#Danny was created when Dick was eleven | Explore Tumblr posts and blogs

0aurelion-sol0 · 3 years ago

Text

"There's no place like gnome."

Stranger Things 3: The Game.

Gnomes 1-10. 🧙‍♂️

IT'S FINALLY HERE!

It's no secret that the Duffers take a lot of inspirations from Pop Culture. From the most well known movies to the more obscure comics, they are always able to sneak a reference somewhere everytime. And they are also able to make it connected to the story.

I've bragged about how the Stranger Things expanded universe in media is one of the best out there compared to many others. I think that the Duffers, the writers or people in the highest places of the marketing are really paying attention to what comes out of the ST franchise because there is no way to have such content with so many details without someone looking into them.

And ST3: The Game is a very good example of that.

So let's start! The first 10 Gnomes out of 50 that you have to find in the game.

BE AWARE THAT THERE ARE SPOILERS BELOW!

"There's elements that could please those who makes metas/analyzes or theories. Especially things related to possible future plot points, easter eggs, references in previous seasons mainly season 3 like unsolved mysteries or unanswered questions and for future seasons such as season 4 like foreshadowing or teasers, trailers or as of lately the sneak peek."

If you have anything you'd like to add, might think I have missed or think it might be referencing something else don't hesitate to share it by commenting or reblogging.

(Say thanks to @hawkinsschoolcounselor for having helped me with some of them. )

_____________________________

Gnome #1: Johnny

"He's here... with an axe."

Overall plot:

"The film's central character is Jack Torrance, an aspiring writer and recovering alcoholic who accepts a position as the off-season caretaker of the isolated historic Overlook Hotel in the Colorado Rockies. Wintering over with Jack are his wife, Wendy Torrance, and young son, Danny Torrance. Danny is gifted with "the shining", psychic abilities that enable him to see into the hotel's horrific past. The hotel cook, Dick Hallorann, also has this ability and is able to communicate with Danny telepathically. The hotel had a previous winter caretaker who went insane and killed his family and himself. After a winter storm leaves the Torrances snowbound, Jack's sanity deteriorates due to the influence of the supernatural forces that inhabit the hotel, placing his wife and son in danger."

So I assume a lot of you know The Shining by Stanley Kubrick. A movie which was adapted from the novel of the same name by Stephen King in 1977.

There's a lot of things that could have served as an inspiration for ST.

A boy/child who has psychic abilities = Eleven has psychic abilities such as telekinesis. Will has his True Sight which consist in seeing what the MF was seeing and feeling.

Now there's also the theme of family and parenthood that is also a big theme in Stranger Things. Especially abusive parenthood such as Brenner, Lonnie and even Hopper to a smaller degree.

In Shining, Jack tries to kill his family with an axe due to supernatural forces that are in the hotel but there's a difference between King and Kubrick. While King specifically said that Jack was heavily influenced by the Hotel, Kubrick shows that Jack always had that sinister violence in him even before they arrived at the hotel.

It's interesting to draw a parallel to Billy and Will, both characters called William who tried to kill their families and other people while being possessed. But Billy compared to Will was shown to have been abusive even before that. Dacre Montgomery also said that he was inspired by Jack Nicholson's performance in the Shining for his character Billy.

Joyce and Jonathan were shown to get ready to fight the monsters by taking an axe.

It's also interesting to note that Jack dies in the snow while a blizzard is happening outside the hotel. Much like the storm of the Mindflayer who is in the Upside Down, the same Mindflayer who "likes it cold". While in the book, the Overlook explodes and burn.

(Cold vs Fire much like everything Upside Down related not liking Fire.)

Also "Johnny" = "Jonathan", it's kind of similar and Jonathan did wield an axe before. Maybe this is teasing parts of Jonathan storyline next seasons ?

The gnome was also found in Mike's basement, Mike who wants to be a writer when he's older just like Jack.

Let's just hope that Jonathan and Mike don't get the same fate as Jack.

_____________________________

Gnome #2: Christine

"Two bright, beaming lights for eyes."

Overall plot:

"Written by Bill Phillips and based on Stephen King's 1983 novel of the same title, the movie follows the changes in the lives of Arnie Cunningham, an awkward and unpopular teenager, his friends, his family, and his teenage enemies in Rockbridge, California after Arnie buys a classic red and white 1958 Plymouth Fury named Christine, licence number CQB 241, a car that seems to have a jealous, possessive personality – and a mind of its own, which has a bad influence on Arnie. After working on a car in a junkyard owned by Will Darnell, Arnie drops his glasses, starts dressing like a 1950's greaser and develops an arrogant and paranoid personality. He than decides to invite and date the most beautiful girl in highschool, Leigh, who will soon become the next victim of Christine."

I was actually quite surprised by how this story parallels Stranger Things a lot.

First off, Christine is very much like The Mindflayer, a dangerous supernatural being set out to destroy anyone who is in her way, the people who tries to take the things that she thinks belongs to her or threatens her. This is very much relevant to The Mindflayer who after being hurt by the Fire created by the Hawkins Lab was upset and attacked everyone he could. Or as Will putted "Not me, everyone else."

This is very much like Christine who tried to kill Leigh because she was taking her place in the life of Arnie. Christine also tried to kill the bullies of Arnie who after a conflit with him, tried to destroy the car which angered Christine heavily.

The Mindflayer has been described someone who views himself as superior to other species and wants to conquer them, even if it's not his real "goal", the description fits anyone who is possessive and paranoid.

Both the MF and Christine are associated with the color red. Red storm = red color of the car.

Arnie ressembles Will and Billy alot. Will is an awkward and unpopular teenager who after being possessed by the Mindflayer became very different and more violent. Billy was shown to be paranoid, jealous, violent and his look even ressembles the one Arnie takes after repairing Christine.

Both of these boys have the same name as Will Darnell, the owner of a junkyard. Just like the boys in Season 1 who takes shelter in a junkyard, or in season 2 where they fight the Demodogs.

Billy dies, killed by the Mindflayer just like Arnie who was completely possessed by Christine who tried to kill Leigh and Dennis, his best friend after they tried to destroy the car when they realised the supernatural nature of it.

Billy's car ressembles a lot Christine with those lights on. Especially with shots like in the Void or at Starcourt during the night.

Chrissy, a new character that will be in season 4, the most popular girl in Hawkins High like Leigh, has a name that is the diminutive of Christine. It is said that under the perfect surface lies a dark secret. Much like the car Christine, while a beauty is actually a dangerous supernatural being. We'll see if the both of them actually connects in the show.

Also it is set in California where Billy and Max come from and has been rumored by many people due to set leaks (The Surfer Boy Pizza Van.) that it is where the Byers went. I won't get into it in this post but this could be a tease or hint of that IF the set leaks ARE true and not fake to mess with people and the fandom.

Arnie also dies in a car crash having been completely possessed by the evil powers of Christine which is something we see in the sneak peek of ST4. It also reminds of Carrie who has a bully named Chris who she kills in a car crash with her boyfriend Billy aka William.

So will someone die from that car crash ? Who is it ? Chrissy, Joyce, Lonnie ? We can only speculate.

The gnome is also found outside the Wheeler's house where Karen lives near the community pool where Billy works and where the car of Billy is located during the first few chapters of the game. Again, a "bad boy" hitting on the beautiful girl in town. (with a lot of creepy subtext all over it.)

_____________________________

Gnome #3: Doc

"Always mumbling something about being late."

Overall plot:

"Set in 1985, in the town of Hill Valley, California, the story follows Marty McFly, a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett "Doc" Brown. Trapped in the past, Marty inadvertently prevents his future parents' meeting—threatening his very existence—and is forced to reconcile the pair and somehow get back to the future."

So I don't think I need to explain why this is here given how much it has been shown and mentioned in season 3. But few things are interesting here, the fact that California is mentioned is a big deal for me again. I know you are aware of the set leaks just as I am aware, if we can trust them than this could be a hint of that location.

Next, we have the theme of Time. Now ever since ST4 was announced, clocks and times have been a key feature in the promotion. Who know what this might mean but again, we're not going to develop that in the post.

There is also the whole funny scenes of Robin realising that indeed Marty's mother had tried to "bang" her own son. Now given the nature of the shown, certain images in the show during certain events and certain stories, you know to what it connects and to which theories it connects. Won't develop further on it but it can be used as an element that can go into those theories.

The gnome is also found outside of Starcourt Mall where Robin and Steve talk about "Back to the Future". It is also where Billy has his "Back to te Future" moment with his car going extremely fast just like the DeLorean.

_____________________________

Gnome #4: Indiana

"Master of Adventure."

Overall plot:

"After arriving in India, Indiana Jones is asked by desperate villagers to find a mystical stone and rescue their children from a Thuggee cult practicing child slavery, black magic, and ritualistic human sacrifice in honor of the goddess, Kali."

Fun fact, on Twitter for ST3 promo, a parody poster of this same movie has been posted here of the official ST account.

Jim is obviously Indiana Jones, the look speaks for itself and when he is in the Tunnels in season 2, there's a lot of Indiana Jones imagery.

And of course Kali as 008, a Hindu goddess but as we will see here, it parallels more the Mindflayer.

In 1935, Indiana Jones survives a murder attempt by Lao Che, a crime boss in Shanghai who has hired him to retrieve the remains of Emperor Nurhaci. With his young orphaned Chinese sidekick, Short Round, and the nightclub singer, Willie Scott, in tow, Indy flees Shanghai on a cargo aircraft. While the three of them are asleep, the pilots (employed by Lao Che) dump the fuel and escape via parachute, leaving the plane to crash over the Himalayas. The three narrowly manage to survive by jumping out of the plane on an inflatable raft.

(I wonder if this could be something we see in season 4 with Hopper where he tries to escape on a plane and ends up crashing somewhere or is betrayed by someone who he asked the help of. Now it's a trio and in season 3, Jim, Joyce, Alexei and Murray are the main group that fits this trio. Jim for all the fighting and crazy shit, Joyce and Alexei are kind of like Short Round, they are the sidekicks of Hopper. Murray the role of Willie Scott since she speaks Chinese and him Russian and that Jim just like Indy finds annoying sometimes. Alexei is also kind of like Willie since he kinda goes along with them.

But if we also look at season 2, El is alot like Short Round since she is kind of an orphan too and has a father figure later on. It could also be Will since Hopper is with him a lot of times through season 2. Also Willie did felt out of her element like Alexei because of course he is Russian. Willie in itself doesn't have a lot in common with Joyce but still it's another connection to Will since she has a name close to the one of her sons. Something that does fit a bit more is Jim and Hopper both escaping death, of course Hopper at the end of season 3 but also during season 3 at the farm where he's being shot at by Gregori and than the car doesn't work and explodes and they have to make their way through the forest.

Willie Scott could also be referenced when El disguise herself as this pretty blonde girl in season 1.

Now however, Scoop Troops does fit certain parts of these trio. All the fighting with Steve like Indiana Jones but Robin got his brain because she cracked the code. Dustin and Erica are kinda like short round (especially Dustin who has kind of the same hat as short round.) and are referenced with all the others as children by Robin. Steve doesn't feel in his element like Willie with the three of them who are nerds just like Erica who also doesn't want to accept it. And Robin just like Willie speaks some languages.)

They ride down the mountain slopes and fall into a raging river, eventually arriving at the village of Mayapore in northern India. The villagers plead for their aid in retrieving the sacred stone (shivalinga) stolen from their shrine, along with their missing children, by evil forces in the nearby Pankot Palace. Indy agrees to do so, hypothesizing that the stone is one of the five Sankara stones given by the gods to help humanity fight evil. (It's kinda like Alexei who turns his back on the Russians, for his life of course and agrees to help Hopper close the gate to save Hawkins and their kids before monsters start to appear or may attack one of their kids. Now the stone could be something similar to the promethium or the two keys who opens the gate and is a highly valuable ressource. It also may be the Flayed who are needed to create the monster for the Mindflayer.)

The trio receive a warm welcome at Pankot Palace and are allowed to stay for the night as guests, attending a lavish, but revolting, banquet hosted by the young Maharajah. The officials rebuff Indy's theory that the Thuggee cult is responsible for their troubles. Later that night, Indy is attacked by an assassin. After Indy kills him, he discovers a series of tunnels hidden behind a statue and sets out to explore them, overcoming a number of booby-traps.

(This could be like when Hopper, Joyce and Murray disguised themselves as Russian soldiers but was than discovered by Grigori who attacks them.

The tunnels could be both groups discovering that there is a secret russian base underground and a gate which explains why there are monsters again in Hawkins but it also be the Source, Brimborn Steel Works, where the Mindflayer is lurking underground where he has cult-like followers who makes sacrifices for him to grow bigger and bigger.

It's also like the Tunnels in season 2 who explains why the soil of Hawkins seemed to literally rot. )

The trio reach an underground temple where the Thuggees worship Kali with human sacrifice. They discover that the Thuggees now possess three of the Sankara stones and have enslaved the children to search for the last two, hidden in the palace catacombs. As Indy tries to retrieve the stones, he, Willie, and Shorty are captured. Thuggee high priest Mola Ram forces Indy to drink a potion that puts him into a trance-like state in which he mindlessly serves the cult. (It's very much like Robin and Steve who after discovering the gate are catched by the Russians and than drugged to answer their questions. But also like the Flayed who drinks the chemicals and serves the Mindflayer like a mindless cult.)

Willie is prepared for sacrifice, while Shorty is put to work in the mines with the other children. Shorty escapes and returns to the temple, where he first frees Indy and, later, the Maharajah from the effects of the potion. Indy saves Willie and retrieves the stones. After freeing the children, Indy fights a hulking overseer and leaves him to be killed by a rock crusher. (Basically Dustin saves Steve and Robin. Willie being prepared for sacrifice is kind of like El prepared for sacrifice by Billy in 3x08 but also frees Billy from the effects of the Mindflayer by making him remember his mother, a pretty blonde woman like Willie and sacrifices himself. And Hopper fights Gregori, a "hulking overseer" and kills him.)

The trio escape from the temple, pursued by Thuggees, and barely escape Mola Ram's attempt to flood them out. They are again ambushed by Mola Ram and his henchmen on a rope bridge above a crocodile-infested river. Indy cuts the bridge, causing several of the henchmen to fall to the crocodiles and leaving the survivors to hang on for their lives. As Mola Ram and Indy struggle, Indy invokes the name of Shiva, causing the stones to glow red-hot and burn through Indy's satchel. Two of them fall out; Mola Ram tries to catch the third, but burns his hand and falls from the bridge and into the river, where he, too, is eaten by the crocodiles. (This can be connected to all the kids fighting in Hawkins with the Spider Monster. But the bridge could also fit for the key in the secret base where Hopper and Gregori fights. The gruesome death of Mola Ram is similar to the gruesome death that Gregori has.)

Indy catches the stone safely and climbs up just as a company of British Indian Army riflemen, sent by the Maharajah, arrive and open fire against the Thuggees to drive them away; the surviving Thuggees are soon cornered and arrested by more soldiers. Indy, Willie, and Shorty return safely to Mayapore with the stone and the missing children. (While it may end well in the movie, we know Billy and multiple people die, the Thuggees unlike the Russians have been captured while the Russians where all able to flee before the US Army arrives and Hopper is presumed dead. Only the children in both stories are alive but are probably traumatized for life.)

All in all we can see that this movie might have had a big influence on the plot of season 3 through many characters and more. It may have some hints about possible events for Hopper in season 4 or even beyond but that's about it for. It's a nice package of comparaisons and references though.

The gnome is found in the Hawkins Community Pool where Billy is. The same Billy who obeys mindlessly the Mindflayer and sacrifices people to it. Just like the Thuggees with Kali.

_____________________________

Gnome #5: Chunk

"Posed in some odd dance maneuver."

Overall plot:

"In the film, a band of kids who live in the "Goon Docks" neighborhood of Astoria, Oregon, attempt to save their homes from foreclosure and, in doing so, they discover an old treasure map that takes them on an adventure to unearth the long-lost fortune of One-Eyed Willy, a legendary 17th-century pirate. During the adventure, they are chased by a family of criminals who want the treasure for themselves."

So first, let's get this out of the way, Sean Astin who play Bob Newby, our beloved who plays a character named Mikey.

The Goonies is a 1985 American adventure comedy film co-produced and directed by Richard Donner from a screenplay by Chris Columbus, based on a story by executive producer Steven Spielberg. In the film, kids who live in the "Goon Docks" neighborhood of Astoria, Oregon, attempt to save their homes from foreclosure and, in doing so, they discover an old treasure map that takes them on an adventure to unearth the long-lost fortune of One-Eyed Willy, a legendary 17th-century pirate. During the adventure, they are chased by a family of criminals who want the treasure for themselves.

I wonder if this might hint at some Season 4 plot right here. The Hawkins gang faces the threat of Hawkins becoming a literal ghost down and might need to find something to save it. Also Willy like William, again Will is still there.

The Goonies include optimist lead Goonie Mikey Walsh, his older brother Brandon, the inventive Data, the talkative Mouth, and the overweight klutz Chunk.

Rummaging through the Walshes' attic, they come across a 1632 doubloon and an old treasure map purporting to lead to the treasure of legendary pirate "One-Eyed Willy", believed to be located somewhere nearby. Mikey considers One-Eyed Willy to be the original Goonie. (It kinda reminds me of Mike who got mad at Max in season 2 and told her they didn't need another party member. And he mentionned Will first right after him.)

The kids overpower and bind Brandon and make their way to an abandoned restaurant on the coast that coincides with the map; Brandon soon follows alongside Andy, a cheerleader with a crush on him ( there has been cheerleaders that have been reported in season 4 such as Chrissy.); and Stef, Andy's friend. The group quickly discovers the derelict restaurant is a hideout of the Fratelli crime family: Francis, Jake, and their mother. (Maybe it is both a reference to the Russians in season 3 who have a hideout under the mall who have many restaurants. Or the Lab who OBVIOUSLY does a lot of illegal activities. )

The Goonies find a tunnel in the basement and follow it (like the tunnels made by the Mindflayer in season 2), but when Chunk flags down a motorist to go to the sheriff’s station, he gets abducted by the assailants and imprisoned with their hulking, deformed, younger brother Sloth. (This is obviously like Dustin who befriends Dart in season 2, a literal Demogorgon in the making.)

The Fratellis interrogate Chunk until he reveals where the Goonies have gone, and begin pursuit. Chunk is left behind with Sloth, but befriends him. After Sloth frees both of them, Chunk calls the sheriff, and both follow the trail of the Fratellis. (This is very reminiscent of Hopper in season 1 who gets interrogated by Lab agents or Steve and Robin by the Russians.)

The Goonies evade several deadly booby traps along the tunnels, while staying ahead of the Fratellis. Finally, they reach the grotto where Willy's pirate ship, the Inferno, is anchored. (Will also has a ship, the rainbow ship he drew for Joyce, also Inferno literally means Hell just like what Hawkins has been called.)

The group discovers the ship is filled with treasure, and they start filling their pockets, but Mikey warns them not to take any on a set of scales in front of Willy, considering that to be their tribute to him. As they leave the ship, the assailants appear and strip them of their loot. They start to bind the Goonies and make them walk the plank, until Chunk arrives with Sloth and distracts the assailants long enough for the Goonies to jump overboard and swim to safety. (It's the opposite of the season 2 finale, where Dustin has to distract Dart so that the other could pass through the tunnels.)

The Fratellis proceed to grab all the treasure they can, including those on Willy's scales; this triggers another booby trap that causes the grotto to cave in. With Sloth's help, the Goonies and Fratellis barely escape.

The two groups emerge on Astoria's beach, where they reunite with the Goonies' families and the police. The Fratellis are arrested, but Chunk prevents Sloth from also being taken; he invites Sloth to live with him, which Sloth accepts. ("Unfortunately", Dart compared to Sloth probably died.)

As the kids describe their adventure to their parents, the Walshes' housekeeper, Rosalita, discovers that Mikey's marble bag is filled with gems he took from the ship and had not been seized by the Fratellis. Mikey's father triumphantly rips up the foreclosure papers, declaring they have enough money to negate the foreclosure. As the Goonies celebrate, they see the Inferno, having broken free of the grotto, sailing off on its own in the distance. (Could it be hinting at a possible happy ending for Stranger Things ?)

So Fratellis, is similar to fratello which means "brother, fellow, neighbor" which perhaps could be a reference to the Mindflayer who is kind of our neighbor since he is basically in the same places but in the Upside Down. The Mindflayer also has been paralleled to Billy and other abusive father figures. Billy who is the brother of Max. He has also been paralleled to Kali through his anger and him attacking people who hurted him or might hurt him. Could in itself The Mindflayer should be taken or seen as some sort of family figure ? Maybe him being always associated with Will The Wise especially in 2x04 or someone who has the name Will like Billy is a connection. The same Billy who also parallels Russians who just like the Fratellis have secret hideouts.

Though the Fratellis are more motivated by greed which fits Brenner, Lonnie (who tried to use his son's death to gain money.) or Russians most.

Now Willy, Willy is a captain. Maybe it could be hinting at the fact that Will has more importance to the story than we think. There's also Inferno, "Hell" which is Hawkins but also the name of the ship. And Will has a rainbow ship... Could Hawkins be the ship of Will where his adventures are taking place ?

As for the dance... well as you've seen upper in the post: it's the "Truffle Shuffle Dance". It's something that Chunk has to do before entering Mikey's house. It's similar to what Dustin do at the beginning of season 1 to the bullies when he makes his bones crack due to his medical condition, cleidocranial dysplasia.

As for where this gnome is located, it's in Weathertop where Cerebro is located which is fitting since Dustin has a lot of Goonies as inspiration for his character.

_____________________________

Gnome #6: Elvis

"He's not dead!"

"Elvis Aaron Presley (January 8, 1935 – August 16, 1977), also known simply as Elvis, was an American singer and actor. Dubbed the "King of Rock and Roll", he is regarded as one of the most significant cultural icons of the 20th century. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations, led him to both great success and initial controversy." - Wikipedia.

It is a lot known that people in the 80's thought that Elvis Presley was still alive due to his status and the aura he had as a celebrity. However, no matter how appealing this myth may be, he died of an excessive usage of prescription drugs which reminds me of Nancy who said she thought Tom was on drugs when he fired her and Jonathan while he an the Flayed were drinking chemicals. He also died in 1977, the same year "Heroes" by David Bowie came out which is a song that was used two times when we thought a character died when he was actually alive which are Will and Hopper. Will and Hopper both have a lot of rock in their Spotify playlist.

Also, I personally think that Steve has kind of an Elvis Presley aura to him especially in season 1. After all, Steve has a nickname "King Steve" and Elvis Presley is often nicknamed "The King" and both were popular with girls.

Fun fact: Dacre Montgomery who plays Billy who literally becomes the new "King" of Hawkins will play in the biographical music drama "Elvis" about Elvis Presley where he will play a character called "Steve Binder".

Also actor David Harbour also got married with singer Lily Allen by Elvis in Las Vegas.

It's also found hidden behind bushes near the Public Library. Maybe indicating that Elvis is still out there in the world and hiding.

Which also may be a reference to Brenner who has a similar haircut but also about the novel "Suspicious Minds", a prequel of ST taking place in the Lab when Brenner was doing his sinister experiments which is the same title as one of the songs of Elvis. Like Elvis, Brenner is still out there, hiding in Hawkins.

_____________________________

Gnome #7: Jack

"All work and no play makes Jack a dull gnome."

Again another reference to Shining. So what you are seeing here is a proverb, it means: "It means that without time off from work, a person becomes both bored and boring."

In Shining, it represents Jack's slow descent into madness. But it could be a reference to Joyce, Jonathan and Nancy who all work their asses off and don't take a lot of time for themselves and so don't have the time to explore anything else than work which also cause for them not to be there when Will got kidnapped. It may also represent Jonathan's words to Nancy in season 1 where he "called out" the boring life she will have and that she will live like her parents so in this case the proverb becomes about societal norms.

Mike just like Jack is an aspiring writer, Mike just like other members of his family falls into these societal norms that are expected like work and overworking in this instance which makes them boring in the eyes of people like Jonathan. "No play" may also reference D&D which Mike started to ignore in season 3 and worried more pointless and superficial things.

Again, hope it doesn't foreshadow anything for these two characters.

This gnome is found in the Library which is fitting considering Jack wants to be a writer.

_____________________________

Gnome #8: Flynn (Flynn Rider from "Tangled" (2010))

"Looks like he rides well."

Overall plot of Tangled (2010):

"The film tells the story of Rapunzel, a lost, young princess with magical long blonde hair who yearns to leave her secluded tower. Against her abusive foster mother's wishes who kidnappee her when she was young, she accepts the aid of an intruder to take her out into the world which she has never seen."

This story is literally what the boys was arguing about at the end of season 1.

1)The lost knight...

Flynn Rider is actually the son of a king and queen that were from a kingdom that got destroyed by a powerful opal. He was evacuated and placed in an orphanage. He made his reputation as thief.

So Mike and El both parallels this guy, well Mike is a palladin in D&D and he is the son of a wealthy family so he is basically a night. El however also lost her parents like him and has more attributes of a knight in season 1 than Mike.

Flynn is arrogant, which Mike can be a bit sometimes but the both of them can be extremely courageous and care a lot about the people they care about though they are not very strong, nor athletic. Maybe Flynn a bit more.

Also fun coincidence Flynn = Finn, the name of the actor who plays Mike. (almost the same name).

Both him and El run into each other in the woods. Just like Flynn who discover Rapunzel while trying to enter Rapunzel's tower but is knocked out by her who is none other than the...

2)The proud princess...

Well first Rapunzel = Eleven. Both of these girls have magical powers and are used by an abusive and evil parental figure who needs them for their own interest, Mother Gothel used the powers of Rapunzel to stay young forever (like an addiction, a drug) and Martin Brenner aka "Papa". They are both locked away somewhere. El in the lab and Rapunzel in the tower which they both seeked to escape out of. Both believed that these parental figures loved them while it was not true. El also has long blond hair in season 1 like Rapunzel. And both quickly form a relationship with a boy they just met. Both don't know who their real parents are and wants to find them. While Rapunzel has long blonde hair, El had a shaved head.

Also in season 2, El is locked in a cabin in the woods because of Hopper because he believe it is not safe out there which is exactly what Mother Gothel tells Rapunzel. Just like her El disobeys and seeks to discover who her true parents are.

Rapunzel seeks to know what are those floating lights that always appear on her birthday, it is actually her parents who are the king and queen of a kingdom not so far away that do that every year hoping one day she will come back to her. She is a "lost princess". It is very similar to Terry Ives who was communicating through the lights to El.

Rapunzel's power comes out of something that is also connected to something famous in ST.

3) Weird flowers in the cave...

Rapunzel's power come from a flower called "Sundrop flower". = Sunflower which is said by Terry Ives.

This flower can pretty much heal anything including mortal wounds. The Queen got pregnant with Rapunzel but was also terribly sick so she took this flower to heal herself and while doing so, Rapunzel got this ability.

This is very reminiscent of Terry Ives who was pregnant with El and took part in the MKUltra experiences that gave her these powers including certain drugs. She is also "ill" in a way as she is now stuck in a loop. At least from what we saw.

But Rapunzel also parallels another character.

Will Byers. Will could communicate through lights to his mother, just like the parents of Rapunzel and Terry Ives.

The weird flowers could be referencing the sort of vines that entered inside of him in the Upside Down which gave him his "now-memories".

Both had abusive parental figure that would lock them somewhere for whatever reason. (Lonnie with Will in his trunk.)

(Also Hopper may have tried to separate Mike and El but he wasn't like what a Lonnie or Brenner would have been. This is why yes, the situation in season 2 parallels but Hopper truly wished good for El while Brenner and Mother Gothel didn't care for any of these two.)

Same is for Lonnie, he doesn't care about Will.

Since Will is a cleric, both him and Rapunzel have the same time of power. Powers that El doesn't have:

To heal the sick and injured

To revive the dead

To work as a shield

Given this story, it may hint at the fact that Brenner and Lonnie may try to take El and Will for their own greed and purposes.

Since Rapunzel parallels both Will and El, you know what that means for Flynn who parallels Mike.

Flynn in the movie is stabbed by Mother Gothel and dies before cutting the hair of Rapunzel killing Mother Gothel in the process. Rapunzel mourns him and one of his tears heal him.

If Flynn parallels Mike, than something bad could happen to him. If Will does have powers and has feelings for Mike, a supposed death may reveal his powers.

And if he has the same powers as his cleric role, than he could heal those who get hurt or even bring the dead back to life.

If Lonnie sees Mike around Will, given he is homophobic. He may try to hurt him so that he doesn't go near Will again which could lead to him being in grave danger.

Of course all of that is just speculation.

This gnome was found on the parking lot of Starcourt where El decided to break up with Mike and we saw Will smiling in the background.

Also I don't know but... "Looks like he rides well", I mean there's certain undertones to that which are... I don't know how to process that but from what you've just read, Mike apparently rides well. I mean I have nothing against gay sex jokes but still...

Even if it's unintentional, it's how it'll sound on the internet.

_____________________________

Gnome #9: David

"At 399, he's the oldest gnome around."

So this gnome was already in the first ST official mobile game. And this reminds me a lot of The Lord Of The Rings and The Hobbit but also and of course; Dungeons & Dragons.

The World of David the Gnome, originally titled David, el Gnomo (also known as David, the Gnome), is a Spanish animated television series based on the children's book The Secret Book of Gnomes, by the Dutch author Wil Huygen and illustrator Rien Poortvliet. The series was originally created in Spain by BRB Internacional (who were also responsible for the Dogtanian and the Three Muskehounds franchise (Like Dart in season 2 and Mike, Lucas and Dustin where very much like the Three Musketeers in season 1.) and other cartoons such as Bobobobs and Around the World with Willy Fog)

The series presents the gnomes as a kind species, of 15 centimetres (6 inches) of height, and between 250 and 300 grams (8 and 10 ounces) of weight depending on gnome body mass. According to their habitat, different types of gnomes are distinguished: the ones of the forest, the ones of the garden, the ones of the farm, the ones of the house, the ones of the dunes, those of Siberia (David = David Harbour = Hopper = Hopper is in Russia), and nomadic "gypsy" gnomes (commonly looked down upon by other gnomes). A gnome's lifespan is usually 400 years, though there is one example of a couple in the Balkans living 550 years.

Gnomes such as the main characters live in pairs in comfortable caves or holes under trees [kinda like Hobbits] (in their case in the company of a pair of mice and a cricket). Their diet is mostly vegetarian. They are helped by the animals of the forest (kinda like Radagast who is the password to Castle Byers who is located in the woods) when travelling long distances or when they need to arrive quickly at a specific location. Gnomes work in various ways to repair the damage inevitably caused by humans. They also have the power of telepathy and mind control. (kinda like El or the Mindflayer, or even Galadriel in The Lord Of The Rings.)

Their main enemies are the trolls, malevolent and clumsy creatures who always make trouble for the other inhabitants of the forest, as well as gnome poachers. They have supernatural powers that are really strong but they have a weakness, if the sunlight gets on them, they turn to stone.(could be referencing all the Upside Down creatures who don't like sunlight and everything hot.) [Also very much like the Hobbit.] Also one of the trolls was voiced by someone who had the name Henderson, like Dustin Henderson. I also think it references a comic where some bullies attack Will and Mike calls them trolls.

Here are the most important characters:

David is a gnome of the forest. David is 399 years old, making him the oldest gnome around (since gnomes live no more than 400 years exactly, except Franklin, the gnome from the west, who lived 550 years), although he possesses exceptional constitution. David is a doctor, and he uses his knowledge of many fields, such as hypnosis and acupuncture, to heal his patients, usually animals, such as his faithful friend Swift the fox, or other gnomes. David also befriends a bird that, when he whistles, immediately arrives to quickly transport him to wherever necessary. For longer trips, he sometimes travels in a basket attached to the neck of the bird. (It may be a reference to clerics who are known to heal their allies and travelling with birds reminds me of Gandald who sometimes has the help of Eagles in some stories.)

Paul is David's twin brother. Not only does Paul have a normal moustache in contrast to David's handlebar moustache but his jumper is a darker shade of blue, he has a bigger nose, his gnome hat is dark blue whereas David's is red, and his trousers and boots are an inverse of David's: David's trousers are brown and his boots are beige, while Paul wears beige trousers and dark boots. (Of course this is a reference to Will and El who have been compared a lot of times throughout the show and who a lot of people in the fandom consider them siblings and twins, Will has a lot of Red in his wardrobe while El has a lot of blue.)

This gnome was found in a secret Russian base underground in Weathertop where Dustin discovers the Russian transmission coming from their main base located under the mall like a cave (like where gnome lives.). There are also gnomes in Siberia and having the name David, the name of Hopper's actor creates a connection since right now Hopper is in Russia. It may also be a nod to the group of kids who are all little gnomes running around the forest with their magical powers.

_____________________________

Gnome #10: Baskin

"Robin's favorite gnome."

Now this is a funny one.

This is a reference to the famous Baskin-Robbins which is a chain of ice cream restaurants that did special ice creams for Season 3 because of Scoops Ahoy. It is Robin's favorite gnome because they literally share the same name.

Baskin could also be a reference to the film of the same name where Five police officers, Remzi, Arda, Yavuz, Apo, and Seyfi, are dining at a restaurant, during which they have a discussion. Their meal is interrupted when they receive a distress call from Inceagac, a town known for being the focus of strange rumors. During the trip Seyfi has a terrifying vision of a bloody figure and accidentally drives their van into the water. Stranded, the officers eventually make their way to Inceagac, where they find themselves in an abandoned building (back in the Ottoman days, this used to be a police station), captured by cult members and are subjected to a number of increasingly bizarre and surreal scenarios. In the end, they realize they have all inadvertently wandered into Hell.

It has alot of similiraties with stories like Silent Hills or Hellraiser, two stories that inspired Stranger Things especially Hellraiser for Stranger Things 4. And it fully embraces the satanic imagery and themes which is something we are going to see with the satanic panic and also has the theme of time, dreams and visions.

We'll see how much season 4 decides to use those sort of elements in the show.

Well this gnome is easy to find. It's in the Scoops Ahoy parlor next to Robin. USS Butterscotch seems to be very popular there

_____________________________

Gnomes 11 - 20 coming soon.

57 notes · View notes

cruddyborderlandstheories · 5 years ago

Text

Fanon characterization of the Calypso twins between me and The Wild West Pyro:

We both have the strong sinking feeling that the twins are slowly going to lose it as the game goes on, so here’s our collaborated analysis of the two:

I’ll be in non-cool text, while The Wild West Pyro will be in italics, for easier distinction between us. [There will be slight edits and changes for cohesion]

“It would be pretty interesting if we found out the Calypsos/the cult started out with 'good intentions'.”

“Hell, you can see the populism kicking in there.What did the writers say? Ah. "Your poor bandits! You're kicked around and nobody likes you, but we can give you a purpose in life! We can make you feel appreciated and loved!" [This is a reference to the Danny Homan interview] Something of that line.”

“oh yeah! the twins are also providing them with food and weaponry. i mean i can see why a bandit desperate for something better would follow them.”

“I'm guessing how this goes: The Twins start off by winning people over by talking about how they want Pandora to be finally at peace after endless war and giving the bandits a new life where they're treated like actual people. Then once they've got enough people, they say that the Raiders have to go, the corporations have to go, with the Vaults seized the universe will see no more war. Actually, I'm predicting rn that they have a very, very cult-like end goal in terms of IRL parallels.What if they choose to "cleanse" the universe with whatever power Tyreen possesses? And once everything standing in their way is gone, they can create this ideal utopian peaceful universe where there's no corporations and no more fighting. Meanwhile the Eridians are panicking because they know it's a doomed plan and the Vaults do not work like that.”

“[this is very much a] large scale Opportunity situation. literally reverse uno card as to what jack was attempting”

“Yep. Paradise for the common man bandit. OTL parallels to what usually sparks communist revolutions or popular revolutions in general. So yeah, Tyreen could very easily justify herself in that she genuinely wants to bring peace to the universe, with all means necessary. Of course, internally, the Twins just want to be gods and play at being them and hold onto their power as absolute rulers presiding over an eternally-grateful populace.”

“definitely sounds like two teenage cult leaders to me ngl. i could see them not being too secure in themselves (behind the vvv confident personas they put on) and constantly second guessing themselves and reassuring that they're doing this for everyone's own good even as things just keep getting worse and worse. could [have] a tie-in to whatever tragic backstory they might have”

“Yep and yep. And there's this internal fear that they don't know what being a god entails, if they'll lose sense of who they are or not... but put that aside. All for the greater good! I'm actually thinking about this. People note that the Twins are basically streamer critiques, which is a yes. But if you want to take them to serious universe-spanning villain territory, I think that they'll absorb the knowledge from Elpis at one point. And they start to become more detached and more frightening, and a lot more eloquent as they really start becoming gods in the BL sense. While still being narcissistic attention whores who actually like killing people off with their powers but pretend to act benevolent. Essentially, you have the Greek Gods except there's two Zeuses, one is a girl and they've both got all of Zeus's worst traits cranked up to eleven.”

“oh god are they gonna dick everything that moves? oh no... cover ava's eyes! joking aside, that sounds accurate. especially given the borderlands universe loves to tie in its greek mythology. also also i am glad someone else agrees the twins are going to elpis. i refuse to believe they'd destroy it/blow it up before going there for the info. that shit is valuable! especially if you want to convince people you're gods?? accurately predicting the future is insanely good for doing that! plus all the other cool shit you can do by knowing exactly what's going to happen.”

“It also makes the Twins much more dangerous if they can see every outcome...unfortunately, Lilith is very good at playing 4D Chess by now.”

“lilith, putting on her sunglasses and cracking her knuckles: it's time to show them what a real military organization can do. ellie is her hype woman with the drink and a towel. also also lilith is probably kicking herself for not being fast enough this time to punch the vault symbol into tyreen's face.”

“Honestly, I'd love Lilith to turn out to be this really crafty, really charismatic guerrilla warfare commander. Like an Innie leader but they're hypercompetent, not a terrorist and also have Keyes's sheer talent for analyzing battles and tactics and adapting accordingly. Lilith sitting up in Sanc-III being BL!Keyes except a lady and specializing in ground warfare would be sick.”

“yes. fucking. please. gearbox please give lily all the character development, your girl deserves it. im glad because it does seem like she's getting there when you crash land on Promethea. and even the way she handles herself on the bridge is very smooth and confident.”

“tfw you can see the future and, yet, the lady you robbed of her siren powers is outsmarting you 24/7, 365 days a year despite you being able to see the future. also you're trying to fight fate and desperate to change reality so that you can't lose like the future said you would. joke's on you, you cannot fight it.”

“There is no changing it. bonus points if ty only saw the very end, so she is utterly clueless on how the middle bits play out. so lilith is kicking her ass across elpis and she's like ‘this is NOT how i saw this going’.”

“I'd seriously imagine that life in BL corporate society really is like life in Rapture or Columbia. The upper class profits immensely and reaps all the best goods, but they refuse to do the dirty work themselves so they rely on this huge workforce who they constantly cheat, lie and exploit. The few achieve huge power and stuff at the expense of the many. Looking at the Twins in the parallels of how revolutions go, they'll basically go from recruiting the bandits to recruiting the huge lower class of every planet. Looking at records from all the planets, we've got people being screwed over again and again, corruption and other nasties. The Twins claim that they want all corporations to go, to bring some form of unified government back to the galaxy. And it works- their army size quadruples overnight and goes from there. By the time we get to Promethea, the COV are already recruiting everyone dissatisfied with corporate life. If they successfully seize control of Maliwan like I predict, they'll be a force to be reckoned with. The Twins will use the masses to achieve some sort of theocratic revolution, [they] claim that it's all for everyone's good. But in reality, they want to be absolute rulers of the universe, gods worshipped and feared by all.”

“Oh yeah, the twins are definitely feeding (maybe literally) off the huge numbers of dissatisfied people across the universe- the mega corporations are evil, no doubt there are millions of people waiting for something better. tbh, if gaige wasn't booted from the main game, I could see a whole side story of her having started a revolution somewhere, and then joining up with the Crimson Raiders once her entire party just up and joined the CoV. And [I would] 100% bet the twins started a campaign against DAHL and Atlas and suddenly nearly every bandit on pandora joined up with them. (also Athena was sitting in a chair clutching at the armrests and janey was like "don't you fuckin dare, hon" and athena is like "but... Atlas...")”

[We talk more about Gaige’s anarchist revolution and trying to topple the mega corporations in a less cult-y fashion here]

“... Bonus points 2: The COV fire up the memories of Jack to rally everyone into opposing Hyperion and suddenly Athena is like "OK I'm not going, mobilize the army." And Janey is like ‘Here we go...’.”

[we joke around a little bit more about Athena and Janey here]

“I can imagine Rhys's internal conflict, knowing that he has to make the galaxy a better place but at the same time, maintain his corporate power and control because without it, he's doomed. Then again, Rhys is no stranger to doing shady stuff. I think a lot of the Twins's evil will be in how they treat their followers.There's all the smooth-talking and promises of the future. And then when you actually get there, you're brainwashed into being another unthinking, 100% loyal attack dog for them. And you follow everything they ask you to do for 100%, even if they use you for power experiments or cannon fodder. And the game will remind us that these people weren't all bandits - over the course of the story, the COV includes people like former corporate execs, entire families, people who were just trying to get by day to day. And now we as Vault Hunters have to kill all these ordinary people to save the universe. Tough choices, eh?“

“Oh geez, you know that's a really fair point. i know borderlands likes to push the 'morally gray' aspect of things, but holy shit that's dark. (not saying i don't love it though, i totally do lol) You’re probably 100% right that rhys is struggling internally. especially after being so closely tied up with hyperion and even fiona and sasha, seeing exactly what hyperion did to people not just on helios but the people trying to live their daily lives and survive on pandora. im sure he has a similar reasoning to himself as the twins: im doing this for the better of the people. i can help so many more people with this money and power. somewhat similar to handsome jack, but hopefully lorelei (if she's not evil) helps ground him and keep him from jumping into the middle-to-deep end.”

“I'm still betting that Rhys will remain on the good side, if a teensy bit unscrupulous. I mean, the whole thing about the Twins is that they're social commentary of livestreamers and influencers and the incredibly toxic influence they can have. There are countless aspects of that to explore. If streamers can mobilize their entire loyal fanbases to bully the crap outta some poor chump or buy things or let their fans believe that they know the streamer 100% as a person and not a persona, the Twins can convince people to go to war.”

“Oooh yeah, it's not hard to imagine they probably don't even need the brainwashing for a majority of their cult, just the select few who are either on the fence or against it, but are [still] 'available'. irl streamers can be seriously fuckin scary, man, im not surprised this is the route gearbox is going for. now, it would be severely fucked up if there was a scene where tyreen demands someone kill themselves on the spot and they do without hesitation. if you watch the moze gameplay there seems to be a hint of something like that going on over the radio/TVs, she mentions something about their sacrifice or something, then you hear a dude screaming/gurgling.”

“Everyone's thinking that Tyreen will be this laughable, entertaining villain. But I'm constantly seeing hints and estimating that she is going to be far, far more scarier than we give her credit for. For one, Jack was a presence largely relegated to audio. We only physically saw him in BL2 twice. The Twins run a cult, which itself is frightening already. And it looks like we'll be seeing them in person very often.”

“Oh yes, tyreen is fucking terrifying. i mean even that she can steal siren powers is already a huge "whoa what the fuck" in my book. that one line at the end of the HBC where she's like "you're my most loyal follower vault thief, you just don't know it yet"? fucking scary, how her voice drops and gets all serious for a split second and then the hologram just cuts out. i was like "wh- wait hang on-???" i definitely think she is putting up a persona and as the game goes on we're slowly going to watch her lose it. troy will probably grow a bit distant from her as well if he doesn't lose it, too. definitely think ty is going to try and kill him once he's of no use to her, because he's just been a pain in her side because she had to keep him alive as the brains of the operation. but once the operation is done... whoops. sorry pal. don't need you anymore. they're the main villains, i can't see her holding the bonds of family in high regard at all. she could totally write off his death as like ‘he sacrificed himself for the Great Vault, now we pray to him every day and sacrifice ourselves in his name’ or smth”

“She puts up this fun-loving persona as a streamer, but she then decides the Vault Hunters get to see her true self. It is not pretty. It makes Jack look like a kitten-cuddling fluffball, that's how bad the real Tyreen is. It makes Piston and Vasquez sound like friendly guys you'd take out for lunch after work. It makes Hector's goals look very reasonable and sane. Also, perhaps she kills him and we never see how she did it, which ups the scare factor. It's like Troy disappeared and we have no idea how she killed him and how long it took for him to die. We just find a lot of irreconcilable proof that Troy is dead now and we don't know how. That is the amount of horror I'm estimating.”

“Oh man I love this. That's so horrible (in a good way), I can 100% see it happening. Jack swore revenge for us killing the person he 'loved'. Tyreen herself kills the person she 'loved' and we start to realize holy shit this is the real deal. She can't even pretend to care like Jack pretended to care (he didn't actually care about Angel as a person, but he did say things to try and make Angel think he did, just putting that out there cuz I don't wanna sound like I support him lol). There's just a complete contrast between her and Jack during the final levels of the game. Jack stops joking around "you feel that, child killer?", he's dead serious and ready to kill vs Tyreen laughing or just being off the rails bubbly for her 'streamer persona' while looking utterly unhinged”

so yeah, the convo teetered off after this a bit, but the general gist is that Tyreen is going to go absolutely off-the-wall by the end of the main story. this is somewhat supported by the Danny Homan interview that states the twins are going to have their relationship warp and twist.Tyreen is going to start going crazy with all the powers she absorbs and realize once the plan is over she won’t need Troy’s expertise anymore, and Troy is going to get sick of being relegated to the side when he’s the one with the master plan. We both have the deep feelings the twins aren’t going to stay as charismatic as they are in the little bit of promo material we’ve gotten of them. which i get, because in a lot of the official trailers, Troy looks pissed. Tyreen is always super smug no matter what shot she’s in, but Troy... he looks very angry in some shots we get. even when Ty is holding his forearm in that one shot, he rips his arm out of her grip. For example: “How many IRL streamer "friends" get into ridiculous drama and feuds with each other? Answer: a lot. Could be mirroring that with the twins. A lot of people are saying that the new villains will never match up to Jack. This is our take, and we're proud of it, and very confident in Gearbox's new writing team. ”

EDIT: some edits made by The Wild West Pyro

#borderlands #bl3 #borderlands 3 #the calypso twins

23 notes · View notes

emerald-eyes-8917 · 6 years ago

Text

To the Beat of My Heart

This is a response to an anon prompt asking for Dan to react to his partner revealing to be a cardiophile.

It was an interesting scenario to think of, and I hope I wrote the story in a convincing way. Thank you very much to @lexi-manthey for giving me some guidance about what cardiophilia is and what it would manifest in any one person. Do give her a follow, she is so talented!

I will be cross-posting this to AO3 as well so feel free to leave some kudos and comments there too.

Thank you as always for reading!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Title: To the Beat of My Heart

Pairing: Dan Avidan x Reader

Rating: PG-13

Warnings: Some mention of nudity.

It had never been easy for her to open up. Maybe it was a fear of rejection, of shame, of being left alone that had tormented her until it became an incessant droning at the back of her mind, a present reminder that she had a desire that was not quite typical.

But somehow it felt different this time.

Dan Avidan was different, somehow.

Since they had become close, progressing at a sure and steady pace from friends to romantic lovers, when she had become more comfortable about sharing her past with him, her own view of herself had changed for the better, maybe for good.

He in turn would tell her stories of growing up, his family, his dreams and aspirations for the future, that would never fail to brighten her days and make the nights less dark.

Yet that secret part of herself was kept hidden away with the ever present dread that she would drive him away. It had happened before with an ex-partner after she had told them about it who had regarded her with a kind of expression reserved for the truly abnormal beings on Earth.

How could she even begin to tell Dan that she wanted him to listen to her heart beating in her chest, to know that he was making it race and pump lifeblood through her system?

It was not even about playing doctor specifically, but somehow, the very first time that a stethoscope had been pressed to her chest during a routine checkup when she was just an adolescent, the feeling of the cool metal against her skin so the doctor could listen to her heartbeat, had awakened something in her that she longed to have replicated outside of an examination room in a hospital clinic.

It had taken all her resolve, and a measure of liquid courage in the form of a glass and a half of wine, to convince herself to brooch the subject with him as soon as he came home after recording with Brian for the best part of the entire day.

He had given her a bemused look of confusion as she led him to the sofa, holding his hands like a lifeline.

"Danny... I'd like to tell you something, that's been on my mind for a while now."

"Sure, baby. Is everything alright?"

"Yes. Yes, everything's fine, more than fine, in fact. I just... we've been together a while, and I feel that there is something you need to know. About me."

Dan nods, not letting go of her hands.

"So... this thing about me, it's something I've felt since I was about eleven, and it hasn't left me. It's not something that I like to talk about because the last time that I even said something about it, it ended badly."

"Whatever it is... I want to listen. We don't need to keep secrets between us, we trust each other, don't we?"

All she can do is nod, knowing that it was now or never before she made an excuse and ran away to hide, like she always did when looking deep inside herself.

"Just promise me that you won't think I'm strange?"

"Baby, we are all strange. I dress in blue spandex and sing songs about dicks and video game characters in adult situations. You are definitely not alone in being strange."

His smile is so warm, so caring, that it prompts her to finally reach her point, "Okay... I'm not sure how else it say it, but give it a name. I've looked it up and I think this definition is the best one about what I... what I fantasise about. I think I'm a cardiophile."

Dan blinks several times, "A what?"

"A cardiophile."

Dan mouths the word under his breath, "So... something to do with the heart?"

"Yes."

"But... how can... ? What does it mean? Like, you want to listen to peoples' hearts beating or is it to do with your own heart? Help me out, I really want to understand."

He does not move away from the sofa or give her a funny look, so she takes this as encouragement to continue.

Now that she is actually speaking about this, her cheeks begin to warm up, "It means... well, for me, specifically... that I have a very strong reaction to having my heart listening to with a stethoscope. That it makes my heart beat that bit faster, and..."

She huffs a sigh, "I can't explain it very well. All I know is that it is something that I think about a great deal, that if ever I wanted to be intimate with someone, to be close with someone, that I would like them to do that to me."

Dan appears to be quite thoughtful, looking down at their hands and rubbing his thumbs gently over her knuckles, "I see."

"I hope I haven't weirded you out."

"No, no, no, not at all. It just... it's just surprising that there is such a thing, and that you picture it and think about it like that."

She dips her head, "Sometimes I just feel separate and apart from everyone else with conventional desires, that can actually be talked about. It's stupid, really..."

Dan takes hold of her chin, firmly but carefully tilting her head back up so their eyes meet, "It's not stupid, at all. Don't say that about yourself. It's what you feel, it's valid, and I see you. You are not hurting anyone, you are being you, do you understand?"

Her lower lips trembles as her eyes pool with sudden tears, overcome by his caring acceptance when she had been shunned so cruelly, "Yes, Dan..."

"Oh, baby, come here... come here..."

Dan draws her into a soft hug, leaning back against the sofa, taking her with him and holding her close to his chest, "Thank you for telling me this. You don't have to hide who you are from me. I want to know you, and that means all of you, okay?"

All she can manage is a nod, burying her face in his chest, letting out a quiet sob of relief that he had not abandoned her, that she had not lost him.

After a few minutes of him stroking her hair and murmuring her name quietly as her breathing evened out, he mumbles, "So... I don't have a stethoscope right now, and I'm sure I could get one..."

"Mmhmm?" Her bloodstream begins to course with pulsating warmth at the possibility of Dan even talking about wanting to fulfill this vision of hers.

"But can I still listen to your heart? At least, in a way that is something kind of what you like?"

Dan tips his head down to look into her eyes with an expression that is so open and loving, "Let me try and understand, and make you happy, please? Will you let me try?"

"Yes..."

Her whisper of agreement is almost silenced as he presses his lips to hers in a soft, slow kiss.

"Let's go to the bedroom, where you'll be more comfortable."

Not being able to formulate so many words at this point in time, she nods as he takes her hands again, leading her to the bedroom where he draws the curtains, switches on the light and invites her to lay up on the pillows after clumsily arranging them behind her back and her head, clearly wanting to do his best to create the right mood.

All she can do is lay there in watchful silence as he meets her eyes again, leaning down to kiss her forehead and her nose, whispering, "I'll just take your shirt off, okay?"

"Okay."

They had been intimate before, and his seeing her without a shirt was nothing new, but now that she was willing to try and fulfill this yearning fantasy of hers made it all the more intense.

Dan's cheeks were flushed and his breathing that bit deeper as he reaches behind her back to unfasten her bra and now she cannot help but shiver.

Dan whispers in her ear, "Sssshh, I have you, baby. Don't worry, it's just you and me. I'm right here with you... let me try to make you happy."

"You do make me happy. You do, Danny..."

Pressing a kiss to his shoulder, she feels him nuzzle into the side of her neck, sliding a knee between her thighs and covering her completely.

"Here... let me lay my head down..."

He shifts until his head is resting on the left side of her chest, right over her heart and she cannot help but arch her spine with a shudder of pleasure.

His soft curls tickle her skin and his breath gusts over the curve of her breast, his arms holding her securely.

"I can... I can hear it beating. Wow, it sounds... it sounds so beautiful. I never thought about the sound before. It's really... it's really soothing, actually... I can really hear it right now."

She can barely take in his words, so overcome is she with waves of sensation, the closest she had ever come to fulfilling this philia of hers.

"You're beautiful, you know that?"

“I am?”

“Yes, you are.”

A gentle pause.

“Is this okay? Is this like what you want?”

She swallows thickly, never having been more in love with this man than she was right now, “It’s more than okay. The fact that you even want to do this with me means the world.”

Dan nuzzles his face in between her breasts, pressing soft kisses to her skin, the scrape of his stubble a pleasing contract to the warmth of his mouth.

“I meant it that I would get a stethoscope for us next time. We can explore this together, nice and slow, and you can tell me exactly what you want and I can do this right by you.”

“You’d do that for me?”

“No question, baby. I want to make you happy, that’s what I will do.”

When he lifts his head to gaze at her with a lopsided, charming smile, she winds her fingers around the thick strands of his hair, pulling him down into a passionate kiss as Dan responds with equal fervour, and never before had she felt so safe, so accepted for who she was.

“Love me... please?”

Dan lays his hand over her chest, right over her thumping heart that was coursing with new life’s blood, “With each beat of my heart... you know I will.”

#dan avidan #dan avidan x reader #fanfiction #writing #cardiophile #to the beat of my heart #hope this makes you happy anon #this was actually quite easy to write #you learn a lot everyday

56 notes · View notes

techcrunchappcom · 4 years ago

Photo

New Post has been published on https://techcrunchapp.com/carl-reiner-comedy-legend-and-dick-van-dyke-show-creator-dies-at-98-variety/

Carl Reiner, Comedy Legend and ‘Dick Van Dyke Show’ Creator, Dies at 98 - Variety

Carl Reiner, the writer, producer, director and actor who was part of Sid Caesar’s legendary team and went on to create “The Dick Van Dyke Show” and direct several hit films, has died. He was 98.

He died of natural causes on Monday night at his home in Beverly Hills, his assistant Judy Nagy confirmed to Variety.

Reiner, the father of filmmaker and activist Rob Reiner, was the winner of nine Emmy awards, including five for “The Dick Van Dyke Show.” His most popular films as a director included “Oh God,” starring George Burns, in 1977; “The Jerk,” with Steve Martin, in 1979; and “All of Me,” with Martin and Lily Tomlin, in 1984.

Rob Reiner tweeted on Tuesday morning, “Last night my dad passed away. As I write this my heart is hurting. He was my guiding light.”

Last night my dad passed away. As I write this my heart is hurting. He was my guiding light.

— Rob Reiner (@robreiner) June 30, 2020

In his later years, Reiner was an elder statesman of comedy, revered and respected for his versatility as a performer and multi-hyphenate. He was also adept at social media. He maintained a lively presence on Twitter up until the last day of his life. He was vocal in his opposition to President Donald Trump.

As I arose at 7:30 this morning, I was saddened to relive the day that led up to the election of a bankrupted and corrupt businessman who had no qualifications to be the leader of any country in the civilized world…

— carl reiner (@carlreiner) June 29, 2020

Reiner remained in the public eye well into his 80s and 90s with roles in the popular “Ocean’s Eleven” trio of films and on TV with recurring roles on sitcoms “Two and a Half Men” and “Hot in Cleveland.” He also did voice work for shows including “Family Guy,” “American Dad,” “King of the Hill,” and “Bob’s Burgers.”

Related Stories

In 2017, Carl Reiner, his longtime friend and frequent comedy partner Mel Brooks, Norman Lear, Kirk Douglas and other nonagenarian Hollywood legends were featured in the HBO documentary “If You’re Not in the Obit, Eat Breakfast,” examining the secrets of longevity in a fickle industry.

Reiner first came to prominence as a regular cast member of Sid Caesar’s “Your Show of Shows,” for which he won two Emmys in 1956 and 1957 in the supporting category. He met Brooks during his time with Caesar. The two went on to have a long-running friendship and comedy partnership through the recurring “2000 Year Old Man” sketches.

Before creating CBS hit “The Dick Van Dyke Show,” on which he sometimes appeared, Reiner and “Show of Shows” writer Mel Brooks worked up an elongated skit in which Reiner played straight man-interviewer to Brooks’ “2000 Year Old Man”; a 1961 recording of the skit was an immediate hit and spawned several sequels, the last of which, 1998’s “The 2000 Year Old Man in the Year 2000,” won the pair a Grammy.

Producer-director Max Liebman, who cast him in the 1950 Broadway show “Alive and Kicking,” also hired Reiner as the emcee and a performer on NBC’s comedy/variety program “Your Show of Shows.”

Reiner then freelanced as a panel show emcee on “Keep Talking,” as a TV guest star and in featured film roles in “The Gazebo,” “Happy Anniversary” and “It’s a Mad Mad Mad Mad World.” Reiner’s 1958 novel “Enter Laughing,” loosely based on his own experiences, was optioned for the stage by producer David Merrick. Reiner did a legit adaptation in 1963 and then directed the film version in 1967, marking his motion picture directing debut.

For Broadway he wrote and directed the farce “Something Different,” which ran for a few months in 1967-68; helmed “Tough to Get Help” in 1972; penned the book for the musical “So Long, 174th Street,” which had a very brief run in 1976; and directed “The Roast” in 1980.

In 1961 Reiner drew on his experiences with Caesar to create and produce “The Dick Van Dyke Show,” a ratings cornerstone for CBS for the next five years. Reiner made guest appearances as the irascible variety show host Alan Brady. The show won Emmys for writing its first three years and for producing its last two. In 1967, Reiner picked up another Emmy for his writing in a reunion variety show with Caesar, Coca and Morris.

Though the “Enter Laughing” movie was modestly received, Reiner continued to direct steadily over the next few decades. “Where’s Poppa?,” an offbeat comedy he directed in 1970, became a cult favorite. Similarly, two other Martin vehicles, the gumshoe spoof “Dead Men Don’t Wear Plaid” and “The Man With Two Brains,” found bigger audiences after their release in theaters.

There were also several less-than-successful films, such as 1969’s “The Comic,” to which Reiner also contributed some of the script; two similarly titled mid-’80s misfires, “Summer Rental” and “Summer School”; “Bert Rigby, You’re a Fool”; 1990’s “Sibling Rivalry”; and a 1993 spoof of “Basic Instinct” called “Fatal Instinct.” He also appeared in most of these pics.

While the last film he directed was the 1997 romantic comedy “That Old Feeling,” starring Bette Midler and Dennis Farina, Reiner was an active presence in guest roles on television and in supporting roles in films during the 1990s and 2000s, even as he neared and then surpassed his 90th birthday.

He guested on “Frasier” in 1993; reprised the role of Alan Brady on an episode of “Mad About You” in 1995 and won an Emmy for it; and guested on “Ally McBeal,” “Boston Legal” and “House.”

Bigscreen appearances included 1990’s “The Spirit of ’76,” directed by his son Lucas; “Slums of Beverly Hills” (1998); and all three films in the “Ocean’s Eleven” series.

Born in the Bronx, he graduated from high school at 16 and worked as a machinist while studying acting. After brief stints in summer stock and on the Borscht Belt circuit, he entered the Army during WWII. His acting talents brought him to the attention of Maurice Evans’ special services unit, where Reiner first met future “Show of Shows” cohort Howard Morris. For the remainder of the war he toured South Pacific bases in G.I. revues.

He hit the ground running in New York after the war, landing a part in G.I. revue “Call Me Mister” and in 1948 appeared in the Broadway musical revue “Inside U.S.A.,” starring Beatrice Lillie and Jack Haley. Concurrently he was appearing on television as a fashion photographer in ABC’s “Fashion Story.”

In early 1950, Reiner became part of the storied team working in front of and behind the camera on Caesar’s NBC variety show “Your Show of Shows,” a 90-minute comedy-variety show that aired live on Saturday nights. The writers room was packed with future showbiz legends including Brooks, Neil Simon, Larry Gelbart, Mel Tolkin and Lucille Kallen.

After “Your Show of Shows” ended in 1954, Reiner and series regular Howard Morris moved on with Caesar to star in another NBC variety show, “Caesar’s Hour,” which ran on NBC from 1954 to 1957. When Reiner decided to shepherd his own sitcom, he teamed with producers Danny Thomas and Sheldon Leonard to produce “Dick Van Dyke Show.”

Van Dyke was the fourth partner in the production company Calvada, which has long maintained ownership of the classic comedy. “Dick Van Dyke Show” featured Van Dyke and Mary Tyler Moore as Rob and Laura Petrie, a version of Reiner and his wife Estelle living in the suburbs of New Rochelle while Reiner commuted to Manhattan to work on Caesar’s shows.

In 1995 Reiner received the Writers Guild’s Laurel Award, a lifetime achievement award for a career in TV writing. In 2000 he won the Mark Twain Prize for Humor, presented by the Kennedy Center. In 2009 he was presented with the WGA’s Valentine Davies Award, recognizing both his writing legacy and valued service to the guild, the entertainment industry and community at large.

He authored several memoirs and novels, including a sequel to “Enter Laughing,” “Continue Laughing,” “My Anecdotal Life” and “I Remember Me.”

In the 2003 “My Anecdotal Life,” he observed, “Inviting people to laugh with you while you are laughing at yourself is a good thing to do. You may be a fool but you’re the fool in charge.”

Reiner’s wife Estelle, to whom he had been married since 1943, died in 2008. In addition to Rob Reiner, survivors include his daughter Sylvia Anne and son Lucas.

— Cynthia Littleton contributed to this report.

#Uncategorized

0 notes

ciathyzareposts · 5 years ago

Text

Game 109: Batman Returns (1992) – Introduction

Written by Joe Pranevich

I grew up loving comic books. My parents wouldn’t let me buy them, but I still had a tiny little suitcase of issues that I had managed to snag at flea markets with my own money. Looking back on it now, it’s adorable just how much I loved the idea of comics even as I barely owned any and didn’t even understand the difference between Marvel and DC. My big break came in high school when I bought boxes and boxes of them off of one of my mother’s boyfriends, no doubt getting a huge discount as he both tried to look mature enough to date my mother while also trying to be nice to me. Contained within the boxes– most of which still sit in my basement twenty-five years later– were a treasure trove of 70s and 80s heroes, especially Doctor Strange and a nearly-complete run of the original Defenders. Even more important than the books were the times that he and I spent together; I grilled him for hours about the histories of major characters and he was always kind enough to humor me. He even took me to my first comic book store. I kept in touch with him long after he and my mother split up. He was an adult geek, the first I had ever known, and that was amazing.

One of the characters that he helped me to love was Batman. I remember how shocked I was to learn that the Robin I knew from TV reruns wasn’t even Robin anymore and that there had been two more since then. In large part because of his collection, I was more a Marvel kid than a DC one, but Batman and his rotating team of whiz-kids was someone I could get into. Bruce Timm and his series sealed the deal and I’ve been a Bat-fan ever sense. Twenty-five years later, I am excited to look at Subway Software & Spirit of Discovery’s Batman Returns (1992), the first ever adventure game featuring the Dark Knight. As this is also the 80th anniversary of the character, I can’t imagine a more fitting time to delve into the history of Batman and Batman-related games, before plunging into our topic at hand. It’s a huge story, but I’ll be brief.

Sixty-four pages of action, only seven of which featured Batman.

You don’t need to be told that Batman is one of the most popular comic book characters in the world, one of the “trinity” of Batman, Superman, and Wonder Woman that underlies the DC comics universe. Batman (or the “Bat-Man” as he was initially called) was created by Bob Kane and Bill Finger for the #27 (May 1939) issue of Detective Comics, an anthology magazine featuring mystery stories solved by recurring and non-recurring detective characters. (DC’s name came from this comic, although the reason has more to do with business spin-offs and acquisitions than it does a desire to place Batman above his Action Comics counterpart, Superman.) Kane and Finger borrowed generously from their pulp predecessors when designing Batman, drawing inspiration from the Shadow, Zorro, the Lone Ranger, and other crime fighters of the period. Like them, Batman had a secret identity: Bruce Wayne, a socialite and millionaire driven to protect the weak. It is difficult for us today to know what the industry practices and expectations were around plagiarism in the 1930s, but it is unfortunate in retrospect that Batman’s debut story is essentially an uncredited seven-page retelling of “The Partners of Peril”, a short story by Theodore Tinsley featuring “The Shadow” from three years earlier. It’s an ignoble start to an amazing character, but new stories would quickly be written that set Batman apart from other pulp heroes of the era.

Batman from his initial appearance in May 1939.

Robin first appeared in April 1940.

The biggest change to the status quo came a year after publication, in Detective Comics #38 (April 1940): the introduction of Robin, his youthful side-kick. This “dynamic duo” would remain central to the character in almost all incarnations to the present day, barring a few swaps of who exactly was wearing the cowl and domino masks. In subsequent years, more characters were added to the family including Ace the Bat-Hound (in 1955), Batwoman (1956), Batgirl (1961), and many others. Just diagraming all of the Robins and their alternate identities would take all day; we’re on our fifth or sixth now depending on how you count. We even have a Bat-Cow, introduced in 2009!

We’re getting ahead of ourselves. The backdrop for Batman’s introduction is what is today referred to as the “golden age” of comics. From 1938 to the end of the 1940s, superhero comics thrived. This period saw tremendous innovation in the types of stories that could be told as well as the types of characters they could feature. Many of the most popular DC characters today got their start during this golden age, including Superman, Shazam, Green Lantern, Flash, and the Green Arrow. (In contrast, nearly all of the popular Marvel characters originate in the 1960s “silver age”. Of the gigantic cast of Avengers: Endgame, only Captain America and Bucky were created as early.) After World War II, superhero sales declined and one-by-one comics were shuttered or repurposed for Westerns or war stories. Only Batman, Superman, and Wonder Woman managed to (barely) hold onto their titles during the lean times.

Depending on whether you are a Marvel or DC fan, the start of the rebirth came either with the publication of DC’s Showcase #4 (introducing Barry Allen as the Flash) in October 1956 or Marvel’s Fantastic Four #1 in November 1961. For DC, this period saw a gradual relaunch of many golden age titles with new science fiction spins, such as Green Lantern’s ring being powered by extra-terrestrial science rather than magic. Batman and Superman were largely unaffected by this change except that many of their previous adventures were retconned as happening in a different universe, called “Earth-2”. At Marvel, the silver age meant a deconstruction of the super-hero formula with more focus placed on the social lives and problems of their heroes, made most famous by Spider-man and his inability to juggle his great responsibility with his social life. Bruce Wayne never had those kinds of problems!

Cliffhangers were more to Batman’s taste.

Although Batman had starred in two movie serials (in 1943 and 1949), his real pop-culture moment came in 1966 with the launch of a Batman series on ABC. This series starred Adam West (as Batman) and Burt Ward (as Robin) and featured a campy, humorous take on the characters. Despite its camp, it was true to the source material with fantastic depictions of key Batman antagonists such as the Joker, Penguin, Catwoman, and the Riddler. (Frank Gorshin will always be “my” Riddler.) The series was successful enough that it spawned a theatrical film (shot after the first season), plus two more seasons for a total of 120 episodes. For better or worse, this depiction of the character was lodged in the public imagination for decades. This Batman was right at home joking with Ed McMahon, living it up with his “Super Friends”, and solving mysteries with the Scooby-Doo gang.

Yes, this happened. More than once.

Throughout the 70s and 80s, Batman comics began to focus on the darker aspects of the Bat-mythos. This was also a period where status quo-defying events became surprisingly commonplace, as if to underscore the break between the “now” and what came before. The original Robin, Dick Grayson, quit in 1984. The new Robin, Jason Todd, was killed by the Joker (and a reader poll) in 1988. Batgirl was shot in the back and paralyzed. This darker turn on the character was epitomized in 1986 by the amazing The Dark Knight Returns miniseries by Frank Miller, depicting an older and worn down Batman who faces off against an authoritarian Superman in a Reaganesque hellscape. A few brief words are insufficient to describe this book and its impact, but the world was ready for a serious Batman again. Enter Tim Burton and his 1989 Batman film.

You ever dance with the devil in the pale moonlight?

Featuring Michael Keaton and Jack Nicholson at Batman and the Joker respectively, the film brought a mature Batman to the public consciousness for the first time. It was far from perfect, but it brought to the fore aspects that I consider essential: Gotham City’s 1930s/Art Deco aesthetic, the Danny Elfman score, and Batman as a detective first and a fighter second. He was no ninja; Keaton could barely move in the Batsuit! Nicholson’s Joker is fun (and receives top billing over the hero), but his scheme doesn’t make a ton of sense and his death at the end (spoiler!) robs the nascent series of the potential for an ongoing antagonist. Plot threads started in this film, such as Billy Dee Williams’s pre-Two-Face Harvey Dent character, were abandoned before the sequel. Nonetheless, the movie was one of the cultural events of 1989, bringing comics and cinema fans their first look at what a “serious” Batman could be. It was exciting! With a massive box office haul, a sequel was inevitable. Burton and Keaton would be on board again, but the series needed new villains: Penguin and Catwoman.

Keaton got top billing this time!

For all that the first film was Tim Burton doing a Batman movie, the second is Batman occasionally appearing in a Tim Burton film. Everything feels dialed-up to eleven, with less of the gangland realism that pervaded the first film, replaced with a surreal dreamland. Batman barely appears, giving Burton more time to focus on Selina Kyle’s transformation into Catwoman, and the delicate dance that the Penguide does between eliciting sympathy and demonstrating animalistic cruelty. It’s only when you get to mind-controlled penguins wielding rocket launchers that you realize how completely bananas everything became when you weren’t looking. Adam West would have been right at home against that sort of threat! In the end, Batman saves the city, Catwoman survives to purr another day, and we will never see what kind of third movie Burton would have brought us. I’m okay with that.

Incidentally, the only character that does not “Return” in this movie is Batman. Penguin returns from being abandoned to the sewers. Catwoman returns from the dead for vengeance against the man who killed her. Batman spent the time between films fighting crime and brooding over the loss of his girlfriend.

Batman’s first game.

Batman in Video Games

The history of Batman video games starts in 1986 with a pair of games from Ocean Software, a UK firm that specialized in licensed games, usually action-platformers. These two games, Batman (1986) and Batman: The Caped Crusader (1988) were each experimental in their own ways. The 1986 Batman game is almost an adventure and features the protagonist exploring a house and battling foes in an isometric perspective. The second became the template for most of the side-scrolling beat-em-up style of Batman games to come, although it at least used unique framing to resemble comic book art.

The 1989 movie saw an explosion of game tie-ins to the film. Ocean Software wrote a third one, but Sunsoft alone released five different but similar games, plus there was an arcade exclusive, and even a Pac-Man clone. This pattern of allowing many developers to all produce different games for the same tie-in “event” was common during this period and we’ve seen it before with Hook, Star Trek: 25th Anniversary, and others. As a man who sees games as art, I find these practices distasteful. Every one of those games deserves individual recognition or scorn, but since much of the point was to drum up excitement and sales for the films they represented, the common branding makes sense. In 1991, Sunsoft produced a sequel to their movie tie-ins, Batman: Return of the Joker. None of these games highlighted the “detective” portion of the World’s Greatest Detective, a gap that we’ll get to shortly.

I had Batman Returns for the NES when I was a kid.

And that leads us to the 1992 sequel, Batman Returns. Eight separate games were commissioned by Konami for the occasion, nearly all picked up by separate development firms. None of them offer much originality or plot: Batman travels through a level, beats up bad guys, throws Batarangs, eventually defeats a boss, then repeat. Having not played any of them recently, I can’t say whether any of them rose above their limited mechanics, but I’m going to guess not. You already know because you are reading this post that the one “different” game in the set was the adventure game that we will be covering in the next few posts.

Developing Batman Returns

The development of Batman Returns was an emotional rollercoaster for Bill Kunkel, one that he described in a pair of columns in the “Kunkel Report” for Digital Press. (If you haven’t read my introduction to him and his work, I recommend you jump over to do so now.) In many ways, this was the perfect project for his background: he had written comic books, tackled a Superman game, plus he had four good adventures under his belt. When news broke that Konami was shopping out developers for games based on the Batman sequel, Kunkel played his contacts and discovered that the gig for the DOS version of the game had been given to a development house that he had connections to, Park Place. He pitched himself and his firm to design the game, a pitch that he landed based on his excellent resume for the job. Bill sums up his elation best:

And now I was getting my shot at Batman! At THE Batman! The rest of the process was a marvelous blur, full of contract signings, fat checks, and even a trip to the Hollywood studio where the film was being made. It was during my visit to the vast soundstage that I got to walk across the wintry rooftops of Tim Burton’s ultra-noir Gotham City. Of course, this being Hollywood, the rooftops were constructed about a foot-and-a-half off the ground, but still, it just… looked… great! […] My long-time prayer was being answered – I was going to design the greatest Batman game the world had ever seen! We would take an entirely different approach, let the player become the Caped Crusader as never before!

Kunkel’s trip to the sets to see the movie being made was followed by being given a copy of the script. That is when, he claims, his love for this project ceased. He called the script a “disgrace” and claims that he “wept openly” by the end, seeing his vision of his childhood hero shattered. I’m not sure that I buy that hyperbole as the Batman comics of his youth were not Shakespeare either, although he likely was reading an earlier draft of the screenplay than what made it to the screen. (Several working drafts have been leaked over the years, but I could not identify which of them Kunkel would have seen.)

Now that he was designing a game that he wasn’t thrilled about, the stress started to affect his health. Worse, the developers, Park Place (and their “Spirit of Discovery” imprint) were having financial trouble. The final nail in the coffin, in his view, was that Warner Brothers started making design requests, locking the plot of the game into the narrow confines of the movie and away from the celebration of Batman that Kunkel hoped for. And yet, Kunkel completed his design, Park Place completed their game, and the movie did well enough to land three sequels (two Batman films and a Catwoman). So angered by the process, Kunkel never even played the game that he had designed. This is, as far as I can tell, the last game his “Subway Software” ever worked on. Was it the stress of producing what he felt was a “bad” game that turned him away from the industry? Was it the promise of a new life for his Electronic Games magazine? Both? I have no idea. I’ll briefly recap the rest of Kunkel’s projects when we get to the final rating.

Despite everything he wrote, I’m still looking forward to this game. Even if it wasn’t what he imagined, the best art shines through adversity. Will his vision shine through? Or am I about to wade through several weeks of Batman-themed garbage?

My copy of the manual is black, but otherwise similar to the above.

The Manual

Before we can play the game, there is one final detail to cover: the manual. I was unable to locate any copies online and eventually resorted to buying the game from a second-hand store for more than I care to admit. I am glad I bought it because the game appears complicated. I’ll go over it briefly now and explain it better as I understand the mechanics. The key point to the interface (as explained by the manual) is that we do not control Batman directly. If he gets into a fight, we can provide recommendations, but he’ll fight the criminal on his own. All we have is a single mouse cursor and single mouse button to direct Batman where to go and what to do.

It may be easiest to explain the rest as bullet points:

The goal is to prevent Penguin from becoming mayor or destroying the city. This is done over nine timed nights where Batman can operate from 6 PM to 6 AM.

Batman’s base is the Batcave where he can swap suits that are damaged and select what to put in his utility belt. There’s also a computer that we can use to analyze evidence, watch the news, and search a database of Gotham citizens.

The utility belt is the closest we get to an icon interface for this game. We can select what tools go in our belt before we leave the Batcave. Tools include multiple types of Batarangs, grappling guns, and even a portable document scanner. As a fan of the 1960s series, I am saddened by the lack of Bat-shark repellent.

There are also two sets of interfaces while Batman is out and about: a “searching” interface that allows him to look for clues, and a “combat” interface where Batman fights his enemies. Batman does all the fighting himself, but we can specify how hard we want him to battle (“Easy”, “Normal” or “Fierce”). Both modes let us use items from his utility belt.

That all sounds pretty reasonable, but we’ll see how it all works out in practice soon.

The Bat-signal goes out!

And it is time to play the game!

Don’t forget that this is an introductory post and so you can bet on the score. My only help is that Borrowed Time, Kunkel’s first game, scored a respectable 38. That was six years ago, plus you read Kunkel’s feelings on the game above. Do you want to gamble that it sucks? Or maybe he was too harsh? I’m looking forward to your guesses and to find out for myself.

This week, I want to shout out to Keith Decando and his “4-Color to 35-Milimeter” series over on Tor.com. He has a great write-up on the first two Batman movies in his rewatch, but his column is one that I look forward to reading every Friday.

Note Regarding Spoilers and Companion Assist Points: There’s a set of rules regarding spoilers and companion assist points. Please read it here before making any comments that could be considered a spoiler in any way. The short of it is that no CAPs will be given for hints or spoilers given in advance of me requiring one. As this is an introduction post, it’s an opportunity for readers to bet 10 CAPs (only if they already have them) that I won’t be able to solve a puzzle without putting in an official Request for Assistance: remember to use ROT13 for betting. If you get it right, you will be rewarded with 20 CAPs in return. It’s also your chance to predict what the final rating will be for the game. Voters can predict whatever score they want, regardless of whether someone else has already chosen it. All correct (or nearest) votes will go into a draw.

source http://reposts.ciathyza.com/game-109-batman-returns-1992-introduction/

#retro games #dos games #retro #crpg #adventure #amiga #oldcomputers #8bit #16bit #blog #repost

0 notes

papermoonloveslucy · 6 years ago

Text

LUCY ON THE DAIS - Part Two

“All-Star Party for Carol Burnett”

December 12, 1982 on CBS

Directed by Dick McDonogh

Produced and Written by Paul Keyes

Music by Nelson Riddle

THE PARTY-GOERS

Carol Burnett (Honoree) got her first big break on “The Paul Winchell Show” in 1955. A years later she was a regular on “The Garry Moore Show.” In 1959 she made her Broadway debut in Once Upon a Mattress, which she also appeared in on television three times. From 1960 to 1965 she did a number of TV specials, and often appeared with Julie Andrews. Her second Broadway musical was Fade Out – Fade In which ran for more than 270 performances. From 1967 to 1978 she hosted her own highly successful variety show, “The Carol Burnett Show.” Lucille Ball made several appearances on “The Carol Burnett Show.” Burnett guest starred in four episodes of “The Lucy Show” and three episodes of “Here’s Lucy,” subsequently playing a character named Carol Krausmeyer. After Lucille Ball’s passing, Burnett was hailed as the natural heir to Lucy’s title of ‘The Queen of TV Comedy.’

Lucille Ball was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. With Richard Denning, she starred in a radio program titled “My Favorite Husband” which eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon, which was not a success and was canceled after just 13 episodes.

Monty Hall – Chairman of Variety Clubs International

Carol Burnett's Family (center table)

Joe Hamilton – Carol's Husband

Erin Hamilton – Carol and Joe's daughter (age 14)

Jody Hamilton – Carol and Joe's daughter (age 15)

Carrie Hamilton – Carol and Joe's daughter (age 19)

Credited Entertainers & Speakers (with credits shared with Carol Burnett)

Tim Conway - “The Carol Burnett Show” (1967-78)

*Sammy Davis Jr. - “The Carol Burnett Show” (1975 & 1976), “Sammy & Co.” (1976)

Bette Davis

Glenda Jackson – HealtH (1980)

*Steve Lawrence - “The Garry Moore Show” (1959-63), “The Carol Burnett Show” (1967-78)

Vicki Lawrence - “The Carol Burnett Show” (1967-78)

*Jim Nabors - “The Carol Burnett Show” (1967-76), “Gomer Pyle: USMC” (1967 & 1969), “The Jim Nabors Hour” (1969 & 1970), “The Jim Nabors Show” (1978)

Jack Paar - “The Jack Paar Tonight Show” (1957-58)

Burt Reynolds - “The Carol Burnett Show” (1972), “Evening Shade” (1993)

Nelson Riddle and his orchestra

Tom Selleck - “Magnum P.I.” (1984 & 1988)

Beverly Sills - “Sills & Burnett at the Met” (1976)

James Stewart - “The Joey Bishop Show” (1969), “A Special Evening with Carol Burnett” (1978)

Uncredited Attendees (with credits shared with Carol Burnett)

Steve Allen

Loni Anderson

Fred Astaire

Ned Beatty

Sammy Cahn

*Ellen Corby

Altovise Davis – Wife of Sammy Davis Jr.

Dom DeLuis

Angie Dickinson

Mike Douglas

Morgan Fairchild

Zsa Zsa Gabor

Harold Gould

Florence Henderson

Ted Lange

Michele Lee

*Dick Martin

*Jayne Meadows

Rita Moreno

Lynn Redgrave

Jean Stapleton

Loretta Switt

*Danny Thomas

Daniel J. Travanti

Abe Vigoda

Betty White

* Appeared with Lucille Ball on one of her television series'

Two years later, “All-Star Party for Lucille Ball” also featured Monty Hall, Sammy Davis Jr., Burt Reynolds, James Stewart, and Vicki Lawrence.

Variety, the Children’s Charity is an organization founded in Pittsburgh, Pennsylvania in 1927, when a group of eleven men involved in show business set up a social club which they named the Variety Club. On Christmas Eve 1928, a baby was left on the steps of the Sheridan Square Film Theatre. When efforts to trace the mother failed, the Variety Club named the child Catherine Variety Sheridan, after the club and the theatre on whose steps she was found, and undertook to fund the child’s living expenses and education. Later the club decided to raise funds for other disadvantaged children. The discovery of the baby inspired the film Variety Girl (1947).

In 1986, Ball served as Hostess for the “All-Star Party for Clint Eastwood.”

THE ALL-STAR PARTY

Previous “All-Star Party” honoree 1981 Burt Reynolds introduces the show. After the first commercial break, Lucille Ball is introduced. She kisses Carol and walks to the stairs to speak. While she does, Carol bows to her as 'the Queen of Comedy.'

Lucy says they are there to honor three women:

Carol Burnett, the singer

Carol Burnett, the legitimate actress, and

Carol Burnett, the comedienne

Lucy: “Good for you, kid. You've done it all, and you've done it well.”

Carol Burnett would often remark how Lucy affectionately called her 'kid'. Lucy reads a letter from the White House signed by Ronald Reagan. Reagan would be the guest of honor in 1983. He would also send notes of congratulations and regrets in 1984 (for Lucille Ball) and 1986 (for Clint Eastwood). The latter two notes were read by Cary Grant.

Lucy introduces Sammy Davis Jr. Sammy wanted to sing, but defers to Steve Lawrence, who sings Cole Porter's “You're The Top” with special lyrics for the occasion by Sammy Cahn.

Jim Nabors wheels on a large projection TV and Tom Selleck (in a Hawaiian shirt, naturally) appears on it to pay tribute to Burnett. His seductive tone causes Carol to cuddle up to the TV set.

Nabors brings on Bette Davis if, for no other reason, to introduce Jimmy Stewart. Davis and Stewart had just done a picture together, the TV film Right of Way, released in 1983. It was Stewart's penultimate screen acting role. Surprisingly, Davis says that Stewart will sing!

Jimmy Stewart, not known as a singer, croons Cole Porter's “Easy to Love,” the evening's second song from the 1934 stage musical Anything Goes. The song was also included in the 1936 film Born To Dance starring Stewart and Eleanor Powell (whose voice was dubbed). Stewart manages to get through the first chorus (although sadly out of key). For the second chorus he asks that the lights be dimmed so it is just him singing to Burnett. It is a truly intimate and lovely moment considering that the only time the two ever saw each other was on award, talk, or tribute shows. Burnett and Stewart never appeared together in a dramatic context.

After a break, Tim Conway does an elaborate comedy bit with a bank of telephones designed for viewers to call in to pay tribute to Carol. Despite the large number of phones (and corresponding lights) – no one calls. Conway reads Carol a telegram from Garry Moore.

Jack Paar talks about their early days on “The Tonight Show” and recalls Burnett singing “I Was A Fool For John Foster Dulles” by Kenny Welsh in August 1958. Paar introduces Vicki Lawrence to re-create the song.

John Foster Dulles served as United States Secretary of State under President Dwight D. Eisenhower from 1953 to 1959. He was a significant figure in the early Cold War era, advocating an aggressive stance against communism throughout the world.

Glenda Jackson steps out to unveil a photograph of the UCLA Medical Center where a wing will be renamed the Carol Burnett Wing for Handicapped Children.

Carol expresses her thanks to everyone. She tells how she and her grandmother used to go to the movies to see many of the folks in the room: Jimmy Stewart, Lucille Ball, Fred Astaire, and Bette Davis.

Carol is coaxed into singing her theme song “I'm So Glad We Had This Time Together.” Another voice joins in from behind her – it is her old friend opera singer Beverly Sills. The song continues, with special lyrics for the occasion (likely written by Sammy Cahn).

This Date in Lucy History – December 12

“Ricky's European Booking” (ILL S5;E10) – December 12, 1955

"Lucy and the Efficiency Expert" (TLS S5;E13) – December 12, 1966

3 notes · View notes

papermoonloveslucy · 8 years ago

Text

Lucy’s Barbershop Quartet

S1;E19 ~ February 4, 1963

Synopsis

When one of the members of Viv's female barbershop quartet drops out, Lucy convinces Viv and her friends to let her fill the vacancy. Lucy takes singing lessons to learn to stay on key, but her instructor can do nothing for the stage fright that seizes the redhead when she learns that the group's first performance will be in front of three thousand people.

Regular Cast

Lucille Ball (Lucy Carmichael), Vivian Vance (Vivian Bagley), Candy Moore (Chris Carmichael)

Jimmy Garrett (Jerry Carmichael), Ralph Hart (Sherman Bagley), Dick Martin (Harry Connors) do not appear in this episode

Guest Cast

Hans Conreid (Dr. Gitterman) had co-starred with Lucille Ball in The Big Street (1942). He then appeared on “I Love Lucy” as used furniture man Dan Jenkins in “Redecorating” (ILL S2;E8) and later that same season as prissy Percy Livermore in “Lucy Hires an English Tutor” (ILL S2;E13) – both in 1952. The following year he began an association with Disney by voicing Captain Hook in Peter Pan. Conreid returns to the role of Dr. Gitterman in the season two opener, “Lucy Plays Cleopatra” (S2;E1). He was probably best known as Uncle Tonoose on “Make Room for Daddy” starring Danny Thomas, which was filmed on the Desilu lot. When Thomas guest-starred on “Here's Lucy” in 1973, Hans Conreid was also in the cast. He died in 1982.

A recognizable face to viewers, Conreid earns entrance applause from the studio audience. The character is based on one he created on “My Favorite Husband” named Professor Krausmeyer.

Carole Cook (Thelma Green, below left) makes the second of her four appearances playing Thelma Green, although she will also play Mrs. Valance in three episodes, and a variety of other characters in eleven others. Lucille Ball took Cook as a protege during the Desilu Playhouse years. Although she was born as Mildred Cook, Ball suggested she take the name Carole, in honor of Lucy’s great friend, Carole Lombard. Cook also went on to appear in five episodes of “Here’s Lucy.”

Ironically, Cook was Lucille Ball’s ghost singer for several episodes of her television shows.

Dorothy Konrad (Dorothy Boyer, above right) will play this role again in “Lucy Drives a Dump Truck” (S1;E24) and then will play a variety of other characters in four more episodes.

When we first met Dorothy in “Lucy and Viv are Volunteer Fireman” (S1;E16) the role was being played by Ruth Crews.

Allan Ray (Emcee) was seen on “I Love Lucy” as the clapstick boy at “Ricky's Screen Test” (ILL S4;E6), a Brown Derby waiter in “Hollywood at Last” (ILL S4;E16), and a male nurse in “Nursery School” (ILL S5;E9). He made three more appearances on “The Lucy Show,” all in 1963. That same year he also played a hotel doorman in the Lucille Ball / Bob Hope film Critic's Choice. In 1950, Ray and Gale Gordon were in the film A Woman of Distinction in which Lucille Ball played herself in a cameo.

A barbershop quartet is a group of four singers who perform using four-part harmony, generally without accompaniment by instruments, a style called a cappella.

This album was released in 1963. Sadly, Lucy’s group - the Four Alarms - didn’t make the cut!

Just prior to the filming of this episode on December 20, 1962, the film version of The Music Man was in American cinemas. The plot includes a barbershop quartet played by The Buffalo Bills, a real-life group from Buffalo, New York. Coincidentally, the film also featured Ralph Hart, who plays Sherman on “The Lucy Show.” Other ‘Lucy-com’ actors in the film’s cast include Mary Wickes, Buddy Hackett, Barbara Pepper, Charles Lane, Max Showalter, Ray Kellogg, Larri Thomas, Jesslyn Fax, John Breen, Milton Parsons, Ronnie Dapo, Leon Alton, Fred Aldrich, Natalie Masters, and Walter Bacon. The leading role of Harold Hill was played on stage and screen by Robert Preston (above far left), who would play Lucy’s love interest in the 1974 movie musical Mame.

This is the second of two season 1 episodes to somehow have entered public domain. Out of the series' 156 episodes, 30 are no longer protected under copyright, resulting in their availability on low-quality, low-cost DVDs.

For its original 1963 telecast, the episode’s lead-in was “I’ve Got a Secret” featuring Jack Benny, Lucille Ball’s neighbor and frequent guest star. Ball appeared on the game show four times between 1956 and 1966.

Chris mentions her friend Cynthia again. She has been mentioned several times in previous episodes but will not actually be seen until "Lucy Is A Soda Jerk” (S1;E23), when she will be played by Lucie Arnaz (above).

Viv's barbershop quartet is named The Four Alarms. Making an age joke, Viv says they couldn't very well be named The Four Freshmen. This was the name of a real-life all-male close harmony jazz and big band group founded in 1948.

Lucy says that she was not initially included in the barbershop quartet because others have more singing experience: Dorothy and Grace sing in the church choir and Viv sang with a band in college. Lucy tells Chris that Viv believes she could have been another 'Wee' Bonnie Baker (1917-90), who was a jazz and popular music singer. Her biggest hit was "Oh Johnny, Oh Johnny, Oh!" recorded in 1939. Lucy sings a few bars of this song for Chris and then compares it to Elvis Presley's “Hound Dog” of which she also sings a chorus. Elvis and “Hound Dog” were previously mentioned in “Lucy the Music Lover” (S1;E8).

Lucy says that Thelma Green once appeared in the third road company of Rio Rita, a real-life 1927 musical comedy produced by Florenz Ziegfeld. It ran nearly 500 performances on Broadway. In 1929 it was made into a film and then re-made in 1942 starring Abbott and Costello. At age 15, Lucille Ball left Jamestown for New York City and was promptly hired for the ensemble of the road company of Rio Rita. Before the show even left on tour, she was fired because she couldn't keep up with the more experienced dancers.

To replace Grace, who moved to California with her four children because her husband got a job transfer, Viv suggests Barbara Cushing, who is a soloist in their church choir, but she isn't a one of the volunteer firemen. In real-life, Barbara Cushing was better known as Babe Paley, wife of CBS chairman William S. Paley.

Dorothy suggests Pauline Lopus but Viv says that she has seven children and can barely get away to fight a fire, let alone travel to Albany. Flo Pauline Lopus was the name of a one of Lucille Ball's childhood friends. Her name often found its way into the scripts of “I Love Lucy.” An off-screen character named Flo (a manicurist) was mentioned in “Lucy Waits Up for Chris” (S1;E1) and Mrs. Lopus is said to be one of Jerry's former teachers in “Lucy Digs Up a Date” (S1;E2).

Nonchalantly trying to audition for Dorothy's spot in the quartet, Lucy moves around the room humming and singing “Down By the Old Mill Stream,” a song written by Tell Taylor in 1908. It was one of the most popular songs of the early 20th century selling four million copies of sheet music. Lucy Ricardo and Ethel Mertz performed it as Western bell ringers in “Lucy Goes to the Rodeo” (ILL S5;E8).

The girls also toy with performing “Moonlight Bay” and “Red Red Robin”. Along with William Frawley, Vivian Vance sang "When the Red, Red Robin (Comes Bob, Bob, Bobbin’ Along)” in “Lucy and Ethel Buy the Same Dress” (ILL S3;E3). Written in 1926 by Harry Woods, the song was popularized by Al Jolson. In 1953 it was recorded by Doris Day.

The quartet actually rehearse Lucy's suggestion “Be My Little Baby Bumble Bee,” in which Lucy sings lead and the other back-up (“buzz around buzz around buzz around”). The song was written by Henry I. Marshall with lyrics by Stanley Murphy. It first appeared in the 1912 Broadway musical A Winsome Widow starring Mae West.

The Four Alarms eventually settle on performing “By the Light of the Silvery Moon,” written by Gus Edwards and Edward Madden and first published in 1909. It was also sung by Lucille Ball and Vivian Vance in “Lucy's Show-Biz Swan Song” (ILL S2;E12) in 1952. A year later it was featured in a film of the same name starring Doris Day. Coincidentally, “Be My Little Baby Bumble Bee” was one of the songs incorporated into the film By the Light of the Silvery Moon.

The girls travel to the Annual Ladies Barbershop Quartet Contest in Albany. The act preceding The Four Alarms is called the Wilton Warblers. Wilton, New York, is a real-life town 40 miles north of Albany.

FAST FORWARD!

Much of the comic business in Dr. Gitterson's music lesson with Lucy will be repeated “Lucy Teaches Ethel Merman to Sing” (S2;E18), with Lucy as the teacher and Merman as her music pupil.

In 1966, “The Andy Griffith Show” also did an episode titled “The Barbershop Quartet” (S7;E3), a show filmed on the Desilu backlot.

Callbacks!

Lucille Ball and Vivian Vance also sang in a barbershop quartet in “Lucy's Show-Biz Swan Song” (ILL S2;E12).

“By the Light of the Silvery Moon” was also performed by Lucille Ball and Vivian Vance in that same episode.

The unbalanced division of the parts in “Be My Bumble Bee” is reminiscent of Lucy Ricardo's dissatisfaction with her vocal part in the song “Auf Wiedersehen, My Dear” in “The Benefit” (ILL S1;E13). In that episode, all Lucy sang was “Auf”, sounding like a trained seal. Here, the rest of the quartet only sings “buzz around” sound like bees!

THELMA: “I’m certainly not going clear up to Albany just to be a buzzer.”

A few episodes earlier, “Down By the Old Mill Stream” was featured in the family sing-along in “Lucy Puts Up a TV Antenna” (S1;E9).

Dr. Gitterman helps correct Lucy's posture just the same way Miss Emerson (Natalie Shaffer) did with Lucy Ricardo and Ethel Mertz when they attended “The Charm School” (ILL S3;E15).

Lucy also held her breath for an unreasonably long time in “Lucy’s Last Birthday” (ILL S2;E25). In that case, it was Mrs. Trumbull’s unwound watch that caused Lucy’s breathless expression!

When Lucy hears there'll be 3,000 people in the audience, she gets a sudden case of stage fright. Lucy Ricardo's son developed the same fear in “Little Ricky Gets Stage Fright” (ILL S6;E4).

Blooper Alerts!

Stepping on my Line! After the rehearsal of “Be My Little Baby Bumble Bee,” Dorothy starts to say “Don’t—” but is cut off by Vivian.

Boom! As Lucy runs across the room to grab the telephone, the shadow of the mic boom follows her. [Note: boom shadows are very hard to see in still photos, so I’ve illustrated the path of the mic boom above. The actual microphone, however, is never in frame.]

“Lucy’s Barbershop Quartet” rates 4 Paper Hearts out of 5

1 note · View note