#Could people please be more interesting?

[pisceanofinterest]

I've decided not to directly engage with this post (and other posts like it) because I have seen with my own two eyes the way that users like this will absolutely dog pile people for having a different opinion than them... However, I cannot read this and not say something about it.

This post proves how disconnected from reality so many "anti-ableist, pro-AI" users are (yes, this is, unfortunately, becoming an identity group online lol).

As someone with multiple disabilities, I utilize AI -- for example, I use a program that reads books/pdfs/essays aloud to me so I can actually get all of my grad school reading done every week-- however, it is possible for AI to be both a tool to help those with disabilities AND for AI to be harmful to the environment and to artists. I'm no expert on the subject, but I know enough about the environmental costs, and enough about the ways AI is stealing (this user would be so mad I used that word) other people's art to feed it. I also know that AI has been used for decades to help with disabilities. Both of these concepts can exist simultaneously. And, in fact, it's actually a good idea to put these things in conversation.

What is so flawed about this person's post is that they -- like so many people in the world-- do not understand nuance. Everything has to be black or white, "pro" or "anti," and, frankly, it's immature as fuck. There are too many people on the internet trying to make victims of themselves because other people are making VALID AS FUCK criticisms about the ever-expanding use of AI. I'm sorry, but trying to make yourself seem like a crucified victim of a (non-existent) witch-hunt because you're actively denying the harm that AI causes (simply because you cannot conceive of the fact that NUANCE EXISTS) is silly.

This person-- and many other people like them-- are literally trying to create an identity group out of supporting AI. And yes, the foundations of this claim might be because they're disabled or believe themselves to be "anti-ableist" but it's super weird to try to make a minority of yourself because you're mad that people are calling out the ways that the AI programs you use are 1) stealing (because they are) and 2) literally fucking up the environment.

It's giving: "people disagree with my opinion so i'm literally going to martyrize myself so that I seem like I hold the moral high ground when, in fact, I'm incapable of understanding nuance and refuse to have adult conversations about the world."

Please, for the love of god, touch grass. Please try to recognize that, yes, AI can be a useful tool, but also certain kinds of AI are literally causing damage. I'm tired of these lazy, black and white, absolutist arguments that make no sense.

No one is stopping you from using programs that steal artists' work or that harm the environment. Do whatever you want, as you have done. However, that doesn't mean you're not immune to valid criticism for supporting these programs... if you're gonna make supporting generative AI your whole personality (or your blog's whole personality), be prepared to face criticism for it. But I'm also getting the vibe that you WANT people to call you out so you can make little posts like this and further "prove" you're a victim... lol

[aroaceleovaldez]

not to complain about the show again but genuinely I think people should be WAY more pissed off that s2 cast an abled actor as a character with Down syndrome - particularly a character whose entire arc and narrative presence is focused on the fact that he has Down syndrome and how Percy has internalized ableism and how Percy unravels that (and also chewing out Annabeth for her ableism).

Like. Tyson has down syndrome. This is a very core part of his character, because like I've said before: the entirety of the first series is centered around and hinges on disabled stories and themes. If you are having an abled actor cast as Tyson you have already failed step one. Cause either you are actively erasing Tyson having Down syndrome or you are having an abled actor try to portray Down syndrome and neither of those things are okay.

[mouse-fantoms]

If ya’ll think I’m not crying like a baby about this then let me inform you 😭😅

[aegann]

Hades 2 fandom constantly driving me fucking crazy acting like there is only ever a single valid interpretation of every Greek myth (EXTREMELY untrue!!).

+ Supergiant are not even trying to be 100% accurate to actual mythology, they are literally doing their own thing! Let them fucking cook!

[sacredashes]

MYTHAL as JUDAS ISCARIOT

"You have murdered me! You have murdered me!"

Dragon Age The Veilguard | Jesus Christ Superstar

[pseudophan]

extremely important question do any buffy fans here actually like angel (the series not the character) because i swear all i see lately is people saying it sucks and they couldn't get through it and it's like you can't ALL be that wrong

[wassupmygays]

god its so cool and Important how. despite all the bright colors and flash fabrics and jewelry, all of the socs are really just carbon copies of each other. theyve all got the same base, just recolored like a character selection page on a cheap game.

all the guys have their crisp, clean, bright shirt, their nice stiff pants, belt, and white shoes. add in some rings and maybe a chain or somethin, and thats about it. add on their matching letterman jackets, and theyre practically identical.

all of the girls have their pretty dresses and styled hair, but thats really it. their dresses all match the popular style at the time, their hair is perfectly placed and not really Theirs. theyre all styled to be popular, not individual.

and they're all so colorful! because they can afford new fabrics and bright colors and expensive dry cleaners to wash them, though they're careful not to get dirty. theyre so bright and colorful but so painfully similar

contrast that with the greasers, who are all relatively in the same color palette. theyre in basic t-shirts, and denims, and leathers. work clothes. theres no split based on gender, ace wears pants with the guys. they are all down in the dirt and grimey, they all have to move and work in these clothes.

but theres so much personality in their outfits! even just the little things, like jewelry or headbands, tells so much about each person. ace's headband is a scrap from the shirt on her back, showing her resourcefulness. darry's flannel and work pants showing his grit and hard work. the patches decorating steve's jacket, showing his passions and the things he fights for. Johnny's vest showing his heritage, and his too-big clothes showing how hes got hand-me-downs. two-bit's tattoos, shown proudly and boldly on his bare arm for the whole world to see.

the greasers might all look 'the same' at first glance because theyre all in grays and dirty whites and denims. but god there is so much more heart and character and diversity in their outfits and therefore in their lives simply because theyre not worrying about sticking in a top spot of society. theyre not worrying about individuality being a weakness to tear them down. theyve got much bigger things to think about. theyre so free in that sense. free to be themselves, free to be with each other and support each other. because thats all they got; their hearts and each other.

the socs dont have that connection. they dont have that chance to be vulnerable and share a part of themselves so constantly. they may live where the grass is greener but are they really so much better off, if they can never truly show themselves?

[escapingarchives]

Consider:

Nureyev’s going undercover as a hypnotist for a show at a grand party of the wealthy (somewhere in the estate is a safe with some very important schematics he'd like to get his hands on).

He researches extensively, first pouring over books and then spending hours choosing outfits, rehearsing flourishes and precise movements. He’s also researching the heist itself, of course. But this time, Juno seems more annoyed with all the time he spends on his research. Juno lounges on the bed watching his boyfriend practicing his entrance over and over, only interrupted by occasional dives to double check his books.

Juno huffs and breaks the silence.

“What a bunch of bullshit, can you believe people actually think this hypnosis shit works? Controlling other people with your voice, my ass.” He rolls his shoulders, they've been tense for days, and the pain is worsening his mood.

“Oh now, it’s a performance like any other,” Nureyev replies, “but my research shows people can be put in a trance, can be hypnotized, provided they want it themselves. One cannot make someone do something against their will. They must want to be hypnotized, to let go and be open and obedient. It's quite interesting."

“Can’t see why anyone would want that at all.” Juno says in a snappy retort, but he considers it in his head. Being in a trance, mind blank, just floating and being open to... whoever’s in control. He’d hate it, of course, he’d feel way too vulnerable. Even more so in front of a crowd, at a show of all things. He needs to always be alert.

But…

Sometimes he just wants a break from it all, even his own head. Especially his own head. To relax and leave himself in the hands of... well. Maybe he can see the appeal, just a little.

He doesn’t say any of this out loud, of course. Nureyev just hums, practising how he'll pick his pendant out of his front pocket.

“Juno,” he says after a while, “since you’re not receptive to actually being hypnotized, can I test the act on you? Then you can tell me how it looks, without being distracted.” He smiles, one of his canines peeking out.

“Yeah, alright,” Juno replies, trying to sound nonchalant. He sits up at the edge of the bed, stretching a little, ignoring the little jump of excitement he feels for a brief moment. “But I’m still gonna tell you whenever you sound way too ridiculous.”

Nureyev's smile widens, and Juno's eye focus on his sharp teeth. “Wonderful, Juno.”

Nureyev starts with his grand entrance, speaking to the imaginary audience. Juno’s both in awe at his confidence and ability to glide seamlessly into the role, through the sheer ridiculousness of it all.

He resists the temptation to make a snide remark when Nureyev adresses an invisible audience member with the tales of his past deeds.

“… and I shall do it all, with this!” Nureyev reveals the crystal pendant he’s fastened to a chain in a dramatic flourish. “Now, esteemed audience, please quiet down so I can demonstrate my abilities on this lovely lady.”

He sits on a chair in front of Juno. “Now please Juno, focus on the crystal. Let your thoughts clear. All that matters is to keep your eye on the crystal, and listen to my voice…”

Juno rolls his eye, but still leans forward. Nureyev holds the crystal up by the chain so it catches the light, and starts swinging it slowly back and forth.

"That looks really stupid," Juno remarks.

Nureyev shushes him.

It’s a pretty jewel, probably worth quite a lot. Juno wonders where Nureyev stole it. It’s a deep violet that shifts from a sparkling, deep blue, into a gold-speckled pink. It naturally grabs his attention, swinging back and forth. The swinging part still looks stupid. But maybe it would be nice to...

The pendant swings, and Nureyev keeps talking in his smooth voice. This might not be so bad, after all. Juno doesn’t feel vulnerable, there’s nothing to be worried about, he knows he’s safe with Nureyev. Who’s currently speaking, but Juno can’t recall what he’s been saying. He focuses on Nureyev’s steady voice again; he loves listening to that melodic voice.

“You feel the tension leave your jaw, your neck, your chest, arms, that’s it, relax…”

It’s surprisingly easy, Juno thinks, to relax. Usually it’s hard to let go of all the tension that sits in his body. It's such a constant part of him that it almost feels strange how easy it melts from his limbs.

“… your stomach, your legs..."

He's breathing more deeply now, he notices. It's comfortable where he sits on the bed, letting his eye follow the pretty pendant that catches the light. He's safe here.

"...very good, relax for me, you're doing so well."

Juno feels warm at that. He's glad he's doing well. Nureyev's voice really suits this kind of thing, he thinks. Smooth and low and inviting. Juno wants to tell him he sounds nice, but he's so relaxed. It can wait. He struggles to keep his eye open.

"... even more relaxed and sleepy, and you'll only let go on my count - wait, Juno?"

The pendant stops for a moment. Juno lets out a low, protesting sound. It's very hard, but Juno lifts his heavy eye to Nureyev's face. He was doing well, wasn't he?

"Are you really -?" Nureyev says softly.

Juno's so relaxed and comfortable, he felt so close to letting go and now he's confused about what Nureyev's even talking about. He manages a questioning "hmm?"

Nureyev stares at him for a long moment, considering, and then he smiles again, showing his sharp teeth. He cups Juno's face, and it feels nice, so Juno leans into it.

"Oh Juno, you are too lovely, " Nureyev says and holds up the pendant again, swinging the beautiful crystal. "Look back at the crystal and keep listening. That's it, well done, and you feel yourself gliding back into the comfortable feeling. Just focus on my voice and how good it feels."

Juno's eye is following the jewel again, how it catches the light, his breathing evening out. He feels like he's enveloped in a soft blanket.

"When I count down, you will feel even more relaxed at every step. When I reach zero, you will sleep for me. You'll be fully under, open, and relaxed. No need to be distracted, just be in the moment, no need to think of anything else..."

Distantly, Juno hears Nureyev speak for another minute, then he starts to count down from ten. For every number, he feels heavier, and more and more comfortable. It's so easy to let go. He wants to let go, to let Nureyev take care of him. Vaguely, he realizes he's wanted it ever since Nureyev introduced him to his newest con. Blank, soft, mindless. Quiet. Juno wants that, and he trusts Nureyev. Of course he does.

"Zero. Sleep for me, Juno."

Juno does.

[shootingstarpilot]

I see a lot of posts expressing frustration with the fanon idea that certain highly competent characters (yes, this post is about Obi-Wan, but I've seen others) can't take care of themselves and need others to bully them into eating, sleeping, etc.. While I totally get that frustration, I personally very much enjoy that trope. I've been trying to dissect why I enjoyed it since I saw those critiques, and I think I finally managed to put it to words.

(Disclaimer: I live in the United States, so my discussion about healthcare is operating in the framework of the man-eating trash fire that is the American healthcare system.)

I am a busy person outside of fandom. I recently completed a cross-country move. I'm damn good at my job and I love what I do, but it's hard work and a lot of it is on call. I have bills to pay. I have paperwork to fill out. I have messages to send and more messages to reply to. I have a life that is full of things I don't want to do. We all do. It's part of existing in society.

I am also chronically ill.

We live in a system that is actively hostile to putting your own health first. The healthcare system is impossible to navigate even if you are feeling the very pinnacle of health and wellbeing, and good fucking luck trying to do so when you're sick. Good luck trying to go to work and pay your bills and fill your tank. Good luck trying to do your paperwork and cook your meals and clean your apartment. Good luck trying to muster up the energy to respond to the well-meaning communications of friends and family.

But here's the thing- you still have to.

The rest of the world doesn't stop when you're sick. The rest of your life doesn't pause when you need it to. Sometimes you have to sacrifice sleep to make it to a doctor's appointment, or skip breakfast to make it to work on time. Every one of us, to some extent or another, has had to sacrifice what would be best for our health in order to stay functional in this fucked-up, capitalistic, carnivorous society.

So I think my preference for reading and writing fics like the ones I mentioned at the beginning has a certain level of wish fulfillment to it. Someone who is competent and good at their job and has an extraordinary level of responsibility on their shoulders sacrifices their own well-being to keep the rest of the world going-

And someone else makes sure they eat. Someone else makes sure their health gets tended to. Someone else makes sure they sleep, and that the world doesn't fall apart while they do so.

A lot of times, we don't get to make those decisions, or we feel guilty when we do. In reading fics like these, I feel like I get to outsource those decisions- outsourcing self-care, if you will. You don't have to feel guilty about putting your own health first, because you're not making the choice to do so. Someone else is.

It's okay. Get some rest.

[hephaestuscrew]

The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359

TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.

Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.

“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation

The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:

[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?  EIFFEL My copy of what?  MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.  EIFFEL Was that one of those mandatory mission training things?  MINKOWSKI Yes.  EIFFEL In that case, yes, I definitely did.  MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.  EIFFEL Oh?  MINKOWSKI Still in its plastic wrapping.

This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.

By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:

Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.

The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.

It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.

Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.

When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.

“When in doubt: whip it out”: Hilbert’s use of the DSSPPM

In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.

In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.

When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.

Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.

“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic

The next mention of the DSSPPM is in Ep17 Bach to the Future:

MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!

I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.

Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.

Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.

Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.

It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:

EIFFEL You're insane.  MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.

There's only one tip Minkowski doesn't seem to remember, and that's revealing too:

EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.

Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.

Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.

“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter

The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.

Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.

Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:

MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.

Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.

In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:

CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.

Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.

For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.

The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.

In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:

MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.

Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.

At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.

In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.

“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival

In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:

MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.

Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.

In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.

“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM

Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.

Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.

Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach. 

The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:

EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!

This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.

In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:

HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.

It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.

The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.

And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.

“One thousand and one pains in my ass”: The authorship of the DSSPPM

In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:

EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you. 

It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.

By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.

Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.

"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it

Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from  Ep58 Quiet, Please:

EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-

No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.

The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.

I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.

But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.

Conclusion

The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.

[hel7l7]

hi, will we be able to read your book?

Hi,

I hope so! :)

I'm looking into getting it published in Dutch first. Since that's my first language and I wrote it in Dutch.

If it's possible and if people are interested I will definitely look into publishing in English as well!

So please let me know if you're interested, because if more people are interested I will def try to make it happen!

Love, Bear

[kikizoshi]

Sun and Moon as Two Broken, Overcompensating Parts of a Whole

I think treating Sun and Moon as opposing coping methods in the same person/body could be an interesting slant to the Daycare Attendant. Where Moon is the part of the DCA that needs them to stop, to rest, they can't keep going on like this. And Sun is the part of the DCA that can't stop no matter what, that has to keep things together, that can't let them rest because the moment they relax everything will fall apart. The need for rest vs the need for progress, acted out in two personalities in one body. Neither are fully right, and neither are fully wrong. They can't give up and succumb to their circumstances (Moon), but they can't keep burning themselves out trying to shove broken pieces back together (Sun). And actually, both are making what the other needs a hostile option. Sun needs to rest, but he can't because the moment he does, Moon will shove him down forever. Moon needs the drive to keep going, but Sun is actively burning them out and making it so excruciating that Moon can't even consider trying. Since neither can reach true peace solely with their own methods, they overcompensate with their faulty coping mechanisms and spiral almost past the point of no return.

That's why merging into Eclipse finally gave them peace. Because together, they have the ability to rest, take things calmly and slowly, not succumb but allow space to breathe. Whereas apart, they literally split at the seams; Sun will forever keep trying to run and Moon will forever keep trying to stop. Crucially, because both are a part of a whole--they'll never be able to operate on their own entirely because they each need the other to be their whole self. Which is literally what Eclipse is. Yin and Yang slotted together.

(This post is a mix of speculation and ideas for how the DCA works in a narrative. It's not meant to be a lore analysis or 100% canon-accurate, just to work from a story perspective.)

[carlottastudios]

Every day I get closer to making an unhinged behemoth of a post listing all of the things about Kaeya and his possible connections to mythology & stuff that I notice but NOBODY ELSE SEEMS TO BRING UP IN THEIR THEORIES

(edit: OMG I reached the tag limit I'm so sorry)

[greenerteacups]

Hi GT,

Forgive me if this is a stupid question, but I absolutely love the recs you've given (you've introduced me to tomione, and I love it!) and I was wondering if it's possible to give you some recs in return? There are some books and fics that definitely have dramione / got vibes, and I was wondering if I could share them with you!

So glad you've enjoyed them! Feel free to rec me anything you want. I've read most of the classic recs in terms of fic and adjacent content (Cruel Prince et al), but I'll try anything that's well-written. My tastes run towards weird and/or audaciously creative stuff, and I can forgive a lot of weaknesses in plot on the grounds of (1) ambition or (2) character work. My turnoffs are instalove, protagonists who can't fail, and most Y/A (I'm not a hater, I swear, I just need characters who can say "fuck" when their leg gets chopped off.)

I'm also a fan of weird and fucked-up dynamics.(Wuthering Heights was my favorite book for a while, and as a teenager I wrote an AU in which the book ends on a long sex scene where Heathcliff fucks Cathy's ghost and then immediately gets murdered by Catherine 2.) Obviously, I am very normal.

[carriesthewind]

.

[potionwine]

Thinking about Margrace as Joshua's name post-Phoenix Gate.

Mar-grace.

In FFXVI the Undying choose their own names (Cyril explains this in-game), and many of them have names drawn from Final Fantasy XII, including their leader 'Margrace' himself, from Al-Cid Margrace. The page for Al-Cid notes that Margrace is likely an alternate form of the title 'margrave', an old title for military commanders on the border.

That aside. This is the name chosen (by the boy himself?) for the boy who should have rightfully been known henceforth as 'Your Grace', 'His Grace'.

Grace (style of address), from the Oxford English Dictionary:

With a possessive adjective: a title of respect, esp. for a person of royal or noble rank. Frequently (in 'your Grace') as a form of address. Now archaic or historical. Formerly (in England until the reign of Henry VIII and in Scotland until 1707) used for a monarch or prince; now replaced by Majesty or Highness. Even so, "Majesty" for the sovereign of England was not used exclusively; it arbitrarily alternated with both "Highness" and "Grace", even in official documents, until "Majesty" finally became the official style to the exclusion of others (source).

Grace (other meanings):

1. Divine favour, benevolence, or providence bringing about worldly benefit or advantage. 2. A person's lot, destiny, or fate; luck, fortune. 3. The quality of being pleasing; attractiveness, charm; esp. (in later use) refined elegance of manner, expression, form, or movement, esp. regarded as natural or effortless; gracefulness.

Whatever the etymology of margrave, the name Margrace in-game is probably meant to call to mind the meaning of 'mar' as in damaged, spoiled, ruined. All the grace that ever belonged to his family, his home, his birthright—marred, of course.

Mar+Grace, the last heir of the oldest unbroken ruling dynasty in the Twins at the time of the opening events of the game**.

The living ghost, carrying the desecrated corpse of his legacy in his new name. Introducing himself by his humiliation: "Hello, I am Margrace", "Hello, I am the ruined dignity of my house." "Call me Margrace", "Call me the wreckage of one fallen from divine favour." "My name is Margrace", "My name is blemished fortunes and diminished nobility".

It's appropriately brutal and dramatic for such a character, especially since the game is frustratingly silent on how Joshua personally feels about the loss of his duchy which is a rant for next time.

**Footnotes:

In the Year 860 (Prologue year/Phoenix Gate), Rosaria is about 260 years old (est. Y600). Older, if you count from the time of the Rose Alliance (est. Y550). The Rosfields have been on the Rosarian throne since the inception of the duchy in Y600, and prior to that House Rosfield was already known to be the chief of/the preeminent house of the Seven High Houses that united to found the duchy. House Rosfield has held ruling power for 260-310 years at a minimum.

For reference, England's longest-reigning dynasty was the Plantagenets, who held on for 300+ years. Rosfields aren't doing half bad!

Veldemarke would have been older had it not been overthrown by Barnabas; therefore Waloed is the youngest nation state at the time of the prologue (only 17 years old). Also we do not know much about the governance of Veldemarke, although as a 'kingdom' it was likely some type of monarchy.

Sanbreque was formed 100 years after Rosaria, and at any rate is not actually a hereditary monarchy. The Holy Emperor is voted into office by his fellow Cardinals, likely the five who form the Council of Elders. We are also explicitly told that Sylvestre 'won his throne' in 865; there is no indication either way that his predecessor emperor was a Lesage. The wording suggests the throne is not Sylvestre's by lineage or birthright. How this is supposed to relate to the concept of Sanbreque having a 'crown prince' (Dion) is unclear and contradictory, since an emperor by election should probably not have the authority to unilaterally decide on the succession of the throne, and his issue—legitimate or no—should not automatically be in the line of succession.

Dhalmekia is a republic with elected officials.

The Iron Kingdom apparently has a royal family, but nothing else is known apart from it being impotent and sidelined by their state religion.

The Northern Tribes likely do have hereditary rule, and Jill is referred to as a princess, but once again little is known.

Ergo—and I am ceaseless in this propaganda—Clive and Joshua are really, properly posh! Absolutely baffling that Anabella would allow anyone to put down the pedigree of her sons when they are so blue-blooded precisely because she is! For someone with such entrenched ideas of blood purity she should not stand for it, no matter how she feels about her eldest.