#Communication for Development

[theplotmage]

Principles and Laws of Magic for Fantasy Writers

Fundamental Laws

1. Law of Conservation of Magic- Magic cannot be created or destroyed, only transformed.

3. Law of Equivalent Exchange- To gain something, an equal value must be given.

5. Law of Magical Exhaustion- Using magic drains the user’s energy or life force.

Interaction and Interference

4. Law of Magical Interference- Magic can interfere with other magical effects.

6. Law of Magical Contamination- Magic can have unintended side effects.

8. Law of Magical Inertia- Magical effects continue until stopped by an equal or greater force.

Resonance and Conditions

7. Law of Magical Resonance- Magic resonates with certain materials, places, or times.

9. Law of Magical Secrecy- Magic must be kept secret from the non-magical world.

11. Law of Magical Hierarchy- Different types of magic have different levels of power and difficulty.

Balance and Consequences

10. Law of Magical Balance- Every positive magical effect has a negative consequence.

12. Law of Magical Limitation- Magic has limits and cannot solve every problem.

14. Law of Magical Rebound- Misused magic can backfire on the user.

Special Conditions

13. Law of Magical Conduits- Certain objects or beings can channel magic more effectively.

15. Law of Magical Cycles- Magic may be stronger or weaker depending on cycles (e.g., lunar phases).

17. Law of Magical Awareness- Some beings are more attuned to magic and can sense its presence.

Ethical and Moral Laws

16. Law of Magical Ethics- Magic should be used responsibly and ethically.

18. Law of Magical Consent- Magic should not be used on others without their consent.

20. Law of Magical Oaths- Magical promises or oaths are binding and have severe consequences if broken.

Advanced and Rare Laws

19. Law of Magical Evolution- Magic can evolve and change over time.

20. Law of Magical Singularities- Unique, one-of-a-kind magical phenomena exist and are unpredictable.

Unique and Imaginative Magical Laws

- Law of Temporal Magic- Magic can manipulate time, but with severe consequences. Altering the past can create paradoxes, and using time magic ages the caster rapidly.

- Law of Emotional Resonance- Magic is amplified or diminished by the caster’s emotions. Strong emotions like love or anger can make spells more powerful but harder to control.

- Law of Elemental Harmony- Magic is tied to natural elements (fire, water, earth, air). Using one element excessively can disrupt the balance and cause natural disasters.

- Law of Dream Magic- Magic can be accessed through dreams. Dreamwalkers can enter others’ dreams, but they risk getting trapped in the dream world.

- Law of Ancestral Magic- Magic is inherited through bloodlines. The strength and type of magic depend on the caster’s ancestry, and ancient family feuds can influence magical abilities.

- Law of Symbiotic Magic- Magic requires a symbiotic relationship with magical creatures. The caster and creature share power, but harming one affects the other.

- Law of Forgotten Magic- Ancient spells and rituals are lost to time. Discovering and using forgotten magic can yield great power but also unknown dangers.

- Law of Magical Echoes- Spells leave behind echoes that can be sensed or traced. Powerful spells create stronger echoes that linger longer.

- Law of Arcane Geometry- Magic follows geometric patterns. Spells must be cast within specific shapes or alignments to work correctly.

- Law of Celestial Magic- Magic is influenced by celestial bodies. Spells are stronger during certain astronomical events like eclipses or planetary alignments.

- Law of Sentient Magic- Magic has a will of its own. It can choose to aid or hinder the caster based on its own mysterious motives.

- Law of Shadow Magic- Magic can manipulate shadows and darkness. Shadowcasters can travel through shadows but are vulnerable to light.

- Law of Sympathetic Magic- Magic works through connections. A spell cast on a representation of a person (like a doll or portrait) affects the actual person.

- Law of Magical Artifacts- Certain objects hold immense magical power. These artifacts can only be used by those deemed worthy or who possess specific traits.

- Law of Arcane Paradoxes- Some spells create paradoxes that defy logic. These paradoxes can have unpredictable and often dangerous outcomes.

- Law of Elemental Fusion- Combining different elemental magics creates new, hybrid spells with unique properties and effects.

- Law of Ethereal Magic- Magic can interact with the spirit world. Ethereal mages can communicate with spirits, but prolonged contact can blur the line between life and death.

- Law of Arcane Symbiosis- Magic can bond with technology, creating magical machines or enchanted devices with extraordinary capabilities.

- Law of Dimensional Magic- Magic can open portals to other dimensions. Dimensional travelers can explore alternate realities but risk getting lost or encountering hostile beings.

- Law of Arcane Sacrifice- Powerful spells require a sacrifice, such as a cherished memory, a personal item, or even a part of the caster’s soul.

[wanologic]

yo danny fenton he was just 19

[luna-azzurra]

heartbreak through body language in Men

A drooping posture can convey a sense of defeat and sadness. Keep shoulders slightly slouched, and avoid standing tall or with a straight back.

Facial expressions play a crucial role. A downturned mouth, furrowed brows, and a distant or vacant gaze can all indicate inner turmoil and heartache.

Men often avoid eye contact when they're feeling vulnerable. If you're experiencing heartbreak, you might find yourself looking down or away when speaking to others.

Restlessness can manifest in various forms, such as tapping fingers, bouncing legs, or constantly shifting positions. This indicates inner turmoil and an inability to find peace.

Movements may become slower and less purposeful when someone is experiencing emotional pain. This can include gestures like reaching for objects or adjusting clothing.

Men in heartbreak might withdraw from social interactions or participate less actively in conversations. They may seem physically present but emotionally distant.

Deep, heavy sighs are often involuntary reactions to emotional distress. They signify a release of tension and an underlying sense of sadness.

Heartbreak can drain one's energy. You may notice a decrease in enthusiasm, vitality, and overall liveliness in how you carry yourself and engage with others.

Crossing arms, hunching shoulders forward, or clasping hands in front of the body can create a barrier between oneself and others, reflecting emotional guardedness and pain.

Gestures may become less expressive and more restrained. Hand movements may be smaller in scale and less animated compared to usual.

[morallysuperiorlips]

10 Ways to Ensure Your Villain's Evil Monologuing Dialogue is as Unsettling as Possible!

1.) Make sure you're mixing body language with the words themselves: You can have your villain saying the most twisted shit, but if they're just standing there like a cardboard cutout, their words probably aren't going to hit as hard. Have them touch your protag. Have them toy with a weapon as if they're going to use it. Have them pace. Have them put together the blood ritual they're ranting about. Keep them moving.

2.) Have them use personal knowledge as a tool: Does your villain have some deep dark dirt on your protag? Don't let that all go in one swoop. Let them hint at it in drops before they open the dam. Maybe they use that knowledge as a bargaining tool to get an upper hand, or use it to send the trapped protag into a frenzy because they love to watch them scream.

3.) When it comes to threats, certainty is key: A threat is a threat, but there's nothing like a threat being spoken as if the villain knows it's going to happen. Whether your villain has already caught your protag, or is in the process of doing so, everything they say they want to see happen to your protag needs to come with absolute certainty. Almost as if it's a certain warning, and not just something they’re saying to be scary.

4.) Contradictions are your friend: Nothing indicates a warped villainous mind more than some juicy contradictions. Your villain might be talking about how they're going to flay your protag's hide after catching them in their dungeon, only to throw in a subtle "but, you're probably safer here with me." Find ways to toss in twisted contradictions that also underline the crazy shit they might be saying.

5.) Mess with syntax: Unsettling dialogue calls for unsettling structure. Incomplete sentences, unforeseen pauses, longwinded explanations broken up by more unforeseen pauses. Whatever it is, keep the rhythm offbeat. Don't give your reader a chance to be able to tell what's coming.

6.) Expectations? Subvert those: Your protag and even your readers might be suspecting one thing from your villain, so throw them a curveball and hit them with the complete opposite. Perhaps you've reached a point in your story where it seems like the villain might kill your protag on sight. But no, have your villain mention exactly why they aren't going to do that, and why they want to wait it out.

7.) Mix quiet confidence and loud assertion: Some might say that the silent seether is scarier, while others might agree that the sudden explosive type takes the bigger unsettling prize. In my opinion, you can really capitalize on the eeriness of villain dialogue by tapping into both. A villain that speaks on with refined confidence before very suddenly exploding, without much warning, can really power up the dread behind their words.

8.) Sometimes, ambiguity is better than being straightforward: Whether it's obvious that your villain has a lot of tricks up their sleeves--or not--leaving things to the imaginations of your protag, and subsequently, your readers is great for building dread. You can use dialogue to make it clear that they're up to something, but never make them fully disclose what that is. They might show it instead of tell it, or it might just never happen. Either way, it'll likely have everyone looking over their shoulders.

9.) There might be times where silence says everything: You might be worried about penning the correct verbiage for your villain's big evil speech, but sometimes, silence speaks wonders. When used correctly, a long pause, or a bout of silence after your protag has said their piece can build a sense of uneasiness more than them actually speaking would have.

10.) Find ways for your villain to mirror the hero: A monologuing villain is better when they're throwing your hero's values and beliefs back in their face. A hero that believes in mercy? Well, have your villain talk about how they'll make them beg for it. A hero that believes in the greater good? Have your villain talk about their idea of a greater good.

As always, GO WRITE SOMETHING TODAY! <3

[gamoraswonder]

Happy december 10th!

COMMUNITY | “Comparative Religion”

[nobie]

#ineffable idiots

[theambitiouswoman]

Green Flags in Communication 💚💬

"I want to know when I hurt your feelings."

This shows they are willing to understand and acknowledge the impact of their actions.

"I don't want you to feel alone in this."

This shows empathy and indicates that the person is supportive and does not want the person to deal with issues alone.

"I've been struggling with ___”

This demonstrates vulnerability and trust, as the person is open about their struggles.

"How have you been feeling about ___? I know it's been on your mind a lot."

This shows concern for the other person's issues or worries, showing that they are listening and care about what's important to the other person.

"I feel __ when you __; are you open to trying __ next time?"

This is an example of constructive communication.

"What do you need from me when this happens with your family?"

This shows awareness and sensitivity to the persons family dynamics and a willingness to provide support.

"I appreciate when you ___.”

Expressing appreciation is vital for positive reinforcement and acknowledging the efforts and qualities of the other person.

"I didn't handle that well."

This is a sign of self-awareness and accountability, recognizing one's own mistakes and being open to learning and growth.

"I'm sorry, I was wrong to say that. I'll try to be more mindful in the future."

Shows you are able to apologize genuinely and a commitment to improving behavior.

"Tell me more about that; I'm really interested in hearing your perspective."

Indicates a genuine interest in the other person's thoughts and feelings.

"I noticed you seemed a bit off today. Is everything okay?"

It shows you are attentive to the other person's emotional state and a readiness to provide support.

"I'm here for you, no matter what you need."

Offers unconditional support, creating a sense of security in the relationship.

"I love how passionate you are about your hobbies. It's inspiring to see."

Expresses admiration for the other person's interests.

"Let's work on a solution together. What do you think would be fair?"

Focusing on collaboration rather than conflict.

"I trust your judgment on this."

Trust and respect for the other person's decision-making abilities.

"Your happiness is important to me. Let's make sure you're taking time for yourself."

Prioritizes the other person's happiness and emphasizes the importance of self care.

"It's okay to feel that way. Do you want to talk about it more?"

Validates the other person's feelings.

"I appreciate how you handled that situation. You're really good at ___."

Praises specific strengths or skills, boosting the other person's self-esteem.

"I know we disagree, but I respect your point of view."

Acknowledges differences in opinion while still maintaining respect and understanding.

[a-path-by-the-moon]

[independent-fics]

Now, you can take that as a gift, or you can take it as a curse. And that's up to you.

Eliot Spencer and Parker Doing the Things Others Won’t

Leverage (2008-2012)

04x01 The Long Way Down Job

05x09 The Rundown Job

[studiodrydock]

Introducing Wylde Society - a period drama sim game

✨ Game Announcement ✨

Introducing Wylde Society; a period drama sim  game! ☕

👠 Play as Vivian Wylde; witch & socialite 🏩 Build & run a magical boarding house 🍽️ Host dinner parties & elegant balls 🔮 Explore magical realms & expand your magic

Enjoy the trailer, and please reblog ✨

✨ Wishlist now on Steam ✨ Join our mailing list ✨Join the subreddit here

[secriden]

one reason i think liu qingge has such great potential is that he's one of the only characters entirely free from the PIDM narrative. because he dies early in PIDM, sqq isn't coming into every conversation and interaction expecting lqg to adhere to a preconceived script. this allows sqq to actually see lqg as a person and for his words and actions to be taken at face value.

i just think this is great potential for sqq to still be completely oblivious or in denial about lbh and yqy's attentions (because he's so fixated on how bad/complicated PIDM!sqq's relationships are with them) whilst also catching wind of lqg's growing feelings for him because he isn't hampered by any preconceived notions of what they're dynamic "should" be.

so give me sqq noticing the way lqg's mannerism soften around him, how his gruffness changes, how he spends more time just having tea with sqq even after his meridians have been cleansed as they start to have civil conversation about sect business. recognising lqg's care in returning his fans; seeking common ground over their shared love of monster hunting (even if lqg just cares about fighting them, can he maybe smash them in such a way that shixiong can study them afterwards?) and discussions on cultivation techniques and the differences between bai zhan and qing jing styles.

sqq who is so just so grateful to have someone in his corner, someone he feels safe with, who he doesn't have to second guess during every conversation. someone who was never supposed to be around by this point in the narrative, and so is entirely shen qingqui's.

[therian-database]

Hello there!

so, here's the deal:

I, a burnt out autistic highschooler, want to create an app for therians (as a therian myself).

Here's the basic features:

A database full of information on as many animals as possible (that can and will be updated!)

Blank templates for otherkins!

Each user has a profile- public or private- and can add theriotypes and notes about those theriotypes!

A journal feature where you can add pictures, drawings, and notes to a digital journal, similar to a glorified notes app lol- and you can make certain parts of your journal public or private!

Packs!

What are packs?

Have some word soup as an explanation: Basically if you want to create a pack to either make friends or add your friends, you can submit a pack request, where you explain why you want to make a pack and if you have specific people in mind to join, and I'm thinking that I don't want it to be like everyone has their own pack or whatever so that's why it has to be approved and stuff like I don't want too many different packs. Basically it's like a discord server or an amino thingy it's a big group chat and the pack creators can set up virtual events and send out pings like "hey! Join this zoom call if you wanna do some arts and crafts!!" Or smth like that

It's a database and a community!! If you would like to help out, please please please send an ask!! I would love all the support I can get!

P.S.

BE NICE AND DRINK WATER

[luna-azzurra]

the first draft is never good. Never. The beauty of writing comes in the editing, when you can tear apart what you’ve done and make it better. It’s not about adding fancy words or making every sentence perfect. It’s about finding the heart of what you were trying to say and making sure that shines through. Editing means being ruthless, cutting out the fluff, and tightening every loose thread until your story feels solid. It’s tough to look at your own work and admit what needs to go, but that’s how your writing levels up.

[thejournallo]

Witchcraft Basics Masterlist!

Witchcraft Basics and Giggles:

Everything to know before you start! The various practices The Tools healing, protecting, and grounding. shielding and banishing herbs,oils and crystals.| Herbs | Oils | Crystals the sabbats the Elements astrology + astrology calendar spells, hexes and curses energy manipulation the various entitis Divination tool Symbology Shadow Work Witchy hack Offerings Grimoire/book of shadows how to work with deities. (works with entities too)

more master lists!

[wandoffire]