#DEAD SPACE SAGA

[crisicsgames]

CORRI ISAAC DEAD SPACE 2

[grayrazor]

It may be obvious from my recent posts, but I think a great and underused trope is our protagonists finding some powerful artifact in the ruins of an ancient civilization.

They use it to lay waste to their enemies a couple times, but then later they finish translating the writings from those ruins and it's, "This is a powerful artifact that we found in the ruins of some ancient civilization. Our rulers plan to use it against our enemies but maybe we shouldn't?" Just multiple sequential apocalypse macguffin.

[quantumfizz]

Tbh instead of yet another continuation/nostalgiabait production like X-Men 97, it would have been cool to finally get a New Mutants animated series. The movie sucked and it would be difficult to tie-in the end of the Brood saga with Xavier being space-pregnant with the alien, but it's a nice chance to start relatively fresh.

[otter-pop-supreme]

Time: go to your room

Reality: you never send Memory to his room when he's in trouble

Time: that's cause he never LEAVES his room

Time: if he were in trouble I'd make him sit in the living room, go outside, or talk to other steves

Memory, threatened: I CAN HERE YOU-

[merelyroleplayers]

Do you enjoy sci-fi stories where the antagonist is an AI that manifests on screens as a shifting geometric pattern, and predicts everyone's every move using a sophisticated simulation of the entire universe?

Have you already seen Mission Impossible: Dead Reckoning part 1?

Let us recommend:

Parallax

A Merely Roleplayers production in 3 parts: Parallax Core (4 acts), Parallax Converging (5 Acts), Parallax Inverted (5 acts)

Playing Impulse Drive by Adrian Thoen

[saintvampe]

oh,

[lackadaisycats]

Since it's Indie Animation Day...

I figured I'd repost that list of other animation creators on YouTube that I shared last week, separate from it's original, weird context. I've also included several more entries based on suggestions in the comments. Thanks for the feedback! General Content Warning: Some of the below is not for kids, or contains violence or other subject matter some viewers might find distressing. Please use your adult discretion. Also, this is not a list of moral endorsements. I know some of these creators personally, but many of them I do not. While I have tried to make sure I'm not listing anyone who is a criminal or otherwise objectively harmful person, I don't have encyclopedic knowledge of every little internet drama that has gone down (and chances are I'm not super interested in hearing about it all because it's really difficult to tell fact from fiction from hyperbole around here).

Anyway, check out some Indie Animation:

Far-Fetched Worthikids Satina | Scumhouse Noodle and Bun Punch Punch Forever Ramshackle Noodle Papajoolia | Pipi Angel Hare | The East Patch Jonni Peppers Salad Fingers Monkey Wrench Studio Heartbreak Felix Colgrave JelloApocalypse Odd1sout (started indie, got picked up by Netflix) Allie Mehner JaidenAnimations Lumi and the Great Big Galaxy Cloudrise | The Worlds Divide Telepurte RubberRoss James Lee ENA Godspeed | Olan Rogers Ollie and Scoops Meat Canyon Port by the Sea Kekeflipnote Boxtown Kevin Temmer Weebl Joel Haver CircleToons Long Gone Gulch Atlas and the Stars Animist Skibidi Toilet A Fox in Space Alex Henderson Talon Toniko Pantoja Sr. Pelo Hullabaloo Kane Pixels (started indie, picked up by A24) Homestar Runner Fennah Gods' School Alan Becker Dungeon Flippers JazLyte Psychicpebbles (started indie, Smiling Friends picked up by AS) Piemations vewn Metal Family Dead Sound chluaid Jacknjellify Betsy Lee | No Evil My Pride Cranbersher GeoExe | Gwain Saga Horatio the Vampire Mech West Playground | Rodrigo Sousa The Brave Locomotive Finchwing (+ check out other Warrior Cats animators) Quazies SamBakZa Kamikaze: Trial by Fire Parasomnia

[gameoteca]

Dead Space 3 - O Filme | Jogo Completo (Legendado PT-BR)

[crowsintheforest]

you can look at the vorkosigan saga books and assume (correctly!) that it's a lot of space opera/space war stories, with daring rescues and laser gun pew pew and clones wandering around. but they're also full of other things, like

probably most famously, jane austen via space russia (a civil campaign my beloved)

look I swear we're going to finish our honeymoon but my boss's ships got impounded and whoops I seem to have found a murder mystery

oh no we lost a dead body before we could do future medicine to bring it back oh no we lost the protagonist

fake wedding turns out to be a real wedding and your cousin won't stop laughing at you

great news shareholders, we've genetically engineered humans to live in null G by giving them arms instead of legs! what do you mean humanity invented artificial gravity

culture and medical exchange's influence on gendered politics, or how does nobility's patrilineal inheritance work when you can trans your gender

navigating polyamory when one of you is dead

basically a decades-long multibook treatise on the impacts of providing and utilizing alternatives to in vitro fertilization and live births

[paganminiskirt]

Like Frieza and Vegeta’s relationship was absolutely abusive and exploitative from start to finish but I think people write it wrong. Well not wrong, just in a way that I personally believe removes the deeper horror in favor of an easy depiction of what a relationship like that looks like. He’s not getting strung up and whipped or locked in a cell to cry, he’s getting his chin scratched by a person who uprooted him from everything he had ever known on a whim and destroyed the culture upon which he founded his most nascent sense of identity. And that person is only keeping him alive because despite it all, he’s useful, and kind of cute, especially now that all the other Saiyans are dead. Vegeta’s a small child being made to commit atrocities for profit an amusing little novelty, still using the honorifics & regurgitating the legends of a planet that’s been obliterated. DBS is not a perfect sequel by any means but it did this part so, so well. “All hail Vegeta, prince of no one.” “I always thought you shined the brightest when you were serving as my pet.”

Sickening, yes? And the intimacy is the worst part, the realization that Frieza seems to favor him; seems to like him. Who knows, maybe Vegeta reminded him of himself at some ancient, half-forgotten stage of life. King Cold did drop him like a hot potato as soon as he was proven weaker than Trunks. Maybe that’s the whole reason he made King Vegeta give up his kid in the first place. Frieza’s relationship with his father is shallow and dependent entirely on his value as a soldier, the underlying cruelty of which they’ve both silently agreed to use superfluous affection to cover up? Fine. He’s gonna make the Saiyan king give up his own militarized child prince. He’s gonna strip away the cultural justifications for what he’s doing to his son by making him treat it like the cold, spineless profiteering that it always was. He’s gonna rub it in.

But hey, he’s not mad at the kid. It was his dad who got too big for the barrel. Vegeta is still serving his purpose, Vegeta is still being good. Why wouldn’t Frieza treat him in accordance with his “station,” even after it’s been rendered an empty title because of him. All he has to do is keep spinning the wheel on the Cold Empire, vomiting out violence into the endless vacuum of space & never getting too uppity about his dead father or dead planet or about the fact that, even when reduced to the most baseline level of childish narcissism, the state which this arrangement has emotionally stunted him into maintaining well into adulthood, he never actually wanted any of this. He didn’t want to leave Planet Vegeta! He didn’t want to grow up surrounded by strangers! He didn’t want to have no claim over anything he ever achieved! He wanted to work for himself! It wasn’t his choice!!! For all of Vegeta’s dickswinging and hierarchy and “pride,” he is so, so helpless, “like a tiny insect glowing in a jar,” as Frieza so helpfully summarized for us. Overcorrection layered on overcorrection layered on overcorrection layered on desperate, screeching fear and sadness and shame. Blow up a planet. Nuke a city. Wipe out a village. Fix It Again, Tony.

And that viciously indulgent cruelty that Vegeta used to comfort himself as he grew into a man is only emphasized by how blasé Frieza appears to be about the whole thing. He’s calm. He’s secure. He spends half the arc sitting down, just watching. He’s what Vegeta was in the first part of the Saiyan saga, and he slowly turns into what Vegeta slowly turned into in the second part of the Saiyan saga. An addled, wounded, unthinking mess, trying to put their self image back together as someone else’s superior ability causes it to crumble. Frieza was scared of the super saiyan. Under all that collected ambivalence, that whole time, he was scared.

Vegeta is Frieza’s heir. As gross as that incongruent, unwanted warmth is to witness, Frieza succeeded in establishing influence over & connection between himself and the child he orphaned. And the process of healing from that relationship involves Vegeta going back to square one and having to acquiesce to another foreign, combat oriented culture populated by vaguely hostile strangers. He gets new clothes. He gets a new place to train. He gets new tasks to perform. He gets called cute.

Like. It’s not physical torture, at least not as we usually imagine it. It’s this slow poisoning of a person’s ability to trust and connect with others, a process which is gussied up by regular assertions of fondness, so casual & consistent that you have to actively remind yourself that the guy who’s doing it sees Vegeta as a literal subhuman, and is only being good to him the way you’d be good to a valued piece of property. He tortured him to death, but he still thinks he was a good pet. Vegeta’s life was Frieza’s to end, but his feats of wanton destruction were also his to be proud of.

That’s the whole reason why Vegeta’s character development was slow, ugly and recidivist. Because it was his knowledge of how to grow, of how to exist any other way, that Frieza intentionally eroded for his own selfish, petty gain. And for a relationship between a man with a monkey tail and his pink-skinned alien overlord, the most uncomfortable part about the dynamic is that it’s realistic. Common, even.

[pale-opal]

I Listened to "The Wisdom Saga" and I Have Some Things to Say - Part 1

If you haven't listened to this part of "Epic: the Musical" yet, feel free to click off this post and do that because not only are you doing yourself a disservice, I will also be giving ALL of the spoilers under the cut, and the Epic sagas are best experienced blind. It's free to listen to on YouTube, Spotify, and Amazon Music, and it's also available to buy on iTunes.

Okay. Did you listen to it? You did? Great! Now let's get into it: 1. Legendary- This is my favorite song in the saga. - Telemachus is precious and must be protected at all costs - The "l-l-l-l-legendary" is giving Hamilton (2015), not gonna lie. - I mean that in the best way possible. - Some people have pointed out that Athena's melody can be heard in the background, and we know from past songs that when her theme or ticking sounds can be heard when she's not present in the song, that means that she's just observing to see what's going to happen before getting involved. - And that's a good thing, considering what's about to happen. - But we'll get to that. - I want to talk about this part of the chorus for a second:

"Give me sirens and a cyclopsGive me giants and a hydra I know life and fate are scary But I wanna be legendary" - I just think that first line is so ironic because Odysseus fought both sirens and a cyclops. - I also think the giants line is interesting, since Odysseus almost got sent to the Land of the Giants after a certain someone opened the wind bag (*cough cough* Eurylochus *cough cough*). - Now I wanna talk about these lines:

"There are strangers in our hallsTrying to win the heart of my momBut she is standing tall 108 old faces of men who call me small They keep taking space and it's not much longer we can stall

Cause they're getting impatient, dangerous tooAnd I would fight them if I was half as strong as you Somebody help me, come and give me the strength Can I do whatever it takes to keep my mom safe?" - While listening to this song, I got reminded of when my 10th grade English teacher covered the original Odyssey.- A phrase she kept using to describe how the suitors were treating Penelope and Telemachus was "eating [them] out of house and home." - To sum up what she meant by that, the suitors are basically taking advantage of the concept "xenia", which is an idea the ancient Greeks had. They believed that visitors were under the protection of Zeus, and that they had to be treated with respect. - Odysseus and his men try to invoke this when they first meet the cyclops. - Because of xenia, Penelope and Telemachus are sort-of "barred" from kicking the suitors out. - And even if they could... there are one-hundred and eight (108) of them. They're horribly outnumbered. They could easily be overpowered. - Now you may be asking yourself: "How come they haven't been overpowered already?" - The original text actually gives us an explanation for that: Penelope started working on what was known as a "funeral shroud" (a fabric a dead person is wrapped up in before being buried) for Odysseus' father. - She told the suitors that she would choose one of them to marry once the shroud was complete. - However, what she DIDN'T tell them was that she was going to undo some of the work each night, thus allowing her to work on the shroud for an indefinite amount of time, or until Odysseus came back. - ...or, at least, that's what would've happened if the suitors didn't find out what she was up to. Hence why their so antsy to find out which one of them she intends to marry:

"Where is he? Where is the man who'll have you to wife? Oh Where is he? Where is the man with whom you'll spend your life? Cause it's been 20 years (20 years) And we still have no king" - And now it's time to talk about the only antagonist in the entirety of "Epic" who is a clear-cut villain with no redeeming qualities: Antinous.- I want this man defenestrated immediately. - You know how Telemachus is a young man who respects women, loves his dad, even though he's never met him, wants his mother to be happy and safe, and also wants all of these sleazy men out of his house? - Yeah, okay, well, Antinous is the complete opposite of him. Just take a look at this interaction between the two of them (cw for implications of SA):

"[ANTINOUS] Boy! When's your tramp of a mother gonna choose a new husband? ... Why don't you open her room so we can have fun with her?

[TELEMACHUS] Don't you dare call my mother a tramp! ...

[ANTINOUS, spoken] I just did! Whatchu gonna do about it, champ?" - And you want to know what Antinous does after saying all of this? - He challenges the son of the woman he supposedly wants to marry, the same son who he sees as a child despite him being twenty (based on "108 old faces of men who call me small" and how he calls Telemachus "boy"), to a fistfight. 2. Little Wolf- This was the song I was the most excited for prior to its release, and I am pleased to say that it does NOT disappoint. - One thing I noticed before the song came out is that Poseidon refers to Odysseus and his crew as a "pack of wolves" in "Ruthlessness". - Considering how animal symbolism is used in this musical, Telemachus is seen as being in the same vein as his father, but is called "little" because he isn't quite on the same level as him... not yet, anyway. - But I'm getting ahead of myself.

"Fight, little wolf, fight Wanna entertain me? Bite, little wolf, bite Let's see how you take this Strike, little wolf, strike Wanna be a man? Then Fight, little wolf, fight, little wolf, fight" - The chorus is literally a bunch of grown-men trying to pressure Telemachus, who they see as a child, mind you, into fighting a man who is not only older than him, but who is also implied to be stronger, too. - They want this boy dead, and that is apparent before they line "die, little wolf, die, little wolf, die" even leaves their mouths. - I can't wait for "King" to come out. I want these posers to get what they deserve. - Oh, and as for Antinous: "You've made your worst mistake here, might be your last one too You'll have run out of bones to break when you and I are through I'll teach you all the lessonsyour daddy never couldThis cruel world doesn't give out presentsjust for being good" - While I do agree that Telemachus needs to become less sheltered, beating him to death is NOT the way to teach him how harsh the world is. That lesson is going to do him no good if he has to die to learn it. - But, of course, Antinous doesn't care about that. He only cares about dealing with the person standing between him and "his" woman. - The further I go into this, the more I want Antinous chucked out of a window. - But it's okay. It's fine, everybody. Because Telemachus' real mentor soon arrives on the scene:

"[ATHENA, spoken]Need some help?

[TELEMACHUS] What's going on here?

[ATHENA] Is your plan to stand around? Cause I suggest you fight back

[TELEMACHUS]I don't know how" - Okay, so two things: 1. Athena being totally down with helping Odysseus' kid despite this being the first time they meet is awesome. 2. Telemachus wants to fight monsters, but he doesn't even know how to properly punch a guy. I love this. He has Odysseus' heart, but not his "mind" so to speak. He wants to do all these serious and impressive things, but when the time comes for him to do so, he hasn't the foggiest idea as to how.

"[ATHENA, spoken] Uppercut him, now.

[TELEMACHUS] Woah, how did I do that? Is time now moving slow?

[ATHENA] No, I just made your thoughts quick" - I'm so glad we get this explanation of how "quick-thought" works! It doesn't slow-down time. It speeds up the mental faculties of the person under its effects, and essentially puts them in a "bubble" where they can interact with the outside world in-real time while perceiving (and acting?) faster than their surroundings (I don't know if Jay explained this anywhere else. If he did, I'm sorry for being redundant). - And then we get these absolutely raw lines from Athena: "I've no respect for bullies Those who impose their will I've seen plenty enough to truly understand this kind of filth Let's teach this dog a lesson In front of all his kind One young wolf has a larger heart than all these men combined" - THIS IS WHAT I MEANT ABOUT THE ANIMAL SYMBOLISM! Dogs are considered by many to be the descendants of wolves. A genetic relative that is not quite as feral or quite as aggressive as a wolf, even if they're wild. And based on how Athena calls the suitors "filth" (ha!) and puts extra emphasis on how wolves are stronger than them, I wouldn't be too surprised if she was talking about domesticated dogs. And that case, they don't stand a chance against - oh, wait. Hold on a second: "[ATHENA, spoken] Ooh, maybe I pushed you a bit too hard!

[TELEMACHUS, spoken] Ow..." - I can totally imagine Telemachus getting a headache or a nosebleed here. It's his first day getting into a fight, and the first time he's experiencing deus ex machina. Ya boy is not qualified for all of this. He needs a break. - Oh, and then we get Antinous being butthurt about Telemachus actually managing to rough him up a little:

"Go back and cry in your corner Make sure your mother hears If she won't choose a man to adorn her We'll bring blood and tears" - Again. Defenestration. It would suit Antinous really well.- The next song is dedicated to Telemachus receiving an answer to this question: "Athena, why did you come to my aid?"

3. We'll Be Fine - I have a confession to make: I thought this song was going to be boring. - I am SO glad I was wrong. - I also thought that this would be a Penelope song. - I was wrong about that too, but I'm sure she'll get her moment eventually. - One thing that this song accomplishes musically is that it combines the melodies of "Warrior of the Mind" and "Legendary" together, making something that sounds new and different. It feels like Athena and Telemachus really see each other as friends, and that Athena felt the same way about Odysseus - she was just to focused on being his mentor to acknowledge that until now. - Oh, and we also find out that Athena has been dealing with some serious guilt since the cyclops argument:

"I had a friend before, and He was a lot like you I helped him fight through war, but He had his demons too And then we grew apart Then his light went dark

And so, I thought Maybe, if I made a different call Maybe if I hadn't missed it all Maybe, he'd be fine Maybe we'd unwind Maybe, if I help another soul Maybe, if I helped you reach your goal Life could be that bright I could sleep at night"

- This part of the song hurts, y'all. - Athena is genuinely convinced that if she had stuck with Odysseus then he would be home safely, and that what happened between them is mostly her fault, even though Odysseus told her to her face that he wanted to be rid of her, too. - AND she's losing sleep over this man? Somebody go get him immediately.- I really want to talk about the lines referring to light for a moment: - When I first heard "Then his light went dark" I thought that meant Athena legitimately thought Odysseus was dead. Which makes the fact that she feels guilty about everything that happened even WORSE. - And then "Life could be that bright" is just her saying that Odysseus made her life better and that she was wrong about not seeing him as a friend, and that friendship is necessary for living a meaningful life. - And you know, that kind of makes me want to grab Odysseus by the shoulders and violently shake him for shouting "YOU'RE ALONE!" to Athena all the way back in "My Goodbye". Like, no she wasn't, Odysseus, she had you. And you had her. And then you both screwed it up by being too stubborn to admit that the other person had a point. Now BOTH of you are sad and lonely. - But again, it's okay. It's fine (pun not intended). Because Telemachus is still here, listening to all of this: "Athena, I don't know who your friend isI don't know what he's like, but My time with you has been splendid The best day of my life Cause I got in a fight, and I didn't die" - He literally has doesn't know who Athena is talking about, and even if he did, it wouldn't matter, because he NEVER MET HIS DAD. - Why is this song so sad? - We're three songs deep, and I am HURT. - And it's just gonna get worse from here. - On a lighter note, Telemachus says that he has really enjoyed hanging out with Athena for the past fifteen (15) minutes, and that this is actually the best day of his life. His reasoning? He survived getting jumped! Hooray! - Wait, what? That's it? That's all took for this to be the best day of his life? Just... just how bad has his life been, until now? - ... - ...hm. "Maybe, if life wasn't spent as planned Maybe, it's time that you lend a hand I don't think he'll mind If not his friend, then mine

[TELEMACHUS & ATHENA] Maybe, to fall is to learn one way Maybe, it's all gonna turn out great I know we'll be fine I know it's light you'll find" - Telemachus offers to be Athena's friend, while also telling her that it's okay for her to move on from Odysseus. - And he still doesn't know that he's talking about his dad, I can't-- "To fall is to learn one way" = "Sometimes it's okay to learn things the hard way." - Athena had to learn that friendship was something worth pursuing with others by losing the first friend she ever had, and Telemachus had to learn to stand up for himself and come out the sheltered life he's been living by getting into a fistfight. - Light is being used as a metaphor for happiness, and that makes me happy. Because Telemachus and Athena needed a friends, and they have each other now. I love that for them. - This is also the point where the "Legendary" and "Warrior of the Mind" melodies combine. I know I said earlier that was a representation of how Athena and Telemachus friendship was forming, but I would like to off this interpretation as well: - Putting "Warrior of the Mind" and "Legendary" on the same level as each other musically could be a thematic way of saying that Telemachus is a "warrior of the mind", as it were. However, since I did say that Telemachus doesn't have Odysseus "mind" before, I would like to elaborate and say that in this instance, Telemachus is being considered to be an equal to his father due to his emotional intelligence. What he lacks for in book-smarts, he makes up for in heart.

Unfortunately, my complete thoughts on this particular saga are too long for tumblr to allow as one post, so I'll have to post a part 2 later today. We'll be covering "Love in Paradise" and "God Games" then. Furthermore, please do not confuse me talking trash about any of the characters or wanting to see them face consequences for their actions as me speaking poorly of or wishing harm upon any of the actors or crew for "Epic" or any other real people, because that is not what I am doing. I hold great respect for the "Epic" team, and I am eager to see what they do in the future. That's all I can say for now. I'll see you all in a few hours with part 2. Update: Part 2 can be found here.

[crisicsgames]

ISAAC CANNONE TH-SDA 013 DEAD SPACE REMAKE

[karaspal]

here is a reading guide for post-age up jon, including the good parts only so you guys could appreciate him more.

THE UNITY SAGA

superman (2018) #7 - 10 this is the story that started it all. jon goes on a space journey with his grandpa and comes back seven years older with enough trauma to last him for the rest of his life and more.

THE ONE WHO FELL

superman #29, action comics #1029, superman #30 - 32 during his time in the future, jon discovers his father might not have much time left in the present. worried about his dad, jon tries to warn him and prevent the inevitable. this story is cute and shows clark's love for his son and how proud he is of the man jon has become.

WARWORLD RISING

action comics #1030 - 1035 follows up the pervious story. clark and jon find refugees who escaped warworld. while clark is ready to help 100%, jon thinks it's a trap to lure his father and is vocal about his suspicions. this story lets jon have flaws, and they make complete sense for his character. while he isn't the main main character, it's a great read to help you understand his character.

SON OF KAL-EL

superman: son of kal-el #1 - 6, annual 2021, #7 - 8, nightwing (2016) #89, superman: soke #9 - 18, action comics #1050 after clark leaves for warworld to help the people there, jon is left in charge as the main superman on earth. with his dad gone, his identity being public and the weight of the world on his shoulders, jon tries to figure out the kind of hero he wants to be. this series also introduces jay nakamura, a journalist and a freedom fighter jon falls in love with. the final three issues is jon's reunion with his dad.

DARK CRISIS ON INFINITE EARTHS

dark crisis #1 - 7 with the whole justice leauge dead, jon tires his best to keep the world spinning and the people in it hopeful. he goes around, trying to form a new justice league. this story shows how jon truly is his father's son and that he deserves the title "superman", as well as his strengths, and his undying spirit.

RISE OF METALLO

action comics #1051 - 1056 clark comes back from warworld with twins, whom he and lois later adopt. jon struggles seeing his parents raise the kids in a way they couldn't raise him because of the time they lost. still though, jon tries his best to be there for his new siblings.

this is jon's main timeline since he came back from his space trip. those are the required stories. bellow, i'll list some comics that aren't necessary to understand him, but are nonetheless good.

THE SUPERMAN OF METROPOLIS

future state: superman of metropolis #1 - 2 this is a future state story that isn't canon. jon bottles the city of metropolis in hopes of saving it. the story follows the consequences of his choice.

OUT THERE

dark crisis: worlds without a justice league - superman #1 do you wonder what would've happened had jon grown up with his folks? do you wonder what he would've been like had he not spent his formative years in a volcano prison? well, this is a story for you. this is clark's perfect world, and in a perfect world, he gets to see his boy grow into a man.

NIGHT AT THE CIRCUS

nightwing (2016) #101 - 104 (back up story) nightwing investigates a mystery in the circus and calls jon for help. the story is a cute team-up between the two.

A HEART IN METROPOLIS

action comics #1059 - "a heart in metropolis" (back up story) jon and jay struggle to find time to spend together, with life getting in the way. finally, the boys find the time to go on a date.

MAGICAL MYSTERY CUBE

superman & robin special #1 cute jon and damian team-up. if you like the super sons, this is a story for you. it shows that their friendship can still work, even with jon being older now.

ELECTRIC

lazarus planet: assult on krypton #1 - “electric” during the lazarus planet event, a common criminal gets powers and decides to join jon in helping people. their dynamic is fun: a righteous hero and a flirty villain. even though i don't particularly ship them, i still enjoyed their interaction.

this is it, guys. this is the list. happy reading! :)

[mossy-rock-in-a-field]

My Elderly Mother Plays Baldur's Gate: Part 4

If you're not up to date on the saga, my mom is having me play Baldur's Gate 3 on her behalf because she has trouble using controllers/keyboards but still wants to "smooch the wizard boy." She is playing a neutral good wood elf druid; this is a detailed account of her crimes. Part 1 & 2 Part 3

Hey, everybody! Thanks to everyone who followed my blog to keep up with my mom's adventures. Also, shout-out to whoever called my mom "Crime Mom" last time I posted about this; she really got a kick out of that. We played for a full day yesterday so we could really get into Act III and make some progress.

Here are the atrocities she committed during yesterday's play session:

My mom is very pissed that she cannot keep Myshka the white cat. When she found Myshka, she told him that she was his mother because of course she did. Naturally, Myshka started following her around the city after that, and she was SO thrilled about it. However, when we went back to camp to trade out a companion and immediately came back to the city, the cat wasn't following her anymore, and my mom was so fucking upset. ("That boy thinks I'm his mother and I LEFT HIM! Why can't I take my son back to my camp with us?") My mom told me to tell my "tumblr friends" that Myshka should be able to join our camp like Scratch and the owlbear cub. So, if any of you guys are from Larian—take notes, I guess. My mother demands a cat son.

Upon seeing Mystra for the first time in the Stormshore Tabernacle cutscene, my mom immediately said in the bitterest voice imaginable, "I'm prettier than her." She is, of course, right. Fuck Mystra, all my homies hate Mystra.

When we found the Hag Survivors Group, my mom asked me if she could try combat for the first time, and she actually started to get the hang of it. ("Left bumper, mom. No, that's the trigger. BUMPER. Other left. There you go.") However, she didn't fully understand what "area of effect" meant and decided to cast Fireball ("Ooh, I've always wanted to use that one!") in an enclosed space before I could stop her. She instantly incinerated Mayrina, the floorboards, and the paladin, Adrielle. I was so fucking proud of her but also laughing so hard I was nearly in tears. She had me reload the save for her.

My mom returned the stolen money to the Counting House's head banker, then asked me to rob the rest of the building on our way out. When I asked her about the logic of this particular decision, she said, "We're saving the city from mind flayers, so these funds are really going back into the local economy when you think about it. We're a great cause!" I have no idea why she didn't just keep the stolen pouch of money in the first place. We wasted so many scrolls and Arrows of Transposition to get everything out of those vaults.

She was FURIOUS when she found out Auntie Ethel wasn't actually dead. My dad called in the middle of the day to check in on dinner plans and mom kept him on the phone for at least ten minutes while she ranted about hags who "should stay dead when they're told to."

My mom adores Jaheira. The two of them are very similar to each other, so I think she gets a kick out of seeing Camp Mom do Camp Mom things that she would do if she were actually in the game. My mom also loves Minsc and Boo. TASTE.

Don't know how soon my mother will come back for another play session, but I'll keep you guys updated whenever I can! She has already asked me if I would DM a D&D session for her retired friends, so I'm trying to find time to do that. Maybe I'll do some updates on that if we get it going.

Thank for everyone's support! Crime Mom and I appreciate it.

[leynaeithnea]

I didnt get an ask for this BUT WE'RE BACK

my Wisdom saga reaction/analysis!!!!!

26. Legendary

TELEMACHUS MY BOYYYY

THE MELODY AT THE BEGINNING OF LEGENDARY IS SO COOL

the instruments aaah, lowkey obssessed

"its jus tme myself and i" perimedes would like u

"living in this world you left behind".........this song makes oyu think so much about what life has been in Ithica in those years since Odysseus had to leave, he was loved, he is *King*, AH

"dreaming of all these monster, that ill never to get to fight" better this way, u dont wanna end up like your daddy

"but boy i wish i could so i could bring the world some light" BABY BOY

"Cause I'm stuck with your stories, but no clue who you are And no idea if you're dead or just too far" his mother wouldve told him so many stories :aniTears:

"Somebody tell me, come and give me a sign if I fight those monsters, is it you I'll find?" PLS HE jusT WANTS TO FIND HIS DAD GIVE THIS MAN HIS FATHER

"If so, then give me sirens and a cyclops Give me giants and a hydra" hes just naming every monster he can think of of the myths he grew up with

"I know life and fate are scary but I wanna be legendary" U GO BOY; I LOVE YOU, also such a mood

"I'll fight the harpies and chimeras, the Minotaur, even Cerberus I know life and fate are scary but I wanna be l-l-l-l-legendary"....yea same like the two parts before, any monster he can think of, he gotta be one of us kids who read a lot

THEN The droppp in his voice, HE SOUNDS SO SCARED

"There are strangers in our halls" That must be TERRIFYING, just imagine that, dozens of men in your home just prying on your mother and youre too young to do anything rly

"Trying to win the heart of my mom, but she is standing tall" THAT VOCAL PERFORMANCE, W FOR PENELOPE; GIRLBOSS

"108 old faces of men who call me small" EW; 108 IS SO MANY BRO; SO MANY????? Also "old faces" ISJGSEIGJ "who call me small" boy, i feel so bad for you

"They keep taking space and it's not much longer we can stall" !!!! HES WORKING WITH HIS MOTHER TRYING TO HOLD THEM OFF; AH AAAAH, also fuck them, leave their home alone, god he must feel so unsafe in his own home :screams:

"'Cause they're getting impatient, dangerous too" oh no :( so scared lil boy

"And I would fight them if I was half as strong as you" HE LOOKS UP TO HIM SO MUCH AH

"Somebody help me, come and give me the strength Can I do whatever it takes to keep my mom safe?" HES ALSO A MOMMY BOY; AND HONESTLY GOOD FOR HIM; STAND BY HER SIDE; U GO BOY, 🥹

Chrous SLAPs

"Where is he? Where is the man who'll have you to wife? " bitch stay away (also cut song reference!)

"Where is he? Where is the man with whom you'll spend your life?" HE IS ON His WAY HOme SO STAY THE FUCK AWAYYYYYYYY ARGG ILL FIGHT U

"Cause it's been 20 years, 20 years" 20 FUCKING YEARS??? THATS AS OLD AS I AM (and telemachus for that measure, same age, yay!) BUT BRO IMAGINE WAITING FOR YOUR HUSBAND TO COME HOME FOR 20 YEARS; PENELOPE X ODY OTP; PENELOPE FIGHTING OFF 108 SUITORS FOR 20 YEARS AND ODY FIGHTING OF *GODS* Trying TO TRAP AND USE AND KEEP HIM, THEY DESERVE EACH OTHER

"And we still have no king" >:) >:) imagine an island without leader for 20 years oh boy h boy, the power vacuum, 108 people who want to take his place

"Give me a chance, a single opportunity and I'll overcome these obstacles and scrutiny and-" HE WANTS TO SO BADLY he juST DOESNT KNOW HOW AND WHEre TO START BC AH, also the music sounds like he just tries to sneak around his palace, to not get caught by the suitors, dodging and on guard, i can just imagine him ducking his head and looking at every corner for smth danger-

"Boy".......that slapped hard, FUCK YOU ANTINOUS (hi perimedes :) )

"When's your tramp of a mother gonna choose a new husband?" FUCK YOU STAY AWAY (the dELIVERY)

"OoooOOoh" we have a new choir! the crew is ded but we have the suitors now hah, ill take it, love me some choir responses

"Why don't you open her room so we can have fun with her?" THE AUDACITY? WHORE FUCKING BASTARD STAY THE FUCK AWAY

"Dont you dare, call my mother a tramp" U GO BOY; TELL HIM (be careful, dont get hurt) THE VOCAL DELIVERY OF THAT LINE IS SO gOOD

"OoooOOoh" chiorr

" I just did, Whatchu gonna do about it, champ?" FUCK OFF ANTINOUS, DONT BE SO SMUG FUCK U

"Somebody tell me, Come and give me a sign, If I fight this monster, Is it you I'll find?" u desrve your dad so much, he'll come home, promise...promise....hold on, be stronk, u got this boy, also "this monster" its none from your stories, no this is real, its worse its right infront of you AH

Sorry for the swearing :") AH I LOVE THIS SONG SO MUCH, ONE OF MY FAVS FOR SURE (...we'll come back after recency bias but i dont think itll change)

EDIT: DANGER MOTIF WHEN ANTINOUNS JOINS IN!!!!! (are there more? im new to this PLS TELL ME)

@lorethebookworm

[epic-kotlc-crossover]

The Horse and the Infant

This is the first chapter for the EPIC/KOTLC crossover!! (I know we did the thunder saga already but we had a lot of motivation for that and were really excited to post :D) Hope you guys enjoy!!

taglist: @justalunaticfangirl @myfairkatiecat @bookwormgirl123 @thesfromhms @ham-cheese-toastie

This was it, Fitz told himself. He glanced around the wooden horse at his fleet.

One last battle before he could go home, and one last battle before he could see Sophie and Marella again. Marella would be ten by now—it seemed almost crazy to think about.

"Alright, everyone!" He transmitted to the crowd of 600 men, thinking that talking would reveal their position. "Tonight, the Trojans will regret ever messing with us."

Fitz gestured to Keefe. "Your families are wondering where you've been. Do as I say and you'll see them again."

"Yessir!" The chorus of soldiers whispered as one, and Fitz grinned broadly, the dim lighting making it seem almost mad.

As he was sending out his instructions, Fitz let himself feel happy for one more moment—the war was almost over.

As the crowd dispersed, Fitz sent out a chant: "What do you live for? What do you fight for? What do you wish for?"

Sophie....

That was why he was doing all of this—for Sophie and Marella.

I'll fight for them. Fitz thought firmly.

"Attack!" He roared, and charged into the city, following his men.

Fitz was in the thick of the battle, screams and shouts mixing with the clash of his sword against his opponent's. All at once, his vision dimmed and he collapsed.

An clap of thunder boomed, and when Fitz opened his eyes, he wasn't in Troy anymore. Fitz glanced around, panic clogging his throat.

He seemed to be in the ruins of a city, and upon closer inspection, and a jolt of horror, he realized it was his kingdom. Ithaca.

What had happened? In the ten years he'd been gone, could everything have gone into shambles?

He couldn't—he had to find his men. Fitz needed to help them. They had to win this battle, but how could they do that when Fitz couldn't be with them?

How could he save Ithaca?

As he turned around one last time, a figure appeared. With a huge crackling lightning bolt, the person standing before him could only be Zeus. And, Fitz noticed with confusion, a baby swaddled in his right arm. Maybe he was finally doing child support?

"What was that?" His voice came out shaky, because he just realized that the wound in his side was gone-and so was the pain.

"A vision." Zeus' voice boomed, loud and deep, across the space. "Of what is to come. You can only change it right now."

Fitz didn't even pause before replying, "Tell me how?" His crew needed him, and he wouldn't be any use to them dead.

He wouldn't be any use to Ithaca dead.

Plus, he had to see Sophie.

A rumble of laughter erupted from Zeus. "I don't think you're ready." The god told Fitz.

Fitz bristled, offended but stayed silent as Zeus continued. "You'll need to kill someone's son, someone unlike anyone you've faced before."

Fitz straightened, ready to accept. "I can do this, I promise you."

Once again there was laughter-one that started to annoy Fitz deeply—and Zeus stepped forward and placed the baby in his arms.

Fitz looked down in horror. He couldn't mean—

"This is the son of Prince Hector. If you don't kill him now, he will grow up to kill you." Zeus paused. "If you don't kill him now, you'll have no home to protect."

Fitz shook his head wildly, and stumbled back, trying to think of what to do.

He could take him home with him—Sophie wouldn't mind, he was sure of it.

Fitz could sent the infant far, far away, where he could never find out about his father.

"You'll have blood on your hands either way, Fitz." The god told him, almost like he was reading Fitz's mind. "All you have to do is choose."