#Day Of The Woman

[iamtryingtobelieve]

“This woman has just cut, chopped, broken and burned five men beyond recognition, BUT no jury in America would ever convict her” I Spit On Your Grave (1978) AKA Day Of The Woman Dir: Meir Zarchi

[horrororman]

I Spit on Your Grave was released on November 22, 1978.

(aka Day of the Woman)

#horror

[cronennerd]

Camille Keaton as Jennifer in I Spit on Your Grave/Day of the Woman (1978)

[clubvideotapes]

I Spit On Your Grave, 1978

Jennifer Hills, auteur de nouvelles, vit à Manhattan et loue un cottage isolé à Kent, dans le Connecticut, près de la rivière Housatonic, dans la campagne du comté de Litchfield, pour écrire son premier roman. L'arrivée de cette jeune femme séduisante et indépendante attire l'attention de Johnny Stillman, le gérant de la station-service, ainsi que de Stanley Woods et Andy Chirensky, deux chômeurs. Jennifer se fait livrer ses courses par Matthew Duncan, qui est légèrement handicapé mental. Matthew est ami avec les trois autres hommes et leur parle de la jolie femme qu'il a rencontrée, affirmant qu'il a vu ses seins.

Stanley et Andy commencent à naviguer autour du cottage dans leur bateau et rôdent près de la maison la nuit. Un jour, les deux hommes attaquent Jennifer alors qu'elle est sur son bateau. Ils la traînent jusqu'au rivage, et Johnny les rejoint. Jennifer se rend compte qu'ils ont planifié son enlèvement pour que Matthew puisse perdre sa virginité. Elle se défend, mais les trois hommes arrachent son bikini et la retiennent. Matthew refuse de violer Jennifer par respect et pitié pour elle, alors Johnny et Andy la violent à la place. Après qu'elle soit retournée chez elle en rampant, ils l'attaquent à nouveau. Matthew la viole finalement après avoir bu de l'alcool, mais n'éjacule pas parce que les autres regardaient. Les autres hommes ridiculisent son livre et déchirent le manuscrit, et Stanley l'agresse violemment se**uellement. Elle s'évanouit ; les hommes commencent à partir, mais Johnny se rend compte qu'elle est témoin de leurs crimes et ordonne à Matthew d'aller la tuer. Matthew ne peut se résoudre à poignarder Jennifer, toujours inconsciente. Il trempe donc le couteau dans son sang et retourne ensuite vers les autres hommes, affirmant qu'il l'a tuée.

Les jours suivants, Jennifer, traumatisée, reconstitue ses souvenirs et ceux de son manuscrit. Elle se rend à l'église et demande pardon pour ce qu'elle a prévu de faire. Les hommes apprennent que Jennifer a survécu et frappent Matthew pour les avoir trompés. Jennifer passe une commande d'épicerie, sachant que Matthew la livrera. Il prend les courses ainsi qu'un couteau. À la cabane, Jennifer l'incite à avoir des relations sexuelles avec elle sous un arbre. Elle le suspend ensuite et jette son corps dans le lac.

À la station-service, Jennifer invite Johnny à monter dans sa voiture. Elle s'arrête à mi-chemin de sa maison, pointe une arme sur lui et lui ordonne de retirer tous ses vêtements. Johnny insiste sur le fait que ce qui lui arrive est de sa faute, car elle a attiré les hommes en portant des vêtements révélateurs. Elle fait semblant de le croire et l'invite à revenir dans son chalet pour un bain chaud, où elle lui offre une caresse. Lorsque Johnny mentionne que Matthew a disparu, Jennifer déclare qu'elle l'a tué, ce qu'il prend pour une blague. Alors qu'il s'approche de l'orgasme, elle prend le couteau que Matthew avait apporté avec lui et coupe les parties génitales de Johnny. Elle quitte la salle de bain, verrouille la porte et écoute de la musique d'opéra pendant que Johnny hurle, se vidant de son sang. Après sa mort, elle jette son corps au sous-sol et brûle ses vêtements dans la cheminée.

Stanley et Andy apprennent que Johnny a disparu et prennent leur bateau pour se rendre à la cabane de Jennifer. Andy descend à terre avec une hache. Jennifer nage jusqu'au bateau et pousse Stanley par-dessus bord. Andy tente de l'attaquer, mais elle s'échappe avec la hache. Andy nage pour sauver Stanley, mais Jennifer plonge la hache dans le dos d'Andy, le tuant. Stanley se dirige vers le bateau et saisit le moteur pour monter à bord, suppliant Jennifer de ne pas le tuer. Elle répète l'ordre qu'il lui a donné pendant les agressions sexuelles : 'Suce-le, salope !', puis démarre le moteur, l'éventrant avec l'hélice alors qu'elle s'éloigne à toute vitesse.

[tgsclassics]

S1E6 - "Alternate End" - The Gold Standard

[brokehorrorfan]

Celebrate 45 years of I Spit on Your Grave with Fright-Rags. Two shirts designed by Kyle Crawford are available for $30.

[jukeboxofjellycat]

El crédito corresponde a Los Indispensables del facebook.

[desertowlet]

Anya would probably play some of her music during the more difficult days on the ship, good thing the Captain Curly has taste at least.

[biggest-gaudiest-patronuses]

best thing about batman is that he's a superficially grimdark character, gothic & brooding & angst ridden etc..........but then it turns out he has a million hobbies, regularly goes on adventures with his besties, and has a dozen adopted kids he's raising with his devoted foster dad. good for him

[toothpuulp]

feeling some type of way over letterboxd changing the title back to the original :’)

[inkskinned]

what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

[ts-celine-dijjon]

what are the odds of you giving me head if you were here?

[morguekisser]

Guess. ❎

I’m a firm ghoul and poison hype men believer. They definitely go to raves.

The joke behind the tramp stamp is it’s the Bible verse people often use to refer to homosexuality as a sin.

[cronennerd]

I Spit on Your Grave / Day of the Woman (1978), dir. Meir Zarachi

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[deeneedsaname]

Can we have a moment of silence for Sylvia, who now has an Alien living in her backyard, and a moment of triumph for Wilf, who now has an Alien living in his backyard