#Digital Media skills development

[plcrak]

The Digital Media Studies program provided by PLC RAK Campus delivers a comprehensive education tailored to the fast-paced digital media industry, equipping students with a solid blend of theoretical insights and hands-on experience to excel in diverse digital media careers.

The Digital Media Studies (DMS) program offers an academic pathway for both international and local students, equipping them with essential skills and work experience in digital media. Upon graduation, students are prepared to advance their education or embark on careers in digital media.

The program explores the dynamic connections between digital media, information technology, and new media design, while also helping students improve their English proficiency and gain a solid foundation in both theory and practice.

[theeaglestech]

4 Proven Ways to Earn Like a Pro Online

In this AI era, you must have to follow these four steps along with your professional skills to earn like a pro. Here’s a complete guide to walk you through how to establish an online profile, attract clients, and grow your career. Step 1: Make Your Social Media Platforms ProfessionalStep 2: Share Your Work RegularlyStep 3: Be a Part of the Appropriate Community and NetworkStep 4: Create a…

[pressreleasearticles]

Mogul Press Reviews: Developing Skills in Public Relations: Training and Career Growth

Public relations (PR) is a dynamic field that requires a unique blend of communication, creativity, and strategic thinking. In today's fast-paced digital world, individuals aspiring to excel in PR need to continuously develop their skills and stay ahead of the curve. Mogul Press, an esteemed PR and communications agency, understands the importance of training and career growth in this industry. Let's explore how Mogul Press fosters professional development and empowers individuals to thrive in the world of public relations.

1. Cultivating Communication Skills

Effective communication lies at the heart of PR. Mogul Press offers comprehensive training programs designed to enhance verbal and written communication skills. Through workshops, seminars, and one-on-one coaching sessions, individuals learn how to craft compelling press releases, pitch ideas to journalists, and engage with clients and stakeholders.

2. Nurturing Creativity

Creativity is key to crafting memorable PR campaigns that capture attention and resonate with audiences. At Mogul Press, creativity is nurtured and celebrated. Employees are encouraged to think outside the box, explore innovative strategies, and push boundaries. Through brainstorming sessions and collaborative projects, individuals have the opportunity to unleash their creativity and make a lasting impact in the industry.

3. Embracing Digital Media

In today's digital age, a strong understanding of digital media is essential for PR professionals. Mogul Press provides training in social media management, content creation, and online reputation management. From mastering the art of storytelling on Instagram to navigating the intricacies of Twitter trends, individuals gain the skills needed to thrive in the digital landscape.

4. Mastering Crisis Management

Crisis management is a critical aspect of PR, requiring quick thinking and decisive action. Mogul Press offers specialized training in crisis communication, equipping individuals with the tools and techniques needed to navigate challenging situations with confidence and poise. From drafting crisis response plans to managing media inquiries, employees learn how to effectively mitigate risks and protect their clients' reputations.

5. Building Media Relationships

Developing strong relationships with the media is essential for PR success. Mogul Press provides training on media relations, teaching individuals how to cultivate rapport with journalists, editors, and influencers. Through networking events, media pitching workshops, and personalized outreach strategies, employees learn how to secure valuable media placements and elevate their clients' visibility.

6. Understanding Analytics and Measurement

In PR, data-driven insights are invaluable for evaluating the success of campaigns and informing future strategies. Mogul Press offers training in analytics and measurement, teaching individuals how to track key performance metrics, analyze audience engagement, and measure the impact of PR efforts. By harnessing the power of data, employees can optimize their strategies and deliver tangible results for their clients.

7. Fostering Leadership Skills

Leadership skills are essential for advancing in the field of PR. Mogul Press invests in the professional development of its employees, offering leadership training programs and mentorship opportunities. Through leadership workshops, team-building exercises, and executive coaching, individuals develop the confidence and resilience needed to lead teams, manage projects, and drive business growth.

8. Pursuing Continuous Learning

In a constantly evolving industry like PR, lifelong learning is essential for staying relevant and competitive. Mogul Press encourages employees to pursue continuous learning opportunities, whether through industry conferences, online courses, or professional certifications. By staying curious and adaptable, individuals can continuously expand their skill set and position themselves for long-term success.

9. Promoting Work-Life Balance

Maintaining a healthy work-life balance is crucial for overall well-being and job satisfaction. Mogul Press prioritizes employee wellness, offering flexible work arrangements, wellness programs, and supportive company culture. By promoting work-life balance, individuals can recharge, stay motivated, and perform at their best both professionally and personally.

10. Advancing Career Growth

At Mogul Press, career growth is not just a possibility – it's a priority. The company provides opportunities for advancement, professional development stipends, and mentorship programs to support employees in reaching their full potential. Whether aspiring to climb the corporate ladder or carve out a niche in a specialized area of PR, individuals are empowered to pursue their career goals with confidence and enthusiasm.

FAQs

Q1: What qualifications do I need to work in PR at Mogul Press?

A1: While a degree in communications, public relations, or a related field is beneficial, Mogul Press values experience, creativity, and passion for the industry.

Q2: Does Mogul Press offer internships or entry-level positions?

A2: Yes, Mogul Press offers internships and entry-level positions for individuals looking to kickstart their career in PR. Visit our website for current opportunities.

Q3: How can I apply for a job at Mogul Press?

A3: Interested candidates can apply for open positions through our website career portal. Be sure to submit your resume and cover letter outlining your qualifications and interest in joining the Mogul Press team.

Q4: What is the work culture like at Mogul Press?

A4: Mogul Press fosters a collaborative and inclusive work culture where creativity, innovation, and teamwork are celebrated. We prioritize employee wellness and strive to create a supportive environment where everyone can thrive.

Q5: Does Mogul Press provide training and professional development opportunities?

A5: Yes, Mogul Press offers comprehensive training programs, workshops, and mentorship opportunities to support the professional development of our employees.

Q6: What sets Mogul Press apart from other PR agencies?

A6: At Mogul Press, we pride ourselves on our personalized approach, creative excellence, and commitment to delivering results that exceed expectations. We prioritize building strong relationships with our clients and are dedicated to helping them achieve their goals.

Q7: Can I work remotely at Mogul Press?

A7: Yes, Mogul Press offers remote work options for eligible positions, providing flexibility and work-life balance for our employees.

Q8: How does Mogul Press measure the success of PR campaigns?

A8: Mogul Press utilizes a variety of metrics and analytics tools to measure the success of PR campaigns, including media placements, audience engagement, brand sentiment, and ROI.

Q9: Does Mogul Press offer opportunities for career advancement?

A9: Yes, Mogul Press is committed to supporting the career growth and advancement of our employees. We provide opportunities for promotion, professional development stipends, and mentorship programs.

Q10: What industries does Mogul Press specialize in?

A10: Mogul Press works with clients across a diverse range of industries, including technology, fashion, lifestyle, healthcare, finance, and more. We tailor our services to meet the unique needs and objectives of each client.

Conclusion

In conclusion, developing skills in public relations is essential for success in today's competitive business landscape. Mogul Press offers comprehensive training, professional development opportunities, and a supportive work culture to empower individuals to thrive in the dynamic field of PR. Whether cultivating communication skills, mastering digital media, or advancing career growth, Mogul Press provides the resources and support needed to succeed. Join the Mogul Press team and take your PR career to new heights!

[strategiadvizo]

Boost Your Career with Digital Marketing Skills

In today’s fast-paced world, digital marketing stands as a beacon of opportunity, especially for the youth of India. Strategia Advizo, a leading consultancy service, offers a chance to not only learn but master these skills. So, whether you’re scrolling through LinkedIn or walking the streets of Bihar’s vibrant towns, here’s how you can level up professionally with digital marketing. Embracing…

[aadishaktidigitalmarketing]

Off-Page SEO

Hello,

Aadishakti Digital Marketing Agency and Services is a dynamic and results-driven marketing firm dedicated to transforming businesses in the digital realm. With a team of creative minds and strategic thinkers, we craft tailored digital marketing solutions that drive growth and ROI. Our expertise spans across SEO, SEM, social media, content marketing, and web design, ensuring a comprehensive approach to online success. We are committed to staying at the forefront of industry trends and algorithms to keep our clients ahead of the competition. Partner with Aadishakti Digital Marketing Agency and Services for a journey towards digital excellence and unparalleled online visibility. Your success is our mission.

Let's know about "Do Follow and No Follow in Off-Page SEO: Their Importance in SEO Strategies".

In the intricate world of Search Engine Optimization (SEO), understanding the nuances of on-page and off-page factors is crucial for improving a website's visibility on search engine result pages (SERPs). One of the fundamental concepts in off-page SEO is the distinction between "Do Follow" and "No Follow" links.

1. What Are Do Follow and No Follow Links?

Do Follow Links: These are links that search engines consider while calculating a website's search ranking. They pass "link juice," which is essentially a vote of confidence from one website to another. Do Follow links are typically used for editorial or user-generated content where the content creator endorses the linked website.

No Follow Links: On the other hand, No Follow links contain an HTML attribute that instructs search engines not to follow the link or pass any authority. They are often used in user-generated content, comments, or any situation where the website owner wants to disassociate themselves from the linked content.

2. Importance of Do Follow Links in SEO:

Improved Ranking: Search engines, like Google, use Do Follow links to determine the relevance and authority of a webpage. High-quality Do Follow backlinks from reputable websites can significantly boost a site's ranking on SERPs.

Increased Traffic: When a website with a high domain authority links to your site through a Do Follow link, it can drive organic traffic to your web pages, resulting in increased visibility and potential conversions.

Enhanced Trust: Earning Do Follow links from authoritative sources can enhance your website's credibility and trustworthiness in the eyes of both search engines and users.

3. The Role of No Follow Links in SEO:

Cautious Linking: No Follow links are essential for maintaining a natural link profile. They are used when linking to untrusted or user-generated content to prevent passing authority to potentially spammy websites.

Social Media and User-Generated Content: Platforms like social media and forums often employ No Follow links to discourage spam and maintain control over the quality of outbound links.

Legal and Ethical Compliance: Some websites use No Follow links to comply with advertising disclosure requirements or ethical considerations, ensuring transparency in their affiliations and sponsorships.

4. Balancing Do Follow and No Follow Links in SEO Strategies:

Natural Link Profile: A healthy and natural link profile should consist of a mix of Do Follow and No Follow links. Overemphasizing Do Follow links can raise red flags with search engines, potentially leading to penalties.

Diverse Sources: Seek backlinks from a variety of sources, including guest posts, social media, forums, and reputable directories, to create a diverse link portfolio.

[theambitiouswoman]

How To Become A Brand New Person ✨✨

Self Reflect:

Journal daily.

Think about past decisions and how they impacted your life.

Meditate regularly.

Create a vision board to visualize your goals.

Review your strengths and weaknesses.

Identify your core values and beliefs.

Figure out your passions and interests.

Think about your childhood dreams and aspirations.

Evaluate your current state of happiness and fulfillment.

Set Clear Goals:

Define specific career goals, like "Get promoted within two years."

Set health goals, like "Lose 20 pounds in six months."

Create financial goals such as "Save $10,000 for a vacation."

Establish personal development goals, like "Read 24 books in a year."

Set relationship goals, such as "Improve communication with my partner."

Define education goals, like "Complete a master's degree in three years."

Set travel goals, like "Visit five new countries in the next two years."

Create hobbies and interests goals, such as "Learn to play a musical instrument."

Set community or volunteer goals, like "Volunteer 100 hours this year."

Establish mindfulness or self-care goals, such as "Practice meditation daily."

Self Care:

Exercise for at least 30 minutes a day.

Follow a balanced diet with plenty of fruits and vegetables.

Prioritize getting 7-9 hours of quality sleep each night.

Practice in relaxation techniques like deep breathing or yoga.

Take regular breaks at work to avoid burnout.

Schedule "me time" for activities you enjoy.

Limit exposure to stressors and toxic people.

Practice regular skincare and grooming routines.

Seek regular medical check-ups and screenings.

Stay hydrated by drinking enough water daily.

Personal Development:

Read a book every month from various genres.

Attend workshops or seminars on topics of interest.

Learn a new language or musical instrument.

Take online courses to acquire new skills.

Set aside time for daily reflection and self improvement.

Seek a mentor in your field for guidance.

Attend conferences and networking events.

Start a side project or hobby to expand your abilities.

Practice public speaking or communication skills.

Do creative activities like painting, writing, or photography.

Create a Support System:

Build a close knit group of friends who uplift and inspire you.

Join clubs or organizations aligned with your interests.

Connect with a mentor or life coach.

Attend family gatherings to maintain bonds.

Be open and honest in your communication with loved ones.

Seek advice from trusted colleagues or supervisors.

Attend support groups for specific challenges (e.g., addiction recovery).

Cultivate online connections through social media.

Find a therapist or counselor for emotional support.

Participate in community or volunteer activities to meet like minded people.

Change Habits:

Cut back on sugary or processed foods.

Reduce screen time and increase physical activity.

Practice gratitude by keeping a daily journal.

Manage stress through mindfulness meditation.

Limit procrastination by setting specific deadlines.

Reduce negative self-talk by practicing self-compassion.

Establish a regular exercise routine.

Create a budget and stick to it.

Develop a morning and evening routine for consistency.

Overcome Fear and Self Doubt:

Face a specific fear head-on (example: public speaking).

Challenge your negative thoughts with positive affirmations.

Seek therapy to address underlying fears or traumas.

Take small, calculated risks to build confidence.

Visualize success in challenging situations.

Surround yourself with supportive and encouraging people.

Journal about your fears and doubts to gain clarity.

Celebrate your accomplishments, no matter how small.

Focus on your strengths and accomplishments.

Embrace failure as a valuable learning experience.

Embrace Change:

Relocate to a new city or country.

Switch careers or industries to pursue your passion.

Take on leadership roles in your workplace.

Volunteer for projects outside your comfort zone.

Embrace new technologies and digital tools.

Travel to unfamiliar destinations.

Start a new hobby or creative endeavor.

Change your daily routine to add variety.

Adjust your mindset to see change as an opportunity.

Seek out diverse perspectives and viewpoints.

Practice Gratitude:

Write down three things you're grateful for each day.

Express gratitude to loved ones regularly.

Create a gratitude jar and add notes of appreciation.

Reflect on the positive aspects of challenging situations.

Show gratitude by volunteering or helping others in need.

Send thank-you notes or messages to people who've helped you.

Keep a gratitude journal and review it regularly.

Share your gratitude openly during family meals or gatherings.

Focus on the present moment and appreciate the little things.

Practice gratitude even in times of adversity.

Be Patient:

Set realistic expectations for your progress.

Accept that personal growth takes time.

Focus on the journey rather than the destination.

Learn from setbacks and view them as opportunities to improve.

Celebrate small milestones along the way.

Practice self-compassion during challenging times.

Stay committed to your goals, even when progress is slow.

Keep a journal to track your personal growth.

Recognize that patience is a valuable skill in personal transformation.

Celebrate Small Wins:

Treat yourself to your favorite meal or dessert.

Reward yourself with a spa day or self-care activity.

Share your achievements with friends and loved ones.

Create a vision board to visualize your successes.

Acknowledge and congratulate yourself in a journal.

Give yourself permission to take a break and relax.

Display reminders of your accomplishments in your workspace.

Take a day off to celebrate a major milestone.

Host a small gathering to mark your achievements.

Set aside time to reflect on how far you've come.

Maintain Balance:

Set clear boundaries in your personal and work life.

Prioritize self care activities in your daily routine.

Schedule regular breaks and downtime.

Learn to say "no" when necessary to avoid overcommitment.

Evaluate your work life balance regularly.

Seek support from friends and family to avoid burnout.

Be kind to yourself and accept imperfections.

Practice mindfulness to stay present and grounded.

Revisit your priorities and adjust them as needed.

Embrace self love and self acceptance as part of your daily life.

[art]

Creator Spotlight: @camberdraws

Hello! My name is Camber (any pronouns), and I’m a mixed media illustrator located in the southwestern United States. I love drawing everything, but I have a special interest in depicting strange creatures and environments, often accompanied by abstract imagery and mark-making. Professionally, I’ve worked creating concept art and 2D assets for museum exhibits, but currently, I am engaged full-time as a software developer and make standalone illustrations in my free time. I’ve been posting art on Tumblr since I was a teenager, and the site has been very welcoming towards my work to this very day!

Check out Camber’s interview below!

Did you originally have a background in art? If not, how did you start?

I’ve had an interest in drawing since I was barely sentient, but at thirteen years old I decided to become “serious” about art. I was all about reading tutorials and doing a ton of studies. I would tote my heavy instructional art books to school every single day (my poor back!) Despite all this, I decided to forgo art school in favor of a bachelor’s degree in Computer Science at my local college. Alongside my major, I received a minor in Art Studio with a specialization in fine art, which totally changed my views on creating artwork and drastically changed my style.

How has your style developed over the years?

As mentioned previously, my style did a 180 after I studied under some very skilled fine art professors! As a kid, my drawings were very realism-heavy and inspired by video game concept art. I mostly worked digitally, too. During college, I was thrown for a loop when we were instructed to do strange things like, for example, make a bunch of marks on paper using pastel, WITHOUT looking, and then turn said marks into a finished piece of art! I quickly and deeply fell in love with abstract work, and especially appreciated images that are not easily parsed by the viewer. Since then, I’ve made it my goal to combine abstract mark-making with more representational subject matter.

What is one habit you find yourself doing a lot as an artist?

Hmmm, one habit I really enjoy as an artist is strictly tracking the amount of time I spend drawing! I currently work a full-time job wholly unrelated to art, so I have to be careful with my time if I want to spend enough hours drawing each week. I created a spreadsheet that allows you to enter the amount of minutes you’ve drawn each day and calculate how much drawing time you still need to reach your weekly goal (I aim for 20 hours a week.) Having such a clear, numbers-based objective keeps me motivated to work like nothing else!

Over the years as an artist, what were your biggest inspirations behind your creativity?

I know this is a common inspiration, but Hayao Miyazaki’s work has been rewiring my neurons since I was a child. Seemingly all of my artistic interests can be summed up by the movie Princess Mononoke: it has strange/abstract creature designs, a strong focus on nature and environmental storytelling, and a mix of dark and hopeful themes. Additionally, I’ve been deeply inspired by video game series such as Zelda, Okami, Pikmin, and Dark Souls. But arguably, none of these have influenced me more than Pokemon! I’ve been drawing Pokemon since I could barely hold a pencil, and I haven’t stopped since! I believe my love of designing creatures originated with my endless deluge of Pokemon fanart during my childhood.

What is a medium that you have always been intrigued by but would never use yourself?

I’ve always been fascinated by 3D mediums and am so tempted to try them out! Whether that’s 3D models created digitally or sculptures made from clay, I profoundly admire artists who have this skill. Oftentimes, it feels like I don’t have time to delve into a totally different artistic paradigm. However, I feel very strongly that learning new skills can enrich your current work. I should take that advice and someday give 3D mediums a shot!

What is a recent creative project that you are proud of?

I am in the process of creating an art book (a dream of mine!) and have been executing smaller drawings of concepts I find interesting from both a visual and storytelling standpoint. A recent drawing for said book is that of a snail made of ink with an ink bottle as a shell, and it went absolutely viral! I’ve never had an experience like this as an artist before and it has been spectacular! I was able to open a shop using my newly acquired art printer and sell many prints of my snail. Creating something original, directly stemming from my interests, and having that resonate with so many people has been unreal. I couldn’t ask for more as an artist!

What advice would you give to younger you about making art that’s personal or truthful to your own experiences?

I would tell my younger self to chill out and experiment more! I was so caught up in the idea that I needed to have a realistic style to be considered “good.” I also believed that technical skill was the only measure of how worthy my art was. That’s not to say technical skill doesn’t matter, but I now firmly believe the creativity and voice of your ideas far outweigh the skill of execution in terms of importance. Technical skills should elevate ideas, not the other way around. Once I began to revel in strange ideas and stories for my work, depicted oftentimes in odd styles or mediums, I truly found my voice as an artist.

Who on Tumblr inspires you and why?

My peers here on Tumblr inspire me more than anything! Sharing my work with contemporaries and giving each other support brings me joy like no other, and keeps me motivated to continue creating. I wouldn’t be where I am today without them! @beetlestench, @theogm-art, @trustyalt, @ratwednesday, @phantom-nisnow, @svltart, @mintsdraws, @mothhh-hh, @jupiterweathers, @thesewispsofsmoke, @picoffee, @fetchiko, @kaisei-ink, and @pine-niidles just to name only a few!

Thanks for stopping by, Camber! If you haven’t seen their Meet the Artist piece, check it out here. For more of Camber’s work, follow their Tumblr, @camberdraws!

[felassan]

The Infocomm Media Development Authority is a statutory board under the Singapore Ministry of Digital Development and Information. It has a website which has things like ratings classifications for video games for its region (Singapore).

This is what it lists and describes for Dragon Age: The Veilguard, bolded emphasis mine -

"Extended Classification Information ‘Dragon Age The Veilguard’ is an action-roleplaying game set in the fantasy lands of Thedas. The protagonist takes on the role of Rook to explore a world where corrupt ancient gods have broken free and are trying to wage destruction. Rook must gather a powerful team of companions to save the world. The game is rated M18 for nudity and sexual references. From a third-person perspective, the player controls Rook to traverse through varied locations, interact with other characters, undertake quests and battle fantastical enemies (creatures, demons, and humanoids comprising humans, elves and other fantasy races. The player can choose to customise the protagonist’s race, gender, faction and combat class, which determines the weapons, abilities and powers that can be used in combat against enemies. Over the course of the game, the player can recruit companions of various race and gender to the cause. Completing quests and defeating enemies earns the player characters gold and experience to level up, unlock new skills, and purchase items. Some scenes may depict female characters topless, such as during the character customisation screen or in certain romance scenes. As the narrative progresses, the player can develop relationships with party members, and optionally pursue a romance with some, including with same-sex human and fantasy characters. These may culminate in scenes of intimacy depicting the characters kissing and embracing, with some accompanying suggestive dialogue before the screen fades to black alluding to sexual activity. The M18 Classification Guidelines permit “depictions of same-sex kissing and hugging”, and “some homosexual content, if discreet in treatment and not gratuitous”. There are scenes of realistic violence depicted during battle sequences and in some cutscenes. Characters are slashed and stabbed by melee weapons or shot by arrows and magic projectiles, with blood splattering and staining surfaces. During exploration, the player may come across bloodstained environments, and carcasses and corpses sprawled about, hung aloft or impaled by objects. A scene depicts an animal being sacrificed during a ritual and exploding in a large burst of blood. The dialogue contains some use of the expletive “f**k” and its variances, as well as the use of crude words such as “asshole”, “bastard”, “damn” and “shit”."

[source, via]

The animal sacrifice part is interesting. I wonder what kind of ritual, to whom or for what purpose? Tevinter, blood magic, Venatori..?

[marveltrumpshate]

Want to participate in Marvel Trumps Hate, but don't know what to offer? Think outside the box!

Stumped on what to offer because you don't write fic or draw? Marvel Trumps Hate welcomes a huge variety of fanworks and fan labor (see our sign-up post), so there are different ways you can contribute. You'll be amazed by the breadth of skills, talents, knowledge, and types of creative expression found in fandom!

Here's a smorgasbord of offers that we've either had before or seen people discuss as possibilities for MTH 2024 or future years to help inspire you. What you can offer is not restricted to the list below; these are just examples to get you brainstorming about what you can auction off because trust us, even if you think you might not have something to offer, you probably do!

ART (VISUAL/ILLUSTRATIVE)

Drawings/illustrations

Single-page and multi-page comics

Pixel art

Paintings (oil, acrylic, gouache, watercolor)

Mixed-media artwork on canvas

Ink-on-bristol art

Embroidery on canvas

Pour paint/spin art

Rotoscopes

Digital coloring books

AUDIOVISUAL WORKS

Fan music or filk inspired by characters, ships, or fics

Podfics

Videos (fic trailers, themed edits, vids set to songs)

Animations (making original art/animation or turning existing art into animation)

BETA SERVICES

Editing

Cheer reading

Soundboarding/planning/development work

Fact-checking

Culture-picking

Sensitivity reading

Knowledge about specific topics or experiences (e.g., identities, lifestyles, professions, interests, fields of study)

Research

CRAFTS & MERCH

Candles

Lip balms

Soaps

Stained glass/suncatcher

Scented beanbag-style sachets

Candy/chocolate/baked goods/jellies/sweets

Fic/character/ship/theme boxes (like book boxes)

Pins, magnets, patches, charms, standees, key chains, ring holders, calendars, stickers, bookmarks, temporary tattoos

Sculptures and clay figures

Ceramic mugs and other ceramic items

Apparel/wearable accessories (shirts, jackets, scarves, gloves/mittens, hats, face masks, regular masks, cowls, pajamas/onesies)

Backpacks, tote bags, itabags with custom window shapes, leather dice bags, wallets, pouches/pencil cases

Plushie animal or Tsum Tsum versions of Marvel characters

Dolls (crochet, needle felt, matte board, hand-sewn)

Embroidery hoops/wall art and cross stitch pieces

Jewelry (diamond painting, macrame, metal, crochet, wire, beads)

Woodwork/wood burning (cheese board, box/chest, USB stick, coasters, photo frame, alphabet blocks)

Glasswork

Custom Funko Pops

Paper cut light boxes

Pillow cases, quilted pillows, baby blankets, dishcloth/washcloths, potholders

Handmade leather journals

Linoleum stamps

Dog/cat/pet toys

Artbooks, paper doll books, and coloring books

Hand-dyed yarn skeins

Custom tea blends

DIGITAL (GRAPHIC DESIGN)

Gifsets

Graphics/edits

Mood boards

Photo manips

Fic covers/posters/banners

Icons and headers

Webweaving

Tumblr or website layouts

Digital calendars

Wallpapers

Custom Discord emojis

FAN LABOR & TRANSLATION

Typesetting

Bookbinding

Recipes based on characters, ships, or themes

Names, tags, and summaries for fics

Audio/sound editing and/or soundscaping for podfics

Book cover design and printing

Art/comic/fic translation

Website/game/AO3 skin coding

Fic rec lists

Fic playlists/fanmixes

Knitting/crochet patterns

Art coaching

Help with launching and organizing fan events

WRITING

Fic

Poetry

Meta posts

Social media AUs

Physical letters written by characters to the reader or between two characters

Remixes of your fic or an existing fic with the author's permission

Whether you can do something on this list or something else altogether (we're sure there are a lot of other things that you can do that we haven't thought about or seen before), we hope you'll consider signing up before the deadline: September 28, 11:59 PM ET.

[astroismypassion]

✨PART OF FORTUNE IN SIGNS AND HOUSES SERIES: 11TH HOUSE✨

Credit: Tumblr blog @astroismypassion

ARIES PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Aries and Aquarius Sun people in your life. You can earn money via launching or joining a tech startup, focused on innovative technologies or disruptive business model, via work in community organization or activism, via work in digital marketing or social media management, via providing consulting services to businesses or organizations, advising them on innovation strategies, product development or new market exploration, via work in crowdfunding or fundraising. You feel abundant when you align with social causes, focus on group dynamics and embrace innovation.

TAURUS PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Taurus and Aquarius Sun people in your life. You can earn money via work in investment management, focusing on building and managing portfolios that provide stable returns, via art colleting, dealing or curation focusing on pieces that have enduring value, via work in interior design, via work in hospitality management (in luxury hotels, resorts or event planning). You feel abundant when you embrace sustainable and ethical practices, when you practice patience and persistence.

GEMINI PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Gemini and Aquarius Sun people in your life. You can earn money via engaging in activism, advocacy work, via work in public relations, graphic design, via creative writing, screenwriting, content creation, teaching, tutoring, joining or starting a tech company focused on innovative products or services. You feel abundant when you are focused on community, collective goals, when you stay versatile and adaptable.

CANCER PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Cancer and Aquarius Sun people in your life. You can earn money via pursuing a career in early childhood education or childcare, nursing, caregiving, mental health services, via work in family and parent education, pursuing culinary arts or catering, engaging in art and design. You feel abundant when you focus on community, social connections, embrace technology and innovation, promote security and stability and use your intuition and emotional intelligence.

LEO PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Leo and Aquarius Sun people in your life. You can find abundance by managing a charitable organisation. You can earn money via work as a creative director or manager, overseeing projects in fashion, advertising or design, via writing, blogging, content creation focused on inspirational and motivational themes, via work in charity or fundraising, work in teaching (drama, art, public speaking). You feel abundant when maintain confidence in your vision and abilities, when you embrace charisma, leadership and when you pursue a creative career.

VIRGO PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Virgo and Aquarius Sun people in your life. You can earn money via work in tech support, quality assurance, systems analysis, work in non-profit management, pursuing teaching or training roles, engage in environmental research, when you organise workshops or seminars on practical skills, health and wellness. You feel abundant when you focus on health, wellness, when you network, collaborate and when you use technology.

LIBRA PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Libra and Virgo Sun people in your life. You can create wealth by creating and selling DIY kits or tutorials. You could also learn digital or 3D art. You could sell photos on sites like Shutterstock or Adobe Stock. You earn money via event planning, specializing in weddings, social events and community events, work in legal services, such as family law, meditation or contract negotiation. You feel abundant when you embrace collaboration and partnerships, focus on aesthetics and creativity.

SCORPIO PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Scorpio and Aquarius Sun people in your life. You can earn money via holistic healing, alternative medicine, energy work, via astrology, metaphysical studies, spiritual counselling, via biotechnology, healthcare technology, environmental technology, via work in cybersecurity, data analysis or investigative journalism. You feel abundant when embrace deep, transformative work, engage in financial and strategic roles.

SAGITTARIUS PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Sagittarius and Aquarius Sun people in your life. You can earn money via career in diplomacy, teaching, lecturing, work in tourism industry, work in educational publishing, work in broadcasting or journalism, work in editing or translation. You feel abundant when you engage in social and humanitarian causes, focus on education and communication, when you embrace international cultural perspectives.

CAPRICORN PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Capricorn and Aquarius Sun people in your life. You can earn money via real estate development, work in corporate training and development, taking on leadership roles in non-profit organizations that focus on social justice, community development or environmental sustainability. You feel abundant when emphasize practical, realistic approach, when you use network and social connections.

AQUARIUS PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Aquarius Sun people in your life. You can earn money via streaming on platforms (Twitch), participating in esports or creating gaming content. You earn money via scientific research, when you create or support educational programs that focus on skills for the future (digital literacy, innovation), when you create content that explores futuristic concepts, technology trends or social change using platforms like YouTube, a blog, podcast. You feel abundant when you focus on technology and future trends and when you stay true to your unconventional nature.

PISCES PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Pisces and Aquarius Sun people in your life. You can earn money via storytelling, work in holistic healing fields, massage therapy, via painting, writing, music or film, via offering spiritual or life coaching services. You feel abundant when stay true to your intuitive insights, embrace spiritual and healing practices and when you focus on humanitarian and compassionate work.

Credit: Tumblr blog @astroismypassion

[shelandsorcery]

What I've Learned About Teaching Art

I've had the privilege of teaching art in a variety of environments - from still life oil painting at the college level, to combining art with science and history in a museum setting, to guiding highschool students through creating a comics anthology. Through these very different settings, I've found a list of constants that, when I keep them in mind, help me deliver the most enjoyable and effective art education for my students. One of my core beliefs is that art is, at the heart of it all, something a student must teach themself, and that a classroom, workshop, or camp that wants to teach art is actually responsible for creating an environment and offering projects that facilitate that self-driven learning. With that on the table, here is the pantheon of truths that, if I can hold on to all of them, help me create that learning environment:

- Almost no one is inherently unable to draw. Additionally, everyone can improve at drawing. With the wealth of "traditional" media, digital tools, and thousands upon thousands of years of art history with which we can map the possibility space, it seems obvious that if someone wants to make art, then they absolutely can.  If they want to draw, then no teacher should ever, EVER tell a student that they "can't." The teacher's role is usually to take a student who already secretly believes they can't draw and help them see both the breadth of possibilities and the potential within themselves to improve whatever skills they start with. - Drawing is not always about making a beautiful image. The obsession with one kind of "good drawing" creates an artificial limit on who is allowed to draw. Sometimes being an art teacher is about expanding a student's definition of art as opposed to pushing their frustrated and dejected pencil along a path towards a narrow goal. The reality is that even within pop culture we see so many gorgeous kinds of art! Beyond that, aiming superficially as an artist for a particular surface result will almost always create lesser work than creating an understand of underlying processes and theories that helped the "good art" come into existence. - Drawing can teach new ways of seeing. Observing with the intent of drawing can transform how a person perceives the world. So much of teaching art is teaching visual literacy, the literal act of reading meaning within visual input, whether that's a still image, a film, a building or a natural landscape. When you motivate students to read visuals by providing them with new ways to understand creating visuals, you jump start their investment in visual literacy. - Drawing can help us think about things differently. Thinking can shift along with modes of seeing - what is a structural way of thought? What is a compositional way of thought? When you teach art, you must teach a student to look at things holistically and in granular elements - besides just enhancing thought processes moving between the two states, you can get much more discovery in the analytical and planning modes of appreciating and creating artwork. - Drawing from reference is as educational as reading. Learning to examine visual reference closely creates a new kind of literacy - visual literacy. Drawing from reference, especially with guided or motivated questions to be answered, can create an opportunity for modes of analysis that students don't get to otherwise use. Developing visual observation and creating a practice of looking both closely and holistically can create a layered understanding of the subject. Even students resistant to traditional still life drawing processes can find benefit in using drawing to answer self-guided questions. - Learning by making art is a valid mode of learning. Making art can be a mode of learning that both alternates between input and output and creates a sense of ownership/agency in both modes. The hands on creative process is a kind of guess and check system that can be designed carefully to allow students to make a wide variety of types of decisions, and teaches them to create goals and investigate what processes will best allow them to achieve said goals. - Competition with each other or with some imagined ideal will deflate artistic potential. An art classroom cannot have winners and losers based on "quality" of final piece. Art education will benefit more students if it is process oriented. Quality, even in straightforward skills based art education, can still be subjective, and unless it's an aggressive battle Royale for some exclusive prize, the intent of any art programming is not to find the single best but to encourage each student to improve. So don't be a dick about it. - Art is a product of restraints. Material, process, time, subject or conceptual restraints allow for a kind of focused play. Giving students free reign is in itself a huge challenge of self direction, goal setting and prioritization. Making some of those choices for them gives them a chance to focus their own learning. - Materials change the kind of engagement. Diverse materials allow for diverse engagement. Just as subject matter can affect a student's personal investment in a project, the material or method of art making can change their engagement. Changing between drawing and painting, reductive or additive sculpting, stenciling or stamping, will not only change the tactile experience of art making but will affect the modes of thought used to make creative choices. - Venue or audience transform art. Pressure to show, and to whom, can change students self imposed limitations. Defining an audience will change and add pressure to art creation. This can help students hold themselves to a higher standard, but can also frighten or overwhelm them. Audience needs can be a useful limit or influence on the direction of an art project, but audience pressure needs to be modulated to the response of each student. - Art is most interesting when it leaves the comfort zone of its creator. This can only happen in a classroom where students feel safe to take risks. Art, even when the subject matter is utterly anonymous or benign, can be a hugely risky-feeling process. Even the act of making art in a classroom environment can feel frightening; if we want students to fully engage, and to take the artistic risks that allow them to learn, we have to spend class time making the classroom into a safe space for the students. This probably needs to be it's own post so I'll leave it there for now and come back and expand upon it in detail in future. - Subject engagement transforms art. Students with something to say about their subject may push themselves farther. Caring about the subject can be a blessing or a curse for a student - deep subject investment can drive problem solving around how best to present it in the artwork, while deep subject investment can also overwhelm a student with self imposed pressure and even a large dose of imposter syndrome. Therefore it can always be useful to intersperse self selected subject matter with "boring" or at least not emotionally significant subjects, to relieve some of the pressure and allow students to instead respond to the process alone. - Ownership of a process will empower students. Whether they've designed a process, built their own materials or set their own goals, agency gives students investment. One of the most exciting things about art is that students have a lot of potential control and thus ownership - they will always be making choices, and those choices are potentially exciting because they directly affect the outcome. You can increase this sense of ownership or investment in the class by facilitating student-made materials, like sketchbooks or mark-making tools; or by facilitating student-led exercises or challenges or projects. - Demos will guide what others make and must be done carefully. Demoing can empower and at the same time overwhelm or impose limits on the viewers. Demoing must be designed to specific goals of each assignment. Eg: if you want students to use surgical techniques to explore value, or depth, or composition, whole you absolutely have to demo the technique didactically, you need to be careful not to be didactic about the results you want in relationship to the subject of exploration. Showing a wide range of potential approaches can help in classrooms where students can handle large info dumps, but often it's better to demo the technique, get them trying it out without further instruction, and then redirect then to the topic of exploration as stage 2. - Material potential can power a room. Art supplies can be motivating all on their own. Getting excited about them can make it safe for the students to get excited as well. There are many different supplies available to teach art with, and trying different ones can add a lot of excitement to the room even if your topic of instruction is narrow. Getting excited about materials can change the mood of a classroom entirely. - Criticism must engage with the student's goals or it will work against you. Setting goals, and then reflecting on them, is key to art education as so much of art is self directed. If you then ignore that setup and approach critique without listening to your students' internal direction and goals and at minimum acknowledging them, they will not find your critique constructive. This goes for young children all the way to adults - you need to be in dialogue with them. - Open discussion and open ended questions will always help. Once you've found a way to make the classroom a safe space, group discussion powered by open ended questions can open everyone's mind up to broader possibilities. One on one conversation also benefits hugely from open ended questions and encouraging students to reflect and investigate their own process and practice. - Letting students share their learning is important to help the class grow beyond your own limited experiences. Students will often still feel in competition with each other, so instituting non-competitive collaboration and sharing will be important to minimizing classroom tension. This can be demonstrated first with art games and developed into collaborative processes on more serious projects. - You can never clarify the instructions enough. Always repeat yourself, be prepared to repeat demos, have a written list of instructions and delegate helpers. Breaking projects up into stages can help with detailed instructions, but always show an overview first. Art is overwhelming and there is no process so simple everyone is automatically good at it. Accurate following of a process will often help students who are unsure of themselves prove themselves to be competent and your job as the teacher is to make sure they have everything they need to do that. - Techniques are best remembered when students use them to solve specific problems. Show how applicable to different problems a technique is during demos. Be prepared to reteach or to teach new techniques whenever students hit a wall. Encourage them to reflect over the techniques they have at hand to see if there's a new way to use one that could solve their problem. - Art is mostly learned by doing. Material literacy is gained only through material exploration. If you spend too much time talking/demoing before they get to try the materials the enthusiasm can fade. If you have a student who is frightened of doing it wrong, the most important thing is to make a safe space for them to do it wrong, because that's the only way to eventually do it right. These are all best case scenario tips - and while I've tested them all to know they work, it's still hard work to keep everything in play in every classroom. I'm hopeful that having this written list will help me, and maybe by sharing I can help others as well. Art is a privilege to teach, but I believe it is incredibly important for everyone to get to learn it, in a safe environment where the effects of an art practice can be the most beneficial. Are you teaching a creative subject? What are some techniques or core values you bring to your classroom? Read the full article

[yamayuandadu]

Tamamizu Monogatari, a unique love story

This article, unlike most of my recent longer pieces, was not planned in advance. I learned about the subject very recently, and instantly realized I absolutely have to introduce it to more people, the previously posted schedule be damned. The Tale of Tamamizu (玉水物語, Tamamizu Monogatari) is a story about a fox turning into a human, but a rather unconventional one, filled with an unusual degree of sympathy for the eponymous protagonist and focused on a rather unique relationship. In addition to summarizing it in detail and explaining the possible inspirations behind it, I will also try to explain why the tale found a new life on social media as a, broadly speaking, lgbt narrative, and why I think there is a compelling case to be made for such an interpretation. Unless stated otherwise, all images used through the article are taken from the Kyoto University Rare Materials Digital Archive, on whose website you can view scans of the original Tamamizu Monogatari.

The Tale of Tamamizu, also known as The Contest of Autumn Leaves (Momiji Awase) is an example of otogi-zōshi, illustrated prose narrative. The story was presumably originally composed in the Muromachi period (1335-1573), and it survives in multiple copies dated either to the early Edo period or to the end of the Japanese “middle ages” directly preceding it. The identity of the author (or authors) is unknown. Despite its apparent popularity in the past, it seems no major studies of the tale of Tamamizu have ever been conducted. A streamlined translation (or rather an extensive summary) was published online by Kyoto University Library in 2001 and can be accessed here. In 2018, a full translation, as well as a brief introduction, were prepared for the anthology Monsters, Animals, and Other Worlds. A Collection of Short Medieval Japanese Tales. Still, it doesn't seem either sparked all that much interest in Tamamizu, despite the story’s obvious modern appeal. Since the tale of Tamamizu is not well known, I will start with a detailed summary. I am consistently using female pronouns for Tamamizu after she transforms, as does the older translation. The other English translation switches between female and male pronouns. I will explain in the final paragraph of the article why I made the decision to follow the former. The Tale of Tamamizu The story of Tamamizu does not start with the eponymous character, but rather with a certain mr. Takayanagi from Toba. He is troubled, as while he is already 30, he has no children. He decides the only choice is to pray to gods and buddhas. This actually does work, and his wife becomes pregnant, and after the expected period gives birth to a daughter. She doesn’t get a name at any point in the story. The girl’s birth is followed by a timeskip. As we learn, she was distinguished by twenty five features associated with beauty. This is apparently a reference to the belief that a buddha possessed thirty two specific physical traits; the number might have been altered to twenty five because of a popular group of twenty five bodhisattvas associated with Amida. By the time she reached the age of fifteen or so, she also developed great skill in composing poetry in both Japanese and Chinese. Her parents at some point decided that it would be ideal to send her to serve in the emperor’s court in the future. The girl spends most of the time in awe of the blooming of flowers, the wind and other similar phenomena, as one would expect from a literary character of similar status. She maintains her own flower garden, and spends much of her time there.

On one of the days when she visited it alongside her friend Tsukisae, the daughter of her nurse, she caught the attention of a fox. The fox is, at this point in time, not yet Tamamizu. He wishes he could introduce himself to the girl. He considers the standard method - transforming into a nobleman - but he realizes this would likely sadden the girl’s parents, and would tarnish her reputation. He falls into despair. It does not exactly help that his attempts at visiting the garden again end up poorly - on the way there, he gets pelted with stones and then, after trying again, shot with an arrow. Still, he continued to hope to meet with the girl. An opportunity finally arose through a lucky coincidence. Another family living in the same area had multiple sons, but no daughters, much to the parents chagrin. They loudly lamented that they wished they had at least one girl among the children. The fox overheard that and realized it might be an opportunity. He transformed himself into a teenage girl (curiously, the story specifically puts her at the exact same age as the unnamed second protagonist), and enters their house. She explains that she is an orphan, and while passing by she overheard the family’s woes. She offers to become their daughter. The couple instantly agrees.

The fox spends some time living with her adoptive family, though she gets sad easily and keeps bursting into tears. After some time, they offer that they will find her a husband in due time, but she reacts to that poorly, and eventually suggests she would prefer to become the servant of a noble lady. Her adoptive mother agrees this isn’t a bad idea, and reveals that her younger sister is a lady-in-waiting of the daughter of a local noble, mr. Takayanagi. She suggests the fox could become her attendant too. She is overjoyed at this prospect, and is soon sent to Takayanagi’s mansion to meet with his daughter. The girl receives her new attendant warmly, and gives her a nickname, Tamamizu-no-mae (Tamamizu for short). They get along really well, and Tamamizu gets to partake in her various activities, serves her food and drinks, and even sleeps in the same bed (Tsukisae does too, though). While Tamamizu does remarkably well as a human, some of her fox habits remain. Most notably, she is really afraid of dogs. Her lady sympathizes with her plight, and actually bans dogs from her household. This is a much welcome change from Tamamizu’s point of view, though apparently some other members of the staff start to view her as a coward because of this, and simultaneously resent her closeness with the girl. The bond between Tamamizu and the girl reaches a new level when on a moonlight night they spontaneously compose a poem together. It deals with longing. We are told it was followed up by multiple other poems, which are not quoted in the story. Eventually the girl gets tired and heads to her room. However, Tamamizu remains outside gazing at the moon and eventually starts crying, unsure what fate awaits her. Tsukisae, who was inside all along, actually becomes concerned about Tamamizu, and says she feels sorry for her, correctly identifying the cause of her sorrow as love for an unidentified party. She shares her thoughts with their lady (in the form of a poem, of course). The latter summons Tamamizu inside, and soon all three go to bed together. Tamamizu is still overwhelmed by her feelings and can’t fall asleep, though. Tamamizu continues to serve the girl for the next three years. She also remains in touch with her adoptive mother, who sends her letters and new clothes every now and then. One day, many visitors arrived in the house for a friendly competition. The winner will be the person with the most beautiful collection of autumn leaves. Tamamizu decides she must find some for her mistress to give her an advantage. To accomplish that, at night for the first time in years she turns back into a fox, and leaves to visit her siblings. Not the adoptive ones, though. As it turns out, she has two fox brothers, one younger and one older. She actually hasn’t visited them in so long they assumed she died and held funerary services for her in the meanwhile. They are overjoyed to learn that is not the case, and after learning about her current life agree to help her with finding unique leaves. She tells them to leave them on the veranda of her mistress’ mansion, and reassures them it’s safe for foxes to be there thanks to the earlier decision to not allow dogs on the premises. After the visit Tamamizu returns home in her human form. Tsukisae and her mistress ask her where she has been, and she jokes about meeting with a “dubious fellow” (which, to be fair, is not even a lie, given the typical folkloric portrayal of foxes). This in turn leads to more jokes, revolving around Tamamizu no longer thinking about her mistress. She feels distressed by this suggestion.

Tamamizu’s brothers in the meanwhile succeed in their search for thrilling leaves. One of them found a branch with five-colored leaves decorated with the Lotus Sutra (as you probably know, one of the main religious texts in the Mahayana Buddhist tradition). Tamamizu is overjoyed, and instantly brings them to her mistress. The girl received plenty of leaves from other people in the meanwhile, but all of them pale in comparison. She is so happy about the gift that she requests Tamamizu to also write poems meant to accompany the presentation of the collection. She protests that she is unsuitable, but eventually accepts this honor and gets down to work. The parents of the girl came along to watch her write, and both of them concluded she is exceptionally skilled. She ends up providing five poems, one for each color of leaves gathered. They are subsequently combined by these the girl wrote herself.

Obviously, the main characters’ joint entry wins the competition. This grants the girl such fame that the emperor declares she should come to his court. Since her father is not affluent enough to pay for traveling there, he bestows additional estates upon him to make that possible. Even Tamamizu gets her own estate, Kakuta in Settsu Province. However, she decides it will be for the best to give it to her adoptive parents. Shortly after that, Tamamizu’s adoptive mother falls sick. She leaves her mistress to attend to her, but it did not help much and her condition kept worsening. Therefore, her stay had to be extended over and over again. This predicament worries her mistress, who sends her a letter to let her know that it is boring and gloomy without her around, and implores her to return as soon as her mother’s condition improves. Tsukisae is similarly concerned. Both of them voice their concerns through poems, which at this point should not be surprising for the reader.

Tamamizu of course appreciates these displays of sympathy, but she cannot return, so in response she only reassures both of them that she will meet with them again as soon as possible.  Shortly after that, the mother’s condition worsened yet again. The entire family laments through the entire day, but eventually everyone manages to fall asleep - save for Tamamizu. In the middle of the night Tamamizu notices that an old, hairless fox entered the house. She quickly realizes that he was her paternal uncle (a fox uncle, that is. Not a relative of her adoptive parents). The illness was his doing, as she quickly realizes. Tamamizu requests him to leave her adoptive mother alone. However, the old fox says he cannot do that, as the illness is his act of revenge against her family, since her father killed his child. He concluded it is only right to make his daughter sick so that she dies too.

Tamamizu admits that this makes sense in theory, but she points out that acting upon desire for revenge will only bring bad karma, and bad karma from previous lives is why both of them were born as foxes in the first place. She offers the old fox a crash course in Buddhist ethics, and warns him that accumulating even more bad karma might lead to someone eventually killing him too, and to yet more rebirths in one of the three realms which are best to avoid (animals, hungry spirits, hell).

The old fox notes following buddhas is for humans, not for those born in other realms of rebirth (he’s not entirely wrong, humans are generally held to be in the optimal condition to seek enlightenment; animals must follow instinct and thus end up accumulating bad karma, devas are to preoccupied with celestial bliss), but eventually he relents and agrees that it would be wrong to kill the woman because of the actions of her father. He concludes that it would not even make him feel better, since his child would remain dead. He tells Tamamizu that evidently he was able to meet her because of good karma acquired in a past life, asks her to pray for his deceased child, and leaves, announcing he shall become a monk reciting nenbutsu from now on. Tamamizu did what he asked for, and even performed a funerary service for her late cousin. With the problem solved, her adoptive mother returned to good health. She was therefore free to meet with her mistress again. She was elevated to the rank of chujo no kimi, the foremost among servants. However, despite her mistress’ best efforts to make her feel appreciated, she was suffering from persistent bouts of melancholy. She wished she could confess her love and consummate the relationship, but she concluded that since she kept her identity secret for so long, it would be no longer possible to reveal it without losing the acceptance of the girl. She decides she must disappear. However, before that she prepares a long poem explaining her predicament.

She placed it in a box, and gave it to her mistress, explaining that it should only be opened if something happens to her. She then broke down in tears.

Tamamizu’s mistress does not fully understand what is happening, and asks if she perhaps is worried about their planned relocation to the imperial court. However, Tamamizu denies that and guarantees she will accompany her on the journey there. Her mistress starts crying too, and says she has hoped they will always be together. Shortly after, the day of the journey came. Tamamizu’s mistress and mr. Takayanagi, now recognized as a lord, were certain that she went with them, but as soon as they reached their destination it turned out she was nowhere to be found. Days upon days of grieving followed. Eventually, the girl realized that she had no choice but to open the box. From the poem contained within, she learned everything about Tamamizu, from the day they first met all the way up to the disappearance. It explained how she hoped to protect her mistress through her current life and beyond, but had to give up after realizing it was all in vain. In the final words of the poem, she firmly refers to her with the name she was given by the girl - Tamamizu.

The poem moves her deeply, but the story does not have a happy ending - we never learn what happened to Tamamizu afterwards.

Tamamizu’s forerunners

It is agreed that much like the considerably more famous Tamamo no Mae, Tamamizu in part depends on earlier Chinese literature about foxes. Not exactly on the same sort of stories, though - she is not exactly a malevolent seductress, to put it lightly. The key to finding her forerunners is the scene in the beginning when the still nameless fox considers transforming into a male suitor at first, before settling on the form of a female attendant, and the erudition she displays through the story. An argument can be made that this is conscious engagement with a very specific type of older fox story, largely forgotten today. In Tang China, fox stories enjoyed considerable popularity. You may remember that I mentioned this in passing a few months ago in another fox-themed article. One of the genres popular at the time was focused on fox suitors. There are many stories like that, but they largely follow a similar plot: a male fox falls in love with a human girl, takes the form of a dashing literatus and requests marriage. The girl’s family rejects the proposal, as despite charm and erudition the fox is ultimately an outsider with no family, and doesn’t depend on the well established institution of matchmaking. Afterwards, he typically tries to win the girl over with some sort of trick, and fails in the process, thus meeting his demise when his real identity is inevitably exposed.

In some cases, twists are introduced and the fox is effectively exploited by the family: for example, in the story about a certain mr. Hu (a common surname which is a homonym for the word for fox) and the granddaughter of the official Li Yuangong, the Li family agrees for the girl to be taught by the fox, and even asks him for advice on various matters, just to kill him once he outlived his usefulness.

Zhou Wenju's painting A Literary Garden (文苑图, Wenyuantu), showing a group of discouring Tang literati (wikimedia commons)

Many literati came from humble backgrounds, and only attained high positions thanks to success in the imperial examinations. However, their advances were often frowned upon by nobles, who saw them as upstarts. Therefore, faking a more notable origin was widespread to secure a better position in the high strata of society. All of this is reflected in the stories of the fox suitors. Xiaofei Kang, who wrote my favorite monograph about Chinese fox beliefs, notes that the stories might have effectively been a way to cope with everyday anxieties. In other words, perhaps the fox self insert fails so that the real person sharing his precarious status can succeed.

Another aspect of the Tale of Tamamizu which offers a clue about its origins is the focus on Buddhism, and its role in the lives of non-humans in particular. Tamamizu evidently attains a considerable familiarity with Buddhist doctrine, to the point the old fox basically seems to perceive her as thinking more like a human than a fox. Evidently, she doesn’t think being an animal should prevent one from seeking good karma. This seems to reflect a medieval Buddhist phenomenon. Roughly from the Insei period (1086-1185) up to the eighteenth century, and especially between the twelfth and fourteenth centuries, the dominant esoteric schools of Buddhism propagated the doctrine of hongaku (本覺), “original enlightenment”. This idea originates in an earlier Buddhis text, Awakening of Faith in the Mahāyāna. According to proponents of this idea all living beings, even plants, possessed an innate “Buddha nature”, as did natural features like mountains. They were innately capable of attaining enlightenment, or innately enlightened outright. Religion influences art, so it has been argued that the spread of new stories about animals behaving like people in the Muromachi period had a distinctly Buddhist dimension.

The modern reception of Tamamizu

Despite the fascinating themes of the story of Tamamizu, it only found a greater degree of modern recognition in 2019, outside of academic circles at that. I'm surprised it took so long, since when you think about it, the sensibilities of the author indeed seem surprisingly modern. The narrator even reassures us Tamamizu’s human form is the same age as the object of her affection, anticipating what sorts of shipping discourse could arise 700 years later. Anyway, in 2019 a fragment of the story was the subject of one of the classical Japanese literature questions from the National Center Test for University Admissions, a standardized university entrance exam held across Japan each January from 1990 to 2020. This obviously exposed an enormous number of people to it, not just exam-takers. Following this event, a Tamamizu fad seemingly swept social media and pixiv (curiously, there’s a single piece of art there which predates the phenomenon by six years; op actually updated the description in 2019 to say they are happy more people learned about the story). There’s even a Tamamizu Monogatari tag on Dynasty Scans as a result. It’s worth pointing out the wikipedia entry of the story was written in 2019 as well. Most curiously apparently a research project focused on Tamamizu, Kahoko Iguru’s Border transgression between species and gender as observed in “Tamamizu Monogatari”,  received a grant in the same year too (source; more info here). It doesn’t seem the results have been published yet. I will keep you updated if that changes, obviously. I am actually surprised I didn’t notice the Tamamizu phenomenon back then, even though 2019 Antonia was distinctly more terminally online than 2023 Antonia is. It’s worth noting that Tamamizu’s fame didn’t fade away. The online following the story gained was referenced in an Asahi Shimbun article a year later. A quick survey of social media will show you there are people still talking about Tamamizu today. People who aren’t me, that is. What made Tamamizu so unexpectedly popular - arguably more than the story has been in the past few centuries - in recent years? Most of the linked sources relatively neutrally state that people perceive it as a “unique love story”. Social media posts are often considerably more direct: for many people, the appeal lies in the realization the Tale of Tamamizu is probably the closest to a lesbian love story in the entire corpus of medieval Japanese literature. I won’t deny this is in no small part its appeal for me too. Note this is not an universal sentiment by any means, though. It is difficult to tell if this was the intent of the medieval author(s), of course. It is obviously impossible to deny that women attracted to women existed in medieval Japan, as is the case in every society since the dawn of history. However, they left little, if any, trace in textual sources. As pointed out by Bernard Faure, in Japan in the past as in many other historical societies “sexuality without men is properly unthinkable” and therefore received no coverage. While there is plenty of Japanese Buddhist literature dealing with male homosexuality (trust me though, you do not want to read it; I’ve included a brief explanation why in the bibliography), there is basically nothing when it comes to women. The only possible exception is what some authors argue might be a medieval depiction of a lesbian couple in Tengu Zōshi, a work I plan to discuss in more detail next month, but note that this would be only an example of condemnation, since this work is a religious polemic dealing with vices of the clergy. 

The supposed lesbian couple from Tengu Zōshi; image from Haruko Wakayabashi's The Seven Tengu Scrolls: Evil and the Rhetoric of Legitimacy in Medieval Japanese Buddhism; reproduced here for educational purposes only.

This sort of absence of evidence is a recurring pattern through history - you might recall my own attempts to find out what Bronze Age Mesopotamian sources have to say on this matter. Before the Meiji period, when the term dōseiai (同性愛) was coined as a calque of Charles Gilbert Chaddok’s freshly invented label “homosexual”, there wasn’t even a distinct Japanese term which could be applied to lesbian relationships. Once again, this does not indicate this phenomenon did not exist - but it does indicate that due to extreme levels of sexism in the perception of both sexuality and relationships it was difficult to even imagine for the average author. Faure suggests the prevailing attitude was presumably similar as in continental Buddhism, in which lesbian love “was at best perceived as a poor imitation of heterosexual relations—or a preparation for them—and as such condemned” at least in monastic rules. To put it bluntly, only penetrative sex was regarded as real.

And yet, in spite of this, I do not think it is wrong to wonder if perhaps what seems like subtext to a modern reader is actually intentional. This is obviously a reach, but given that relationships between women - not even romantic ones - were historically not a major concern of most authors, I would argue it is not impossible that a work which revolves virtually entirely around the relationships between female characters was written by a woman. Perhaps a woman romantically interested in other women, even. Even more boldly, I’d ponder if perhaps the ambiguous gender of the fox before transformation was meant to make the romance palatable to general audiences. Note that while foxes transforming is a mainstay of both Japanese and Chinese literature, the change of gender is actually quite uncommon in such stories, making this single reference all the more unusual. Granted, gender change is hardly a major focus in the story of Tamamizu. The only real indication the fox is male is the decision to take a male human form at first, but beyond that, things get muddy to the point the matter of gender in the story evidently warranted an actual study, as I pointed out earlier. As you’ve noticed, this matter was approached in different ways by translators too. I personally think the most important factor is the fact Tamamizu refers to herself with this name in the final poem. This name is intimately tied to the distinctly female identity she took. Whoever she was in the beginning, by the end of the story she is clearly Tamamizu. If one felt particularly bold a case perhaps even be made that Tamamizu can be read as a trans woman based on this, perhaps. I think simply disregarding the brief reference to a male form is valid too, though. Even if these arguments were to be refuted fully, I would argue that there is a further reason why at the very least reinterpreting the story as dealing with a gay relationship is not against the spirit of the original work. As I outlined, the tale of Tamamizu seems to draw inspiration from a very specific genre of fox stories, in which foxes are essentially a metaphor for people seeking relationships which were frowned upon. Obviously, the fact that Tamamizu is not a human by default makes any relationship she would be involved in somewhat unusual and frowned upon, but that does not assign a different metaphorical meaning to her struggle. Is Tamamizu even really fully a fox and not a human at all by the time she writes the confession of her love, though? The old fox seems to basically dispute if she still thinks like an animal. We also know that she maintained her human form for so long her biological relatives assumed she had passed away. She also found acceptance of virtually every single human character in the story - save for herself, that is. It’s also not like it’s hard to reinterpret her struggle specifically with the inability to consummate the relationship through the lens of the medieval Buddhist views of female sexuality, rather than through the lens of the general view that relationships between human and transformed foxes were doomed to failure. To paraphrase Cynthia Eller’s evergreen quote about futile search for nonexistent matriarchal prehistory in ancient texts, I do not think an invented wlw past can give anyone a future, but at the same time I do not think it means we should conclude that nobody ever had similar experiences in the past, or that we can relate with works even in ways their authors did not intend. For this reason, I would ultimately argue in favor of embracing the Tale of Tamamizu as a narrative which can be read as a lesbian love story.

Bibliography

Bernard Faure, The Red Thread. Buddhist Approaches to Sexuality (please note: read this book very cautiously since multiple content warnings apply. Faure is a remarkably progressive author, so it’s not about his personal attitude or anything. The problem is that it is not possible to deny much of the Japanese Buddhist discourse about homosexuality had little to do with modern notion of gay relationships, and essentially amounts to explaining when exploitation of children is a pious act)

Rania Huntington, Alien Kind. Foxes and Late Imperial Chinese Narrative (some sort of explicit content warning applies here too, though mostly because some of the discussed works are trashy Qing period erotica. More funny than anything.)

Xiaofei Kang, The Cult of the Fox: Power, Gender, and Popular Religion in Late Imperial and Modern China

Keller Kimbrough and Haruo Shirane (eds.), Monsters, Animals, and Other Worlds. A Collection of Short Medieval Japanese Tales

Jacqueline Stone, Medieval Tendai hongaku thought and the new Kamakura Buddhism: A reconsideration

[ezekiel-krishna]

Your Planet and Careers (Vedic Astrology)💼

The 10th house in Vedic Astrology is known as the Karma Bhava. This celestial abode holds the key to one's career, profession, reputation, and public image. Now let's uncover the profound impact that planets residing in the 10th house can have on an individual's career path and their potential for success in the professional realm.

Sun (Surya)

When the Sun graces the 10th house, it signifies qualities of leadership, ambition, and a strong drive for success. Those with this placement may find success in government roles, politics, administration, management, or any field that demands authority and visibility.

Moon (Chandra)

The Moon in the 10th house suggests a career in nurturing, caregiving, or public service. Individuals with this placement may excel in professions like nursing, social work, psychology, or any occupation involving interaction with the public.

Mars (Mangala)

Mars in the 10th house indicates a competitive and determined nature, making individuals suitable for careers in sports, military, law enforcement, engineering, or entrepreneurship. They may thrive in dynamic environments that require quick action and initiative.

Mercury (Budha)

Individuals with Mercury in the 10th house possess strong communication skills, analytical abilities, and a flair for intellectual pursuits. This placement can lead to success in fields such as writing, journalism, teaching, public speaking, or any profession that involves critical thinking and problem-solving.

Jupiter (Guru)

Jupiter's presence in the 10th house is considered auspicious for career growth and success. Those with this placement may excel in areas like education, law, finance, spirituality, or advisory roles. They may also find success in positions of authority and leadership

Venus (Shukra)

Those with Venus in the 10th house may find themselves drawn to careers in the arts, fashion, or beauty industries. They could excel in fields like modeling, music, or event planning, showcasing their creativity and aesthetic sense.

Saturn (Shani)

Saturn in the 10th house signifies a strong work ethic and a disciplined approach to career goals. Individuals with this placement may thrive in professions that demand patience and long-term planning, such as engineering, government roles, or business management.

Rahu or Ketu (North Node / South Node)

When Rahu or Ketu are positioned in the 10th house, individuals may face unexpected twists and turns in their professional journey. They might need to navigate through unconventional career paths and industries, adapting to challenges and changes along the way.

it can bring a sense of unpredictability and sudden changes in one's career path. Individuals with this placement may have unconventional career choices and may find themselves drawn to unique or innovative fields. Rahu in the 10th house can indicate a strong desire for recognition, fame, and success, leading individuals towards careers in media, entertainment, technology, or research. However, it can also bring challenges related to deception, illusion, and unexpected twists in one's professional life.

You may find success in careers that involve innovation, technology, and creativity. Suitable career paths may include:

Technology: Fields such as IT, software development, cybersecurity, and digital marketing where creativity and innovation are valued.

Media and Entertainment: Careers in film, television, advertising, social media, or content creation that require a flair for creativity and a desire for recognition.

Entrepreneurship: Starting a business in a cutting-edge industry or launching a startup that offers innovative solutions to existing problems.

Research and Exploration: Pursuing a career in scientific research, space exploration, or cutting-edge technologies that push the boundaries of knowledge.

Occult Sciences: Delving into astrology, metaphysics, or other mystical practices that tap into hidden knowledge and unconventional wisdom.

Ketu [South Node]

Spiritual Guidance: Becoming a spiritual leader, counselor, or teacher who helps others on their spiritual journey and inner growth.

Alternative Healing: Practicing holistic therapies, energy healing, or alternative medicine to promote physical, emotional, and spiritual well-being.

Meditation and Yoga: Teaching meditation, yoga, mindfulness practices, or leading retreats that focus on inner peace and self-discovery.

Charity and Nonprofit Work: Engaging in humanitarian efforts, social work, or volunteering for causes that align with one's values and principles.

Psychology and Counseling: Pursuing a career in psychology, therapy, or counseling to support individuals in their emotional healing and personal growth.

Overall, the placement of Rahu or Ketu in the 10th house can bring both opportunities and challenges in one's career journey. By embracing the unique qualities and lessons associated with these lunar nodes, individuals can navigate their professional paths with resilience, adaptability, and a willingness to explore uncharted territories in pursuit of their true calling.

Remember This is a General Analysis , Whole Chart is to be consider for Accurate Personalized Predictions.

For Paid Personalized Analysis & Reviews ➤ Check Here

Masterlist ➤ Check Here

[omgcatboi]

Hitori , he / him , pan, demi, ace, 26, smells like jojoba. 5'4ish pre / no OP transmasc. This is a kink blog. No minors.

Media interests for ice breakers: Overwatch, Witcher, skyrim, ash vs evil dead, school spirits, the good place, the orville, what we do in the shadows, Trailer park boys !!!!!!!!!!!! , Sonic the hedgehog lore, classic halo / lore.

Artistic skills: digital art, traditional art, creative writing, lore building, character development.

I'm single and open to dating. However, I prefer someone who is compatible within a reasonable distance. I'm specifically lookin' for a feeder / fat admirer. And if you're here, you fit that criteria, babes.

Ask for roleplay. Ask about digital art commission pricing. Ask for Discord ( most active there. )

Hanzo main, feel free to shoot me a dm if you wanna play! ( I also play Warframe, portal 2 *, fall guys, SWBFCC * , fortnite ( groan ) Avatar, the quest for balance, and stardew ( these are all the online multiplayer games that I currently have. " * " Marks switch games that are not cross play. )

Disabled, fat and queer.

Anon hate gets insta blocked which also blocks your IP. I have a degradation kink and WILL get off to your bullying before the initial block takes place lol.

Pic is me.

Soft kinks: feedism ( feedee ) , breeding, pregnancy ( TM / F / TF ), vore, voyrism, T4T, Hucow ( any gender or lack thereof ) stuffing, inflation, BDSM, weight gain, restraints, power play dynamic ( where ur the one with all the power teehee ), bullying / teasing ( receiving ), anything belly related.

Hard limits: age play, animals, anyone or thing that cannot consent, bug catching, bodily fluids ( blood is ok in roleplay maybe ? )

Hard kinks ( trigger warning 🧍‍♂️ )

Popping ( inflation ), digestion/ ect ( vore ), death feedism, autassassinophilia which takes play in all mentioned.

Enjoy your stay!

[sanshofox]

Artists getting sad after the „who’s the artist, what’s your age“ trend thing on socials. They see many of them being a very young age with already good skills.

Here my try for words of comfort: consider the differences when you grew up and how the younger gens grew up. Nowadays there‘s easier access to tools, gadgets and knowledge with faster paced society.

With better developed internet you can find all kinds of references, tutorials, brushes and whatnot to help you developing your skills or to get a better understanding of how each skill works (if traditional, crafting, digital and more). And now you have all kinds of places to share your stuff on and be part of a community that share the same interest for art and even can give feedback. Artists now using the internet as a platform to earn money and showing their how-to’s. What I would have given as a kid and teen to have that through a „simple mouse click“.

I remember back then when not every household had internet and even if, it wasn’t stable nor fast. You only had a few sites to visit, that you knew were save to go on, and even less sites when it came to art. I remember one german art site and years later on deviantart (and both were in their very toxic era back then. Very closed off at times and tutorials being seen like a „do not reveal the secret to it“ magic trick kinda vibe).

It was hard to find out about stuff because we didn‘t have that global connectivity and marketing etc that exists now to discover things.

And also being „limited“ as a kid and teen on what you could use. Nothing that was right at hand was digital. So you couldn’t experiment with media types for example. So no vast library on tools that imitate all kinds of things, i.e. brushes in procreate. Everything needed to be made traditionally with what you had. I remember I had two of those how to draw anime artbooks (and back then it were two out of very few options actually), pencils and a few copics. You had to make the most of it.

Photoshop you had to use by mouse and was veeery costly (one software CD cost over 2k). I think wacom tablets weren’t a thing until my late teens?? 🤔

And please don’t take this as a rant, I am actually feeling rather nostalgic about it. Those how to draw anime books were hilarious when I think about them now haha. I think I still might have one?? 👀 And I still have those very first copic markers 🥰

It doesn’t matter how you started or what age you are comapred to others. That you keep on making art is what counts. Skill needs to be developed, but passion and creativity/imagination comes from yourself. Skill isn’t what keeps you on doing it, but the love for it is.

[calliope-stories]

Help Us Market Our Stories!

Calliope catapults your imagination with written stories introduced by vibrant —and interactive— animations. In our app, these interactive animations act as portals that submerge readers into written stories. We love reading, but reading today is tricky. At Calliope we’re passionate about enchanting readers away from visually striking apps (like Instagram) and back into the realm of the imagination.  

We’re a small company founded by two nerdy Venezuelan girls looking for people who share our zeal for reading, and who want to create a world where reading is colorful, vibrant, and immersive for everyone.  

What we’re looking for: 

- Experience with social media and digital marketing.

- Seasoned experience in orchestrating paid campaigns on Instagram and TikTok (—and Tumblr).

- A flair for creating dazzling content (no need to be a graphic designer or videographer, but a good taste and an appetite for learning are essential).

- The skill to grasp and embody our brand tone, understand our audience inside out, and devise enchanting content.

- Proficiency in SEO and data analytics.

- A balance of independent initiative and teamwork.

- Agile adaptability, attentiveness to feedback, and the capacity to grow from constructive critiques.

- Proactive problem-solving and execution.

- Near native written English.

Your Role:

- Developing inventive social media strategies to amplify visibility and subscriptions.

- Designing content that’s both captivating and relevant to our audience.

- Spearheading advertising campaigns on social media.

- Analyzing and reporting the successes and lessons of campaigns and strategies.

- Staying on the cutting edge of social media trends, particularly in our niche.

What We Offer:

- We value your thirst for learning and involvement more than your past experience.

- A 100% remote work setup: your performance matters, not your location.

- A goal-oriented work environment: manage your time and enjoy flexibility.

- A unique opportunity to grow with us and lead the marketing team as we expand the project.

- Competitive pay with prospective salary growth and bonuses as the company thrives.

How to Apply

If you’re eager to make reading vibrant and fun, we’d love to hear from you. To apply, please send the following to contact@calliopeinteractive.com.

A resume; 

A portfolio of your previous social media or digital content creation work; 

A brief cover letter explaining what attracted you to Calliope; 

And two sentences describing three Instagram or TikTok posts that you would make for Calliope.  

If you’re interested in learning more, please check out our app in the Google Play Store and Apple App Store; and our social media: Instagram & TikTok