#Colorful Pop

[blueskittlesart]

TOTK - Eternal (part 1)

part 2 here

[rattanwhip]

✨

[egophiliac]

since Eng is getting 7.5 soon(?), I felt motivated to go back to my Meleanor rig and make her a couple of lesson animations! ...except for alchemy, because the cauldron bubbles proved too hard to photoshop around, whoops.

maybe she just got lost on her way to the classroom...?

(credit: backgrounds are from the game, I just put her on top of 'em)

(aside from the backgrounds, this is not an edit, I drew her from scratch! please do not tag or treat as an edit!)

[gilbir-t]

I like these designs

This shouldn’t have taken me as long as it did

But yeah I haven’t watched the first episode or anything but I like these human designs they’re cute and fit them I think? Very beachy or summery

⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️

[uncharted-constellations]

The Princess and Hero of the First Great Calamity

The orange snoot is very important to me….

[eroticlamb]

Cover art illustrated by Satsuko Okamoto for Teen Look magazine, circa 1960s ★

[salamispots]

something something giant isopod sharing is caring pass the detritus

inprnt

[nicknelosn]

#she wasn't subtle #at all

GILLIAN ANDERSON and DAVID DUCHOVNY in THE X-FILES (1993-2018)

[godliath]

alecto the first

[miamaimania]

Discover Armand Pierre Fernandez's surreal and vibrant take on long-term parking in the 1980s, a playful commentary on consumer culture and urban life.

[deadeery]

mentally I’m still with yamato while y’all moved on 🙏 happy 4k to me

[taepomme]

So let me introduce to you the one and only…

[warakami-vaporwave]

Superaudio High Quality T60

[janebonbon]

Watching, waiting, staring ...

[kodasea]

Good fishing

[evan-collins90]

AMC Studio 30 Theatre - Houston, TX (1997)

"What the design attempts to do in the 110,000 sq. ft. space is simulate a movie studio backlot and the soundstage where guests become part of the action, and the experience "rekindles the magic and memory of movie going."

Elements from sound stages and studio road cases make up the central lobby space along with a guest service desk. Images of Hollywood's glamorous stars of the past add enchantment to the balcony walls. The space is divided into three themed areas that "transport guests into fantastic worlds of Animation, Action/Adventure and Cyberspace." The food concession stands within each area carries through the theme; "Fizz, Sizzle, Pop"; Wildebeest Feast"; and "Quantum Bits." The 30 auditoria are located off the soundstage lobby and within the various themed areas.

The architecture seems to come alive in the Animation area. The space is designed to resemble an animation cel: "flat, two-dimensional, cartoon-like graphics are outlined with black lines, filled with color and applied on an exaggerated scale." The Fizz, Sizzle, Pop concession's identity and blimp directional signs seem to float in a blue sky with flat, cut-out clouds. The setting for Action/ Adventure recalls a rainforest with heavy hanging leaves, bamboo and rock "carved" directional signs. The custom wall covering features petroglyphs of cave people carrying popcorn, megaphones and movie cameras. The fiber optic eyes peering from behind the leaves in the Wildebeest Feast stand change color. They also appear above rock outcroppings down the corridor. Patrons are invited to explore an abstract, futuristic world in Cyberspace where the floor and ceiling are the same color and brushed aluminum columns rise partway to the ceiling. To create the illusion of "endless space." custom light fixtures project beams of light along the walls and backlit graphic images have neon edges. Various colored lights and a high-tech fluorescent green/orange acrylic sign help to define the Quantum Bits concession area in Cyberspace."

Designed by Kiku Obata & Co.

Scanned from the book, Entertainment Destinations by Martin Pegler (2000)