabasta nor Summit War)

If Crocodile's secret weakness wasn't him being stealth trans, and Ivankov can't detransition him against his will (can't hit Crocodile without Armanent Haki), then what is that secret weakness Ivankov knows about?

As Dragon told Kuma: "A child is a parent's weakness". If Ivakov was anywhere near Crocodile when his child was born (so that Crocodile was able to transition as soon as the kid was out) Ivankov could/should know about the child existing, and would thus be able to blackmail Crocodile by holding the information of his secret child hostage

However, Ivankov did not know about Dragon having a child

Meaning if Crocodile and Dragon were in a relationship, it must have happened in secret, otherwise Ivankov should've realized Crocodile gave birth to Dragon's child

So One Piece has a lot of narrative elements that come up time and time again through out the story,

And some of these have become more and more relevant in the story especially post-timeskip. This is not a comprehensive list of all of them, just the ones that could heavily tie into Crocodile if he were Luffy's other dad, as they could reframe his character. So, let's look at these narrative elements, how they've appeared in the story so far, and speculate how they could reflect in Crocodile.

🐊 People existing in the wrong bodies / bodies that have been altered (and what it means for you to be "you"/how does your body reflect who is on the inside) 🐊 Queerness

Wrote about this more in-depth in this post, but to keep things short; Thriller Bark, Punk Hazard, Dressrosa and Wano all heavily featured characters who have had their bodies either temporarily or permanently altered, sometimes with the person's consent and sometimes without it. Not to mention all the various characters through out the series who have gone through similar things, like Franky, Kuma as well as Brook, among countless others. As well as every Devil Fruit user who can transform their body (including every single Zoan user). People, the way they inhibit their bodies and the freedom to be who you are is very important to One Piece. That is already a very queer-coded narrative, but then we also have explicitly queer characters. Queer characters, who have been deeply important to the story, and whose presence has become more and more prevalent with time. Not to mention how queerness in general has been "escalating" over the course of the story. There's this video from Berry for A Thought on YouTube which explains this more in-depth, but to summarize the most important observation from the video; we have slowly gone from Kuina wishing she had been born a man, to non-binary drag queens (first one being able to temporarily change their own bio-sex by turning into someone else, to the second one being able to change anyone's bio-sex permanently), to two pre-transition transgender characters. All we really need for this escalation to reach its "peak" is if we had a (named, non-background) transgender character who has already transitioned. Unsurprisingly, Crocodile could fill that role really nicely.

🐊 Loneliness

Loneliness is generally speaking a very important theme in One Piece, as it's on the opposite side of coin with friendship on it. So many of our main characters have suffered for years from loneliness, by being ostracized and rejected by their communities, abandoned by their families, sometimes suffering for decades for the sake of their loved ones because they had promises to keep. Luffy himself considders loneliness to be most painful, scary thing imaginable.

Loneliness is something queer people struggle with. A lot. Being rejected by your loved ones for who you are is a painful, common experience for many. It alone can keep many queer people in the closet for years and decades, because the fear of being left alone and abandoned is too much to bear. Some people are accepting of queers but only as long as they stay "over there", pulling a full 180 when a family member comes out. Some people only ""accept"" trans people as long as they don't transition. And while some people may appear to be accepting of you when you come out or are early into your transition, many (trans men especially) lose friends and support the more they start to pass. Crocodile does not trust people. He set up base in Alabasta sometime around the age of 30, meaning he spent around 14 years by himself (until he recruited Robin), unable to trust anyone. That's a long time to be alone. Of course, there may have been a practical side to why Crocodile chose to spend over a decade in utter emotional solitude. If he was scheming to take over a country, then having anybody close who could leak his plans out and foil them would be dangerous. Hell, it's exactly what happened thanks to Robin. But having your significant other destroy your ability to trust people and then isolating yourself to avoid further heartbreak and "betrayal" could be another, potential reasoning as to why Crocodile chose solitude.

🐊 Two failed weddings and one relationship that never was

In Thriller Bark we witnessed Nami almost get married off to Absalom. On Whole Cake Island, we almost saw Sanji get married into Big Mom's family. During Egghead arc, we saw how Kuma never got to have the relationship with Ginny he had yearned for deep inside. I already mentioned Crocodile's missing ring. How his relationship with Dragon might not have worked out because of his transition. How Crocodile's queerness could've lead into solitude, out of distrust. We already have three relationships that never worked out. So how about a fourth one.

🐊 What makes a family (/chosen families) 🐊 Family reunions (with blood-relatives) 🐊 What it's like when your blood-relatives are really horrible people

For the first half of the series, One Piece did very much focus on the concept of chosen families, as most of the Strawhats grew up with non-blood relatives that they all considdered just as much family as their actual blood relatives (if not more-so); Luffy with Ace and Sabo, Sanji and Zeff, Nami, Nojiko and Béllemere, Chopper and Hiruluk, Franky and Tom's Workers. Chosen families are deeply important to this story. At the same time, a lot of post-timeskip OP has actually revolved around (blood) family reunions. Punk Hazard was about sending the kidnapped children back to their families (as well as Momonosuke to ""his father"" Kin'emon), Dressrosa was about reuniting all the broken families Doflamingo (and his family) had torn apart. Whole Cake Island was about Sanji reuniting with his blood family while being forced into a whole new one, and Wano allowed Momonosuke to reunite with his sister (and Kin'emon with his wife). On Egghead we've gotten to see the gutwrenching reunion between Bonney and Kuma, and we are all dying to see Luffy meet Dragon eventually. Not to mention all the other reunions many of us are waiting to see, like Shanks and Buggy, Moria and Perona. Luffy and Garp (currently held hostage by Blackbeard), Mihawk and Zoro. And many others. But indeed, not all the family reunions have been good. Sometimes, the blood relatives have been horrible people. Like Big Mom (to some of her children and husbands), Judge and Kaidou. Sometimes, your blood relatives suck ass.

Needless to say, Sir "I tried to bomb one million people to take over a country" Crocodile is not exactly the greatest guy around. But what might be arguably more important is that... Why is Crocodile a plot-relevant character again, on an emotional level? As I mentioned, characters like Buggy and Mihawk relate to certain characters, so potentially getting to see them reunite with other characters would have emotional weight behind it. Mihawk and Buggy are both relevant characters both to the plot but also on an emotional level, their return to the spotlight makes sense. But then we have Crocodile, a fellow member of Cross Guild. Sure, he's definitely there to help move the plot along, no doubt about that. But emotionally speaking, why the hell is he here again? Is there a character he could "reunite with" that would have that same kind of emotional weight behind it? You could argue Vivi perhaps, but between Vivi hating the man's guts and and Crocodile probably not giving a damn about her, I'm not sure that reunion would have that much emotional weight? Robin on the other hand could be very interesting, considdering she did live under Crocodile's protection for four years until she betrayed him, an action that seemed to have stung Crocodile. That reunion could be deeply interesting.

But you know what this post is about. If Crocodile is Luffy's other dad, then those two coming across each other would suddenly have enormous weight on it even if Luffy himself didn't know about it. Because if Luffy were to find out, Luffy would then have to decide if he'd acknowledge Crocodile as his other dad or disown him. Mind you, Crocodile already knows that Luffy hates his guts for what he did in Alabasta, not to even mention the fact that he tried to kill him three whole times. Luffy has every reason in the world to hate Crocodile. The man surely understands that. But then there's the fact that Crocodile isn't Luffy's mom, but his transgender father. If Dragon rejected Crocodile for being trans, why would his son be any different? Which raises the question, would Crocodile be afraid of that? Of meeting Luffy again? Of Luffy somehow finding out and then getting rejected by him too? How does Crocodile feel about any of this? Now of course, we the readers already know that Luffy canonically loves and respects queer people. Luffy would never look down on Crocodile for him being his dad (the warcrimes are different). But Crocodile doesn't know that. And this is what I mean by there being emotional weight on these two reuniting, as anything that could go down between these two could have massive concequences for Crocodile's character. And please, keep in mind, although Oda hasn't dwelled too deep into the subject in One Piece, there are people who aren't accepting of queers in this world.

This prince, and his entire kingdom, could not accept his mother for who she was. An entire country crumbled because their queen came out as trans. So just like there are accepting families (including Kaidou strangely enough), there are unaccepting, queerphobic ones too. So the fear of rejection would not be unfounded. (Also, if Crocodile and Dragon are divorced then those two coming across each other, especially after The Shit Crocodile pulled in Alabasta, would have a lot emotional weight on it too.)

🐊 The things you are willing to do and sacrifice to protect your loved ones

Shanks gave up his arm for Luffy. Zeff ate his leg so Sanji could have actual food. Béllemere died for her daughters while Nami sacrificed her freedom in an attempt to save her village. Tom gave up his life to protect Franky and Iceburg. Robin attempted to sacrifice her life so the Strawhats could continue their journey in peace. Sanji gave up his freedom for Baratie and the Strawhats. And so many countless more lives, given up for the sake of others.

So people often give Dragon shit for being a "deadbeat dad". I've discussed this in the past, so to keep it short; the World Government went out of its way to hunt an unborn child, hurting countless pregnant women, mothers and newborns while chasing for Gold Roger's son. A child who had "evil blood" and had to be exterminated from the world. Similarly, the World Government went out of its way to put a massive bounty on an eight year old child for the crime of being able to read ancient texts. Dragon would have known and understood that if he ever had a child, as the leader of the Revolutionary Army, his child would become yet another target for the World Government to hunt, just like Ace and Robin did. This should also apply to Crocodile; if the WG found out about him having been involved with the Revolutionaries they would no doubt strip him of his Shichibukai status and make him a wanted man again. Crocodile's child would thus be in just as much danger, even if the Government didn't realize it was ALSO Dragon's son. If Dragon wanted his son to be free and choose his own path in life, Dragon had to keep his distance from Luffy. The same would apply to Crocodile. Luffy probably ended up in Garp's care, not because his parents didn't want to raise him, but because they wanted Luffy to be free.

But as long as the World Government exists, if they ever found out about Dragon having a son, that child would end up in danger, he could become a target. And the only way to ensure that child's safety would be by eliminating the ultimate threat. The Government.

Now that is the ultimate goal of the Revolutionary Army anyways, something Dragon and co have been working towards for over two decades now. But most of their efforts have gone into freeing small countries by overthrowing corrupt governments and gaining support, little by little. Which is understandable, the WG is impossibly powerful, you can't just walk into Marijoa all willy-nilly, take out the Tenryuubito and free the world, the Government's forces would take you down within seconds. Dragon understands this, which is no doubt why the Revolutionary Army hasn't made a move against Marijoa directly until the latest Reverie. It'd be too risky, and if the Revs were taken down, who would be left to oppose the WG? Their slow approach makes sense. But at the same time, while the Revs did attack Marijoa, destroying the Tenryuubito's food banks and freeing a single slave... as long as the Tenryuubito are allowed to literally stay on top of the world, this attack has done nothing. They're just going to demand more tributes, they're going to enslave more people. It's going to make things worse for those who aren't in power. It's harsh and unreasonable, and I don't agree with them, but I do understand where some fans are coming from when they considder Dragon a "fraud". If you wanted to help free the world from this corrupt rule, then you have to actually strip those in power from their status, otherwise nothing will ever change. You have to actually fight the enemy.

I can not tell you for certain why Crocodile wanted to create "a military nation powerful enough to oppose the World Government", I do not know for sure why he wanted to obtain an Ancient Weapon. But nuking Marijoa out of orbit sure would be a fast way to end the rule of the Tenryuubito, ensure nobody would get hurt by the World Government's corruption and slavery ever again, and make sure your son would never become targetted by them. A line of thought I'm sure Dragon would not have agreed with. But a line of thought Crocodile could believe in.

Remember how we still don't quite know what Cross Guild is up to? How the Shichibukai are based on Romancing SaGa 2's Seven Heroes, a group formed by Wagnas (Crocodile) with the swordsman Noel (Mihawk) by his side to save the world from a great evil? And how Cross Guild has been focusing on hunting down Marines by putting bounties on their heads? Make of that what you will.

🐊 Learning not just to love and trust others but to be loved as well

Robin tried to sacrifice herself not just because she loved the Strawhats, but because she thought she herself was unlovable and did not trust the crew, believing they too would betray her eventually. Sanji tried to sacrifice himself because he thought he was unworthy of being loved. Ace went through most of his life, thinking it would've been better if he had never been born at all. We know Crocodile does not trust people. The logical assumption here is that it's because he was betrayed in the past and had his trust broken. Did he ever have a crew, in his younger pirating days? If so, what happened to them? Did they betray him, leave him? After Whitebeard kicked his ass? Who knows. If Crocodile was in a relationship with Dragon though, it does mean that one point he loved and trusted someone, deeply. So much so they had a child. But if their relationship ended because Crocodile is trans, that would have broken his heart, wouldn't it? Made it hard for him to trust anyone ever again. And what would make you believe you were unlovable more than being rejected by your significant other for being queer. But as I mentioned before; Luffy loves and respects trans people. His affection towards queer characters through out the series is absolutely unmatched (the way he exclusively uses the "-chan" honorific for Bon Kurei, Ivankov and Inazuma, calls Yamato a man, and is far more interested in Okiku's spooky mask than her being trans). What would be a better way for Crocodile to be reminded that he can be loved and that he can trust others than being accepted by his estranged son?

🐊 Inherited Will

In Alabasta we learn Crocodile once had a dream that he gave up upon after learning how strong the most powerful pirates of the Grand Line, the ones standing between him and his dreams, truly were. In Marineford we learn Crocodile lost to Whitebeard in his youth. During Miss Goldenweek's Cover story, we learn Crocodile dreamt of becoming Pirate King.

A dream that he shares with Luffy. An inherited will Luffy carries on.

You know the RPG trope where the final boss is either god or your dad? Yeah. This line really hits different when you shout it at your father.

Now, all of this is fine and dandy, but what does this actually do? How would Crocodile being Luffy's other bio-father add to his character, impact Luffy and the story as a whole?

Now there's no way for me to fully predict how the plot is going to develop through out the Final Saga and what might go down. There's a million moving pieces and a billion potential directions things could go. We could be here forever debating those things. But as I did explain in detail already, if Crocodad Real, it could heavily impact Crocodile's character depending on what does/doesn't happen.

For one, we could have an idea of why Crocodile is a plot relevant character again; if his ultimate goal had always been to destroy the World Government to protect his son at whatever cost, then we might know why he wanted to create Cross Guild to begin with; either create a military force strong enough to fight the WG on their own, or, if nothing else, dwindle down the Government's forces and be a general nuisance that leaves the WG vulnerable (perhaps enough so that the Revolutionaries can do the hard work) and/or unable to spend their resources on hunting down Luffy and the Strawhats. Crocodile could be acting as bait, a distraction to protect his son. There's a few options there. This would also give us an idea of where that Cross Guild plotline could be heading; some people believe CG is there to join the race for One Piece and get defeated by the Strawhats, and that'll be the end of it. But now we would have another option, of Cross Guild joining the expected final war against the World Government together with the Strawhats and the Revolutionary Army. So that's one way Crocodad could impact the story and the general direction its heading.

But then there's the character-side of things, how would Crocodad impact our characters? Now obviously, the three characters that would be most impacted by the theory would be Crocodile, Luffy and Dragon. There's some other characters too, Ivankov (since they didn't know), Robin, potentially some Cross Guild members (could they learn to respect Crocodile more sincerely if they learned that the man did in fact have a heart and something/someone he cared about and wanted to protect?) and maybe even Garp, but realistically, it's the core of the family itself.

Now Dragon already would know about everything so there'd be no Shocking Revelation for him. And based on what we saw him say about Sabo maybe being responsible for Cobra's death at the Reverie, we can make an educated guess that Dragon is Not Happy With What Crocodile Did In Alabasta.

So the two aren't on good terms, probably. Dragon might just be absolutely furious at Crocodile for what he did. Understandable tbh. I guess we're just going to be left wondering if the two could somehow ever reconcile, and whether or not they still love each other deep down, despite all the pain and hurt (and warcrimes) they've gone through.

Then there's Luffy. And I guess everything boils down to two major questions; will Luffy ever find out the truth, and if he does, will that impact how he feels about Crocodile? 'Cause it's entirely plausible the series could end with Crocodad being real and Luffy never finding out. And in that scenario, well, Crocodad could impact those other aspects of the story, just not Luffy. And in some ways that could be fine too. It could still be meaningful for Crocodile (and Dragon) that way. But what if Luffy did find out? Now, mind you, it's already a bit of a mystery how Luffy feels Crocodile as of now in the story; back in Impel Down he still understandably hated the man's guts with a fiery passion, but after Marineford Luffy does kind of owe Crocodile his life after he saved him. And Luffy is generally speaking pretty respectful when it comes to stuff like that. But also Luffy was unconcious when Crocodile yeeted him and Jinbei out of Akainu's reach, so does Luffy even know Crocodile saved him? (Though surely he would remember Croc sparing Ace and getting guarded from Mihawk) Not to mention, when the Cross Guild reveal happened, the only comments we got about it where Luffy calling Buggy an idiot and Zoro being confused about Mihawk being there. They didn't even acknowledge Crocodile. It was almost like Oda seemed to avoid the subject?

We also need to considder how much would Luffy find out? Just the basics, that his other parent is a trans man and just happens to be Crocodile? Or like, everything? From whatever his plans were with taking over Alabasta to however Crocodile might feel about his sweet baby boy? Because if all Crocodile had wanted to do was protect his son, despite knowing he might never see him again, and if Crocodile did still unconditionally love Luffy despite everything that happened, despite knowing (/assuming) that Luffy already hates him... Well first off, Robin nearly assassinated Iceburg and was willing to let the World Government potentially get their hands on an Ancient Weapon just to protect Luffy and co (on top of all the deaths she helped cause while working for Crocodile, all because she wanted to read the Poneglyph herself). If Luffy was willing to forgive Robin for all that, would he not forgive his dad for doing the same? And Luffy isn't one to dismiss kindness, when people express that they genuinely care about him and his well being Luffy does respect that (even if doesn't fully reciprocate the feelings, like with Hancock). And Luffy has deep emotional intelligence too. If Crocodile was convinced he'd be rejected by Luffy for who he was, especially if that had happened to him in the past to begin with, over something Luffy wouldn't bat an eyelash at (like being trans), like. Luffy wouldn't be shitty about that.

We know Crocodile is a broken, traumatized man. We don't know how much shit he has gone through though, beyond getting his ass beat by Whitebeard and The Divorce. Knowing how Oda likes to layer trauma in character backstories*, there definitely could be more to Crocodile than just those two things, but for the sake of this post, let's just focus on The Divorce. *(Like how Robin was alienated by her community long before the Ohara Genocide, and then spent decades of her life fleeing from the Government, hurt and abandoned by people time and time again. Or how Kuma was born into slavery, lost the love of his life and finally gave up everything he had just to save the life of his daughter. Early OP flashbacks may have been a bit simpler, but as time as gone they have definitely gotten more complex and layered, so I would not be surprised if Crocodile's Full Backstory had like 3+ layers to his trauma)

One important part of One Piece has been teaching/reminding certain characters important lessons, to change their view of the world and make them better people as a result.

Here's some of the messages of One Piece, its beating heart and soul

And of course, sometimes some characters can't have their minds changed, at least not that easily. But their ideals and worldview can always be challenged and proven wrong. This is what happens to many of the villians in the story. Like Moria's ideas of how he shouldn't have to do any of the hard lifting himself and how instead of having friends he can just have replacable zombies instead. Moria's worldview was wrong, and is exactly what led to his downfall in Thriller Bark. Or Spandam and the CP9's ideas of justice, how anything they do can be justified as it is for the "good of the world", including killing innocent civilians. They can do that, because they are "heroes of the world", they are "justice". Needless to say, none of the CP9's actions during Enies Lobby could be considdered "heroic", and, well. If "justice always prevails", then their defeat did prove theirs was a false one. Or how Enel isn't a god, how Doflamingo doesn't have a god given right to rule (neither does Wapol for that matter), how Akainu's ideas of "absolute justice" are monstrous at best, how the way Judge and Big Mom treat their families is not how a family should be like at all.

During Alabasta, Crocodile's plans were foiled because of he didn't trust his underlings with his secret identity and refused to communicate properly with them himself. That one conversation between Crocodile and "Mr. 3" (Sanji) is more or less what allowed the Strawhats to reach Alabasta just in time to stop him. But although distrust is what lead to Crocodile's downfall, he still carries that core belief even now; he still doesn't trust others. Which raises the question, what other beliefs might Crocodile still carry deep inside?

That he can't trust anyone because people will betray and leave him sooner or later? That nobody would ever stay by his side, that nobody will ever love him?

Are those not the exact same core messages of One Piece, the false beliefs that we've seen proven wrong, time and time again?

It really wouldn't be right to end the series without Luffy proving Crocodile wrong once and for all, and make him change his worldview, now would it? But hey, the good news is that there might be no better way to prove Crocodile wrong than to have his son unconditionally forgive him and accept him as his father.

All of this to say; yes, I think if Crocodad was real, it would heavily impact Crocodile's character and whatever character arc he might have. Like I'm not arguing for Crocodad in the name of meme'ing. His whole story could suddenly tie into so many of series' core themes and messages, and tie into our main character in a meaningful way. It could impact heavily where the story as a whole is heading.

The other, more likely option is that Crocodad isn't real and that I have lost my marbles thinking I was onto something with this post. In the end, time will be the judge of that. Thank you for reading, I hope you enjoyed my utter derangement.

[alexa-fika]

Pops reacting to childreader 💳💳💳💳💳💳💳💳💳💸💸💸🪙💰

I have been cliff hung 1 to many times...

*this part opt but I have a feel either dragon or winged reader would be kinda scared at first.. cus he's built fucking different bro*

Wandering Dragon pt2 (Whitebeard Pirates x fem!reader)

A/N: Homie you got me dying with the comment uou left on the last post and the request made me cough out a lung 😂. What do y’all think bout this one? Cause I think I COOKED, it’s really wholesome

Part one With Whitebeard pirates and revolutionary army

Dividers by @/saradika

“And you know what? Even if you are only 8, I’m sure Pops isn’t going to turn you away. He’s gonna love you, Reader. You are just that darn adorable.”

She digs her head in his shoulder.

He snickers, feeling her face hearing up

“Aww. You’re so cute, you know that? What happened to the bold rascal?” he teases, gently stroking her head and hair.

The only response he receives is a gentle swat from her tail

Ace laughs even more.

“Aww, is that your way of saying you’re shy? “he says, pulling her closer.

“And a bit of a brat, aren’t you? Don’t think I missed that tail swat. But I can’t stay mad at such a cutie, now can I?” Thatch snickers, ruffling her hair

“Hmm... I need to bring you to Pops. You’re getting clingy already.”

She gasps and shoots up

“Am not!”

Ace laughs a bit.

“Are too!” he says, playfully poking her nose.

She pouts

Thatch grins at their interaction and gestures to Ace, who nods slightly; he approaches the girl slowly and suddenly digs his fingers in her.

She shrieks as he starts tickling her as she tries to wriggle out of Ace’s grasp

Thatch laughs loudly at seeing her struggling.

“Heh.. that’s adorable,”

She begins flapping her wings, getting out of his grasp, and flies up and out of the Storage room, giggling

“H-Hey, come back here.”

She laughs, looking back at them as they try to catch up to her, a similar emotion on their faces; as they chase her, she fails to notice where she is going, crashing right into someone.

“Ow, So…rry?” she begins, but her words die out as she sees who she crashed into, as right in front of her was a man the size of a mountain.

She wraps her wings around herself, coiling her tail around her body in a similar manner as she tries to hide from the man in front of her in fear.

The man is none other than Whitebeard himself, looking down at the young stowaway.

“Hm... who are you?” he asks, glancing at the men who run and stop behind her.

Ace laughs, pointing at her.

“We found her below deck. She says her name’s Reader. Looks like she was exploring before we happened upon her. Probably didn’t even know she was on our ship.”

She whimpers, wrapping her limbs tighter around herself until someone slowly steps closer and kneels down next to her; she takes a peek, spotting a man whose appearance reminded her of a pineapple

Marco smiles at the girl.

“Hey, kid. Don’t be scared. I’m not gonna hurt you,” he says softly in a soothing tone for her.

She stares at him but makes no movement to release her defensive stance

He approaches slowly before squatting in front of her.

“Look, I’m the first division commander of this ship. It’s fine. You’re in safe hands. And that guy you crashed into...”

He points at the big guy.

“That’s our captain. Edward Newgate, but most of us just call him Pops. He’s a real sweetheart. But he can be a bit of an intimidating when you first meet him.”

She sniffles, glancing at the man towering next to them and back to Marco, and then glances at Thatch and Ace behind her

Ace and Thatch smile, seeing her look at them.

“Don’t worry,” Ace says gently

“Pops, he’s not gonna hurt you either. No way.” Ace confirms

“Marco’s right. I know he may look intimidating, but he’s like a father to all of us; he would never hurt you,” Thatch says, backing his crewmates up

She glances back to Marco in front of her

He’s still smiling softly at her, not pushing her to come out of her defensive position.

“Do you want to come say hi to him?”

She nods, slowly unfurling herself

Marco gently grabs her hand, walking her right up to Whitebeard himself. He gently nudges her forward so she and the captain can meet each other.

She glances up at him, stretches her wing, and slowly flies up so that she is face-to-face with him

“..ny…mi…ter” she mumbles

He raises an eyebrow

“What was that?”

“You look funny, mister,” she mutters

Whitebeard laughs uproariously.

“Haha! Do I look funny? That is quite an interesting description, young lady. I mean, I suppose I look a bit weird but funny? You’re the only person to ever say that to me.” he snickers

“I like this one, bold one,” he says, glancing down at his sons

“And she’s pretty feisty, I can tell. Not too many kids can call Whitebeard funny,” Thatch adds in

“She’s one of a kind, that’s for sure,” Marco says, smiling at her

“She’s a clingy one, too,” Ace adds

This snaps her out of her shy, fear-filled state as she flies down and barrels into Ace

“Am not!”

Ace laughs, catching her.

“See, clingy!” he says teasingly.

“And a brat, can’t forget that,” Thatch scoffs.

Whitebeard laughs louder, amused by his crew’s responses

She hmph fluttering away from the pair and closer to the giant; she began buzzing around him

Whitebeard chuckles, amused by her playful behavior, as he begins playing with her, making her flutter around.

“Heh, you’re a real-spirited kid. Almost reminds me of a certain someone I know,” he says, looking over to Ace.

“Are you a dragon? You’re big like one.”

Whitebeard laughs at her question, amused by the comparison.

“No, I’m not a dragon. I’m a Human, just a very, very big one.”

“Do you know much about what a devil fruit is, kid?” he asks her

“Yeah! Mister Sabo told me about it! They give you these superb powers, right?”

Ace’s eyes widen

“Oi kid, come over here a sec.”

“Hmm?” They dive down towards the three men

“What?”

“Who did you say told you about a devil fruit?”

“Mister Sabo!”

Ace grins

“By any chance, did this Sabo tell you if he had a devil fruit?”

“Yeah! He said he had a Mera Mera fruit. I thought he was a dragon since he could make fire, but he said he wasn’t a dragon.” She pouts as she says this

“He just ate the Mera Mera and was a fireman! And it’s so funny, 'cause there was this grumpy guy called Dragon, and he wasn’t a dragon either! I was so sad,” she rambles on

Ace burst into laughter, igniting his hand on fire in a similar fashion Sabo had done back then

She looks at it and glances between the flame and Ace’s face a few times

“It’s you!”

Ace grins at her before extinguishing the flames on his hand

“It is me,” he says, confirming the little girl’s discovery

“Mister Sabo said you and him had the same mera mera fruit, which is never heard of!”

Ace nods

“Yup, that’s about right. Me and Sabo both ate a specific type of fruit known as the Mera Mera no Mi; I got really hurt a while ago, was gone for a minute there, which is why we think the mera mera appeared again, and he ate it, so now we both have it’s power” he said pointing to a big scar on his chest

“That’s so cool!” She squeals

“Ah! Are you okay? That looks like a pretty big scar!”

Ace chuckles

“I’m fine now; got seen by the best doctors to get a look at it; one of them is the guy behind you!”

She glances at Marco

“Mister Pineapple did?!”

Marco stills as her comment slight red tint growing on his face while Ace and Thatch start laughing uncontrollably; even Whitebeard lets out a snort at her exclamation

Marco sighs, shaking his head with a slight smile on his face

“Really are a little Rascal,” he mutters

“Yes, I helped patch him up a while back, used my devil fruit,” he said as his body ignited in flames

She gasps

“Did you also eat Mera Mera?”

Marco chuckles

“Not quite. I also ate a devil fruit, but unlike Sabo and Ace, I ate the Tori Tori no Mi.”

“Wah? There’s more than one type?”

“There are hundreds, if not thousands, of them. Each grants you a different power.”

“Superb! Mister Pops, what about you? What fruit did you eat?”

“Me? Well, I happen to have eaten the Gura Gura no Mi. It was a long time ago when I ate it, but it’s a very powerful one. It allows you to control earthquakes and vibrations.” Whitebeard explains with a smile on his face

“That's so cool,” they squeal

“It certainly is,” Whitebeard says, smiling.

“I can do all sorts of things with it, like this.”

He raises his hand, and a massive shockwave emanates from it, shaking the Moby Dick to its core. It even causes the little girl to fly backward into Ace’s arms.

The tiny child squeaks, her coordination being thrown off at the sudden movement

She takes a second to get her surroundings straight but marvels at Whitebeard’s display

“Haha, see what I meant? Pretty potent fruit, huh?” Whitebeard asks, seemingly pleased that the girl is so engaged by his abilities.

Ace takes this as a chance to play around with the little girl a bit, holding her and swinging her slightly as she lands in his arms.

“Ah, that reminds me, Reader, you hungry? I can prepare you something. Got you this in the meantime,” he says, throwing an apple her way

“Thank you! Here!” She says, coughing; the others look worried; their worried stares soon turn into something else as she coughs up some gold coins, offering them to Thatch

They just stare at it dumbfounded as she coughs up gold coins.

“What the hell?!” Thatch exclaims

“Watch your language around her,” Ace says, slapping the back of his head

“Why you…” he growls as they begin brawling

Reader flies above them, laughing at their interactions

“You have a wild family, Mister Pops”

Whitebeard sighs, chuckling at his son’s antics.

“Oh, you have no idea, girl,” he chuckles

Marco laughs quietly at the both of them,

“Settle down, boys,” he chides them, not moving to try and settle the argument between the two of them; as Reader continues laughing at the chaos unfolding, Whitebeard glances at her.

“Man… you’re gonna be a real handful for all of us, aren’t ya?” Whitebeard chuckles

I was intending this to be a real short one but then I couldn’t find a place to stop it without it being to sudden so I just kept going I found a place I could have cut it but then I was like nah, we need more.

Taglist:

@imaginarydreams

@amethystviolin

[sabo-torao]

Small disclaimer before you head in: this whole post will be referencing the TCB translation. I know VIZ handled the exchange I'm discussing differently, but I couldn't find anyone who talked about the original version and as a result I don't really know who is closer to the original meaning. In any case, the "analysis" should still stand. Whether Dragon was commenting Sabo's firmness or admiring his resolution, Sabo's still putting on a mask, and that's the point I'm trying to break down. Enjoy!

This very specific interaction between Dragon and Sabo in chapter 1083 has always stuck out to me.

"My, you really are unshakeable."

which is an appropriate response to what Sabo said, of course. What kind of sensitive person reacts that way to the death of an innocent, right?

Even so, I can't help but compare the thing Sabo said to his actual, genuine reaction to King Kobra's death.

He's devastated.

Sabo brokenly screams Kobra's name, and his expression is one of full despair; he never thought about killing Kobra, let alone letting him die. On the contrary, he actively tried to save him.

Kobra told him to just let him go, that he was dead weight and he shouldn't be concerned about him, but Sabo straight up refused. In fact, Kobra's actions read way more as a sacrifice than an inevitable death; the king let himself die, knowing that this way Sabo could flee and reach Vivi and Luffy safely.

On the Lulusian ship, we see Sabo think about Kobra's last words to him and actively trying not to cry (and failing).

That's not an unshakable man. He's suffering, he's grieving. He realizes he failed his very own mission of saving the king and lets the meaning behind Kobra's actions and words sink in.

It really puts his former reaction into perspective.

Sabo's firmness, seriousness and coldness in front of Dragon and Ivankov are nothing but a façade. He acknowledges that what he's about to say might come off as harsh, and that, even if he does feel sorry for Kobra, the tragedy doesn't weigh him down thanks to the results it brought, but it all sounds like he's reassuring himself more than actually showing his indifference.

Hell, he even drinks his glass of wine right after having said that "he doesn't really care". How can anyone take his words seriously?

And we've been knowing Sabo is inclined to do this sort of thing since Dressrosa; he acted all cool and composed in front of Luffy but the second Koala called him on the Den Den Mushi he was weeping, having a hard time believing that his little brother didn't punch him or hate him for being alive all along. He even denied he was crying!

All because Sabo hates being seen as vulnerable, especially in front of the people he thinks he has to be strong for (Luffy, Dragon, etc). It's something I think goes back to how his parents treated him, since they scolded him for, y'know, having emotions and being a normal kid in need of love, but i digress.

I once saw someone describing Sabo as a very cold person in comparison to his brothers, even going as far as to say that Sabo doesn't care if people die if it means achieving the Revolutionary Army's goals (using this very interaction as proof), which couldn't be further away from the truth.

Bonney even says outright that it's weird seeing a "radical revolutionary" act so friendly when Sabo helps her out. Why would he do this if all he ever did was for "The Cause"?

Yes, Sabo is ruthless, rude, violent at times, and his friendly demeanor could be seen as a little more volatile than that of his brothers', but he's not heartless. He's not a "meanings to an end" guy, he proves it time and time and time again, and it's disheartening seeing people label him as such.

Sabo is kind. He may not be as warm as Ace and Luffy, but he is fundamentally a good person. A generous, kind, caring, sensitive person.

No matter how hard he tries to hide it.

[kaizokuou-ni-naru]

Hello! Kind of a weird meta question that may be too early to call, but what are your thoughts on Vegapunk? For some reason, I can’t seem to get a good grasp on how to feel about them. Normally, I am all aboard with each arcs’ respective “ally” character - but I just can’t seem to fully get behind Vegapunk.

the important thing to understand here, i think, is that vegapunk is not meant to be an unambiguously good character. he’s not! he’s a brilliant and complicated man with many flaws whose inventions, while well-meaning, have done immense harm to the world! and i think it would be a mistake to assume that the story expects you to view him as entirely good just because he is, at present, an ally of the strawhats.

egghead arc is, in large part, about the collateral damage of vegapunk’s brilliance. this is demonstrated to us both on the worldwide scale (his creation of war machines) and on the interpersonal scale (what happened to kuma). i don’t think it’s a coincidence that we’re shown the catastrophic destruction of lulusia by one of vegapunk’s creations right at the beginning of the arc.

vegapunk is the smartest man in the world, but correspondingly we’ve been shown he’s also selfish, overconfident, and doesn’t consider consequences. until things reach a head in egghead arc, he’s unwilling to go against the government in any but the most plausibly-deniable of ways, even as his creations are used to commit atrocious acts of violence.

and it’s not as though he was forced into government service with no other options available- he’s obviously subject to coercion by the elder stars, but he also declines dragon’s offer to join the revolutionary army explicitly because the government pays better, even while standing in the ruins of ohara. like, it is noteworthy that vegapunk’s personified greed is an antagonistic force in this arc.

vegapunk is a character trying to make amends by the time of egghead arc- by helping bonney, by investigating the void century- and like i said, it’s clear that his intentions have always been to help the world; but that doesn’t absolve him of responsibility for all the damage he’s done, either.

additionally, i would say that the designated ‘ally’ character for this arc, if there is one, is bonney, not vegapunk. her role as the emotional core of this arc is quite similar to law’s in dressrosa. vegapunk’s narrative role is, i think, somewhat more complicated than that.

[veryace-ficrecs]

Hi I was wondering if you knew any fics about where Luffy successfully rescues ace from Impel Down.

Of course! I did my best to find fics where it was Luffy who saved Ace, but I've also included some where someone else helped!

Ace Rescued From Impel Down Fic Recs

This list will include all ratings and tags, so read at your own discretion! :) Enjoy!

A Fair Trade by Rijus_Hope - Not Rated

Luffy and his crew hear about Ace's execution before it reaches the papers, before they're split up at Sabaody Archipelago. His crew is ready for Luffy to boldly declare that they were going to break his brother out of prison, but Luffy is as unpredictable as ever, and presents an entirely different plan: To offer himself, the son of the Revolutionary Dragon, as a prisoner in Ace's place.

It was cold without you by my side by Dezace - Rated T

Sabo just got back from a mission. He overhears news concerning the Second Division Commander of the Whitebeard pirates and the supernova Strawhat Luffy. Strawhat was reported to be in Impel Down, trying to break out Fire Fist Ace. What the World Government didn't know was that this caused a domino effect of epic proportions. Sabo would rather kill himself than not do anything. His brothers were counting on him.

The will to live is harder to keep than a will to die by Dezace - Rated T

Ace was chained down in Impel Down, waiting for his execution and death, knowing that nothing can change that. When Ace hears the news that Luffy was here and there for him, Ace couldn't sit still. Not anymore. Or: Ace decided that being the damsel in distress sucks and that if you wanted something done right, do it yourself.

Of Seas and Freedom by OCEANSHELLS - Rated T

Law and Luffy break Ace out of Impel Down during a date and make out in the elevator, not exactly in that order.

Fair Enough by WolfyTheWolfz - Rated T

Luffy finds out about Ace's execution, and instead of rushing straight towards Impel Down, he enlists the help of Boa Hancock, to help trade himself for his brother but to also get a message out to his crew.

see you again by yeonjunenby - Rated T

While awaiting his execution, Ace silently wishes that he could have seen his brothers Luffy and Sabo one more time. His wish comes true, except for some reason this Sabo and Luffy appear to be from three years in the future, and they seem hellbent on breaking him out of prison.

Of course I'd come for you by Lerya - Rated T

Making a beeline to the end of the hallway, Luffy didn't care about anything else but getting to his big brother.

Garp taught Luffy how to be a marine and uses that knowledge to break into a government facility by Dezace - Rated T

Garp wanted Luffy and Ace to be Marines, so he taught them what a good marine should know and how to do it. While Ace and Luffy obviously didn't become marines, that knowledge was, literally, pounded into their heads. With Ace captured and set for execution, Luffy uses that knowledge to bust his brother out of prison. Or: Why Garp shouldn't have taught an upcoming rookie what Marine codes meant because all it led to was the chaos a pirate could use it for.

Not Once, But Twice In A Lifetime by BonneyJewelry - Rated G

On the way to Wano, Luffy is forced to rest by his frantic reindeer doctor. When he snaps his eyes open again, he is not where he expects to be. Is that Aces Vivre Card?

Never Let Go by Applepie - Rated G

Sabo never managed to escape from his father after he gave himself up for Ace and Luffy’s sake. But ten years pretending to be the Noble his father expects him to be is nothing when it lets him save his brother in the end. (In which Ace gets a visitor in Impel Down, and it’s the last person he expects.)

The Rescue Party by UntoldDepths - Rated M

In which the Straw Hat pirate crew finds out about Ace's execution earlier than canon and immediately launches a rescue mission.

[eroguron0nsense]

The Mysterious Mysteries of Mr Sir Crocodile (Character Analysis)

(Apologies in advance for discrepancies from my usual tone and for holding off on everyone who voted for this on my last poll. Honest to God I hope y'all enjoy this in some capacity because I've been procrastinating on this meta so long it's derailed ALL my other One Piece writing and I only accomplished it through addy-fuelled mania)

This was such a fucking pain to write. I really wanted to say something about Crocodile and what makes him so fascinating that wasn't like, another fan theory or just a set of headcanons, but that's easier said than done?? We could boil it down to immaculate design, screen presence, attitude, or just the fact that he got brought back as an unlikely ally who shocked everyone by saving the protagonist, but I don't know that those factors in and of themselves make for a villain who's become such an object of fandom obsession.

Whatever it is, it's certainly not backstory or depth, because 24 years and hundreds and hundreds of chapters after his introduction, we still know nothing about Sir Crocowani's past beyond a vague confrontation with the Late Great Edward Newgate (that apparently like, ruined his dreams or something?), and some totally-not-just-a-threat-to-out-him-if-he-betrayed-the-alliance blackmail material the Queen of the Queers is holding over his sandy reptilian ass. I was born and grew into adulthood in the time it took Oda to tell the world fuck all about where he's from or his inner thoughts, or his actual honest motivations and traumas.

All we have about this character are questions. Why did he save Luffy and Ace –very conspicuously after both of their lineages were revealed to the world– against all logic and reason? Does he have ties to the revolutionaries? Is he the long-lost son of Rocks D. Xebec? Did he bounce on Comrade Dragon's Monkey D and squirt out the fucking Warrior of Liberation? I assume Oda's going to tell us more about him, but at this point, he's managed to keep a tighter lid on Sir Crocs, Inc.'s past than the fucking Secret History

You may be wondering, dear reader: what the fuck is my point? What is there, at this final stage of Long Running Pirate Manga, for me–Frankie EroGuroNonsense, OP Tumblr Community Z-lister with like, 7 mildly popular meta posts under my belt–to write about the legendary Sir Krokorok that hasn't already been said or theorized? What eagle-eyed observations did I make while rereading Alabasta and writing toxic Crobin fanfic? Am I going anywhere with this? Sorta. Yeah.

Let's start with listing things we actually know about Crockpot, in roughly chronological (??) order: –attended Gol D.'s execution way back when he was my age, along with anyone else who's anyone from his generation.

–At some point, met and was known well enough by Iva that she could effectively blackmail him

–Made it far enough on the Grand Line, somehow getting to the New World, and managed to pick up an 81,000,000 bounty (low end for a warlord, presumably scouted fairly early in his career)

–Wanted to be Pirate King until he gave up on it, not 100% explicitly confirmed but most likely due to getting his ass beat so badly by Whitebeard that he settled for picking off small fry and racketeering behind a government desk job. This makes him profoundly relatable to the rest of us depressed fucking losers who acquiesce to our own mediocrity.

–At 30, after presumably licking his wounds for a hot minute, sets up shop in Alabasta, comes up with a clever evil plan to quietly build up enough arms to conquer the world with a WMD, and then gets his years-long bioterrorist coup attempt foiled by a 17-year-old.

The rest we know: after a brief moment of glory as the unsung MVP of Impel Down/Marineford, he immediately reverts to Failguy Mode, gives all his money to a literal clown, and consequently gets roped into the neverending uncontrollable PR nightmare that is Cross Guild. It's still super vague and we know little to nothing about his past before the Alabasta Saga (for all we know he had a fling with King Cobra)

...Onto his personality and mannerisms. This shit's a lot more revealing. Superficially, he's everything: immaculate Bond villain levels of charismatic villainy, unbelievably ostentatious, dripped out like a Pimp, constantly smoking cigars, absolutely dripping with smugness and grease and disdain. Owns exotic pets and a giant casino, and spends every waking moment either grinning like a maniac when he's got the upper hand or storming around in a fucking mood when anything goes mildly wrong.

He's also pretty hardened underneath all that, obviously couldn't have lived a day on the grand line or survived Impel Down Torture otherwise. But even in Alabasta, Crockery gives off an air of being distinctly more grounded and willing to get his hands dirty than other flashy, established villains who flaunt their wealth and status. A big part of it is just his really hyper-masculine indomitable tough guy persona, but even early on he's very much micromanaging his operation, fighting people hand to hand in (as opposed to, say, Doffy, who literally puppeteers people while lounging around) and makes a point to keep almost all of his followers at a distance and rely on them as little as possible. He rants a bit about how dreams and whatnot are pointless follies, as One Piece antagonists tend to do, and repeatedly taunts Vivi about how her idealism can't save her, but with the context that he wanted to find Laughtale himself, it feels a lot like projection.

The character trait that's harped on a LOT in canon, and probably the most pertinent one to whatever demons he has, is Croconaw's profound pathological distrust for everyone around him. It's a huge part of what makes him a good early foil to the Nefertari family and the Straw Hats, whose collective strength is derived from organic human connection; Crocalor, by contrast, makes sure that up until the very last moment, he keeps most of his people so distant from him that they genuinely have no idea he's even their boss. His relationship with Robin is interesting, but he turns on her immediately when he realizes she either can't or won't give him the location of Pluton and has his dramatic stabbing/"I forgive you" lines about how he never trusted her or anyone from the start. He says the same shit to Mihawk when he suggests they join forces, even citing their mutual distrust as a kind of paradoxical justification for why they'd actually work well together.

Arguably the only exception is Daz Bones, but even that relationship is still a pretty reserved one; one of the few traits Daz exhibits is a similar avoidance of human connections to his boss and even though they've ironically formed a bond despite it, I can't imagine that they're emotionally close. I find these more explicit declarations of paranoia a lot less indicative of what's actually going on in Croconut's head than subtext, but I feel inclined to mention them just because it more or less tells us that his background/trauma has something to do either with betrayal or alternatively just being jaded and deprived to the point of self-isolation.

Krookodile's character gets a little bit more interesting when we get to see him again in Impel Down being a smug little manipulative rascal right up until he gets blackmailed by his endocrinologist, which is definitely medical malpractice but also funny as hell. I also appreciate that literally the first thing he does after getting out of his cell is change into a big coat and cravat to keep up appearances, but it's not until Marineford proper that things get really complicated. Saving Luffy and Ace is the first selfless thing we see Crobat do–while yelling at Luffy that he needs to protect what matters to him properly, no less– and he just keeps fighting for them after that, teaming up with his most hated rival crew to cover Luffy's retreat and telling the entire WG to go fuck itself multiple times over. He fights everyone on sight with no regard for his own safety, talks mad shit to Doffy, and demonstrates a genuinely compelling amount of honest to god chivalry.

For a short time, we see Crocomotive less as a really entertaining cartoon villain and more as a person with hidden, profound emotions and a confusing moral code that's seemingly incompatible with the vicious little creature we met in Alabasta. We come to understand, in a few very brief lines that give us way more questions than answers, that Cromagnon has deep-seated, emotional convictions he actively suppresses, and that whatever baggage he has is probably tied to wanting to or failing to save something of his own. His resentment of Newgate, who he really really wants to have a go at (despite theoretically no longer caring about the ambitions of his youth) is indicative of a desire to revisit the fight that probably ruined his dream and ego, but it's also tinged with a deep-seated grudging respect for a living legend.

Crock–Afire Explosion's obvious seething hatred of Doffy also gives us a few more insights into what's wrong with him. On a surface level, it makes sense that he dislikes a profoundly obnoxious, even flashier fellow warlord who achieved more or less the same goal he set out to in a shorter time, fucks with his business, and then mocks him/tries to recruit him right after his very public defeat and imprisonment. He postures a lot, especially with his lines insisting he's on a higher level and that Doffy could only ever join him as a subordinate, but he's visibly steamed in their initial encounter and clearly hasn't liked him for quite some time. I bring this up because if we stretch our interpretation a little (for the sake of my argument), Croc Holliday's distaste for someone who's (outwardly) so much like himself and embodies all of his villainous characteristics from back in Alabasta might also suggest that deep down, he doesn't actually like the things they have in common; he sees right through Doffy because he's done the same shit and he hates what he sees.

Having gone over all that, I've come up with some key characteristics of Crocomelon that I'll use going forward:

–Extremely performative: puts an ungodly amount of energy into maintaining a carefully curated persona, and projecting a certain amount of power, masculinity, and prestige. Not necessarily an unnatural or inauthentic one, but a constructed and purposeful one nonetheless

–Deep-seated paranoia, hidden secrets; probably intertwined. Keeps personal details on tight, tight lockdown, probably afraid of being known.

–Constant projection of his own insecurities and failures onto other people, making a point to be uniquely cruel in Alabasta to an idealist who loves her people and a dreamer who wants to be the Pirate King.

Ironically, he demonstrably respects and defends two people–Luffy and Whitebeard–who theoretically embody everything he hates or scorns (ambition, goodness, love, connection, romanticism, greatness in the traditional sense) and he intensely dislikes the villain most like himself, or at least the one who shares a lot of his worst characteristics (ostentatious manipulative scheming rat bastard backed by people stronger than himself) –The Grinch's heart grew three sizes at Marineford because of like, the compelling power of brotherly love and reminders of his youth or something

SPECULATION, CONCLUSIONS??

The difficulty with writing anything definitive about Crocko's Basilisk is that he's such a mystery, which functionally lets the fanbase project literally whatever weird personality traits, potential backstories, or anything else they could possibly come up with onto him. So I want to be clear that I have absolutely no interest in theorizing about the specifics of his past or secret identity or potential baby daddy or anything along those lines; I'm only interested in what we can infer about his personality by extrapolating from canon. And the conclusion I keep coming back to, the one that I'm convinced is true on some level, is that Crocodile is living a lie and he fucking hates himself. Everything he does, from how he acts to what he claims to believe, is a desperate effort to cope with his own insecurity and failure and cover up a past version of himself he's deeply ashamed of.

Now, unfortunately, Oda did not conceive of Crocodile as a trans man but stories belong to the people and we can do what we want let's forget about that and play it straight because he's constantly performing gender as a means of compensating for a deep-seated shame and self-loathing from whatever traumas and secrets he keeps hidden. Even assuming he's a cis man, he deliberately chooses a hypermasculine persona with a Capital V Villain moniker and pimp outfit and speech pattern he's carefully curated to project masculine power–physical, political, and financial–and we know it's performance because we see him break kayfabe and get legitimately fucking angry whenever he's confronted by a person like Luffy, who's crazy and brave enough to try and do what he couldn't and risk everything for love and hope that he cannot bring himself to feel for another person, or reminders of the past he tries so desperately to bury.

The lessons he's wrongfully obtained from his past are as follows: Idealism is a weakness. Dreaming is a weakness. Connections to other people and being known are crippling liabilities (If he is, in fact, trans and closeted, that's all the more reason to be existentially disgusted by what he used to be). All the hope he brought to the Grand Line, all the excitement of trying to carry on where Roger left off, needs to be purged and buried because all he got to show for it was loss and humiliation. But he can't stop wanting more, and ironically, after he gives up on conquering the Grand Line, he ends up chasing the same fucking poneglyphs and weapons because his ambition's still there; it's just compromised and much more jaded.

Everything he does that's seemingly contradictory makes sense when you realize that Crocodile resents his failure and wants to avenge himself. He makes a big show of talking down to Luffy and Vivi's petty ideals and shit-talking Newgate and his family, but he still wants to fight Whitebeard like he did way back when and help Luffy protect what matters to him. He hates Doffy, who's honestly just a more successful schemer than he is because it's a constant reminder of what he settled for when he took that warlord post and fucking gave up. He claims to trust no one, but he keeps Daz by his side and rewards his loyalty because he can't help but trust someone who respects him so deeply and follows him to the ends of the fucking earth long after losing the material incentive to do so. He claims to look down on people who aim for the stars and fight for love and joy and freedom and yet, in his most vulnerable moments–not in the face of violence or imprisonment, but when he's emotionally compelled to defend a child and help save his brother–we see how badly he wants that for himself.

TLDR: Crockman Holic is deeply insecure in his masculinity, desperately needs psychological help, and his character/potential redemption arc in One Piece is just dealing with his midlife crisis.

[mjrtaurus]

At some point early in the relationship-building, Crocodile realized "oh my god, this man is stupid" He's the leader of the biggest revolutionary organization on the planet and extremely intelligent... but he is also so stupid. One encounter with Garp proved to him that the stupid was genetic.

And when he finally learned that Straw Hat kid was their son, who he already knew was stupid, he had to face the fact that his intellect was no much for those damn Monkey D chromosomes.

It's the Will of D just in general. The "D" meaning "Dumbass" in a lot of cases.

Crocodile- also a D, but a fairly unassuming one- knows that not all of it comes from Dragon and Garp... He's ambitious. He's looking for weapons of mass destruction and the One Piece. And in order to do so, he's bumping shoulders with a clown that continously fails his way up the ladder three rungs higher than him, and a walking nuke of a goth who would rather tend his garden than have it all.

He attacked Whitebeard in his prime, thinking fog would give him the upper hand. And yes he was young then, but still well old enough to know that was a terrible idea.

Then he caught feelings for the tall, dark, and handsome moron who saved his idiot ass, fucked around with him and found out, then caught even MORE feelings after he abruptly left said moron with their newborn child.

Then he lived a fourth of his life conducting elaborate schemes to build himself a crime ring intent on inciting a civil war, but got Scooby-Doo'd straight to jail by a kid in flip-flops. Then the same kid in flip-flops that Scooby-Doo'd him straight to jail broke him out of jail.

And then he attacks Whitebeard AGAIN, but this time in BROAD DAYLIGHT only to get stopped by the SAME DAMN KID IN FLIP-FLOPS, and THEN IT TURNS OUT THAT THE KID IN FLIP-FLOPS THAT SCOOBY-DOO'D HIS ASS STRAIGHT TO JAIL IS THE KID HE DITCHED WITH THE MORON HE FUCKED AROUND WITH AND CAUGHT FEELINGS FOR.

Luffy doesn't get it from the Monkey D. half of the family alone. Not by a long shot. Baba's a bit if a dumbass himself.

[hogwartslegacypics]

Sebastian’s Wand

My personal headcanon: aspen wood, dragon heartstring core, 12-13 inches, unbending flexibility

Starting with the wood, I’m fairly certain that Sebastian’s wand is made from aspen. The description for aspen wood wands scream Sebastian, and given how prominent dueling is for his character (and being one of the first things we learn about him), it seems like such an intentional choice on the developers behalf to have chosen this while designing his wand. Like “Ah, this one’s all about dueling, it’s perfect for Sebastian!”The color of aspen wood is described as “pale light yellow to nearly white” which matches the color of Sebastian’s wand perfectly.

“Wand-quality aspen wood is white and fine-grained, and highly prized by all wand-makers for its stylish resemblance to ivory and its usually outstanding charmwork. The proper owner of the aspen wand is often an accomplished duellist, or destined to be so, for the aspen wand is one of those particularly suited to martial magic. An infamous and secretive eighteenth-century duelling club, which called itself The Silver Spears, was reputed to admit only those who owned aspen wands. In my experience, aspen wand owners are generally strong-minded and determined, more likely than most to be attracted by quests and new orders; this is a wand for revolutionaries.” – Mr. Ollivander

Now, let’s move on to the core! I’m more conflicted about this one. All I know for sure is that I highly doubt his wand has a unicorn hair core because we know those don’t mix well with dark magic, and Sebastian wouldn’t have been able to cast all three of the unforgivable curses so easily if he had a unicorn core. It’s possible yeah, but they seemed to come so naturally to him which makes me highly doubt it.

Side note: Draco had a unicorn hair core wand, and even if he did end up attempting to use AK on Dumbledore, I believe it would have failed due to this. His intent would have needed to be foolproof to overcome the core, and he was hesitating to begin with. It would take a very dark wizard like Voldemort to turn a unicorn core wand dark, and that’s not Sebastian.

That leaves either a dragon heartstring or a phoenix feather core.

Dragon: As a rule, dragon heartstrings produce wands with the most power, and which are capable of the most flamboyant spells. Dragon wands tend to learn more quickly than other types. While they can change allegiance if won from their original master, they always bond strongly with the current owner. The dragon wand tends to be easiest to turn to the Dark Arts, though it will not incline that way of its own accord. It is also the most prone of the three cores to accidents, being somewhat temperamental.

Phoenix: This is the rarest core type. Phoenix feathers are capable of the greatest range of magic, though they may take longer than either unicorn or dragon cores to reveal this. They show the most initiative, sometimes acting of their own accord, a quality that many witches and wizards dislike. Phoenix feather wands are always the pickiest when it comes to potential owners, for the creature from which they are taken is one of the most independent and detached in the world. These wands are the hardest to tame and to personalise, and their allegiance is usually hard won.

I’m leaning towards dragon because “The dragon wand tends to be easiest to turn to the Dark Arts, though it will not incline that way of its own accord.” While this certainly doesn’t narrow out the phoenix feather (Tom Riddle had one), it does make me think about just how easily Sebastian was able to cast the unforgivables. Dragon wands are also “capable of the most flamboyant spells” and flamboyance does describe Sebastian well, along with “somewhat temperamental.” These traits are supposed to be about the wand itself though, not necessarily the owner.

The only thing with phoenix feathers that seems Sebastian-like to me is that the wands “show the most initiative, sometimes acting of their own accord, a quality that many witches and wizards dislike.” We know Sebastian acts this way, but this is supposed to be about the wand itself, and I don’t think Sebastian would be happy with a wand like that. Phoenix cores are also so rare that Harry and Voldemort are the only people in original series confirmed to have had one. It’s a very MC-esque core.

We should also keep in mind that, according to HP Wiki, certain wand woods can react with certain cores in unique ways, affecting the wand's personality and/or magical abilities. Based on what we know, dragon cores do seem like they’d be more suited for an aspen wood wand because I’m sure the power of the core goes along well with a wood suited for dueling. Phoenix feathers are even more powerful though, they just take time for their power to show. I’m still kind of conflicted so POLL TIME!!

Next up is wand length! According to Ollivander, “longer wands tend to be drawn to bigger personalities, and those of a more spacious and dramatic style of magic.” Longer wands also work well with taller witches and wizards and are best suited to bold personalities. This is 100% Sebastian! He has such a big personality, so I think his wand would be on the longer side.

Obviously we will never know the exact length, but based on those descriptions, it’s safe to say Sebastian has a long wand. I’m estimating 12-13 inches because his wand appears to be about the same size as his forearm, and I measured my own forearm and got a little bigger than 10 inches (as a 5’6 woman) so I added 2 inches since he’s a guy, and maybe another inch because his wand does seem a little bigger than his forearm. Very scientific, yes.

Lastly, we have wand flexibility. Wand flexibility denotes the degree of adaptability and willingness to change possessed by the wand-and-owner pair. Based on this and what we know about Sebastian, his wand would be somewhere on the unbending scale because he’s stubborn as fuck. If we want specifics, I found some descriptions here and if they are canon, I think either “hard” or “unyielding” fits him the best.

Hard: A wand of this flexibility is very difficult to work with and its loyalty is not won easily. Hard wands are great for complex and advanced levels of magic, so beginning wizards and witches may find extra difficulty with this wand when it doesn't perform well for simple magic. As such, this type of wand is best suited for wizards and witches who are gifted, stubborn, and never give up. Owners of this wand also have a tendency to view things in absolutes; black or white. Some people may find them intimidating or difficult to approach.

Unyielding: A wand of this flexibility finely tunes itself to its original owner's preferences and doesn't stray from those preferences, even in the hands of a new owner; the new owner will just have to get used to it. It is particularly good for combative and healing magic. Unyielding wand owners tend to be very confident in themselves and/or in the things they believe in. They tend to be intelligent, somewhat cynical, and usually have well-defined principles that they will not stray from ever. Sometimes, this combination can lead to arrogance because of them insisting on how right they are without considering other points of view or whether or not they might be wrong.

[max-nolastname]

types of story that different black sails characters think they're in:

jack: typical underdog overcoming unbeatable odds story; he is the main character and the show is 100% about him and his joseph campbell hero's journey. he is like achilles seeking eternal glory. he is also like gilgamesh, seeking immortality because he's afraid of death

flint: one of those fairytale retelling stories from the villain's pov; he is the fire-breathing dragon/big bad wolf/wicked witch that his village has ostracized, chased out of his home with pitchforks and torches because they feared him and what he is and what he stands for. he knows that in another show, a more popular show, the story would be told from the pov of the villagers about the dangers that lie beyond the village walls and into the forest...but this is HIS show and in HIS show HE is the one that survived the villagers not the other way around and HE is the one that has been wronged and he WILL see them pay for it

miranda: at first she thinks she is the witty and cunning heroine of a regency period romance novel. she is critical of high society and it's archaic and sexist traditions, turns her nose up at the institution of marriage and yet against all odds finds a true partner in thomas. she thinks herself happier and smarter than her peers, for finding a way to explore her sexuality freely and still keep her high status. she is caught in a whirlwind romance with a handsome naval officer and well....then her story turns into a tragedy and a decade caught in lifeless loveless joyless limbo where she is sidelined into the background of someone else's story

max: overly aware that she is in A Story and that she is Not The Main Character; the spotlight is never on her, she will never take centre stage. in fact, she is in the wings, or perhaps watching the show from the back of the theatre as the stage manager, setting the scene and directing others to pull ropes, shine lights, open and close the curtains so that other actors can strut and fret their way around the stage

billy: revenge quest story! thinks he is the good guy, there to protect his friends and get revenge on the tyrant who killed his father. gains some genre awareness and realizes that he is not, in fact, the main character, but rather a side character caught in a romance between his captain and quartermaster and if he really wants to survive he's really gotta break them up

madi: a story of hope told around a campfire, passed on from generation to generation so people don't forget about the time that an island of maroons stood up to a seemingly eternal and unbeatable empire. some days, it's a cautionary tale, on how volatile solidarity can be with divisions like class, race and gender .... or how revolution necessitates violence that people who are comfortable in their oppression rather not pay... but no empire lasts forever and nothing is inevitable. the story sticks in the hearts and minds of future revolutionaries and someday someone somewhere will pick up the torch and continue the fight

season 1 walrus crew: workplace comedy

silver: [redacted]

[xamaxenta]

ASL all being raised on violence so they genuinely don’t understand softer touch, genuine kindness at first

Like these three feral jungle kids bit kicked scratched each other full on brawled one another because it was the only way they knew how to show affection

(Garp’s fist of love is not exactly a great point of reference for any of them, Dadan was also likewise heavy handed but lets be real these brats kicked her ass more than she kicked theirs lmao)

Luffy clicks with Zoro because Zoro’s just built like that, he’s built walls and his dreams to become the worlds greatest swordsman and nothings gonna stop him, So when Luffy decks him, hauls ass flings him about, its how Luffy shows affection, rocketing at top speed towards Zoro whilst yelling his name because he knows Zoro can take it, the same doesnt really go down well with Nami or Usopp, theyre not built the same way— bruises and bumps and scratches, Nami whacks him over the head all the time for stupid stuff she says and Luffy finds thats familiar, to which Usopp is like my guy my dude thats actually pretty effed up holy hell

Usopp and Sanji being the first of the crew to show Luffy that affection doesnt have to be violent (like usopp sharing a cool beetle he found, Sanji ruffling his hair because hes mad hes gotta wait until dinner for more food)

Ace fights a lot because it’s all he knows how to do right, hes good at it, he wins alot mostly but loses just as many times because he overestimates himself, maybe after fighting Whitebeard 100 times he doesnt let up and Whitebeard catches on immediately after Ace has taken his ink like son, just because i can kick your ass doesnt mean you have to go looking for it. Ace confused is like huh? But isnt this like a bonding activity and WB concerned asks Ace what his childhood was like and Ace shrugs uh. Absent everyone? Like everyone, kinda acted out a ton for attention and stuff, the WBP appalled at Ace’s viewpoint on violence versus affection look to multiple ways in which they can smother their newest brother with actual kind affection, naturally it starts with Marco approaching him with food and no other motive than to be kind — Ace used to fighting tooth and nail to eat looks so suspicious its almost heartbreaking

Sabo who’s never known a kind word from his blood parents and only begruding respect and tolerance from Dadan — hes perceptive, the fact this bandit lady with the crazy intense face is allowing him to freeload with Ace n Luffy tells him a ton about her, she’s coarse and rude and everything Sabo’s parents hate so naturally Sabo loves her, (its a shame we never got more Dadan and Sabo :(((((() gravitates towards Ace because he’s everythinf his parents hate too, wild uncouth loudmouthed and violent and they get along, they beat each other up bc its how they tell each other theyre strong ive got your back

And then he loses his memories and maybe thats a good thing because Sabo learns kindness with the revolutionaries, he feels seen and heard and respected (Big Applause to Dragon and Iva for listening to kid Sabo beg and plead not to go back to his old life and went okay hes ours now chadmindset love to see it) he learns that violence and affection are a double sided coin, that he can use his skills to fight and protect those that cant do it for themselves

ASL are a rowdy set of rabble rousin kiddos but its really nice to see how they develop as they got older bc of the people they encountered who help them understand theyre not alone as they think they are