#Do you see me taking offense to people who don't want to ship something?

[onepiece-polls]

I love your polls and it’s great you try to be on both sides to give fair chance to everyone, but the way you talked about shanks/buggy is crazy They’re fine together but in canon they’re brothers and your shipping googles got so tight you actually sounded like you could believe they’re anywhere close to canon which is u know stupid af

lmao, okay, this came out of nowhere 😂 Like... I talked about that months ago. But okay.

Anyway, Shuggy is canon. They're making out behind you right now.

[badscienceman]

I saw someone ask what "I hope this hurts" means beyond the obvious, and I started to respond only for it to turn into an essay... Because I don't feel like dumping something so long in some unsuspecting person's notifs, I'm just going to post it here instead.

I started writing this after playing the game, but ended up watching a playthrough because I couldn't remember exactly where "I hope this hurts" was repeated. I think I caught the only few times it was mentioned, but I wouldn't be surprised if I missed something, so feel free to correct me on that or anything else I might have gotten wrong.

Spoilers for the full game and CWs for everything you would expect from discussing Mouthwashing apply.

Edited 10/16/2024 for clarity and some minor issues with formatting. I added sections in hopes of making it more readable, as well as a few more screenshots that I hope will support my points better. *Indicates where I made potentially significant additions to my original analysis.

Part One: Jimmy

Jimmy is someone who has a delicate ego. This means that he's very concerned with how he's perceived by those around him. We see this in how he responds to Curly and the news of the company's closure, which he takes it as a personal attack in spite of it very clearly having nothing to do with him on a personal level.

For people like Jimmy, a threat to one's image (whether it's a matter of their perception of themselves or, maybe worse, the perception others have of them) brings intense emotional pain. Even though it's clear that Curly meant no personal offense, and likely saw more good in Jimmy than was actually there, Jimmy sees this as a great threat to his own image, and thus identity.

To be clear, it's not just that Jimmy thinks Curly is looking down on him. It's also that Jimmy needs his role in the company to maintain his image, and he needs to eventually become captain. This is his ultimate goal because the respect and control that someone like Curly has, in Jimmy's mind, is tied to the title he possesses. And Jimmy wants that. He wants respect, he wants to be listened to, he wants power over others. (This is also why Swansea's final speech is so important, in relation to the belief that if one just reaches this next goal, they might feel a little more human, a little more in control, a little more fulfilled, but as Swansea shows us, that's just not the case. And it's true for Jimmy, too. Jimmy isn't magically fulfilled by obtaining the title of captain.)

But in the beginning, Jimmy has yet to realize that just getting the role of captain won't magically make him a man who is respected, or even a man who is truly in control. He sees no opportunities for himself on earth. The only option is to stay in this company and become a little lord of his own ship... and suddenly that's ripped out from under him. He will never reach the goal he's been chasing for all of this time.

Anya telling him about her pregnancy is the final push he needs to go over the edge.

Part Two: Captain

Returning to the initial reveal that the company is shutting down for a second, I think it's important to keep in mind a few things:

1. The importance of the title of captain in Jimmy's mind.

2. How this extends to his perception of Curly, him being the current captain.

3. Jimmy's self-centeredness preventing him from understanding the feelings and perceptions of those around him.

When Curly says what he does, Jimmy immediately jumps to the conclusion that Curly sees himself as above everyone else (and most importantly, as above Jimmy), to the point of considering them "dirt." I don't think Jimmy is just projecting his greatest fear (being seen as lesser) onto Curly. I think he's projecting his own perceptions.

He's placed all of this importance on the title of captain, and thus Curly. The captain is above Jimmy. Jimmy is beneath him, is lesser. And we know how Jimmy treats those he sees as lesser (first Anya, and then the rest of the crew once he's captain, *manipulating Daisuke into putting his life at risk because Daisuke, who is just an intern after all, just isn't important to Jimmy being an example).

I think this is a fair reading because Jimmy does something similar with Swansea when he insists that Swansea is keeping the last cryostasis pod for himself. I understand some might say that this is just Jimmy's attempt to manipulate Daisuke and Jimmy doesn't actually believe it, which is a fair interpretation, but I sincerely think he believes what he's saying in this instance. And I think that because Jimmy sees selfishness as common sense. It's what he would do were he in Swansea's position, and what makes him giving the pod to Curly significant.

Part Three: Anya

So, Jimmy is already hurt and panicking. He sees his chance at power and thus fulfillment slipping away. And then Anya tells him that she's pregnant.

Anya, who he has shown time and time again that he thinks little of.

Anya, who he clearly sees as beneath him.

Any mention of the pregnancy, no matter how gently it was worded, would immediately feel like a threat to him on multiple levels. And not only that, but a threat from someone lesser than him. His image, his status, his control, his power—it's already slipping from his fingertips. *It's happening right then, in that moment. It's not just a potential future where he's held accountable in a real way (maybe if Anya involved authorities, or if Jimmy was legally responsible for supporting a child once they returned to earth). It's happening now, because his image is crumbling.

For this reason, I believe I hope this hurts to be directed at anyone and everyone that he sees as "threatening" him.

Anya and Curly have made him hurt. He wants to make them hurt.

He doesn't care about Daisuke and Swansea. If anything, he's so caught up in himself and this contorted vision of reality, I wouldn't be shocked if he convinced himself in the moment that they, too, were looking down on him for some reason. (See again, "I know what everyone is thinking. The way they look at me." Obviously this is said in the midst of his spiral, after the crash, but I wouldn't doubt the paranoia was there before that moment.)

He wants to make them hurt as they've hurt him. He may also want to make himself hurt in order to vent out his emotional pain. If not, death may simply be the easiest way to escape pain and the threat the future holds in his mind.

*Part Four: Without the Guilt

In addition to all of this, I think crashing the ship (making them hurt) is his vision of what Curly has done or is doing to him. This is how he "leave(s) the dirt behind."

To understand this, I'm going to include the birthday conversation and the conversation between Jimmy and Curly about crashing the ship.

Jimmy: ... So I guess you got what you wanted. Without the guilt. Curly: Jim... If I had known... Jimmy: I can go back to my, how'd you put it? "Struggle of a life?" Jimmy: Anya never got into medical school because she's... well, let's be real. Jimmy: And how many employment years Swansea got left in him? Jimmy: Daisuke will be fine, mommy and daddy have him covered. So there's that at least. Jimmy: But you. Headed for bigger and better, right? Curly: I'm just... I'm just working on my life being a place I don't have to fucking escape! That's what I was trying to tell you, nothing mor- Jimmy: We're the ones you're trying to escape! Leave the dirt behind now that your boots are clean! Curly: That's not what I meant. Jimmy: It is what you meant. Jimmy: You just couldn't frame it to yourself in a way that kept you as the hero. Jimmy: Abandon the crew but remain the model captain.

To me, this is one of the most important and revealing sections of the game. Jimmy is not only projecting onto Curly, he's telling us exactly what he's going to go on to do (or attempt to do) when he becomes captain.

In addition to this, we see his manipulation on full display as he twists Curly's words and won't allow him even a moment to truly speak beyond a few lines he manages to get in between Jimmy's ranting.

That's not to mention we see the beginning of yet another pattern in Jimmy's behavior: getting a person to admit their weakness, then using it against them and/or using it to hurt them (he does this with Daisuke, for example, when he hears Daisuke's fears/desire for approval and proceeds to use it to get Daisuke in the vent). Here, Curly speaks about feeling trapped. Jimmy will soon trap him in a crashed ship just as much as he traps him in his own body, which Jimmy will proceed to drug. But I'll return to that.

Curly: Jim. I can fix this. Jimmy: What do you think will happen when we get back? Hm? Curly: We can figure all of this out. You and me. Take care of it. Kills ninety nine percent. Jimmy: All I ever hear is how great of a leader you are. God, it's so annoying. Jimmy: But, now... What do you think will happen now when we get back? Curly: We'll fix this together. Jimmy: Everything you and I worked for in our lives. Accomplishments, changes. Jimmy: None of it will matter. Curly: You've gotten through difficult situations before. This time won't be any different. Work through it, one day at a time. Jimmy: It's not just me, is it? Jimmy: You were supposed to be the one who had everything under control. You said so yourself. Jimmy: The ship, this crew, everything that happened here... Jimmy: This was your responsibility, Captain. Jimmy: That is what you'll be hearing the rest of your life. Take responsibility. Jimmy: Or this can all be remembered as a tragedy. Jimmy: Despite what must have been the best efforts of its acclaimed captain. Jimmy: The Tulpar crew was never found. Jimmy: No one survived to tell the tale. Take responsibility. Jimmy: You're standing at the top. Jimmy: Feet in cement. Jimmy: I get it now. Right? Curly: ... Curly: ... Right.

This is an important moment, because aside from the scene in which Jimmy is approaching Curly while he's on fire, it's the only other time that I can recall the game separating from their perspectives to allow us to see them both, standing together.

We see a flash of Take care of it. Kills ninety nine percent. Jimmy begins to pull away. Another flash. He continues to draw back. Another. He turns towards the cockpit.

Jimmy sees through Curly. He sees Curly's worst where Curly sees only Jimmy's best, and he's more that willing to use that against Curly.

He sees a man who is not going to do what's hard. He sees a man who is going to try to "fix it" only in the most superficial sense. A man who confuses the appearance of cohesion and peace with the reality of it. Someone who sees the rocking of the boat as a manifestation of taking action against a wrong rather than the wrong itself.

In the end, it seems they're both ruled by appearances. And Jimmy will soon rip appearances in every sense from Curly's fingertips. He will make him hurt. He will get his revenge. He'll turn Curly into the villain, taking away his title, his respect, and his very face.

For daring to look down on him, Jimmy will turn Curly into dust.

But I think these words—I hope it hurts—come back to haunt him.

Part Five: The Eye as a Mirror

Like I said, I went back to try to find each time the phrase is used. There's the beginning, of course, but then there's the pregnancy sequence, for lack of a better name.

When the Polle monstrosity emerges from the giant uterus (?), we see these words:

In this sequence, we see a lot of different images and concepts connected: Anya's pregnancy and thus her sexual assault by Jimmy are tied to Polle and the company. The emergence of the Polle monster from the giant uterus (and the idea of the removal of the pregnancy) is tied to the mouthwash, as it's an act of "cleansing." This is all then tied to the phrase I hope this hurts.

Unless I missed something, these are the only two moments when the phrase is used: When Jimmy crashes the ship, and when he's experiencing this hallucination.

All clean! Really gets rid of that bad taste in your mouth, huh? Through wreckage! Through silence! Wash it away! All day fire fresh!

"Clean" is important immediately. "Leave the dirt behind you now that your boots are clean," Jimmy says. Because in this accusation is Jimmy's actual intentions himself. He wants to rise above others and clean himself from their filth. Now, he wants to clean himself of his sins.

I think "Really gets rid of that bad taste in your mouth" is mocking him. A direct challenge to the thought that he could ever truly be "cleaned," at least in the ways he's so desperately trying to go about it. *Not to mention how this connects to the mouthwash, as it might get that 99%, but there's always going to be 1% left.

"Through wreckage" obviously refers to the wrecking of the ship, but also of their lives. All by Jimmy. Though I wouldn't doubt in his mind it connects to the wreckage of consequences (ie. Anya's pregnancy resulting from Jimmy's actions).

"Through silence" I feel connects back to Jimmy's attempts to keep everything quiet, both literally and figuratively.

"Wash it away" also has a mocking edge, as if stressing the foolishness of Jimmy's attempts to treat these very serious events as if it's all just "dirt" he can wipe off.

Finally, we see "All day fire fresh!" This line stresses the connection to the mouthwash, of course. It also calls to mind the concept of cleansing by fire. Important considering Curly.

And after each, I hope it hurts. Jimmy's statement of pure, childish rage. His desperate desire to make others hurt as he hurts. To lash out, to get revenge. To have control until the very end.

This is also why Polle haunts him. Because he, as a man desperate for control, will always be under the thumb of the company even with that title of captain. That hurts him. And maybe the closest thing to ever recognizing the evil he's done to Anya is envisioning it as similar to the company's control, but even that feels like a mockery because he's so horrifically incapable of seeing her as a human being that she's been reduced to her womb. That's what he's really afraid of, in the end, and the fear feels like something else is in control. It makes the organ feel giant, larger than him, capable of hurting him.

When I was watching the playthrough, I thought that there was going to be four or five "I hope it hurts." I thought it would represent each person Jimmy hurts, or all of them, because he hurts himself too. When the sixth came, I thought so much for that theory. But then, I thought about it and there's the fetus. That makes six.

So, I hope this hurts means "I want to hurt you the way I've been hurt. The way you've hurt me." It's Jimmy saying that if his life has been wrecked, he'll wreck yours. It's Jimmy saying he'll shut you up. It's Jimmy saying he'll burn everything down if it means he can maintain control, or even just the illusion of it.

Part Six: Pain

But I think there's another side to this. Like some of the other lines I said feel are mocking him, I think I hope this hurts turns against Jimmy, especially here. And more than that, pain (and by extension, pain medication) plays a massive role in the game, after all. So I hope this hurts feels as if it haunts every moment where it's involved.

Jimmy says this the first time he gives Curly his pills. Pain is how we know we're still living.

The pills are clearly connected to death from the start. If "pain is how we know we're still living" then pain is connected to life and freedom from it is connected to death. That's saying nothing of Anya's use of the pills to kill herself. I think this connects back to the crash, as well. If life is pain, death is an escape from it.

I think it's also significant that the act of swallowing the pain pills is in and of itself painful.

The pills that are meant to take the pain away become a method of torturing Curly. It's a way to make him hurt, and to exert control over him. Even something that should take away his suffering is just an extension of it.

At one point, Jimmy says "Once these are out, we'll have nothing to keep him quiet." In this sense, the pain pills are meant to suppress, not to heal (Through silence!). They're supposed to shut Curly up and keep him from expressing his anguish in the only way he has left (the noises that disturb Jimmy's sleep).

Others have compared this, or Curly's state, to how Anya has been forced to bottle up her own suffering. Jimmy is keeping them both quiet, or at least attempting to. The ultimate form of keeping them quiet would be to, of course, kill them all.

The pills can also be seen as an attempt to hide or conceal the hurt that has been caused rather than to actually heal. In this way, they're like the mouthwash: something that's not really helping, just covering up an issue (and thus making it worse). And the mouthwash represents Jimmy's attempts to "fix" things. He doesn't actually want to make things right, because that would mean taking accountability. He wants to protect his own ego by "fixing" things in a mimicry of Curly "fixing" things in which he wants to create a sense of "rightness" without actually adressing what (or who) has been wronged. Jimmy can't stand to look at himself, because he would see that he really is constructed of his worst moments, or at least, that's what I suspect he would see.

Conclusion

Considering all of this, I hope this hurts can then become a mantra about living in spite of everything. I hope this hurts means "I hope I'm alive in the end. I hope we're all alive in the end." It could mean "I hope I'm allowed to hurt, because I am hurt, and the harm that's been done to me must be seen rather than suppressed and hidden." It could mean "You can't keep me quiet. You can't ignore or hide what you've done to me."

Maybe most of all, I think it means I hope you reap what you sow. When it's turned back on Jimmy, when it's almost mocking or haunting him, it becomes in part about his emotional weakness. About his inability to look at himself and his reality without experiencing the pain of humiliation. I don't think he ever experiences half of the pain he's inflicted on those around him. Still, he has to deal with the fact that his attempt to hurt others instead of facing himself has caused him more pain rather than taken it away as he'd hoped.

And I think that's why he suddenly decides to make Curly a "hero" instead of a "villain." There's a tipping point where he's pushed into a corner. The pain is too much. He hasn't confronted his own actions in any real way, but he's done enough that he can't stand to save himself anymore. It hurts too badly to live with what he's done. It sends him into another stage of fantasy/delusion. The only thing left to do is what he intended to from the start: kill himself to escape and damn Curly to a slow death. Because to go on living in spite of the pain would be the right thing to do, in a sense. To live in the hell of his own creation. To face what he's done. But instead, he'll entrust those heroics to Curly.

This feels barely coherent in the end, so I might come back in a few days and say wow what the fuck was I talking about? But hopefully there's something here that captures some truth. Again, please feel free to correct me if I'm misremembering anything or if I missed something.

[fruitgummies01]

New Here!

As a new fan of BTS and as someone who is curious/intrigued by the dynamic between jikook, I would genuinely love to know how the fans got to the place where it is now with the ships within the fandom. It's so toxic everywhere, and I'm a little shocked to be honest. I thought Are You Sure would be a cute show that the fandom would be excited to watch, but a lot of fans ignored it when the first two episodes were released (which in hindsight was probably for the best). And since the last episode dropped, there's been nothing but fighting.

For context I became a BTS fan in 2023 and so I don't really know all the history of every interaction prior (I'm still learning). I love every member and root for their success both individually and together as a team. As someone who is just learning about everything (I've been obsessively consuming all BTS content), and when it comes to Jimin and Jungkook's connection, I've seen some of the discourse about them online. To be fair I didn't really have an opinion one way or the other, since again I'm pretty new here, I'm trying to take content at face value. But after the first two episodes of Are You Sure, it feels obvious to me that there is an intimacy there between them. Even in episode three, JK can be seen rubbing Jimin's thigh when they are at the table, something that just looked automatic and natural for him to do. From all their earlier conversations in the first two episodes, to taking care of each other since they were both sick, to the concern, to Jungkook's "you're here. finally". Even though they were filming, it all just felt really real and honest. Plus Jungkook saying he wanted the show to go on for years even after they get out of the military, said more to me than anything else. Jungkook values spending time with Jimin and is already looking towards the future, just the two of them.

As for Taekook, it definitely seems to be the more widely accepted ship (I see so many accounts with hundreds of thousands of likes and followers on so many platforms). Plus there are so many taekook comments under pretty much any content related to BTS, even under content from people who are just reacting to BTS content on youtube or patreon. For all intents and purposes Jungkook and Tae seem to have a beautiful friendship, but I just don't see how people romantically ship them (no offense lol). And it's not because I don't see a connection between them, but because I just don't see how it would make much sense, and I'd want so much more for them from a partner lol. Like what would it say about their relationship if Tae was learning about JK traveling with someone else through a schedule on their BTS group chat, or having to basically invite himself, or how the last group live where JK seemed hyper-focused on Jimin (even though he was already planning to enlist with him), or JK watching hours of Jimin specific content on lives, or planning a travel variety show with someone who you were already planning to enlist/spend every day with, or being all over someone else in bed and repeatedly rubbing their legs (bandmate or not). Like no shade, but I feel like romantically shipping Tae and JK is lowkey insulting to them as people, because they both deserve to a be priority to whoever they are in a relationship with. Also a little confused how fans seem to ignore Tae having been in a relationship with Jennie??

All my confusion aside, I am just really looking forward to watching the rest of Are You Sure, and discovering more about them and their dynamic. I love that Tae joined, even if it clearly shifted the dynamic from the first two episodes, and hopefully all the negativity suddenly surrounding the show won't ruin my excitement and love for it.

[shankss-magnificent-ass]

Imagine being a new member of the Red Hair pirates eleven years before the main plot

Benn: This is Hongo, the ship's doctor

Hongo: And who is this ravishing creature?

Benn: down boy, this is the rookie that Shanks dragged home.

Hongo: Oh you poor thing.

You: Shanks picked me for my combat abilities

Hongo: you must be strong then.

You: admittedly my strength is nowhere near the boss's level, but I can go toe to toe with a rear admiral in a fight.

Hongo: I see

Uta: don't sell yourself short, I watched you spar with papa, and he was getting winded. *Makes those grabbie hands that signal she wants you to pick her up*

You: thank you, and who are you if I might ask. *Picks her up*

Shanks: that is Uta, my adorable daughter.

Uta: I'm papa's favorite, and don't you forget it, I'm also the ship's musician.

You: really, what instrument do you play?

Uta: *gestures to her throat* my voice box, I'm a singer.

You: I eagerly await your next performance then.

Uta: wait no longer, places everyone! *Claps her hands*

Hongo, Yassop, and Lucky Roux: *scamper around to clear a spot and set up a stage for her*

You: (ಠ⁠_⁠ಠ) ???

Benn: *scoops Uta out of your arms and carries her to the stage*

Uta: (⁠｡⁠•̀⁠ᴗ⁠-⁠)⁠✧ a song for the newbie *starts to sing*

Yassop: *puts a chair under you and gently pushes you into it*

Shanks: *moves his chair next to yours and leans in* isn't she so cute?

You: yes, she has such a beautiful voice. Do you and your men usually allow yourselves to be controlled by the whims of a child?

Benn: ... Yes, but only because we want to

After the song

Uta: *chilling in your lap* what'd you think?

You: you're an exceptionally talented singer, you must put a lot of work into it.

Uta: of course, practice makes perfect.

You: and you seem to have everyone here wrapped around your little finger. They must love you very much.

Uta: yes... I think they feel guilty, since my parents are dead.

Shanks: it's not that

Yassop: at least not entirely

You: I figured you were adopted.

Uta: what do you mean?

Shanks: how could you tell?

You: because she's talented,

The crew: (⁠(⁠(⁠;⁠ꏿ⁠_⁠ꏿ⁠;⁠)⁠)⁠) ....

You: *quickly adds* at something besides fighting and debauchery.

The crew: *laughs*

Shanks: wow, already making cheap shots at your captain on your first day aboard. It's true, she's talented, she gets it from her mother. We do our best to make sure she's provided for, but there are still some areas we are lacking in.

Uta: yeah, like shopping

Benn: we take you shopping, literally every time we make port.

Uta: Yeah! But it is always to sleazy back alley joints where everything is second hand and not the designer shops that have cute new clothes. All because of papa's ugly mug has a bounty on it. Plus none of you have any sense of style, and can give me useful feedback on my outfits.

Shanks: well that's true, hey! You shouldn't call people, especially your poor father, ugly!

Benn: I have always wanted to take her to those shops too, our little girl would look so cute in those nice clothes.

You: I can take you, I don't have a bounty, and I know a little about fashion.

Uta: *looks over your outfit* your fashion sense, outwardly, appears to be less offensive to the eyes than papa's.

You: uh, thank you.

Shanks: Offensive? What about my outfit is offensive?

Uta: your shirt is wrinkly and stained, and your pants!... Don't even get me started on your pants.

Benn: allow me, they look like you made them out of someone's grandmother's couch.

Shanks: alright, thank you I get it.

You: *grumbles* Sandals are a little worse for wear as well.

Uta: *giggles*

Shanks: y'all are teaming up on me

Benn: yeah guys, he's only got one arm, it's downright unsporting.

List of Up-and-coming works

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[separatist-apologist]

I cut your username out of this post because I don't want to unintentionally direct anyone over to you. I do believe you're sorry, and I also believe you didn't intend for any of the things that transpired TO transpire.

I want to answer this, though, because I genuinely believe a LOT of the people who logged out last night to flame the fic are on this website watching, and I want to speak directly to them. I'll never know who they are, and thats unfortunate because to me, it looks like a lot of other people are content to let you be thrown under the bus while taking no accountability for their actions.

I want to share this comment FROM the fic writer who responded to me when I left a comment this morning both condemning the actions of fellow gwynriel/eluciens and encouraging her to continue writing. Look at what she said. She had a mini-breakdown because a small but obnoxiously loud group of people took it upon themselves to not just leave unkind, unnecessary feedback, but to start whole threads about it, take it to other platforms, and otherwise talk shit because a story had *checks notes* conflict.

The fic is tagged: slowburn, eventual romance, AND the elain x azriel relationship. She did her due diligence as far as what she owes people- ya'll don't read tags and engage with the story like it was written specifically FOR you. First of all- it was written for ME. But lets pretend it wasn't, because I think the only reason people are backtracking is because I took offense. You shouldn't do this to ANYONE.

EVER!!!!

And I see a lot of ya'll writing your first fics and your comments are always something to the flavor of "be kind, I'm new/nervous/worried" and then you turn around and do this stuff to other writers like you're OWED your very specific vision of what these characters are, should be, or should act like.

This happens TOO OFTEN in this ship, and frankly, I'm tired of it. You guys will turn on people writing in your own ship if it doesn't adhere to YOUR specific, NARROW vision of "canon" (FANON) and wholesale bully people out, and whats left? A bunch of chronically online assholes whining that no one wants to draw art, write fic, or participate because they're afraid of you. Ya'll act like this is some moral crusade and if you ship the "right" thing, you can't possibly be a bully.

But its just bullying, dressed up as passion for the ship.

This isn't directed at you, OP- I'm talking to the other people who are letting you fall on this sword, who are absolutely watching this, who participated, and will likely to continue acting like this. But they'll be the first to scream and sob when another anonymous blog pops up to talk the same shit, and there will no irony or awareness around any of it. This is the culture some of you have created. Shocking you get it back in ten fold.

[cursedvida]

SAD EYES, BROKEN SMILE IV (Buggy x F!Reader)

PART III HERE // PART V HERE

WARNINGS: NSFW minors DNI, little smut, Buggy being nasty, swearing.

A/N: Part 4 of this and finally some smut. hope you enjoy!

You still can't believe you kissed Buggy. It was not in your plans to be so direct. You have never been so emotionally exposed, but is also true that you have no experience in romantic matters. You haven't been attracted to anyone before, or at least not in that way. Buggy brings out your most primitive instincts and clouds your reason, it's something you can't avoid.

But actions have consequences and so does kissing your captain. Buggy still hasn't recovered from the shock. The last thing he expected from you was a confession followed by a kiss. Ever since you joined his crew he noticed how you didn't quite fit in. You didn't seem very excited about show business, nor did you seem to be up for the shows. He didn't quite understand why you were so eager to be part of his crew, but it didn't seem strange to him either: he is Buggy the Clown, he is famous not only in the East Blue but also in the Gran Line. Pirates fear him, Marines hate him. He is a genius of deception and persuasion, his fame precedes him enough to attract new challengers. You might not quite fit in but it made sense that you didn't want to leave.

He still wasn't sure whether to trust you or not. Your confession had left him totally baffled and that kiss directly disarmed him. He would never have imagined such a reaction from you, do you really like him the way you say you do or is it just a strategy? Buggy is a really suspicious person, especially when good things happen to him. He doesn't want to believe that you like him because he knows that, if he does, he'll probably end up being disappointed. There's no way a girl like you, who could have anyone, really has feelings for him. Although she'll never admit it, of course, because he's a renowned pirate and people should consider it an honor to have him around.

Nevertheless, he is unable to take his eyes off you. He watches you as you clean the deck of the ship, he follows your movements at mealtimes with his eyes. He is able to count how many times a day you yawn or make that bored face that characterizes you so much. The more he looks at you, the prettier you look to him and the harder it is for him to control himself.

You notice his gaze fixed on you, although you don't know why he watches you with such intensity. Sometimes you have the feeling that at any moment he will leave you stranded on the first island you see, that your days in that crew are numbered. You think he might be very angry, Buggy's character is fickle and unpredictable at times, if he has taken the kiss badly he won't hesitate to make you pay for it. He shouldn't see it as an offense either, you may not be the most exceptional woman in the world but he might see it as a compliment just the same.

You try to avoid it or pretend nothing happened. Yes, the best thing will be to pretend, as you have been doing so far. But he keeps looking at you, all the time, and you start to get nervous.

"Y/N, I have to talk to you" you hear him call after lunchtime.

You tense up at that moment, you feel all your muscles stiffen, as if you were preparing for a fight. You have a strange feeling in your stomach, as if you were nauseous. The walk to his cabin is the longest you've ever walked, and it's only a few meters. When you finally find yourselves alone, you realize that you are unable to look at him. You, who are used to always looking the enemy in the eye, suddenly shy away from Buggy almost instinctively. You realize that deep down you are dead embarrassed.

"Did you call me, Captain?" you ask rather sheepishly. This whole thing is starting to get on your nerves. You're not like that, you're not a softie, not a shy, insecure little girl, you're a ruthless killer with several dozen deaths behind you. You don't understand why he makes you feel so weak, but when he's near you your head stops obeying you.

"Why did you do that?"

No beating around the bush, straight to the point. Buggy didn't want to waste any time. When you finally manage to look at him, his eyes look distrustful and at the same time somewhat hurt.

"It was a strategy, wasn't it?" he insists "You think I didn't notice?"

"A strategy?"

"Yes, to see if I forgot about what happened a couple of days ago. You were trying to divert attention."

You raise your eyebrows in disbelief. Come on, don't fuck around, did the asshole really think you kissed him on the mouth as a confusion strategy? But is he really an asshole or did he fall out of the cradle at birth?

"But are you stupid or what's wrong with you?"

That response on your part, so aggressive, so angry, makes Buggy totally bewildered. In his mind, the only plausible explanation for a girl like you confessing and kissing him is that you are, in effect, trying to gain his trust so that he will forget the suspicious things about you. He doesn't understand why you seem so infuriated.

"I find it amazing that you brag so much about how wonderful you are when then you're not even capable of believing that a girl can like you" You blurt out to him, crossing your arms.

"I've liked hundreds of women, I'm Buggy the…"

"Yeah, I know, we all know that" you cut him off coldly "You pretend you're so full of yourself, but deep down you have very little confidence in yourself."

"Be careful what you say, sweetie, the consequences can be very bad."

"Is it that hard for you to accept that I like you?"

That question catches Buggy totally off guard. It pains him to admit it, but it really does. Of course he's aware that many women are attracted to him, but they're always passing flings, people he's barely seen for a couple of days. People who, in the end, don't know him. You've spent months with him, you've seen him fail on several occasions, it's clear that you're talented and may one day become a really strong pirate. Besides, you're gorgeous and you're hot, he really does find it hard to believe that this whole thing isn't a hoax.

"If you're not attracted to me that's fine" you tell him "we're both adults, I can handle rejection. But stop underestimating my feelings, that's cruel."

Buggy is silent for a few moments, something quite unbecoming of him. Then he looks at you, still in disbelief.

"So you were serious about yesterday?"

"Of course it was serious!" you exclaim, exasperated "I've been doing a lot of-"

But Buggy's mouth won't let you finish. When you want to realize, his lips are on yours and his tongue, agile and curious, tries to enter your mouth with desperation. It's the first time someone kisses you in such a passionate way, as if somehow trying to eat you whole, so it's a little hard for you to react to his momentum. You move your lips to match his and your tongues begin a contest of strength. Buggy's kiss is deep, tastes like salt and face paint. It has a metallic aftertaste that hooks you and its smell of gunpowder and sea manages to numb your senses. Just when you think you're about to lose your balance, a hand detached from his body grabs you around the waist, pulling you closer to him, so close that you are only a few millimeters apart.

You'd been fantasizing about something like this for a while, but your wettest dreams were nowhere near as exciting as the real thing. Having Buggy kissing you as if the world was going to end at that very moment makes your stomach shrink and your legs shake as if they were made of jelly. You've never felt so vulnerable around anyone before, but you don't hate the feeling, it makes you feel good for the first time.

You wrap your arms around his neck. You want more of him, you want to hold him closer. You need to cling to him with such desperation that the slightest almost imperceptible draft that can fit between the two of you hurts. He senses that need of yours and automatically pulls you tighter against his torso. His kisses are deep, wet and with a slight hint of anger that makes them intoxicating.

"Fuck" he exclaims, pulling away slightly for air.

You let out a small moan, something that makes Buggy smile.

"What's up, little girl, do you want more?"

Now it is you who kiss him. Buggy responds with momentum, placing his leg between yours. His hands begin to explore your body over your clothes. You've never let anyone go this far, but with him you just want more and more. When you notice one of his hands stop at your crotch you freeze.

"I'm actually really looking forward to you" he comments, whispering huskily in your ear as he begins to rub between his hand and the fabric of your pants "I've been wondering for some time what it must be like to have you in my bed"

"What a liar you are" You manage to say, almost in a whisper. You notice how the fabric of your underwear is getting wetter and wetter "When I came you didn't even know my name".

"You're right" he nods, giving you a couple of kisses on your neck while his fingers press your most sensitive parts "I just knew you were a pretty face. Little girl, you're like a chocolate candy."

He then attacks your neck, making you moan. He slowly pulls down your pants, now the only barrier he has are your panties.

"Fuck, little girl, your panties are so wet" his voice sounds husky and very excited "I've barely touched you and you're already like this? Fuck, what a delight."

"Buggy…" You sigh. It's the first time a man has managed to get his hand on you and the feelings you are now experiencing are totally new. The pleasure, the swelling, the wetness… You feel like you're going to explode, that you need more contact, more intensity. You move me a little to make friction between his hand and your most intimate part "Buggy, I love it."

"I'm going to eat you whole, princess."

Buggy then removes his glove with his mouth and it is at that moment that he slips his long fingers under your panties. You open your eyes as you feel the direct contact between his skin and your most intimate area.

"So wet just for me, this is a treasure" he murmurs, quite pleased.

At first he just slides one of his fingers all over your intimate area, making your skin crawl with goose bumps. You swore you wouldn't let anyone have you at their mercy, but you've totally surrendered to him and when he finally locates your clitoris, gently caressing it with your own natural lubrication, you can't help but let out a moan.

"That's it, little girl. Yeah, moan for me" He smiles, quite pleased.

"It's… God, please Buggy don't stop doing it" you ask him, almost beg, because the pleasure is enormous.

Buggy starts stroking you faster, now you feel like your whole body is on fire, with a kind of heat right in the center of your belly that intensifies every time his fingertips brush against your skin. You start moaning helplessly as he slides his tongue down your neck until it reaches your cleavage.

"Buggy…" You can barely say anything, just moan his name, but that seems to delight you.

"I'm going to make you mine completely, Y/N. I hope you know what you've done."

But just as Buggy is about to slip one of his fingers inside you, someone knocks loudly on his cabin door, completely breaking the mood. You both tense up, giving a little gasp. Buggy lets out a huge growl, looking really pissed off.

"But who the fuck is it now!" he shrieks, hands still shoved between your legs.

"Captain" Cabaji's voice is heard "We have a problem, there's a Navy ship nearby".

"Fuck" Buggy roars, he'd probably love to beat the shit out of Cabaji for interrupting him at a time like this, but the reasons have been more than justified.

He looks at you with an annoyed look on his face.

"We're not done yet" It's not an apology, it's a warning.

You smile at him.

"I hope so, Captain."

[buddiebeginz]

I keep seeing posts about how us Buddie fans are just being delusional. How we need to stop reading so much into what’s being said during interviews and oh also how it’s offensive to the current ship.

First of all let’s be clear here Buck is NOT in a relationship with Tommy. I feel like this is something you Buck/Tommy shippers are failing to grasp because I constantly see posts about how Buck shouldn’t cheat on Tommy. They have kissed once and been on 2ish dates they are not a couple yet. Being exclusive requires a conversation or at least some acknowledgment by the characters and we haven’t had that yet. They still barely know each other.

Second we have always theorized about Buddie when the characters were with other love interests. We did when Buck was with Taylor. We did when Eddie was with Ana. Is it somehow different now because Tommy is a guy? Is it different now because Buck and Tommy aren't straight? Or is it just because Buck is dating the guy you want him to be with now? I don't know there's just something very strange about how some of you are responding to Buddie/Buddie shippers with all of this.

What's even crazier to me is that so many of you who are all about Buck/Tommy now used to be Buddie shippers or still say you'll be happy if Buddie happens down the line. Yet you're still attacking Buddie and our meta and speculation because it threatens the current ship you want at the moment.

No one is saying that every one of our theories and speculation is 100% correct but we have always speculated on the show and the interviews this isn't something new people are doing. I feel like the response some you have is that we're somehow seeing/hearing only what we want to and or twisting the words of the actors/etc to fit some kind narrative we have about Buddie.

It's not like we're seeing interviews where Oliver, Lou, Tim, etc are saying Buck and Tommy are going to be together 4eva and then immediately twisting that to mean oh they must be lying Buddie is so obviously happening tomorrow. We're inferring what we think might happen based on spoilers and what the actors (and Tim) have said combined with what we hope might happen. We know not everything we think will happen will. We had a ton of theories on 7x04 and 7x05 (many of which turned out to not be true) and despite what some of you think we didn't all collectively lose our shit because they didn't come true.

You can dislike Buddie and us all you want and can disagree with us or our theories all you want but these posts talking about how we're just seeing what we want and setting ourselves up for disappointment come across as hypocritical (considering most of you used to be Buddie shippers) and patronizing. We don't need or want you to save us from our fandom experience. If we're disappointed by the storyline that's our business but right now we're having fun with where things in the show are and are going.

---

I also really don't like how some of you are trashing Buddie to prop up Buck/Tommy. Basically saying that because Buck and Eddie's feelings haven't been verbally confirmed on screen (like in an I'm in love with you kind of way) that we're making it into something it's not and it's not fair to Buck/Tommy because they are canon.

Buddie isn't in a romantic relationship at the moment but they have loved and supported one another and always been been more than friends since basically the beginning. Even Oliver just confirmed that Buck was attracted to Eddie from the first scene. And no attraction alone doesn't equal love but if you can look at the six seasons of history shared by these two characters and only see two bros being the bestest friends you really need to take some media literacy.

I feel like some of you don't understand that not every part of a fictional story is spelled out super literally nor should it be. We know how deep Buck and Eddie's love goes because we can infer that based on their scenes. On all the ways they are there for one another, on how they treat each other, on how their relationship differs from the other friendships on the show. On all the things they say and don't say to one another. A big reason we want to see them in a canon romantic relationship is because of how clear the show has already made it that these two men love each other.

As for Tommy even though I'm not a multishipper I get Tommy's significance in the storyline. I'm also more thankful than I can put into words that Oliver and the show have decided to do Buck's bi awakening storyline epecially considering I'm bi myself. Buck being bi and his journey is incredibly important all on it's own but Buddie being canon is equally as important not because we need to see these guys together but because of what they represent. We have never had a slow burn same sex love story like this and the way it would change media forever if Buddie were to be canon cannot be understated.

[beebeewoop]

AN IMPORTANT PUBLIC SERVICE ANNOUNCEMENT FOR ANY NEWCOMERS TO THE EDDSWORLD FANDOM

It has come to the attention of I and many others that there has been some disrespect going on between Tumblr users who like to draw ship art of the Eddsworld characters and those who do not like to see certain ships. I will not name names or point fingers, but this needs to be addressed. Making art of these ships is absolutely okay to do as long as it is not problematic! We want Tumblr to be a safe place for those who use it as their outlet for art.

To any newcomers entering the Eddsworld fandom: most of us Eddhead veterans are in our late teens or early twenties so most of us are adults. WE'VE BEEN THROUGH THE WRINGER AND WE KNOW THE DRILL:

The fictional characters are not the real people, so yes, it is okay to ship the fictional characters. We know the difference between the fictional characters and the real people.

DO NOT bash those who ship certain characters together. DO NOT comment on a post of ship art you don't like just to tell the artist you don't like it. They spent a lot of time making that and it is very disrespectful to the artist. They have every right to take offense to your comment. Even if you were to say "Nice art but I don't ship it" is still considered disrespectful.

If you see something you don't like either scroll past it, filter out the tags, or block the person. It's really that simple! You do not have to interact with the art or the artist.

Also, T.H.I.N.K. before you speak, please! What has been said many times before needs to be said again.

T.H.I.N.K. is an acronym that stands for:

Is it True?

Is it Helpful?

Is it Inspiring?

Is it Necessary?

Is it Kind?

If what you want to say is none of these, then please reconsider saying it.

Thank you.

And thank you @crystalwhisp for helping me write this.

[dwobbitfromtheshire]

Modern AU where there are books based on what happened to them like in Supernatural (you're not supposed to take this seriously, it's a humerous take):

Robin: *shrieks* Steeeve!

Steve: *drops everything and runs into the living room of their shared apartment* What?

Robin: I'm reading online, and these people are shipping me with Nancy!

Steve: You mean my ex-girlfriend Nancy? The one who I was maddeningly in love with and who I once pictured being a stay at home dad for while she took the world by storm? That Nancy? I'm no longer in love with her, so if you did want to -

Eddie: *popping his head in* I've met Nance, so I don't blame you for once being in love with her. Hey, why are we talking about Nancy?

Robin: They're shipping me with Nance online.

Eddie: Is it possible to unhear something? Don't they know you're into blondes and redheads?

Robin: They did not get the memo. *scowls* They hate Vickie. For no reason other than the fact they're we are too much alike. I love that! We never run out of things to talk about! I love to talk! I love you, Steve, but we have to have some boundaries.

Steve: Well, if things don't work out with Vickie and you did want to date Nancy, I wouldn't have a problem with it. I just want you to be happy.

Robin: Aww. That's the biggest load of crap that I've ever heard you come with for me. *calls Vickie and puts her on speakerphone* Hey, babe.

Vickie: If you're calling me to tell me that you're leaving me for Nance, I understand. I just want you to be happy.

Robin: Oh, boy. You're hanging out with Steve too much. By the way, if we ever break up and that's a big if, and you date Steve, I'll be devastated.

Vickie: *gasps* I would never! That's a huge boundary to cross. I would never do that to you or to Eddie.

Eddie: Thanks, babe!

Steve and Robin: Don't call her babe!

Robin: See, you would have a problem with it.

Steve: Yeah, but I would just bury it deep, deep down, and let it fester just to make you happy.

Robin: Aw, babe, that's really unhealthy. It's okay not to be okay with something.

Steve phone rings. It's Nancy. He puts it on speakerphone.

Nancy: They're shipping me with your platonic soulmate, Steve! Don't they know that I cheated on you with Jonathan?!

Robin: Yeah, there's a whole Ross and Rachel, "we were on a break" thing about it online. Some people don't think you broke up, and some people think you did.

Nancy: We just called each other bullshit!

Vickie: *sniggers* Guys, shipping is supposed to be a fun, not so serious thing. It doesn't have to mean anything.

Nancy: This does not feel very fun. I would never get in the way of two best friends. No, offense, Robin, but you're not my type. I just broke up with Jonathan so I could focus on my career. Why can't I be single for once?

Robin: There's nothing wrong with being a strong, independent, career driven woman!

Vickie: *gasps* Oh, no. You guys should not see who they ship Steve with.

Robin: *scrolls through Tumblr and gasps* Oh, babe, you have it way worse.

Steve: *looks at her phone and shrieks* Billy?! The same racist who nearly killed me and smashed a plate over my head?! The same guy who threatened to run over the kids? Who broke Max's skateboard? The same guy who made Max feel too scared to go to sleep at night? That Billy?!!

Eddie: Stevie. . .do you want to live off the grid and escape the internet?

Steve: How would we stay in contact with people?

Eddie: Birds, baby, we'll train them to send messages.

Robin: Oh, hey, I found a fic where you're being railed by Hopper, Steve.

Steve: *shrieks* My dad?!

[lazyfandombean]

Psst, you!

Hey, hey you! Yeah, you! I've got a question for ya. Do you feel normal about SCC (Sweet Cap'n Cakes)?

-> Yes -> No

[❤️Yes] [Ohhhh, I see. You're in denial, aren't you? ;)]

[❤️No] [Aha! Just as I projected- I mean suspected! Suspected. Yeah.]

Well, I've got some GREAT news for you! Have you ever felt saddened by the lack of SCC-centric fanfiction? Specifically the kind that depicts them as brothers instead of bandmates or partners (no shade to those depictions btw)?

No? Shut up yes you have /j

Yes? Fantastic! Well, no, sorry that you're sad :/ BUT! Be sad no longer! For I've come to save the day!

In the form of my newfound SCC hyperfixation!!!

That's right!! I've been going crazy about The Guys™️ for the past week or so, but to my absolute SHOCK, there are hardly ANY fanfics for them!!! And almost all them revolve around them as a SHIP! And no offense, but I just don't like reading about ships all that much, sorry!!! :(

SO!!! How am I going to fix this dilemma, I wondered? But THEN! I remembered something!! Something very, VERY important:

'Oh yeah I'm a fanfic author.'

Is this me implying that I'm now writing a bunch of SCC fanfiction in a very roundabout way? YES YES IT IS! :D

In fact, I've already posted one on Ao3 and have turned it into a 'series'! By that I just mean that the 'series' is really just a place for me to dump all of my SCC-centric fics. I'll link the series here, BUT I'll also be cross-posting most, if not all, of those fics from Ao3 to here on Tumblr!

Oh also link btw:

But why am I talking about it like this on Tumblr, you ask? Introducing it in such a way when I could have just started posting SCC content? For two reasons!

One: Idk I just felt like it

Two: Because!! It has come to my attention that hardly anybody on Ao3 even reads SCC fanfiction.

And no, this isn't me begging for like... kudos or subscriptions (or followers, I guess it is on Tumblr? Idk I don't use it much) or anything like that. What I AM asking for is for people to read it. Not because I want to get popular, but because...

I am very self-conscious about the way I write SCC.

Well, to be honest I'm just self-conscious about the way I write any fictional character. It's actually the thing I worry about the most when it comes to fanfiction; whether or not I'm getting the personalities right. And I'm aware that it's more about how you perceive the characters, and that headcanons are a thing (I have plenty of them myself), but in my opinion, there's a line between having a headcanon and writing something ooc. Headcanons are fine, yes, and I use them a lot (especially when it comes to Undertale and Deltarune characters), but I feel like it can get to the point where it's so ooc that it doesn't even feel like the same character. And that's something I definitely don't want to happen when I write about my three favorite guys EVER. So basically, I'm asking people to read my fics specifically so I can get feedback on how to write the characters.

Why didn't I ask my friends? Bold of you to assume I have any /hj

But no fr, none of my friends play Deltarune, and I'm not even sure if any of them have heard of it. My sister has played before, but she never really got into it, and it's been so long that I doubt she would even remember who SCC are if I asked.

So, I've taken it to random strangers on Tumblr!

There's only one work in the series right now, but I'm currently working on another and have many more ideas sitting in a doc, waiting to be written! I'll also take requests if anyone has any (which I doubt will happen but anything's possible I guess), but before I post any more, I'd really like to get some feedback from... someone, I guess. I dunno I just really want to do them justice 😭

Anyways, that's all! Sorry that this was so long and probably annoying to read, I just thought it'd be funny but now I don't even know aldkdsfljk- but I'm leaving it like this because why not I guess

[punkeropercyjackson]

To explain the problem with how the Atsv fandom deals with Hobie a lot and sometimes with Gwen too............Hobie and Gwen have certain expectations put on them as a slightly older black character and a female character who's the male mc's love interest.Hobie is expected to be overtly sexual and uncommited to his partners('I hate labels' was him being nonbinary,please be fucking serious)and have a huge mean edge to him or either a caretaker to the Spiderband with no personality and stories of his own and Gwen is expected to be a 'normal' straight girlfriend-Hence all the emphasis put on her being a girl and Miles a boy even when it dosen't fit-including the toxicity frequent in white ones with black boyfriends specifically(that's what 'snowbunny' means btw)and her experiences as a friendless abuse victim who's trans and was kicked out by her cop dad for doing activism isn't something that you can ignore,because GWEN can't ignore it either and neither can Hobie with his own lived antiblackness and adultification that are inherently intertwined with eachother

Gwen wasn't written to be a stereotypical hashtag quirky cis white girl with no real problems besides wanting the guy to like her back,Gwen was CANONICALLY written as a usual TRANS girl and those are absolutely different because i known both closely and she reminds me infinitely more of tgirls who're pastel softgirls for gender validation instead of white woman fragility and the only reason her and Margo weren't a trio with Hobie pre-Miles is the same reason Peter B didn't come with Gwen to visit Miles and it's that writers wanted to isolate them from eachother to emphasize Ghostflower as if they didn't pull it off just fine in the first movie and when the only weak points in the second one are FROM them doing that and if you think about it for 5 seconds you'd realize that Margo and her have every reason to love eachother so much and hang out.And Hobie has plenty of interesting traits and potential even without his comics lore and he never shows interest in sex-Rightfully so,because this is a fucking children's franchise!!!-and any 'vibes' adult Hobie bullshitters got was them being creeps who can't turn off horny mode and you can just say you don't ship Ghostpunk and Punkflower instead of making a fool of yourself by denying how much mutual romantic interest and chemistry Hobie has with Gwen and Miles

And y'all WILDIN' if you actually think Hobie's Team Dad status to the Spiderband is something that takes zero toll on him but i know for a fact it eventually does and he tries to hide it because he feels guilty but they find out and let him breakdown and take care of him too starting from then on because he's not their ACTUAL Dad,he's a 17 year old and he's their best friend and that's what best friends DO.Gwen ain't a pick me either,she's a trans legend who didn't magically turn cis when she started passing contrary to how y'all think transfemininity work and Hobie didn't 'adopt' her,him taking her in was intersectionality and solidarity between black people and trans women which has an extremely important history in punk culture and deadass one of the first thing's i learned when i started my research after i decided to go pastel punk.You all look dumb as hell with these janky ass takes,especially those random hate comments i'm always seeing on Hobie x Spiderband posts and the defenses towards the cisfeminization of Gwen and don't even get me started on the Switfie allegations as if Hobie isn't obviously a The Cure fan and Gwen a Tv Girl one,and if you want minority characters to be written offensively with no depth so bad,go back to watching Danny Phantom and Miraculous Ladybug and leave Hobs and Gwendy tf alone!!!!!

[its-the-sa]

it is serious. the ship just comes off as nasty to me and i dont understand it

oh, then I'm sorry for being dismissive. I thought you were just a hater lol.

but in all seriousness, if a ship seems nasty to you, then a logical explanation of it is probably not going to change your mind. squicks are just gut reactions, so it doesn't really matter whether or not you understand the thing that squicks you. and that's ok! if the ship makes you uncomfortable, you should just block the rw regicide tag (or in my case you should probably just block me entirely lol )

but since you did ask sincerely, I'll at least try to explain why I ship it:

basically, I'm just a sucker for the 'enemies to lovers' trope and the 'villain redemption' trope. show me any two characters who fit both of those, and I'll probably ship it lol

I like villain redemption, because I like tragic villains. I like villains whose actions are inexcusable, but understandable. villains who lash out due to grief and end up doing horrible things in the throes of rage. and I like making them feel bad about it. I like villains who know they are monsters, who know they have done despicably evil things and truly hate themselves for it. and I like giving them a second chance. I like to see them feel remorse and turn away from evil and try to become better people.

and I like enemies to lovers because... well, for a lot of reasons that would probably take several thesis papers to unpack, lmao. but basically there's just something really intimate about two characters who can handle each other at their absolute worst, when no one else can. arti is like an unstoppable force of rage until she meets scav king, who is like an immovable object to her. he's willing to fight her and kill her as many times as he needs to, but he never strikes first, and he always gives her the chance to back down. and since he does have min aggression and max sympathy, I see him as the type of person who would easily forgive someone who is genuinely remorseful. he doesn't want to keep the cycle of violence and hatred going; whenever arti is ready to let go of her rage and stop the bloodshed, so is he. when she's ready to face the consequences of her actions and try to become a better person, he would rather support her than condemn her. he doesn't necessarily expect his people to forgive her, and he doesn't try to make excuses for her or downplay any of the harm she caused. i just think he could personally look at arti and find someone worth caring about underneath all the rage and hate, and in turn she could look at him and find someone she can trust enough to let all that hate go and admit she was wrong.

obviously, this type of relationship could never happen in real life (or if it did, it would be a fucking toxic disaster). but they're just characters, so their relationship doesnt have to be realistic, and I just want their story to have a happy ending I guess.

idk if any of this makes sense to you, but it's fine if not. you don't always have to understand why people like things that you don't like, it's ok to just block them for your own peace of mind. so if this ship still makes you uncomfortable, feel free to block me, I wouldn't take offense. stay safe and remember that fandom is for having fun , so dont stress out about it too much!

[susandsnell]

For the character ask game 4; 8; 21 for Daniel Molloy and 10; 20 for Madeleine Eparvier? If that's too many, just pick which ones you're most interested in obviously :)

Hi anon! Finally sitting down to do these. Thank you for your patience with this, and double thank you for being the first person to ask me things about that old man and that spectacular queen. Let's go! I'll put it under the cut because boy I'm about to get long-winded -- I blame you for giving me so much to work with!

CHARACTER ASK GAME!!! 💫

Daniel Molloy

4. If you could put this character in any other media, be it a book, a movie, anything, what would you put them in?

You do not want to know the crossovers I've envisioned for this old man. Because of his meta role as the narrator, the messenger, and the archivist of the story, he fits surprisingly well into so many other pieces of media with the premise "what if he was the one investigating/interviewing the survivor". There are many other vampires I'd like him to interview (especially the ones from Tanz Der Vampire), and I'd love to see how a younger Daniel would fare in Fright Night (we all know how The Lost Boys would end for him..). But mostly, final girl that he is, I think he'd rock it in other horror media; the thing that has plagued him and enthralled him all his life. The thing he has begged for and run from. I wonder if The Ring's Rachel Keller was a former student or colleague of his, and if she'd enlist his help with respect to breaking the story on cursed video tapes. I want to see him in a Se7en or Longlegs type of neonoir slasher, sticking his nose where it doesn't belong, and yet coming through when it counts. I think that I would want to personally beat him to death myself for the things he'd say to Dani Ardor (Dan to Dan communication), but he's actually proven himself to be solid at deprogramming someone subjected to intense gaslighting (and very good at ruining relationships, including those that aren't his own!), and if he can keep the insanely misogynistic comments to a minimum for more than five minutes, he might've been able to get her away from the Harga by talking sense.

And finally, in what must make me the greatest parody of myself fathomable, yes, I think Daniel Molloy should investigate and probably write the retrospective on the Black Prom of Stephen King's Carrie. I've frequently joked that for all the addiction trouble, marital and familial trouble, and insanely out of pocket offensive comments, he's a Stephen King author avatar guesting at Manderley or perhaps Wuthering Heights.

But all seriousness, you have Sue Snell, who wrote her own autobiography of the horrific and targic events for which she wound up both scapegoated and disbelieved. Given his nose for the supernatural/preternatural, Daniel would follow where that thread leads and maybe help her find some peace in the process. The two certainly have a lot in common; both did fucking horrible things as a teenager for which they later faced an insanely disproportionate retribution, both have curly hair (usually in Sue's case), both are heavily coded to be repressing queerness leading them to unfulfilling heteronormative relationships/plans for unhappy family life, both take the role of the archivist and messenger to shape the horrors they lived into a narrative - their narrative - before the world will make of it what it will. Both fell in love with their monster(s). Both are fucking SURVIVORS.

(I kind of want to write this now...)

8. What’s something the fandom does when it comes to this character that you despise?

Honestly, I don't want to rehash bad discourse from twitter, so I'll just say exaggerating his very apparent flaws to thoughtlessly trigger people in the interest of winning a morality contest in this of all franchises. On the flipside of that, reducing him to his ship with Armand -- I've been very vocal regarding how much I despise the Armand Is Alice theory, and so long as it persists I'll continue. Not because of this or that headcanon, but it's phenomenally misogynistic to erase women we haven't even seen onscreen yet for slash because eewwww no girls allowed. Like what in the circa 2007 misogynistic yaoi livejournal, TJLC ass theory are we doing here. But also because it would be terrible writing. The emotional impact of old Maniel as a character concept is that he's lived a full life, accomplished incredible things, and had relationships that were meaningful and that he also destroyed. He has these things because of Louis' rescue of him and Louis' words, and when they see each other again in 2022, the tangible impact of his great deed are written in every line on Daniel's face. I don't mind 'the Chase happened' truthers at all, but my God, you undercut everything when you suggest that it's Oops, All Armand, meaning Daniel never had a life fully lived and failings and triumphs he carries with him. You also ironically make DM less interesting by making him the only person in Daniel's life of any significance. Just. Take the character as we got him, my god.

21. If you’re a fic writer and have written for this character, what’s your favorite thing to do when you’re writing for this character? What’s something you don’t like?

I have a whole Thing about how I'm a strident feminist who somehow hitched her wagon to this geriatric misogynist, but it is a part of his very distinctive voice, so I do like to dig deep with "what's the thing a man could say that would piss me off the most", and then I run it through the canon content (since his character voice is very particular and distinct), plus some meta works with Eric Bogosian, to see if it fits, sprinkle in some Freak Shit, and bada bing bada boom, we've got our favourite asshole. It's weirdly cathartic in a way? Exorcising demons of shitty men I've dealt with or known of I guess lmao. I would say in sappier moods I like looking for the gentleness and the silver lining underneath the ten layers of Having No Limits, and when I hit on what's tender but still plausible, aka my favourite Daniel moments? No better feeling.

The flipside of this, being what I don't like, is that keeping that voice up is hard and it is a challenge to stay as sharp and ten steps ahead as he is. Need to brush up on some Columbo, I think...

Madeleine Éparvier

10. Could you be best friends with this character?

My heart would really, really, really love to say yes, but my gut and my brain say a definitive no. For one thing, while they make it very, very clear she's not a Collaborator or antisemitic in the slightest, the way her wartime affair came about and her later actions betrays an amorality in those circumstances that I probably wouldn't be able to look past, outsiders though we both may be. I'm also one for obsessive morality-related thoughts in general, so I don't think this would jell especially well with her survivalist mentality. I'm also fluent in French but it's not my first language, so that would likely get on her nerves. And while we'd share an interest in fashion and I'd commend her for her tastes in both clothes and women, I feel like she'd see me as a bootlicker for my legal education lolol.

And most importantly - Madeleine is incredibly mean. It's hot, it's funny, it's sexy, but I am profoundly oversensitive, and she would absolutely make me cry several times lmao. I don't really know if there's any character on this show I'd be able to get along with because everyone is so delightfully awful and also, you know, murderous. But that's why it's fun!

20. Which other character is the ideal best friend for this character, the amount of screentime they share doesn’t matter?

Well, Claudia is her companion and soulmate, so that's the easy answer; they complete each other in a way that no one ever quite has. Two outcasts, two people brutally mistreated in societies to which they were supposed to belong, two women carrying pain and humour and brutality and softness, and growing flowers over the corpses they leave in their wake. She is the X at the end of Claudia's long journey, the reason she doesn't leap in the fire who did not think twice about burning at her side; she is the only one who reads Claudia's diaries with permission. Claudia is her window to the wider world, her rescuer twice-over, and the only person who meets her where she is, in strangeness and violence and joy, in sucking the marrow from the bones you leave behind you.

So...'best friend' is probably a very light way of putting it lolol.

But also? I genuinely think she'd get along with Daniel. Two unapologetic amoral assholes who defiantly faced their past trauma to sacrifice themselves for the one they loved. And they both bully Armand, too!

Thank you so much for this! Apologies again for the length.

[rockturbot]

narumitsu is overrated

Strongly agree | Agree | Neutral | Disagree | Strongly disagree

Absolutely no offense to anyone shipping them, of course. Do your thing! I'm just sad it's so hard to find literally any content at all about those two that isn't romantic. I really do love the connection they have, they're one of my biggest BrOTPS, and as an aro-spec I'm especially sad when I see people say something along the lines of, oh, they're ~*obviously*~ in love, friends don't talk about each other that way! (Or the even worse version: "friends don't care about each other that deeply")

Like. Uh. *I* talk about my friends that way. Always have. In fact I think that's pretty normal when you like another person a lot and are grateful for their impact on your life. I have many "dear and indispensable" friends who I would openly describe as such and who I would do and risk a lot for if they needed my help.

And I'm going to repeat this again, just because I know how easily this kind of thing is misunderstood online: my issue is 100% *not!!!* with the ship itself. If you want to read them as romantic, that's perfectly valid. I'm just annoyed at how almost completely inescapable it is in the AA fandom (especially because many people don't even bother to tag it? Probably assuming everyone ships them, is my guess) and by the sometimes just. plainly arophobic rhetoric accompanying it.

Send me your fandom hot take and I will say what I think about it!

[iamnmbr3]

Since you’re on the character asks and your thoughts are enjoyable to read maybe pick one of the non-Harry try-wizard tournament champions? I like them pretty evenly so your thoughts on any of them would be cool to hear, so pick your favourite/whoever you have most to say about/roll a dice to decide at your discretion?

What a lovely ask! You're so kind. I'm going to go with Fleur Delacour.

How I feel about this character

The way she showed her devotion to Bill at the end of book 6? Absolutely iconic. Best written intentionally romantic moment in the whole series. Hands down. No contest. The way she handled that dragon? Immaculate. The judges were just mean and veelaphobic and also JKR is super weird about her female characters.

Also kudos to her for being the only character when Harry got picked as a Champion in book 4 to be like 'no this is ridiculous he's too young.' Yeah she was a little harsh about it maybe. But wow. One of the only responsible adults in the whole series. Child me was like 'omg she's so mean' but now I'm like 'you go girl.' She should've been there to roast all of Dumbledore's questionable decisions. Can you imagine. Dumbledore: Don't worry. I have a plan. Fleur: Eez eet child endangerment again?

I genuinely enjoy her as a character and also find the way her identity as a part human who is fetishized to some extent and viewed as Other but not demonized in the way werewolves or half giants or half trolls are in her world to be fascinating fodder for a lot of interesting character work.

Also, I always have a soft spot for characters who I feel the narrative is actively telling me to dislike. I prefer stories that let the reader come to their own conclusions. As soon as I feel the story is too forcefully and artificially shoving down my throat "you must like this character" or "you must dislike this other character,” especially when it's not justified by what we actually see in the text, then I kind of want to do the opposite. So if you think my girl Fleur did something rude no she didn't or if she did that was her emotional support rude comment and she deserved to go off.

For real though. She put up with so much hate from Molly and the whole Weasley family for literally no reason. She deserved to be a little snarky. Ginny is so mean to her for literally no reason and the narrative wants us to laugh along and cheer on this immature, unkind highschool meangirl behavior as though it's some epic #girlboss moment when it's just mean. And Fleur's parents meanwhile are absolutely lovely (probably because Fleur covered for her in-laws and didn't tell her parents how she had been treated lest her full Veela grandmother show up and start throwing fireballs at them all).

You go Fleur. You never did anything wrong in your life. Ever.

All the people I ship romantically with this character

I love her with Bill. I think Bill and Fleur are by far the best handled canon romance in the series. (Well, best handled intentionally canon romance - we all know JKR wrote a 7 book drarry epic but that was an accident lolol). They are so sweet together and so devoted to each other - despite any obstacles (including unsupportive family members). And they really compliment each other so well and just yeah. It's so sweet.

On a semi-crack level I do also like the idea of Fleur/Luna though because they both can be very blunt and directly state difficult truths in a way that can make others uncomfortable or seem rude. They do this in very different ways and also have very different outlooks but I think it makes them interestingly complimentary. And they'd both be confident and self assured enough to handle each other and not take offense. I feel like Fleur and Luna flirting would be so hilariously direct and entertaining. (Though it'd probably have to be postwar as. I think Fleur would be likely to scoff at Crumple-Horned Snorkacks).

I can also totally picture a Bill/Fleur/Luna poly relationship. I feel like it'd end up being improbably chill and functional somehow despite the big personalities. The three would probably be off living their best lives and eating metaphorical popcorn while all the other characters spent years having epic relationship drama.

My non-romantic OTP for this character

I want to see her and Charlie hanging out so badly. After seeing her take on that dragon Charlie was probably pulling all kinds of shenanigans to get her together with one of his siblings because he doesn't want to get married but also oh merlin he needs this woman to be part of his family. Give me the Charlie and Fleur epic friendship and dragon taming duo.

My unpopular opinion about this character

I don't think Bill was attracted to her because he likes "glamour." I think he saw her as the brave, loving, and intelligent person that she is.

One thing I wish would happen / had happened with this character in canon.

I wish other characters had apologized to her and stopped mocking her and treating her horribly.

[queen-of-prophecy]

"My oh my......"

"Now how did you come to find your way into my Tower hmm??? Curious considering how it doesn't have any doors. Mostly naughty of you darling, breaking into my house-"

"Ah! Nevermind. I actually predicted your visit some time ago. You're right on schedule."

"Welcome to my Emerald Tower! The most mysterious and magnificent of any kind you'll find in Hell, surely. Here is where I, Queen Vine of the Ars Goetia, Beholder of Fate, The All-Seer, ruler of the Witchholm and loveliest of all those who Fell reside!"

"By the way, if you need the wifi password, it's P@im0nstinks12."

"So by all means! Make yourself comfortable. I'm sure you have many questions-"

Rules And Bio Below! Please read before interacting!

Rules:

Vine is capable of near perfect foresight, and thus can see the past, present and future of whomever she wishes with the exception of anomalies. However, I will not have Vine predict the future without consulting my RP partner about it first, or without establishing them as a said anomaly. If we can’t agree on what can be disclosed to Vine, or if you disagree with my decision to make or not make them an anomaly, please accept my decision if I choose not to continue the RP with you

Vine has extremely narcissistic habits, and is also a very privileged person. Her viewpoints are not going to always be my own, and she is bound to step on toes. I will always try to keep my partners informed of what she’s going to do in the RP, but if Vine does or says something that offends you personally, SPEAK UP. If Vine acting like an entitled queen is going to be offensive to you, we need to stop so we can avoid hurt feelings. This also goes for any element of plotting that you’re uncomfortable with. It’s much easier to do a full stop than to carry on with draa.

Vine is not interested in marriage or children. She can be reciprocative of flirting, but as someone who is demisexual and demiromantic, it takes her a long time to establish love and trust for someone. And this love is not necessarily healthy. If you want to do shipping, or plot romances, be aware Vine will not always act in your muses’ best interests.

I am open to RPing with minors. However I will not RP anything with graphic violence, sex, or other mature themes with you. If I find you’re lying about your age to RP these themes, it will be a full block, and I will delete all threads. This is the only warning you get.

I am open to all OCs and canon characters. If you want to drop little asks, my inbox is always open. However I typically will ask permission to the mun before dropping asks. If I haven’t asked yet, feel free to ping me and give me permission or ask me to. Communication is key!

Please be polite and understanding. All of what we’re doing on here is meant to be for fun, not to be taken seriously. I will respect your opinions and views so long as you respect mine. If I feel any communication is becoming unhealthy or nonexistent, don’t expect me to continue doing RPs with you.

Queen Vine is based on the demon King Vine of the Lesser Key of Solomon. Obviously this is not a canon version of that character, but only an inspiration. Still, as such, Queen Vine does have dominion over her own territory, and as such tends to do what she likes. If you actively want to RP her being a bully, be prepared!

I am perfectly accepting of other people's headcanons and bios, even if they contradict my own. For example, if you play Lucifer but do not have the same backstory as described here, that's fine! Its your character, they don't need to match up 100%

Have fun! Vine may be an omnipotent Queen but she’s also a drama mama wine aunt and spends her days writing fanfics. So enjoy that :D

All Art is made by @trissschmidt43!)

Name: Vine

Sex: Female

Age: ????

Birthday: May 1st (Taurus) / Beltane

Sexuality: Demisexual

Demon Class: Goetia (Pel’s Fishing Owl)

Location: The Royal Circle (Pride Ring)

(eldritch form below) Bio:

In the beginning there were the orders of angels who were set to safeguard humanity and care for God’s wonderful creations on Earth. Among them were the Ophanim, or the Thrones, who worked under the Seraphim to establish to pillars of wisdom that would insure Heaven stood supreme. The Ophanim were mostly paired siblings, including two particular Ophanim, Paimon and Vine.

The role of Paimon and Vine were as herald and scribe respectively. Paimon would be responsible for announcing the edict of the Heavens, and spoke with a powerful, captivating voice. And Vine would be the writer of histories and proclamations, documenting the past, present and future. The two siblings were proud of their public roles, and served, more or less, as the Voices of God.

However, when the Morningstar came to power, things changed.

Lucifer Morningstar was a Seraphim. Beautiful, brilliant, charming and well-liked by the Ophanim, he had become somewhat of a stand-out due to his extravagant ideas for how the Earth should operate, in particular caring for the future of humanity. But he was often put down by his fellow Seraphim and the elder council of angels, who found his ideas too outlandish and believing they should obey the order of God instead. The siblings Paimon and Vine however, found Lucifer’s ideas captivating, and believed that a strong leader should be capable of thinking big. And with God so elusive and difficult to commune with, soon the siblings found themselves siding more and more with Lucifer.

And then it happened.

Lilith, the wife of Adam, found she could not bear to submit to his will and be treated as a lesser being. Though the two had been created as equals, Adam had been increasingly more demanding, and thus the two broke away, Lilith choosing to live away from the enclosed garden. Lucifer understood her desire for autonomy, and admired her. The two met, and fell in love. Heaven had been swift to give Adam another wife, a more humble and gentle Eve, but Lucifer and Lilith felt that the mother of humanity deserved to be able to give the same gift Lilith had been born with. The power to choose for oneself.

And thus, the event that would shape history forever happened. Slipping into the garden, Lucifer offered Eve the Apple. It would allow her to be able to distinguish good from evil, give her wisdom and knowledge, and grant her the free will to decide of her own volition. Eve in her innocence, accepted.

But once it was made clear that the Mother of Humanity had done so, Heaven was enraged.

Eve had been tainted by the Apple. And what was worse, was that she already carried the future generation of humanity in her belly. Worse still, Adam learned of what she had done, and chose to taste the Apple himself, not wishing his wife to suffer alone. With humanity’s future now uncertain, the Seraphim swiftly punished Lucifer and Lilith and cast them down into Hell….a dark, foreboding place no angel dared tread.

The greatest of dangers was yet to come.

For Lucifer had left many friends behind in the Ophanim, who were horrified and outraged at the Elders act of cruelty against their beloved Seraphim. Paimon in particular was crushed, as he had deeply admired Lucifer and his bold take on things. Not willing to let this go without consequence, Paimon spoke to the other Ophanim, all seventy-two of them, and convinced them that they should stand in support of their friend. Not only them, but six other Seraphim who had been close to Lucifer as well, and viewed him as a brother, agreed that Lucifer had been unjustly punished….especially after seeing that humanity had been cast out of the Garden of Eden due to this.

As for Vine, she decided to take the first step. With the stroke of a pen, she wrote in the sacred book of God that Lucifer was to be the future of humanity, now and forever. With one act, she and Paimon set themselves as proud rebels against Heaven, demanding the return of Lucifer and Lilith and the restoration of mankind to the Garden of Eden.

Their defiance took a bloody turn. Angels warred against angels, and in the aftermath, all the rebels were swiftly punished and cast down to join the man they had sided with. But for Vine, who had emulated her leader in boldness, there was a special punishment awaiting her.

After the battle had sent most of her fellow Ophanim into Hell, Vine and her brother Paimon were chained and brought before the Elders. Though Paimon had coerced his fellow angels to rebellion, Vine had committed the first act of heresy in history by going against the will of God, and declaring another to be a greater power. With Paimon watching, the angels cut Vine’s hands from her wrists, declaring she would never again be permitted to write such heresy. While still howling in agony, the two siblings were cast down, the last to fall, and the impact of their rebellion cemented.

Lucifer and Lilith had not expected company, but after seeing so many of their fellow angels scattered, wounded, and morphed beyond recognition, they understood they needed to take control. With Lilith leading the way, supporting her new husband and great love, the two established their dominion over Hell. The six Seraphim who had fought and fell first became part of the Seven Deadly Sins, with Lucifer reigning as King of Pride and Emperor of Hell. The Ophanim, not wishing to relinquish their titles as Thrones, formed the Royal Circle of demons, a large part becoming the Ars Goetia. Paimon swiftly took leadership of these royal demons, as he had headed the rebellion.

Vine, now Queen Vine, was left in far worse straits.

Despite Lucifer’s best efforts, the wound she sustained after having her hands cut from her wrists was irreversible. Every time he attempted to attach new hands, they would rot and fall off, dooming her to dependence. Fortunately, Lucifer figured out a solution. He had attempted six times to attach hands to her wrists, and thus created six magical hands that would not need to be bound to her wrists in order to work. Vine was relieved to have her autonomy and ability to write restored, but was ultimately haunted by the ordeal she had suffered.

Though she and Paimon were still siblings, Paimon chose to cement his position through royal marriages, heirs, playing games of politics and establishing an iron grip on his territories. Vine however, had been too affected by their previous rebellion, and decided she would remain Queen of her principality and operate from afar. Her power, which remained even after her Fall, would be loaned for the use of future mortals who wished for prophecy, witchcraft, and magic. Residing in the Emerald Tower; a formidable stronghold that mysteriously lacks any doors to permit entry, Vine chose instead to continue the documentation she had once taken pride in….this time for Hell.

Present Day:

Though many eons have passed since the Fall, Vine still remains, more or less, as a solitary figure in the Royal Circle. As King Paimon’s sister and a Queen, she is respected by her royal peers, particularly for her ability to see the past, present and future almost perfectly….without the need of a grimoire. However, she is also mostly a mystery as she remains isolated in her tower, rarely permitting guests. Instead, she makes random appearances at society functions, often to give away lavish gifts and give “spoilers” for peoples future as a form of amusement.

In truth, Vine’s interest in writing the future has….changed. As the population of Hell as grown, her interest has turned more dramatic, resembling that of a novelist for romance and dramas. Her many tomes are in fact “fanfiction” of people’s lives, writing down the intricacies of their relationships and struggles. She even publishes them under pseudonyms online, and seems to revel in the little dramas she writes, since she can already tell what’s going to happen.

Vine does accept the call to service when requested by Lucifer or Lilith, but she has since become notoriously “obnoxious” to her brother and fellow Kings. She often likes to poke fun at Paimon’s pursuit of control and power, perhaps because she already knows the outcome of his machinations, and often speaks dismissively of those she doesn’t find interesting.

What’s stranger is that Vine seems to have adopted a small imp companion in her years of isolation, a tiny illustrator named Triss. No one’s sure how she came to be hired as the Queen’s confidante, or how she even got into the Emerald Tower. But Triss seems to thrive mostly off of reading the queen’s fanfiction, and even draws the subjects to add to the tomes. Triss is a deeply unusual imp, even by normal standards, but is also a deeply devoted friend to Vine, who is exceedingly fond of her.

Abilities and Powers:

Though the Ophanim were irreversibly changed after the Fall, taking on demonic forms, many of them retained their abilities and powers. Vine herself has many of the same powers Paimon has; teleportation, shape-shifting, telekinesis and the ability to traverse through space. However, Paimon has more combative powers than his sister has, which makes him suitable to his role as King. Instead, Vine has the advantage of near-perfect clairvoyance, to which she requires no grimoire or studies of the stars or elements to divine. These visions of the past, present and future are all done through her third eye, which is the only eye that constantly sees everything.

However it is only “nearly” perfect. There still remain people whom Vine refers to as “anomalies”; special people whose futures cannot be divined, nor their pasts uncovered. The best Vine can do is divine the path through the eyes of those around them, but never seeing their point-of-view. Vine has a vested interest in these anomalies, often writing “AU fanfics” where she guesses at their future based on her observation.

Because of these powers of foresight, Vine has taken on many names and forms in order to commune with humans on Earth to retain her importance and power. She has claimed many names and shapes, including that of the Fates. She can be summoned for counsel by humans, but only those who provide the proper tributes; Three cups of wine (red, white and rose), three fruits (apple, pomegranate and fig), and three knives (iron, copper, and steel), lit around a circle with her sigil with three candles (black, white and red). She will permit them three questions, but often keeps her answers ambiguous.

Vine’s weaknesses however, are the same as all immortal demons that live in Hell. She is vulnerable to angelic weapons and arms, and can also be subdued or sealed away by a more powerful demon such as the Seven Deadly Sins, or King Lucifer and Queen Lilith. Though she has yet to make herself so troublesome as to incite their ire, she does have a habit of angering people by refusing to speak of the future. In fact, Vine has a personal rule where she refuses to reveal anything unless it provides ample entertainment for herself.

Personality:

Vine, like most Goetia, is an incredibly proud and vain woman who often disregards the running of her territory, having left it to the work of stewards and magistrates. She has extremely narcissistic tendencies and can be very extravagant and eccentric, often praising her beauty and brilliance, and taking a great deal of stock in public comments online from her fan base. Vine is capable of being good and generous, but that is often reserved with those whom she takes interest in or has a history with.

However, she is also capable of being very vindictive and cold, especially on the subject of her own history. Though few outside of the Goetic Circle know what happened to her hands, she finds it a very sore subject, hiding her scarred wrists under long sleeves and changing the subject when it turns to it. If someone of lower station were to pry at the subject, she would react with swift, unceasing retribution, and will even teleport unfortunate souls into volcanoes if they wrong her.

Yet, despite being Queen, Vine chooses not to marry or have children. She cites her brother Paimon for this reason, stating that child-bearing and marriage was nothing but tedious work, and states that as immortals, the question of their inheritance is rather moot since most of them will live until Armageddon at the very least. Vine enjoys romance stories, but choose to play coy, often flirting but never really pursuing. It’s unknown if Vine has had any lovers, as she does not openly speak of her romantic relationships.

In truth, there is only one person whom Vine treasures above all; her companion Triss. Aside from letting Triss live in the Emerald Tower and hiring her as her illustrator, Vine also shares secrets of the future with her, and they seem to operate on the same wavelengths, enjoying things from afar.

_______

Extra! Bio For Triss, Queen Vine's Imp Companion

Name: Beatriss (“Triss”) Lansher

Sex: Female

Age: 21-23

Birthday: August 21st (Leo)

Sexuality: Asexual (Biromantic)

Demon Class: Imp (30 cm tall)

Location: The Royal Circle (Pride Ring)

Bio:

In truth, no one really knows who Triss is or where she came from. At some point however, during one of Queen Vine’s visits to the Goetic Assemblies, she performed a “magic trick” where she pulled Triss from her long sleeves, and then let her rest on her shoulder for the remainder of the evening. At first Triss was dismissed as nothing more than a royal pet…however as she began making regular attendances at Goetia parties as Vine’s guest it was clear the Queen had a definite soft spot for her.

Triss did manage to secure a position as Royal Illustrator for the Queen’s writing projects. Despite being small enough to fit in a teapot, she is an exceptional artist, and can often draw detailed sketches based off of one lone observation. Triss presently lives in the Emerald Tower, and despite being something of an oddity, appears to be very happy and comfortable in Vine’s service.

Personality:

Triss, like Vine, loves reading about dramatic stories and enjoys the adventure, the plot-twists, and romance arcs of people the Queen writes about. Because she has an insider view on particular Hellborns and humans, she gets the inside scoop on a lot of complex stories from all around. Despite her small stature, she doesn’t seem to be afraid of much, perhaps made comfortable by the Queen’s protection. Triss is also quite bold and blunt. She’s not afraid to use the Queen’s favoritism to her advantage, often pointing to things she wants and asking Vine to get them for her. It’s an effective strategy nonetheless, and Vine rarely denies her anything.

Triss is also a great lover of the arts. Drawing is one fo the things she’s truly passionate for, and she has a creative streak that can imagine many scenarios at the drop of a hat. She also has a great love of charcuterie and cheeses, and it’s believed that a major part of her contract with Vine as her employee is to always have a full charcuterie plate by her bedside. Given it’s the preferred snack of the two when they’re observing the antics of their favorite characters, the Emerald Tower is outfitted with a fromagerie suitable to their tastes.

Given her mistress is so eccentric, Triss herself can be quite the oddball too. She can be unreactive sometimes, and her obsession with cheese and fanfics are often questionable by most.