#writing of evermore timeline

[taylor-on-your-dash]

Will you ver put out a timeline for folklore, evermore, and midnights? I know that for ttpd is basically impossible

yeah, ttpd is impossible, i am SHOCKED AND APPALLED that aaron hasn't said a SINGLE thing, when he literally carries the folkmore and partially the midnights timeline on his back. i have already written a folkmore timeline, but there is a problem, i'm writing a post about it. it's a loaded, trauma-dumpy post so it's taking a while for me to write what i want to say the way i want to say it. it's more about the problems that the folklore timeline opens and how i'm trying to resolve them i guess.

for midnights my best friend suggested we do a chronological timeline based on the key events of the album, so kinda different from the usual timeline, we were working on it a few months ago, we did LHaze, midnight rain, bejeweled, sweet nothing, the great war, high infidelety and dear reader and then we got sidetracked. we'll probably resume that in mid-september, but we agreed to analyse chloe et al first. maybe for midnight's birthday if i manage. i haven't even translated anything yet 💀 BUT! there's a midnights timeline by @likeadevils!

the timeline i'm more excited about is the debut one, i went to unhinged lengths to make it as accurate as possible (i even wrote to Bob Orrall... and he answered... 🥲❤️) and i'm SUPER proud of it, i truly cannot wait to put it out

[evermorethecrow]

Gang I will say cause I do need to explain my actions always another reason I am taking so long to put out any proper au content of my main ones is that like

There's so much content to plan and storyboard

[likeadevils]

Midnights Timeline

This is a very long post that puts all the songs on Midnights in order of Taylor creating them. I’ve also included a few other songs she worked on while writing Midnights and quotes from Taylor and her collaborators talking about her process.

If you don't want to read all that, check out this playlist of the album in order, or this playlist of her entire discography. WARNING: there is a very large chunk on the playlists that I have no information on (Maroon-Dear Reader).

I’ve also added this color coded scale of how sure I am of the date: 

Confirmed: There is some type of official source for the date

Inferring: Nobody has officially said “This is when we wrote it,” but all available evidence points to that date

Speculation: This date is based off pure vibes and guesswork and is highly likely to change.

Unknown: All that is known is the year (from the US Copyright Offices

Renegade: March 7-15, 2021 (Confirmed)

Aaron: “I wrote the music [for Renegade] at some point after we finished [evermore], and sent it to her, because she was inspired by a llot of the Big Red Machine stuff we were working on. And she had already sung on Birch, a song that hasn't come out yet but is one of the major ones on the record. And I think she wanted to write a song for Big Red Machine. She very much feels like part of this community to me. So I wrote Renegade, the music, and sent it to her. And not unlike a lot of the things we've done together, one day I woke up to a voice memo from her and she had written this incredible song about how anxiety and fear get in the way of loving or being loved. And she was clearly thinking about Big Red Machine. And then we recorded her vocals and everything the week of the Grammys, when I was there in LA, and it was really nice to have something to think about that wasn't related to the Grammys - just to make music because you feel like making it." (transcript from jaimie)

High Infidelity and Would've Could've Should've: March 7-15, 2021 (Confirmed)

Aaron: [Would've Could've Should've], we wrote that song together, and recorded it while we were together in LA for the folklore Grammys. It goes back that far. And the same with High Infidelity. Those songs, we actually recorded in her house, the vocals, we recorded them then. And I just kept making music, and it was kind, after we had made folklore and evermore, I started to have ideas which I would share. And eventually, she obviously made most of Midnights with Jack, and it became something different. But High Infidelity, and Would’ve, Could’ve, Should’ve, and The Great War, and we made Hits Different with Jack and Taylor and I also, and it was great to be part of that record in that way. (transcript from @cages-boxes-hunters-foxes)

The Great War and Hits Different: between April-October 2021 (Speculation)

In the above quote talking about his songs on Midnights, Aaron says "Eventually, she obviously made most of Midnights with Jack, and it became something different," implying his stuff was written before the bulk of midnights in fall. He also says High Infidelity and Would've Could've Should've "[go] back that far," which implies they were some of the earliest stuff on Midnights, so it's safe to assume TGW and Hits Different come sometime afterwards.

Summer 2021: Jack has a session with Sounwave, Sam Dew, and Zoe Kravitz, where the instrumentals for Lavender Haze and likely Glitch are written

Rolling Stone interview with Sounwave: Before Antonoff began to work on Swift’s tenth album, he was cooking up tracks with Spears, Dew, and Zoë Kravitz [...] During a brainstorming session, the quartet put together a track that would eventually become “Lavender Haze.”

November 3 2021: It was announced that Joe has been cast in Stars at Noon, alongside Margaret Qualley, Jack Antonoff's then girlfriend now wife. Since Joe was parachuted into the film last minute, filming had already started, making it likely he left as soon as possible.

Taylor: We’d been toying with ideas and had written a few things we loved, but Midnights actually really coalesced and flowed out of us when our partners (both actors) did a film together in Panama. Jack and I found ourselves back in New York, alone, recording every night, staying up late and exploring old memories and midnights past.

November 8: Jack gets back from touring with Bleachers. Let the games begin.

Vigilante Shit: November 2021 (Speculation)

Vigilante Shit is the sole solo writing credit on the album, which implies it was written before her and Jack were holed up together 24/7. Also Scooter and his wife divorced in July. Beyond that there's no evidence this is early in the process, besides it making sense that Taylor wrote this alone, brought it to Jack, and then fell into a creative inferno.

Maroon, Anti-Hero, You're on Your Own Kid, Midnight Rain, Bejeweled, Labyrinth, Mastermind, Paris, and Dear Reader: November/December 2021 (Inferring)

I don't have enough info on the making of any of these songs to give them each their own little blurb, but if anything pops up I will update this post and reblog it letting y’all know.

Question..?: After November 21, 2021 (Inferring)

We know Rachel Antonoff, Dylan O'Brien, and Austin Swift were there the day they recorded it thanks to this behind the scenes footage of them recording the cheering vocals. Dylan was filming The Vanishings at Caddo Lake in Louisiana sometime between October 5 and November 20. I don't know exactly which dates he was filming-- he was in New York for All Too Well filming in late October and to attend the premiere on November 12, but since we know for sure he was in Louisiana on the 20th, I'm just gonna Occam's Razor it and say Question was written sometime after he got back from that.

You're Losing Me: December 5, 2021 (Confirmed)

December 17, 2021: Filming wraps on Stars at Noon, and with it the bulk of recording for Midnights.

Lavender Haze: Early 2022 (Speculation)

Lavender Haze, Snow on the Beach, and Karma are the only songs to have Henson Recording Studios credited (I can't find studio credits for the 3am tracks so there is possibly more on there). This could point to them all being recorded around the same time time, or it could be in reference to Jack and Sounwave's original recording sessions taking place at Hensen. I lean towards the former, since 1) it seems like the Winter 2021 sessions were mostly between Taylor and Jack, and the spring sessions have other collaborators, and 2) the tabloid rumors about Taylor and Joe getting engaged really started heating up in February 2022. On the other hand, Sounwave implies that there was a notable stretch of time between Lavender Haze and Karma, so I totally understand if you want to put it with the rest of the Winter 2021 sessions. Rolling Stone interview with Sounwave: A few months [after Jack and Sounwave wrote the instrumentals], Antonoff reached out to Spears, Dew, and Kravitz to see if he could pitch [Lavender Haze] to Swift, who loved it immediately. She wrote lyrics inspired by a Mad Men scene, numerous tabloid rumors and online gossip about her relationship status, and “1950s expectations.” “When Jack brought us in the hear for the first time, all our mouths dropped. She took it to a whole new world and made it her own. She created different pockets we did not hear.”

Glitch: Early 2022 (Speculation)

Rolling Stone interview with Sounwave: "Glitch,” one of the bonus songs on the Midnights (3am) edition, was born from the same studio session as “Lavender Haze.” I don't know if this means the instrumentals to Lavender Haze and Glitch were done in the same session, Taylor wrote the lyrics in the same session, or both. For the same reason as Lavender Haze, I lean towards this coming later in the process, as well as Glitch mentioning being together for six years, and in November 2021 Taylor and Joe had been together for a little over 5 years. That being said, Taylor could've assume the album was going to come out in 2022, and that she would stay with Joe until then, and bump up that date a bit. It's still very up in the air.

February 5, 2022: Taylor is photographed leaving Jack's house holding a keyboard.

Sweet Nothing: Spring 2022 (Inferring)

Joe is a co-write on this, meaning they likely wrote it after he got back from filming. It also mentions their trip to Ireland in 2021 and refers to it as "last July", implying it was written in 2022. While I was writing this timeline Taylor liked this post on twitter, implying that at least the second verse is in reference to Paul and Linda McCartney. The quote is from his poem Blessed, which you can read in this interview (TWs for death and cancer)

Bigger Than The Whole Sky: March 2022 (Inferring)

Claire Winter, a close friend of Taylor's, posts on Instagram that she miscarried. (I toyed with whether or not to add this, but seeing as Claire Winter made the information public herself, I decided to put it in. If she ever takes that Instagram post down, let me know and I'll delete this part.)

Snow on the Beach: April 1, 2022 (Inferring)

On April 1, Lana Del Rey posts a video on Instagram of Jack in the studio with an unidentified female voice in the background. Two days later she posts this photo, which Taylor and Jack both include in posts about Midnights/Snow on the Beach. Lana: Well, first of all, I had no idea I was the only feature [on that song]. Had I known, I would have sung the entire second verse like she wanted. My job as a feature on a big artist’s album is to make sure I help add to the production of the song, so I was more focused on the production. She was very adamant that she wanted me to be on the album, and I really liked that song. I thought it was nice to be able to bridge that world, since Jack [Antonoff] and I work together and so do Jack and Taylor. Taylor: And with Snow On The Beach, which features the genius Lana Del Rey, very lucky to have collaborated with her on that. And Dylan [O’Brien] was actually in the studio with me and Jack, because a lot of the time we record at his place, and Dylan was just hanging out, drinking wine with us, and listening to stuff, and he was just trying out the drum kit there. He wasn't serious. But we were drinking wine, and we were sort of like, 'We haven't recorded the drums for this one yet! See if you want to...' and he played the drums on the song. Sometimes it just happens like that. (transcript once again from jaimie)

Karma: Spring 2022 (Speculation)

Rolling Stone interview with Sounwave: The bubbly “Karma” came later [than Lavender Haze and Glitch], when Antonoff reached out to Spears for any other ideas he may have to contribute to the album and its synth-pop vision. “‘Karma’ was just a last-minute Hail Mary,” Spears says. “I remembered I was working with my guy Keanu [Beats] and had something that was too perfect not to send to her. As soon as I sent it, Jack was instantly like ‘This is the one. Playing it for Taylor now. We’re going in on it.’ The next day, I heard the final product with her vocals on it.”

April 19, 2022: Elle's interview with the Conversations with Friends cast is released, and when Joe is "asked if he hopes to continue writing songs, Alwyn simply says, “It’s not a plan of mine, no.”" It's possible this means Sweet Nothing was yet to be written, but I think it's more likely Joe was just denying in order to not create hype around a song that wasn't officially announced yet.

May 2022: Taylor teases Labyrinth lyrics in her NYU Commencement Speech and says m i d n i g h t very prominently on this instagram post, meaning by early summer she was likely confident in the album's name and which songs would make the tracklist.

And that's all for this timeline! Check out my others:

TIMELINES: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights PLAYLISTS: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights • entire discography GENERAL: tag

[9w1ft]

I'm a gaylor myself so this isn't coming from a place of hate but I really don't think karlie and taylor are still together, I think taylor still references her in her art and probably will for quite some time because that relationship -- whatever the nature of it was -- left such a deep impact on her. but I really can't see them still being together, I think she's forced herself to move on from karlie and has since dated a lot of other women. that doesn't mean her feelings for karlie have faded, just that they will probably always be there but they broke up for sure before 2019, I think. folklore and evermore, midnights even, are all breakup albums, I just can't see how they could still be together. especially all her anger and sadness in those songs that are thought of to be for karlie (like my tears ricochet or exile or mad woman) also the cover art being shoot in bedfords, new york, the exact same place where karlie got married feels more like taylor revisiting this place to really say goodbye and mourn her for one last final time so she can move on

sorry, this got a bit long, I just don't understand the appeal or the reasoning for lsk's because taylor has indicated so many times that they are over, she's been mourning her relationship with karlie quite publicly since 2019 (wearing all black during the lover era) so yeah

hi! i don’t usually respond to these but i’m not sensing any ill will so i’ve decided to give a reply a go.

first off, for me, i kinda just interpret her wearing black in the back end of lover era because her masters had gotten bought by scooter. and maybe the fact that she decided to not come out. there can be other reasons, but i really do not think that her breaking up with karlie has to be one of them.

another thing i can’t shake is the fact that it was a very notorious troll/manipulative person on tumblr who spread the first rumor that they broke up in 2019, a fact that is well understood by a lot of OG’s, and this troll got in the head of a few popular kaylor and gaylor swift accounts at the time and in doing so she got a lot of people to fold. she then went on to write all this progressively unhinged fanfiction about taylor and karlie trying to make one another jealous and sleeping with all these women, presented with the same level of seriousness with which she pushed the breakup agenda. even to this day, i see present day gaylors talk about stuff that stems from narratives this account and a few other power hungry accounts spread around many years ago and it honestly just goes to show how a lot of well known gaylors may be platformmed up but that don’t really know what they’re talking about.. i only write this because the troll deactivated about a year ago (maybe they’re lurking on platforms with more malleable minds—once a troll always a troll—but at least they’ve left here), they were a really dangerous person.. and several have wild receipts to prove it.

anyways sorry i recognize that’s a tangent, i guess what i mean to say by it is, a lot of the sentiment surrounding the idea of a 2019 breakup and the reinforcement of the narrative by a gaylor community none the wiser stems from the work of someone with disingenuous intentions. a lot of “masterposts” or “realistic timelines” draw from what this person made up and it’s gone through enough filters for it to seem like credible sentiment but like, if you were there and you read all of what she wrote you know how silly it all sounded and how incoherently it was all written.

okay so to circle back to more of a content-centric angle, in my interpretation of the events that gave us folklore, evermore, and midnights, taylor had so much to be sad about. her mom had been very sick, the pandemic arrived and she had to cancel lover fest, she had to come to terms with scott b having sold her work to her sworn enemy… songs on midnights and folklore, and on her lover era apple music playlist allude to certain other things that may have had her in a mournful mood. things were bad! and i don’t doubt that her and karlie have been through a lot. but for me, when you’ve got a ride or die love, you don’t just break up. this has been something frustrating for me and others, i think, to see so many people treat a relationship as either being all systems go or broken up, as if long term partners can’t experience sadness together, difficulty together, even heartbreak together.

i don’t like getting in to touchy subjects so much but there’s just been too much pointing towards what i consider to be a rather simple narrative that is a natural progression for people committed and in love. how did the lover music video begin and end? whats a randomly specific word in a song she performed at the grammys minutes after someone was announced to the world? what about taylor’s envisioned future stands out about the anti hero music video? i think i’ll stop here but idk man 😆 poke around my archive if you feel like wasting a few days of your life… there’s just been a consistent flow of the same kind of hijinks that we’ve seen from them for years, and i’d say that there are many songs that back up everything i’d want in order to stay invested in seeing if what i believe is true.

now, i know i just wrote what reads like a bunch of mumbo jumbo to people not following kaylor. but im okay with that. i’ve accepted that. and i know that the whole patterns and koincidences and twinning and symbolism beat isn’t for everyone and so i respect people’s decisions to believe they aren’t together, but in closing i’ll just say im sometimes at a loss to see time and time again people suggest that kaylors believe in kaylor because they find it appealing or because they want to ship it. when it’s literally not that— it just makes the most sense to a lot of us!

also, does this look like the face of someone mourning?

[torturedpoetsdepartmentemployee]

I have an alternate universe Buggy that's been ratallng around in my head. A female Buggy that's like Taylor Swift, so she got into music and wants to be a singer. She spent most of her time on the Oro building up her guitar and piano skills. She stole the guitar from the musician(was aware but let it happen) and begged Roger to get a piano. She didn't inherently have the greatest vocals and got teased, specifically by Shanks. Dreams of being in front of a crowd cheering her on and singing her songs. Those dreams are what drive her. It goes hand in hand with canon Buggy’s inferiority complex and constantly seeking attention to be a star.

The reason I can imagine it is because Buggy would be the kind to right the most unhinged lyrics that TS is known for. Also a lot of her lyrics reflect Buggy.

Mirrorball - And they called off the circus Burned the disco down When they sent home the horses And the rodeo clowns I'm still on that tightrope I'm still trying everything to get you laughing at me I'm still a believer but I don't know why I've never been a natural All I do is try, try, try I'm still on that trapeze I'm still trying everything To keep you looking at me

Me! - I know that I'm a handful, baby, uh I know I never think before I jump And you're the kind of guy the ladies want (And there's a lot of cool chicks out there) I know that I went psycho on the phone I never leave well enough alone And trouble's gonna follow where I go (And there's a lot of cool chicks out there)

Karma - ‘Cause karma is my boyfriend Karma is a god Karma is the breeze in my hair on the weekend Karma's a relaxing thought Aren't you envious that for you it's not? Sweet like honey, karma is a cat Purring in my lap 'cause it loves me Flexing like a goddamn acrobat Me and karma vibe like that Ask me what I learned from all those years Ask me what I earned from all those tears Ask me why so many fade, but I'm still here (I'm still, I'm still here)

peace - Our coming-of-age has come and gone Suddenly the summer, it's clear I never had the courage of my convictions As long as danger is near And it's just around the corner, darling ‘Cause it lives in me No, I could never give you peace

long story short - Fatefully I tried to pick my battles 'til the battle picked me Misery Like the war of words I shouted in my sleep And you passed right by I was in the alley, surrounded on all sides The knife cuts both ways If the shoe fits, walk in it 'til your high heels break

Never Grow Up - And no one's ever burned you Nothing's ever left you scarred And even though you want to Just try to never grow up

So here I am in my new apartment In a big city, they just dropped me off It's so much colder than I thought it would be So I tuck myself in and turn my nightlight on Wish I'd never grown up I wish I'd never grown up

Endgame - I hit you like, "Bang" We tried to forget it, but we just couldn't And I bury hatchets but I keep maps of where I put 'em Reputation precedes me, they told you I'm crazy I swear I don't love the drama, it loves me

The whole of Dear Reader and most of Anti Hero. New Romantics just sounds like a pirate anthem. So definitely something Buggy would write.

Here are the albums that would be about different exes. The exes that had a lasting impact on her.

Red Hair Shanks - Debut, Fearless, and Red

Donquixate Doflamongo - Speak Now, a little of Fearless and Red.

Charlotte Katakuri - Speak Now

Sir Crocodile - 1989

Sakazuki/Akainu -folklore, evermore

Dracula Mihawk - reputation, Lover, folklore, evermore

Midnights is a mix of them. Also she falls back in love with Mihawk and Crocodile after they form the Cross Guild.

Her exes have a hard time forgetting her and its made even worse by their enemies using the songs about them to torment them. It also doesn't help that their subordinates and families listen to her songs too. I'm still figuring out the timeline. Akainu happens before Mihawk but she is so hurt by him that she wasn't able to write any songs about him until much later.

None of this is a commentary on Taylor Swift or her personal life. Just my interpretations and how they'd fit.



[ansbobcar]

“I’ll be frank.” “Either you have me act as your girlfriend or you’re gonna meet that teenager in a week and pray that she cheats on you down the line so the engagement gets cancelled.”

SYNOPSIS. Orter Madl's month has been nothing but blind dates inhibiting his work at the Magical Power Administration. All set up by his parents. He's suggested into a relationship of convenience by the woman who occupied his position previously, Rinka Ontarin, in order to solve his problem. Reluctantly accepting the proposal, they must now convince the whole kingdom of their romance whilst fulfilling their duties as Divine Visionaries. More questions arise than answers though as the strings are slowly unraveled.

NOTES. Inspired by business proposal the kdrama, title taken from dreamcatcher's starlight, lots of world-building headcanons, we're following the plot of mashle but it's more obvious later on, also in the same universe as my LOSER=LOVER fic with my other mashle oc, no love triangle, nvm i added a love 'triangle' but that's if you really squint your eyes, NVM IT'S GONNA BECOME CANON ADJACENT???

WARNINGS. Cringe rom-com (let's have fun shall we?), they're kinda ooc sometimes, possible descriptions of death and blood, off screen character deaths with lots of plot importance :>, slow burn in terms of plot and romance, planned bittersweet/sad ending, OH and random swearing?, I'm still writing it so please don't ask me about an update schedule.

_ _ _

EPISODES.

VOL 1 COMPLETED!

EP 1. Drink your problems away!

EP 2. Hangover and find out

EP 3. Day One

EP 4. A small problem

EP 5. The words of a "pacifist"

EP 6. Bloody Dress

EP 7. Resonance

EP 8. Business as Usual

EP 9. Run along

EP 10. Fleeting moments

EP 11. What a lovely night

EP 12. A Mother's Wish

EP 13. Was it really "love at first sight"?

EP 14. Can't it just be a fight?

EP 15. Remember your brother

EP 16. A letter of concern

EP 17. The letter from Miley

EP 18. The Researcher, the Rulemaker, and the Tamer

EP 19. A trip and a chat away

EP 20. The Madl Estate

EP 21. From hell with pettiness

EP 22. Evermore like snow

EP 23. What is there to smile for?

EP 24. We're already...

_ _ _

VOL 2 will be published after I finish my other mashle fic's VOL 1 (they're both set in the same universe, that's why and are kinda interconnected yet separate. It's so I don't mess up the timeline really bad.)

Let's have fun! and pray I don't ghost this fic. I wanna change the fic title so hard but I dunno what to name it. So currently it stays because I want to share.

UPDATE I'm rewriting it slowly on AO3 as ALL OR NOTHING instead

[emry-stars-art]

Hello! I just wanted to say your art is gorgeous and I love the attention to detail you give to your work! This royal au is scrumptious and I'm so grateful you shared it with us! Second, for Jean's role, I was wondering what you thought about making him a blacksmith? It would make him useful for Riko without having any power (not a guard, etc.)but also give a reason for Jeremy to seek him out (and get swept off his feet), perhaps once he's escaped and is in Palmetto. Feel free to ignore tho!😊

IGNORE THE MENTAL IMAGE OF BIG POWERFUL BLACKSMITH JEAN MOREAU? SAFE IN THE UNNAMED TROJAN KINGDOM, BULKING UP AND FEELING ACCOMPLISHED WITH THE WORK OF HIS HANDS??? I WILL NOT

I’ve been really invested in the idea of the “perfect court” now that we’re in a royal au, and since Kevin and Riko were both technically royalty, Nathaniel was/had the potential to be a noble, I think Jean should also be high end?? Like while at Evermore they all have different duties right, maybe Jean was an attendant to Riko or something. Whatever he was there, we know he wasn’t treated well. Probably not allowed to pursue his own interests, just like everyone else.

But Kevin and Nathaniel both escape, and they find new jobs that fulfill them. So Jean should as well!! He gets to the Trojan kingdom, probably with the help of Renee still (which is. A whole thing about politics and family lines in this au strangely enough) and he doesn’t have to be a noble anymore if he doesn’t want to. He’s probably already renounced his nobility in the way he left Evermore. I don’t doubt Jeremy, who I’m imagining as another prince because that’s the image my brain gave me, would hesitate to reinstate him as Trojan nobility if Jean asked (as long as it’s far enough down the timeline obviously). Instead, Jean kind of slides under the radar, and once he’s all settled he finds work in the smithy. And he really enjoys it! He feels stronger and healthier and he gets to make such amazing things, he doesn’t even have to make weapons if he doesn’t want to. The workers all choose their own specialties and jobs, filling in gaps as needed

Then one day the royal family or the prince is making rounds, coming to see how things are running, and Jeremy is kind of wondering if he’s seen this blacksmith before? Like he’s pretty sure that’s a familiar face, but he definitely would have remembered seeing someone like him around the kingdom before now, so he brushes it off.

(Really he’s seen Jean Moreau at summits and other large gatherings, only once or twice. Back when Jean was much less healthy and when he still tried to make himself smaller to fit into Riko’s shadow. So yes he recognizes the face; but this is a much different man than the person he saw across grand halls.)

And for my lovely jerejean enjoyers: if Jean ends up talking to or in close proximity of the prince, for whatever reason? Jeremy can definitely blame his red cheeks on the heat of the forges 💫

Sliding a couple process pics under the cut

(Find the royal au writing masterpost here 💕)

[jessicanjpa]

Hey bestie… can you give us some good twilight fic recs… asking for a friend🧍‍♀️

Always! First, you can check out my #fic recs tag. My personal favorites are canon prequels, so I have a detailed list here.

And here are some fics I'm currently enjoying:

-@staringatthesky11 just posted her new Rosalie/Eleanor fic here!

-Blinding Light by @edwardsvirtue is Edward's POV of New Moon

-Evermore by @stardustandtwilight is Carlisle changing Esme and their story

-Hasta La Vista, Baby by @denalilily is a funny, fast-paced adventure set after canon. Kidnapping Alice might be the last thing the Volturi ever do...

-Cien Años de Compañerismo by @gisellelx is a collection of Carlisle/Esme one-shots, started in honor of their recent 100-year anniversary

-Perdition of the Witch by @volturialice is an AH Jalice fic set in the middle ages. Excellent writing and historical details!

-Shadow to Light by @goldeneyedgirl is a canon-divergent Jalice AU where Alice is changed for Maria's army. She stays when Jasper leaves and doesn't appear again until Eclipse.

-Roots by @flowerslut is set post-canon: new enemy, unexpected alliances. Jalice, obviously, but lots of great characterization for others too.

-Stregoni Benefici by @gisellelx is Carlisle's story. So much historical fiction goodness!

-Hope Springs Eternal by Haemophilus Leona is Edward's POV of Breaking Dawn. Leona and I have been Edward-POV writing buddies for years, prequel years for me and saga timeline for her :)

-Montage by @gisellelx is a new collection: the Cullens' daydreams about the human lives they imagine for themselves

------------

You can also dig around in my Favorites folder on FFN (here) to find some older treasures. Happy reading!

[pop-punklouis]

i don’t get how taylor can write about things like this and them not be real? that’s the hard part for me bc you can tell there’s pain there and so much pint up emotions with harry

babe, she’s a natural-born story teller. she’s a great lyricist. she’s able to take very public parts of her relationships/narratives and wrap them up into these stories of love and heartbreak and betrayal. yes, she writes from the heart and draws from her experiences like all great lyricists do, but she also knows what to emphasize or what throwaway comments to use when necessary. all the songs and even the vault songs angled towards harry feature nothing but very public references that were tied to the timeline of haylor or harry’s public image. the yacht. her blue dress. the vehicular manslaughter. the slew of models he was always seen with. him growing his hair long. the airplane necklace. his “womanizer” ways as an 18 yr old boy lmfao etc. it all tells a very specific story and leads you to it like treats for a rabbit because the references are so easy to lead back to that time period.

you can write a good song about love or heartache but adding very superficial details that everyone can instantly pin to someone you’ve been seen with is easy tabloid and fan fodder. like a song could be about anything or anyone, but the moment you add “green eyes” or “the ship tattoo on your arm” or anything very significant to another person, it can easily be about them now. it’s storytelling. many artists do it. taylor is just a master at it. both with her real and PR relationships.

and if anything, folklore and evermore proved how easy and successful she is and has been at speaking through voices and experiences that are from others or are fabricated altogether. it’s fascinating when you jump down the rabbit hole of her lyricism.

but in sum: haylor was a 2 month PR stunt babe that did it’s job bc it still creates chaos and headlines over 10 years later. even when it seems they’re both at least friendly with each other now (me specifically thinking back to the grammys this year when harry’s entire AIW performance was messed up due to the wheel malfunction and yet taylor was one of the only ones standing and dancing and clapping for him and genuinely seemed happy when he won his awards and stayed standing as he made his speeches)

[taylor-on-your-dash]

also do you think renegade could be an evermore outtake, since she has a co-writing credit (unlike birch)

Renegade was always a Big Red Machine instrumental. Dorothea and Closure were too, but they did end up on evermore instead. Renegade was written in March 2021, as reported by Pitchfork. This is what Aaron said:

Taylor and I didn’t wanna stop writing songs together – and still don’t, really. […] There were some instrumentals where she was like, ‘This might be Big Red Machine’. So it just kind of happened naturally. After we finished evermore she wrote ‘Renegade’ and I was just – again – being hit by a bolt of lightning or something. When you get the chance to work with someone like her, she’s a savant and just this incredibly hardworking and wonderful person, so it was just special.

Also he said,

This song was something we wrote after we finished evermore and it dawned on us that this was a BRM [Big Red Machine] song. Taylor's words hit me so hard when I heard her first voice memo and still do, every time. Justin lifted the song further into the heavens, and my brother's (Bryce Dessner) strings and drummer Jason Treuting add so much. The feeling and sound of this song feel very much at the heart of How Long Do You Think It's Gonna Last?; I'm so grateful to Taylor for continuing to share her incredible talent with me and that we are still finding excuses to make music together.»

[rainbowdaisy13]

Good morning, Rainbow! Here I am again with another question about lore and history. LOL I've noticed that anti-kaylors use "it's time to go" as almost a kind of mic drop in their arguments. I'm not trying to counter argue (that's a fool's errand, in my mind), but I'm wondering what this kaylor corner thinks about "it's time to go" and what the talking points about it are. What do you think?

As always, Taylor mixes in her own truth along with fantasy, things she’s read, media she’s viewed, her friends and family’s experiences, etc. Especially anything from folklore and evermore! This is intentional IMO so that she always has plausible deniability—things are confusing because bait and switches make it harder to trace a coherent timeline of anything

As far as ITTG—it’s funny to me how they can use one or two lines to confirm their beliefs and ignore the rest. To me, this song showcases many different instances in a persons life when they know they need to be done with a relationship—professional, familial, or intimate

IMO the sister/twin from your dreams line seems more applicable to DA than Karlie just based on appearance and the fact that we know for sure DA fucked with Taylors head a lot

The biggest verse for me that show Taylor is mixing folklore with her own truth are the following

“… Fifteen years, fifteen million tears

Begging 'til my knees bled

I gave it my all, he gave me nothin' at all

Then wondered why I left

… Now he sits on his throne in his palace of bones

Praying to his greed

He's got my past frozen behind glass

But I've got me”

This is so obviously a Scott B diss verse—also ties into my tears richochet to make it hit home even more for the people in the back. How can any of that be about Karlie? It can’t but if they want to stick to two sentences in one song that’s full of references to different kinds of endings when Taylor’s still writing KissGate anthems in the year of our lord 2023, I don’t know what to tell them besides good luck with that 🫡

[foxes-that-run]

Love of My Life

LOML closes out Harry's House, it's a sad song about realising someone is the love of his life after he had lost them. Harry has spoken about an albums start and end, Harry's House starts with Sushi, imploring his muse to let love in and asking himself if just a taste of love is enough. LOML is about loss of that person and realisation that they were the love of his life. To Zane Lowe Harry said:

"Love of my life, I’ve always wanted to write a song about like home and loving England and all that kind of stuff. And it’s always kinda hard to do without being like ‘went to the chippy and I did this thing’ and to me Love of My Life was the most terrifying song for a long time because it is so bare, it's so sparse." He went on to say: "And in the spirit of what Harry's House is about, I think it started as an idea that was very literal, on the nose, [...] As I started making the album it wasn't about the geographical location it was much more of an internal thing."

So, what he said was that it is about his home and England is a metaphor. Home is common theme in Harry's work, most notably in Sweet Creature but even in 1D it has meant more than a place to him. The notebook also has a quote 'your mother is my home'. Taylor has also used home or homeland to refer to Harry, WomanExile has a great post on their usage of home as a metaphor for each other.

The Lyric Video has roses, which Harry and Taylor Swift also use to refer to each other:

Since 1989, all rose and thorn lyrics are about Harry

Harry 's rose Tattoo is from 11 September 2013, when they started dating again after the VMAs.

Roses have been in videos, outfits, social media posts about each other, a list is here.

Timeline

In the NY ONO show Harry said he wrote it in Rob Stringers' (Sony CEO) house and that the phone ringing in it is his. As it Was was recorded in the same session, and in part, has a similar meaning. This places it in the first half of 2021. After the rest of the album, California. Also after Folk/evermore which are about communicating and endings respectively. Harry had seen Taylor in March at the 2021 Grammy's. At the time it was written Taylor was still dating Joe. Harry had been dating Olivia for a few months.

California in particular refers to 'summers death left to breathe' indicating that there may have been an ending of sorts in 2020 before he returned to England and drove to Italy over the time Folklore was released.

Though not lyrically addressed, to me LOML is a 'yes' to Question..?'s "Did you realize out of time, she was on your mind?" Question was written in the same time period, after the Grammy's interaction but was released 6 months later.

Tracklisting, release and length

Love of My Life is Harry's only track 13, Taylor's number. It was released on her birthday. It is 3:12 long, or March, 31 2012 - the date they met.

Live shows

Harry said to Zane Lowe he thought he would close the show with it. And he did up until March 25 2023 when it was replaced by Fine Line in the last leg. Later that same week Taylor Swift replaced Invisible String with The 1 and announced her split from Joe Alwyn. It only returned for the 3 Wembley shows.

It was missing for 30 shows and is one of the least played Harry’s House songs, only above Boyfriends and Grapejuice which was added for the last leg.

Lyrics

Baby, you were the love of my life, woah Maybe you don't know what's lost 'til you find it

The first verse is a turn on the phrase “you don’t know what you’ve got till it’s gone” he reconnected with his love and found she is the 1 but it is past tense, he still lost her. This is similar to the Clean secret message, which also appeared in the OOTW video “She lost him but she found herself and somehow that was everything.” And the cyclical nature of this relationship.

Take a walk on Sunday through the afternoon We can always find somethin' for us to do We don't really like what's on the news, but it's on all the time

The second verse to me is remembering good times with this person, when he felt at home, with shared experiences and comfort. The Central Park walk with Taylor was on a Sunday.

I take you with me every time I go away In a hotel, usin' someone else's name I remember back at Jonny's place, it's not the same anymore

To me, I take you with me everytime I go away refers to what Harry said about an internal feeling, no matter where he is in the world his love is ever-present even when they are not.

In the Dublin show on the 22nd June 2023 Harry confirmed this refers to his childhood friend is Jonathan Harvey. This speaks to Harry’s concept of home as the feeling that you are loved and belong. To me this reference is to when Harry took Taylor on a tour of his home in England, to the lakes, where he grew up and she may have met Jonny in 2012. She said that was her best birthday, sharing his home with her was important to him. To me, this line means their relationship is different now to it was then. As it was is also similar with with an external view of how others would see them and their place in life.

It's unfortunate, ooh Just coordinates, ooh

It’s unfortunate, just coordinates sounds to me like he’s reflecting on how they got from the Lakes trip to their current state. This applies to his feelings about love and home. The impact touring has had on his life, what is home and his relationships.

I don't know you half as well as all my friends I won't pretend that I've been doin' everything I can To get to know your creases and your ends Are they the same?

Knowing his love is a theme, in Sunflower Harry sang “Let me inside, I wanna get to know you” and in Fine Line “Spreading you open Is the only way of knowing you” to explore the idea of intimacy co-existing with distance with the same person.

He also sings about not knowing his love in Trouble “And I don’t even know you / But I feel like I do sometimes”. Interestingly in If I could fly he feels like she knows him “Now you know me / for you eyes only”.

The “are they the same” speaks to once knowing all the creases and ends but not now. “Super Pretty” has a similar theme of distant intimacy and vulnerability “do you still feel the same about me”.

Baby, you were the love of my life, woah Maybe you don't know what's lost 'til you find it It's not what I wanted, to leave you behind Don't know where you'll land when you fly But, baby, you were the love of my life

The final chorus adds “don’t know where you’ll land when you fly” which confirms he is singing to a person not a country. Specifically a person with a private jet who can fly without the destination known. For that person every mystery take off is relentlessly tracked by an instagram account. How alienating it must be to someone who loves and wants her to see that and not know.

[midnightlie]

The long story of why you became Taylor Swift's fan?

i was 12 years old when saw her performing tim mcgraw at the cmas on tv and i begged and begged and begged my mom for her cd for christmas and i GOT it i was so happy i played that album everyday for like a year.

when fearless came out, i used my own christmas money to buy it. i spent all christmas day playing it on my new ipod nano

for speak now, i preordered one of the album bundles and i still remember how excited i was the day it arrived. i wore that chunky plastic speak now bracelet for months. (i saw speak now in milwaukee the summer i was 17. i cried so much though the whole concert haha)

when red dropped i skipped my college class to walk to the local walgreens so i could buy it. i had no money, but i even shelled out for a red shirt while i was there.

when 1989 came out i spent hours in the car in the driveway of my house after work just to listen to it. i remember driving laps around my small home town with blank space on repeat.

when reputation came out, i begged my coworker to cover for me so i could run to the target at our mall so i could buy it on release day; that night me and my cousin drank wine and blasted it through our whole apartment.

when lover dropped, i was in a hotel room, listening to it with my best friend who lives 1000 miles away and stayed up just to listen to it with me because she knows how much i love taylor swift.

for folklore and evermore i was alone in my single room apartment crying over so many of the lyrics. im a flight attendant; i was working on the front lines during the pandemic. those albums brought such comfort.

and finally, midnights. stayed up again all night streaming it with my best friend. we texted lyrics back and forth all night long.

with every album taylor has released, its only made me love her more. im 29 now. im a writer; i would say her lyrics have influenced so much of the way i approach writing and how i channel emotions into it. and, shes just always been a part of my life. i feel so lucky to live in a timeline where she not only exists but is finally thriving and getting the love and recognition she deserves.

[anotheroceanid]

Question! Do you happen to have any songs that make you think of Perpollo? Whether it be them as a couple, or as characters in their own right. I’m creating some Spotify playlists to help me get the vibes of your fic WTHB!

(Also! I remember you saying that you aren’t a native English speaker, so don’t be shy to put non-English songs if you feel they fit 😊!)

🫶🫶🫶🫶🫶🫶🫶

I was answering it and I accidentally closed the app 💀

Btw… I‘m a person who listens to almost everything, but I tried to take the songs from the multiple (and messy) WTHB playlists that I created. Because the fic is set a long timeline, I divided it into different periods. These are some of the songs I hear for the Perpollo-focused (or either Apollo or Percy-focused) moments:

-

Pre-Relationship

Gold Dust Woman - Fleetwood Mac

You Make Loving Fun - Fleetwood Mac

Andante, Andante - Abba

Honeymoon Phase

Honey, Honey - Abba

Crazy Little Thing Called Love - Queen

Something - Beatles

Radio - Lana del Rey

Post October of 2010

Sunlight - Hozier

Illicit Affairs - Taylor Swift

Ivy - Taylor Swift

The Blank Period

Love of My Life - Queen

Yesterday - Beatles

Tomorrow Never Came - Lana Del Rey

Silver Springs - Fleetwood Mac

Foreboding

Stairway to Heaven - Led Zeppelin

Landslide - Fleetwood Mac

Who We Are - Hozier

WTHB Present Timeline

Hunger - Florence + the Machine

Estranged - Guns and Roses

No light, no light - Florence + the Machine

From Eden - Hozier

Back to December - Taylor Swift

-

Mostly, I listen to these albums when I'm writing the fic.

folklore and evermore (Taylor Swift)

unreal unearth (hozier)

rumours (Fleetwood mac)

And as a standalone song that I’m always listening to while I write WTHB, American Pie by Don McLean (one of the lines is actually title of chapter one)

But manyof these are not necessarily used as inspiration for Perpollo, at least not exclusively, but also for some other aspects of the story.

[likeadevils]

which albums do you think took the shortest amount of time to put together? i think that evermore was very quick (only two or three months?), am i right in thinking that lover and folklore were pretty quick too?

evermore was super quick! there were about five songs written from october-december, but about 12 songs were written in about a month, between mid august and mid september. which is just crazy. like that’s more songs than the standard edition of debut like that’s insane

the bulk of folklore was written in two months, between may and june, though the jack songs were mostly written between march and april, with some pre pandemic songs (my tears in dec 2019 and trying in jan/feb 2020)

midnights was a bit more spread out— high infidelity and would’ve could’ve should’ve were written in march 2021, i believe bigger than the whole sky and snow on the beach were in early 2022– but still the bulk of it came together in november/december 2021, making it a year in total but mostly done in two months.

rep took almost exactly a year— she starts writing it in september 2016 and finishes in september 2017. the bulk of the album was likely finished by july 2017 though, so it goes was just a super last minute addition.

lover was recorded in about four months— the bulk of the album was between november 2018 and february 2019. there are some exceptions, like death by a thousand cuts in late april and likely london boy in early june, and maybe a few jack songs throughout 2018, but we don’t know for sure which. she was also probably stockpiling songs a bit before jumping into the studio, but we don’t know for sure.

1989 was another stockpiling album— she did this love in 2012, a couple songs jan 2013, and then that aforementioned stockpiling period while she’s on tour, and then a big rush in oct/nov 2013, and then another rush in jan/feb 2014. it sounds like now that we don’t talk came fairly late in the process though, possibly as late as fall 2014, which would make it a two year long writing period, but as far as the original album goes, about a year and a half.

red was also about a year and a half— we have all too well being finalized in march 2011 (after being started in dec 2010), and then 22 and i knew you were trouble in june 2012. there are probably some outliers— stay stay stay might’ve been as early as summer 2010, some stuff on the vault might’ve gone up until september 2012– but that’s at most about two years of consistent writing and recording.

if we’re counting sparks fly (halloween 2006) then it took four years to write speak now, but excluding sparks fly georg the earliest song we know for sure was if this was a movie in april 2009, and then it ended with the story of us in june 2010, which is a little over a year. she was likely writing songs for speak now earlier in 2009 though, making it her standard year and a half, but we just don’t know for sure. the recording process was also spread out throughout both years— the first session for the album was in march 2009, and the orchestra sections were the last thing recorded, in july 2010.

fearless had two big recording sessions, in december 2007 and march 2008, so recording wise the album came together super quickly. that being said, if we just take the first and last songs written for the album, fearless has a pretty big stretch— she had stuff from the vault from like 2005, and then come in with the rain in september 2006, and white horse in december 2006. and then the last song is similarly up for interpretation, with forever and always in late september 2008, and mr perfectly fine in march 2009. so even though it came together very quickly once she got in the studio, counting the vault it was four years to write it, making it one of the longest timeframes, but standard edition is still a fairly long two years.

and then debut! i’m a bit more hazy on debut’s timeline, but a perfectly good heart was written sometime in 2003, and should’ve said no was the last thing written and recorded, on august 10, 2006, making it about three years.

so it’s pretty much an exercise in counting— the earlier and album came in her career, the longer it took her to make it, until we get to post pandemic where she’s busting out almost complete albums in two month periods (ts11 looks like it’s bucking that trend though, so let’s see!!)

[jewishbarbies]

I… how does she even have enough life lived in these short release periods to live, experience, write and record new music. Just how?!

I literally made a timeline of releases because the way she’s churning out albums now compared to her normal release window is horrendous.

Taylor Swift 2006/10/24 

>> 355 DAYS

The Taylor Swift Holiday Collection 2007/10/14 

>> 275 DAYS

Beautiful Eyes (EP) 2008/07/15

>> 119 DAYS

Fearless 2008/11/11

>> 713 DAYS

Speak Now 2010/10/25

>> 728 DAYS

Red 2012/10/22

>> 735 DAYS

1989 2014/10/27

>> 1110 DAYS

Reputation 2017/11/10

>> 651 DAYS

Lover 2019/08/23

>> 336 DAYS

Folklore 2020/07/24

>> 140 DAYS

Evermore 2020/12/11

>> 119 DAYS

Fearless TV 2021/04/09

>> 217 DAYS

Red TV 2021/11/12

>> 344 DAYS

Midnights 2022/10/21

>> 260 DAYS

Speak Now TV 2023/07/07

>> 113 DAYS

1989 TV 2023/10/27

>> 176 DAYS

The Tortured Poets Department 2024/04/19

Not to mention we still have her debut TV and Rep TV to be released as well. Can she just stop for five seconds so we can breathe. 

girl can’t slow down bc then she’d have to think about how fucked her life is, probably. it’s definitely oversaturation but it’s kind of nice knowing her music won’t be on tiktok until UMG comes to an agreement. hoping that means we won’t be hearing the first single.