#December 5th 2020

[aturnoftheearth]

like i was so stressed and scared about the 2020 election that i had my tv on the kitchen table turned to the news while i barely worked on my online classes and then i logged on to tumblr for a little break from the nonstop “we still don’t know who’s president” news and destiel was everywhere and so were the memes and i was like “oh good for y’all!! or sorry that happened? anyway, on with my life 😁” and then two weeks later i was reading destiel fic in bed at 3am after watching my sister sob over the finale for 2 hours

[pandysmiggles]

Mass shootings in order

Columbine - April 20th 1999 / Eric Harris & Dylan Klebold  age: 17 & 18

Santana H. School - March 5th 2001 / Andy Williams ( Charles Andrew) Aged 15

Sandy Hook Elementary School - December 14th 2012 / Adam Lanza aged 20

Weis Markets Supermarket, Eaton Township, Pennslyvania - June 8th 2017/ Randy Robert Stair aged 24

Parkland Highschool - February 14th 2018 / Nikolas Jacob Cruz aged 19

STEM School Highlands Ranch - May 7th 2019 / Alec McKinney (16) & Devon Erickson (18)

Nakhon Ratchasima ( Korat) Terminal 21 Mall , Thailand - 8 and 9th February 2020 / Jakrapanth Thomma aged 31

Oxford H. School - November 30th 2021 / Ethan Robert Crumbley  Aged 15

Buffalo New York. Tops Friendly Markets supermarket - May 14th 2022 / Payton S. Gendron Aged 18

Robb Elementary school - May 24th 2022 /

Salvador Ramos Aged 18

Nong Bua Lamphu ( Nursery school) - October 6th 2022 / Panya Khamrab Aged 34

Siam Paragon - October 3rd 2023 / Phasid (Indy) Trutassanawin Aged 14

Butler, Pennslyvania - July 13th 2024 / Thomas Matthew Crooks Aged 20

Apalachee High School, Georgia - September 4, 2024 / Colt Gray Aged 14

[lookingforhappy]

Noticed that Elliott has the arrival dates of Luther (3rd event), April 10th 1962, and Allison (2nd event), June 29th 1961, pinned to his wall, and figured I might as well try and calculate how old everyone is..

(Elliott's date for Diego is wrong, placing him at Sep 17th, when he arrived on Sep 1st.)

These are not perfect dates but they should be fairly close? and I'm not very good at maths so please correct me!

Hargreeves' ages in age order:

Five

Disappears at 13 yr, 1 mo, and 9 days old.

His new birthday in the apocalypse is now: 22nd February

+ 45 years in the apocalypse + an unknown amount of time in the commission makes him at least 58 yr, 1 mo, and 9 days old at the start of s1.

+ 8 days in s1 makes him at least 58 yr, 1 mo, and 17 days old at the start of s2.

+ 8 days in s2 makes him at least 58 yr, 1 mo, and 25 days old at the start of s3.

+ 7 days in s3 makes him at least 58 yr, 2 mo, and 2 days old at the end of s3.

From s1 - s3 he has aged 23 days.

Using this estimate (his minimum age) Five's new birthday in the reset universe might be: 5th February

Klaus

Travels to Vietnam at 29 yr, 5 mo, and 26 days old.

(Klaus leaves Vietnam on February 21st, supposedly arriving in Vietnam on April 21st) His new birthday in Vietnam is now: 25th October

+ 10 months in Vietnam makes him 30 yr, 3 mo, and 26 days old when he returns to March 28th 2019.

+ 3 days to finish s1 makes him 30 yr, 3 mo, 29 days old at the end of s1.

(Klaus arrives in Dallas on February 11th) His new birthday in Dallas is now: 12th October

+3 yr, 9 mo, and 4 days in the 60s makes him 34 yrs, 1 mo, 3 days old at the start of s2.

+ 8 days in s2 makes him 34 yrs, 1 mo, 11 days old at the start of s3.

+ 7 days in s3 makes him 34 yrs, 1 mo, 18 days old at the end of s3.

His new birthday in the reset universe is now: 20th February

Allison

Allison is 29 yr, 6 mo old at the end of s1.

(She arrives in Dallas on June 29th) Her new birthday in Dallas is now: 29th December

+ 2 yr, 4 mo, 17 days in the 60s makes her 31 yr, 10 mo, and 17 days old at the start of s2.

+ 8 days in s2 makes her 31 yr, 10 mo, 25 days old at the start of s3.

+ 7 days in s3 makes her 31 yr, 11 mo, 2 days old at the end of s3.

Her new birthday in the reset universe is now: 6th May

Luther

Luther is 29 yr, 6 mo old at the end of s1.

(He arrives in Dallas on April 10th) His new birthday in Dallas is now: 10th October

+ 1 yr, 7 mo, 5 days in the 60s makes him 31 yr, 1 mo, 5 days old at the start of s2.

+ 8 days in s2 makes him 31 yr, 1 mo, 13 days old at the start of s3.

+ 7 days in s3 makes him 31 yr, 1 mo, 20 days old at the end of s3.

His new birthday in the reset universe is now: 18th February

Diego

Diego is 29 yr, 6 mo old at the end of s1.

+ 2 mo, 14 days in the 60s (2 mo, 5 days in the asylum) makes him 29 yr, 8 mo, 14 days old at the beginning of s2.

+ 8 days in s2 makes him 29 yr, 8 mo, 22 days old at the start of s3.

+ 7 days in s3 makes him 29 yr, 8 mo, 29 days old at the end of s3.

His new birthday in the reset universe is now: 9th July

Viktor

Viktor is 29 yr, 6 mo old at the end of s1.

+ 1 mo, 3 days in the 60s makes him 29 yr, 7 mo, 3 days old at the start of s2.

+ 8 days in s2 makes him 29 yr, 7 mo, 11 days old at the start of s3.

+ 7 days in s3 makes him 29 yr, 7 mo, 18 days old at the end of s3.

His new birthday in the reset universe is now: 20th August

Lila

her age is completely unknown. we can guess she's around the same age as the umbrellas but otherwise she's a mystery.

Ritu Arya, her actress, was 32 in 2020 when s2 was released so that's as close to canon as we know right now, (except, the majority of the cast are older than their on screen counterparts, except for David who was actually born in 1989 and Aidan in s1 as he was 13 when he was cast).

The only other information we have on her age is that she was orphaned and kidnapped at 4. and that she spent 3 months in Berlin between s2 and s3.

Sparrows

All of the Sparrows are 29 yrs, 6 mo, 1 day old at the start of s3:

Marcus dies at 29 yrs, 6 mo, 1 day old.

Jayme and Alphonso die at 29 yrs, 6 mo, 3 days old.

Fei and Chris die at 29 yrs, 6 mo, 6 days old.

Sloane goes missing at 29 yrs, 6 mo, 7 days old.

Sparrow Ben enters the reset universe at 29 yrs, 6 mo, 7 days old.

Ben and Sloane's birthday's remain as October 1st

i think? please do correct me if im wrong!

tua s4 speculation under the cut

if s4 is 6 years on then the ages we have are:

Five is 64 in a 19yro body

Klaus is 40

Allison is 38

Luther is 37

Diego is 36

Viktor is 36

Ben is 36

Lila and Diego's kid is probably turning 6 yro.

Claire could be anywhere between 17 and 13 since she seems to be a teenager?

[intricatedemonicrituals]

Canon Destiel Timeline Masterpost

I wrote this all in a fugue state while listening to Green Grow the Lilacs on repeat so forgive any mistakes. @gay-fae ask and ye shall receive

So much has happened in the long and storied history of his fandom so I've decided to try to document it. I've started by looking up every time that canon destiel, destiel event, misha collins, jackles, or some other search terms have spiked on Google and cross referenced them with tumblr or twitter posts from that day. I know a lot of this is Misha stuff, but he does tend to be the one to say things

November 5th, 2020: Season 15, Episode 18 "Despair" airs and Castiel declares his love to Dean. The presidential election, Georgia turning blue, the presumed retirement of Vladamir Putin, Dabi from My Hero Academia, Ouran Host Club season 2, Sherlock season 5, the president of Bolivia being attacked with dynamite, ongoing BLM protests, a twitter artist making racist art of Ted Bundy, Hetalia returning, a dead man being elected Representative for North Dakota, V for Vendetta, scientists discovering a "hell" planet that rains rocks and has lava oceans, and half of Europe being in lockdown all became tumblr news around the same time. Some of these are true, some not.

November 8th, 2020: Misha Collins, in a panel with Richard Speight, states that the confession scene was a "declaration of homosexual love", and that when Castiel goes to the Empty, it is an example of the "Kill your gays" trope.

November 19th, 2020: The finale airs and it is not well loved to say the least. The episode is short, Dean dies by falling on a nail to death fighting vampire clowns, and there are several characters left with dangling unresolved plot threads and arcs, including Castiel. The car is in heaven though. There is very little heard from the cast and crew, if anything.

November 22nd, 2020: Misha Collins, in a livestream, tells a fan that Castiel and Jack are remaking heaven together, Cas has his wings back, and they are rainbow-colored. He had, however, mentioned the rainbow wings before.

November 24th, 2020: The Spanish dub of the confession is released and a "rogue" translator has written "Y yo a ti" or "I love you too" as Dean's response. Destiel goes canon in Spanish. Tumblr stops working as a result.

November 25th, 2020: tumblr user @thebloggerbloggerfun claims Jensen Ackles said "I had a member of the film crew record the confession scene on my phone for me" #unsourced #releasethetapes

November 26th, 2020: Misha doesn't appreciate the rogue translator, but walks that opinion back later the same day

November 27th, 2020: A "leaked" Italian dub of the confession scene shows a mutual confession.

November 28th, 2020: President Obama follows a destiel account on Twitter

November 30th, 2020: The supposed "Italian dub" is revealed as a fake created by user @iotiamo using sound clips from other parts of the Italian dub on show.

December 1st, 2020: Twitter user @mothdean says "misha I know you have a stan acc and spy on us so can we have a hazel update please"

December 3rd, 2020: Misha tweets about Hazel snoring and this is taken as possible confirmation of Misha's secret stan account

December 11th, 2020: A script from Cas's perspective leaks. It says "We see Cass's POV of Dean again - his face drawn, drained of hope. But still beautiful. Still Dean Winchester."

December 16th, 2020: Newsweek runs an article about an article that Misha wrote about the Lewinsky affair while interning in the Clinton White House in which Misha comes off as rather thirsty for Bill

December 20th, 2020: All Supernatural related materials disappear off the CW's website due to a copyright dispute with Warner Brothers

December 31st, 2020: Mishapocalypse redux

February 9th, 2021: Spn cast members Chad Lindberg and Samantha Ferris tweet about a party at the Roadhouse and it grows to become a full Destiel wedding

February 16th, 2021: @steveyockey made a fairly benign post about Jensen Ackles. The notes went wild in a variety of ways and started a rumor that Spn writer Steve Yockey was dead

February 20th, 2021: Steve Yockey is not dead and he should say it

March 3rd, 2021: The German dub drops and it is also romantic in tone

March 6-8th, 2021: A virtual con happens where Jensen discusses Chaos Machine and Jared says he wants to be in their next project. They also show that WAP video. Jensen is giving full mountain man preparing to play Soldier Boy.

March 10th, 2021: The French dub is released. Cas says, "I love you, Dean" and Dean now responds, "Don't do this to me, Castiel"

March 13th, 2021: The company Amazon tweets about Castiel and Misha Collins asks if they ship Deancas or Wincest. Subsequently apologizes.

March 16th, 2021: Misha says he can't speak as Castiel because Warner Brothers" specifically forbade it. #cwsniperconfirmed

March 17th, 2021: Sam and Eileen are getting married! I have no idea how this came about but I'm happy for them

March 23rd, 2021: Chad Lindberg and Samantha Ferris claim on Twitter that the Roadhouse party was about Valentine's day and not a wedding. Ferris specifically said that she worked on the show and that people tried to make Dean/Cas into "something that it wasn't", She also stated she doesn't "know what queerbaiting is" and that it was due to an "agenda". This led to #deanisbi trending on Twitter and Tumblr.

March 31st, 2021: Some possibly fake leaked scripts come up for sale on eBay. Also, Jensen is Batman.

April 1st, 2021: Mishapocalypse redux

April 6th, 2021: Leaked scripts from the 2 final episodes pop up and have several mentions of Cas in them that were omitted. Dean even thinks about Cas's confession when confronting Chuck.

April 18th, 2021: Scripts from seasons 12 and 13 leak. These include scenes from after Cas's death

May 17th, 2021: Jensen's band Radio Company releases an album including the song Watching Over Me

June ~5th, 2021: Misha says at a convention that Watching Over Me is about Castiel. Jensen neither confirms nor denies this when asked about it

June 11th, 2021: It is announced that Misha is publishing a book of poetry

June 18th, 2021: The Russian dub airs and Dean's line is changed to "Don't you dare, Cas"

June 24-28th, 2021: Jensen and Daneel Ackles reveal that they are making a Supernatural prequel series following John and Mary Winchester (a story that NOBODY was asking for). Jensen will reprise his role as Dean and will narrate. Misha hints that he would like to be involved, as do Ruthie Connell, Samantha Ferris, Matt Cohen, and Julie McNiven (the perils of having a cast of mostly immortal characters). But Jared Padalecki first says that he is happy for the Ackles's, he later said he was "gutted", then responded to Robbie Thompson's tweet calling him a "coward" and saying "what an awful thing you've done". The next day, Jensen and Jared both do damage control and say they'll always be brothers

July 17th, 2021: People are asking if Destiel will be canon in Space Jam, Misha's poetry book's cover is revealed to lukewarm reviews and people are talking about a particular poem about piss, and Perfume Genius releases an article that is a self-insert vore fanfiction about having sex with Jensen Ackles

August 2nd, 2021: Perfume Genius is at it again with "Last Friday, I had my eyes removed by Jared Padalecki". No, I do not know why she is doing this.

August 9th, 2021: Destiel fics hit 100k on Ao3. Misha tweets his support and people remember that he sometimes reads fanfiction and theorize he has an A03 account

September 1st, 2021: Misha makes his first Tiktok. There is a short intro before he calls cut, walks behind a screen, and strips his clothes off

September 3rd, 2021: Jake Abel uses Michael and Adam to help sell his hot sauce brand

September 4th, 2021: Misha confirms that the love between Castiel and Dean was "reciprocated"

September 9th, 2021: A clip of the real Italian dub of the confession scene goes viral as it is revealed that, unlike the Spanish dub, they change the line to "ti voglio bene" or essentially "I love you like family". Misha responds with a video saying "Ciao Italia, ti amo" with the subtitle "Love is love in any language"

September 21st, 2021: Misha drops the fact that one of his poems is from Castiel's perspective.

September 30th, 2021: Jensen will be appearing at a con on the same day as Misha and not with Jared for "professional reasons"

October 4th, 2021: Misha responds to a fan's tweet by saying that Jensen has "crazy eyes and a knife in his pocket"

October 10th, 2021: Daneel posts a picture of Jensen intently reading Misha's poetry book in front of a roaring fire on Instagram. Misha responds that he misses them even more

October 12th, 2021: Jensen is cast in Rust, a (rather ill-fated) western and Misha says "Yippie-ki-yay" and calls him a stud in the comments

October 16th, 2021: Denvercon. Jensen and Jared reunite for the first time since THE INCIDENT

April 24th, 2022: Misha Collins says in terms of being an extrovert, an introvert, or a bisexual, he joked "I'm all three". This led to the internet celebrating Misha's newly revealed bisexuality.

April 25th, 2022: Misha Collins comes out as straight. Oops!

June 19th, 2022: According to Misha, Dean's heaven was supposed to be at the Roadhouse with all his friends and Cas was going to be there with him

November 7th, 2022: Misha calls Elon Musk a snowflake

November 12th, 2022: Tumblr starts planning another Mishapocalypse

January 24th, 2023: Jensen and the cast of the Winchesters throw Dean Winchester a birthday party, including wearing silly little hats

February 26th, 2023: At JIBcon 11, Jensen sings an improvised song about an angel while Misha sits cross-legged on the floor looking up at him

April 1st, 2023: 10 year anniversary of the Mishapocalypse

April 16th, 2023: A year after his bisexual whoopsie daisy, Misha says that Warner Brothers asked him to "let it go" and keep pretending to be bisexual.

August 23, 2023: Rogue Spanish translator is revealed to not have gone rogue at all but instead to have followed the script he was given, confirming the existence of a mutual love confession that was cut at some point.

If you can remember any events and dates that I haven't found, please let me know and I'll add them! I haven't really rounded out 2022 and 2023 yet.

[gloryondsmp]

i made a list-ish!

Jonald ~ aprox.~ November/December, 2020 (was actually a pet baby zombie jockey, called ranboo’s child by Eret and Ranboo agreed as a joke. he died of suffocation in a glass enclosure during the same interaction, however Ranboo did make him a grave and put his remains there after the grave survived Doomsday.) also tubbo being a step-dad is really funny to me, esp since i think ranboo would’ve moved him to the snowchester house not the one near phil and techno if he’d have lived

Michael Underscore-Beloved - December 1st, 2020 (found), February 14th, 2021 (rescued) (was briefly found and protected by technoblade in the nether between these dates) tubbo once said michael was 3 years old. wiki says its dubiously canon at best lol

Timothy - December 8th, 2020 (a chicken that hatched from an egg Ponk threw at Jack, which Jack claimed was his child. Timothy died of fall damage/suffocation on stairs as Jack went to “baptize” him at Church Prime, and this death credited to the Egg (since Jack was messing with it at the time).)

Foolish Gamers Jr. ~ aprox. ~ February 27th, 2021

Michelle - March 8, 2021

Finley Gamers ~ aprox. ~ May 6th, 2021 (however Foolish confirmed Junior was a year older than finley im pretty sure??)

Yogurt Dy - June 11th, 2021 ( i think fundy’s canon last name is Dy anyway.)

Shroud - July 9th, 2021 (a spider, not confirmed to be a child. went missing lmao)

Skeppy Jr. ~ aprox. ~ January 12th, 2022 (possibly December 25th, 2021, as he was a Christmas gift to Bad from Niki (he’s a diamond block bad claimed was his child. kept in Bad’s enderchest).)

i mean. you got the order right lmao. 

i wanna post more jonald & timothy stuff because i think they deserve it

I've been thinking alot of dream smp kids lately, and wanna sort out their age by when their parents got them.

First, I feel like Micheal and Foolish jr will be the older ones since I do remember Tubbo and Foolish talking about them way before the other kids became canon.

I think it would be Michelle next, adopted at an older age when Micheal and Foolish jr were but again she doesn't want Foolish jr to think she's they're aunt. Then Finley came into the picture!

Yogurt and Shroud would be the youngest cause I said so, with Yogurt being a little bit older than Shroud and Shroud being the youngest just gives so much shy but gremlin energy.

[acesandwords]

A while back I created two guides on how to use Tumblr, which can be found here [1][2].

This will be a beginner guide to the references and holidays of this hellsite.

References Dashcon(2013) - The Infamous Tumblr convention [1][2][3] Children's Hospital [1] Horse Plinko [1] Crab Rave - used for celebration [1][2] Do you love the color of the sky? [1] Bug Race - Polls got released [1] Vanilla Extract- userbase failed to make a cake [1] Mishapocalyspe (April 1st 2013) [1][2] Goncharov- A fake Mafia movie created by the users [1] Dracula daily [1] Queen Elizabeth [1] Origin of giftable crabs - April fools 2022, we had a crab button [1] I like your shoelaces- a way to find out who's on tumblr [1]

Holidays Cousin Oskar (Daylight Savings) [1] Ides of March (March 15) the stabbing of Caeser🗡️ [1][2][3] Tomorrow is Halloween, no it's March 28th [1] Neil Bangin' Out The Tunes (April 13) [1] It's Gonna Be May (April 30)- NSYNC Day [1][2] Hallowe'en IT'S JUNE (June) [1] 21st Night Of September (September 21) [1] It's October 3rd (October 3rd) [1][2] Halloween (October 31) - That's it, it's just the holiday all month Destiel-Putin-Election Day (November 5th)* It's December 10th! (December 10th)[1] Tomorrow is Halloween, IT'S CHRISTMAS EVE [1] Nobody smiles in February(February) [1]

*Nov. 5th was a wild day in 2020, we were waiting on the US election results, Destiel became canon, and there was a rumor that Putin was going to resign. The state of anxiety and joy was indescribable.

Please add more! There are so many and I know I didn't get them all.

[lololololchips]

in which series with SEVENTEEN || a series of smaus where the SVT members tend to leak their relationship in various ways…

Yoon Jeonghan —> read here

4th member to get his relationship exposed

his gfs name is Bora 🙈

they’ve been dating since February 20, 2024 (meaning that jeonghan is one of the few guys that have recently just started being in a relationship in this smau)

his relationship got exposed by joshua aka his evil twin

mingyu kinda ratted him out, which led to joshua following him around as he was “exposing” him in his private twitter account

he then accidentally tweeted on the main SVT account where he revealed that jeonghan was in a relationship and that’s how carats ended up finding out

we love joshua tho!!

Jeon Wonwoo —> read here

first member to get his relationship exposed!

his gfs name is lily hehe

sneak peak for dino’s smau: she’s a BIG help when it comes to his relationship…

they’ve been dating since July 14, 2020

this relationship is one of the longest in this universe 💪

members/pledis knew about this relationship but DK accidentally exposed it to carats on live one day (sigh)

wonwoo had ZERO idea of what DK had exposed until the PR nightmare happened

after lots of PR work done (poor vernon) both wonwoo and lily just decided to reveal their relationship:)))

their relationship was revealed on new years 2024!!!!

Lee Jihoon —> read here

5th member to get his relationship leaked

his gfs name is hana!!

MY STEM GIRLY OMGGGG I LOVE HER

they’ve been together since April 2, 2023 (A YEAR MY BABIES HEHE)

no one ,but jun, knew about this relationship

woozi decided to release a song where he just talking about falling in-love, and this song has LOTSSSS of stem vocab so carats are a bit suspicious…

ofc rumors go around after the song is release but no one really knows if woozi is in a relationship or not

until… seokmin opens weverse live once again; a big thank you to DK the king of leaking relationships 👏👏👏

this live was supposed to be a cute one where dk, vernon, wonwoo, and joshua surprise woozi at his studio

spoiler alert: the guys surprise themselves cause once they walk in, WITH THE CAMERA FACING WOOZI, they see hana and him cuddling

no PR nightmare this time cause DK just ends up getting banned from lives (BRING BACK MY DISPATCH KING)

Kim Mingyu —> read here

2nd member to get his relationship leaked

his gfs name is anna!! (she’s been mentioned in a few smaus as well)

they’ve been dating since August 20, 2022

dispatch was actually the one that was originally going to leak this relationship 😾

this did not end up happening until mingyu got drunk and accidentally posted a pic of him and anna kissing

EVERYONE went crazy for this one oh my

pledis paid dispatch to stay quiet and here this man comes and does it on his own siiiiighhhh

but at the end everything was fine 😁😁

Xu Minghao —> read here

3rd member to reveal his relationship

his gfs name is jae!!!

they’ve been dating since December 16, 2023 (also one of the few guys that recently got into a relationship)

carat’s actually do not know he’s in a relationship 🙌🙌🙌🙌🙌🙌

he decided to soft launch his relationship to the guys but literally only jun and vernon caught on LMAOOOO

jun became really close with jae so the guys started to think she was his gf >:(

BUT THIS LED TO JUN EXPOSING minghaos relationship (only to the members tho he’s not like DK)

[digimonarchive]

Digimon in all animated media - Anime, Movies and OVA

1st pic = Digimon Adventure anime (Japan: March 7, 1999 - March 26, 2000; USA: August 14, 1999 - June 24, 2000)

2nd pic = Digimon Adenture 02 anime (Japan: April 2, 2000 - March 25, 2001; USA: August 19, 2000 - May 19, 2001)

3rd pic = Digimon Tamers anime (Japan: April 1, 2001 - March 31, 2002; USA: September 1, 2001 - June 8, 2002)

4th pic = Digimon Frontier anime (Japan: April 7, 2002 - March 30, 2003; USA: September 9, 2002 - July 14, 2003)

5th pic = Digimon Savers / Data Squad anime (Japan: April 2, 2006 – March 25, 2007; USA: October 1, 2007 - November 2, 2008)

6th pic = Digimon Xros Wars / Fusion anime (Japan: July 6, 2010 - March 25, 2012; USA: September 7, 2013 - August 16, 2015)

7th pic = Digimon Xros Wars: The Evil Death Generals and the Seven Kingdoms anime (a.k.a Digimon Xros Wars part 2) (Japan: April 3, 2011 - September 25, 2011; USA: March 8, 2015 - August 16, 2015) **

8th pic = Digimon Xros Wars: The Young Hunters Who Leapt Through Time anime (a.k.a Digimon Xros Wars Hunters or Digimon Xros Wars part 3) (Japan: October 2, 2011 - March 25, 2012) ***

9th pic = Digimon Adventure Tri OVA (Japan: November 21, 2015 - May 5, 2018; USA: September 15, 2016 - September 20, 2018)

10th pic = Digimon Universe Appli Monsters anime (a.k.a Appmon) (Japan: October 1, 2016 - September 30, 2017)

11th pic = Digimon Adventure: (a.k.a Digimon Adventure 2020 or Digimon Adventure reboot) (Japan: April 5, 2020 - September 26, 2021; USA: November 19, 2022 - April 13, 2023)

12th pic = Digimon Ghost Game (Japan: October 3, 2021 - March 26, 2023)

13th pic = Digimon Adventure (Movie) short film (Japan: March 6, 1999; USA: October 6, 2000 as the first segment part of Digimon The Movie)

14th pic = Digimon Adventure: Our War Game! movie (Japan: March 4, 2000; USA: October 6 2000 as the second segment part of Digimon The Movie)

15th pic = Digimon Adventure 02: Vol. 1: Digimon Hurricane Landing!/Vol. 2: Transcendent Evolution! The Golden Digimentals movie (a.k.a Digimon Adventure 02 Vol 1 and 2) (Japan: July 8, 2000; USA: October 6, 2000 as the third segment part of Digimon The Movie) ****

16th pic = Digimon Adventure 02: Diablomon Strikes Back / Digimon: Revenge of Diaboromon movie (Japan: March 3, 2001; USA: August 5, 2005)

17th pic = Digimon Tamers: The Adventurers' Battle / Digimon: Battle of Adventurers movie (Japan: July 14, 2001; USA: October 16, 2005)

18th pic = Digimon Tamers: The Runaway Digimon Express / Digimon: Runaway Locomon movie (Japan: March 2, 2002; USA: October 2, 2005)

19th pic = Digimon Frontier: Revival of the Ancient Digimon!! / Digimon: Island of Lost Digimon movie (Japan: July 20, 2002; USA: October 23, 2005)

20th pic = Digital Monster X-evolution movie (Japan: January 3, 2005; USA: August 1, 2020)

21st pic = Digimon Savers The Movie: Ultimate Power! Activate Burst Mode!! movie (Japan: December 9, 2006)

22nd pic = Digimon Adventure 3D: Digimon Grandprix! short film OVA (Japan: July 20, 2000)

23rd pic = Digimon Savers 3D: The Digital World in Imminent Danger! short film OVA (Japan: July 8, 2006)

24th pic = Digimon Adventure 20th Anniversary Memorial Story Project OVA short films (Japan: November 22 2019 - December 25, 2020)

25th pic = Digimon Adventure: Last Evolution Kizuna movie (Japan: February 21, 2020; USA: September 29, 2020)

26th pic = Digimon Adventure 02: The Beginning movie (Japan: October 5, 2023; USA: November 8, 2023)

** This is the 2nd part of Digimon Xros Wars saga with Taiki, Kiriha and Nene on their adventure while Akari and Zenjirou are left out.

*** This is the 3rd part of Digimon Xros Wars saga with Tagiru, Yuu and Taiki as the protagonists. This 3rd part has the overly long title so we fans prefer to call it 'Digimon Xros Wars: Hunters' or 'Digimon Young Hunters'.

**** Yes, this movie has an overly long title. I had a hard time deciding whether to highlight it in bold or not.

Happy Digimon Day!

[ryuucaro]

More redraws

1st is February 8, 2014

2nd is November 17, 2015

3rd is September 30, 2018

4th is May 10, 2020

5th is today, December 5, 2023

[elizabethwydevilles]

Padme, during RotS development

One thing to understand is that for the first several months of pre-production, George Lucas is still writing the script (pre-production started roughly around late April of 2002, with the first draft of the script finished in late January 2003. To quote Paul Duncan: 'before the script was written, the design team were given the freedom to imagine possible scenarios', and Rick McCallum: 'usually no one would go off and spend millions of dollars without understanding what the very foundation of the film they're making is, but we break that very rule of film production'.

Sources for this post are The Art of Revenge of the Sith by J. W. Rinzler (2005), The Making of Revenge of the Sith by J. W. Rinzler (2005) and The Star Wars Archives, 1999-2005 by Paul Duncan (2020).

It's also going to be a long ass post, so see under the cut.

June 7-21 2002(?): Ryan Church painted a battle scene: 'What if a bunch of bad guys were attacking Padme and the clones who were trying to get back to their ship?'

August 2002: While revieving costume designs, GLucas indicated that Padme will need senatorial, casual and action wear.

October 12th, 2002: 'For the first time, it is rumoured that Padmé might die in this film. She might be seen last on Alderaan.'

October 25th-31st, 2002: In response to GLucas requesting a new locale for a Padme and Anakin 'love scene', Erik Tiemens designed several Naboo sceneries. Upon viewing them, GLucas moved the scene to Coruscant; some design elements are used for Kashyyyk.

October, 2002: Iain McCaig designed costumes for Padme. Note the bird of prey.

October 2002: While designing the world of Kashyyyk, Erik Tiemens painted a scene of Padme walking with wookies. (Note: Image is a cropped version of the full art work)

November 1st-8th, 2002: Iain McCaig: 'George said there might be a scene where Padme's doubled over in agony and Yoda is there unable to help her'.

November 22nd, 2022: Erik Tiemens designed a set of new locations for Padme and Anakin 'love scene' on Coruscant.

December 19th, 2002: Erik Tiemens: 'I was brainstorming with Iain [McCaig] and he thought that Padme might have a dagger in her hand'.

December 20th, 2002: Derek Thompson illustrated his idea of having Vader find Padme and the children, who are being protected by Jedi.

January 31st 2003: GLucas delivered the first rough draft to his producer Rick McCallum. The outline given in the book is brief, but Padme's basic storyline in the 55 page script appears no different. However, Anakin's nightmare about Padme features her consumed by flames, and Padme goes to Mustafar with her handmaidens and Captain Typho - who are gunned down by clones on arrival.

February 6th, 2003: Erik Tiemens designed a piece of concept art for Padme's funeral procession.

April 12th/13th 2003: GLucas presented the first official draft of the movie script. It's 111 pages long. Padmé and her entourage are still attacked on their arrival on Mustafar, but this time by droids whom Anakin defeats. In regards to Padme's death, Palpatine tells Vader that a Jedi murdered her.

May 5th, 2003: Iain McCaig's designed Padme's funeral outfit.

May 24th, 2003: Erik Tiemens illustrated Padme and Anakin's farewell before he leaves for Mustafar.

May 29th, 2003: Erik Tiemens illustrated Padme watching the Jedi temple burn.

June 13th 2003: GLucas presented the second official draft of the movie script. It's 135 pages long. Anakin's nightmare of Padmé is changed from her being consumed by flames, to her dying in childbirth. There is now a scene where Palpatine suggests to Anakin that Obi-Wan is meeting with Padmé secretly. In regards to Padme's actual death, Palpatine tells Vader that he [Vader] murdered her, just as in the movie. Just like the finished movie, it is noted that Padme dies of a broken heart. Padme's final smile at Leia is noted to be the smile that Leia remembers in RotJ.

June 26th, 2003: The fourth draft of the script is completed, consisting of 129 pages. Padme is no longer accompanied to Mustafar by Typho and her handmaidens.

June 30th, 2003: Principal photography begins.

July 2nd, 2003: First Padme scenes are shot, both located in her apartment (Her and Obi-Wan discussing Anakin, and Padme with the other senators).

July 3rd, 2003: Revised script for the scene in which Obi-Wan tells Padme he knows about her and Anakin.

August 12th, 2003: Last day of principal shooting for Natalie Portman.

September 17th, 2003: Principal shooting finishes.

December 21st, 2003: Iain McCaig designed a practical costume for Padme.

March 9th, 2004: All but the last ('thunderous applause') of Padme's political scenes have now been cut from the final film.

August 23rd - September 3rd 2004: Reshoots

August 23rd, 2004: Additional scene scripted for reshoot the following day.

January 31st, 2005: One last day of filming for Natalie Portman and Hayden Christensen.

Script excerpt (unknown date)

Art (unsure dates)

Padme's apartment layout and colours

[pottedplant53]

Twisted Wonderland Birthdates/Birthyears, In Order.

A comprehensive list of each TWST character’s exact birthdate, in order, down to the year + their ages. This will be going off of Twisted Wonderland’s release date, (2020), and not the current year (2023 at the time of writing). Contains chapter 7 spoilers.

- I’m aware that the Japanese school year starts in April instead of September, but for some reason my brain refused to process this so I ended up doing these based around the school year cut-off being September. I decided to post it anyway, since I’m pretty sure most of it’s still accurate, though I may do a Japanese version at some point!

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Lilia – Unknown, 1321. Chosen date is January 1st, 1321. (699 Years Old).

Silver – Unknown, 1621. Chosen date is May 15th, 2003. (299 - 300 Years Old, mentally 16 - 18).

Malleus – January 18th, 1842. (178 Years Old).

Leona – July 27th, 2000. (20 Years Old).

Trey – October 25th, 2001. (18 Years Old).

Rook – December 2nd, 2001. (18 Years Old).

Idia – December 18th, 2001. (18 Years Old).

Cater – February 4th, 2002. (18 Years Old).

Vil – April 9th, 2002. (18 Years Old).

Jamil – September 12th, 2002. (17 Years Old).

Jade - November 5th, 2002. (17 Years Old).

Floyd - November 5th, 2002. (17 Years Old).

Azul – February 24th, 2003. (17 Years Old).

Ruggie – April 18th, 2003. (17 Years Old).

Kalim – June 25th, 2003. (17 Years Old).

Riddle – August 24th, 2003. (17 Years Old).

Ace – September 23rd, 2003. (16 Years Old).

Jack – October 11th, 2003. (16 Years Old).

Sebek – March 17th, 2004. (16 Years Old).

Epel – May 6th, 2004. (16 Years Old).

Deuce – June 3rd, 2004. (16 Years Old).

Ortho – August 14th, 2011 - 2013. (6 - 8 Years Old, mentally 11 - 16).

~Ortho’s age is anonymous, so I had to do some speculations and maths here. I’m going to assume that R!Ortho was 8 years old at the date of his death, and that Idia constructed O!Ortho when he was around 10. This would give their parents plenty of time to start caring about Robortho before the pair left for Night Raven. I’m going to assume that O!Ortho is either 3 years old with the mental state of an 11 year old, or 3 years old with the mental state of a 16 year old (since he joined the first years, albeit as a special exception). Personally I’m leaning more towards the former.

~If Lilia was 300 years old during the war and Silver was a baby at the time (seemingly 0 - 1 years old) then that would mean that his birthyear falls somewhere between 1620 - 1622, most likely 1621. Lilia also states that the day he found Silver was the day that he decided for Silver's birthday, meaning that the odds of May 15th being his real birthday are 1/365. During Silver's identity crisis dream we see what he looked like on the day that Lilia found him, which we've established was May 15th, and he looks to be roughly 6 months old.

It's possible that Lilia thought of this and decided to consider this Silver's 1st birthday, but if that were the case, there's a good 50% chance that Silver has actually been awake for 16 years of his life, which would actually be very clever since Aurora was 16. In the reverse, if Lilia decided to treat the day he found Silver as the day he was born, then there's a 50% chance that Silver is actually 18. Basically what I'm saying is I haven't got a fucking clue-)

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Hope you get some use out of it, feel free to correct me if I'm wrong on anything <3

[heroesriseandfall]

Canonical Batfamily Birthdays

Here are all the birthdates I know of that are canon somewhere in DC, with a preference for the main comics continuities. I have included exact sources and image references when possible. I am not including character introduction dates, just actual birthdays.

If you find any other sources for Batfamily birthdays, please do share!

A moment of silence for Batfamily characters who don’t have canonical birthdays yet, so far as I know. This includes Damian Wayne, Stephanie Brown, Duke Thomas, and more. :(

Summary

Source images will be further down, but here’s an overview in roughly age order (I’m not sure of Kate vs Selina’s ages) with the dates the birthdays were introduced and used:

Tim Drake: July 19th (from 2003)

Jason Todd: August 16th (from 2004)

Cassandra Cain: January 26th (from 2002)

Helena Bertinelli: February 14th (in the Batman: The Brave and the Bold universe, from 2010)

Helena Wayne: September 7th (from 1984), potentially October 20th or the 22nd of unknown month or maybe October 22 or maybe Feb 28th (all the New 52 on passports from 2011-2012). These could also be New 52 Helena Bertinelli’s birthdays or nobody’s birthdays. who even knows.

Dick Grayson: March 20th (from 1995), October ~24th ish (from 1990), November 11th (from 1976), December 1st (on Earth-16 in animated Young Justice universe, from 2012)

Barbara Gordon: September 23rd (from 1976), sometime in fall (from 1987)

Selina Kyle: March 14th (from 1976)

Kate Kane: January 26th (in Batwoman TV series from 2020), March 21st? (word-of-god by J.H. Williams III from 2012)

Bruce Wayne: October 7th (from 2021), February 19th (from 1970s various to more recently), April ~7th (from the late 1940s)

Jim Gordon: January 5th (from 1976)

Alfred Pennyworth: April 8th (from 1976), August 16th (in the Injustice: Gods Among Us universe, from 2016)

Note: in this post when I say “main comics continuity(s)/universe” I’m referring to anything that’s been a “home” continuity for the comics at some point. For example, pre-Crisis Earth-2, Earth-1/New Earth, and Earth-0/Prime Earth, as opposed to Elseworlds or DCEU earths that are still part of the broader DC multiverse but have never been the primary continuity of the comics.

Below are further details and source panels.

Details and Sources

Tim Drake

Tim has only been given one canon birthday. He turned 16 on July 19th in Robin Vol. 2 #116 (cover date Sep 2003).

Robin Vol. 2 #116 (Sep 2003)

Jason Todd

Jason turned 18 on August 16th in Detective Comics #790 (March 2004). This is his only canon birthday.

Detective Comics #790 (Mar 2004)

In post-Crisis/preboot (1986-2011) continuity, there was a gap of six months between when Jason died and when he was resurrected (Batman Annual 25). Jason died April 27th according to his death certificates in Batman Annual 25 and Batman Files 2011, so he would’ve resurrected near late October.

Batman Annual 25 (May 2006)

So, it could be that post-resurrection Jason is biologically 6 months younger than he chronologically should be. But honestly, do we even really know what multiverse-breaking resurrection punches and then a Lazarus Pit on top of that do to someone’s body??? Either way it’s just much more simple to just use his chronological age.

Cassandra Cain

Much like Tim and Jason, Cass has only ever been given one birthdate: January 26th from Batgirl Vol. 1 #33. With that birthday, she turned 18 in Batgirl Vol. 1 #37.

Batgirl Vol. 1 #33 (Dec 2002)

When Jan 26th actually comes, Bruce suggests David Cain could’ve lied about it, but Cass denies that idea and continues to treat the day as her birthday.

Batgirl Vol. 1 #37 (Apr 2003)

Why it's likely her real birthday: Bruce initially believes Cain must’ve lied because he doesn’t think Cain could’ve known her birthday. However, we later learn Cain had lied about her origins and was actually her biological father. Batgirl v1 #62 and #73 show he was there for her birth and could absolutely know the date.

On top of that, in Batgirl #37 Cass remembers celebrating her birthday with him as a child, so he did seem to actually keep track of it. I honestly don’t see any reason to believe he’d lie (Bruce is just a jealous spoilsport).

Helena Bertinelli + Wayne

I’m combining them here because the New 52 gives me a headache.

Helena Bertinelli celebrated her birthday on February 14th in a spin-off comic from the animated Batman: The Brave and the Bold series. This is obviously not part of regular comics continuity and the characters differ from the usual comics in many ways. And yet, for reasons that will soon be clear, it’s my favorite for actually being about Helena Bertinelli the Huntress and for not being an utter mess.

Batman: The Brave and the Bold #14 (Apr 2010)

In a character profile at the end of Infinity Inc. #7 (Oct 1984), Helena Wayne’s birthday was September 7th, 1959. Calculating back from October 1984, that would make her 25 at the time.

During the New 52, Helena Bertinelli was initially portrayed as a long-dead (secretly alive but don’t worry about it) mobster’s daughter and replaced by Earth-2’s Helena Wayne who got stranded on Prime Earth. This H. Wayne stole H. Bertinelli’s identity in the form of several forged passports and IDs, which had hints toward birthdates. The question is, can we take any of those birthdates seriously, and if so, which birthdates and for which character? (Cue my headache.)

Skip ahead to Dick if overthinking fake passports sounds boring.

When comparing to a real Italian passport, the date on H. Wayne’s fake Italian passport appears to be a birthdate. Note that the fake name is Carol Bertinelli, not Helena. H. Wayne said her IDs were inspired by H. Bertinelli but clearly she’s taking liberties for the IDs so that’s a point toward these being useless for H. Bertinelli birthdays.

Huntress Vol. 3 #1 (Dec 2011)

I don’t recognize the month abbreviation as a real abbreviation, but from the visible letter O I’m going to assume it means October. If it is, then the date is 20 October 1985. Sidenote: a 1985 birthdate during 2011 could put her age at about 26, which is actually quite close to how old she could’ve been based on pre-Flashpoint! 1985 has been given as Helena Wayne’s death year before, so it’s an interesting choice of a birth year for her. (Thanks to DC’s sliding timescale, though, birth years don’t actually mean anything in the comics.)

They don’t show her complete US passport, but I can see a “22” in line where the day of the month should be for her birthdate. This already contradicts the previous passport. This one uses Helena Bertinelli’s actual name, though–does that make it more relevant than the Carol one or this all still ridiculous because of the discrepancies?

Worlds’ Finest Vol. 1 #1 (Jul 2012)

We can try to glean the US passport birth month from the passport number at the bottom. The first two digits (“12” here) indicate the agency that issued the passport. 12 means the Honolulu agency. Right after “USA” is supposed to be the birthdate plus an extra number, in the order of year/month/day with the year being the last two digits of a year. Here we encounter another problem. It says 810228. This would imply her birthdate is 1981/02/28. That’s February 28, 1981. Since the earlier line indicated her birthday fell on a 22nd, this already contradicts itself.

Interpreting a Machine Readable Zone (MZR) on a Machine Readable Travel Document (MRTD)

However, I’d bet comic writers and artists aren’t always well versed in passport numbers (it’s already a stretch for me to bother checking it…). If they put the extra digit before the birthdate instead after, and the date is formatted month/day/year (the most common format in American English, so probably their first instinct), then we can drop the first 8 and it’s 10/22/8[?] with the last digit unknown. This would put her birthday as October 22, sometime in the 1980s. The 22 matches the earlier line, the October might match the previous passport if that really did say October (but contradicts the 20th), and the 1980s year could be 1985 to match the Italian passport.

At the end of the day I’m personally just going to let Helena Bertinelli be a Valentine’s born baby and call it a day, unless/until she gets a better one in the comics. For Helena Wayne I’d easily pick September 7th.

(My question is: did they give the crossbow vigilante a Valentine’s birthday as a Cupid joke??)

Dick Grayson

Dick has probably had the most birthdays of everyone (unless Bruce has more I don’t know about). All of them have their drawbacks.

In a main comics continuity, his most popular and most recent is “the first day of spring” so probably March 20th. This comes from Robin Annual 4 when his mom says she calls him Robin because he was born on the first day of spring. That presents some problems since there are other explanations given for the origin of “Robin,” including that his mom said he was “always bobbin’ along” (Dark Victory #12, page 17) or the original inspiration of Robin Hood (Detective Comics #38, p3).

Robin Annual 4 (Jun 1995)

Before that, in Secret Origins Vol. 2 #50 (Aug 1990), Marv Wolfman wrote a version of Dick’s origins where Dick turned 10 a week before his parents died on Halloween. That would make his birthday October ~24th (presuming that “a week” before Halloween literally means 7 days here).

Secret Origins Vol. 2 #50 (Aug 1990)

The first drawback of the October birthday is that it’s tied to Dick being 10 when his parents die on Halloween. Dick’s age and the date his parents die change a lot depending on the writer (Nightwing Vol. 1 #1 says his parents died June 27th, Dark Victory #8-9 says May, etc.). The second drawback is that few people remember this version of his birthday even exists.

Dick’s birthday is November 11th in Super DC Calendar 1976. Note: Despite being a non-diegetic calendar from almost 50 years ago, this source remains well known and used among comic enthusiasts (including those working at DC). Generally, I would say it should mainly apply just to pre-Crisis continuity, but it is also useful for characters that haven’t gotten updated birthdays ever since (like Roy Harper, Barbara Gordon, or Selina Kyle, for example).

Super DC Calendar 1976

Sidenote: Since Damian doesn’t have a canon birthday, November 11th is favorite to steal for my own fan canon Damian birthday. Dick has plenty birthdays to share and I think it’s cute. @ DC, give Damian and Steph birthdays, they’ve been birthday-less for decades!

Indeed, DC writer Tim Sheridan and editor Mike Cotton debated whether Dick’s birthday was in March or November. They favored March 20th and wrote a birthday scene in Teen Titans Academy #1 (published March 23rd, 2021). The publishing time near Dick’s birthday was intentional, though the date isn’t mentioned within the comic itself.

Link to tweet

The above birthdays were all meant to apply to a main comics continuity at some point. However, Earth-16, better known as the animated Young Justice universe (therefore outside of main comics continuity), says YJ Dick’s birthday is December 1st.

Young Justice Vol. 2 #20 (Nov 2012)

Unlike Helena Bertinelli, Dick has plenty of comics birthdays to choose from, so personally I’ll only count Dec 1st as being the birthday for YJ animated/Earth-16 Dick Grayson until or unless it’s ever mentioned to apply to main comics continuity.

Barbara Gordon

Super DC Calendar 1976 says Barbara’s birthday is September 23rd.

Super DC Calendar 1976

Since then, the only time I recall her birthdate hinted at is in Secret Origins #20 when her adoptive mom says her birthday is in the fall. This could support her birthday being September 23rd.

Secret Origins Vol. 2 #20 (Nov 1987)

Although she has celebrated her birthday on panel since then (the end of Nightwing Vol. 2 #153), she hasn’t been given any other actual birthdate. So I’ll keep September 23rd and call it a day.

Selina Kyle

Super DC Calendar 1976 says Selina’s birthday is March 14th. Once again, although it hasn’t been mentioned within a comic, it’s stuck around in popular consciousness (see: Catwoman actress Zoë Kravitz wishing Selina a happy birthday on March 14th).

Super DC Calendar 1976

Selina celebrated a birthday on panel in Catwoman (2002) #37 but the date was never mentioned. I don’t know of any other reference to her birthday, but my reading of Selina is thus far more sparse than my reading of the others.

Kate Kane

Kate’s birthday options all come from outside of the comics themselves.

In “An Un-Birthday Present,” season 1 episode 11 of Batwoman, a parallel version of her twin Beth had a driver’s license showing her date of birth as January 26, 1990. She and Kate later celebrated their birthdays on an episode aired Jan 26th, 2020. I don’t keep up with live action DC shows so I unfortunately can’t offer a screenshot (if anyone has one or the timestamp, please let me know!).

(I kinda wonder if somebody looked up Batwoman’s birthday for these episodes, saw Batgirl’s (Cass’s) birthday, and just ran with it. Batwoman and a Batgirl sharing a birthday is just. Ughhh.)

In 2012, one of her comic writers tweeted to choose a random date for her birthday and picked March 21st, which so far as I know has never been used as her birthday in comics.

Link to tweet

Bruce Wayne

Bruce’s most popular birthday is February 19th, but his most recent one is October 7th from the digital-only comic Legends of the Dark Knight. I believe that’s the only time October 7th has been referenced, but I’ve heard the animated show The Batman said his birthday was in October (can’t confirm, haven’t watched it recently).

Legends of the Dark Knight #10 (Jun 2021) - Note: two pages have been combined into one for this post

Still, even associates of DC seem to remember his February 19th birthday better. In February 2023, Warner Bro’s Gotham Knights game did a sale for Bruce’s birthday. I’ve also heard the birthday was used in the Gotham TV show, but again, I don’t watch much live action DC shows.

The February 19th birthday appears to come from the 70s and 80s. It’s his birthday in the Super DC Calendar 1976, and in Batman Family Vol. 1 #11: “Suprise, Suprise!” (May 1977). Bob Rozakis (known as DC’s “Answer Man”) said Feb 19th was Bruce’s birthday in the letter column of Detective Comics #494 (Sep 1980).

Letter column of Detective Comics #494 (Sep 1980)

Batman Family Vol. 1 #11: “Suprise, Suprise!” (Jun 1977)

Super DC Calendar 1976

Way back in the 40s, his birthday was in April, possibly April 7th. During a birthstone murder mystery, Bruce says his birthstone is a diamond, which is traditionally the April birthstone.

World’s Finest Comics #33/6 (Mar-Apr 1948): “The 5 Jewels of Doom!”

Star Spangled Comics #91 (Apr 1949) might imply the exact date was April 7th but we’d have to assume the party is on his birthday and that “this month” refers to the publishing month of April. I believe this is where people get the April 7th birthday when they bring it up.

Star Spangled Comics #91 (Apr 1949)

Early April also shines in Batman: Year One where it shows Bruce’s first night out as Batman being either the night of April 6th or the early morning of April 7th (Batman #405). So although the April Bruce birthday hasn’t been used in decades, it’s still a Batman birthday in a way.

I have also heard people say Frank Miller considered Bruce’s birthday to be in November. However, I have yet to find an original source of him saying that, and honestly (just like the “March 21st” birthday for Kate) if he never used it in any canon material I don’t put much weight in that.

Jim Gordon

The only birthday I’ve ever seen for Jim is January 5th from Super DC Calendar 1976.

Super DC Calendar 1976

Alfred Pennyworth

Alfred’s birthday in Super DC Calendar 1976 is April 8th.

Super DC Calendar 1976

In the Injustice: Gods Among Us universe (an alternate reality where the video game of the same name is set in), they show Alfred’s birth certificate, where it says his birthday is August 16th, 1943.

Injustice: Gods Among Us Year Five #26 (Jun 2016)

Maybe you’ll notice that August 16th is Jason’s birthday. A little funny considering the issue features Alfred refusing to share his birthday only for us to learn it’s the same date as Jason’s. Still, annoying. There are so many days in the year! Stop choosing the same ones!

This Alfred birthdate runs into a similar problem Helena’s birthdates did: it’s not part of main comics canon, it’s an alternate universe, so it may not be applicable to the main comics universe.

Note: if we calculate that 1943 birth year from Jun 2016 when the comic was published, that’d make Alfred 72 soon to be 73. Does that mean anything in canon? Probably not, but oh well. Also...token British character born by Windsor Castle? …of course.

Personally, I would rather go with the April 8th birthday than the Injustice one, since Injustice is an alternate universe. Also, outside of the humor of it, the idea of Alfred and Jason sharing a birthday is a bit too much for me. Still, it’s up to people’s own cherry picking.

Chronology

The birthdays in publishing order alongside notable reboots. A soft-reboot refers to reboots that only changed a few details with minor consequences, keeping the overall continuity mostly intact. A major reboot has significant effects on continuity (too many to list).

1935-1986: Pre-Crisis era (Golden Age begins ~1946, Silver Age runs from late 50s--early 70s)

Mar-Apr 1948: Bruce’s birthday is in April

Apr 1949: Bruce has a birthday party on the 7th of “this month”

Skipping a good three decades because I barely even know what’s in there. Sorry lol

Mid 70s to early 90s: Bronze Age era

1976: the super dc calendar says Bruce’s birthday is February 19th, Alfred’s is April 8th, Dick’s is November 11th, Babs is September 23rd, Selina’s is March 14th, Jim’s is Jan 5th

Jun 1977: Bruce celebrates his birthday on February 19th

Sep 1980: letter collumnist says Bruce’s birthday is February 19th

Oct 1984: Helena Wayne’s birthday is on September 7th, 1959

Mar 1986: the major Crisis on Infinite Earths reboot (begins post-Crisis/New Earth era, many previous comics are now considered Earth-2 instead)

Nov 1987: Babs birthday is in fall

Aug 1990: Dick turns 10 a week before Halloween (probably October ~24th)

Sep 1994: Zero Hour soft reboot (Batman and Robin become urban legends so Robin is not allowed on video, Bruce’s parents’ murderer is changed to unknown instead of Joe Chill, Selina is no longer a once-prostitute)

Apr 1995: Dick’s birthday is the first day of spring (probably March 20th)

Oct 2002: Cass learns her birthday is January 26th

April 2003: Cass turns 18 on January 26th

Sep 2003: Tim turns 16 on July 19th

Mar 2004: Jason turns 18 on August 16th

Jun 2006: Infinite Crisis soft reboot (Joe Chill is restored as the arrested Wayne family murderer, Superboy-Prime's punch retroactively resurrects Jason)

Apr 2010: In the Batman: Brave and the Bold universe, Helena Bertinelli celebrates her birthday February 14th

Oct 2011: the major Flashpoint reboot (end of post-Crisis/preboot, begins the New 52 and changes the primary universe to Prime Earth; significant character/timeline changes and erasures)

Dec 2011: Helena Wayne’s fake Carol Bertinelli passport seems to list October 20th as a birthdate

Jul 2012: Helena Wayne’s fake Helena Bertinelli passport lists some 22nd unknown month, Oct 22nd, or Feb 28th birthday

Sep 2012: Batwoman writer J.H. Williams III randomly picks Kate’s birthday as March 21st on Twitter

Nov 2012: Earth-16/YJ animated Dick Grayson celebrates his birthday on December 1st

Jun 2016: In the Injustice: Gods Among Us universe, Alfred’s birth certificate says his birthday is August 16th

Jul 2016: Rebirth reboot (restores some pre-Flashpoint continuity, some characters regain previous histories but now semi-synchronized with the New 52 era)

Jan 2020: Batwoman TV show Kate celebrates her birthday on January 26th

Mar 2021: Writer Tim Sheridan says he & his editor chose March 20th as Dick’s birthday over the November option

May 2021: Infinite Frontier holds all previous continuities as potential canon, restoring more of pre-Flashpoint

Jun 2021: Bruce says his birthday is October 7th in a digital-only comic

Feb 2023: Gotham Knights game has a sale for Bruce’s birthday

[pridequest64]

Anarky Reading Order

This is, based of my research the complete reading list in release order for all Anarly Comics as of October 1st 2024. Release dates were used when available but compromises were made with cover date when necessary. If you see anything that is wrong or needs new additions feel free to let me know!

(Comic Vine was a massive help in this Project!)

1. Detective Comics #608 November 1989

2. Detective Comics #609 December 1989

3. Detective Comics #620 August 1990

4. Batman #456 September 18th 1990

5. Detective Comics #627 March 1991

6. Batman Annual #15 April 18th 1991

7. Robin Annual #1 July 23rd 1992

8. Superman & Batman Magazine #1 Q3 1993

9. Batman: Shadow of the Bat #16

10. September 1993

11. Batman: Shadow of the Bat #17 September 1993

12. Batman: Shadow of the Bat #18 October 1993

13. Green Arrow #89 August 1994

14. Batman: Shadow of the Bat Annual #2 September 1994

15. The Batman Adventures #31 April 1995

16. Batman: Shadow of the Bat #40 May 16th 1995

17. The Batman Chronicles #1 May 30th 1995

18. The Batman Adventures #36 October 1st 1995

19. Batman: Shadow of the Bat #41 June 20th 1996

20. Batman: Shadow of the Bat #50 May 1st 1996

21. Batman: Shadow of the Bat #66 September 1st 1997

22. Batman: Shadow of the Bat #67 October 1st 1997

23. Batman: Shadow of the Bat #73 April 1998

24. DCU Heroes Secret Files February 1999

25. Anarky #1 May 1999

26. Anarky #2 June 1999

27. Anarky #3 July 1999

28. Anarky #4 August 1999

29. Anarky #5 September 1999

30. Anarky #6 October 1999

31. Anarky #7 November 1999

32. Anarky #8 December 1999

33. Sins of Youth: JLA, Jr. May 2000

34. Young Justice: Sins of Youth #1 May 2000

35. Young Justice: Sins of Youth #2 May 2000

36. Green Arrow #51 August 2005

37. Robin #181 December 17th 2008

38. Robin #182 January 21st 2009

39. Robin #183 April 1st 2009

40. Red Robin #3 August 12th 2009

41. Red Robin #13 June 3rd 2010

42. Red Robin #15 August 4th 2010

43. Red Robin #16 September 9th 2010

44. Red Robin #17 November 10th 2010

45. Red Robin #18 December 8th 2010

46. Red Robin #19 January 12th 2011

47. Red Robin #20 February 9th 2011

48. Red Robin #21 March 16th 2011

49. Red Robin #22 April 13th 2011

50. Red Robin #23 May 11th 2011

51. Red Robin #24 June 8th 2011

52. Beware the Batman #1 October 23rd 2013

53. Green Lantern Corps #25 November 13th 2013

54. Detective Comics #38 Janurary 7th 2015

55. Detective Comics #39 February 4th 2015

56. Detective Comics #40 March 4th 2015

57. Detective Comics: Endgame March 11th 2015

58. Detective Comics #957 May 24th 2017

59. Detective Comics #963 August 23rd 2017

60. Detective Comics #964 September 13th 2017

61. Detective Comics #966 October 11th 2017

62. Detective Comics #968 November 22nd 2017

63. Detective Comics #970 December 13th 2017

64. Detective Comics #971 December 27th 2017

65. Detective Comics #972 January 10th 2018

66. Detective Comics #973 January 24th 2018

67. Batman: Prelude to the Wedding: Red Hood vs. Anarky June 20th 2018

68. Harley Quinn #61 May 1st 2019

69. Harley Quinn #62 June 5th 2019

70. The Imfected: The Commissioner December 18th 2019

71. DC Nation Presents DC Future State November 24th 2020

72. Future State: The Next Batman #1 Janurary 5th 2021

73. I Am Batman #1 September 14th 2021

74. I Am Batman #2 October 12th 2021

75. Robins #4 February 15th 2022

76. Detective Comics #1054 February 22nd 2022

77. Batman: Urban Legends #22 December 20th 2022

[nctxlight]

˖ ࣪ . 🌱 ࿐ ♡ ˚ .  NCT XLIGHT, pronounced as NCT BLACKLIGHT, is a seven-member fictional unit of NCT. They debuted on March 23rd, 2018 under SM ENTERTAINMENT as the fourth and only female sub-unit of the unlimited member concept group NCT. Multiple members debuted within separate units under NCT before making their debut in XLIGHT during the group's NCT 2018 EMPATHY era. 

The individual members of the group faced heavy amounts of backlash when they made their original debuts in NCT, but when the first all female unit was announced in 2018, both fans and the general public were excited for the debut. Due to XLIGHT debuting during NCT 2018, they didn't see too much success with their debut song 'P!NK' despite the song being well enjoyed by the public. The girls began to gain notable traction when they had their first comeback in 2018 and became considered a monster rookie group after being nominated for multiple Rookie of the Year awards.

In the early months of 2019, SM confirmed that XLIGHT's lineup will be expanding with new members throughout the years. Since the group's debut in 2018, they have gained only three members and there are no foreseeable plans to add any more members.

Over the years, XLIGHT has been known to have their own distinct music style that sits somewhere between the style of 127 and Dream. They have been praised for having such diverse concepts each comeback but still managing to keep their unique but recognizable sound. XLIGHT is considered the most popular NCT unit in the eyes of the general public but according to the fans, the girls are the third most popular unit.

˖ ࣪ ˚ . GROUP NAME ⇁ NCT XLIGHT

˖ ࣪ ˚ . MEMBER NICKNAME ⇁ The Neos

˖ ࣪ ˚ . FANDOM NAME ⇁ NCTzens / Lightzens

˖ ࣪ ˚ . FANDOM COLORS ⇁ #bbf604 #df0095

˖ ࣪ ˚ . COMPANY ⇁ SM Entertainment 

˖ ࣪ ˚ . DEBUT DATE ⇁ March 23rd, 2018

˖ ࣪ ˚ . DEBUT SONG ⇁ P!NK

˖ ࣪ ˚ . GREETING ⇁ "To the world, this is NCT! Hello, we are NCT XLIGHT!"

˖ ࣪ . 🌱 ࿐ ♡ ˚ . MEET THE NEOS!

˖ ࣪ . 🍒 ࿐ ♡ ˚ .  HEO DURI professionally known as DEDE was born in 1996 in Daegu, South Korea. She is the oldest of the group and was placed into the lineup in late 2019 after previously debuting in 127 with Regular. She made her debut in U during NCT 2020 with the release of from home. DEDE was introduced as a SM Rookie on July 17th, 2014 alongside Haechan. She was given the title of Mom of NCT by both the girls and boys due to her very motherly personality and for being the oldest female member.

˖ ࣪ ˚ . FULL NAME ⇁ Heo Duri

˖ ࣪ ˚ . BIRTHDAY ⇁ May 17th, 1996

˖ ࣪ ˚ . BIRTHPLACE ⇁ Daegu, South Korea

˖ ࣪ ˚ . POSITION ⇁ Main Vocalist, Lead Dancer, Visual

˖ ࣪ ˚ . UNITS⇁ XLIGHT, 127, U

˖ ࣪ ˚ . HEIGHT ⇁ 163cm

˖ ࣪ ˚ . ETHNICITY ⇁ Korean

˖ ࣪ ˚ . NATIONALITY ⇁ Korean

˖ ࣪ ˚ . FACECLAIM ⇁ Im Nayeon

˖ ࣪ . 🦋 ࿐ ♡ ˚ .  YOSHIDA HANABI professionally known as NABI was born in 1997 in Yokohama, Japan. She is an original member of XLIGHT but didn't make her debut in NCT until the NCT 2018 Empathy era, when she debuted in U with boss. NABI was introduced as a SM Rookie on July 9th, 2015 alongside Koeun, Hina, and Herin. She was the 2nd Japanese member to debut and is highly popular over in Japan.

˖ ࣪ ˚ . FULL NAME ⇁ Yoshida Hanabi

˖ ࣪ ˚ . BIRTHDAY ⇁ April 5th, 1997

˖ ࣪ ˚ . BIRTHPLACE ⇁ Yokohama, Japan

˖ ࣪ ˚ . POSITION ⇁ Main Dancer, Lead Vocalist

˖ ࣪ ˚ . UNITS⇁ XLIGHT, U

˖ ࣪ ˚ . HEIGHT ⇁ 166cm

˖ ࣪ ˚ . ETHNICITY ⇁ Japanese

˖ ࣪ ˚ . NATIONALITY ⇁ Japanese

˖ ࣪ ˚ . FACECLAIM ⇁ Hirai Momo

˖ ࣪ . 🌤️ ࿐ ♡ ˚ .  BYUN NOEUL professionally known as NOEUL was born in 1998 in Incheon, South Korea. She was the first female member to debut in NCT, turning the group into a coed group with her debut in U with the release of without u. She then made her debut in 127 with firetruck, and then became an original member of XLIGHT. NOEUL was introduced as a SM Rookie on December 9th, 2013 alongside Irene, Jaehyun, and Lami. She was given the position of leader due to her training the longest and being the group's founding member.

˖ ࣪ ˚ . FULL NAME ⇁ Byun Noeul

˖ ࣪ ˚ . BIRTHDAY ⇁ December 31st, 1998

˖ ࣪ ˚ . BIRTHPLACE ⇁ Incheon, South Korea

˖ ࣪ ˚ . POSITION ⇁ Leader, Main Vocalist, Lead Dancer

˖ ࣪ ˚ . UNITS⇁ XLIGHT, 127, U

˖ ࣪ ˚ . HEIGHT ⇁ 165cm

˖ ࣪ ˚ . ETHNICITY ⇁ Korean

˖ ࣪ ˚ . NATIONALITY ⇁ Korean

˖ ࣪ ˚ . FACECLAIM ⇁ Hwang Eunbi

˖ ࣪ . 🐼 ࿐ ♡ ˚ .  AHN ISEUL professionally known as ISEUL was born in 1999 in Seoul, South Korea. She is the first added member to the lineup and made her debut in the unit in early 2019 after previously debuting in U with Yestoday. ISEUL was introduced as a SM Rookie on December 23rd, 2013 alongside Johnny, Ten, and Yuta. She also debuted as a member of project girl group Girls on Top. ISEUL is one of the group's main producers and has credits to her name for other major groups as well.

˖ ࣪ ˚ . FULL NAME ⇁ Ahn Iseul

˖ ࣪ ˚ . BIRTHDAY ⇁ September 4th, 1999

˖ ࣪ ˚ . BIRTHPLACE ⇁ Seoul, South Korea

˖ ࣪ ˚ . POSITION ⇁ Main Rapper, Lead Dancer, Vocalist

˖ ࣪ ˚ . UNITS⇁ XLIGHT, U

˖ ࣪ ˚ . HEIGHT ⇁ 162cm

˖ ࣪ ˚ . ETHNICITY ⇁ Korean

˖ ࣪ ˚ . NATIONALITY ⇁ Korean

˖ ࣪ ˚ . FACECLAIM ⇁ Lee Saerom 

˖ ࣪ . 🐺 ࿐ ♡ ˚ .  JUNG YOUNGHA professionally known as LIBBY was born in 2000 in Daegu, South Korea. She is an original member of XLIGHT and was the second female member ever announced. She made her debut in Dream and NCT with the release of chewing gum, then 127 with limitless and finally in U with make a wish. LIBBY was introduced as a SM Rookie on December 3rd, 2013 alongside Seulgi, Jeno, and Taeyong. She was given the nickname of Miss Neo due to her being considered the most neo female member in the group.

˖ ࣪ ˚ . FULL NAME ⇁ Jung Youngha

˖ ࣪ ˚ . BIRTHDAY ⇁ August 17th, 2000

˖ ࣪ ˚ . BIRTHPLACE ⇁ Daegu, South Korea

˖ ࣪ ˚ . POSITION ⇁ Main Rapper, Main Dancer, Vocalist, Center

˖ ࣪ ˚ . UNITS⇁ XLIGHT, Dream, 127, U

˖ ࣪ ˚ . HEIGHT ⇁ 169cm

˖ ࣪ ˚ . ETHNICITY ⇁ Korean

˖ ࣪ ˚ . NATIONALITY ⇁ Korean-American

˖ ࣪ ˚ . FACECLAIM ⇁ Hwang Yeji

˖ ࣪ . 🌸 ࿐ ♡ ˚ .  ZHOU MEILI professionally known as LILI was born in 2001 in Beijing, China. She was the last member to join the group and was placed into the lineup in 2021 after previously debuting in WayV with Regular. She made her debut in U during NCT 2020 with the release of 90s love. LILI was introduced as a SM Rookie on July 17th, 2018 alongside Xiaojun, Hendery, and Yangyang. She is well known as China's Flower due to her ethereal visuals and sweet personality.

˖ ࣪ ˚ . FULL NAME ⇁ Zhou Meili

˖ ࣪ ˚ . BIRTHDAY ⇁ June 30th, 2001

˖ ࣪ ˚ . BIRTHPLACE ⇁ Beijing, China

˖ ࣪ ˚ . POSITION ⇁ Lead Dancer, Vocalist, Visual

˖ ࣪ ˚ . UNITS⇁ XLIGHT, WayV, U

˖ ࣪ ˚ . HEIGHT ⇁ 170cm

˖ ࣪ ˚ . ETHNICITY ⇁ Chinese

˖ ࣪ ˚ . NATIONALITY ⇁ Chinese

˖ ࣪ ˚ . FACECLAIM ⇁ Shen Xiaoting

˖ ࣪ . 🐣 ࿐ ♡ ˚ .  MCKENZIE LEE professionally known as ZIE was born in 2003 in Canberra, Australia. She is an original member of XLIGHT and was the third female member ever announced. She made her debut in Dream and NCT with the release of chewing gum, then later in U with 90s love. ZIE was introduced as a SM Rookie on December 16th, 2013 alongside Mark, Hansol, and Jisung. She also debuted as a member of project girl group Girls on Top. ZIE was given the nickname of Giant Baby due to being the tallest female member but the youngest overall member.

˖ ࣪ ˚ . FULL NAME ⇁ McKenzie Minjung Lee

˖ ࣪ ˚ . BIRTHDAY ⇁ May 5th, 2003

˖ ࣪ ˚ . BIRTHPLACE ⇁ Canberra, Australia

˖ ࣪ ˚ . POSITION ⇁ Lead Rapper, Lead Dancer, Vocalist, Visual, Maknae

˖ ࣪ ˚ . UNITS⇁ XLIGHT, Dream, U

˖ ࣪ ˚ . HEIGHT ⇁ 178cm

˖ ࣪ ˚ . ETHNICITY ⇁ Korean

˖ ࣪ ˚ . NATIONALITY ⇁ Australian

˖ ࣪ ˚ . FACECLAIM ⇁ Lee Chaeyoung

layout insp. by myah! ( @venusvity​ )

[eregyrn-falls-art]

Gruß vom Krampus! 

December 5th is Krampusnacht, and I've done some pieces related to that over the years. This year I decided to update my depictions of Stan and Ford in the older two pieces (from 2016 and 2017 respectively), and to put the three all together. The original piece from 2016 was done for the 2017 Hunkles calendar (December of course), and the sequel was done for New Years the following year, with the final pic in the sequence appearing in Dec. 2020.

As I said in the original post, my version of the Krampus is based on looking at traditional folk costumes actually worn by krampus figures in Austria for the Krampusnacht festival.

And finally, just to keep it all in one place: after posting the 2020 piece, I got an ask about the little collection of Pines dolls that hang off of Krampus's basket in the second pic, and that Stan is holding in the last pic. I went into a long explanation (including an overview of the Krampus tradition and celebrations), so I'll put it below a cut here:

fernikart57 asked:

In your Krampus art... what's with that belt, neclace, bead (?) of plushes from the Pines Family?

Okay so like… the explanation is probably kind of dumb.  And it’s me making stuff up, rather than relying completely on the actual folklore.

So the Krampus figure is actually a collection of figures from Central Europe, particularly in the Alps, and the specific traditions associated with the Krampus can vary from region to region and town to town.  Thus, while a set of the Krampus tropes have kind of been exported and caught on in popular culture, that pop culture figure now only resembles *some* Krampus traditions.  I don’t think it’s accurate to talk about “a” Krampus or “the” Krampus, exactly, because of that regional variation.  It’s also worth noting that Krampus celebrations are very much alive in various towns in the Alps.

Generally speaking, though, Krampus is a “wild man” figure, often with a demonic face (mask), a furry body, and goat-like features (especially horns). There are some theories that the basic figure itself is pre-Christian (like a lot of the wild-man traditions of Central and Northern Europe).  (I personally think that’s pretty plausible, given the range of costumes we see.)

After the advent of Christianity, though, the Krampus became associated with “the devil” or demonic figures.  And eventually, in a lot of traditions within the Central European mountain area, Krampus got paired with St. Nicholas, as a kind of tag-team.  St. Nicholas in those traditions is almost certainly one of the origins of Santa Claus, in that he rewards well-behaved children with presents.  (But, traditionally he dresses like a bishop, and not in the outfit that a lot of Americans are familiar with.)  The 6th of December is the Feast of St. Nicholas, so Krampusnacht (”Krampus night”) is the 5th of December.  And Krampus acts as the opposite of St. Nicholas – if presents are a means of encouraging good behavior, then Krampus is the threat used to discourage bad behavior.

So, some of the accreted trappings of the Krampus are a whip and a bundle of birch branches, for beating children / people, and a basket that he carries on his back, into which he puts the naughty children he finds, to carry them off for punishment.  (Obviously, the message there is: don’t be naughty or the Krampus will get you.)  A number of the Krampusnacht traditions involve men costumed as Krampus running wild through the streets, threatening people with their birch branches or whips and so on, making noise (thus all of the bells worn around the neck) and kind of terrorizing people (not just kids), as a set-up for St. Nicholas to come in the next day and reassert order.  (Sometimes it’s only “terrorizing” in an “all in good fun” sense, similar to Halloween scariness; but apparently in some towns, it can get kind of rough.)

So with all of that background… I was originally just looking for a sort of “crytpid” or monster for Stan and Ford to be fighting, with a December theme, for that 2017 calendar piece.  They are encountering more of a magical, “real monster” version (rather than the folkloric ritual version), and therefore I took some liberties with the idea, even though I incorporated a lot of design elements from a variety of real Krampus costumes.

I didn’t want to put any actual children into Krampus’s basket for Ford and Stan to rescue, though (in the original calendar piece, they wouldn’t have been that visible).  But when I did the second piece, I included the doll versions of the four Pines, hanging from Krampus’s basket, as a sort of… symbolic magical threat, an expression of the idea that the Pines are its supernatural targets.  The dolls act as kind of representations of Krampus’s targets, and I also thought of them, in that sense, as a darker reflection of the St. Nicholas gift-giving tradition (still toys, but toys with a sinister meaning). If Krampus was a “real” supernatural being that goes around punishing the “naughty” or “wicked”… then what is its definition of “wicked”, and would it be a fair one, or unfair? 

In this scenario, Stan and Ford are not in the mood to debate with it over whether it is fair to take them to task for being “naughty”, but they are DEFINITELY not going to stand for the idea that the Krampus might go after Dipper and Mabel, so – time to take it down!

Anyway, for more about the actual Krampus, I recommend taking a look at the Krampus article on Wikipedia, or listening to this excellent podcast (which I was listening to as I finished the piece the other day; am very interested in getting that guy’s book!).

[taylor-on-your-dash]

WRITING OF FOLKLORE & EVERMORE TIMELINE

“I used to put all these parameters on myself like, ‘How will this song sound in a stadium? How will this song sound on radio?’ If you take away all the parameters, what do you make? And I guess the answer is... folklore.”

December 18, 2019: Taylor records my tears ricochet. On folklore: long pond sessions, she confirms that my tears ricochet was the first song written for TS8 and she knew right away that it would take the 5th spot on the track list.

“I found myself being very triggered by any stories, movies, or narratives revolving around divorce, which felt weird because I haven't experienced it directly. There's no reason it should cause me so much pain, but all of a sudden it felt like something I had been through. I think that happens any time you've been in a 15-year relationship and it ends in a messy, upsetting way. So I wrote "My Tears Ricochet" and I was using a lot of imagery that I had conjured up while comparing a relationship ending to when people end an actual marriage. All of a sudden this person that you trusted more than anyone in the world is the person that can hurt you the worst. Then all of a sudden the things that you have been through together, hurt. All of a sudden, the person who was your best friend is now your biggest nemesis, etc. etc. etc. I think I wrote some of the first lyrics to that song after watching Marriage Story and hearing about when marriages go wrong and end in such a catastrophic way. So these songs are in some ways imaginary, in some ways not, and in some ways both. It’s definitely one of the saddest songs on the album. Picking a ‘Track Five’ is sort of a pressurized decision but I knew from day one this was probably going to be it. It’s a song about karma, about greed, about how somebody could be your best friend and your companion and your most trusted person in your life and then they could go and become your worst enemy who knows how to hurt you because they were once your most trusted person. Writing this song, it kind of occurred to me that in all of the superhero stories the hero’s greatest nemesis is the villain that used to be his best friend. When you think about that, you think about how there’s this beautiful moment in the beginning of a friendship where these people have no idea that one day, they’ll hate each other and try to take each other out. I mean, that’s really sad and terrible.”

March 5-12, 2020: Band rehearsals for Lover Fest. The band rehearsed 32 songs and Taylor sings on a few.

March 11, 2020: Taylor lands in LA. She'll stay there for the whole lockdown until May 22nd.

March 19, 2020: The state of California issue a stay-at-home order. The lockdown starts. During the Eras Tour, Taylor says that she started writing songs with Jack soon after. It's possible that illicit affairs and august were two of the first songs, as Taylor confirmed that august was the first song she wrote for the Love Triangle. This first version of august doesn't include the bridge.

[Taylor about illicit affairs] This was the first album that I’ve ever let go of that need to be 100 percent autobiographical because I think I needed to do that. I felt like fans needed to hear a 'stripped from the headlines' account of my life and it actually ended up being a bit confining. Because there’s so much more to writing songs than just what you’re feeling and your singular storyline. And I think this was spurred on by the fact that I was watching movies every day, I was reading books every day, I was thinking about other people every day. I was kind of outside my own, personal stuff. I think that’s been my favorite thing about this album: that it’s allowed to exist on its own merit without it just being, ‘Oh, people are listening to this because it tells them something that they could read in a tabloid’. It feels like a completely different experience.

[Taylor about august] In my head, I’ve been calling the girl from ‘august’ either Augusta or Augustine. What happened in my head was: ‘cardigan’ is Betty’s perspective from 20 or 30 years later, looking back on this love that was this tumultuous thing. I think Betty and James ended up together. So in my head, she ends up with him but he really put her through it. ‘august’ was obviously about the girl that James had this summer with. She seems like she’s a bad girl, but really she’s not. She’s a really sensitive person who fell for him and she was trying to seem cool and like she didn’t care because that’s what girls have to do. And she was trying to let him think that she didn’t care, but she did and she thought they had something very real. And then he goes back to Betty. So the idea that there is some bad, villain girl in any type of situation who ‘takes your man’ is a total myth because that’s not usually the case at all. Everybody has feelings and wants to be seen and loved. And Augustine…that’s all she wanted.

[Taylor] I was really excited about "August slipped away into a moment of time/August sipped away like a bottle of wine." That was a song where Jack sent me the instrumental and I wrote the song pretty much on the spot; it just was an intuitive thing. And that was actually the first song that I wrote of the "Betty" triangle. So the Betty songs are "August," "Cardigan," and "Betty." "August" was actually the first one, which is strange because it's the song from the other girl's perspective. It would be safe to assume that "Cardigan" would be first, but it wasn't. It was very strange how it happened, but it kind of pieced together one song at a time, starting with "August," where I kind of wanted to explore the element of This is from the perspective of a girl who was having her first brush with love. And then all of a sudden she's treated like she's the other girl, because there was another situation that had already been in place, but "August" girl thought she was really falling in love. It kind of explores the idea of the undefined relationship. As humans, we're all encouraged to just be cool and just let it happen, and don't ask what the relationship is—Are we exclusive? But if you are chill about it, especially when you're young, you learn the very hard lesson that if you don't define something, oftentimes they can gaslight you into thinking it was nothing at all, and that it never happened. And how do you mourn the loss of something once it ends, if you're being made to believe that it never happened at all?

Taylor had previously written down the phrase ‘Meet me behind the mall’ in her phone years ago, wanting to write it into a song.

April 17, 2020: Lover Fest is cancelled. Taylor writes mirrorball and this is me trying shortly after.

MIRRORBALL

On folklore there are a lot of songs that reference each other or have lyrical parallels and one of the ones that I like is the entire song 'this is me trying' then being referenced again in ‘mirrorball,’ which is, ‘I’ve never been a natural, all I do is try’. Sometimes when I’m writing to an instrumental track I’ll push ‘Play’ and I’ll immediately see a scene set and this was one of those cases. I just saw a lonely disco ball, twinkly lights, neon signs, people drinking beer by the bar, a couple of stragglers on the dance floor. Sort of a sad, moonlit, lonely experience in the middle of a town you’ve never been. I was just thinking that we have mirrorballs in the middle of a dance floor because they reflect light, they are broken a million times and that’s what makes them so shiny. We have people like that in society, too. They hang there and every time they break it entertains us. And when you shine a light on them it’s this glittering, fantastic thing. But then, a lot of the time when the spotlight isn’t on them they’re just still there, up on that pedestal but no one is watching them. It was a metaphor for celebrity but it’s also a metaphor for so many people. Everybody has to feel like they have to be ‘on’ for certain people. You have to be different versions of yourself for different people. Different versions at work, different versions around friends. Different versions of yourself around different friends. A different version of yourself around family. Everybody feels that they have to be in some ways duplicitous and that’s part of the human experience. But it’s also exhausting. And you learn that every one of us has the ability to become a shapeshifter. But what does that do to us?

THIS IS ME TRYING

“I’ve been thinking about people who are either suffering through mental illness, addiction or who have an everyday struggle. No one pats them on the back every day but every day they are actively fighting something. There are so many days that nobody gives them credit for that and so, how often must somebody who’s in that sort of internal struggle wanna say to everyone in the room: ‘You have no idea how close I am to going back to a dark place.’ I had this idea that the first verse would be about someone who is in a life crisis and has just been trying and failing in their relationship, has been messing things up with people they love, has been letting everyone down and has driven to this overlook, this cliff, and is just in the car, going, ‘I could do whatever I want in this moment and it could affect everything forever.’ But this person backs up and drives home. The second verse is about someone who felt like they had a lot of potential in their life. I feel like there are a lot of mechanisms for us in our school days, in high school or college, to excel and to be patted on the back for something. And then a lot of people get out of school and there are less abilities for them to get gold stars. Then you have to make all these decisions and you have to pave your own way. There’s no set class course you can take. I think a lot of people feel really swept up in that. And so I was thinking about this person who is really lost in life and then starts drinking…and every second is trying not to.”

March/April 2020: the lakes was also done remotely, but written before Taylor started collaborating with Aaron, placing it between March and April 2020:

[Taylor] “We’d gone to the Lake District in England a couple years ago. In the 19th century you had a lot of poets like William Wordsworth and John Keats who’d spend a lot of time there. And there was a poet district, these artists that moved there. They were heckled for it and made fun of for being these eccentrics and kind of odd artists who decided that they just wanted to live there. I remember thinking, ‘I could see this.’ You live in a cottage and you got wisteria growing up the outside of it…of course they escaped like that. And they had their own community of other artists who’d done the same thing. I’ve always, in my career since I was probably about twenty, written about this cottage backup plan that I have. I have been writing about that forever. I went to William Wordsworth’s grave and just sat there and I was like, ‘Wow. He went and did it.’ And you kept writing but you didn’t subscribe to the things that were killing you. And that’s really the overarching thing that I felt when I was writing folklore: I may not be able to go to The Lakes right now – or to go anywhere – but I’m going there in my head. The escape plan is working.”

[Jack] On one of my favorite songs on folklore, “The Lakes,” there was this big orchestral version, and Taylor was like, “Eh, make it small.” I had gotten lost in the string arrangements and all this stuff, and I took everything out. I was just like, “Oh, my God!” We were not together because that record was made [remotely], but I remember being in the studio alone like, “Holy shit, this is so perfect.”

This version of the lakes was released on folklore's first anniversary.

April 24, 2020: For his birthday, Aaron Dessner goes on an Instagram Live where he plays a bunch of songs including “Gaite” aka “happiness” and “Stella”, like his daughter, aka “invisible string”

April 27-28, 2020: Taylor contacts Aaron Dessner and asks him to work with her. He sends her a folder of instrumental tracks he had recorded over the years. The first one that inspires Taylor is called “Maple” which will become cardigan. She sends back a voice memo, and right after, she posts a selfie on Instagram with the caption “Not a lot going on at the moment”. What a troll.

[Taylor] The song is about a long lost romance, and why young love is often fixed so permanently within our memories. When looking back on it, why it leaves such an incredible mark and how special it made you feel; all the good things it made you feel, all the pain that it made you feel... The line about feeling like you were an old cardigan under someone's bed, but someone put you on and made you feel like you were their favorite.

[Aaron] That’s the first song we wrote. After Taylor asked if I would be interested in writing with her remotely and working on songs, I said, “Are you interested in a certain kind of sound?” She said, “I’m just interested in what you do and what you’re up to. Just send anything, literally anything, it could be the weirdest thing you’ve ever done,” so I sent a folder of stuff I had done that I was really excited about recently. “cardigan” was one of those sketches; it was originally called “Maple.” It was basically exactly what it is on the record, except we added orchestration later that my brother wrote. I sent [the file] at 9 p.m., and around 2 a.m. or something, there was “cardigan,” fully written. That’s when I realized something crazy was happening. She just dialed directly into the heart of the music and wrote an incredible song and fully conceived of it and then kept going. It harkens back to lessons learned, or experiences in your youth, in a really beautiful way and this sense of longing and sadness, but ultimately, it’s cathartic. I thought it was a perfect match for the music, and how her voice feels. It was kind of a guide. It had these lower register parts, and I think we both realized that this was a bit of a lightning rod for a lot of the rest of the record.

[Taylor] “The quality that really confounded me about Aaron’s instrumental tracks is that to me, they were immediately, intensely visual,” Swift wrote in an email. “As soon as I heard the first one, I understood why he calls them ‘sketches.’ The first time I heard the track for ‘Cardigan,’ I saw high heels on cobblestones. I knew it had to be about teenage miscommunications and the loss of what could’ve been. I’ve always been so curious about people with synesthesia, who see colors or shapes when they hear music. The closest thing I’ve ever experienced is seeing an entire story or scene play out in my head when I hear Aaron Dessner’s instrumental tracks.”

Aaron Dessner shared a screenshot from when Taylor sent him back cardigan.

April 29-30, 2020: Taylor writes seven and peace. seven is the only song that was entirely recorded at Long Pond.

SEVEN

[Aaron] This is the second song we wrote. It’s kind of looking back at childhood and those childhood feelings, recounting memories and memorializing them. It’s this beautiful folk song. It has one of the most important lines on the record: “And just like a folk song, our love will be passed on.” That’s what this album is doing. It’s passing down. It’s memorializing love, childhood, and memories. It’s a folkloric way of processing.

PEACE

[Taylor] “I think this is a song that is extremely personal to me. There are times when I feel like with everything that’s in my control, I can make myself seem like someone who doesn’t have an abnormal life and I try that every day. It’s like, 'How do I make my friends, and family, and my loved ones not see this big elephant that’s in the room for our normal life?' Because I don’t want the elephant in the room. If you’re gonna be in my life I feel like there’s a certain amount that comes with it that I can’t stop from happening. I can’t stop from you getting a call in the morning that says, ‘The tabloids are writing this today.’ I can’t help it if there’s a guy with a camera two miles away with a telescope lense taking pictures of you. I can’t stop those things from happening. And so this song was basically like, ‘Is it enough? Is the stuff that I can control enough to block out the things that I can’t?' So it makes me really emotional to hear this song.

[Taylor] To know that a lot of people related to it who aren’t talking about the same things that I’m talking about. They’re talking about human complexity. It’s about someone who you wanna provide with peace, someone you love, so you want them to have as much peace in their life as possible and reconciling the fact that you might not be their best option for that. But is it still a deal they wanna take?

[Taylor to Paul McCartney] peace is actually more rooted in my personal life. I know you have done a really excellent job of this in your personal life: carving out a human life within a public life, and how scary that can be when you do fall in love and you meet someone, especially if you’ve met someone who has a very grounded, normal way of living. I, oftentimes, in my anxieties, can control how I am as a person and how normal I act and rationalize things, but I cannot control if there are 20 photographers outside in the bushes and what they do and if they follow our car and if they interrupt our lives. I can’t control if there’s going to be a fake weird headline about us in the news tomorrow.

[Aaron] “I wrote this, and Justin provided the pulse. We trade ideas all the time and he made a folder, and there was a pulse in there that I wrote these bass lines to. In the other parts of the composition, I did it to Justin’s pulse. Taylor heard this sketch and she wrote the song. It reminds me of Joni Mitchell, in a way — there’s this really powerful and emotional love song, even the impressionistic, almost jazz-like bridge, and she weaves it perfectly together. This is one of my favorites, for sure. But the truth is that the music, that way of playing with harmonized bass lines, is something that probably comes a little bit from me being inspired by how Justin does that sometimes. There’s probably a connection there. We didn’t talk too much about it [laughs]. The song “peace” — when she wrote that, it was just a harmonized bass and a pulse. She wrote this incredible love song to it that’s one vocal take.”

May 2020: Taylor and Aaron spend the entire month writing all the songs on folklore.

EXILE (FT. BON IVER)

Taylor and William Bowery, the singer-songwriter, wrote that song initially together and sent it to me as a sort of a rough demo where Taylor was singing both the male and female parts. It’s supposed to be a dialogue between two lovers. I interpreted that and built the song, played the piano, and built around that template. We recorded Taylor’s vocals with her singing her parts but also the male parts. We talked a lot about who she thought would be perfect to sing, and we kept coming back to Justin [Vernon]. Obviously, he’s a dear friend of mine and collaborator. I said, “Well, if he’s inspired by the song, he’ll do it, and if not, he won’t.” I sent it to him and said, “No pressure at all, literally no pressure, but how do you feel about this?” He said, “Wow.” He wrote some parts into it also, and we went back and forth a little bit, but it felt like an incredibly natural and safe collaboration between friends. It didn’t feel like getting a guest star or whatever. It was just like, well, we’re working on something, and obviously he’s crazy talented, but it just felt right. I think they both put so much raw emotion into it. It’s like a surface bubbling. It’s believable, you know? You believe that they’re having this intense dialogue. With other people I had to be secretive, but with Justin, because he was going to sing, I actually did send him a version of the song with her vocals and told him what I was up to. He was like, “Whoa! Awesome!” But he’s been involved in so many big collaborative things that he wasn’t interested in it from that point of view. It’s more because he loved the song and he thought he could do something with it that would add something.

[Taylor on exile] “Exile was a song that was written about miscommunications in relationships, and in the case of this song I imagine that the miscommunications ended the relationship - that they led to sort of the demise of this love affair. And now these two people are seeing each other out for the first time and they keep miscommunicating with each other, they can’t quite get on the same page, they never were able to. So even in their end, even after they’ve broken up they’re still not hearing each other, so we imagined that the beginning of it would be his side of the story, second verse would be her side of the story, and then the end would be sort of them talking over each other and not listening to the other, sort of like an argument. Yeah, I’m really stoked about how it turned out because it really does seem like this sort of tragedy of two people, two ships passing in the night.”

[Joe Alwyn] Alwyn doesn’t consider himself a musician or songwriter and insists that he is, in fact, an awful singer. He was merely “messing around” on the piano when Swift heard and walked over, intrigued. He had been singing the fully formed first verse to the song that became “Exile.”. “It was completely off the cuff, an accident,” he says, shrugging. “She said, ‘Can we try and sit down and get to the end together?’ And so we did. It was as basic as some people made sourdough.” I’d probably had a drink and was just stumbling around the house. We couldn’t decide on a film to watch that night, and she was like, ‘Do you want to try and finish writing that song you were singing earlier?’ And so we got a guitar and did that. I press him on this point — he wrote an entire verse to a Taylor Swift song without trying? “Who doesn’t walk around the house singing?” he asks. I explain that it’s unusual for hit songs to spring forth like that from non-musicians’ heads. He says he wasn’t trying to write to Swift’s personal sound but had been listening to a lot of the National.

[Aaron] It was Taylor’s idea to approach [Justin Vernon]. I sent him Taylor’s voice memo of her singing both parts, and he got really excited and loved the song and then he wrote the extra part in the bridge.

INVISIBLE STRING

[Taylor] When I first heard the track that [Aaron] sent me I thought, ‘I have to write something that matches it’. And pretty quickly I came upon the idea of fate. ‘Cause sometimes I just go into a rabbit hole of thinking about how things happen and I love the romantic idea that every step you’re taking, you’re taking one step closer to what you’re supposed to be, guided by this little invisible string. I wrote it right after I sent an ex a baby gift and I just remember thinking, 'This is a full signifier that life is great!'

[Aaron] That was another one where it was music that I’d been playing for a couple of months and sort of humming along to her. It felt like one of the songs that pulls you along. Just playing it on one guitar, it has this emotional locomotion in it, a meditative finger-picking pattern that I really gravitate to. It’s played on this rubber bridge that my friend put on [the guitar] and it deadens the strings so that it sounds old. The core of it sounds like a folk song. It’s also kind of a sneaky pop song, because of the beat that comes in. She knew that there was something coming because she said, “You know, I love this and I’m hearing something already.” And then she said, “This will change the story,” this beautiful and direct kind of recounting of a relationship in its origin.

MAD WOMAN

[Taylor] [“mad woman” has] these ominous strings underneath it and I was like, ‘Oh, this is female rage.' And then I was thinking the most rage provoking element of being a female is the gaslighting that happens. For centuries, we were just expected to absorb male behavior silently. And oftentimes, when we – in our enlightened and emboldened state – now respond to bad male behavior or somebody just doing something that’s absolutely out of line and we respond, that response is treated like the offense itself. There’s been situations recently with someone who’s very guilty of this in my life and it’s a person who makes me feel (or tries to make me feel) like I’m the offender by having any kind of defense to his offenses. It’s like I have absolutely no right to respond or I’m crazy. I have no right to respond or I’m angry. I have no right to respond or I’m out of line. So [Aaron] provided the musical bed for me to make that point that I’ve been trying so hard to figure out how to make…How do I say why this feels so bad?

[Aaron] That might be the most scathing song on folklore. It has a darkness that I think is cathartic, sort of witch-hunting and gaslighting and maybe bullying. Sometimes you become the person people try to pin you into a corner to be, which is not really fair. But again, don’t quote me on that [laughs], I just have my own interpretation. It’s one of the biggest releases on the album to me. It has this very sharp tone to it, but sort of in gothic folklore. It’s this record’s goth song.

EPIPHANY

[Taylor] I remember thinking, ‘Maybe I wanna write a sports story.’ Because I had just watched The Last Dance and I was thinking all in terms of sports, and winners, and underdogs. But actually, what I had been doing really frequently up until that point was I had been doing a lot of research on my grandfather who fought in World War II at Guadalcanal, which was an extremely bloody battle. And he never talked about it. Not with his sons, not with his wife. Nobody got to hear about what happened there. So my dad and his brothers did a lot of digging and found out that my granddad was exposed to some of the worst situations you could ever imagine as a human being. So I kind of tried to imagine what would happen in order to make you just never be able to speak about something. And when I was thinking about that I realized that there are people right now taking a twenty minute break in between shifts at a hospital who are having this kind of trauma happen to them right now, that they probably will never wanna speak about. And so I thought that this is an opportunity to maybe tell that story. I often feel that there have been times in my life where things have fallen apart so methodically, and I couldn’t control how things were going wrong, and nothing I did stopped it. I just felt like I’d been pushed out a plane and I was scratching on the air on the way down. I just felt like the universe was doing its thing. It was just dismantling my life and there was nothing I could do. And this is a weird situation where – ever since I started making music with [Aaron] – I felt like that was the universe forcing things to fall into place perfectly and there’s nothing I could do. It’s one of those weird things that makes you think about life a lot. This lockdown could’ve been a time where I absolutely lost my mind and instead I think this album was a real floatation device for both of us.

[Aaron] For epiphany, she did have this idea of a beautiful drone, or a very cinematic sort of widescreen song, where it’s not a lot of accents but more like a sea to bathe in. A stillness, in a sense. I first made this crazy drone which starts the song, and it’s there the whole time. It’s lots of different instruments played and then slowed down and reversed. It created this giant stack of harmony, which is so giant that it was kind of hard to manage, sonically, but it was very beautiful to get lost in. And then I played the piano to it, and it almost felt classical or something, those suspended chords. I think she just heard it, and instantly, this song came to her, which is really an important one. It’s partially the story of her grandfather, who was a soldier, and partially then a story about a nurse in modern times. I don’t know if this is how she did it, but to me, it’s like a nurse, doctor, or medical professional, where med school doesn’t fully prepare you for seeing someone pass away or just the difficult emotional things that you’ll encounter in your job. In the past, heroes were just soldiers. Now they’re also medical professionals. To me, that’s the underlying mission of the song. There are some things that you see that are hard to talk about. You can’t talk about it. You just bear witness to them. But there’s something else incredibly soothing and comforting about this song. To me, it’s this Icelandic kind of feel, almost classical. My brother did really beautiful orchestration of it.

BETTY

[Aaron] This one Taylor and William wrote, and then both Jack and I worked on it. We all kind of passed it around. This is the one where Taylor wanted a reference. She wanted it to have an early Bob Dylan, sort of a Freewheelin’ Bob Dylan feel. We pushed it a little more towards John Wesley Harding, since it has some drums. It’s this epic narrative folk song where it tells us a long story and connects back to “cardigan.” It starts to connect dots and I think it’s a beautifully written folk song.

[Taylor] I just heard Joe singing the entire fully formed chorus of ‘betty’ from another room. And I was just like, ‘Hello.’ It was a step that we would never have taken, because why would we have ever written a song together? So this was the first time we had a conversation where I came in and I was like, 'Hey, this could be really weird, and we could hate this, so because we’re in quarantine and there’s nothing else going on, could we just try to see what it’s like if we write this song together?' So he was singing the chorus of it, and I thought it sounded really good from a man’s voice, from a masculine perspective. And I really liked that it seemed to be an apology. I’ve written so many songs from a female’s perspective of wanting a male apology that we decided to make it from a teenage boy’s perspective apologizing after he loses the love of his life because he’s been foolish.

[James] has lost the love of his life basically and doesn't understand how to get it back. I think we all have these situations in our lives where we learn to really, really give a heartfelt apology for the first time. Everybody makes mistakes, everybody really messes up sometimes and this is a song that I wrote from the perspective of a 17-year-old boy. I've always loved that in music you can kinda slip into different identities and you can sing from other people's perspectives. So that's what I did on this one," the superstar explained of the song's premise, before revealing, "I named all the characters in this story after my friends' kids... and I hope you like it!

[Joe Alwyn] I’d probably had a drink and was just stumbling around the house. We couldn’t decide on a film to watch that night, and she was like, ‘Do you want to try and finish writing that song you were singing earlier?’ And so we got a guitar and did that.” Initially, Alwyn didn’t want his name credited, anticipating that what he describes as the “clickbait conversation” would distract people from actually listening to the music. So he went by William Bowery as a nod to his music-composer great-grandfather and the Manhattan street.

[Taylor] With ‘betty,’ Jack Antonoff would text me these articles and think pieces and in-depth Tumblr posts on what this love triangle meant to the person who had listened to it. And that’s exactly what I was hoping would happen with this album. I wrote these stories for a specific reason and from a specific place about specific people that I imagined, but I wanted that to all change given who was listening to it. And I wanted it to start out as mine and become other people’s. It’s been really fun to watch.

THE LAST GREAT AMERICAN DYNASTY

[Taylor] When [Aaron] sent me the track to ‘the last great american dynasty’ I had been wanting to write a song about Rebekah Harkness since 2013, probably. I’d never figured out the right way to do it because there was never a track that felt like it could hold an entire story of somebody’s life and moving between generations. When I heard that [the track] I was like, ‘Oh my God, I think this is my opening. I think this is my moment. I think I can write the Rebekah Harkness story!' It has that country music narrative device.”

[Aaron] I wrote that after we’d been working for a while. It was an attempt to write something attractive, more uptempo and kind of pushing. I also was interested in this almost In Rainbows-style latticework of electric guitars. They come in and sort of pull you along, kind of reminiscent of Big Red Machine. It was very much in this sound world that I’ve been playing around with, and she immediately clicked with that. Initially I was imagining these dreamlike distant electric guitars and electronics but with an element of folk. There’s a lot going on in that sense. I sent it before I went on a run, and when I got back from the run, that song was there [laughs].She told me the story behind it, which sort of recounts the narrative of Rebekah Harkness, whom people actually called Betty. She was married to the heir of Standard Oil fortune, married into the Harkness family, and they bought this house in Rhode Island up on a cliff. It’s kind of the story of this woman and the outrageous parties she threw. She was infamous for not fitting in, entirely, in society; that story, at the end, becomes personal. Eventually, Taylor bought that house. I think that is symptomatic of folklore, this type of narrative song. We didn’t do very much to that either.

[Taylor] “Anyone who's been there before knows that I do 'The Tour,' where I show everyone through the house. And I tell them different anecdotes about each room, because I've done that much research on this house and this woman. So in every single room, there's a different anecdote about Rebekah Harkness. If you have a mixed group of people who've been there before and people who haven't, [the people who’ve been there] are like, "Oh, she's going to do the tour. She's got to tell you the story about how the ballerinas used to practice on the lawn.” And they'll go get a drink and skip it because it's the same every time. But for me, I'm telling the story with the same electric enthusiasm, because it's just endlessly entertaining to me that this fabulous woman lived there. She just did whatever she wanted.”

Dessner and Swift were working intensively and at high speed throughout 2020, so much so that on one occasion the producer sent the singer a track and went out for a run in the countryside around Long Pond. By the time he got back, Swift had already written ‘the last great american dynasty’ and it was waiting for him in his inbox.

Late May/Early June 2020: Taylor sends Aaron the last two folklore songs, the 1 and hoax.

[Aaron] “the 1” and “hoax,” the first song and the last song, were the last songs we did. The album was sort of finished before that. We thought it was complete, but Taylor then went back into the folder of ideas that I had shared. I think in a way, she didn’t realize she was writing for this album or a future something. She wrote “the 1,” and then she wrote “hoax” a couple of hours later and sent them in the middle of the night. When I woke up in the morning, I wrote her before she woke up in LA and said, “These have to be on the record.” She woke up and said, “I agree” [laughs]. These are the bookends, you know?It’s clear that “the 1” is not written from her perspective. It’s written from another friend’s perspective. There’s an emotional wryness and rawness, while also to this kind of wink in her eyes. There’s a little bit of her sense of humor in there, in addition to this kind of sadness that exists both underneath and on the surface. I enjoy that about her writing. The song [began from] the voice memo she sent me, and then I worked on the music some and we tracked her vocals, and then my brother added orchestration. There are a few other little bits, but basically that was one of the very last things we did. [Hoax] is a big departure. I think she said to me, “Don’t try to give it any other space other than what feels natural to you.” If you leave me in a room with a piano, I might play something like this. I take a lot of comfort in this. I think I imagined her playing this and singing it. After writing all these songs, this one felt the most emotional and, in a way, the rawest. It is one of my favorites. There’s sadness, but it’s a kind of hopeful sadness. It’s a recognition that you take on the burden of your partners, your loved ones, and their ups and downs. That’s both “peace” and “hoax” to me. That’s part of how I feel about those songs because I think that’s life. There’s a reality, the gravity or an understanding of the human condition.

[Taylor on the 1] I think, ‘I’m doing good, I’m on some new shit, been saying 'Yes' instead of 'No’ has a double meaning. Opening the album with that line applies to the situation that this song is written about where you’re updating a former lover on what your life is like now and trying to be positive about it. But it was also about where I am creatively. I’m just saying ‘Yes’, I’m just putting out an album in the worst time you could put one out, I’m just making stuff with someone who I’ve always wanted to make stuff with, as long as I’ve been a fan of The National. I’m just going to say 'Yes’ to stuff and it worked out.

[Taylor on hoax] The word ‘hoax’ is another one that I love. I love that is has an ‘x’ and the way it looks and sounds. I think with this song being the last one on the album it kind of embodied all the things that this album was thematically: confessions, incorporating nature, emotional volatility and ambiguity at the same time, love that isn’t just easy. And it’s the most symbolic and poetic thing, listing all these things that this person is to you. That line, ‘You know it still hurts underneath my scars from when they pulled me apart’ – anyone in my life knows what I’m singing about there but everybody has that situation in their life where you let someone in and they get to know you and they know exactly what buttons to push to hurt you the most. That thing where the scars healed over but there’s still phantom pain. I think the part that sounds like love to me is, ‘Don’t want no other shade of blue but you. No other sadness in the world would do.’ To me that sounds like what love really is. Who would you be sad with? And who would you deal with when they were sad? And like, gray skies every day for months, would you still stay?

[Aaron] We didn’t talk about [the meaning of the album] at first. It was only after writing six or seven songs, basically when I thought my writing was done, when we got on the phone and said, “OK, I think we’re making an album. I have these six other ideas that I love with Jack [Antonoff] that we’ve already done, and I think what we’ve done fits really well with them.” It’s sort of these narratives, these folkloric songs, with characters that interweave and are written from different perspectives. She had a vision, and it was connecting back in some way to the folk tradition, but obviously not entirely sonically. It’s more about the narrative aspect of it. I think it’s this sort of nostalgia and wistfulness that is in a lot of the songs. A lot of them have this kind of longing for looking back on things that have happened in your life, in your friend’s life, or another loved one’s life, and the kind of storytelling around that. That was clear to her. But then we kept going, and more and more songs happened. It was a very organic process where [meaning] wasn’t something that we really discussed. It just kind of would happen where she would dive back into the folder and find other things that were inspiring. Or she and William Bowery would write “exile,” and then that happened. There were different stages of the process.

May 21, 2020: As stated in the folklore: long pond sessions, Taylor started recording the vocals on this day. She also finishes august while in the vocal booth.

[Taylor] In my head, I’ve been calling the girl from ‘august’ either Augusta or Augustine. What happened in my head was: ‘cardigan’ is Betty’s perspective from 20 or 30 years later, looking back on this love that was this tumultuous thing. I think Betty and James ended up together. So in my head, she ends up with him but he really put her through it. ‘august’ was obviously about the girl that James had this summer with. She seems like she’s a bad girl, but really she’s not. She’s a really sensitive person who fell for him and she was trying to seem cool and like she didn’t care because that’s what girls have to do. And she was trying to let him think that she didn’t care, but she did and she thought they had something very real. And then he goes back to Betty. So the idea that there is some bad, villain girl in any type of situation who ‘takes your man’ is a total myth because that’s not usually the case at all. Everybody has feelings and wants to be seen and loved. And Augustine…that’s all she wanted.

She previously had written down the phrase ‘Meet me behind the mall’ in her phone years ago, wanting to write it into a song.

May 22-June 5, 2020: Taylor leaves LA and goes to Upstate New York to touch up some vocals (Betty), and shooting the photoshoot at Blake Lively and Ryan Reynolds' house. She also records Carolina at Long Pond. The song was recorded in one take using only instruments available before 1953.

[EW Interview] “I had this idea for the [Folklore album cover] that it would be this girl sleepwalking through the forest in a nightgown in 1830 [laughs]. Very specific. A pioneer woman sleepwalking at night. I made a mood board and sent it to Beth [Garrabrant], who I had never worked with before, who shoots only on film. We were just carrying bags across a field and putting the bags of film down, and then taking pictures. It was a blast. I'd done my hair and makeup and brought some nightgowns. These experiences I was used to having with 100 people on set, commanding alongside other people in a very committee fashion — all of a sudden it was me and a photographer, or me and my DP. It was a new challenge, because I love collaboration. But there's something really fun about knowing what you can do if it's just you doing it.”

[About Carolina] About a year & half ago I wrote a song about the story of a girl who always lived on the outside, looking in. Figuratively & literally. The juxtaposition of her loneliness & independence. Her curiosity & fear all tangled up. Her persisting gentleness & the world’s betrayal of it. I wrote this one alone in the middle of the night and then Aaron Dessner and I meticulously worked on a sound that we felt would be authentic to the moment when this story takes place. I made a wish that one day you would hear it. here The Crawdads Sing is a book I got absolutely lost in when I read it years ago. As soon as I heard there was a film in the works starring the incredible Daisy Edgar-Jones and produced by the brilliant Reese Witherspoon, I knew I wanted to be a part of it from the musical side. I wrote the song “Carolina” alone and asked my friend Aaron Dessner to produce it. I wanted to create something haunting and ethereal to match this mesmerizing story.

June 5, 2020: The Inner Circle posts the Oxford definition of the word folklore: “The traditional beliefs, customs, and stories of a community, passed through the generations by word of mouth.” adding “Taylor, your secret is safe with us.” later that day.

June 16, 2020: The Inner Circle posts the Oxford definition of the word cardigan: “A knitted sweater fastening down the front, typically with long sleeves. (Taylor, your secret remains safe with us. Here at the IC we are anxiously awaiting your big reveal)”

June-July 2020: During June and possibly early July, Aaron and Jon Low mix and master the album. It's a complicated process.

[Aaron] If there was trouble it started to be because of track counts. I probably only used 20 percent of what was actually recorded, ’cause we would try a lot of things, y’know. So, eventually the sessions got kinda crazy and you’d have to deactivate a lot of things and print things. But we got used to that. [...] I think the main thing was I wanted her vocals to have a more full range than maybe you typically hear, because I think a lot of the more pop oriented records are mixed a certain way and they take some of the warmth out of the vocal, so that it’s very bright and it kinda cuts really well on the radio. But she has this wonderful lower warmth frequency in her voice which is particularly important on a song like ‘seven’. If you carved out that mud, y’know, it wouldn’t hit you the same way. Or, like, ‘cardigan’, I think it needs that warmth, the kind of fuller feeling to it. It makes it darker, but to me that’s where a lot of emotion is.

[Aaron on the mixing process] In some instances, the final mix ended up being the never bettered rough mix, while other songs took far more work. “‘cardigan’ is basically the rough, as is ‘seven’. So, like the early, early mixes, when we didn’t even know we were mixing, we never were able to make it better. Like if you make it sound ‘good’, it might not be as good ’cause it loses some of its weird magic, y’know. But songs like ‘the last great american dynasty’ or ‘mad woman’, those songs were a little harder to create the dynamics the way you want them, and the pay off without going too far, and with also just keeping in the kind of aesthetic that we were in. Those were harder, I would say.

[Mixer Jon Low] In the beginning it did not feel real,” recalls Low. “There was this brand new collaboration, and it was amazing how quickly Aaron made these instrumental sketches and Taylor wrote lyrics and melodies to them, which she initially sent to us as iPhone voice memos. During our nightly family dinners in lockdown, Aaron would regularly pull up his phone and say, ‘Listen to this!’ and there would be another voice memo from Taylor with this beautiful song that she had written over a sketch of Aaron’s in a matter of hours. The rate at which it was happening was mind blowing. There was constant elevation, inspiration and just wanting to continue the momentum. “We put her voice memos straight into Pro Tools. They had tons of character, because of the weird phone compression and cutting midrange quality you just would not get when you put someone in front of a pristine recording chain. Plus there was all this bleed. It’s interesting how that dictates the attitude of the vocal and of the song. Even though none of the original voice memos ended up on the albums, they often gave us unexpected hints. These voice memos were such on a whim things, they were really telling. Taylor had certain phrasings and inflections that we often returned to later on. They became our reference points. “Taylor’s voice memos often came with suggestions for how to edit the sketches: maybe throw in a bridge somewhere, shorten a section, change the chords or arrangement somewhere, and so on. Aaron would have similar ideas, and he then developed the arrangements, often with his brother Bryce, adding or replacing instruments. This happened fast, and became very interactive between us and Taylor, even though we were working remotely. When we added instruments, we were reacting to the way my rough mixes felt at the very beginning. Of course, it was also dictated by how Taylor wrote and sang to the tracks.”

[Jon Low on the mixing process] Throughout the entire process we were trying to maintain the original feel. Sometimes this was hard, because that initial rawness would get lost in large arrangements and additional layering. With revisions of folklore in particular we sometimes were losing the emotional weight from earlier more casual mixes. Because I was always mixing, there was also always the danger of over mixing. “We were trying to get the best of each mix version, and sometimes that meant stepping backwards, and grabbing a piano chain from an earlier mix, or going three versions back to before we added orchestration. There were definitely moments of thinking, ‘Is this going to compete sonically? Is this loud enough?’ We knew we loved the way the songs sounded as we were building them, so we stuck with what we knew. There were times where I tried to keep pushing a mix forward but it didn’t improve the song — ‘cardigan’ is an example of a song where we ended up choosing a very early mix.

July 2020: While folklore is being finished, Taylor continues to write songs. The first two songs, that at first seem like Big Red Machine songs, are dorothea and closure.

[Aaron] A lot more of [evermore] was made from scratch. After Folklore came out, I think Taylor had written two songs early on that we both thought were for Big Red Machine, “Closure” and “Dorothea.” But the more I listened to them, not that they couldn’t be Big Red Machine songs, but they felt like interesting, exciting Taylor songs. “Closure” is very experimental and in this weird time signature, but still lyrically felt like some evolution of Folklore, and “Dorothea” definitely felt like it was reflecting on some character.

[Aaron on closure] Vernon provided the grainy beat that kicks off ‘closure’, one of two tracks on evermore that started life as a sketch for the second Big Red Machine album. “It was this little loop that Justin had given me in this folder of ‘Starters’, he calls them. I had heard that and been playing the piano to it. But I was hearing it in 5/4, although it’s not in 5/4. ‘Closure’ really opened everything up further. There were no real limits to where we were gonna try to write songs.”

In the Billboard interview above, Aaron says he thinks that Taylor wrote them after folklore was released, while in the Rolling Stone one he says they were written while finishing up the folklore mixes.

“I think I’d written around 30 of those songs in total,” Dessner recalls. “So when I started sharing them with Taylor over the months that we were working on Folklore, she got really into it, and she wrote two songs to some of that music.” One was “Closure,” an experimental electronic track in 5/4 time signature that was built over a staccato drum kit. The other song was “Dorothea,” a rollicking, Americana piano tune. The more Dessner listened to them, the more he realized that they were continuations of Folklore‘s characters and stories. But the real turning point came soon after Folklore‘s surprise release in late July, when Dessner wrote a musical sketch and named it “Westerly,” after the town in Rhode Island where Swift owns the house previously owned by Rebekah Harkness.

Dorothea is the only evermore song to have been recorded at Taylor's home studio in LA, she left LA 3 days after the release of folklore so Occam's razor, I'm guessing that the RS interview is the correct one and dorothea and closure were written in late June/early July, while the Folklorians were finishing up the album.

July 24, 2020: folklore is released, after being announced the day before.

August 6-18, 2020: To celebrate how well folklore was received, Aaron composes an instrumental track called Westerly, named after the town in Rhode Island where Taylor owns Holiday House. Taylor writes willow on it, then sends a voice memo to Aaron.

[Voice Memo] “Here's the Westerly one, written in Westerly!”

[Aaron] And I, sort of in celebration of Folklore, had written a piece of music that I titled “Westerly,” that’s where she has the house that she wrote “Last Great American Dynasty” about. I’ll do that sometimes, just make things for friends or write music just to write it, but I didn’t at all think it would become a song. And she, like an hour later, sent back “Willow” written to that song, and that sort of set [things in motion] and we just started filling this Dropbox again. It was kind of like, “What’s happening?”

There are so many stories I could share. When I sent Taylor the music for our song 'willow' — I think she wrote the entire song from start to finish in less than 10 minutes and sent it back to me. It was like an earthquake. Then Taylor said, 'I guess we are making another album.'

I liked opening the album with ['willow'] because I loved the feeling that I got, immediately upon hearing the instrumental that Aaron created for it. It felt strangely witchy, like somebody making a love potion, dreaming up the person that they want and desire, and trying to figure out how to get that person in their life. And all the misdirection, and bait and switch, and complexity that goes into seeing someone, feeling a connection, wanting them, and trying to make them a part of your life. It’s tactical at times, it’s confusing at times, it’s up to fate, it’s magical. It felt a bit magical and mysterious, which is what I want people to feel going into an album that was a collection of these stories that were going to take them in all kinds of directions. I just wanted to start them off with a setting of the vibe.

August/September 2020: Taylor writes no body, no crime, possibly while in London.

[Taylor] Working with the HAIM sisters on 'no body, no crime' was pretty hilarious because it came about after I wrote a pretty dark murder mystery song and had named the character Este, because she’s the friend I have who would be stoked to be in a song like that. I had finished the song and was nailing down some lyric details and texted her, 'You’re not going to understand this text for a few days but... which chain restaurant do you like best?' and I named a few. She chose Olive Garden and a few days later I sent her the song and asked if they would sing on it. It was an immediate 'YES.'

[Aaron] Taylor wrote that one alone and sent me a voice memo of her playing guitar — she wrote it on this rubber-bridge guitar that I got for her. It’s the same kind I play on “Invisible String.” So she wrote “No Body, No Crime” and sent me a voice memo of it, and then I started building on that. It’s funny, because the music I’ve listened to the most in my life are things that are more like that — roots music, folk music, country music, old-school rock & roll, the Grateful Dead. It’s not really the sound of the National or other things I’ve done, but it feels like a warm blanket. Taylor had specific ideas from the beginning about references and how she wanted it to feel, and that she wanted the Haim sisters to sing on it. We had them record the song with Ariel Reichshaid, they sent that from L.A., and then we put it together when Taylor was here [at Long Pond]. They’re an incredible band, and it was another situation where we were like, “Well, this happened.” It felt like this weird little rock & roll history anecdote.

[Aaron] [We realized evermore was going to end up being another album] after we’d written several songs, seven or eight or nine. Each one would happen, and we would both be in this sort of disbelief of this weird alchemy that we had unleashed. The ideas were coming fast and furiously and were just as compelling as anything on Folklore, and it felt like the most natural thing in the world. At some point, Taylor wrote evermore with William Bowery, and then we sent it to Justin, who wrote the bridge, and all of a sudden, that’s when it started to become clear that there was a sister record.

September 16- 23, 2020: Taylor and Jack go to Upstate New York to record the Long Pond Studio Session. She writes 'tis the damn season there on the 17th. Afterwards Taylor stays a few more days to record the bulk of the evermore vocals: willow, champagne problems, gold rush, 'tis the damn season, tolerate it, no body no crime, coney island, ivy, long story short, marjorie, closure, evermore, and it’s time to go.

After the Folklore: The Long Pond Studio Sessions, [Taylor] stayed for quite a while and we recorded a lot. She actually wrote 'tis the damn season when she arrived for the first day of rehearsal. We played all night and drank a lot of wine after the fireside chat — and we were all pretty drunk, to be honest — and then I thought she went to bed. But the next morning, at 9:00 a.m. or something, she showed up and was like, “I have to sing you this song,” and she had written it in the middle of the night. That was definitely another moment [where] my brain exploded, because she sang it to me in my kitchen, and it was just surreal. That music is actually older — it’s something I wrote many years ago, and hid away because I loved it so much. It meant something to me, and it felt like the perfect song finally found it. There was a feeling in it, and she identified that feeling: That feeling of... “The ache in you, put there by the ache in me.” I think everyone can relate to that. It’s one of my favorites.

[Aaron] She stayed after we were done filming and then we recorded a lot. It was crazy because we were getting ready to make that film, but at the same time, these songs were accumulating. And so we thought, “Hmm, I guess we should just stay and work.”

CHAMPAGNE PROBLEMS

[Taylor] Joe and I really love sad songs. He started that one and came up with the melodic structure of it. I say it was a surprise that we started writing together, but in a way it wasn’t cause we had always bonded over music and had the same musical tastes. He’s always the person who’s showing me songs by artists and then they become my favorite songs. ‘champagne problems’ was one of my favorite bridges to write. I really love a bridge where you tell the full story in the bridge. You really shift gears in that bridge. I’m so excited to one day be in front of a crowd, when they all sing, ‘She would’ve made such a lovely bride, what a shame she’s fucked in the head’. Cause I know it’s so sad, but it’s those songs like ‘All Too Well’. Performing that song is one of the most joyful experiences I ever go through when I perform live, so when there’s a song like ‘champagne problems’ where you know it’s so sad… I love a sad song, you know?

GOLD RUSH

During the willow live stream premiere, Taylor revealed that “gold rush” is Jack's favourite song and that it takes place inside a single daydream where you get lost in thought for a minute and then snap out of it.

[Jack] gold rush was a pretty different sound than what was on folklore. Even the movement in the chorus and some of the chord changes, they're very outside of the realm for what we've done together. We have different processes. Sometimes we sit in a room, sometimes she'll send me a song, sometimes I'll send her a track. That was one where I had the track going. And she did the classic thing where you send it to her, and a very short time later, she sent back a voice note with all of these brilliant ideas of what the song is.

'TIS THE DAMN SEASON

[Aaron] '‘tis the damn season' is a really special song to me for a number of reasons. When I wrote the music to it, which was a long time ago, I remember thinking that this is one of my favorite things I’ve ever made, even though it’s an incredibly simple musical sketch. But it has this arc to it, and there’s this simplicity in the minimalism of it, and the kind of drum programming in there, and I always loved the tone of that guitar. When Taylor played the track and sang it to me in my kitchen, that was a highlight of this whole time. That track felt like something I have always loved and could have just stayed music, but instead, someone of her incredible storytelling ability and musical ability took it and made something much greater. And it’s something that we can all relate to. [Note: The instrumental Aaron is talking about is called Ingrid and was written in 2013 when his daughter Ingrid Stella was born. It was released in 2018 on the album Songs Without Words.]

TOLERATE IT

[Taylor] When you watch a film or you read a book and there’s a character that you identify with, most of the time you identify with them because they’re targeting something in you that feels that you’ve been there. That’s why we relate to characters. When I was reading Rebecca by Daphne du Maurier I was thinking, ‘Her husband just tolerates her. She’s doing all these things, trying so hard to impress him and he’s just tolerating her the whole time.’ There was a part of me that could relate to that because at some point in my life I felt that way. So I ended up writing this song ‘tolerate it’ that’s all about trying to love someone who’s ambivalent.

[Aaron] When I wrote the piano track to 'tolerate it,' right before I sent it to her, I thought, 'This song is intense.' It’s in 10/8, which is an odd time signature. And I did think for a second, 'Maybe I shouldn’t send it to her, she won’t be into it.' But I sent it to her, and it conjured a scene in her mind, and she wrote this crushingly beautiful song to it and sent it back. I think I cried when I first heard it. It just felt like the most natural thing, you know? There weren’t limitations to the process. And in these places where we were pushing into more experimental sounds or odd time signatures, that just felt like part of the work.

CONEY ISLAND

[Taylor on coney island] “The story behind writing Coney Island - Aaron Dessner had sent me this track that he had created with his brother Bryce and I wrote the lyrics and the melody with William Bowery. I think I might have been coming from a place of somebody who’s been in a relationship for decades and wakes up one day and realizes that they have taken their partner completely for granted. So whether you wanna look at it from the perspective of somebody who’s in a new relationship or very long-standing relationship, I think it just really speaks to if people are trying to communicate but they’re two ships passing in the night, they’re trying to love each other but their signals are somehow missing each other - I just found that really interesting... and yeah, we’re really proud of this one. There were elements of it that immediately reminded me of Matt Berninger‘s vocal stylings and his writing, and I kind of targeted some of the lyrics of the second verse to sound sort of like what he might do - cause I hoped that he might sing on it. Because, you know, we already had two members of The National on the song, with Aaron and Bryce. So we got our wish and Matt sang on this song. I think he did an amazing job, I’m such a huge fan of the band and I’m really honored this was able to come together with The National.”

[Aaron on coney island] One key track on evermore, ‘coney island’, features all of the members of the National and sees Swift duetting with their singer Matt Berninger. “My brother [Bryce] actually originated that song,” says Aaron Dessner. “I sent him a reference at one point — I can’t remember what it was — and then he was sort of inspired to write that chord progression. Then we worked together to sort of develop it and I wrote a bunch of parts and we structured it. Taylor and William Bowery [the songwriting pseudonym of Swift’s boyfriend, actor Joe Alwyn] wrote ‘coney island’ and she sang a beautiful version. It felt kind of done, actually. But then I think we all collectively thought — Taylor and myself and Bryce — like this was the closest to a National song. Dessner then asked the brothers who make up the National’s rhythm section, drummer Bryan and bassist Scott Devendorf, to play on ‘coney island’. Matt Berninger, as he often does with the band’s own tracks, recorded his vocal at home in Los Angeles. “It was never in the same place, it was done remotely,” says Dessner, “except Bryan was here at Long Pond when he played. It was great to collaborate as a band with Taylor.”

MARJORIE

[Aaron] “Taylor’s family gave us a bunch of recordings of her grandmother,” Dessner explains. “But they were from old, very scratchy, noisy vinyl. So, we had to denoise it all using [iZotope’s] RX and then I went in and I found some parts that I thought might work. I pitch shifted them into the key and then placed them. It took a while to find the right ones, but it’s really beautiful to be able to hear her. It’s just an incredibly special thing, I think.”

EVERMORE

[Taylor] When Joe wrote the piano, I based the vocal melody on the piano, and we sent it to Justin, who then added that bridge. And Joe had written the piano part so that the tempo speeds up, and it changes. The music completely changes to a different tempo in the bridge. And Justin really latched onto that, and just 100% embraced it and wrote this beautiful sort of... The clutter of all your anxieties in your head, and they're all speaking at once. And we got the bridge back, and then I wrote this narrative of, 'When I was shipwrecked, I thought of you.' That sort of thing, where there was this beacon of hope, and then in the end, you realize the pain wouldn't be forever.

IT'S TIME TO GO

[Taylor] it’s time to go is about listening to your gut when it tells you to leave. How you always know before you know, you know?

Aaron Dessner, Jon Low, Stine Dessner and Taylor at Long Pond in September 2020.

October 6, 2020: Taylor and Paul McCartney get to chat for Rolling Stone. Taylor softly references tolerate it, ivy and willow.

Swift: I was reading so much more than I ever did, and watching so many more films. McCartney: What stuff were you reading? Swift: I was reading, you know, books like Rebecca, by Daphne du Maurier, which I highly recommend, and books that dealt with times past, a world that doesn’t exist anymore. I was also using words I always wanted to use — kind of bigger, flowerier, prettier words, like “epiphany,” in songs. I always thought, “Well, that’ll never track on pop radio,” but when I was making this record, I thought, “What tracks? Nothing makes sense anymore. If there’s chaos everywhere, why don’t I just use the damn word I want to use in the song?”

October 14, 2020: Jason Treuting records the glockenspiel on willow. (I got this date form the original willow stems)

October 28, 2020: Bryce Devendorf records the percussions on willow. (I got this date form the original willow stems)

October/November 2020: Aaron goes to see Justin Vernon in his home studio in Wisconsin, where they work on the album. Aaron writes the instrumental sketch to right where you left me before going on this trip.

[Aaron] I went to see Justin at one point — that’s the one trip I’ve made — and we worked together at his place on stuff. He plays the drums on “Cowboy Like Me” and “Closure,” and he plays guitar and banjo and sings on “Ivy,” and sings on “Marjorie” and “Evermore.” And then we processed Taylor’s vocals through his Messina chain together. He was really deeply involved in this record, even more so than the last record. He’s always been such a huge help to me, and not just by getting him to play stuff or sing stuff — I can also send him things and get his feedback. We’ve done a ton of work together, but we have different perspectives and different harmonic brains. He obviously has his own studio set up at home, but it was nice to be able to see him and work on this stuff.

November 4, 2020: Taylor shoots the evermore cover, the Red TV cover, and the EW photos. (I got this date from an insider)

November 7, 2020: Taylor films the willow music video. (I got this date from an insider)

November 20, 2020: Aaron records the bass on willow. (I got this date form the original willow stems)

November 25, 2020: Taylor is at Marcus Mumford's studio called Scarlet Pimpernel to finish evermore. They record vocals for two new songs, happiness and right where you left me, they touch up the vocals for coney island, they record Joe's piano on evermore the song, and Marcus records backing vocals on cowboy like me. She possibly stays more than one day.

Taylor has mentioned that you recorded “Happiness” just a week before the album was released. Was that something you guys wrote, recorded, and produced all at the last minute, or was it something you’d been sitting on for a while before you finally cracked the code? There were two songs like that. One is a bonus track called “Right Where You Left Me,” and the other one was “Happiness,” which she wrote literally days before we were supposed to master. That’s similar to what happened with Folklore, with “The 1” and “Hoax,” which she wrote days before. We mixed all the tracks here, and it’s a lot to mix 17 songs, it’s like a Herculean task. And it was funny, because I walked into the studio and Jon Low, our engineer here, was mixing and had been working the whole time toward this. And I came in and he’s in the middle of mixing and I was like, “There are two more songs.” And he looked at me like, “…We’re not gonna make it.” Because it does take a lot of time to work out how to finish them. But she sang those remotely. And the music for “Happiness” is something that I had been working on since last year. I had sang a little bit on it, too — I thought it was a Big Red Machine song, but then she loved the instrumental and ended up writing to it. Same with the other one, “Right Where You Left Me” — it was something I had written right before I went to visit Justin, because I thought, “Maybe we’ll make something when we’re together there.” And Taylor had heard that and wrote this amazing song to it. That is a little bit how she works — she writes a lot of songs, and then at the very end she sometimes writes one or two more, and they often are important ones.

[Taylor on cowboy like me] Take yourselves back to 2020, and I put out folklore, and I just kept writing. I thought, 'Let me make a sister album to folklore and call it evermore.' And so I started immediately. Aaron, Jack, and I were just writing remotely. And the challenge at the time was trying to figure out how to record things. Most studios were completely shut down due to Covid, understandably. I could not find a studio, essentially. So Aaron is like, 'Let me call around to see if there is anyone who is cool, and nice, and generous, and might be willing to offer up their home studio, if we do the right amount of testing, we're totally locked down, and quarantined.' And I was like, 'Okay, please, I really hope someone comes through.' And so he calls me ,'I have really really good news. Marcus Mumford said that you could record at his home studio.' So I first of all, I am so excited that he's saving us, because without this trip, we wouldn't have recorded five or six of the songs on evermore, which came from me getting in a car, driving six hours out into the country past thousands of beautiful sheep, to Marcus Mumford's beautiful house where he has a studio. So I got to do this, we get there, and the whole time I'm thinking, 'Okay, wouldn't it be so cool if he would sing on something?' Because I'm such a Mumford & Sons fan. I just think he's brilliant and has one of the most gorgeous voices in the world. So I'm like, 'Will he sing something, please?' But I didn't want to be weird about it, so I'm like, 'I wonder if fate will have him wander into the studio at the right time.' So sure enough, we're recording a song, and he wanders in at the perfect time and just kind of started humming a harmony. And I turned to him as if I hadn't been thinking of it the whole time, and I was like, 'Oh! You sound really good on that harmony! I wonder if you might sing on this song?' And he said, 'Yep, I would love to!' So essentially, because of Marcus Mumford we have a lot of the songs that probably we wouldn't have been able to put out evermore as quickly as we did. And we also have a gorgeous harmony on a song called 'cowboy like me.'

[Aaron] The music for happiness is something that I had been working on since last year. I had sang a little bit on it, too — I thought it was a Big Red Machine song, but then she loved the instrumental and ended up writing to it.

[Taylor] right where you left me is a song about a girl who stayed forever in the exact spot where her heart was broken, completely frozen in time.

Taylor at Scarlet Pimpernel Studios, and a signed sheet with cowboy like me lyrics which Taylor gave to Marcus Mumford.

December 3 & 4, 2020: Aaron works on willow for the final time, recording some synthesizers. (I got this date form the original willow stems)

[Aaron] On evermore, I would say willow was probably the hardest one to finish just because there were so many ways it could’ve gone. Eventually we settled back almost to the point where it began. So, there’s a lot of stuff that was left out of willow, just because the simplicity of the idea I think was in a way the strongest. It almost felt like a dare or something. We were writing, recording and mixing all in one kind of work stream and we went from one record to the other almost immediately. We were just sort off to the races. We didn’t really ever stop since April.

[Low] The final mix stage for evermore was “very short. There was a moment in the final week or so leading up to the release where the songs were developed far enough for me to sit down and try to make something very cohesive and final, finalising vocal volume, overall volume, and the vibe. There’s a point in every mix where the moves get really small. When a volume ride of 0.1dB makes a difference, you’re really close to being done. Earlier on, those little adjustments don’t really matter.

December 11, 2020: evermore is released.

With folklore, one of the main themes throughout that album was ‘conflict resolution’, trying to figure out how to get through something with someone, or making confessions, or trying to tell them something, trying to communicate with them. evermore deals a lot in endings of all sorts, shapes and sizes. All the kinds of ways we can end a relationship, a friendship, something toxic and the pain that goes along with that.

I have no idea what will come next. I have no idea about a lot of things these days and so I've clung to the one thing that keeps me connected to you all. That thing always has and always will be music. And may it continue, evermore.