#Color isolation effect

[reallycreative]

Mastering the Color Isolation Effect in Canva: Step-by-Step Tutorial for...

[ninja-guy-yo]

So, the ninja weren't time-displaced, what we saw them doing when they first appear in Dragons Rising is what they've been doing for years. Did Lloyd just never leave the monastery at all? Is there a farm in the back or..?

But yeah, there's no way the ninja are less than their early-mid 20s now, the "grown-up teenager" days are over. Would've been cool if their designs changed a bit

[lanada]

Altered States | Ken Russell 1980

[percheduphere]

LET'S TALK ABOUT LOKI'S SHOES (ACTUALLY, HIS WHOLE WARDROBE)

Production costs aside, clothes tell the audience about how characters think of themselves.

Loki's shoes in the S2 finale raised a lot eyebrows, but I find them quite fitting: they are comfortable, practical, and most importantly, they are humble. The camera brings this to our attention to communicate his evolution in character.

Loki has always dressed well, often times ostentatiously. Whether he is at war, passing as a Midgardian, or held captive as an Asgardian prisoner, Loki communicates his social class and sense of superiority through clothing. For him, clothing armors his fragile sense of self and against others' opinions of him. He intends to be perceived as deadly charming but ultimately unapproachable.

His attire in the first Thor movie is roughly equal parts green and gold, signifying his royal status. His style is dressed down for his brother's misadventures in Jotenheim, yet overall both silhouettes are lofty, princely, but not hardened or threatening.

In Avengers, Loki's look has more black and leather, with exaggerated emphasis on his shoulders meant to intimidate as he assumes the role of villain. The silhouette is very hard, heavy, and edgy. Gold detailing is prevalent as well. Combined with the goat's helm, this is Loki's most pretentious outfit, which speaks to an undercurrent of low self-esteem and a compulsive need to impress. There's no mistaking he is the main antagonist of the story.

In Thor 2, Loki's attire is similar to Avengers but the overcoat is exchanged for a less bulky version (perhaps conveying he is less guarded now that the effects of the Mind Stone are no longer influencing him). Loki's role likewise pivots from the harsh lines of a villain to the more flexible edges of a reluctant villain-turned-ally. This aligns with his character arc when he protects both Jane and Thor, seemingly sacrificing himself.

In Thor 3, Loki's silhouette is streamlined even further. The overcoat is done away with in favor of what appears to be a leather doublet, pauldrons, and vambraces. Gold accents are minimal. While stylish, Loki's attire is more practical than showy, and his helm serves the dual purpose of protection as well as weaponry. At this point in his arc, Loki has become a full antihero, joining his brother's side in rescuing as many Asgardians as possible, and eventually dying in a vain bid to protect Thor from Thanos.

The TVA does something very fun and interesting in taking away Loki's ability to dress himself. Since Loki cannot use his magic in the TVA, he is forced to wear the same clothing as his captor/advocate, who eventually becomes his best friend and peer.

Perhaps, on a subconscious level, this helped Loki to feel included. We know by his pwn admission that Loki fears being alone and desperately craves a sense of belonging. At the same time, he intentionally dresses to put people at a distance, thereby protecting himself from potential rejection at the cost of isolating himself further.

When Mobius gives him that TVA jacket for the first time, Loki seems uncharacteristically pleased. It is not an attractive jacket by any means, yet he neither scoffs at it nor refuses to wear it. Instead, Loki puts it on and is content when Mobius says it looks "smart" on him. He continues to dress like Mobius and, indeed, mimic some of his mannerisms such as placing his hands on his hips. Without clothing meant to push people away, Loki opens up, has more fun, and makes friends.

Loki's choice of attire as he assumes the mantle of God of Stories (and time) is fascinating. Setting aside the clear design inspiration from the comics, Loki's silhouette is soft, remarkably so. His colors are earthy hues of green, and the only bit of flare are the light gold trimming and crown. The look brings to mind the garb of sages and wise wizards rather than royalty or warriors. He's powerful yet approachable because there is humility in his bearing. And that humility springs from a well of healthy self-worth, self-love, and a deep love for others.

The shoes are not meant to be attractive. They are meant to help him ascend the throne, nothing more.

[teojira]

Scar x fem! Reader/Rover from Wuthering Waves where Reader is trying to get Yangyang back, and Scar offers to give her back for a kiss from reader 🫦

[What's the harm?] [Scar/reader drabble]

Summary: Scar strikes a deal with you, for both your and Yangyang's freedom. (You are Rover in this!)

Word count: 1k+ (I got POSSESSED)

Pronouns: She/her implied

Warnings: Possibly OOC but the game is 3 days old, have mercy. Slightly nsfw! Scar is down bad. You're Rover in this and you're also down bad.

A/N: I want him so bad, the constant flirting with MC? The way his eyes soften at her? I'm in love with him so bad.

“Where is she?” He's already isolated you for Yangyang, bringing you into his domain.

 It's unnerving, standing alone with a man you've seen cause so much trouble, someone who constantly is trying to get into your head.

The comments he makes, there are so many of them and they just keep coming. 

Is he lying about wanting you? Lying about wanting your trust? Is this just a ploy to get you on his side? 

You're not sure, your brain can't deny that this is a trap, he trapped you, but your brain can't deny that he's looking at you with a soft gaze that you're sure he's never graced another human with. He looks like he simultaneously wants to eat you alive and protect you like he claims.

Scar himself stands a few feet away, arms crossed as his eyes trail along your form, starting from your feet, lingering a bit on your chest until finally meeting your eyes. You swear you can see a twinkle in his eye, and he doesn't even remotely try and hide the way he licks his lips at you, a predator grin making it's way on his handsome face.

“Oh come on Rover, she'll be fine~”

“I'm not doing this with you, give her back.” You steel yourself, hand resting on the scabbard of your sword, ready for him to attack.

To your surprise, he knocks his head back and laughs, shaking his head, the movement jostling his locks. He turns back to you, moving closer, step by step.

“Look at that, that fire in your eye is mesmerizing Rover, you're that concerned with a woman who only wants to use you?” He coos, voice mimicking how an adult talks to a child and you feel small, taking a small step back but the distance still closes, he's not letting you get away.

“Stop. I'm not playing this game with you Scar, let me go and give Yangyang back.” You hate how your voice trembles a bit, hating yourself for his presence having such an effect on you.

“Yangyang This, Yangyang that, what about me my dear? Why don't you say my name like you do hers? With that fondness.” He glowers, finally closing the distance, stepping into your personal bubble and cornering you against a large rock.

“What are you even-” You can't help the flush that rushes to your face, your head dizzy at the proximity. The body heat radiating off of him is jarring, but not as jarring as his smell. He smells of ash and burnt wood, and a mix of his own natural scent and it feels warm and safe. For the first time since you've woken up, you feel protected, despite him being the enemy. The same one who the nation you're supposed to protect hates.

It's so stupid, it's so stupid.

"Say my name.” He's leaning down now, was he always this tall?

“W-” He cuts you off, grabbing your jaw with one hand, squeezing your cheeks ever so slightly, only releasing to brush a strand of hair behind your ear.

“Say it, Rover.” His face is so fucking close, you can feel his breath tickling your face.

"Scar." You breathe out, your head spinning, this is wrong, you shouldn't have let him get this close, you need to get out and find Yangyang, what the fuck are you doing?

"Give me what I want, and I'll let you both go." He murmurs, eyes zeroed in on yours.

His heterochromatic eyes are beautiful already, but the way they're so dilated, barely any of his color is shown.

"I'm not following."

"Just a kiss my dear, just one."

"How do I know you're gonna keep your word?"

"You don't, but I don't think that's gonna stop you." He coos again, moving to trail one of his hands down your back, pushing you closer to his body, your chests both heaving and resting on one another.

He's right, as of right now, there is absolutely nothing that will stop you from this, from giving in just this once.

You lean in first, shutting your eyes tight.

It's Scar who does the rest, crashing into you like a wave, trying to consume you.

He kisses you like you're long lost lovers, pouring so much passion into the kiss that you can't ever hope to return, so when he pushes you up against the rock, you know this'll be a reoccurring occurrence. It's addicting, the feeling of his lips finally on yours, all the tension finally reaching a climax. His tongue is damn near down your throat, swallowing down your moans as much as he could, his hands gripping your hips so hard, you wouldn't be surprised if it left a mark later (a small part of you hope he does).

It takes everything in your power to pull away, but the second you do, he moves to start licking at your neck, you can feel his canines run along a specific patch of skin that makes your legs weak. You place a hand on his chest, trying to gently push him away.and when that doesn't work, you bring your other hand up to run your fingers through his locks and tug him away.

The groan he lets out is downright sinful. He looks up at you, his expression as if he just fucked you within an inch of your life, his hair mussed, his lips glossy from your combined spit.

"Was that good enough?"

"Oh honey, you're lucky I don't take you right here. But I am a man of my word." He hums, licking his lips and letting out a snicker. With a shocking gentleness, he pecks your lips one last time.

"Wake up now."

"Rover! Rover! Are you okay?" Yangyang has your head on her lap, one of her palms on your forehead, feeling the warmth there.

All you can do is groan and bring a hand to your face, covering your cheeks.

"What'd he do to you in there?"

"I don't want to talk about it."

ᴛʜᴀɴᴋ ʏᴏᴜ ᴠᴇʀʏ ᴍᴜᴄʜ ꜰᴏʀ ʀᴇᴀᴅɪɴɢ ᴀɴᴅ ɪ ʜᴏᴘᴇ ᴛᴏ ʜᴇᴀʀ ꜰʀᴏᴍ ʏᴏᴜ ꜱᴏᴏɴ!

[freakoutgirl]

said this in the tags of my post before but I feel like it's worth repeating. the thing about this argument that leftists (and specifically feminists) being mean to cishet white men is what's driving them to the alt right is that it's ignoring the fact that these men have women in their lives who are already nice to them. they have mothers, sisters, aunts, coworkers, neighbors, even sometimes girlfriends and wives. there are very, very few men out there that are totally isolated from women that will treat them with kindness. and yet these men will still not see these women as people. they still vote to ban abortion, they will still feel entitled to women's time and bodies, they will still insult perceived "beta males" for not exhibiting their same behaviors. women's kindness does not have a significant material effect on their politics. as long as women will get jobs over men, as long as women are able to say "no" to men, as long as women assert they are people, there will be those men who choose (and I specify choose so people don't misinterpret this as saying it is an "immutable trait") to turn to patriarchal supremacy, and specifically white patriarchal supremacy as long as people of color also make any social headway. that's why the term "reactionary" exists.

[piecesintoplaces]

As a thank you for so many new followers, here's a brand new edition of my editing resources masterposts ✨ (you can find the previous editions here). Make sure you like or reblog the posts below if they’re from other blogs to support their creators! A friendly reminder that some of these are free for personal use only, so be sure to read the information attached to each resource to verify how they can be used.

Textures & Things:

Collage Kits from @cruellesummer that I find myself using basically every single day

Taylor Swift Wax Seals from @breakbleheavens that I also use literally every day

Rookie Magazine Collage Kits (1, 2, 3, 4, 5, 6, 7, 8, 9, 10)

Scribble Textures & Cross-Outs (1, 2, 3)

GIF Overlays (1, 2, 3)

Film Grain & Noise Textures (1, 2, 3)

Paper Textures (1, 2, 3, 4, 5, 6, 7, 8)

PNG Overlays (Paper, Flowers, Clouds, Stickers, Lips, Vintage Paper, Misc. Symbols)

Halftone, Scan Line, & VHS Noise Textures (1, 2, 3, 4)

VHS Tape Textures by @cellphonehippie

Misc. Texture Packs (1, 2, 3, 4, 5, 6, 7, 8)

Photoshop Effects (Halftone Text Effect, Chrome Effect, Glitch Effect, Ink Edge Effect, Photo Morph Effect)

Fonts:

Badass Fonts (free fonts designed by womxn 🤍)

Open Foundry Fonts

Free Faces

Uncut Free Typefaces

Some Google Fonts I Like: Instrument Serif, DM Sans, EB Garamond, Forum, Pirata One, Imbue, Amarante

Some Adobe Fonts I Like: New Spirit, Ambroise, Filmotype Yukon, Typeka, Big Caslon CC (TTPD Font!)

Some Pangram Pangram Fonts I Like: Editorial Old, Neue World Collection, Eiko, PP Playground

Fonts In The Wild (font-finding resource)

Tutorials & Resources:

Comprehensive Rotoscoping Tutorial (Photoshop + After Effects, great for beginners!) by @antoniosvivaldi

Rotoscoping & Masking Tutorial (After Effects) by @usergif

Texture Tutorial for GIFs by @antoniosvivaldi

Color Control PSD by @evansyhelp (to enhance, isolate, or lighten specific colors)

Cardigan Music Video PSD by @felicitysmoak

Picspam Tutorial by @kvtnisseverdeen

Moving GIF Overlay Tutorial by @rhaenyratargaryns

GIF Overlay Tutorial (+ downloadable overlays!) by @idsb

Icon & Header Tutorial by @breakbleheavens

GIF Blending Tutorial by @jakeperalta

Split GIF Tutorial by @mithrandirl

Guide to Coloring Yellow-Tinted Shots by @ajusnice

Slow Motion After Effects Tutorial (useful for GIFs!)

Gradient Map Tutorial by me!

Misc:

How to Make Your Own Textures by @sweettasteofbitter

How to Report Tumblr Reposts of Your Work by @fatenumberfor

Tips for Accessible Typography

[o-craven-canto]

Rough timeline of the discovery of genes and DNA

(mostly condensed from the first half of S. Mukherjee, The Gene: An Intimate History, 2016, and this 1974 paper)

1857-1864: Gregor Mendel experiments with breeding peas at the monastery of Brno. The results show that information about flower color, pod shape etc. is transmitted in discrete blocks that do not mix, and can persist unexpressed in a generation to manifest again in the next.

1865-1866: Mendel's results are published in a minor journal and effectively forgotten for 35 years. He corresponds with physiologist Carl von Nägeli, who dismisses them as "only empirical" (???).

1868: Unaware of Mendel's work, Darwin proposes pangenesis as mechanism of heredity: every body part produces "gemmules" that carry hereditary information and merge to form gametes. This does not explain how new traits aren't immediately diluted out of existence, or why acquired changes aren't inheritable.

1869: Friedrich Miescher extracts a mysterious substance from pus on used bandages and salmon sperm. He calls it nuclein (later: chromatin), as it seems to be concentrated in cell nuclei.

1878: Albrecht Kossel separates nuclein into protein and a non-protein component, which he calls nucleic acid, and breaks it down in five nucleotides.

1882: Darwin dies, bothered -- among other things -- by the lack of a plausible mechanism to transmit new variation. Legend has it that Mendel's paper lay on a bookshelf of his study, unread.

1883: August Weissmann, noting that mice with cut tails always give birth to fully-tailed mice, theorizes that hereditary information is contained in a "germplasm" fully isolated from the rest of the body, contra pangenesis. At each generation, only germplasm is transmitted, and gives separate rise to a somatic line, i.e. the body, which isn't.

ca. 1890: Studying sea urchin embryos in Naples, Theodor Boveri and Wilhelm von Waldeyer-Hartz notice large coiled masses of nuclein inside cell nuclei which can be dyed blue with aniline. They call them chromosomes, literally "colorful bodies". Simultaneously, Walter Sutton discovers chromosomes in grasshopper sperm.

1897: Hugo de Vries, after collecting hundreds of "monstrous" plant varieties near Amsterdam, realizes (also unaware of Mendel's work) that each trait is due to a single discrete particle of information, never mixing with the others, which he calls pangene in homage to Darwin. He also notices the appearance of completely new variants, which he calls mutants. In the same year, Carl Correns -- a former student of Nägeli, who had completely neglected to mention Mendel's work -- reproduces it exactly in Tubingen with pea and maize plants.

1900: Having finally found out about Mendel's publication, De Vries rushes to publish his model before he can be accused of plagiarism, which happens anyway. Correns does the same. Erich von Tschermak-Seysenegg also independently recreates Mendel's results with pea plants in Vienna. Come on, guys, this is embarassing.

1902: Boveri and Sutton independently propose that hereditary information is carried by chromosomes. Supporters of this hypothesis generally hold that information is carried by proteins, with the simpler nucleic acids (only 5 nucleotides vs. 20 aminoacids) serving as scaffold.

1905: William Bateson coins the word genetics to describe the field growing mostly from De Vries' work. He realizes it should be possible to deliberately select organisms for specific individual genes. Meanwhile, Boveri's student Nettie Stevens discovers in mealworms a strangely small chromosome that is found only in males -- chromosome Y. This is the first direct evidence that chromosomes do, in fact, carry genetic information.

1905-1908: Thomas Hunt Morgan and his students breed and cross thousands of fruit flies in a lab in New York. Contra Mendel, they notice that traits are not passed down in a completely independent way: for example, male sex and white eyes usually manifest together. This suggests that their information particles are attached to each other, so that the physically-closest traits are more likely (but not guaranteed!) to be transmitted together.

1909: Phoebus Levene and his coworkers break down nucleic acids by hydrolysis into sugars, phosphate, and nucleobases. They assume that nucleobases must repeat along a chain in a repetitive sequence. In a treatise on heredity, Wilhelm Johannsen shortens "pangene" to gene. It's a purely theoretical construct, with no known material basis.

1911: Using Morgan's data on trait linkage, his student Alfred Sturtevant draws the first genetic map, locating several genes along a fruit fly chromosome. Genetic information now has a physical basis, although not yet a mechanism of transmission.

1918: Statistician Ronald Fisher proposes that traits appearing in continuous gradients, such as height, can still be explained by discrete genes if multiple genes contribute to a single trait, resolving an apparent contradiction. (Six genes for height, for example, are enough to produce the smooth bell curve noticed half a century earlier by Francis Galton.)

ca. 1920: Bacteriologist Frederick Griffith is studying two forms of pneumococcus, a "smooth" strain that produces deadly pneumonia in mice (and people) and a "rough" strain that is easily dispatched by immunity. He finds out that if live "rough" pneumococci are mixed with "smooth" ones killed by heat, the "rough" can somehow acquire the deadly "smooth" coating from the dead.

1926: Hermann Muller, another student of Morgan, finds out he can produce arbitrary amounts of new mutant flies by exposing their parents to X-rays.

1928: Griffith describes the acquired "transformation" of bacteria in an extremely obscure journal.

1929: Levene identifies the sugars in "yeast nucleic acid" and "thymus nucleic acid" as ribose and deoxyribose, respectively. The two will henceforth be known as ribonucleic acid (RNA) and deoxyribonucleic acid (DNA).

ca. 1930: Theodosius Dobzhansky, who also had worked with Morgan, discovers in wild-caught fruit flies variations of wing size, eye structure etc. that are produced by genes arranged in different orders on the chromosome. This rearrangement is the first physical mechanism for mutation discovered.

1940: Oswald Avery repeats Griffith's experiments with pneumococci, looking for the "transforming principle". Filtering away the remains of the cell wall, dissolving lipids in alcohol, destroying proteins with heat and chloroform does not stop the transformation. A DNA-degrading enzyme, however, does. Therefore, it is DNA that carries genetic information.

1943: By mixing flies with different gene orders and raising the mixed populations at different temperatures, Dobzhansky shows that a particular gene order can respond to natural selection, increasing or decresing in frequency.

1944: Avery publishes his results on transforming DNA. Physicist Erwin Schrödinger writes a treatise (What Is Life?) in which he states, on purely theoretical ground, that genetic information must be carried by an "aperiodic crystal", stable enough to be transmitted, but with a sequence of sub-parts that never repeat.

1950: In Cambridge, Maurice Wilkins starts using X-ray diffraction to try and make a picture of the atomic structure of dried DNA (as Linus Pauling and Robert Corey had done earlier with proteins). He is later joined by Rosalind Franklin, who finds a way to make higher-quality pictures by keeping DNA in its hydrated state. By hydrolyzing DNA, Erwin Chargaff notes that the nucleobases A and T are always present in exactly the same amount, as if they were paired, and so are C and G -- but A/T and C/G can be different amounts.

1951: Pauling publishes a paper on the alpha-helix structure of proteins. Having attended talks by Wilkins and Franklin, James Watson and Francis Crick attempt to build a physical model of DNA, a triple helix with internal phosphate, but Franklin notes it's too unstable to survive.

1952: Alfred Hershey and Martha Chase mark the protein envelope of phage viruses with radioactive sulfur, and their DNA with radioactive phosphorus. The phosphorus, but not the sulfur, is transmitted to host bacteria and to the new generation of phages. This indicates that DNA is not just exchanged as "transforming principle", but passed down through generations.

1953: Pauling and Corey also propose a structure of DNA, but they make the same mistake as Watson and Crick. These receive from Wilkins an especially high-quality photo (taken in 1952 by either Franklin or her student Ray Gosling). Combining this picture with Chargaff's measurements, they conclude that DNA must be a double helix, with a sugar-phosphate chain outside, and nucleobases meeting in pairs on the inside (A with T, C with G). The complementary sequences of bases give a clear mechanism for the storage and replication of genetic information.

1950s: Jacques Monod and François Jacob grow the bacterium Escherichia coli alternately on glucose and lactose. While its DNA never changes, the RNA produced changes in step with the production of glucose-digesting and lactose-digesting enzymes. So DNA is not directly affected, but different sequences are copied onto RNA depending on need.

1958: Arthur Kornberg isolates DNA polymerase, the enzyme that builds new DNA strands in the correct sequence. By inserting into DNA a heavier isotope of nitrogen, Matthew Meselson and Franklin Stahl show that each strand remains intact, separating during replication and then serving as template for a new one.

1960: Sydney Brenner and Jacob purify messenger RNA from bacterial cells. This seems to copy the sequence of a single gene and carry it to ribosomes, where proteins are built. RNA must encode the sequence of aminoacids of a protein, presumably in sets of 3 nucleotides (the smallest that can specify 20 aminoacids).

1961-1966: Multiple labs working in parallel (Marshall Nirenberg-Heinrich Matthaei-Philip Leder, Har Khorana, Severo Ochoa) map every possible triplet of nucleotides to a corresponding aminoacid. Synthetic RNA is inserted into isolated bacterial ribosomes, and aminoacids are marked one at a time with radioactive carbon to check the sequence of the resulting proteins.

1970: Paul Berg and David Jackson manage to fuse DNA from two viruses into a single sequence ("recombinant DNA") using DNA-cutting enzymes extracted from bacteria.

1972-1973: Janet Mertz joins Berg and Jackson, and proposes inserting the recombinant DNA into the genome of E. coli, exploiting the bacterium for mass production. Herb Boyer and Stanley Cohen perform a similar experiment merging bacterial DNA, and linking it to an antibiotic-resistance gene so that the recombinant bacteria can be easily isolated.

1975-1977: Frederick Sanger isolates template strands of DNA to build new ones with DNA polymerase, but uses altered and marked nucleobases that stop polymerization. By doing so, then segregating the shortened sequences by length and recognizing their final base with fluorescence, it's possible to read the exact sequence of bases on a DNA strand.

[conceptionsofconciousness]

The Nakshatra Colors

In Astrology, every Nakshatra has a color which it is associated with. The color of the Nakshatra works in two primary ways. Internally and externally. This article piece focused on the Internal.

On an internal level, the color of the Nakshatra has a psychological effect. According to color theory every hue, shade, and tone affects the spirit and consciousness. Every Nakshatra color internally takes on the psychological traits of color, integrating into the consciousness and personality.

The colors of Nakshatras internally are best applied to the Nakshatra placement of the Sun, Moon, Rahu, and Ketu. This is because all 4 of these planets relate directly to the internal consciousness.

The Traits of a Nakshatra Color brings the following traits into the inner self or personality:

Ashwini - Blood Red

Active Excitement Energy Invigoration High Metabolism Fearlessness Intensity Power Passion Fire Love Lust Arousal Affection Aggression Anger Violence Warfare Terror Survival

Bharani - Blood Red

Active Excitement Energy Invigoration High Metabolism Fearlessness Intensity Power Passion Fire Love Lust Arousal Affection Aggression Anger Violence Warfare Terror Survival

Krittika - White

Independence Youth Innocense Completeness Openness Blank Slates Possibilities Creativity Purity Virtue Cleanliness Simplicity Peace Tranquility Cleansing Efficiency Order Soothing Isolating Empty Boredom, Criticism

Rohini - White

Independence Youth Innocense Completeness Openness Blank Slates Possibilities Creativity Purity Virtue Cleanliness Simplicity Peace Tranquility Cleansing Efficiency Order Soothing Isolating Empty Boredom, Criticism

Mrigashira - Silver Grey

Fluid Sensitive Soothing Calming Restorative Reflection Intuition Clairvoyance Wealth Prestige Quiet Reserved Compromising Blending In Unemotional Indifferent Loner Isolated Depressing

Ardra - Green

Going Motion Equilibrium Balance Harmony Health Wellness Nutrition Vitamins Fitness Growth Fertility Prosperity Progress Wealth Freshness Renewal Stress Relief Relaxation, Nature Inexperienced Envy Greed Jealously

Punarvasu - Lead Grey

Intelligence Wisdom Dignity Experience Neutrality Balance Impartiality Clear Thoughts Compromising Faith Truthful Formal Modern Future Advancing Technology Protective Private Reserved Blending in Loner Isolated Background Existence

Pushya - Black Red

Black

Power Control Protection Elegance Formality Professionalism Standing Out Mystery Dramatic Enigmatic Aggression Anger Fear Anxiety Grief Despair Anxiety Sadness Evil Death Mourning Loneliness Lethargy

Red

Active Excitement Energy Invigoration High Metabolism Fearlessness Intensity Power Passion Fire Love Lust Arousal Affection Aggression Anger Violence Warfare Terror Survival

Ashlesha - Black Red

Black

Power Control Protection Elegance Formality Professionalism Standing Out Mystery Dramatic Enigmatic Aggression Anger Fear Anxiety Grief Despair Anxiety Sadness Evil Death Mourning Loneliness Lethargy

Red

Active Excitement Energy Invigoration High Metabolism Fearlessness Intensity Power Passion Fire Love Lust Arousal Affection Aggression Anger Violence Warfare Terror

Survival

Magha - Cream

Openness Seriousness Intense Respected Esteemed Admired Durability Sophistication Refinement Humility Athletic Ambitious Competitive Cautious Held Back Adversarial Sore Loser Antagonistic

Purva Phalguni - Light Brown/Tan

Natural Organic Warmth Comforting Cozy Calm Relaxed Logical Analytical Creative Artistic Security Luxury Elegance Conservative Dull

Uttara Phalguni - Bright Blue

Optimism Enthusiasm Bright Alert Peace Clam Tranquility Relaxed Meditative Zen Recharging Intelligence Concentration Focus Connection Strong Values Integrity Honesty Attractive Connection Helper Assister Rational Capable Composed Competent Precise Responsible Reliable Trustworthy Loyalty Social Cold Sad Down

Hasta - Dark Green

Bold Controlled Steadfast Conservative Edgy Fertility Drive Desire Money Materialism Hunger Indulgence Moody Oversaturated Overwhelming Flooded Overloaded Gluttony Excess Resentment Spite

Chitra - Black

Power Control Protection Elegance Formality Professionalism Standing Out Mystery Dramatic Enigmatic Aggression Anger Fear Anxiety Grief Despair Anxiety Sadness Evil Death Mourning Loneliness Letheragy

Swati - Black

Power Control Protection Elegance Formality Professionalism Standing Out Mystery Dramatic Enigmatic Aggression Anger Fear Anxiety Grief Despair Anxiety Sadness Evil Death Mourning Loneliness Letheragy

Vishakha - Gold

Optimism Positivity Charisma Passion Wisdom Understanding Enlightenment Success Knowledge Wisdom Great Understanding Triumph Achievement Reputation Wealth Quality Giving Compassionate Loving Selfishness Over-complexity

Anuradha - Reddish Brown/Maroon

Warmth Beauty Primal Emotional Passion Power Strength Determination Confidence Courage Spirited Depth Ambition Force Risk Creative Wise Spiritual Impulsive Anger

Jyestha - Cream

Openness Seriousness Intense Respected Esteemed Admired Durability Sophistication Refinement Humility Athletic Ambitious Competitive Cautious Held Back Adversarial Sore Loser Antagonistic

Mula - Bright Yellow

Happiness Positivity Cheerfulness Inspiring Illuminating Optimism Hope Promising Striking Insightful Wise Humerus Vibrant Stimulated Engaged Overpowering Intense Excessive Warning Caution Deceit Restless

Purva Ashadha - Black

Power Control Protection Elegance Formality Professionalism Standing Out Mystery Dramatic Enigmatic Aggression Anger Fear Anxiety Grief Despair Anxiety Sadness Evil Death Mourning Loneliness Lethargy

Uttara Ashadha - Copper

Down to Earth Warm Homely Wealth Comforting Impassioned Lively Energetic Strong Determined Supportive Genuine Classy Successful Accomplished Egotistical Cheeky Envy Hypocrisy Cynicism

Shravana - Light Blue

Feminine Welcoming Soft Comfortable Safe Calm Gentle Ethereal Peaceful Tranquil Soothing Refined Cultivated Stylish Approachable Concentration Focus Connection Strong Values Integrity Composed Competent Precise Responsible Reliable Trustworthy Superficial Delicate Frail Cold Sad Down

Dhanishta - Silver Grey

Fluid Sensitive Soothing Calming Restorative Reflection Intuition Clairvoyance Wealth Prestige Quiet Reserved Compromising Blending In Unemotional Indifferent Loner Isolated Depressing

Shatabhisha - Cyan/Aqua

Rational Liveliness Nature Healing Therapy Restoring Correcting Mending Remediation Stability Tranquility Clarity of Mind Emotional Balance Serenity Creativity Spirituality Dreams Fantasy Trances

Purva Bhadrapada - Silver Grey

Fluid Sensitive Soothing Calming Restorative Reflection Intuition Clairvoyance Wealth Prestige Quiet Reserved Compromising Blending In Unemotional Indifferent Loner Isolated Depressing

Uttara Bhadrapada - Purple

Power Wisdom Inspiration Creativity Imagination Fantasy Spiritual Devout Philosophical Future Minded Resourceful Selfless Humility Wealthy Luxury Nobility Extravagance Impractical Immature Arrogance Cynicism Melancholy

Revati - Brown

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[xxmia0wm4yh3mxx]

SPRUNKI ISLAND AU

Okay its less of an Au and more of Fanlore I added but Idc

All sprunkis live on a place called Sprunki Island

Sprunkis all a unique color, shades, tints and hues and They all communicate through making music, singing, and beat boxing noises, Each Sprunki's Color and Sounds is as unique as a Fingerprint/Personality

Instead of reproducing through fornication, they all come from a factory, when two Sprunkis love each other they go to the factory and extract dna from both parents and they mix it in a egg

Unfortunately, some sprunkis are born without the ability to create music properly and need instruments to help make music (Vineria, Gray, Garnold)

sprunkis are born without the ability to create music properly are looked down on in Sprunki society, this is called Resonance Deficiency Syndrome (RDS)

RDS:

Sprunkis possess a unique biological phenomenon called Chromasymphonic Energy, a fusion of sound and light within their bodies. This energy is responsible for both their vibrant colors and their ability to produce music.

The frequency of a Sprunki’s "voice" directly affects the pigments in their skin. Higher frequencies create brighter, lighter hues, while lower frequencies result in deeper, richer colors. When a Sprunki is actively creating music, their color pulses or shifts slightly in intensity, creating a mesmerizing visual effect.

For example, during a lively group performance, the entire community might light up in a dazzling array of colors that dance in sync with their music.

Harmonic Resonance:

When two or more Sprunkis harmonize, their colors subtly blend, creating gradients or entirely new shades between them. This is especially prominent when Sprunkis collaborate creatively or emotionally bond, such as when two Sprunkis fall in love or form deep friendships.

For example, when Oren and Pinki harmonize, their orange and pink hues merge into a soft coral glow.

Healing and Energy Regulation:

Chromasymphonic Energy isn’t just for communication—it sustains their physical health. Creating music helps regulate their energy levels, while prolonged silence can cause them to feel sluggish or unwell. Similarly, vibrant colors indicate good health, while dull or faded hues can signal illness or stress.

Music therapy sessions, where Sprunkis perform gentle, harmonic melodies together, are a common form of healing.

Music as a Marker of Growth:

As Sprunkis grow and evolve, their music changes to reflect their experiences. A young Sprunki might produce chaotic, energetic rhythms, while an older, wiser one might create more intricate and deliberate melodies. This evolution is seen as a journey of self-discovery.

___________________________________________

RDS

RDS is a condition where a Sprunki’s Chromasymphonic Energy is imbalanced, making it difficult for them to synchronize with instruments or external sound sources. While they may have the desire to make music, their internal frequencies fail to align, resulting in disjointed or inaudible output. RDS is caused by Sprunkis whos Music are not 100% compatible with eachother

Symptoms:

Difficulty producing harmonious sounds, even with tools.

Faded or unstable coloration, as their body struggles to channel energy properly.

Feelings of frustration, isolation, or low energy due to the inability to fully express themselves.

Cultural Perspective:

Sprunki's see those with RDS are weaker and need to be fixed

Potential Treatments:

Instrument Tuning Therapy: Custom instruments are crafted to better match the individual's unique frequency.

Harmonic Resonance Groups:

Other Sprunkis harmonize with the affected individual to "retrain" their Chromasymphonic Energy.

Emotional Sound Counseling: Since emotional well-being is tied to musical output, counseling sessions often involve music to address internal imbalances.

Symptoms of RDS:

Sprunkis with RDS are usually lethargic and have lower energy than most Sprunkis, Low saturation in color and Quieter Music

Their are many Different Levels of RDS and no Sprunki with RDS looks the Same

Sprunkis with RDS:

Vineria:

Vineria has Mild RDS but still needs her Vine Wig to make Music

Garnold:

Without his Robotic Suit, Garnold can only make a short, sharp Beeping noises which makes him insecure about himself

Gray:

Gray can Only Make A low rhythmic humming Noise

[nothorses]

a transmasc only discord server is kind of fucking weird tbh. you call transfems seperationists for voicing their unique oppressions and then get pissy and make a server where you can just circle jerk and pat each other on the back, never questioning your transmisogyny? i think people can see who the true “seperationists” are.

About a year ago the queer black woman leading the organization we were working to start asked me and the other white people working with her to lead an affinity group that white families joining the org would be required to participate in, and which would read and discuss anti-racist/anti-white supremacist literature together, as a way of protecting space for black & brown staff, families, and program participants.

She stressed that it was important for this to be specific to white people, and explained that she wanted to start a parallel one for people of color involved in the org, because those conversations are really different between those groups. Importantly, the kind of honesty and vulnerability required to effectively unpack white supremacy culture is, well, generally not safe (or often possible) for people of color to embody in a space where white people are unpacking their own white supremacist ways of thinking and acting- even if they're doing it in an explicitly anti-racist context.

This is derived from the idea of "affinity groups", often specifically "identity affinity groups", which are commonly used in activist spaces and workplaces seeking to dismantle oppressive systems and culture from within. The idea is that creating spaces specific to identities allows for conversations about personal experiences with oppression that would be difficult to hold otherwise; both for those who have been harmed, and those who have done harm. It's not an end-all be-all kind of tool, but it can definitely be helpful.

In the context of marginalized identities, these kinds of spaces can also be a really great way of facilitating community-building, especially where there is a capacity for establishing positive cultural norms in the process (like not tolerating certain kinds of bigotry, especially if you also make space to express, challenge, and unpack bigoted ideas).

Transmascs, as a group, historically struggle to connect with community. Invisibility coupled with the isolating nature of queerness (as a marginalized identity that emerges later in life, and generally not through genetics), and in particular the way transness tends to funnel into a desire to "pass" & further isolates folks by preventing them from even identifying one another, contributes to this naturally. There's also a phenomena in which feminist and queer community spaces tend to be hostile towards anyone they perceive as "masculine", and therefore threatening. This includes transmascs (esp. those who are or have transitioned) and transfems (esp. those who are pre-transition/non-transitioning or butch), along with plenty of other groups (black people especially).

Thus, a transmasc-specific server serves a few purposes:

It acts as a space for transmascs to discuss our unique experiences with lessened anxiety around accidentally phrasing something in a way that does harm to others in the space

It acts as a space for transmascs to challenge one another on bigoted or harmful ideas, which may be better received coming from someone who shares some of those personal experiences- and is often easier given from a person who is not personally hurt by what was said/done.

It acts as a space for transmascs to build community with other transmascs

It establishes positive community norms early in that process, which often carry outside of that space and into others.

Among lots of other things!

Identity affinity groups aren't the end-all be-all; it's important for folks to interact, connect, and build community with people from a diversity of backgrounds, experiences, and perspectives. That's how we grow, and it's part of how we make sure the ideas we have about the world include and account for everyone.

Trans experiences have been absent from a huge portion of feminist theory; earlier theory especially. That- and the exclusion of black & brown experiences- is how we got radfeminism. Also known as second wave feminism, which preceded the inclusion of intersectionality that defined the third wave.

Transmasc experiences have been absent from a huge portion of trans theory; this isn't a conspiracy or anything, it's something Julia Serano acknowledges in the opening pages of Whipping Girl (even though she also goes on to make assumptions about experiences not her own anyway).

My opinion is that community-building is an essential step in promoting the inclusion of transmasc perspectives on a larger scale: it gives transmascs a space to identify patterns in their experiences. We can then take our observations into diverse communities, where we can identify similarities and differences in how others are treated, learn from one another, and cultivate a more complete understanding of oppression across all demographics.

Your ask makes me think you're not really interested in all of this- and you were instead just looking to make me feel or look bad (or perhaps just make yourself feel good)- but maybe I'm wrong! I would love to be wrong. Or maybe someone else will learn from this instead.

[fazedlight]

Leaning In

Everything felt strange.

It felt strange to see sunlight again. To walk into her apartment. To hug Alex again, hug Lena, hug the rest of the superfriends. To hear cars roll by and planes overhead and people everywhere. 

Compared to the phantom zone, everything was strange.

Wires were crossed, Kara thought, looking over at Lena with an overwhelming sense of guilt at what she had almost done, days before. Lena sat quietly on Kara's couch with a glass of wine, eyeing Kara from across the coffee table where Brainy and Alex were finishing out their game of Monopoly.

It had only been four days since her return, and Alex hadn’t given her a moment of solitude, so overjoyed to finally have her sister back. And Kara was glad for the noise, for the life that was back in her life with all the superfriends, chatter and colors and hugs instead of the desolate wasteland of the phantom zone. 

But in that time, Kara and Lena hadn’t had a moment alone together, leaving a sinking pit in Kara’s stomach when she thought about when she’d next have a real conversation with the Luthor. Does she realize?, Kara thought, Does she know I almost tried to kiss her?

The phantom zone breaks people. It’s why Krypton used it as a prison, why it became such an effective deterrent. Her brain wasn’t normal when she returned. She normally knew better. Knew better than to try to kiss her best friend. But in her traumatized and mostly isolated state, Kara had briefly forgotten the sort of decorum required with normal living - that her months of wishing she were home in Lena’s arms didn’t mean that her daydreams had become real.

Brainy finally won the game of Monopoly - proud that he had been able to knock Lena out of the game early, virtually guaranteeing his victory - and the superfriends finally began packing up to go home. Alex pulled Kara into a tight hug, planning on giving the kryptonian some space for the night, the first where Kara would sleep in her own bed instead of the Tower. “Coffee tomorrow morning?” Alex asked adamantly, Kara quickly agreeing.

One by one, the superfriends made their way out the door - until only Lena remained, still sitting on the couch, though she had set down the glass of wine. Kara turned awkwardly from her place by her kitchen island, watching the Luthor still watching her.

Slowly, Lena rose from her seat, making her way over to Kara. “Can we talk?” she asked.

Kara nodded, glancing nervously to the side. She knows. “I’m sorry,” Kara murmured. “When I came back, I- I wasn’t thinking.”

Lena’s brow furrowed in confusion. “You don’t need to be sorry, Kara.”

Kara tilted her head back up at Lena. “Are we- are we talking about the same thing?”

“Aren’t we?” Lena said quietly.

Kara swallowed. Just lay the cards on the table, she thought to herself. “I’m talking about - I tried to kiss you. Before I remembered you wouldn’t want it. I mean, even if you did-” Kara cut herself off, glancing to the floor. Rao, I should’ve thought through this more instead of babbling…

But to her surprise, she heard Lena step towards her, until the brunette was close enough to clasp onto Kara’s hand. Kara glanced up again, taking in Lena’s demure expression. “Even if I did?” Lena asked.

Kara’s eyes flitted between Lena’s, noting how her heart was beating faster, how there was a light blush crossing her face. Oh, Kara thought, feeling a small burn on her own cheeks as she realized what was happening. “Even if you did,” Kara said shyly, “I wouldn’t want our first kiss to be in front of everyone else.”

Lena smiled softly, giving Kara’s hand a gentle squeeze. “We’re alone now,” she said. 

Kara smiled back. “We are,” she said warmly, pausing for one more moment to take in Lena’s face. Lena tilted her head, and Kara leaned towards her.

And this time, she didn’t stop.

[raven-at-the-writing-desk]

So for new year cards...

Jack SSR is actually so cool; I like it. Malleus SSR is beautiful and all, but he really reminds me of a bride in forced marriage tropes. 😭

[Referencing the Twst JP Jan 2025 schedule!]

Finally, some good fucking food for Jack stans 😭 Port Fest feels like so long ago… fbjssbdjjs I feel like I can’t appreciate his design as much as others can. I’m not into the skintight undershirt on a character as buff as Jack is, and I'm confused as to why his gloves are... like that??? But!! I do like his fluffly little boa thing and how enthusiastic his pose is. You can tell he’s really putting his all into the New Year Sale~!

Malleus got another new hairstyle (any hairstyle that's different than his default one is a win in my book www)!! I think it's a well-liked look among his fans; I already saw so many people commenting that he looks like a love interest in a reborn as a villainess isekai or something to that effect.

I also saw some chatter around the thin fabric that Malleus seems to have over himself. A common joke is that it's a "wedding veil", but given the traditional Japanese clothes everyone is wearing for the new year, it's more likely also a Japanese article of clothing. A friend theorized that it's a 被衣 (kazuki/katsugi), a garment worn over the head that fully covers the body. These are mostly donned by noblewomen to cover their faces when they go out--and that sort of makes sense, given that Malleus himself is a noble. How demure and mindful... I thought the veil could also be a frost blanket (you know, to protect the budding flowers from the cold)?? But I'm not entirely sure right now; maybe the vignettes will give us more context!

A friend and I were speculating as to what flowers might be featured in the initial card art and the conclusion we came to was ume (plum) blossoms. The color and shape are similar, and they're a classic flower in winter anime. Something else I noticed was that the same flowers seem to appear in Sebek's New Year Attire from two years ago! If you compare Malleus and Sebek, you'll notice that the lighting is much warmer in Sebek's too. In fact, all previous SSR cards are pretty much like that, save for maybe Trey but at least Trey is shown to be in front of the shop. It really makes Malleus's card "stick out", since he's the only one that appears to be in a lonely and isolated location, just him and the plum blossoms.

On the subject of clothing worn by Japanese women! The same friend and I talked about Jamil's New Year Attire too. (Figured I'd throw this in here since I'm already talking about the other three 2025 New Year boys. Don't wanna leave him out, y'know??)

You can see that he has his hood up in the initial card artwork; my friend joked that Jamil's a newlywed. Why? Brides that choose to dress traditionally for their wedding days wear a wide white headdress/hood called a 角隠し (tsunokakushi), which covers an elaborate hairstyle like Jamils'/j. The "tsuno" (horns, as I'm sure you're all familiar with) in the name refers to the "horns of jealousy"; the tsunokakushi is meant to blanket the jealousy so she can enter her new married life at peace.

Of course, the shape, color, and context of the tsunokakushi is very different than what Jamil's got going on and the Twst team most likely did not intend for this comparison to be drawn, but I thought that this was interesting to share ^^ (*feeds Jamuil yumes this delulu cultural trivia*)

Aaaand let's close out with Floyd! The answer to his question is simple, actually. To put one's arm inside the kimono is just a very casual or relaxed way to pose. It suits Floyd and his attitude, doesn't it?

[weirdmarioenemies]

Name: Gobblick

Debut: Mario & Luigi: Brothership

The embargo on Brothership enemies that-I'm-not-sure-if-we-actually-had-or-not is OVER! Which MOD TWEETER is happy about, because she finally gets to talk about her favorite creature from the whole game: GOBBLICK!

From the success of fictional pitcher plants like Victreebel and...er...Victreebel, it's no secret that they've captured the hearts of millions worldwide! And yet, finding a decent video game pitcher plant in this day and age is hard. And that's sad! Especially since Wet-Dry World has arbitrarily decided my rent should be paid for in articles about video game pitcher plants!

Gobblick is SUCH a good pitcher plant design though, definitely worth the wait!! Look at that gut! Those spots! That big, long licker! The ridges on its leaf and lower jaw, seamlessly combining pitcher plant and bear trap aesthetics!

But, of course, the BIG show-stopper: EYES IN A VOID, BABY!!!! I love it!! It works PERFECT with the pitcher plant design! In fact, I wouldn't be surprised if they added them to REAL pitcher plants in a future update! They even remind me of that one talking pot in Winnie-the-Pooh that stuck onto my mind since I watched it as a child!

Since they're on the INSIDE of what is definitively its mouth, though, that raises the question...are these Gobblick's eyes at all? What if they're the eyes of something else? But...what would that something else be? A spider? A Lickitung? Perhaps it's the eyes of a treeshrew, and it's attacking out of embarrassment of us catching it using the bathroom? I'm sorry, hypothetical treeshrew! But you probably shouldn't stay in there, if that's the case, even if you're shy!

Or, most likely, these ARE the eyes of the noble Gobblick, and it uses them to watch its food go down! When you're a pitcher plant, is there honestly anything better to do?

Yes! And that thing is: attacking plumbers! Gobblick is such a fan of battling Mario & Luigi that he has not one, but TWO battles against them! That may not seem like a lot, but that's more than most Mario bosses in most single mainline games!

"Well, that's fine and all, but I bet none of its attacks include the coveted Root Attack," you might scoff. And you'd be wrong! Although real pitcher plant roots are, frankly, not really something to write home about, the root arms of Gobblick are able to dig through ground as they approach the brothers, in a way similar to Whispy Woods! Kirby's Dream Land 2 fans rejoice!

But, this isn't even Gobblick's only form! In fact, the first time I saw and fell in love with Gobblick was in its SECONDARY form! Warning, however, that this form is built off of integral spoilers for the game, so if you click below, do so wisely...!

Name: Glohm Gobblick

Debut: Mario & Luigi: Brothership

WOW! If you loved Gobblick already, then I hope Glohm Gobblick was worth the wait–it certainly was, for me!

Wine-red is just a perfect yet underrated color, especially for pitcher plants! I couldn't believe I had never thought about making a reddish pitcher plant prior, myself, but that just goes to show how ingrained plant color stereotypes are! I saw a picture of a pitcher eating a rat once, and it never escaped my mind, and THAT was red!

But Glohm Gobblick isn't just this beautiful shade of red for no reason! It's under the effect of being Glohmed, which makes anyone other than Mario & Luigi more powerful while amplifying their desire to be isolated and lonely! And unlike some other characters, there's nobody around that's worried for our poor friend Gobblick...it exists only as an optional boss you can come across on your own. Don't worry, Gobblick, we love you...!

Gobblick is never truly alone, however. Thankfully, the game specifies that this is not the Gobblick, but a Gobblick! It's one of MANY! Please expect Gobblick to make its way alongside Toads and Piantas as one of the main recurring Mario People, being charming background fodder for decades to come.

Or not, since it's canonically from another world. Too bad.

This should cover my Wet-Dry Rent for the next few weeks! Join me next time when I finally cover the last in the top three most popular video game pitcher plants: Weepinbell. Bye.

[serpentface]

The (now extinct) utosai, the last of the great lacetors.

Lacetors are a clade of warmblooded reptiles that fill niches as large grazers. The only genera surviving in the contemporary are relatively small (averaging about the size of cattle), but many older species grew bigger than elephants. Utosai were the last remaining members of this branch, dwindling towards extinction as their once vast grasslands experienced rapid desertification over a period of a mere few millenia, becoming the massive, mostly uninhabitable desert region colloquially known as the Deadlands.

They would historically live in herds consisting of one male, several (sometimes dozens of) females, and their associated young, which would migrate vast distances to follow seasonal rains. Males would fight each other to gain control of their mates or tempt away singular females, with young males roaming in bachelor herds. As reliable grasslands grew sparser, these herds grew much smaller, with the last remaining utosai being found largely as small bands of females and lone, wandering males that would opportunistically mate when they were lucky enough to find each other.

Utosai had very thick scaly skin that folds in plates, in part a vestigial defense mechanism against large predators that had LONG vanished. Like many other lacetor, they had partly bony facial pads that grew large and colorful in males as display features. Their tremendous curving horns served predominantly as additional display features, while the smaller, jutting horns partly figured into intraspecies combat, with males standing side by side and front to back and swinging these horns at each other in ritualized combat behavior.

These horns were clearly of value to the people who once inhabited the same ranges as utosai, as their ivory figured heavily into their craftwork and holy objects and can be found near-ubiquitously in the burials of high ranking people in the east interior Deadlands. These surviving utosai ivory artifacts are of tremendous value, with the mere prospect of obtaining them tempting many graverobbers and other such wealth-seekers into the remains of ancient human settlements (a mostly futile and often deadly task, most accessible tombs have already been plundered and those still left in peace are hidden deeply beneath the sands).

Utosai lasted far longer than many of their counterparts, surviving on (and trapped within) dwindling patches of coastal grassland fed by ocean rains, too isolated within stretches of desert for any chance of migration to grasslands further from the equator. These last fragmentary populations were discovered by traders and treasure seekers sponsored by the early 2nd Burri empire, with many hatchling utosai being taken back overseas hundreds of miles north. It is unknown when the last wild utosai died, but all but the tiniest fragments of their coastal grasslands are gone and the great beasts are nowhere to be found.

The captive animals were bred in Bur and eventually produced a relatively large (and heavily inbred) population, probably maxing out at around 1000 individuals. They were never truly domesticated but could be made tame and well accommodated to handling, which eventually developed into their use as mounts, forming an elite cavalry unit used in warfare. A war utosai was outfitted with a shielded tower upon its back from which archers could fire from height, and would be driven by a rider on its neck. Their use was functionally similar to irl war elephants, being utilized for intimidation, to scatter enemy formations, and to lead (or break) charges. These were the largest animals that most people would have ever seen, and were often reckoned as nigh-invulnerable. The utosai was heavily used in Bur's wars of conquest, and became an esteemed animal emblematic of the second Burri empire's might.

Very few consistently effective counters to the war utosai were discovered during the duration of their use. One very famous, very successful counter was used by the pre-Wardi Ephenni tribe in its war of independence against the second Burri empire (which was already beginning to collapse). The province of Ephennos was of key import to the empire as a breadbasket, being highly fertile lands and providing much of the grain that sustained the empire. A cavalry of ten utosai (a VERY excessive number against a less well-trained, less well-armed group of soldiers) was brought overseas to assist in crushing dissent and were devastating in battle, with only two of the ten being killed in three years of protracted warfare.

In an act of cleverness, desperation, or both, a trio of khait were covered in pitch and set ablaze, and spurred into hurtling towards the bulls in the utosai cavalry. The utosai panicked and fled, trampling many Burri soldiers in the process and utterly destroying their formations, with three of the eight utosai falling onto their sides (weighed down by their towers) and killed by Ephenni soldiers. This allowed for victory in battle, and this victory ultimately turned the tide in favor of the kingdom of Ephennos and its eventual independence. A motif of three khait wreathed in flames is still widely used in this region and as emblematic of Ephenni heritage (who, while broadly assimilated into Wardi nationality, still retain a sense of individual identity, and pride in their city-state being a center of power and birthplace of kings within Imperial Wardin).

The use of utosai in warfare dwindled after the discovery of this fairly effective counter. They were no longer reckoned as nearly invulnerable, and the great cost of transporting and feeding these animals became increasingly inviable. Captive breeding began to dwindle along with their use in warfare. The last utosai were lost, killed, or slowly died off in the Burri wilderness during and after the empire's tumultuous collapse. Some folklore describes hidden populations surviving in some wilder areas- there are several places in Bur where people claim to sometimes see the silhouettes of these great beasts against the horizon, and the rural parts of Ephennos are rumored to have a few of them (perhaps descendants of the surviving war utosai, perhaps their ghosts). Otherwise, they are lost to the world.

[stars-in-a-jam-jar]

I'm seeing a notable handful of posts in the Amazing Digital Circus tag disagreeing on Gangle's character and I think the big thing about the difference in perspective is really just: How seriously are thou as an audience member taking the 'minimum wage job for a day' premise? (I will singlehandedly re-introduce 'thou' into the english lexicon you watch me, it's so much better than the general-you)

In a world where this is meant to be treated like a shitty little game, Gangle's behaviour in response to Jax misbehaving is really kind of unacceptable. Ragatha's more fucked up by the Stupid Sauce that Caine somehow decided was a good idea to include than she is by the dump in the deep fryer, Gangle did not need to threaten Jax with "horrible punishment" from the most powerful thing in their lives over what amounts to general disrespect and a minor inconvenience. Mr. Orbzman is an NPC and not a person, Jax shouldn't have to hold his tongue about it like he would at a real job where the customers are real people with real feelings. Pomni's feelings over and attachment to Gummigoo are more important than being a good little cashier and playing the game properly. Gangle putting Jax on cleaning duty for the bathrooms when they 'look like a biohazard' is absurd and demeaning because it's a long established fact that this is a digital world where bio-anything is completely meaningless, and she's just making him do unpleasant shit for no reason other than she wants it done and she wants him doing it. And her responding to his continued refusal to play along by locking him in an isolated room, strapping him to a chair, and Doing A Brainwashing To Him is Fucking Horrifying and borderline irredeemable.

Also: "If you have time to lean, you have time to clean." Is frankly an evil thing to say.

But in a world where this is a situation with real stakes, where failure or success in this endeavor Means Something, where Jax dumping Ragatha in the fryer is something that is hurtful and disruptive and unnecessarily cruel, where Jax refusing to keep his mouth shut until he's on break and out of earshot of the customers makes the day of the person he's badmouthing worse and might result in penalties from people above their heads, where Pomni leaving her post to try and talk to Gummigoo is both actively letting down her coworkers who are relying on her to do the job she's been assigned and an imposition on Gummigoo because They Are Strangers Now and there is no taking him back to the circus with her, where Gangle has been trusted with a position of responsibility and authority which has knock on effects for everyone beneath her and Jax won't even clean out the stupid bathrooms when they need cleaning— in that situation, Gangle's very manic and high strung about it and perhaps crosses a line with the whole 'summarily breaking Jax's spirit complete with a horror movie reference' thing, but She's Still Right.

Jax needed an attitude adjustment and nothing was working, so she goes a little nuclear on him. Pomni shouldn't be piling all this emotional baggage on someone who, right now, is a random customer. Gangle's very gentle with Ragatha when she's clearly out of it because she understands something is causing Ragatha to behave loopy and out of character, and in response, Ragatha says the colorful thoughtful gift that's been keeping Gangle together and allowing her to independently function at a level she's usually not capable of makes her annoying!!!

That's somehow so much worse than Jax saying he likes her better sad??? Because at least with Jax, he's expressing his displeasure at being ordered around by someone he previously called "submissive and agreeable" and not having any control over this situation. Ragatha's just saying something mean after telling Gangle she doesn't need help (she does) and thinks she could do a better job as shift manager (she has no proof of this).

And regardless of how seriously thou as the audience member are taking it and why, Gangle is taking it Incredibly Seriously. She is on 'If you die in the game, you die in real life' levels of emotional investment, this is all So Real to her, and anytime the others treat it like it's dumb and useless and hollow, it kicks up So Much Distress within her for reasons I'm gonna trust you guys to think on. And thou might think that is a detriment to her character in and of itself, or thou might be more endeared to her by it, but that is what's happening. So basically the reason some of y'all are coming out of this episode liking Gangle less and some are coming out adoring her is mostly dependent on if you personally are predisposed to take her side by taking the Hard Day's Work At Spudsy's Family Diner seriously.