#Comtesse de la Châtre
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Oil Painting, 1789, French.
By Elisabeth Vigée Le Brun.
Portraying Marie Charlotte Louise Perrette Aglaé Bontemps, Comtesse de la Châtre in a white muslin dress.
Met Museum.
#elisabeth vigee le brun#nobility#comtesse de la châtre#Marie Charlotte Louise Perrette Aglaé Bontemps#painting#oil painting#1789#1780s#french revolution#1780s dress#France#french#1780s France#met museum#white#1780s painting
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Élisabeth Vigée Le Brun (French, 1755-1842) Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848), 1789
Marie Antoinette, who regularly sat for Vigée Le Brun, popularized the kind of simple, white muslin dress so beautifully painted in this portrait of the comtesse de la Châtre, daughter of Louis XV’s premier valet de chambre.
#Élisabeth Vigée Le Brun#french art#1700s#french#france#countess#comtesse#french aristocrat#french aristocracy#Marie Antoinette#Marie Charlotte Louise Perrette Aglae Bontemps#art#western europe#western civilization#female portrait#female#portrait#brunette#woman#brown eyes#classical art#fine art#european art#europe#european#oil painting#fine arts#europa#mediterranean
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Comtesse de La Châtre, Élisabeth Vigée Le Brun (1789) and Hidden Vigée Le Brun, Volker Hermes (2019)
#elisabeth vigee le brun#volker hermes#vigee le brun#painting#hidden portraits#hidden face#aesthetic#dark#femcel#female rage#painting aesthetic#dark aesthetic#.png
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Comtesse de la Châtre, Elisabeth Louise Vigée Le Brun 1789, details
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Comtesse de la Châtre
* Artist: Élisabeth Vigée Le Brun
* Year: 1789
* Subject: The painting depicts the French aristocrat Marie Charlotte Louise Perrette Aglaé Bontemps (Comtesse de la Châtre).
* Style: It was painted in a style characteristic of the Renaissance and Neoclassical periods. The characteristic style of Vigée Le Brun, known especially as the portrait painter of Marie Antoinette, is clearly visible in the painting.
* Characteristics:
* Simple and elegant dress: The Comtesse wears a simple and elegant white muslin dress in the fashion of the time. Vigée Le Brun often used this style of dress because she considered it timeless and classic.
* Calm expression: The Comtesse's facial expression is calm and thoughtful. This expression is typical of aristocrats of the period.
* Color palette: Pastel tones predominate in the painting. Colors such as white, pink and blue emphasize the Comtesse's elegance and innocence.
* Important notes:
* Historical context: Painted just before the French Revolution, this painting is a reflection of the end of the aristocracy. Many aristocrats, such as the Comtesse de la Châtre, were forced to flee France during the revolution.
* The artist's career: Vigée Le Brun was one of the most famous portrait painters of her time. She painted portraits of aristocrats and royalty in many European countries.
* Exhibited at the Metropolitan Museum of Art in New York.
* Vigée Le Brun: Known as the portrait painter of Marie Antoinette, Vigée Le Brun was one of the most successful female artists of her time. She proved that women could be as successful as men.
* Comtesse de la Châtre: The woman in the painting, Marie Charlotte Louise Perrette Aglaé Bontemps, later married François Arnail de Jaucourt.
Mr Can AKIN
Professional Union of Fine Art Work Owners of the Republic of Turkey. Head of Press and Informatics
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Comtesse de la Châtre
* Sanatçı: Élisabeth Vigée Le Brun
* Yıl: 1789
* Konu: Tablo, Fransız aristokratı Marie Charlotte Louise Perrette Aglaé Bontemps'ı (Comtesse de la Châtre) tasvir ediyor.
* Tarz: Rönesans ve Neoklasik dönem özelliklerini barındıran bir tarzda yapılmıştır. Özellikle Marie Antoinette'in portre ressamı olarak tanınan Vigée Le Brun'un karakteristik tarzı tabloda açıkça görülür.
* Özellikleri:
* Basit ve zarif kıyafet: Comtesse, dönemin modasına uygun, sade ve zarif bir beyaz muslin elbise giymektedir. Vigée Le Brun, bu tarz kıyafetleri zamansız ve klasik bulduğu için sıklıkla kullanmıştır.
* Sakin ifade: Comtesse'in yüz ifadesi sakin ve düşüncelidir. Bu ifade, dönemin aristokratlarının tipik özelliklerini yansıtır.
* Renk paleti: Tabloda pastel tonlar ağırlıklıdır. Beyaz, pembe ve mavi gibi renkler, Comtesse'in zarafetini ve masumiyetini vurgular.
* Önemli notlar:
* Tarihsel bağlam: Fransız Devrimi'nden hemen önce yapılan bu tablo, aristokrasinin son dönemlerinin bir yansımasıdır. Comtesse de la Châtre gibi birçok aristokrat, devrim sırasında Fransa'dan kaçmak zorunda kalmıştır.
* Sanatçının kariyeri: Vigée Le Brun, dönemin en ünlü portre ressamlarından biriydi. Avrupa'nın birçok ülkesinde aristokratların ve kraliyet ailesinin portrelerini çizmiştir.
* New York'taki Metropolitan Museum of Art'ta sergilenmektedir.
* Vigée Le Brun: Marie Antoinette'in portre ressamı olarak tanınan Vigée Le Brun, dönemin en başarılı kadın sanatçılarından biriydi. Sanatçı, kadınların da erkekler kadar başarılı olabileceğini kanıtlamıştır.
* Comtesse de la Châtre: Tablodaki kadın, Marie Charlotte Louise Perrette Aglaé Bontemps, daha sonra François Arnail de Jaucourt ile evlenmiştir.
Can AKIN
Türkiye Güzel Sanat Eseri Sahipleri Meslek Birliği. Basın ve Bilişim Başkanı
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Comtesse de la Châtre
* Artiste : Élisabeth Vigée Le Brun
* Année : 1789
* Sujet : Le tableau représente l'aristocrate française Marie Charlotte Louise Perrette Aglaé Bontemps (Comtesse de la Châtre).
* Style : Peint dans un style caractéristique de la Renaissance et de l'époque néoclassique. Le style caractéristique de Vigée Le Brun, surtout connu comme portraitiste de Marie-Antoinette, est clairement visible dans le tableau.
* Caractéristiques :
* Robe simple et élégante : La Comtesse porte une robe de mousseline blanche simple et élégante, à la mode de l'époque. Vigée Le Brun utilisait souvent ce style de robe qu'elle considérait comme intemporel et classique.
* Expression calme : L'expression du visage de la comtesse est calme et réfléchie. Cette expression est typique des aristocrates de l'époque.
* Palette de couleurs : Les tons pastel prédominent dans le tableau. Les couleurs telles que le blanc, le rose et le bleu soulignent l'élégance et l'innocence de la comtesse.
* Notes importantes :
* Contexte historique : Peint juste avant la Révolution française, ce tableau reflète la fin de l'aristocratie. De nombreux aristocrates, comme la Comtesse de la Châtre, ont été contraints de fuir la France pendant la Révolution.
* Carrière de l'artiste : Vigée Le Brun est l'un des plus célèbres portraitistes de l'époque. Il a peint des portraits d'aristocrates et de membres de la famille royale dans de nombreux pays européens.
* Elle est exposée au Metropolitan Museum of Art de New York.
* Vigée Le Brun : Vigée Le Brun, connue comme la portraitiste de Marie-Antoinette, est l'une des femmes artistes les plus brillantes de l'époque. L'artiste a prouvé que les femmes pouvaient avoir autant de succès que les hommes.
* Comtesse de la Châtre : La femme du tableau, Marie Charlotte Louise Perrette Aglaé Bontemps, épousera plus tard François Arnail de Jaucourt.
Mr Can AKIN
Union professionnelle des propriétaires d'œuvres d'art de la République de Turquie. Chef de la presse et de l'informatique
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1. Élisabeth Vigée Le Brun (French, 1755-1842) Self-portrait
2. Portrait of Blanche Charlotte Marie Félicité de Narbonne Pelet, Countess of Mailly (1783) by Élisabeth Vigée Le Brun (French, 1755-1842)
3. 1784 Élisabeth Vigée Le Brun - Comtesse de Cérès
4. 1785 Élisabeth Vigée Le Brun - Vicomtesse de Vaudreuil
5. Marie Antoinette in a Chemise Dress (1783) by Élisabeth Vigée Le Brun (French, 1755-1842)
6. Comtesse de la Châtre (1789) by Élisabeth Vigée Le Brun, (1755-1842)
7. Élisabeth Vigée Le Brun (1755 - 1842): Madame Grand (Noël Catherine Vorlée, 1761–1835), 1783
8. Élisabeth Vigée Le Brun (French, 1755-1842): Elisabeth-Philippe-Marie-Hélène de France dite Madame Elisabeth
9. Élisabeth Vigée Le Brun (French, 1755-1842): Madame du Barr
10. Élisabeth Vigée Le Brun, Portrait of Countess Maria Theresia Bucquoi, 1793
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#Marie Charlotte Louise Perrette Aglaé Bontemps#comtesse#Comtesse de la Châtre#marie#elisabeth vigee lebrun#art#painting#1700s#bookworm
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portraits by élisabeth vigée le brun
self-portrait in a straw hat \\ queen marie antionette \\ self-portrait with her daughter, julie \\ madame perregaux \\ marie-gabrielle de gramont, duchesse de caderousse (1784) \\ comtesse de la châtre (1789) \\ anna ivanovna baryatinskaya tolstoy (1796) \\ portrait de la comtesse maria theresia bucquo (1793) \\ julie le brun as flora (1799) \\ anna beloselskaya-belozerskaya (1798)
#art#mine#élisabeth louise vigée le brun#self-portrait in a straw hat#queen marie antionette#paint#painter#painters#woman painter#woman painters#female painter#female painters#painting#compilation#self-portrait with her daughter julie#madame perregaux#marie-gabrielle de gramont#marie-gabrielle de gramont duchesse de caderousse#duchesse de caderousse#Comtesse de La Châtre#Portrait de la comtesse Maria Theresia Bucquo#anna ivanovna baryatinskaya tolstoy#anna beloselskaya-belozerskaya#julie le brun as flora
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Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps), 1789, Elisabeth Louise Vigée le Brun, Metropolitan Museum of Art.
This portrait shows us the big influence of British art and fashion in France at the end of the century: look at the pose and the big hat. Very Romney, much Gainsborough.
Anyway, made in the same year that the French Revolution would start, we see the Comtesse de la Châtre wearing what seems a chemise à la reine but to me looks more like a round dress (because of the overskirt that looks kind-of fake?), made not in a plain white muslin but in Swiss dot. We can also clearly see the texture of the silk ribbon on her waist and hat, the cute small lace next to her hands and the little buttons at the cuffs. Also, take a look at the way her fichu is rolled and knotted at her back for it not move.
Well, this is a look I'd love to reproduce.
You can listen more about this work of art The Met website HERE.
#art#portrait#met museum#1780s#1789#elisabeth louise vigée le brun#comtesse de la châtre#18th century#18th century art#18th century fashion#white#womenswear#white womenswear#hat#accessories
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Élisabeth Louise Vigée Le Brun,
Comtesse de La Châtre, 1789
#Comtesse de La Châtre#1700s#1780s#1789#white dress#art#painting#portrait#Élisabeth Louise Vigée Le Brun
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Comtesse de la Châtre (1789) by Élisabeth Vigée Le Brun, (1755-1842)
#art#élisabeth vigée le brun#elisabeth vigee le brun#madame le brun#madame lebrun#french#rococo#neoclassicism#comtesse de la chatre#comtesse de la châtre#marie charlotte louise perrette aglaé bontemps#people#women#portrait#18th century#1700s#late 1700s#oil on canvas#metropolitain museum of art#the met
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She is a pretty as a painting....and I can look at her for hours...
Original painting this is based off of is by, Elisabeth-Louise Vigee Le Brun who I studied when I took my painting class in college! This painting is specifically the, Comtesse de la Châtre made in 1789.
#art#drawing#digitalart#digitalpainting#one piece#op#one piece fanart#robin#nico robin#robin fanart#painting#painting reference#one piece robin#anime#anime fanart#monkey d. luffy#roronoa zoro#vinsmoke sanji#nami#tony tony chopper#chopper#usopp#franky#brook#jinbe#thousand sunny#devil fruit#clip studio paint#dweeb art
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Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848), Elisabeth Louise Vigée Le Brun, 1789, European Paintings
Gift of Jessie Woolworth Donahue, 1954 Size: 45 x 34 1/2 in. (114.3 x 87.6 cm) Medium: Oil on canvas
https://www.metmuseum.org/art/collection/search/437900
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Comtesse de la Châtre by Élisabeth Vigée Le Brun 1789, saw this at GOMA and it is one of my favourite paintings
"Marie Antoinette, who regularly sat for Vigée Le Brun, popularised the kind of simple, white muslin dress so beautifully painted in this portrait of the Comtesse de la Châtre, daughter of Louis XV’s premier valet de chambre. Vigée Le Brun combined it with an innovative pose that was probably inspired by the casual, calculated elegance of British portraits, notably those of Emma Hamilton by George Romney. Like many of Vigée Le Brun’s sitters and the artist herself, the Comtesse de la Châtre was a loyalist close to the Crown who fled France during the French Revolution."
#academia#aesthetic#dark academia#academia aesthetic#paintings#detail#painting detail#light academia#renaissance#renaissance art#france#elisabeth vigee lebrun#moodboard#classic academia#classic literature#light academia aesthetic#classic#classics#GOMA#gallery of modern art#metropolitan museum of art
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Art by French portrait painter Élisabeth Louise Vigée Le Brun (1755–1842).
Marie Antoinette with a Rose
Marie Antoinette in a Muslin dress
Marie Antoinette and her Children
Self-portrait in a Straw Hat
Portrait of Madame du Barry
Baronne de Crussol
Comtesse de la Châtre
Madame Molé-Reymond
Portrait Of Aglaé Angélique Gabrielle
Julie Le Brun as Flora
Anna Ivanovna Baryatinskaya Tolstoy
Princess Ana Gruzinsky Galitzine
Countess Siemontkowsky-Bystry
Princess Youssoupoff
Anne Pitt as Hebe
Head of Emma Hamilton as the Cumaean Sibyl
Self-Portrait
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Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)1789
Elisabeth Louise Vigée Le Brun French
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