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blackpilljesus · 9 months ago

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I saw this from the female separatism subreddit & the responses are some of the biggest reasons for separatism et al (or extinction if I'm being candid here). Moids cant be reformed they are fully aware of the hell they force women to live in. MaIe achievement & happiness is rooted in female exploitation & life. Their glory days are based on our horrific days. No amount of love, kindness or facts will change maIes and we cannot happily or even neutrally coexist with them.

Main points across answers:

Many want to experiment but not permanently be women

They dont want to be in constant danger or lose their autonomy at the hands of maIes for merely existing

They dont want to deal with childbirth (& periods)

They dont want to have to share spaces with species much stronger than them with ulterior motives

It makes me go crazy seeing people give moids benefit of doubt for their evil like "maIes just dont understand", "we need to teach maIes", or claiming that maIe violence is a result of maIes struggling with (expressing) their feelings. I get that women love maIes and it can be hard to imagine that people can intentionally be so evil but it is what it is. MaIes have no problems expressing themselves, abusing women is what maIes choose to do because they enjoy & benefit from it - that is their expression.

MaIes see the same news of women being abused, raped, and killed like we do except rather than be disheartened or alarmed they're either apathetic or satisfied. It isn't aliens that's committing GBV it's maIes & maIes have no problem reminding women of this when women anger them (such as rape threats & threatening women they'll end up on the news/true crime). The victim blaming, denial, and derailment of misogyny is part of the game to keep the system alive, they know the events occured & are a systemic occurence they just dont care. Hell not only do they not care, they rejoice in it or get off on it.

MaIes set up environments that work in their favour which simultaneously ensures that women will lose. They know women are set up to live in damn near impossible conditions for us. It's normalised for women to defenselessly share personal & private spaces with beings much more stronger than them with ulterior motives for us, it's trap. It's interesting how these moids aren't saying that they'll just cover up and *poof* harrassment gone, or they'll just pick a nice guy & they'll be okay. MaIes know the net negative they are towards women.

MaIes know that childbirth is a painful process & what do they do? Demand it happens and make it even MORE painful for women. MaIes that impregnate women do not love or care for them. Pregnancy itself is dangerous & sometimes lethal, often comes with a range of health issues, to cause someone to be in that condition especially in a environment where abortions are illegal is reckless & unloving. Now imagine how sinister & full of hatred one has to be to impregnate someone and abuse them on top of that. Many women risk their health & lives to reproduce with a Y and they get abused by said Y instead of being taken care of. Deranged.

Realising that maIes are aware of the evil they inflict is one of the things that radicalised me. It isn't a miscommunication or ignorance issue, their violence is intended. They want control. The cruelty is the point. Instead of wasting time & energy trying to change maIes or hope that they "understand" one day, focus on yourself & other women (who prioritise women). Moids aren't oblivious to female pain they enjoy it. A lot of women treat maIe evil like it's a mistake on maIes part but it's calculated terrorism. I know that this will go over many womens heads as they refuse to hold strong negative sentiments about moids as a collective so if you're not a woman like that, take this post as a sanity check. You aren't crazy, it isn't all in your head.

#Will women listen to any of this? Nope. But I will still speak anyways.#I say all of this as an osawoman so attraction is not an excuse. The time for reconciliation & reform has long gone.#And stop fucking creating more maIes ffs #While many women are under the impression that moids are clueless about our oppression; some want to believe so bc they dont want to come #to terms with evil moids actually are. Because if you want to reproduce or have a positive relationship w/ moids theres no way you can #consciously do that bearing in mind what moids are so many women push it away. Anyways #blackpill feminism #blackpill feminist #female separatism #female separatist #males know what they're doing they just dont care #radical feminism #radical feminist #feminism #moids are terrorists #feminist

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ehlnofay · 1 month ago

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Martin thinks that he always kind of knew he was going to die today.

But by Akatosh, he didn’t think it would be like this – like Kvatch all over again, Kvatch folded in on itself, the streets overrun with monsters triple-time as thick, all metal and sulphur and blood. They were supposed to make it in time. He was supposed to light the fires. He was supposed to be crowned, and let some new, less visceral kind of horror begin – they were supposed to make it through – they were supposed – they supposed – but the streets are shaking with Dagon’s footfalls, and Martin can’t take a step without kicking a corpse, and the Hero of Kvatch is heavy-too-heavy against his shoulder, and it was always going to be like this. It never could have ended any other way.

He can feel prayer bubbling up from his scraped-raw throat, bitter as bile, held behind his teeth. O Akatosh, first of the gods, steady my hand… He doesn’t say it. Doesn’t mouth it. Tries not to think it, though it’s a rhythm born of years of habit, once a comfort, now just – empty. But it unspools in his head all the same. Pax is leaned heavy against his shoulder, one arm hooked loosely around his, hand pressed against the sticky-dark spot on their armour; they’re short, but they’re not light, and Martin’s arms burn as he tries to hold them up. The sky flares red. His eyes sting with smoke. Grant me the strength to endure. Onward, onward, onward.

Pax’s feet skitter uselessly against the blood-slick cobble. Martin almost trips over a leg, its silver-polished greave shining in the hellish light. The rest of the body is not there. He can taste smoke. He can taste bile. He can see the stained glass, the altars, the prayerbooks, his throat flayed raw begging for a salvation that would never be granted; this is not Kvatch, this is not Kvatch, but the sky burns and the streets are filthy with bodies and there is too much noise to talk, and Pax is damn near dead weight against his side, still holding out their blunt little excuse for a sword. Martin drags her on through the street. Just to the temple doors – just to the temple doors – the side of her head presses fierce against his ear. Martin’s knuckles are white with effort. There is blood on his fine silken robes.

Again, the streets shake; Pax staggers at his side. Akatosh, protect us. Martin doesn’t look up, doesn’t want to see the red-stained sky blurring against body – he can already see the cobbles cracked under the weight of feet too massive for his mind to make sense of it, a body – man or monster, he doesn’t know – crushed beneath the heel. Pax is gesturing at the colossus’ ankle with their sword as if they could possibly do anything at all. They’re bleeding.

“Come on,” Martin says, shallow and jagged; it stings to speak, and there’s so little point, his ears so filled with the clashing of metal and horrible, inhuman screams that there’s not room for anything else. His grip tightens around Pax’s shoulders. Her face is set, stubborn and pale – and she’s so stupidly young – and Martin –

There is an emotion so large it threatens to split him at the seams, and they don’t have time for that, so Martin runs. Staggers past the barely sketched-out shape of the devil menacing the skies, child hero in tow; every breath stinks of fear and ash. His throat prickles. If he doubles over with coughing, Pax will fall, there, onto bloody cobblestone, with their toothpick of a blade and their empty quiver, their sharp-spined bow slung carelessly over their shoulder, pearl-grey gambeson slowly darkening with blood, so Martin doesn’t cough. Blessed are we, the faithful…

They don’t fall, and they aren’t crushed, darting around the earth Dagon stands upon, slow and sluggard and so astonishingly lucky, and Martin gasps, and he does not cough, and Pax kicks at a scamp that gets too close and waves the sword at it just enough to slice a shallow cut down its scrabbly little arm. Martin’s so focused on holding them up that he can’t even cast. It isn’t even the one prayer running inescapable through his head – it’s a mess of them, all twisted and torn to pieces, shreds of one, half a sentence of another. He nearly trips over on the stairs. In the crowd, armour flashes, bright as steel and thoroughly outnumbered. He should pray for the Blades, too; he would, if he thought it would do anything. But it didn’t, last time. And this time, he has something better up his sleeve than prayer.

“Almost there,” he says through the din, and Pax keeps their sword arm raised even though they don’t know how to use the bloody thing, and there’s blood on their Kvatch gambeson, and there’s blood on Martin’s regal robes. (It was going to be him – that dremora’s blade whip-thin and wicked and dark as soot, jabbed thin as a sewing needle through the slippery-soft fabric, hooked under his ribs or pierced through the soft meat of his gut. Pax, empty-quivered, still drawing his sword, angled his own body to intercept; caught it in the thick pillow of his armour, in his own skin. Martin spat a spell from his fingers that sent the thing crashing to the ground and grabbed Pax well before they began to follow.) The earth shakes, again, and Martin’s shin hits the edge of the next step. He can’t hear anything over it all, but he sees Pax suck in a breath, sharp and pained. She takes another step. He follows.

When they reach the dark-stone door, someone screams, high and terrible, and there is no time to stand on ceremony; Martin throws himself at it, shoving it with all his weight behind his shoulder, and together, they stumble inside the temple, ash blowing in behind them to scatter itself on the sacred, stagnant floors.

The door swings closed again; the sound is swallowed up, faint and muffled. Martin can hear them both breathing, ragged, loud. Pax hasn’t lowered their sword. It looks even more dull, here, contrasted against the stonework. They’re so quiet. He hates that he’s learned how they act when they’re in pain.

(It’s holy ground. It won’t be enough – it barely was in Kvatch, it’s nowhere near it now – but it’s not nothing. There’s blood spilling over the tile.)

Martin sucks in a desperate, dragging breath. He doesn’t let go of them.

There’s not much light in the Temple, but it’s enough; it’s clear of smoke and that all that burning reddish tint, outside, and now that Martin has a moment to look them in the face Pax looks awful. His skin is ash-pale and slick with sweat, fringe sticking to his forehead, brow creased as if with concentrated effort and jaw taut. Every breath rattles in his chest and whistles out between his teeth. One palm sticks to the place in her side where her armour is dark and sodden; Martin is afraid to peel it away. It can’t be a wide wound, the cut not even enough to tear more of the gambeson than is covered by her hand, but shit it’s a lot of blood. It’s so much blood. He was never an especially good healer and he can’t even begin to accurately estimate it but it’s too much; it’s entirely too much. And it was because she was protecting him. It’s enough to make a man sick; but there’s no time, so Martin isn’t.

It's so much blood. Pax’s eyes are unfocused, drifting somewhere over his shoulder. His face is so clammy and so young – by the Nine, he’s a child. He’s a child and a hero and Martin’s friend and he’s bleeding out on the Temple floors. Martin hates himself, a bit, for going along with any of this in the first place, for letting them send a fifteen year old child out to risk killing themselves, only to get them here – this place, bleeding out onto sacred marble, where they always would’ve ended up anyway. All roads lead to this.

Inevitability. It’s an idea that showed up often in the sermons Martin used to help give. The Amulet is blood-warm and heavy round his neck.

“Pax,” Martin says; one arm is threaded under her armpits, and he lifts the other to press gently to her cheek. Just under her eye there’s a dark spot of ash; he swipes it off with his thumb, watches the slow, sticky blink she gives in response. “Hey. Are you with me?”

“Always,” she mumbles; her voice is sludgy, like it’s caught in treacle, but the word comes without delay – like it’s instinct, like there’s nowhere else she’s ever imagined being, and doesn’t that just make a man want, a bit, to throw himself off a cliff. (She’s gone to hell, on his word, who knows how many times over; Martin doesn’t need her half-dying drive to affirm her loyalty to him. He knows. He knows. He thinks he might be sick.) She blinks again, and then her eyes sharpen; she throws a tired look over her shoulder at the cool stone of the door, the world beyond muted, as if this moment occurs on its own; like they’re flies, frozen in amber. She says, “It won’t keep them out forever.”

Holy ground was barely enough in Kvatch; it will be barely anything here.

Martin’s arm is aching. He’s not that strong. “Long enough,” he says, with far more brusque certainty than he feels, and he casts a glance over the smooth marble floors, the well-wrought stonework of each plinth and pillar. “Come on. Sit down.”

Arms burning, he helps them to the side of the room, leans them against the leverage of the smooth white wall; still, they don’t sit, and Martin has to help lower them down. Pax grunts like a shot animal as he slowly sinks down to the ground, Martin’s hands still bruising tight on his shoulders, sword slipping from his sweaty grasp to clatter on the floor. His bow, slung over his shoulder, presses awkward against the wall; his empty quiver lies at his hip, useless. His hand is still pressed to the stain on his gambeson.

Martin watches him breathe out through gritted teeth, his tongue pressed ragged against the gap behind his lower canine. His head tips back against the wall. His gambeson, blood-spattered, barely protective, is tied with a row of neat leather cords; Martin reaches for one intricate knot and begins to tug on the ends.

Maybe it’s because he’s a bit frantic, that he just can’t get it to untangle – maybe it’s that the whole world is ending outside the door and they have a minute to stop it, if they’re lucky. Maybe it’s that Pax’s head is lolling, a little. Maybe it’s that it’s all on his head – has been on his head since any of it began, since he knew any of it at all, and now another city is falling, and he can still smell smoke, and he has a minute, if he’s lucky. He feels like they should have more time. He needs to undo the gambeson. He needs to make sure they’ll be all right. Martin was always going to die today – he feels it, settled comfortable and hazy over him, an unerring certainty in the very marrow of his bones, a knowledge passed down from the man they call his father – but Pax sure as shit isn’t. Not if he has anything to say about it, which he does, because it’s been on his head since the beginning and he’ll shoulder it all but he won’t bear this. His fingers scrabble, desperate, at the ties; every moment he waits is a murder, but leaving them here would be murder, too, and Martin won’t have that blood on his hands. And the knots won’t just come easy. He’s lost so much time and he hasn’t even gotten half.

Pax is looking at him, her eyes blood-dark. “You’re not going to get it,” she says, and her voice slurs, a little, in her mouth; pain or blood loss or shock, almost definitely, but Martin was never a particularly skilled healer and the magic he spent to get them through that horrible crush outside has left him too tapped to be able to probe. “They’re tied too tight.”

Martin can hear the ringing of metal outside. The earth is still shaking.

“Fuck,” he says, voice cracking on the vowel, and turns to rifle through their quiver. He hears them exhale, long and shaky, as he searches.

They don’t even have any fucking potions – he’d take anything, at this point, anything at all, he’d take the foulest cheapest draught as long as it would slow the bleeding, or even just a bandage, but there’s no bottles or flasks and no loose cloth. There’s one salve, pale and sticky in a purple-stained pot, but that can’t be used without access to the skin and probably can’t be good in an open wound in any case. There isn’t anything. There isn’t anything at all. Time is slithering away between his fingers. There are broken bits of prayer sticking like glass shards under his tongue, again. He doesn’t want to say any of it; it sticks in his throat, anyway. Lord Akatosh, sacred dragon, walk ever with me; under your gaze I will not fall short. Pax is looking at him, brow creased, face the very picture of dedicated focus; their hair, done in a long, simple braid back when they were just supposed to be speaking to the Council, has come half-loose, looping strands hanging about their face and trailing over their eye. Martin lifts a hand – notes, with detached interest, that it is shaking – and brushes it out of the way.

“I’m sorry,” he says – and he is, by the Nine, it settles with all the rest of the guilt in his gut, all to be burned soon enough – “there’s not time for me to heal you properly. How are you feeling? Are you all right?” Their skin is still clammy to the touch, sweat-damp wherever he touches; their eyes are more focused now but still screwed up with pain.

Pax gives a short puff of air. It’s not a laugh, not in his state, but it’s not all that far off; his voice is gravel-rough. “Got stabbed, Martin Priest. ‘S not great.”

Stabbed in the gut, while protecting him – bleeding all over the sanctified floors, the grout will never recover, and why is he thinking about that when the blade could have caught an organ and Martin would never know because he’s never been that good a healer. The ground is shaking again. They’ve been in here a minute, maybe, and he already feels like they’re stealing time. The seconds are slipping away quickly. He’s digging his fingers fiercely into the cloth of Pax’s shoulder; if he doesn’t hold onto her somehow he thinks he might fall down.

(He’s glad she’s here, and he hates himself for being glad. She’s bleeding. It should be his blood.)

His face must be doing something truly impressive, because Pax cracks a grin, wide and crooked and sticky-mouthed. “Calm down,” she says, the words thick as treacle in her mouth, “I got at least ten more minutes in me. What’s the plan?”

“The plan,” Martin echoes. That statement is nowhere near as reassuring as she seems to mean it to be; he shakes his head. Looks back at the doorway, still closed – noise of battle still raging, earth still trembling, but none of it imminent, probably, not within the next three seconds – and surges forward to wrap their shoulders in a fierce hug, careful to keep away from their abdomen, his cheek pressed against their hair. They smell of sweat and smoke and blood; he takes a deep breath, anyway. “I’ll do the rest, Pax, just – rest.” His voice cracks, again. “Be okay.”

(There’s more prayer pressed into those two words than in anything else he’s thought today.)

Pax reaches a hand up to pat his sleeve; her head, still, is resting against the stone, the set of her shoulders a little tauter, a little more alert. “I can still help,” she insists. The sword – blunt little instrument that it is – lies on the floor, tacky with monstrous blood; she doesn’t even try to reach for it. The bow slung over her shoulder is jabbing him in the collarbones. Martin pulls back enough to shake his head.

“No,” he says; because they can’t. The rest is for him and him only, so no-one else has to get hurt. Pax got him this far – got him out of the wreckage of Kvatch – got him out of the stagnant mire in his head – got a blade in the gut, for their trouble, and even if Martin had anything else to ask of them he couldn’t ask for more.

Pax glowers, at that, the crease reappearing between his brows; Martin could laugh, if it was another day, if they had another moment. He presses his face to the top of Pax’s head, instead, nose dug sharply into his hair; and he breathes, and he breathes, and he breathes.

He’s not an orator, but the way Pax talks they seem to think he’s accustomed to giving grand speeches; he’s certainly had enough practice lately. His breath shudders. He dredges up what words he can. They’ve been in the Temple a minute already; he doesn’t think they can ask another.

“I,” he says, and breathes; “I cannot stay to help rebuild Tamriel – that must fall to others.” He couldn’t have been Emperor, not ever – he’s never been able to fix things, not on this scale. The weight of the Empire would have run him into the ground. He would have hated it. It would have killed him. (Didn’t it?)

Pax’s hand skims the fine cloth at his elbow again. Voice slow, they say, “What –”

“I know now what I was born to do,” Martin says, and he tries to smile. He doesn’t know if they can feel it. His hands clasp the sides of their face; their hair is tickling his nose. They feel cool to the touch, dead-fish clammy; but it will be all right, because once it’s all over the healers will come in, better at flesh-craft than Martin’s ever been, and they’ll fix it. They’ll fix it all. And the Blades are here, however little Pax usually chooses to engage with them, so he won’t be alone. And the Elder Council, the whole Empire, will owe him a debt of such gratitude – he won’t be alone, again. He’ll have options. He’ll miss him – but he’ll live. And Martin will, for once in his sorry life, have actually fixed something.

His friend’s hair smells like smoke. Their skin is shining with sweat and grime. “You’ve been such a good friend in the short time that I’ve known you,” he says, and he’s smiling, he knows it, a melancholy thing pressed into their hairline. His voice is shaking, just a little. “I’m sorry I couldn’t – I couldn’t stay to know you better.”

“Martin,” Pax says, and he pulls back. Their face is creased, ash and blood smeared over their cheekbone. Suspicion lines the tilt of their brow.

Martin smiles, still. His palms, rough and dry, cradle her face. “But now I must go,” he says, gentle; “The Dragon waits.”

And Martin, for one, is done waiting.

He pushes what magic he has left into his hands, sunshine-bright; Martin is no great healer, particularly not when his reserves are tapped, particularly not when he can’t even see the wound, but he can at least soften the edge, dampen the overwhelming pull of the pain. His hands sting with the effort, his head spins, the ground shakes; and one of those has nothing to do with expending himself. Right on time, it seems; the Amulet of Kings hangs warm and heavy around his neck.

Martin stands, though his legs shake; stumbles a step backwards; turns to face the dais in the middle of the room, the shallow marble dish of it lying cold, the pillars around it as stark and foreboding as the bars of any cage. He runs.

“Martin!” he hears behind him, because Pax is Pax and of course they won’t let him go easy; the earth shakes, anticipation winding up into a wiry coil in his gut. The Amulet is hot enough to burn, bright as the sun – he heaves himself up onto the raised platform, reaches to unloop it from around his neck –

The ceiling caves in, and Martin throws an arm over his eyes, closing them against the implosion of dust and grit, scraping in a breath thick enough to choke. His ears are ringing. He manages to squint up, catches a glimpse of a massive fist swiping the rubble away from the hole, the glint of a battle-axe, a silhouette against the burning red sky, roiling and howling like a column of storm. Martin can’t even make out a face, but he knows, somewhere deep and solid, that it’s looking at him. He meets its gaze, the Amulet raised high in his hand.

All prayer has deserted him, now, all the rote lines and careful patterns he leant on for so long slipping away from his fingertips as if they were never there at all. All he has is please, weighty, guttural, and he thinks it might mean more than any of the rest of it. Please. Please. You owe me this. The Amulet of Kings burns in his hand.

“Martin!” he hears again, hoarse and desperate; he looks. Just once. Pax has dragged himself across the dust-coated floors, bow and quiver abandoned somewhere behind him; his face is covered in dirt, hair come half-loose, eyes stubborn and fierce and wild. He feels his eyes crease, the lightest echo of a smile. He’ll miss them, wherever he goes next. Pax screams, “Don’t!”

Martin Septim was always going to die today. It is, perhaps, one of the first things he’s ever done right.

Martin smashes the Amulet of Kings on the cold marble dais, and the world erupts in gold.

#most guilt-ridden guy who is experiencing like 5 different crises resolves them all by killing himself (do not try this at home)#(also a teenager is experiencing the beginnings of hemorrhagic shock nearby. for flavour)#I generally try not to reproduce game dialogue verbatim much but for this one I felt like I Needed to. yk. made a couple tweaks but #he talks with such a specific odd energy in this scene and I wanted to be true to that #my writing #fay writes #oc tag #pax #tes #the elder scrolls #oblivion #hero of kvatch #martin septim #tesblr #will post the follow-up piece. soonish #I've reread this Too Much and can't even tell if it's good anymore so.if you like it lmk. if you think it sucks also lmk but be nice with i

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