#DUCK DAGGER

[upmala]

Duck dagger reproduction, iron age, based on archeological find in current Lithuania

[wraithsoutlaws]

"I thought you were gonna clean your face for church. You're so handsome beneath all that paint, you know. Just like your father." "Don't remind me."

[lunastars21]

Wait, there's a Dark Mobius au? As in, Archie's Dark Mobius? The one where Bark talks, Bean's dating Bunnie, and Fang/Nack's first appearance was his lifeless corpse hanging from a wall?

... Can we hear about your version?

I was about to go to sleep but WHO NEEDS THAT, ABSOLUTELY I WILL TALK ABOUT MY BOYS

My version of the dark mobius universe is basically the same but different in a way!

Instead of Fang being a lifeless Corpse all the way through, he's actually one of the first cores to be saved and returned back to his body. While enerjak was being a cocky asshole, the Dark freedom fighters realize that he's only mainly focusing on jani-ca, his own daughter, once this was realized the group finally start a rescue operation to at least get one body and core. Jani-Ca will act like she's on an important mission to maybe find a weak point of enerjak with the sword of acorns with Cutlass and Payback, While everyone else sneaks into his lair to retrieve a body, when jani-ca has enerjak use the corse he collected, she focuses on defeating a prelate and taking the core quickly before Enerjak does. This core is coincidentally Fang's (who goes by Nack in this Au), the plan actually works and Enerjak uses his other prelates to chase after her, but Cutlass and Payback blind him and they easily escape, once giving the other group the information they quickly get Fang's body out of its prison, Demo promising the other lifeless souls that they will be back for them all soon and quickly flee before enerjak comes back. Once both core and the body are together, Jani-ca focuses her power on the sword and fuses the two back together. Fang became whole again and eventually woke up, looking different than when the group last saw him.

Before Enerjak's attack, Fang was..well fang, instead teamed up with a Bark who talks and a Bean who is older than his prime self, Fang gave the dark freedom fighters the duo as he thought it was better (and safer) for them to be with the team. As he went to go get the sword of Acorns and watch Downunda sink by enerjak. He was then attacked by prelates as he was heading to the location where jani-ca dropped his pay. But when she got there, all she saw was the sword. Eventually, she was attacked by Fang's prelate form. Now freed from that, Fang has Scars on his back, the bridge of his snout, and his ear, showing that if the prelates are damaged, they get scars on their original bodies. Thankfully, never killed, but the marks of their time as a prelate are still there. He's also more paranoid and less of an asshole, he's actually more friendly and optimistic, considering becoming a prelate is basically purgatory between life and death, he now values life and is all on board to helping the others free everyone else than just for pay.

Demo Duck was definitely confused seeing this New Fang but was all for it, Blockbuster was the same but couldn't help but know under that smile was fear of facing enerjak again, so Him and Fang usually have a cup of tea to relax every now an then.

Now for some minor little facts:

- Scarlette and Demo are still a thing, as I got into these freedom fighters before I even read archie, so I thought this concept was interesting, and Cutlass was more of an older brother figure to scarlette instead in this universe. (I do ship bunnies an Antoine in prime universe, but I do like how this older bean is protective and shows his insanity side whenever scarlette is in danger.)

- In Ian's first version of dark mobius, Other M (a Fan comic), Dagger's Family was killed by Fang, but here in dark mobius, his family is never mentioned so most likely enerjak took their cores. Dagger and Fang argue with each other, though, to reference their old rivalry, but are more like Brothers who constantly wrestle each other but have a bonding moment over kicking this echidna's ass.

- Other M is an erased universe that doesn't really connect to my version of Dark mobius, but some of these characters get nightmares of that universe, as it was how they used to be possibly, They all agree to be better and think when against enerjak this time, not needing to rely on a speedful or time traveling hedgehog. The only one who doesn't have these nightmares is Jani-ca as she wasn't in the original comic. Hell, she didn't even exist yet, I'm sure, so she keeps everyone's sanity in check.

- Demo is more rude and takes more of Fang's prime personality, but does show a soft side. He isn't a leader or planner like his other M counterpart, and enjoys pissing off his fellow freedom fighters. But at the end of the day he does encourage the group to have courage during these battles, and enjoys launching himself at enemies to create beautiful explosions!

- Cutlass taught Jani-ca how to use swords as she is planned to hold the sword of acorns to battle enerjak, while Blockbuster is the mentor of having a piece of mind and being calm In a situation, Cutlass is the mentor of quick reaction times, especially when confronting enerjak.

- From oldest to youngest

Blockbuster: 29

Cutlass: 27

Payback: 27

Dagger: 26

Fang/Nack: 25

Jani-Ca: 25

Scarlette: 24

Demo Duck: 24

- Corsen is in this AU but her Core has been taken and is also a prelate. Fang told Jani-ca to promise him to take care of her as he went to go get the sword, she promised, a few weeks later after he became a prelate however, the group got cornered by enerjak and his army. Jani-ca, having no choice in the matter, Sacrifices Corsen as bait while tricking her for a false plan so everyone can get away. Demo and Blockbuster didn't know as they were ahead leading the way, and jani-ca stopped Corsen while fleeing with the group, which explains why she was the last to show up. She only told the freedom fighters that Corsen stayed back to hold them off on her own accord, when in reality that wasn't the case. Jani-ca doesn't have the guts to tell Fang and told him the false version as well. Hoping to free Corsen last to stay away from telling the truth... But Fang will figure it out and not be too happy with the decision.

- Dark Mobius Corsen's outfit is just Jotaro Kujo's outfit

And that's all for now! If you guys have any questions on my version of Dark mobius, feel free to ask!!! I don't mind answering, and I've adopted the dark freedom fighters as well! ^^

Dark Mobius ^

Other M ^

(Can ya tell the fan comic itself is old '^^

[sonic-panels]

[lonelyvampx]

details 🍓🌞🌜🍒🌺🦋🦌🌈,

[mando-abs]

Every time I come out, Katniss is on alert

(we think she’s got an egg around there. She’s a lot calmer than Gale so we make sure to look each time he’s gone. The men have been very mean to her lately 🥺🥺🥺 we might leave her some grapes soon)

[theuniverseisonmyside]

Have the niche nerds from Reddit had enough time to start their own niche blogs about their special interests?

Because I’m going to need you to drop them below so I can follow ALL OF THEM.

[surreal-duck]

im sorry this is all i really have to say

Tuesday is chuu day! (x)

[vivanightcity]

Some spare rooks I made to pass the time and mess about

Artemy, Finch, and Eloy.

[schleckermaul]

break plops against a wall that crumbled into pieces around thirty seconds ago, using it as convenient cover as an eel-like creature catapults a car into the spot he was standing in just previously.

   it doesn't seem to be using its own body, judging by the more distant screech it lets out immediately after, causing the albino to duck his head a little further. rather its breath, something he can't help but envy the second he realizes, grabbing his cane with both hands. ' a bit of an unfortunate spot to end up in, eh, ' he begins cheerfully, reaching out to nudge his unlikely companion's head down as well, a piece of metal shooting past them, ' for a fellow with a wooden knife to be stuck in! '

   break listens and waits, peeking around the corner as if he could actually see, rather sending mad hatter's powers out ahead to scope out the situation.

   ' luckily for you, i have a sword and some assistance. unluckily for you, i don't think it'll be much use. it's in the air, correct? '

@corvisque / whoops, sorry abt ur car

[constellationcrowned]

((Me: can give you a semi detailed(?) hc about an oc

Also me: cannot describe to you (or settle on) what they wear in general or color scheme to save my fucking life.))

[demonic0angel]

DC x DP Prompt: Family dinner with the Fenton Family and the Waynes. Chaos ensues.

If looks could kill, Danny would’ve been killed a thousand times over, with his body cremated and his ashes thrown into the farthest volcano with salt then being tossed along the dirt afterwards.

Dan had never looked so vicious as he glared daggers at Danny, who was his eyes closed and his hands in front of him, like a prayer. However, he was definitely praying for patience because he had a dinner knife in one hand that Cass was trying to take back from him to no avail.

Dani had her arms wrapped around Tim’s, a wide grin on her face as she noisily snacked on the roast potatoes and watched the battle between Dan and Danny. Tim was trying to hold back a smile, but he pulled the bowl of potatoes closer to her. Kon, who was sitting on the other side of her and was invited by Tim, was also wide eyed and grinning, an arm wrapped around the both of their chairs when he leaned back.

Jazz just looked at Alfred and Bruce with a shameful look on her face and beading tears of embarrassment in her eyes as she muttered, “I’m sorry, I’m so sorry, I’m sorry,” over and over again.

Jason was trying to soothe her and not-so-subtly motion Dick to step in and stop the fight while said man was staring at his boyfriend in horror, looking between both of the psychically fighting men with strange looks.

Damian had his head down, whispering to Stephanie and Duke who also had their heads ducked as they gossiped about the situation. Jon, who was sitting on Damian’s other side, was also leaning in and listening with a grin.

Bruce was just looking back and forth between Dan and Danny with wariness and confusion.

��… do you two know each other?”

“Know each other?” Danny said, looking up and finally opening his eyes. “Oh, we definitely know each other.”

Dan bristled at some invisible offense. Dick snapped back fo awareness and grabbed him, chuckling nervously as Dan growled.

Danny raised an eyebrow and sneered, continuing, “Yeah, I know him, alright.”

Dan suddenly grabbed a fork and threw it at Danny. It sank into the wall and pandemonium erupted as the Bats lunged backwards as Dan flew over the table to jump at Danny. However, Danny wasn’t going out without a fight because they immediately began punching and kicking with even some biting. Cass and Dick lunged forward to pull them apart while everyone else moved away.

Dani burst out laughing, but when Jazz burst into tears, that was when everything got even worse.

(I actually wanted to write something like this lmao.

If I continued this, it would be too long, but basically, Jazz has been on her last nerves for the entire day bc this is the first time she’s ever met her boyfriend’s family, and then SUDDENLY she finds out all of her siblings are dating people from the same family and then now her brothers are fighting bc none of them knew that they were dating a pair of siblings, and they thought they could finally get away from each other, and she’s both so embarrassed and so anxious that she started crying.

Immediately, it’s like a *record scratch*, the fighting stops and both Dan and Danny make up really, really fast to comfort their sister and then all of the Phantoms, including Dani bc she did nothing to stop the fight, help clean up the mess and the day actually gets better bc it becomes a bonding activity between the Fentons and the Bats. Jazz is still very embarrassed but it works out.)

[haveihitanerve]

The batkids taking shit from each other- the intimacy of knowing where the other persons weapons/gadgets/things are

The most commonly “pickpocketed” person is bruce, and he gets so used to it/they get so good at it that sometimes he forgets to take it back or replace it. 

Batman and Red Hood are staking out a new villains headquarters and jason is bored so he reaches over to bruces side and pulls out three lollipops, working through them one at a time. Bruce doesn't even flinch, even as jason's hand digs deep into his side to reach the last one. Then later he has to calm down this little girl, reaches for the pocket, and finds he has no more lollipops to comfort this child with. So he reaches over to Nightwing, who is currently in deep discussion with a police officer, and tugs some sweets out from his shoulder pocket and hands it to the kid. Accidentally, he also takes a replacement grappling hook wire with it, since dick is a mess and has all sorts of shut crammed in every pocket thats not supposed to be there, but he just shrugs and tucks it into his own replacement wire pocket. Then dicks line breaks a few days later and he reaches for his pocket- and its empty. So he does a double backflip off the building, lands on top of a swinging red robin, snatches some replacement wire from his boot pocket, recharges his gun and is gone within a few seconds. Tim continues on like nothing has happened. When he lands on the next roof, Spoiler is waiting for him, and he gives her a quick kiss, reaching to the back of her waist band to grab a small knife and throw it at the goon coming up the stairs. A few days later steph is hanging upside down with cass and reaches for her knife, only to come up empty handed, so she just grabs the one cass has strapped to her thigh and peels her orange with that instead. Cass shrugs, drops from the ceiling on bruces shoulders, pecks his cheek and takes one of his daggers from his chest pocket. Three days later damian yeets his katana at Riddler(it misses but the villain is traumatized) but now the young robin is out of a weapon, so he ducks under cass’s legs and takes the dagger, sending it flying into a nearby goons gut. Bruce is both horrified and proud of his children and instates a weekly meeting to double check that every has all of their things. A very startling amount of gadgets and knicknacks are passed from hand to hand at these meetings, returned to their rightful owner. Bruce, naturally, has the largest pile that he has to put away. The kids all snicker into their hands as he glowers, shoving the weapons and pepper spray and gum pieces(“why did you take them if you weren't even going to chew them!!!”) back into his suit as they all finish up an hour before him and just watch. 

[sonic-panels]

[sammakesart]

Castles in the Fade, or What Was the Point of the Veil Anyway

Something that will now haunt me until the end of time is why was the concept of the Veil ever introduced into this series.

We’ve been hearing about it since the very first game. There’s a codex entry about tears in the Veil in Origins. Tamlen mentions a thin spot in the Veil if you play a Dalish elf. Sandal has a prophecy in Dragon Age 2: “One day the magic will come back—all of it. Everyone will be just like they were. The shadows will part and the skies will open wide. When he rises, everyone will see.” Admittedly, this is just one line said by a character who often says odd things, but it hinted to the fact they were planning to do something with the Veil from the very beginning. The state of the Veil is repeatedly brought up. It all had to mean something! Or so I thought. 

When I saw “The Dread Wolf Rises” quest in Veilguard, I said, “Oh, here we go!” The Veil is coming down, magic is coming back, and it’s going to set up such an interesting story for the next game. 

Alas, no. 

I hadn’t really enjoyed my time playing Veilguard up until this point. It felt like the game was ducking and dodging every bit of world building and lore that could possibly bring nuance or complexity to the story. Every returning character or faction was a cardboard cutout of themself. They shoved Solas is a time-out box and gave him nothing to do. They refused to let him have any impact or influence on the story when he had been set up to be our main antagonist back in Trespasser. This game used to be called Dreadwolf! And while we learn about his past… we never talk to him about it. In the present, he’s in stasis.

Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains. They are mad, bad, and only as dangerous as the narrative will allow as to not give Rook and co too much trouble. They are surprisingly patient while Rook fixes all their companions’ problems… until Elgar’nan moves the moon to cause an eclipse. A vital component in making his own lyrium dagger. For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure.

The Evil Duo need their own dagger ostensibly to tear down the Veil, because they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead? I guess they haven’t thought that through, because of the madness and the evilness.

Ok, I thought. Perhaps the gods will be the one to tear down the Veil. Or maybe we’ll have a choice to let Solas do it his way before they can, which will be less chaotic and less full of Blight. Because the Veil has to be coming down one way or another? Why introduce the concept of the Veil, especially a Veil that has been thinning and failing since the series began, if it’s just going to… stay.

There is a principle in storytelling called Chekov’s gun. If something is mentioned in a story, it must have a purpose. If you keeping mentioning that gun hanging on the wall over the fireplace, it’s because at some point in the story, someone is going to take it down and use it. The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games.

The Veil has been a character unto itself. It was the central focus of the third game, and its dissolution was set up to be the core conflict of the fourth game. We learn everything we thought we knew about the Veil was a lie. It was not created by the Maker to separate the Fade from this world because of jealous spirits, it was created by a guy named Solas to trap the elven gods and the Blight from destroying the world. Also, the elven gods were never gods, and they are also evil.

This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded. Religious crisis averted.

But I digress.

When the title of the fourth game was changed from Dreadwolf to Veilguard, I started to see the writing on the wall. Still, I held out hope the Veil would have some greater purpose in the story. That its introduction as a concept was for a reason. That something in this world would change.

Instead, from the get-go, the question of the Veil is no question at all. We only get Solas and Varric making oblique or catastrophizing statements about it. Solas says little beyond he has a plan. If I ever wanted to hear a villain monologue about their plan, it was now! Varric, on the other hand, decries Solas’s plan. He warns that should the Veil fall, it will destroy the world and drown it in demons. And that’s that.

We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. In Inquisition and Trespasser, we learn it took the immortality from the elves. It cut most of magic off from the world. Spirits are trapped and are being corrupted into demons, and most of what we know about spirits and demons is wrong. There are ancient elves possibly asleep? That part is left vague, but ancient elves are still about. We meet some in Mythal’s temple. There seems to have been some merit in bringing it down, because elves were flocking to Solas’s cause at the end of Trespasser. He had agents working for him already. What do they know that we don’t know?

Apparently nothing, because by the time Veilguard rolls around, there are no mention of agents. He is working alone. His only motivation now seems to be he’s too deep in his sunk-cost fallacy. The Veil is unnatural, so it must be removed—consequences be damned. We are never given any reason to think Solas has a leg to stand on in his pursuit of tearing down the Veil. We never hear any kind of counter argument from anyone, not even Solas, as to why the Veil should come down. We are only told it will destroy the world. It will drown the world in demons. This is all Solas’s fault.

There is no nuance. No complexity. No moral quandary to mull over. The game gives us vague warnings with no explanation as to what exactly is so world-annihilating about the Veil coming down. We must take Varric’s word at face value. We’re the heroes; Solas is the villain. Stop him.

It makes me wonder why Solas was ever a companion in Inquisition, let alone a romance option. Solas was presented to us as a complicated character in Inquisition. We had the potential throughout the game to make him see the value of this world, to help him realize he was wrong about it. “We aren’t even people to you,” the Inquisitor says in Trespasser. Solas replies, “Not at first. You showed me that I was wrong...again.” He began the third game viewing the world as tranquil, seeing the people in it as nothing more than figments in a nightmare, just as we saw our companions in the In Hushed Whispers quest. He ends the game having made friends, having recognized he was mistaken. He might have even fallen in love. (Or he may still seen no merit in this world if the Inquisitor antagonized him the entirety of their time together.) But something makes him continue with his plan to tear down the Veil, despite recognizing this world is real. He must know something we don’t. Something we’ll learn about in the next game.

We’ve been hearing about the Veil for three games now. We’ve set up our complex antivillain for the next installment, and he’s going to tear the Veil down. We swear to stop him or save him. But it has to be more complex than that. It can’t be so straightforward. Uncomplicated. Simple. Boring. Right? Right?

Nope. He really is just the villain, mustache-twirling and all. He apparently had no greater motivation, no as of yet unrevealed knowledge that would put this whole Veil thing into a new context. It was really as simple as the Veil falling will destroy the world, so Solas must be stopped. There is no new information that is revealed which makes us question what we are doing. Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?

Solas was the trickster archetype of this tale. He was our version of Loki from Norse mythology. What is the role of the trickster archetype? To challenge the status quo. To bring about events of extreme change, like say, the tearing down of a Veil that holds back all of magic. Loki is a huge contributing factor in Ragnarök. Through his manipulation, he causes the death of the beloved god, Baldr. This ushers in a long winter, which signifies the beginning of the end. Loki is imprisoned for this crime. When the final battle between gods and giants begins, the sun and moon are swallowed, plunging the earth into darkness. The earth shakes and Loki is freed to fight on the side of the giants. The world burns in raw chaos, falls beneath the sea, and is reborn. The world is remade, and a new realm of the gods and a new, better earth is formed.

It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic. This could be seen as equivalent to the long winter. Solas falls asleep, trapped in dreams. He wakes and sets in motion bringing about the apocalypse. It’s not a perfect one to one, but it’s there if you squint. We have a war against the gods in Veilguard. I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that. There is a final battle, but it does not end in the end of the world. Or a better world. It just ends, and everything is the same.

It seems our trickster god caused his apocalypse thousands of years before our story started, when he created the Veil. His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. He is no Loki at all.

If you can’t tell, I wanted the Veil to come down. Did I think the Veil coming down would be painless? Have no negative consequences? No. Of course not. But keeping it up has negative consequences too. And it made for an interesting story. Or at least it could have. But we never explore that. The game presents no counter argument to having the Veil stay up, which, again, begs the question: what was the point of introducing the concept of the Veil at all?

Did I think the Veil coming down was actually the best solution to help Thedas become a better place? I don’t know, and I never will, because the game never argues for it one way or another. It just tells you to want it in place and to stop asking questions. In real life, a catastrophic event is not the best way to solve any of the world’s problems. But this is the realm of fiction. We have gods and monsters, magic and myth. We have introduced the status quo of Thedas, recognized it needs to change, then our trickster god appears ready to fulfill his role in the narrative. 

Instead, it all comes to nothing.

I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins. Veilguard actually tries its hardest to pretend any previously mentioned problems don’t exist, so of course the Veil coming down has no merit. There are no problems to solve in this world, apparently. Solas is just stuck in the past and can’t get with the times. Silly Solas.

The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another. Large amounts of bloodshed weaken it, so I guess Thedas better achieve world peace real quick to avoid any battles. There were seven super-powered mages holding it together… now there is just one. Ironically, the Veil was going to fall after two more Blights anyway. The Wardens were doing Solas’s work for him! It would also have released the full force of the Blight at that time… which Solas was trying to avoid, I presume.

It feels like keeping the Veil up just pushed a big problem onto Thedas’ future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares.

Primarily, I wanted the Veil to come down from a storytelling perspective. The Veil was an interesting concept and I wanted the story to do something interesting with it. Conflict is what makes stories stories and the Veil coming down could create so much compelling and complex conflict. And the Fade is weird, and I like weird. Stories are also about change, and I wanted to see Thedas change. Yet, Veilguard is over, and barely anything has changed. Instead of magic coming back being a conflict for the next game, they went with Fantasy Illuminati. Oh.

The Veil turned out to be a nothing-burger, and no problems in this world are even close to being solved. Slavery is still rampant in Tevinter. The elven people are still oppressed everywhere. Mages have no more rights in the South than they did in Origins. Spirits are still trapped and being corrupted. The Calling still exists, though might be different somehow now? They don’t really get into that. The Chantry’s validity is still not allowed to be questioned. The Blight still exists in some form, but again it’s vague. Oh, and we learn the dwarves have been gravely wronged, and the Titans are still tranquil. At least if you redeem Solas and a romanced Lavellan joins him, they can work together on healing the Blight and helping the Titans. Oh, good. One problem is being acknowledged and some action will be taken. Offscreen. Hurray? Solas doesn’t have a really great track record of fixing problems, so Lavellan is definitely going to need to be there to make sure he doesn’t fuck it up.

For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn. The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why.

I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned… things suck quite a bit in Thedas already for a lot of people right now. Let the Veil’s fate be a difficult choice to make. If the conflict cannot be what to do about the Veil, it should be am I doing the right thing about the Veil. If the heart of your game is so thin on motive, everything else falls apart around it.

I hoped they were setting up a complex, Thedas-sized existential conflict for this game in Trespasser, but no. I wanted something to happen, but nothing did. 

I want to feel challenged and changed by a story, not left feeling empty. I’m tired of superficial entertainment. I want to sink my teeth into a narrative that doesn’t paint the world in broad strokes of black and white, good and evil, heroes and villains.

Ultimately, I think my issue is why even introduce a concept like The Veil if you’re not going to do anything interesting with it. Or anything at all. What I thought was Chekov’s Veil turned out to just be a MacGuffin. And that’s disappointing.

[jq37]

The fact that Sklonda casually knows about the Society of Shadows retroactively makes Penny's whole dilemma in the Seven and all of Laertes' cloak and dagger shenanigans retroactively super funny. Like, she's having a whole existential crisis about never seeing her friends again and he's disguising himself as a scarecrow and a wooden duck and Sklonda is just like, huge air quotes, yeah the "SECRET SOCIETY".