#Dracula Sovereign of the Damned

[sunnyartsstudio]

Dracula, Sovereign of the Damned is poorly animated, badly dubbed, confused and inconsistent - and it's unironically the best Marvel movie I've seen in years. Go watch it. And yes. That is Dracula eating a hamburger.

[iczer-ryuga2]

Tomb of Dracula anime movie by Toei in collab with Marvel (and Harmony Gold butts in later on)

Another dive into a blog that has lots of info on ‘Tomb of Dracula’ and its production into anime form back in the 70′s by Toei: https://spider-man.at.webry.info/200806/article_2.html

Let’s begin -------

‘When I wrote about Toei's version of Silver Surfer in my diary before, one of my friends informed me that around 1980, Toei and Marvel were connected and an anime based on the Marvel Comics' Tomb Of Dracula called 'The Dark Lord Vampire Dracula' was broadcast. I had no idea that this work existed, but I thought that, unlike Silver Surfer and 3D Man, I would be able to gather some information about it online, since it was actually produced. However, there was unexpectedly little information available on the subject, so I obtained related magazines (although only a few articles were published in the animation magazines of the time) through internet auctions and somehow managed to write an article on the subject.

Magazines and other items obtained at auction in the course of entering this article. From left to right: "Toei TV Anime Theme Song Compendium 1963-1975" (2002, Toei Video), "Anime NOW 1982 Animation Yearbook" (Sugiyama Taku, 1982, Shueisha), "Gekkan OUT September Issue" (1980, Minori Shobo), "The Anime August Issue" (1980, Kindai Eigasha).

Summer Vacation TV Animation Special

The Dark Lord: Vampire Dracula

In the late 1970s, as special effects programmes began to fade, an unprecedented anime boom began, led by Space Battleship Yamato, which replaced them. The Dark Lord Vampire Dracula was one of the works broadcast during this boom.

Key station: TV Asahi Production: Toei Doga Broadcasting date: 19 August 1980　 Broadcast time: Tuesdays, 19:00-20:54 Format: 94 mins, 1 complete episode

Synopsis. The Black Mass ceremony is being held at a church in Boston when Dracula suddenly bursts in and steals away his daughter Domini, who was to be sacrificed to the Devil. Dracula takes Domini back to his lair and tries to suck her living blood, but he is unable to do so because he has fallen in love with her. Dracula's human heart is restored and he marries Domini and gives her a son, Jenas. Rupesky, a priest of the Black Mass, is furious that Domini has married Dracula and attacks them. However, the bullet from Lupeski's gun pierces the young Jenas' chest, and Jenas dies without warning. Dracula, enraged by the murder of his own child, reverted to his maniacal nature and attacked the people of Boston night after night. Quincy, an elderly man whose father had once been killed by Dracula, forms the Vampire Hunters with master fist-fighter Frank and crossbowman Rachel, and is bent on revenge. Meanwhile, a miracle occurs when Domini is grieving at Jenas's grave and is about to take his own life. In a golden light, the earthly coffin rose into the sky and a noble young man descended from the sky and became one with Jenas. Jenas became an adult and came back to life. However, Jenas was given a mission by the gods to defeat Dracula. Domini weeps at this ironic fate, but it does not stop the father-son duel between Dracula and Jenas. An epic battle unfolds between Dracula, the Dark Lord, and Jenas, the messenger of God, as well as the vampire hunters who hate Dracula, and even Dracula's daughter Liras and Satan the Great from Hell...

(ZZ’s comments: And this is the original opening for the anime movie when it was presented. Try finding the anime anywhere, all you can get are English titles that say Dracula and the Toei Animation thing but the opening and end credits are either from Harmony Gold or just downright EMPTY/creditless. None of that cool stuff sadly.)

From the OP credits

Planning: Mimei Koizumi (TV Asahi), Yoshifumi Hatano, Takeyuki Suzuki Based on: Marvel Comics The Tomb Of Dracula Creative consultant: Jean Perk Screenplay: Tadaaki Yamazaki Music: Yokoyama Seiji Performed by: Transylvanian Baroque Ensemble (Columbia Records) Art direction: Hidenobu Hata Character Design/ Animation Director: Hiroshi Wagatsuma Direction: Minoru Okazaki Production: TV Asahi, Toei

From the ED credits

Production Manager: Yoshiro Sugawara Voice Cast

Dracula: Kenji Utsumi

Dolores/Domini: Hiroko Suzuki

Janus: Kazuyuki Sokabe

Quincy: Yasuo Hisamatsu

Rachel: Mami Koyama

Frank: Keiichi Noda

Satan the Great: Hidekatsu Shibata

Layla/Lilith: Reiko Katsura

ZZ’s comments - Fun fact: Her name pronunciation in the JP audio is Lyras so she’s STILL called Lilith in the Japanese dub. Someone in HG must have misheard her name and called her Layla. 

Lupeski: Junpei Takiguchi

Narrator: Ryo Ishihara

Drawing: Yasuhiko Suzuki, Fukuo Yamamoto, Sadayoshi Tominaga, Junzo Ono, Yoshimasa Iiyama, Yasuyuki Tada, Kou Iino, Tsunenaka Nozaki, Jiro Tsuno Video checker: Takahiro Tana. Video: Hiromi Seino, Miyuki Ikeda, Mieko Saiki, Noriko Honma, Tomoko Minami, Junichiro Saito, Yayoi Suzuki, Tomiko Takamiko, Yasuko Saito, Kyoko Sato, Yuzo Toyoshima, Kumiko Mogi Backgrounds: Kenji Matsumoto, Yoshiharu Ishigaki, Toshiro Nozaki, Kuniko Matsumoto, Tomoko Eritate, Takao Sawada, Tomoko Arikawa, Yumiko Yamazaki. Zerograph: Akiko Mogi Trace: Mineko Maeda. Colouring: Tatsuo Takahashi Special effects: Masayuki Nakajima Finishing inspections: Tsuyoshi Tsukada Art direction: Takeshi Torimoto Finishing touches: Toyohiko Hiraga Recording: Yumiko Takezawa Assistant Director: Akinori Nagaoka Production Manager: Kazuichi Tsurumi Photography: Hisao Shirai Editing: Tanaka Osamu Sound recording: Hiromi Kanbara Sound effects: Ishida Sound Developer: Toei Chemical Co. Reference: The Devil's Book, translated by Hibiki Hinatsu (Tairiku Shobo, published by Tairiku Shobo).

Additional voice appearances (as published in Anime NOW) Young A: Kazuyuki Sogabe Master: Hidekatsu Shibata Silver: Reiko Katsura Wyler, Young C: Kimitsugu Toya Boyfriend, Young B: Shoji Sato Carly, Maisa, Woman A: Seiko Nakano Anton, Woman B: Satomi Mashima Togo, Announcer: Yasuro Tanaka

Gene Pelc, who is credited in the OP, is also mentioned in American Comics Poster Library (1978, Tokuma Shoten) and American Comics Compendium (2005, Shobunsha). In the commentary book for the Spider-Man DVD-BOX (Toei Video) released in 2005, an interview with Susumu Yoshikawa and Toru Hirayama describes in detail how he contributed as a bridge between Toei and Marvel.

[Excerpt from an interview with Susumu Yoshikawa] In the late 1970s, Ryotoku Watanabe, then head of Toei's television business, was aiming to find new and different routes for discovering characters apart from the Ishinomori characters that had been available until then. At that time, Jean Perk, general manager of Marvel Japan, happened to be promoting the Japanese versions of Marvel characters such as Spider-Man here and there. However, Toei was not a publishing company and wanted film rights to Marvel characters. Pelc said "If that's what you're talking about, let's sign a contract with Toei-san for the visual rights to the characters" and signed a three-year exclusive contract for Marvel characters.

[Excerpts from an interview with Toru Hirayama] Contracts with overseas companies are very difficult when it comes to rights, and if you make even the slightest change to a character's design, you get complaints, but Pelc did not make any detailed orders at all. The success of Spider-Man is largely due to Pelc.

The fact that the copyrights for Kobunsha's Marvel Comics series were taken via Toei is probably due to the fact that Mr Pelc sold them together at the time of this 'three-year contract'. By the way, there is an "urban legend" that Marvel was furious when they found out later that Spider-Man was going to have a robot. However, I believe this to be a mistake, as Mr Pelc intervened, understood and agreed to all the Toei side's settings. (Incidentally, the great Stan Lee also liked the presence of the robot, along with the spider action.)

However, a story that could be mistaken for this is described in the American Comics Compendium. It's about a writer at Marvel who heard about a planned story for Shogun Warrior when he was adapting a character from Toei into a comic book. 'What the hell is that!　It's like there's no story. One robot fights another robot. It's just a repeat of that." He was so upset that he stopped listening to the story halfway through. Perhaps the exchange at that time was switched to 'Spider-Man'.

(*) In an interview with Susumu Yoshikawa, Yoshifumi Hatano (then producer at Toei Motion Picture), who is credited as the planner, is also mentioned. He was a fluent English speaker and interpreted for the original author Stan Lee when he visited Japan, and also took the lead in negotiations with Marvel. He was also mentioned in the article as "a fluent English speaker".

A feature article in "Ji-Anime" stated that "For the theme song, we will immediately use Satoko Yamano (her real name), who recently won the "To the Earth..." contest, for both the opening and ending songs. Both the opening and ending songs were instrumental and had no lyrics. However, in the middle of the ending song, there is a vocalisation "la la la la~". It is thought that Ms Yamano may have been in charge of this vocalisation (no credit given). Her debut as Satoko Yamano was in the theme song for the 1980 1 Sept. (Students' School), which started on 1 September 1980, so this song, which was broadcast on 19 August, was an earlier debut.

The animation was also broadcast in 1983 on Harmony Gold cable television in the USA. In Italy, it seems to have recently been released on DVD, and a video is available on YouTube. In Japan, however, it has only been re-broadcast once and has not been released on DVD or even on video. It would be a shame if this film were to remain buried for those who are interested in Marvel, anime and Dracula. We hope it will be made available on DVD.‘

--------------------End of Translation

So there ya go, there’s pretty good background of what was going on in the production of the very first animated Marvel movie. And wow, Spiderman did contribute a lot they were expanding on that. Though some parts of this anime movie will remind you a lot of Golion which is no mistake considering this and Golion were running at the same time. The villains in Golion were vampires so they might have had an idea for that at some point.

You can watch both the English and Japanese dubs here: https://www.youtube.com/watch?v=p0KWWLAReVQ&ab_channel=BVGamesCenter Japanese dub

https://www.youtube.com/watch?v=e1x_9Tv9QZ8&t=3899s Harmony Gold Eng dub

[bmwkmx1]

DRACULA: Sovereign of the Damned

[rhetthammersmithhorror]

Dracula: Sovereign of the Damned ✦ 1980 — 闇の帝王吸血鬼ドラキュラ

[jackassrabbit]

This was the movie, right?

[twistedtummies2]

Top 5 WORST Dracula Portrayals

Anyone who knows me well by now should also know that one of my favorite stories of all time is Bram Stoker’s Dracula. I love the book, and I love seeing how the story and its titular character are reimagined throughout the breadth of pop culture. And there are PLENTY of reimaginings and adaptations to go around: Count Dracula, alongside Sherlock Holmes, is one of the most frequently reinterpreted characters in the history of fiction. Of course, with so many interpretations, there are plenty of great Draculas out there: Christopher Lee, Bela Lugosi, Max Schreck, Gary Oldman, and more. But with the good must also come the bad: there are a LOT of really terrible Dracula movies and portrayals out there, just as there are a lot of really fun ones… …And I actually haven’t seen many of them. Well…actually, I suppose I have, but it depends on what you’re really looking at. For example, I love John Carradine’s PORTRAYAL of Dracula, but the movies he was actually in were often sub-par. Grandpa from “The Munsters” and the version from “Hotel Transylvania” are comical, incompetent buffoons, but they’re meant to be parody characters and I like them for the humor and campy silliness they provide. There are even a couple of Draculas that a lot of people seem to dislike that I actually think are okay. I have no big problem with Rudolf Martin from “Buffy the Vampire Slayer” (admittedly, this may partially be because I have only watched all of two episodes of that show), nor with Richard Roxburgh from “Van Helsing,” yet in researching this list, I found out that a LOT of people REALLY dislike those interpretations, as an example. Finally, it’s worth pointing out that I have, in fact, DELIBERATELY AVOIDED watching several bad Draculas because…well…they’re bad. And I KNOW they’re bad. Why in the world would I want to watch something that is notoriously terrible, aside from just…ascertaining that it IS, in fact, terrible. So, for instance, I haven’t seen “Dracula in Istanbul,” “Blacula,” “Dracula’s Dog,” and/or many, many other horrendously dreadful renditions that have gained some notoriety.

With all that said, this doesn’t mean that I’ve liked every single version of Dracula - as a character or as a story - that I’ve seen. Even I know a few Draculas that I frankly just don’t like. And it’s worth knowing the mistakes that have been made when handling this character, as much as it is worth praising the achievements. So, today, in honor of World Dracula Day, we’re gonna take a look at some of the worst of the worst from Transylvania. These are, in my personal, humble, and EXTREMELY biased opinion, the Top 5 Worst Portrayals of Count Dracula.

5. Carlos Villarias, from “Spanish Dracula.”

What is “Spanish Dracula,” some of you may be wondering? Well, here’s the basics: in 1931, Universal wanted to release their screen adaptation of Dracula in both English AND in Spanish. This was still in the early days of sound, and as a result, dubbing was a concept that really hadn’t been fully figured out. Typically, the way American studios handled making foreign-language movies, as a result, was just doing a second version of the film with different actors, all speaking the language intended. Very, very few of these alternate language films exist, and I think many would agree that the Spanish version of Dracula is one of the most famous to survive. In English, of course, Dracula was played by the immortal Bela Lugosi…and for the Spanish cast? They got this guy: Carlos Villarias. Many critics feel the Spanish Dracula is actually better, on a technical level, than the Lugosi outing. Having seen both films, I can’t say I agree: SOME things ARE better in it, but other things…ehhhh, the English version has them beat by a mile. It’s biggest problem is the cast, and ESPECIALLY Villarias as Dracula. I know nothing about this actor beyond this movie; maybe he’s great in other things, maybe he was just miscast…I don’t know. All I DO know is that, even if you take Lugosi’s iconic interpretation out of the equation, this is an AWFUL Dracula. How bad is he? Imagine if “Dracula: Dead & Loving It” was actually trying to take itself seriously. THAT is the best way I can describe this performance. Villarias comes off as more comical than creepy, his exaggerated and often bizarre expressions seeming like a parody of something that hasn’t even gained the legacy it needs to BE parodied yet. We all love to mock Lugosi occasionally, but Villarias feels like self-mockery already in the works, and - through both his performance and some differences in the writing/direction - comes across as a clownish idiot rather than a superior monster or an elegant aristocrat. The Spanish Dracula has its ups and downs, but Villarias certainly proves that one bad element can bring down an otherwise decent product.

4. Peter Karrie, from Nosferatu the Vampire: The Musical.

I am aware of at least four musical theatre interpretations of Dracula. The most famous one is a stage show by Frank Wildhorn, which isn’t great, but does have some good songs and has been done quite a few times with great actors. Another was a concept album by the musical trio of Evans, Orton, and Lynn; that one featured Michael McCarthy as the Count, and was never actually staged. Like the Wildhorn show, it’s not really that great, but it has a few good songs and performers. There’s also a musical comedy version, which I haven’t actually looked at, but I’ve heard is pretty good…and then there’s this show. Ostensibly, “Nosferatu the Vampire: The Musical” is a musical adaptation of the classic silent film “Nosferatu,” which is widely considered the first true Dracula movie ever made, and is certainly the oldest surviving adaptation. HOWEVER, that’s not really the case: the show is really sort of a blend of Nosferatu, the Bram Stoker novel, and some original material, all rolled into one…and it is ABYSMAL. I was SHOCKED to learn that this show has been staged more than once, and that the original cast recording actually featured some pretty big names in musical theatre. The most notable is poor Peter Karrie, one of the greatest performers of another Gothic legend, the Phantom of the Opera. I’ll give Karrie credit, his voice is beautiful (he’s played the Angel of Music, it kind of has to be), but not even his golden pipes can save this train wreck. The plot is terrible, the characters are bland, the morals are confusing, and there’s WAY too much focus on the sexual angles of the story in this for my comfort. (The sensuality of the vampire IS a topic that is present in the book, mind you, and far from something new...but you have to be VERY careful how you touch it. Trust me.) Worst of all, the music - very frankly - just isn’t that good. The lyrics are vapid and rambling, the orchestration and rhythms feel very “samey” throughout…it’s just DULL. With the other musicals, I can at least give them credit for a few catchy numbers, but this one? I can’t really remember much of anything these characters say or sing, I just remember the boredom and nonsense of the whole clumsy heap. As a result, Karrie’s shot at playing the Count is essentially the opposite of our previous pick: sometimes not even having a great performer can save terrible material, and this is a good example of that.

3. The Version from “Dracula: Sovereign of the Damned.”

I’ll confess that I hesitated to include this Dracula on the list - as well as another one later on - because he’s actually based on Marvel’s Dracula, specifically. Marvel’s Dracula - in other things - has been good. However, after some minor debate, I felt that both of the aforementioned versions simply HAD to be addressed, since - ties to Marvel or not - they are abominable interpretations. Released in some countries under the title “The Tomb of Dracula” (taken from the comic series it is purportedly based on), “Sovereign of the Damned” was an anime movie made by Toei, released in the early 80s. In the original Japanese version, the Count is voiced by Kenji Utsumi; in English, he’s dubbed - VERY badly - by Tom Wyner. If you’re wondering if the dubbing is in any way a contributing factor to this film’s terribleness…don’t worry: this movie is ATROCIOUS no matter what language the characters speak. (Believe me, I know.) The film unwisely attempts to adapt an entire many-issue comic series into a single hour-and-a-half-long story, which works about as well as you’d expect. The plot is like the Grinch’s soul: “an appalling dump heap, overflowing with the most disgraceful assortment of deplorable rubbish imaginable, mangled up in tangled up knots.” Character development goes entirely out the window, and Dracula himself arguably suffers the worst for this. The Count comes across as a total klutz in the film: the movie attempts to make him a sympathetic anti-hero, but the story is such a shambles you never really get to know him well enough to root for him, and he spends most of the movie either running away from danger or being foiled at every turn, with little indication of how truly powerful he really is. He comes across as an idiot much of the time, and isn’t even present for a big chunk of the film to begin with! With a title like “Sovereign of the Damned,” I can safely say I expected more.

2. All of the Actors from Legend of the Seven Golden Vampires.

This is probably one of the weirdest Dracula movies I’ve ever seen, as well as one of the worst. “Legend of the Seven Golden Vampires” was an out-of-continuity entry in the popular Hammer Dracula series, which famously starred Christopher Lee as the Count. At the time “Seven Golden Vampires” came out, however, Lee had left the role, feeling deeply disappointed by the previous and “official” final film in the series, “The Satanic Rites of Dracula.” Hammer studios, meanwhile, was teetering on the brink of collapse, and was really struggling for creative ideas. The result of these combined problems led to this colossal, mad junkyard of a movie: a bizarre blend of Kung Fu action adventure and Gothic chiller. Now, this combination, on its own terms, I actually don’t think is a totally bad idea: if you look far enough, you’ll find good examples of how you can blend the styles of martial-arts-focused action and Gothic horror together. This, however, is not one of them, and part of the problem stems from how poorly Dracula, himself, is managed. Without Lee to handle the reins, Hammer called instead upon contract player John Forbes-Robertson to play the Count. However, Forbes-Robertson doesn’t even GET to play Dracula for most of the film: he only appears at the beginning and in the climactic final battle between himself and Van Helsing. For most of the movie, Dracula’s spirit has possessed the body of a Chinese criminal known as Kah, played by Chan Shen. Instead of getting Forbes-Robertson to do the voice, Kah’s “Dracula Voice” is provided instead by dubbing actor David de Keyser. All three of these actors…are terrible. Forbes-Robertson is a stiff and somewhat silly Dracula when he is onscreen, and is defeated in a highly anticlimactic way in the end. Chan Shen as Kah comes across as a caricature more than a true "character," and his bodily performance feels like a strange blend of kabuki and English pantomime. Meanwhile, Keyser’s very badly-dubbed performance is wooden and stilted. When it takes three men to replace just one, and NONE of them do the job even remotely well? It feels like a true disgrace not only to the character, but also to the one who played him before. I’ll give all three of them this, they at least help to show what made Lee’s Dracula so singlehandedly spectacular.

1. Dominic Purcell, from Blade: Trinity.

This is the other Marvel Dracula on the list I mentioned a while ago. All of my entries up till now have been very long-winded, I know…but my reasons for naming poor Dominic Purcell from the abominable shambles that is “Blade: Trinity” as my pick for the absolute worst Dracula I’ve ever seen is much easier to explain. That reason can be summed up in the following phrase: this is not Dracula. This simply isn’t. I get what the movie was attempting to do - trying to focus on Dracula as this ancient, demonic warrior figure rather than “the Count,” so to speak. However, as various other versions have shown, there are ways you can focus on the “aggressive” aspects of Dracula AND STILL MAKE HIM FEEL LIKE DRACULA. Purcell is simply miscast and misdirected: he doesn’t look like a duck, he doesn’t quack like a duck, he doesn’t waddle like a duck, and therefore it’s fair to say he ain’t Duckula. I’m sure he’s trying his best, but - and it's a shame to say these words - his best just isn’t good enough. For that reason, above all else, he takes the number one spot on this list. There is literally no worse sin I can think of than looking at someone playing such a character and having nothing else to say but, “you, sir, are no Dracula.” 

(DIS)HONORABLE MENTIONS INCLUDE…

Leslie Nielsen, from Dracula: Dead and Loving It.

I know lots of people actually like this movie, but I personally do not. I just don’t think it’s very funny, for the most part, and even as far as spoofs go, I feel Leslie Nielsen is a weird choice for the character. It isn’t completely terrible, however - there’s a few jokes that make me laugh strewn throughout, and I like Peter MacNicol as Renfield - so it gets a pass from the top five.

Lon Chaney, Jr. from Son of Dracula.

It’s left somewhat ambiguous if the character in this film, “Count Alucard,” is indeed the Son of Dracula, or Dracula himself. This, for the record, is why things like “Hellsing” and “Castlevania” have used the name Alucard for both purposes: this is the movie that came up with that alias. While the invention of the name is noteworthy, the film itself is flawed. Chaney - God bless him - is woefully miscast. Whether he’s Dracula OR his Son, I think he did much better in his other Universal Monster roles.

Udo Kier, from Andy Warhol’s Dracula AND Langley Kirkwood, from Dracula 3000.

In both of these cases, I haven't even FINISHED these movies because they're just so freaking terrible. I've only seen parts of them, never the full thing through. I didn't feel it was fair to give them actual placement on the ranks as a result, but they're definitely worth noting for their own dreadfulness levels. In Udo Kier's case, I'd much rather watch him riding on the back of a T. Rex...bravo, if you got that reference.

[unholy-gigi]

Well,if he can't find anyone to bite... Why not a hamburger

[unshavedmouse]

Bats Versus Bolts: Movies that had virtually nothing to do with Andy Warhol

These movies are terrible. I’m so glad I watched them. Flesh for Frankenstein and Blood for Dracula are in many ways the best candidate for a Bats versus Bolts  that I’ve done yet. Not only are they by the same director and share many of the same cast, but they were made practically concurrently by the same crew. Also, when I lie to myself and pretend that there’s some kind of high-minded…

[halloweenhundreds]

Dracula: Sovereign of the Damned has a complicated history and a few titles but look: it’s Drac as filtered through Marvel’s excellent Tomb of Dracula, as filtered through Toei Animation. The English dub of this is a scream. Even When Evil Lurks didn’t shoot a baby….

[transit-fag]

I was watching an anime from 1980 yesterday and it had this image of what I think is an Amtrak train on a Boston to New York line. Thought you might enjoy it. Was there a train that actually looked like this?

(Anime is Dracula: Sovereign of the Damned. It's set in Boston for some reason.)

If that is the back of a car it could be a stylised Amfleet car

[bitterkarella]

Midnight Pals: Dracula Sovereign of the Damned

Bram Stoker: everyone, i have a story Barker: oh boy this should be good Stoker: and this time it's different Stoker: i've been secretly taking lessons in how to be horny Stoker: so this story is really going to show you sex-likers a thing or two

Stoker: submitted for the approval of the midnight society Stoker: i call this the tale of dracula Stoker: sovereign of the damned stoker: you'll like this dracula Stoker: it's an anime Lafcadio Hearn: yes! Hearn: YES!

Stoker: so dracula meets this chick Edward Lee: yeah boi Stoker: she starts uh shooting him with a crossbow Lee: no no bro not like that! Mary Shelley: ha ha ha yeah! Shelley: do it!!

Stoker: so it starts with this cult of satanists Stoker: they're summoning satan Stoker: to give them woman to him as a bride Stoker: but satan doesn't show up Stoker: so instead dracula swoops in Stoker: and he tricks this woman into marrying him

King: satan doesn't show up? Stoker: right King: to his own summoning? Stoker: right King: why doesn't he show up? Stoker: i don't know, maybe he was busy that night Barker: "maybe he was busy" lol Stoker: LOOK. that's not the important part

King: so you're saying that satan is just, like, a no show Stoker: yes King: is that how it works? he can do that? King: anton, has that ever happened to you King: where you go through all the motions and the ritual and then King: satan just doesn't show? Anton Lavey: uhhhh

Stoker: so dracula shows up Stoker: in his cape and tuxedo Stoker: and he's all "it's me, uh, satan!" Barker: and they're not suspicious that he's clearly dracula Stoker: satan could wear a cape and tuxedo Barker: yeah yeah he COULD Barker: but we all know he don't

Stoker: so dracula and this woman have a baby Stoker: but eventually the guilt of the charade gets to dracula Stoker: and he's all "i have to tell you" Stoker: "i'm actually not your beloved satan" Stoker: "i'm just dracula" Stoker: "just a stupid, stupid dracula"

Stoker: anyway, there's also these vampire hunters Stoker: they've been spending the last year searching for dracula Stoker: just doing nothing else but full time searching King: a whole year? Stoker: yeah they're really bad at their job

Stoker: it's a descendant of jonathan harker Stoker: a descendant of abraham van helsing Stoker: a descendant of dracula Stoker: and a vampire-sniffing dog Dean Koontz: dog! Stoker: yeah i knew dean would like that

Stoker: anyway that satanist finds out about the whole thing where dracula tricked them Stoker: so he shoots dracula's baby Stoker: with a gun Koontz: oh no! Stoker: don't worry Stoker: god sends the baby back as a full grown super man to kill dracula Koontz: oh good! Barker: whoa whoa hold on there Barker: not "oh good" Barker: i have SEVERAL questions

[thenightling]

Marvel's Dracula

Many don't realize it but Dracula has appeared in two Marvel movies so far. Blade Trinity (Yes, Drake was supposed to be Dracula...) and a lesser known 1980 anime called Dracula: Sovereign of the Damned. This hour and a half movie tried to cram in a seven-year-run epic saga of a comic book series, Tomb of Dracula. For a comparison imagine if Neil Gaiman's The Sandman (Including Dream Hunters, Endless Nights, and Overture) was adapted into an hour and a half movie. Though the dubbing is... kind of laughable, this Japanese anime did a fair job of adapting the Tomb of Dracula comic even though they had to leave out the character of Blade the Vampire Hunter. (They couldn't secure the rights to him.) Tomb of Dracula is where Blade made his first appearance. https://www.youtube.com/watch?v=4F0CqGOONrw

[leaarongmail-blog]

Dracula: Sovereign of the Damned | The Wildest FULL MOVIE Dracula Adapta...

[rhetthammersmithhorror]

Dracula: Sovereign of the Damned ✦ 1980 — Original Soundtrack ✦ 闇の帝王吸血鬼ドラキュラ

Composer: Seiji Yokoyama

Dracula: Sovereign of the Damned ✦ 1980 — 闇の帝王吸血鬼ドラキュラ

[jackassrabbit]

[b-movieenema]

B-Movie Enema: The Series Episode #66 - Dracula: Sovereign of the Damned

In 1980, Toei Animation and Marvel Productions were at the end of an agreement deal to cross-adapt each other's properties. That resulted in this animated adaptation of The Tomb of Dracula - Dracula: Sovereign of the Damned

In 1980, Toei Animation and Marvel Productions were at the end of an agreement deal to cross-adapt each other’s properties. That resulted in Shogun Warriors, a Japanese tokusatsu Spider-Man series, and this animated adaptation of The Tomb of Dracula – Dracula: Sovereign of the Damned.