#Dr Arthur kemp

[othehorrorz]

[anxious-ace]

Chronorun Reports notes:

Van Helsing, Jekyll, and Mrs. Frankenstein (Victor's mom) are siblings with Abraham and Henry being twins and Caroline being a few years younger (specific ages will have to wait until my brain decides that doing math is worth it)

(they are all a mix of Dutch, British, and Swiss btw)

(yes this means that Victor is Van Helsing's and Jekyll's nephew)

Van Helsing formed the HOSC to essentially bring light to all of the scientific discoveries that are happening (Jekyll's serum, any supernatural being he encountered, the time machine, Victor's creation, Griffin's invisibility, and more) but not without the house members' consent

Now let's get into the plot- a good amount of people in this universe have powers (almost all of the members of both societies have powers)

They are as follows:

Van Helsing- gains an ability of whatever type of entity he conquers (if he were to slay a vampire he would only get one of the abilities shared within all vamps. Ie teleportation) as well as natural immunity to most (not all) supernatural attacks and anomalistic mastery (or that could just be from his job)

Jekyll- technically he speaks to Hyde through telepathy as well as having telekinesis

Hyde- telepathy like Jekyll (because of course) and the ability to teleport objects and people away from and to him

(Jekyll and Hyde are forced to work together because they are not able to do what the other can as well as the other)

Victor- weather control (I just wanted to reference the movies, I think he would use it to help him animate the creation)

Griffin- now I know you might think that I'm going to make his invisibility his power, but that's not the case. He can however talk to animals, he just doesn't want anyone to know.

Time traveler- let's get the obvious out of the way, he can see any point in time (past present, and future), and it proved very helpful (but overwhelming and contributes to his time blindness)

Sherlock- like the time traveler, he could be obvious (giving him some kind of hyper-intelligence) so I'll give him tactical analysis and the hyper intertellince (or he could not have the ability and just be that smart, I haven't decided yet)

Watson- since he's a physician and royal army surgeon (according to Wikipedia), giving him a healing ability (more so healing others) would be a fair but obvious move. However, I want his medical knowledge to be utilized (meaning he would use actual medical practices instead of relying on powers) so the proper techniques would still have to be used (more so internal and really bad external wounds, broken bones, and deep/wide cuts being examples)

Gwen- now she could be a little difficult (considering the fact she is someone else's oc and I'm a bit scared to ask because it might look like I'm stealing their idea) so I'll move on for now. (she could have enhanced reflexes as it would be really helpful)

Switching gears to more general ideas (I'm looking for a reason to segway into the investigative committee's powers)

Griffin and the time traveler don't use their names for reasons they'd rather not admit (it has something to do with their experiments)

Van Helsing and Jekyll may make it look like they hate Victor (because he's an irresponsible, spoiled, college dropout who can be a bit of a nervous wreck at the most inconvenient times possible) but they're still trying to help him get over everything (and to take some god damn responsibly for once in his life)

Van Helsing and Watson are transcribing past journals, audio logs (the series takes place in the 21st century), and more as a part of the whole "bring light to all of the scientific discoveries that are happening" thing the HOSC does

The HOSC is very queer (not really with each other but you know)

Jekyll is a trans, ace, gay man (maybe Hyde too, he hasn't really thought about it, both he/him though)

Victor is pansexual and nonbinary (he/they)

Griffin is a bi demi-boy (also he/they)

Sherlock seems to be more interested in his work than in relationships (aroace cis man)

Watson is more open to the idea than Sherlock is though, at some point being stated to have said "I think everyone looks nice, does that mean im attracted to everyone? No not everyone, but certain people attract me more than others." (doesn't put a label on gender either but uses he/it/they)

Time Traveler is a theatre kid so he is probably the most open with his sexuality and gender (gay nonbinary dude using they/it)

Again, I have no idea for Gwen as she is not my character (well none of them are, I might have one at some point but thats not what I'm here for) so I either ask the creator or leave her as unlabelled (which might not be a bad idea actually) although the picrew shows her as aroace

Van Helsing might be the only straight one (I say might be because he doesn't know, still uses he/him though)

Now for the Missing person's investigative committee: they are in charge of finding out the who, where, what, why, when, and how of missing person cases

Utterson and Poole started it after Jekyll faked his death, which happened about a week after Van Helsing got back from killing Dracula (so it was like 7 years ago based on Quincey jr's age in the main story)

I'm now imagining a very stressed Van Helsing hearing about his brother supposedly killing himself because his latest experiment went tits up (excuse me while I try not to cry)

Their powers are:

Utterson- since he's a lawyer, giving him something like Holmes' hyper-intelligence (if it's his ability at all) is kinda obvious so some kind of adaptive ability could be fun (body language analysis could be useful)

Poole- super speed to help him with all of his duties (and in case of emergencies)

Mycroft- I kinda want his to be out of the park but still useful in a way, fuck it he can turn off others' abilities either by touching them or snapping his fingers

Walton- some kind of internal GPS for his traveling

Kemp- I tried reading the invisible man wiki to see what kind of doctor he is (he did go to a medical school so that could help) but couldn't really find anything so im going in sorta blind. I'm just going to make him a shapeshifter

Now that that is out of the way, few more things until pride shit

If someone pisses off Mycroft, their powers are just gone for the day (which could be devasting if they piss him off during a very important mission)

Walton being the youngest (younger than Hyde but older than Victor) means he is often the fastest and most agile of the group (until Poole uses his super speed obviously)

He's basically the group's son (at least to most of them, Mycroft might have some warming up to do)

Now, pride:

Utterson- Jekyll's husband (cis bi man, uses he/him)

Poole- unlabeled sexuality (aro he/it user)

Mycroft- like Van Helsing, he might be the only straight one (uses he/him)

Walton- trans, demisexual man (he/them/it)

Kemp- omnisexual nonbinary (they/them)

@mrhyde-mrseek what do you think?

[just-screaming-into-a-void]

The invisible man just being so done is hilarious.

Kemp: Have I been hypnotized for there is no such thing as an invisible man

The invisible man: OH MY FUCKING GOD SHUT UP, JUST GIVE ME FOOD YOU IDIOT!

[deeply-unserious-fellow]

POV ur old friend(?) from school comes to your doorstep after getting his ass thoroughly kicked so he can tell you his lifes story and then pitch his Evil Scheme to you wdyd

[lxgentlefolkcomic]

First page || Previous page || Next page

Dialogue transcripts:

Panel 1

Godfrey: And you’re sure it was this ‘Invisible Man’ that did it?

Panel 2

Kemp: There are no other suspects. And Griffin himself all but confessed his intentions to me.

Panel 3

Kemp (voice over): If he isn’t apprehended…

Panel 4

Kemp (voice over): …there’s no telling who he may kill next.

Panel 5

Irene: We need to go.

Panel 6

Kemp: Go? Why, you only just got here!

Panel 7

Irene: The other half of our party are on the trail of the Invisible Man. They don’t know the truth about him. They’ve prepared for the wrong sort of danger. We need to warn them.

[mrhyde-mrseek]

SCIENCE MOST SINISTER: VOLUME II - PART EIGHT

(I know I sound like a broken record at this point but I am SO sorry for the hiatus! I didn’t mean for it to go on this long, I was slammed with both life and writer’s block at the same time BUT NOW WE’RE BACK YIPPEE!)

The first order of business once they had all stepped off the train was to figure out where everyone’s sleeping quarters would be. Kemp offered to house those of them who, for obvious reasons, could not book a room—Griffin (reluctantly), Sherlock, Watson, and Jekyll—in his manor, while the rest of the House and the Society headed into town to find an inn.

According to Kemp, Port Burdock had only one inn. His directions led the Society, Victor, the Time Traveller, and Gwen to a surprisingly large yet ramshackle building roughly a mile from the docks. The paint on the window frames was chipped, and the snow-covered shingles looked as grey and weather-worn as all the other buildings they had passed.

The sign that hung above the door creaked in the wind; the paint was faded and the metal rusted over, but the name was legible enough: The Albatross. Whether it was meant to be a blessing or a curse, Mycroft could not say for certain.

The lobby inside was just as bleak as the outside. The walls were devoid of any decoration except for a couple faded photographs of the docks, which seemed to have been hung as a halfhearted attempt to brighten the place up. The windows were covered in a layer of dust, as were the rickety chairs, tables, and the railing of the staircase leading to the upper floors.

Behind the front desk slouched a short, round old woman with an expression of utter boredom on her face. Upon hearing the door open, her eyes flicked up almost reflexively. She then did a double take once she realized that eight people had indeed walked into the inn on purpose, and hastily straightened up.

“Eight rooms, please,” Mycroft said, walking up to the desk. The innkeeper nodded, her glazed eyes scanning the money halfheartedly to make sure it was the proper sum, then handed him a ring of keys.

Passing out the keys and dropping their luggage off in their respective rooms took less than five minutes. Finding Kemp’s house took even less time. The manor loomed over the port from its place atop a steep hill, visible even from the docks. Kemp, Mycroft knew, was not fond of visitors unless strictly necessary, and even less so of the residents of Port Burdock, whom the scientist had described to Mycroft as “superstitious half-wits.” His disdain for the townsfolk was made even more evident by the fact that the only path up to his house was rather overgrown.

The eight stragglers were admitted inside by the footman and led into the dining room, where they found the rest of the Society and the House gathered around the dining table.

As Mycroft took the empty chair next to Sherlock, there came a thud and a curse. Behind him, Kemp was struggling to maneuver a massive evidence board through the door. Edmund immediately leapt up to help him. Griffin snickered, then yelped as the Time Traveller kicked him under the table.

Once he and Edmund finally managed to drag the board into the room, Kemp turned towards the table. “This is the culmination of every piece of information we have been able to find regarding Thomas Marvel’s murder,” he said, gesturing to the web of newspaper clippings, documents, and photographs pinned to the board and connected by lengths of red string. “Most of the credit for obtaining it should be given to Mycroft and Utterson; I doubt we would have been able to obtain half as much had a lawyer and a government official not been part of the Society.” He nodded at the respective men. Mycroft mentally grimaced. Field work had never been his forte, but after joining the Society, he hadn’t been given much of a choice.

“Before his death, Marvel was the owner of an inn called The Invisible Man. With Griffin’s involvement no longer a possibility, we have narrowed our list down to four suspects.” Kemp pointed to a photograph of a dark-haired young woman. “Millie Cutter was the inn’s maid. From what we know, she is currently employed as a laundress and is working from her own home.”

Next, he moved to a photograph of an elderly woman with a round face and bright eyes. “Ivanya Lovrić was the inn’s head cook. She now works in The Albatross’s kitchens. I don’t suppose any of you may have seen her when you booked your rooms?” He received only shakes of the head from the Society, the Time Traveller, Gwen, and Victor in response. He sighed. “Never mind.”

He then pointed to a photograph of a dark-skinned man with a glare so cold it could freeze Hell. “Ezekiel Roman operated the inn’s front desk. I have no idea what his current occupation is, because from what I understand, he is extremely solitary and does not enjoy interacting with strangers. I have, however, heard rumors that he may have picked up work at the docks.”

The last photograph he indicated was one of an unusually pale man with sharp features, light eyes, and a mop of blonde hair. “Barnabas Croft was the inn’s barmaid. Unfortunately, his current whereabouts are unknown, but I don’t doubt that asking about town would turn up information.” He accented that last bit with a disdainful eye roll.

Utterson took the following silence as his signal to stand. “I believe dividing and conquering is the best way to go about this,” he declared. “Mycroft, Watson, and I will interrogate Mr. Roman, seeing as he will be the most difficult to interrogate. Poole, Gwen, and the Time Traveller will interrogate Miss Cutter. Jekyll, Edmund, and Victor will interrogate Ms. Lovrić. Kemp and Walton will go around town and try to ascertain Mr. Croft’s location. Sherlock and Griffin, meanwhile, will investigate Marvel’s inn itself and search for evidence pertaining to both the murder and the identity of this new invisible man. We shall meet back here once everyone has returned.”

And with that, the investigation had begun.

[griffinappreciator]

youve heard about same person different font, but how about exact same font slightly different person

im talking about Kemp and Utterson btw

[nik-the-bik]

Criteria: Can't be the main character, has to be unattainably amazing, has to be tragically hot

((Jonathan Harker disqualified because he's kinda the male lead and also perfect))

[no-side-us]

The Invisible Man, Ch. 18 - The Invisible Man Sleeps

He dropped the paper, and his eye went seeking. “Ah!” he said, and caught up the St. James’ Gazette, lying folded up as it arrived. “Now we shall get at the truth,” said Dr. Kemp. He rent the paper open; a couple of columns confronted him. “An Entire Village in Sussex goes Mad” was the heading.

The St. James' Gazette was a conservative newspaper in the 1890s, which, among other things, supported the British occupation of Egypt and opposed Irish sovereignty. I'm not sure how Wells personally viewed the Gazette, but by referencing it here and having Kemp regard its reporting as the "truth," we're probably supposed to have some assumptions of where Kemp's values are likely aligned.

The little snippet we do get of the paper itself doesn't express those values however, cause we only get their view of the Invisible Man debacle, which it regards as a fabrication that is nonetheless "too good not to print,"

Ran through the streets striking right and left. Jaffers insensible. Mr. Huxter in great pain—still unable to describe what he saw. Painful humiliation—vicar. Woman ill with terror! Windows smashed. This extraordinary story probably a fabrication. Too good not to print.

There's something to be said about how the St. James Gazette mirrors Kemp's initial reaction to the idea of an Invisible Man, dismissing it as nothing more than an exaggerated story, only to be proven very wrong in Kemp's case. And despite the paper being only a brief part of the chapter, it does provide a lot of context that was fun to figure out.

Bonus fun fact, the St. James Gazette was bought in 1903 by C. Arthur Pearson, who founded Pearson's Weekly where The Invisible Man was first published and serialized.

Moving on, Kemp's reaction to the paper is pretty interesting:

He caught up the paper again, and re-read the whole business. “But when does the Tramp come in? Why the deuce was he chasing a tramp?” He sat down abruptly on the surgical bench. “He’s not only invisible,” he said, “but he’s mad! Homicidal!”

I never thought about it this much before, but it seems that in the previous chapter when Griffin mentioned his confederate "who tried to steal my money," Kemp didn't put it together that it was Marvel, nor does he know that Marvel was the tramp Griffin was chasing. From his point of view, that tramp was just some random guy Griffin was going after, which would explain why Kemp thinks Griffin has become a homicidal maniac.

Then there's this paragraph when Kemp reads the next morning's paper which would confirm it:

This gave Kemp the essence of the happenings at the “Jolly Cricketers,” and the name of Marvel. “He has made me keep with him twenty-four hours,” Marvel testified. Certain minor facts were added to the Iping story, notably the cutting of the village telegraph-wire. But there was nothing to throw light on the connexion between the Invisible Man and the Tramp; for Mr. Marvel had supplied no information about the three books, or the money with which he was lined. The incredulous tone had vanished and a shoal of reporters and inquirers were already at work elaborating the matter.

Because Marvel never tells about the books or the money, his account of his time with Griffin is framed as an innocent man being forced to help a criminal against his will. All of this would therefore support Kemp's assumptions. The Jolly Cricketer's incident would also become framed less as Griffin getting revenge, but as the "rage growing to mania" Kemp thinks it is.

The end of the chapter, with Griffin waking up in a fit of anger, throwing and breaking things, probably doesn't help dissuade that view.

[docrotten]

CUJO (1984) – Episode 244 – Decades Of Horror 1980s

“Nope. Nothing wrong here.” After watching this film, they may need to rethink that statement. Join your faithful Grue Crew – Chad Hunt, Bill Mulligan, Crystal Cleveland, and Jeff Mohr – as they revisit the real-life horror on display in Stephen King’s Cujo (1983).

Decades of Horror 1980s Episode 244 – Cujo (1983)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! Click the alert to get notified of new content! https://youtube.com/gruesomemagazine

Decades of Horror 1980s is partnering with the WICKED HORROR TV CHANNEL (https://wickedhorrortv.com/) which now includes video episodes of 1980s and is available on Roku, AppleTV, Amazon FireTV, AndroidTV, and its online website across all OTT platforms, as well as mobile, tablet, and desktop.

Cujo, a friendly St. Bernard, contracts rabies and conducts a reign of terror on a small American town.

  Directed by: Lewis Teague 

Writing Credits: (novel by) Stephen King; (screenplay by) Don Carlos Dunaway & Barbara Turner (writer) (as Lauren Currier)

Cinematography by: Jan de Bont (director of photography) (as Jan De Bont)

Editing by: Neil Travis

Special Visual Effects Makeup: Peter Knowlton

Movie Poster Artist: Robert Tanenbaum

Selected Cast:

Dee Wallace as Donna Trenton

Danny Pintauro as Tad Trenton

Daniel Hugh Kelly as Vic Trenton (as Daniel Hugh-Kelly)

Christopher Stone as Steve Kemp

Ed Lauter as Joe Camber

Kaiulani Lee as Charity Camber

Billy Jayne as Brett Camber (as Billy Jacoby)

Mills Watson as Gary Pervier

Sandy Ward as Bannerman

Jerry Hardin as Masen

Merritt Olsen as Professor

Arthur Rosenberg as Roger Breakstone

Terry Donovan-Smith as Harry

Robert Elross as Meara

Robert Behling as Fournier

Clare Torao as Lady Reporter (as Claire Nono)

Daniel H. Blatt as Dr. Merkatz

Robert Craighead as Joe MaGruder (uncredited)

Who let the dog out? This incarnation of the 80s Grue Crew did, for their 100th episode together and for this year’s Halloween episode. For the occasions, they dip back into the Stephen King well for one of the trio of his films released in 1983: Cujo. Unleash the terror! Despite the puns, this film has a lot going for it. Director Lewis Teague gets powerful performances from Dee Wallace and Danny Pintauro that make Cujo a truly terrifying and heartwrenching movie. And then, there’s that rabid giant of a dog! The 80s bunch loves it! Even so, they go oft astray. 

At the time of this writing, Cujo is available for streaming from MAX, as well as PPV from multiple sources. It is also available on physical media as Cujo (40th Anniversary Edition) in standard Blu-ray or 4K UHD formats from KL Studio Classics.

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Chad, will be Maximum Overdrive (1986). It’s a King doubleheader and a double tap for the latter. Who doesn’t love a Green Goblin-adorned semi-truck?

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or comment on the Gruesome Magazine Youtube channel, on the Gruesome Magazine website, or email the Decades of Horror 1980s podcast hosts at feedback@gruesomemagazine.com.

Check out this episode!

[hammondcast]

A 100 After Oiling All The Way Jon Hammond

A 100 After Oiling All The Way Jon Hammond

#WATCHMOVIE HERE: A 100 After Oiling All The Way Jon Hammond

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A 100 After Oiling All The Way Jon Hammond

by Jon Hammond

Usage Attribution-NonCommercial-NoDerivs 4.0 International Topics Oiling, Annual, Once a Year, Hammond A-100, Tunes, Jon Hammond, All the Way, MaintenanceLanguage English A-100 after oiling all the way Jon Hammond Just did my annual oiling - with the special Hammond Oil as per the excellent instructions by Dr. Kemp aka Arthur D. Kemp PhD folks - and remember, don't put too much in the little cup for the vibrato scanner or you'll have a problem! #annual #OnceAYear #oilinghammond #oil #tunes #hammondorgan #hammonda100 Identifier a-100-after-oiling-all-the-way-jon-hammond 

Oiling, Annual, Once a Year, Hammond A-100, Tunes, Jon Hammond, All the Way, Maintenance, Language English

Posted by HAMMONDCAST at 1:37 PM

[othehorrorz]

dni dr kemp (jk I miss u bby :( )

[anxious-ace]

New series: The Chronorun Reports (picrews soon)

House of scientific commerce:

Abraham Van Helsing

Dr. Henry Jekyll/Mr. Edward Hyde (yes they're the same person)

Victor Frankenstein

Dr. [redacted] Griffin

Guinevere "Gwen" Crowley

Sherlock Holmes

Dr. John Watson

The time traveler

Missing persons investigative committee:

Gabriel John Utterson

Alfred Poole

Mycroft Holmes

Robert Walton

Dr. Arthur Kemp

This is inspired by @mrhyde-mrseek's "science most sinister" I will admit it. When the plot points come flooding my brain, I'll let you know.

[blapis-blazuli]

Dr. Jack Griffin, the Invisible Man

EEEEEEEEEE

Favorite thing about them: Almost everything? But probably his voice.

Least favorite thing about them: Please stop murdering people, Jack…

Favorite line: A lot of them. “Even the moon’s frightened of me!”, “You’re crazy to know who I am, aren’t you?”, “You’re my partner, Kemp” (even in context that line sounds so not straight I can’t even), etc. (Also “Is Flora there?” simply for how heartbreaking it is for me.)

Brotp: I do like the idea of him being friends with Geoffrey and Kitty in our AU, it’s just gonna take a while for them to get there because of what he did.

OTP: Scientific Romance. (For those who don’t know: Arthur Kemp/Jack Griffin/Flora Cranley/Rosemary Carew/Henry Jekyll(/Jack Griffin))

NOTP: If our Monster AU had a fandom, I have a really terrible feeling that there’d be at least one nasty person who’d try to pair him with his brother. Just thinking of that being a possibility makes me squirm. Thank god nobody does that though.

Random headcanon: (I’m going with our Monster AU for this because reasons.) Since he’s never known anybody else with albinism he just assumed that some of his autistic traits were just something that came with being an albino. He was quite shocked to find out that wasn’t the case at all when someone who has met other albinos before (coughMallacough) told him otherwise.

Unpopular opinion: …I like him more than his book counterpart, and I like him even more in our AU; he’s fun to work with. Too fun, even. People who say that as long as you stick to the personality he had in the book you’re writing him right are wrong; his basic personality in the book is “selfish jackass who never learns”, and for me that’s such an uninteresting approach to writing a character who could be so much more than that. Reworking him to be a character who grows and learns and feels and has complicated problems and flaws that he wants to work on (or at the very least make him intentionally funnier/more entertaining like in the ‘33 movie) is much more satisfying to me than just writing him as a static jerk (or worse).

Song I associate with them: Clearly this one.

Favorite picture of them

There are too many good ones so here are only three of them.

Thank you so much for the ask! Sorry this is so long, I have a lot of thoughts and feelings about Jack.

(Send me a character?)

[scotianostra]

The Scottish actress Mary Riggans was born on July 19th 1935 in Clydebank.

Mary began her acting career in 1946, when she did a voice over at the age of 10, and went on to star in television, radio and theatre productions, the most famous at home is her portrayal of Effie Macinnes, the village gossip and busybody forever looking for an eligible man – but usually losing interest on finding one.

She was cast as Effie three years after Take the High Road began as a daytime soap on the ITV network,  but was shown at peak time in Scotland. It was retitled High Road in 1994 and, although the channel had officially dropped it nationally a year earlier, producer Scottish Television continued to make episodes, which many other regional companies showed. Riggans stayed with the serial until it was finally axed in 2003.

By then, she was reaching another generation of viewers with the role of Suzie Sweet, Penny Pocket’s business partner at the village shop and café, in the CBeebies series Balamory. The programme, aimed at children aged six and under and filmed mostly in Tobermory on the Isle of Mull, featured a seaside community of extrovert and colourful characters. Suzie, the flipside to Penny’s business-like character, told stories about various items sold in the shop, Pocket and Sweet, and displayed culinary skills in the kitchen. Both would occasionally burst into song.

Riggans’s acting skills had been on display from a young age. Born in West Dunbartonshire she was 10 when she first acted on radio, in the Scottish edition of Children’s Hour, and the medium remained her favourite throughout her long screen and stage career. She would go on to act in dozens of Saturday Night Theatre productions and read Morning Story. Joyce Grenfell once wrote to her: “If I could write in Scots and make up a good story, I’d get you to read it.”

After leaving North Kelvinside Academy, Glasgow, Riggans gained an MA in philosophy from Glasgow University, where she performed with its drama society. Throughout her education she also continued to act professionally. At the age of 16 she made her television début as Kirsty Kellas in the Robert Kemp play A Nest of Singing Birds.

After university, Riggans gained repertory theatre experience in Perth, performed with a puppet company and worked as an English supply teacher between jobs. From the mid-1960s she was cast in character roles on television. There were parts in plays and one-off appearances in series such as Sutherland’s Law and The Prime of Miss Jean Brodie. Emphasising her versatility, there were also five different roles in Dr Finlay’s Casebook between 1964 and 1970, two in Taggart, in 1983 and  1992 and three in the sitcom Rab C Nesbitt 1988, 1990, and 1992.

In the film Dear Frankie Riggans played Nell, grandmother of the deaf boy whose mother took him on the run to get away from his abusive father. She won the Sony Radio Award as Best Actress in 1983 for her performance as Jean Armour, Robert Burns’s wife, in Donald Campbell’s play Till A’ the Seas Gang Dry.

Her television popularity led to many pantomime appearances across Scotland over the years. She was also in plays at the Royal Lyceum Theatre, Edinburgh, where her roles included the forgiving wife Beatrice in Arthur Miller’s A View from the Bridge and the matchmaker Ustinya in Alexander Ostrovsky’s A Family Affair, as well as touring Scotland in productions.

Off set, Riggans was known for knitting socks for members of the High Road cast. She also enjoyed watching rugby and tennis.

In 2012  Mary Riggans suffered a stroke that left her with restricted speech and movement, she died in her sleep at her Edinburgh home on 2nd December 2013, she was 78. 

[mrepstein]

Brian Epstein’s Address & Telephone Book

A small leather bound pocket address and telephone book that was owned and used by Brian Epstein. The book dates to 1967 and it consists of pages of addresses and telephone numbers some of which are typed, some of which are in Epstein’s hand and some which have been added by hand on his behalf. // (click HERE to view more pages from the book)

The book contains a total of 404 entries - a selection of them are listed below:

A

ATV Ltd 

ABC Television Ltd 

AIR London Ltd. 

Tom Arnold Ltd 

Neil Aspinall 

Artistes Car Hire 

Annabels [nightclub] 

Alexander’s Restaurant 

Ashley Steiner Famous [talent agency] 

Al Aronowitz 

Atlantic Records 

Eric Andersen 

Bob Anthony 

B

Bryce Hanmer & Co [accounting firm] 

Bedford, Okrent & Co 

BBC Television Centre 

BBC Broadcasting House 

Al Brodax 

Cilla Black 

Mr. & Mrs. Tony Barrow 

Mr. & Mrs Don Black 

Bryan Barrett 

Jack Barclay Ltd  [Bentley dealership] 

Peter Brown 

Mr. & Mrs. B. Bullough 

Mr. & Mrs J. Bullough 

Miss J. Balmer 

Mr. &. Mrs. Ivan Bennett 

Eric Burdon 

Francisco Bermudez 

Lionel Bart 

David Bailey 

Bag O’Nails 

Tony Barlow 

Ray Bartell 

Rodney Barnes 

Bruno One Restaurant 

Sid Bernstein 

Kenn Brodziak 

Leonard Bernstein 

Al Bennett 

Beverly Hills Hotel 

Brian Bedford 

Scotty Bower 

David Ballman 

Bob Bonis 

Bill Buist 

Arthur Buist 

C

Dr. Norman Cowan 

Curzon House Club 

Crockfords Club 

Clermont Club 

Cromwellian Club 

Paddy Chambers 

Radio Caroline 

Michael Codron 

Cap-Estel Le 

Mr. & Mrs. J. Cassen 

Columbia Pictures Ltd 

Eric Clapton 

Capitol Records Mexico 

Michael Cooper 

Roger Curtis 

Neil Christian 

Maureen Cleave 

Thomas Clyde 

Cash Box 

CBS Records Ltd 

Denny Cordell 

William Cavendish 

Caprice Restuarant 

David Charkham 

Capitol Records 

Columbia Broadcasting System 

Bob Crewe 

May Cunnell 

Car Hire Co. for Lincoln 

Dr. Kenneth Chesky 

Capitol Records (Voyle Gilmore) 

Irving E. Chezar 

Danny Cleary 

Bobby Colomby 

Bob Casper 

Andre Cadet 

D

Daily Express 

Disc & Music Echo 

Decca Records 

Bernard Delfont Ltd 

Bernard Delfont 

Noel Dixon 

Jimmy Douglas 

Chris Denning 

Simon Dee 

Rik Dane 

Dolly’s [nightclub] 

Hunter Davies 

Terry Doran 

Pat Doncaster 

Norrie Drummond 

Alan David 

John Dunbar 

Peter Dalton 

Kappy Ditson 

Robert Dunlap 

Robert L. David 

Diana Dors 

Ivor Davis 

Tom Dawes 

Brandon de Wilde 

Don Danneman 

E

Malcolm Evans 

Clive J. Epstein 

Mr. & Mrs. H. Epstein 

EMI Records Ltd 

EMI Studios 

Geoffrey Ellis 

Etoile Restaurant 

Tim Ellis 

Terry Eaton 

Kenny Everett 

John East 

Bob Eubanks 

Esther Edwards 

Ahmet Ertegun 

F

Alan Freeman 

David Frost 

Georgie Fame 

Robert Fraser 

Andre Fattacini 

Dan Farson 

Billy Fury 

Barry Finch 

Marianne Faithfull 

Robert Fitzpatrick 

Warren Frederikson 

John Fisher 

Danny Fields 

Francis Fiorino 

G

Dr. Geoffrey Gray 

Hamish Grimes 

Derek Grainger 

Rik Gunnell 

Rik Gunnell Agency Ltd 

Derrick Goodman & Co. 

Peter Goldman 

Christopher Gibbs 

David Garrick 

Geoffrey Grant 

Mick Green 

John P. Greenside 

Michael Gillet 

General Artists Corp. 

John Gillespie 

Voyle Gilmore 

George Greif 

Ren Grevatt 

Milton Goldman 

M. Goldstein 

Gary Grove 

Henry Grossman 

H

Mr. & Mrs. Berrell Hyman 

Doreen Hyman 

Mr. & Mrs. Basil J. Hyman 

Mrs. A. Hyman 

Steve Hardy 

H. Huntsman & Son Ltd 

Simon Hayes 

Frankie Howerd 

Henry Higgins 

Chris Hutchins 

Tony Howard 

Wendy Hanson 

Marty Himmel 

Casper Halpern

John Heska

Ricky Heiman

Joe Hunter

Ty Hargrove

Hullabaloo.

Walter Hofer

J

M.A. Jacobs & Son 

David Jacobs [lawyer] 

Dick James Music Ltd 

Mr. & Mrs. D. James 

Mick Jagger 

Brian Jones 

Michael Jeffries 

Drummond Jackson 

David Jacobs [d.j.] 

Brian Joyce 

Gerry Justice 

K

Gibson Kemp 

Johnathan King 

Mr. & Mrs Maurice Kinn 

Kingsway Recording Studios 

Ashley Kozac 

Kafetz Camera Ltd. 

Reg King 

Andrew Koritsas 

Ed Kenmore 

Walker Kundzicz 

John Kurland 

Murray Kauffman

L

Larry Lamb 

Martin Landau 

Kit Lambert 

Dick Lester 

Mr. & Mrs. Vic Lewis 

Tony Lynch 

Radio London 

Mike Leander 

John Lyndon 

Bernard Lee 

Kenny Lynch 

Denny Laine 

Lomax Alliance 

Ed Leffler 

David G. Lowe 

Richard W. Lean 

Goddard Lieberson 

Laurie Records 

Liberty Records 

London Records 

Alan Livingston

M

Melody Maker 

Peter Murray 

Keith Moon 

Mr. & Mrs. G. Martin 

Mr. & Mrs. Brian Matthew 

Midland Bank Limited 

Vyvienne Moynihan 

Gerry Marsden 

Ian Moody 

Michael McGrath 

Cathy McGowan 

Mr. & Mrs. J. McCartney 

Albert Marrion 

Robin Maughan 

Peter Maddok 

Gordon Mills 

Brian McEwan 

John Mendell Jnr. 

Marshall Migatz 

Fred Morrow 

Chruch McLaine 

Vincent Morrone 

Jeffrey Martin Co. 

Gavin Murrell 

Dean Martin 

Gordon B. McLendon 

Sal Mineo 

Scott Manley 

Bernard Mavnitte 

Verne Miller 

N

John Neville 

Joanne Newfield 

Tommy Nutter 

Francisco Neuner 

Tatsuji Nagasima 

New Musical Express 

NEMS Enterprises Ltd 

Graham Nash 

Nemperor Artists Ltd 

Louis Nizer 

Bob Nauss 

Gene Narmore 

O

George H. Ornstein 

Olympic Sound Studios 

A. L. Oldham 

Myles Osternak 

Roy Onsborg 

P

Col. Tom Parker 

Jerry Pam 

Plaza Hotel 

PAN AM. rep 

Bob Perlman 

Allen Pohju 

Robert H. Prech 

John Pritchard 

Prince Of Wales Theatre 

Don Paul 

Sean Phillips 

Jon Pertwee 

Ricki Pipe 

Dr. D. A. Pond 

David Puttnam 

David Puttnam Associates 

Tom Parr 

Harry Pinsker 

Kenneth Partridge 

Larry Parnes 

Priory Nursing Home 

Viv Prince 

Steve Paul 

R

Radnor Arms [pub] 

Leo Rost 

Keith Richard 

Record Mirror 

Dolly Robertson-Ward 

Charles Ross 

Rules Restuarant 

Marian Rainford 

Bobby Roberts 

Bill Rosado 

S

Vic Singh 

Speakeasy [club] 

Simon and Marijke 

Simon Shops 

Judith Symons 

Keith Skeel 

Tony Sharman 

Simon Scott 

Barrie Summers 

John Singleton 

Squarciafichi 

Don Short 

Dr. Walter Strach 

Walter Shenson 

John Sandoe Ltd 

Bobby Shafto 

Harry South 

Brian Sommerville 

Robert Stigwood

David Shaw 

Chris Stamp 

Aaron Schroeder 

Stephen, Jacques & Stephen [law firm] 

Leo Sullivan 

Gene Schwann 

Herb Schlosser 

Gary Smith 

Jim Stewart [co-founder, Stax Records] 

John Simon 

Jerry N. Schatzberg 

Lex Taylor 

Robert Shoot 

Lauren Stanton 

St. Regis Hotel 

Eric Spiros 

Howard Soloman 

T

Taft Limousine Corp 

[Sidney] Traxler (lawyer) 

T.W.A. Ken S. Fletcher [director, public relations, TWA] 

Derek & Joan Taylor 

T.W.A. (Victor Page) 

Martin Tempest 

Evelyn Taylor 

Twickenham Studios 

Kenneth Tynan 

Alistair Taylor 

F. T. Turner & Son Ltd. 

R. S. Taylor 

Michael Taylor 

George Tempest 

Norm Talbott 

U

United Artists Corp Ltd 

U.P.I. 

V

Klaus & Christine Voormann 

V.I.P. Travel Ltd 

W

Mark Warman 

Gary Walker 

Robert Whitaker 

Peter Watkins 

Peter Weldon 

Mrs. Freda Weldon 

Alan Warren 

Orson Welles 

Sir David Webster 

Alan Williams 

Dennis Wiley 

Terry Wilson 

Nathan Weiss 

Norman Weiss 

Gerry Wexler 

Y

Murial Young 

Bernice Young 

Z

Peter Zorcon