#Dog goes woof

[mozart-goes-woof]

Favorite thing about hypnosis?

The subtle and powerful changes that words can have on the human mind. The idea that we can be guided into a state of trance by another, something which is incredibly intimate, and then in that trance be open and suggestible to their words? It's so fucking hot.

The fact that our perception can be altered in such a way, rendering us compliant, needy, mindless, horny, or any other way the hypnotist wishes simply by something as simple as having a conversation will always be my favorite thing about hypnosis.

[mozart-goes-woof]

Please send me asks!

Hypnosis Kink Asks

1. How long have you been into hypnosis? 2. Describe your first experience with hypnosis 3. Are there any TV shows/movies/books you liked when you were younger that you think got you into hypnosis? 4. Are you primarily a hypnotist or a subject? 5. Are you primarily a dom/me or a sub? 6. What do you love about being hypnotised? 7. What do you love about hypnotising people? 8. How do you feel when hypnotised? 9. How do you feel when you hypnotise someone else? 10. Are you a difficult subject? 11. What’s your ‘signature move’ as a hypnotist? 12. What’s your favourite kind of hypnotic induction? 13. Do you like visual fixation (on spirals, eyes, swinging objects etc.) for hypnosis? 14. What are your favourite kinds of hypnosis play? 15. What other kinks do you like to incorporate into your hypno play? 16. For you, is the appeal of hypnosis primarily sexual or not? 17. What are some post-hypnotic suggestions you particularly enjoy (for others or yourself)? 18. Describe your best experience involving hypnosis 19. Describe a bad experience you had involving hypnosis? Why was it bad? Why did it go wrong? 20. What’s one tip you have for other hypnotists/subjects? 21. Do you have any tips for how to negotiate hypnosis play? 22. Do you like your hypnosis to involve power exchange, or not? 23. For you, how does hypnosis fit into a relationship? Just in the bedroom, or as part of BDSM relationship? 24. Are you interested in a 24/7 hypnotic enslavement relationship? 25. Have you ever experienced strong, sudden feelings for a hypnotist/subject? How did you deal with that? 26. Are you interested in hypnotising/being hypnotised by people of a gender you are not attracted to? 27. What’s your favourite work of hypnosis erotica? 28. What’s your favourite spiral? 29. What’s your favourite hypno-themed image/caption/piece of art? 30. What’s your favourite audio file/audio file producer? 31. What’s your favourite book/movie/TV show that includes hypnosis? 32. Describe your biggest fantasy involving hypnosis? 33. Do you have any fantasies about non-consensual hypnosis? Describe them 34. What’s one fictional character you’ve fantasised about hypnotising/being hypnotised by? 35. Do you like intelligence loss/bimbofication hypnosis? Why? 36. Do you like amnesia play? Why? 37. Do you like freeze triggers? Why? 38. Do you like pleasure triggers? Why? 39. Do you like alternate personalities created through hypnosis? Why? 40. Do you like feminization hypnosis? Why? 41. Have you ever experienced a “hands-free” orgasm as a result of hypnosis? 42. Which famous person do you think has the most hypnotic voice? 43. If you make hypnosis content, what’s your favourite piece of content you’ve made? 44. Have you ever used hypnotic conditioning to help you or someone else with a part of your/their life? 45. Have you ever been to a hypnosis convention? Did you enjoy it, or not? Why? 46. How has being involved with hypnosis/the hypno community improved your life? 47. What is one thing about the hypnosis community you think could change for the better? 48. Who is one person in the hypno community you really admire? 49. What is your favourite hypnosis-themed blog on tumblr? 50. Tag someone you’d like to see do some of these asks

[mypupilsdilatelikeacar]

Hehee hiii

Im gonna fill your feed 😘

[brenshor]

Enid's wolf: woof

Wednesday: Uh-uh don't woof.

Enid's wolf enunciating: WOOF

[sunnydayaoe]

err scary... pet reg mind :] ouppy

[Please don't tag as ship]

[mozart-goes-woof]

As someone who's bottomed for a drowning scene before (was not great), and who is an experienced bottom for waterboarding, I cannot stress enough how good this info is for anyone attempting to do any sort of play like this. ESPECIALLY THE WARM WATER BIT!

Also, aftercare is very important for things like this as well. Periodic check ins help a lot, especially if/when the bottom is not great at identifying issues on their own.

This is a RACK focused best practice guide to doing a drowning scene, more specifically a scene where you're repeatedly forcing your victims head under the water. These are my suggestions based on extensive research but they are only theoretical i haven't got to do this to anyone yet. If you have actual experience id love to hear from you please.

Pre-scene setup

Learn CPR. This is the single thing that I'm going to say is mandatory, everything else is just a suggestion this isn't. If worst comes to worst and your victim is drowning you need to be able to save their life.

Learn your victim. How do they react in pain, when they're scared or panicking, where are there mental breaking points. Especially helpful to have done breath play with them before, how long can they hold their breath, how hard will they fight, what are their non verbal cues. Are they the type of person who will push their limits past the danger point, are you comfortable shutting the scene down when they're begging you to continue.

Figure out your nonverbal communication. A safeword is important but not nearly enough for a scene like this. Their head is going to be underwater most if the time and they'll probably be struggling and fighting. What signs can they make to tell you to stop or slow down under these conditions. I would suggest giving them something to hold that can make noise, a squeaky toy or a clicker or something similar, with which to signal you.

During the scene

Use warm water. Cold water adds a whole plethora of new problems significantly increasing the risk. I'm not sure of the exact temperature but I think it should be either room temperature so your victim doesn't feel a temperature difference between the air and the water, or body temperature so the water doesn't change their core temperature. (If you'd like to use cold water or even ice water, if that's part of the appeal, ill happily figure out the additional risks in exchange for a video of you drowning your victim ^.^)

Watch their face. Like any other form of breath play hypoxia is a major risk. This post isn't about breath play, I'm assuming you know all those risks and how to manage them before you do something like this.

Start slow. Put your hand on their head but let them submerge themselves and then come back up when they're ready. This will get them used to the sensation and you used to the rhythm. Slowly increase pressure and intensity until you're forcing their head under and pulling it up against their will.

Have the person fill their lungs to capacity before submerging them. The reason being they will have to breath out before they breath water back in so as soon as you see the first sign of bubbles you can pull them out.

After care

This scene will be intense so the aftercare needs to be too. Again this post isn't about proper aftercare I'm assuming you know how to do that if you're doing something like this. But in addition to the usual.

Have a plan for monitoring your victim for the next 72 hours. There are two major complications that can occur after a drowning incident and both can take days to present themselves. The first is when a persons throat spasms and closes, this is supposed to happen when they initially inhale water but can happen much later. The signs to look out for include persistent coughing, irregular breathing, dizziness, confusion, and foam around the mouth and nose. The second is when water gets deep into the lunges it can cause fluid to build up which inhibits gas exchange causing the person to slowly suffocate. The signs to look out for can include coughing up blood, excessive sweating, anxiety, pale skin, and a crackling sound when breathing deeply. If your victim shows any of these signs get them to a medical professional asap, don't risk it these will both cause very painful death.

Enjoy ^.^

[haedshct]

btw u guys ever think about how bedmans first interaction with the real world EVER was by killing someone. you guys think abt how bedman uses the same terminology as the overture valentine when he refers to ariels errands. specifically that word, errands. do you think h

[muffinlance]

Toddler: I am going to make a panopticon hover craft

And then he did

[raikirikiri]

missing-nin kakashi who leaves the village on his own accord. he’s pushed to the edge, and despite all the anbu missions he’s taken to get himself killed, it just doesn’t work. so he leaves and becomes a mercenary and thinks he might have some luck dying that way. he thinks part of him is still loyal to konoha but it doesn’t feel like home anymore. plus the constant needling of his ex-classmates insisting their his friends when he knows he doesn’t deserve friends, he barely deserves comrades.

so he leaves. and he does the jobs he takes well and yes, he’s still hoping he dies but he’s too good at being a shinobi so he keeps living. no matter how accidental.

he has a good fortune by the start of canon time but id like to believe he lives in a cave with a ratty futon and a few shabby changes of clothes. he lives an extremely solitary life but he’s…healed. a little. he’s never forgiven himself, he probably never will, but he’s made some sort of peace with himself and his actions.

meanwhile. the akatsuki is forming. itachi, kisame, sasori, kakazu, pain, konan, zetsu, obito (still in the shadows). almost the whole crew is there, they just need to round out their numbers a little. and who better to approach than missing-nin copy ninja kakashi? pain brings it up first one rainy day in ame. obito, or madara, is meeting with pain, konan, and zetsu and pain brings up kakashi first.

obito chokes out a no, barely hanging onto his madara act. no, he denies vehemently. the mean thought enrages something in him and the thought of having to see kakashi’s beautiful ugly mug more than he already does (because yes, he may be a missing-nin but obito wouldn’t be a stalker if he couldn’t find his prey over and over again) is brain melting and heart stopping in a very very negative way.

of course pain has to ask why, madara has never had such a visceral reaction to suggestion for a recruit.

his pants around his ankles, obito has to scramble for an excuse and it’s a little more elegant than “he’s not evil enough”. obito shuts the conversation down then and there, deciding to come back to it at a later date when he can be prepared for his ex-teammate’s name to be brought up again.

for the next three years, any time they’re low on numbers, kakashi’s name comes up and obito always struggles to react normally and his answer is always some iteration of “he’s not evil enough”. so hidan comes up with the brilliant idea to force him to be evil, similar to how they forced deidara to join the akatsuki.

obito, failing to come up with counter arguments and running out of excuses, concedes. pain, during their monthly meetings where tobi is madara, is pleased. he suggests sending itachi to fetch him, since they were once anbu together and seeing a familiar face may help. obito vetoes this and decides he’ll go get kakashi himself. he’s, of course, seen how being away from the village has affected him. and while he’s entirely competent, he’s almost too competent. and doesn’t do well with surprises.

without further preamble, he kamuis into kakashi’s cave, startling him and causing him to spill his soup everywhere. now, kakashi is very much attack first, talk second at this point in his life. having been away from society for so long has allowed his hatake genes to really take over and he’s become much more uhhh instinct driven.

so once he gets over his initial shock and his initial reaction of ‘kill kill kill’, he freezes. he’s always had a sharp sense of smell but it’s on a different level now and there’s something familiar about this strange ghost man. for someone so ghoulish, he has a scent and it lights a lamp in kakashi’s subconscious.

‘i know you’ kakashi accuses, a snarl rising in his throat. this ghoul man is in his cave, his private space, he wants answers.

‘do you?’ a deep voice asks, sounding surprised and amused.

kakashi weighs his options of arguing with ghost guy or figuring out why the hell ghost guy just…appeared in his cave.

‘i’m here to take you to join the akatsuki’ ghoul man decides for him. kakashi grunts and picks up his overturn bowl.

‘no thanks’ he states, scooping some soup from the pot into his bowl.

‘it’s not an invitation’ the apparition snaps and kakashi pauses. he sniffs towards ghost guy again but he still can’t place the scent to the man.

‘can you please leave? i’m trying to eat my dinner and well…’ kakashi asks (but of course it’s more of demand), pointedly gesturing to his mask.

‘what? no. you’re coming with me,” obito growls, his eye twitching in irritation. after all these years, all his suffering, all he’s learned and how much he’s grown…bakakashi still gets under his fucking skin.

‘i don’t want to’ kakashi pouts, petulance and amusement in his tone.

‘you don’t get a choice’ obito hisses in madara’s voice. it sounds wrong and entirely too much like obito.

‘maa, what do i get out of it?’ hatake drawls, a glint in his eye that tells obito hes enjoying this far too much.

‘nothing. you get nothing except me letting you continue to live your sorry life’ obito snaps back, unable to stop the heat of annoyance racing up his spine.

‘how do you know my life is sorry?’ kakashi taunts loftily, crossing his arms and lifting his nose to the ceiling.

‘for the love of sage’ obito takes kakashi by the arm and warps them into kamui, uncaring if kakashi recognizes the jutsu or not. he just wants him to shut up. he should kill pain for making him do this. he would kill hidan but that fucker can’t fucking die.

‘hey i recognize that foot’ kakashi mutters to himself, eye squinted at the severed foot he warped into the dimension months ago. huh. that’s where the things he disappears go. interesting.

hey wait—

‘i know that look’ obito bites out, letting his facade drop. stupid fucking genius asshole.

kakashi gasps, eyes watering in disbelief. ‘don’t—don’t fucking do that. get it together already. you’re about to meet a bunch of fuckin’ s-ranked missing-nins, you can’t be crying’

obito’s voice is a little awkward this soft, but he’s sincere. he doesn’t know how or why he’s sincere, he hates kakashi. he thinks. he’s not too sure but he hasn’t been…soft…in years. but the sight of kakashi, broken and worn down, has something in him melting just a little.

‘you fucking dickhead’ kakashi croaks, shoving obito’s shoulder. ‘you fucking— fucking asshole! you were dead! you bastard, how could you not come back? how could you not tell me?’

kakashi’s voice is hard and cracking at the edges. it throws obito off entirely. his mouth opens and closes like a limp fish behind tobi’s mask, trying to find the words he should say.

after a few moments of kakashi’s hardened stare, obito finds himself feeling indignant. ‘i never thought you’d care’ he sneers. a lie.

‘you’re not that fucking good at lying still and i’m not dense. you’ve been stalking me. at least since i left the village’ kakashi accuses with a scoff.

‘i run a terrorist organization!’ obito shoots back hotly. ‘excuse me for thinking duty-driven kakashi wouldn’t take his dead sunshine-happy teammate becoming an s-rank criminal well!’ he seethes, finding he isn’t all that angry. this feels familiar.

‘oh please. i’d follow you till the end of the fucking earth’ kakashi spits before his eyes widen in shock, much like obito’s eye does. kakashi drops his full bowl of soup on the floor of kamui and covers his mouth with both hands.

obito makes a noise in the back of his throat, ‘don’t—‘ and then he’s ripping his mask off and pulling kakashi’s hands away from his face and tugging him close. lips to mask, he doesn’t care, he kisses kakashi fervently.

he tastes kakashi through the clothe of his mask, moaning at the way kakashi moans against him, the way kakashi’s fingers find themselves in obito’s hair. when they finally pull away, obito manages a please smile, cheeks bright red and pupil blown, ‘don’t follow me. walk with me.’

kakashi rolls his eyes and pulls him in for another kiss. ‘told you i knew you’ he whispers against obito’s lips, before nuzzling his face into obito’s neck, scenting him, marking him.

———

AHEM ANYWAY:

i think kakashi’s hair would be grown out, similar to how obito’s hair was during cave life with old ass madara. his already long canines would grow, and he’d be super in touch with nature. i think he’d be able to communicate with animals similar to how juugo is. basically, once away from the village and society, he becomes a lot more hatake-ish. just. kakashi growling and snarling snurfing at any akatsuki member that isn’t obito. or itachi. he’ll accept kisame eventually too, but that’s it. everyone else he does not talk to, only growls at.

[mozart-goes-woof]

Update: I have caved to V and am continuing the denial that started last Wednesday. I'm very needy and agreed to continue not touch myself until this upcoming Wednesday.

I'm so wonderfully fucked.

[animedogoftheday]

Today's anime dog of the day is:

Fido from 86 (2021)

[alphaclxwn]

Your blog is scary

wharrrr noooooo

[whatudottu]

New OC time, and for every person to call him an animal Wrau adds another tally to his shit list-

Ough fuck my hand broke

[jellyfishfem]

i actually love loud and talkative dogs and cats. of course if theres ppl around who dont like it then i wouldnt want them to be chatty but oh god i love holding a conversation with them, even if its an argument . Huskys are the gift of god. I love communicating with animals in general. Idk why it makes me so happy.

[g0reoz]

NEW HOT MULLIGAN SONG WHAT!!!!!!! GO STREAM END ERIC SPARROW AND THE LIFE OF HIM!!!!!!!

[literaryvein-reblogs]

Writing Notes: Children's Dialogue

Language is extremely complex, yet children already know most of the grammar of their native language(s) before they are 5 years old.

BABBLING

Babbling begins at about 6 months and is considered the earliest stage of language acquisition

By 1 year babbles are composed only of the phonemes used in the language(s) they hear

Deaf babies babble with their hands like hearing babies babble using sounds

FIRST WORDS

After the age of one, children figure out that sounds are related to meanings and start to produce their first words

Usually children go through a holophrastic stage, where their one-word utterances may convey more meaning

Example: "Up" is used to indicate something in the sky or to mean “pick me up”

Most common first words (among the first 10 words uttered in many languages): “mommy,” “daddy,” “woof woof,” “no,” “bye,” “hi,” “yes,” “vroom,” “ball” and “banana”

WORD MEANINGS

When learning words, children often overextend a word’s meaning

Example: Using the word dog to refer to any furry, four-legged animal (overextensions tend to be based on shape, size, or texture, but never color)

They may also underextend a word’s meaning

Example: Using the word dog to refer only to the family pet, as if dog were a proper noun

The Whole Object Principle: When a child learns a new word, (s)he is likely to interpret the word to refer to a whole object rather than one of its parts

SYNTAX

At about two years of age, children start to put words together to form two-word utterances

The intonation contour extends over the two words as a unit, and the two-word utterances can convey a range of meanings:

Example: "mommy sock" = subject + object or possessive

NOTE: Chronological age is NOT a good measure of linguistic development due to individual differences, so instead linguists use the child’s mean length of utterance (MLU) to measure development

The telegraphic stage describes a phase when children tend to omit function morphemes such as articles, subject pronouns, auxiliaries, and verbal inflection

Examples: "He play little tune" or "Andrew want that"

Between 2;6 and 3;6 a language explosion occurs and children undergo rapid development

By the age of 3, most children consistently use function morphemes and can produce complex syntactic structures:

Examples: "He was stuck and I got him out" / "It’s too early for us to eat"

After 3;6 children can produce wh-questions, and relative pronouns

Sometime after 4;0 children have acquired most of the adult syntactic competence

PRAGMATICS

Deixis: Children often have problems with the shifting reference of pronouns

Children may refer to themselves as "you"

Problems with the context-dependent nature of deictic words: Children often assume the hearer knows who s/he is talking about

AUXILIARIES

In the telegraphic stage, children often omit auxiliaries from their speech but can form questions (with rising intonation) and negative sentences

Examples: "I ride train?" / "I not like this book"

As children acquire auxiliaries in questions and negative sentences, they generally use them correctly

SIGNED LANGUAGES

Deaf babies acquire sign language in the same way that hearing babies acquire spoken language: babbling, holophrastic stage, telegraphic stage

When deaf babies are not exposed to sign language, they will create their own signs, complete with systematic rules

IMITATION, REINFORCEMENT, ANALOGY

Children do imitate the speech heard around them to a certain extent, but language acquisition goes beyond imitation

Children produce utterances that they never hear from adults around them, such as "holded" or "tooths"

Children cannot imitate adults fully while acquiring grammar

Example:

Adult: "Where can I put them?" Child: "Where I can put them?"

Children who develop the ability to speak later in their childhood can understand the language spoken around them even if they cannot imitate it

NOTE: Children May Resist Correction

Example: Cazden (1972) (observation attributed to Jean Berko Gleason) – My teacher holded the baby rabbits and we patted them. – Did you say your teacher held the baby rabbits? – Yes. – What did you say she did? – She holded the baby rabbits and we patted them. – Did you say she held them tightly? – No, she holded them loosely.

Another theory asserts that children hear a sentence and then use it as a model to form other sentences by analogy

But while analogy may work in some situations, certainly not in all situations:

– I painted a red barn. – I painted a barn red. – I saw a red barn. – I saw a barn red.

Children never make mistakes of this kind based on analogy which shows that they understand structure dependency at a very young age

BIRTH ORDER

Children’s birth order may affect their speech.

Firstborns often speak earlier than later-born children, most likely because they get more one-on-one attention from parents.

They favor different words than their siblings. 

Whereas firstborns gabble on about animals and favorite colors, the rest of the pack cut to the chase with “brother,” “sister,” “hate” and such treats as “candy,” “popsicles” and “donuts.” 

The social dynamics of siblings, it would appear, prime their vocabularies for a reality different than the firstborns’ idyllic world of sheep, owls, the green of the earth and the blue of the sky.

MOTHER'S LEVEL OF EDUCATION

Children may adopt vocabulary quite differently depending on their mother’s level of education.

In American English, among the words disproportionately favored by the children of mothers who have not completed secondary education are: “so,” “walker,” “gum,” “candy,” “each,” “could,” “wish,” “but,” “penny” and “be” (ordered starting with the highest frequency).

The words favored by the children of mothers in the “college and above” category are: “sheep,” “giraffe,” “cockadoodledoo,” “quack quack,” the babysitter’s name, “gentle,” “owl,” “zebra,” “play dough” and “mittens.” 

BOYS / GIRLS

One area of remarkable consistency across language groups is the degree to which the language of children is gendered.

The words more likely to be used by American girls than by boys are: “dress,” “vagina,” “tights,” “doll,” “necklace,” “pretty,” “underpants,” “purse,” “girl” and “sweater.”

Whereas those favored by boys are “penis,” “vroom,” “tractor,” “truck,” “hammer,” “bat,” “dump,” “firetruck,” “police” and “motorcycle.”

Tips for Writing Children's Dialogue (compiled from various sources cited below):

Milestones - The dialogue you write should be consistent with the child's developmental milestones for their age. Of course, other factors should be considered such as if the child has any speech or intellectual difficulties. Also note that developmental milestones are not set in stone and each child is unique in their own way.

Too "Cutesy" - If your child characters are going to be cute, they must be cute naturally through the force of their personality, not because the entire purpose of their existence is to be adorable.

Too Wise - It’s true kids have the benefit of seeing some situations a little more objectively than adults. But when they start calmly and unwittingly spouting all the answers, the results often seem more clichéd and convenient than impressive or ironic.

Unintelligent - Don’t confuse a child’s lack of experience with lack of intelligence. 

Baby Talk - Don’t make a habit of letting them misuse words. Children are more intelligent than most people think.

Unique Individuals - Adults often tend to lump all children into a single category: cute, small, loud, and occasionally annoying. Look beyond the stereotype.

Personal Goals - The single ingredient that transforms someone from a static character to a dynamic character is a goal. It can be easy to forget kids also have goals. Kids are arguably even more defined by their goals than are adults. Kids want something every waking minute. Their entire existence is wrapped up in wanting something and figuring out how to get it.

Don't Forget your Character IS a Child - Most of the pitfalls in how to write child characters have to do with making them too simplistic and childish. But don’t fall into the opposite trap either: don’t create child characters who are essentially adults in little bodies.

Your Personal Observation - To write dialogue that truly sounds like it could come from a child, start by being an attentive listener. Spend time around children and observe how they interact with their peers and adults. You can also study other pieces of media that show/write about children's behaviour (e.g., documentaries, films, TV shows, even other written works like novels and scripts).

Context - The context in which children speak is crucial to creating realistic dialogue. Consider their environment, who they're speaking to, and what's happening around them. Dialogue can change drastically depending on whether a child is talking to a friend, a parent, or a teacher. Additionally, children's language can be influenced by their cultural background, family dynamics, and personal experiences. Make sure the context informs the dialogue, lending credibility to your characters' voices.

Sources and other related articles: 1 2 3 4 5 6 7 8 9 10

Writing Notes: On Children ⚜ Childhood Bilingualism More: Writing Notes & References ⚜ Writing Resources PDFs