#Clément DUCOL

[guycourtheoux]

Emilia Perez, le film de Jacques Audiard, c'est vraiment une énorme claque. A voir absolument.

Ce n’est pas tous les jours qu’on voit un film at que l’on prend vraiment une grosse claque, et c’est ce qui m’est arrivé avec un réalisateur que je classe désormais comme l’un des plus grands de sa génération : Jacques Audiard. Certes il de qui tenir, son père Michel Audiard fut un des plus grands scénaristes et dialoguistes français si ce n’est le meilleur  entre les années 50 et 80, qui s’est…

[genevieveetguy]

Emilia Perez, Jacques Audiard (2024)

[animusrox]

Golden Globes Nominations - FILM

Best Motion Picture – Drama​

The Brutalist (A24) A Complete Unknown (Searchlight Pictures) Conclave (Focus Features) Dune: Part Two (Warner Bros. Pictures) Nickel Boys (Orion Pictures/Amazon Mgm Studios) September 5 (Paramount Pictures)

Best Motion Picture – Musical or Comedy​

Anora (Neon) Challengers (Amazon MGM Studios) Emilia Pérez (Netflix) A Real Pain (Searchlight Pictures) The Substance (Mubi) Wicked (Universal Pictures)

Best Motion Picture – Animated​

Flow (Sideshow/Janus Films) Inside Out 2 (Walt Disney Studios Motion Pictures) Memoir of a Snail (IFC Films) Moana 2 (Walt Disney Studios Motion Pictures) Wallace & Gromit: Vengeance Most Fowl (Netflix) The Wild Robot (Universal Pictures)

Cinematic and Box Office Achievement​

Alien: Romulus (Walt Disney Studios Motion Pictures) Beetlejuice Beetlejuice (Warner Bros. Pictures) Deadpool & Wolverine (Walt Disney Studios Motion Pictures) Gladiator II (Paramount Pictures) Inside Out 2 (Walt Disney Studios Motion Pictures) Twisters (Universal Pictures) Wicked (Universal Pictures) The Wild Robot (Universal Pictures)

Best Motion Picture – Non-English Language​

All We Imagine as Light (Sideshow / Janus Films) – Usa / France / India Emilia Pérez (Netflix) – France The Girl With the Needle (Mubi) – Poland / Sweden / Denmark I’m Still Here (Sony Pictures Classics) – Brazil The Seed of the Sacred Fig (Neon) – Usa / Germany Vermiglio (Sideshow / Janus Films) – Italy

Best Performance by a Female Actor in a Motion Picture – Drama​

Pamela Anderson (The Last Showgirl) Angelina Jolie (Maria) Nicole Kidman (Babygirl) Tilda Swinton (The Room Next Door) Fernanda Torres (I’m Still Here) Kate Winslet (Lee)

Best Performance by a Male Actor in a Motion Picture – Drama​

Adrien Brody (The Brutalist) Timothée Chalamet (A Complete Unknown) Daniel Craig (Queer) Colman Domingo (Sing Sing) Ralph Fiennes (Conclave) Sebastian Stan (The Apprentice)

Best Performance by a Female Actor in a Motion Picture – Musical or Comedy​

Amy Adams (Nightbitch) Cynthia Erivo (Wicked) Karla Sofía Gascón (Emilia Pérez) Mikey Madison (Anora) Demi Moore (The Substance) Zendaya (Challengers)

Best Performance by a Male Actor in a Motion Picture – Musical or Comedy​

Jesse Eisenberg (A Real Pain) Hugh Grant (Heretic) Gabriel Labelle (Saturday Night) Jesse Plemons (Kinds of Kindness) Glen Powell (Hit Man) Sebastian Stan (A Different Man)

Best Performance by a Female Actor in a Supporting Role in Any Motion Picture​

Selena Gomez (Emilia Pérez) Ariana Grande (Wicked) Felicity Jones (The Brutalist) Margaret Qualley (The Substance) Isabella Rossellini (Conclave) Zoe Saldaña (Emilia Pérez)

Best Performance by a Male Actor in a Supporting Role in Any Motion Picture​

Yura Borisov (Anora) Kieran Culkin (A Real Pain) Edward Norton (A Complete Unknown) Guy Pearce (The Brutalist) Jeremy Strong (The Apprentice) Denzel Washington (Gladiator II)

Best Director – Motion Picture​

Jacques Audiard (Emilia Pérez) Sean Baker (Anora) Edward Berger (Conclave) Brady Corbet (The Brutalist) Coralie Fargeat (The Substance) Payal Kapadia (All We Imagine as Light)

Best Screenplay – Motion Picture​

Jacques Audiard (Emilia Pérez) Sean Baker (Anora) Brady Corbet, Mona Fastvold (The Brutalist) Jesse Eisenberg (A Real Pain) Coralie Fargeat (The Substance) Peter Straughan (Conclave)

Best Original Score – Motion Picture​

Volker Bertelmann (Conclave) Daniel Blumberg (The Brutalist) Kris Bowers (The Wild Robot) Clément Ducol, Camille (Emilia Pérez) Trent Reznor, Atticus Ross (Challengers) Hans Zimmer (Dune: Part Two)

Best Original Song – Motion Picture​

“Beautiful That Way” – The Last Showgirl; Music & Lyrics By: Andrew Wyatt, Miley Cyrus, Lykke Zachrisson “Compress / Repress” – Challengers; Music & Lyrics By: Trent Reznor, Atticus Ross, Luca Guadagnino “El Mal” – Emilia Pérez; Music & Lyrics By: Clément Ducol, Camille, Jacques Audiard “Forbidden Road” – Better Man; Music & Lyrics By: Robbie Williams, Freddy Wexler, Sacha Skarbek “Kiss The Sky” – The Wild Robot; Music & Lyrics By: Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi “Mi Camino” – Emilia Pérez; Music & Lyrics By: Clément Ducol, Camille

[oscarwoodland]

2025 Golden Globes Nominations (For Film)

Best Film - Drama

The Brutalist

A Complete Unknown

Conclave

Dune Part II

Nickel Boys

September 5

Best Film - Musical or Comedy

Anora

Challengers

Emilia Pérez

A Real Pain

The Substance

Wicked

Best Female Actor In A Film - Drama

Pamela Anderson, The Last Showgirl

Angelina Jolie, Maria

Nicole Kidman, Babygirl

Tilda Swinton, The Room Next Door

Fernanda Torres, I'm Still Here

Kate Winslet, Lee

Best Male Actor In A Film - Drama

Adrien Brody, The Brutalist

Timothée Chalamet, A Complete Unknown

Daniel Craig, Queer

Colman Domingo, Sing Sing

Ralph Fiennes, Conclave

Sebastian Stan, The Apprentice

Best Female Actor In A Film - Musical or Comedy

Amy Adams, Nightbitch

Cynthia Erivo, Wicked

Karla Sofía Gascón, Emilia Pérez

Mikey Madison, Anora

Demi Moore, The Substance

Zendaya, Challengers

Best Male Actor In A Film - Musical or Comedy

Jesse Eisenberg, A Real Pain

Hugh Grant, Heretic

Gabriel LaBelle, Saturday Night

Jesse Plemons, Kinds of Kindness

Glen Powell, Hit Man

Sebastian Stan, A Different Man

Best Film - Animated

Flow

Inside Out 2

Memoir of a Snail

Moana 2

Wallace & Gromit: Vengeance Most Fowl

The Wild Robot

Best Film - non-English Language

All We Imagine As Light

Emilia Pérez

The Girl With The Needle

I'm Still Here

The Seed of the Sacred Fig

Vermiglio

Best Female Actor In A Supporting Role In A Film

Selena Gomez, Emilia Pérez

Ariana Grande, Wicked

Felicity Jones, The Brutalist

Margaret Qualley, The Substance

Isabella Rossellini, Conclave

Zoe Saldaña, Emilia Pérez

Best Male Actor In A Supporting Role In A Film

Yura Borisov, Anora

Kieran Culkin, A Real Pain

Edward Norton, A Complete Unknown

Guy Pearce, The Brutalist

Jeremy Strong, The Apprentice

Denzel Washington, Gladiator II

Best Director - Film

Jacques Audiard, Emilia Pérez

Sean Baker, Anora

Edward Berger, Conclave

Brady Corbet, The Brutalist

Coralie Fargeat, The Substance

Payal Kapadia, All We Imagine As Light

Best Screenplay - Film

Jacques Audiard, Emilia Pérez

Sean Baker, Anora

Brady Corbet & Mona Fastvold, The Brutalist

Jesse Eisenberg, A Real Pain

Coralie Fargeat, The Substance

Peter Straughan, Conclave

Best Original Score - Film

Volker Bertelmann, Conclave

Daniel Blumberg, The Brutalist

Kris Bowers, The Wild Robot

Camille & Clément Ducol, Emilia Pérez

Trent Reznor & Atticus Ross, Challengers

Hans Zimmer, Dune Part II

Best Original Song - Film

"Beautiful That Way", The Last Showgirl

"Compress/Repress", Challengers

"El Mal", Emilia Perez

"Forbidden Road", Better Man

"Kiss The Sky", The Wild Robot

"Mi Camino", Emilia Pérez

Cinematic and Box Office Achivement

Alien: Romulus

Beetlejuice Beetlejuice

Deadpool & Wolverine

Gladiator II

Inside Out 2

Twisters

Wicked

The Wild Robot

[fearsmagazine]

15TH ANNUAL HOLLYWOOD MUSIC IN MEDIA AWARDS™ 2024 WINNERS ANNOUNCED!

The winners of the 15th Annual Hollywood Music in Media Awards™ (HMMA) were awarded in a star-studded ceremony held Nov. 20 at The Avalon in Hollywood, CA.

The HMMAs showcase and honor the most memorable film and TV music moments of the year with tributes to icons of the industry. HMMA nominations are often seen as a bellwether for the Academy Awards and historically represent nominees and winners at the Oscars, Golden Globes, Grammys, and Emmys, all of which follow the HMMAs later in awards season. The HMMA organization’s voting committees consist of prominent journalists and voters for the other prestigious entertainment awards.

Multiple HMMA awards went to Netflix’s EMILIA PÉREZ and composer HANS ZIMMER, which both received three, and Universal Pictures animated film, THE WILD ROBOT, which received two.

EMILIA PÉREZ won for MUSIC THEMED FILM, BIOPIC OR MUSICAL and SONG - ONSCREEN PERFORMANCE (FILM) by Zoe Saldana, who performed "El Mal." The film’s celebrated French composers and songwriters Clément Ducol & Camille also won for SCORE - FEATURE FILM. THE WILD ROBOT received top accolades in two animated film categories, for both its score composed by Kris Bowers and its original song "Kiss the Sky," performed by Maren Morris, who co-wrote it with Ali Tamposi, Michael Pollack, Delacey, Jordan Johnson, and Stefan Johnson.

Hans Zimmer received three HMMAs the most awarded this year to one individual, including one for SCORE - SCIFI/FANTASY FILM for DUNE: PART TWO, for his score to the documentary TV series PLANET EARTH III, which he composed with Jacob Shea and Sara Barone. He also won for SONG - TV SHOW/LIMITED SERIES for "Love Will Survive" from THE TATTOOIST OF AUSCHWITZ, which was performed by Barbra Streisand. Zimmer shares the HMMA for the song with his co-writers Kara Talve, Walter Afanasieff, and Charlie Midnight.

Other HMMAs for film scoring went to Alberto Iglesias, who received an award for SCORE - INDEPENDENT FILM from Pedro Almodóvar’s THE ROOM NEXT DOOR. Robin Carolan received the HMMA for SCORE - HORROR/THRILLER FILM for NOSFERATU, and composer Ilan Eshkeri received the award for SCORE - DOCUMENTARY for SUPER/MAN: THE CHRISTOPHER REEVE STORY.

Additional HMMA highlights included the award for SCORE - TV SHOW/LIMITED SERIES to composers Atticus Ross, Leopold Ross, and Nick Chuba for the music to Hulu’s epic series SHŌGUN, which swept the Emmys this year, and A.R. Rahman received the HMMA for SCORE - INDEPENDENT FILM (FOREIGN LANGUAGE) for THE GOAT LIFE.

HMMAs for the best songs of the year in films went to several major recording artists and award-winning songwriters, including and Diane Warren, who won this year’s HMMA for SONG – FEATURE FILM for "The Journey" from THE SIX TRIPLE EIGHT, which was performed by H.E.R. "Never Too Late" from the Disney+ documentary ELTON JOHN: NEVER TOO LATE received the HMMA for SONG - DOCUMENTARY FILM. John and Brandi Carlile, both co-wrote and performed the song, and collaborated with additional co-writers Bernie Taupin, and Andrew Watt. "Kiss the Sky" from THE WILD ROBOT received the HMMA for SONG - ANIMATED FILM. Maren Morris both performed and co-wrote the track with Ali Tamposi, Michael Pollack, Delacey, Jordan Johnson, and Stefan Johnson. Miley Cyrus, Lykke Li, and Andrew Wyatt won for SONG - INDEPENDENT FILM for "Beautiful That Way from THE LAST SHOWGIRL. Cyrus also performed the track.

Legendary lyricist Bernie Taupin was also presented with the prestigious HMMA Outstanding Career Achievement Award.

2024 HOLLYWOOD MUSIC IN MEDIA AWARDS COMPLETE WINNERS LIST (FINAL)

SONG - FEATURE FILM "The Journey" from THE SIX TRIPLE EIGHT. Written by Diane Warren. Performed by H.E.R.

SONG - INDEPENDENT FILM "Beautiful That Way" from THE LAST SHOWGIRL - Written by Miley Cyrus, Lykke Li, and Andrew Wyatt. Performed by Miley Cyrus.

SONG - DOCUMENTARY FILM "Never Too Late" from ELTON JOHN: NEVER TOO LATE. Written by Elton John, Brandi Carlile, Bernie Taupin, and Andrew Watt. Performed by Elton John & Brandi Carlile.

SONG - ANIMATED FILM "Kiss the Sky" from THE WILD ROBOT - Written by Maren Morris, Ali Tamposi, Michael Pollack, Delacey, Jordan Johnson, and Stefan Johnson. Performed by Maren Morris.

SONG - ONSCREEN PERFORMANCE (FILM) Zoe Saldana - "El Mal" from EMILIA PÉREZ

SCORE - ANIMATED FILM THE WILD ROBOT - Kris Bowers

SCORE - FEATURE FILM EMILIA PÉREZ - Clément Ducol & Camille

SCORE - SCIFI/FANTASY FILM DUNE: PART TWO - Hans Zimmer

SCORE - HORROR/THILLER FILM NOSFERATU - Robin Carolan

SCORE - INDEPENDENT FILM THE ROOM NEXT DOOR - Alberto Iglesias

SCORE - DOCUMENTARY SUPER/MAN: THE CHRISTOPHER REEVE STORY - Ilan Eshkeri

MUSIC THEMED FILM, BIOPIC OR MUSICAL EMILIA PÉREZ - Directed by Jacques Audiard. Produced by Jacques Audiard, Pascal Caucheteux, Valérie Schermann, Anthony Vaccarello

MUSIC DOCUMENTARY - SPECIAL PROGRAM PIECE BY PIECE - Directed by Morgan Neville. Produced by Morgan Neville, Caitrin Rogers, Mimi Valdés, Joshua R. Wexler and Pharrell Williams.

SONG - TV SHOW/LIMITED SERIES "Love Will Survive" from THE TATTOOIST OF AUSCHWITZ. Written by Hans Zimmer, Kara Talve, Walter Afanasieff, and Charlie Midnight. Performed by Barbra Streisand.

SCORE - TV SHOW/LIMITED SERIES SHŌGUN - Atticus Ross, Leopold Ross, and Nick Chuba

SONG - ONSCREEN PERFORMANCE (TV) Ashley Park - "Ruins" from EMILY IN PARIS

MAIN TITLE - TV SHOW/LIMITED SERIES MASTERS OF THE AIR - Blake Neely

SCORE - SHORT FILM (LIVE ACTION) SPACEMAN - Spencer Creaghan & Chris Reineck

SCORE - SHORT FILM (ANIMATED) FLY HARD - Daniel Rojas

SCORE - SHORT FILM (DOCUMENTARY) MOTORCYCLE MARY - Katya Richardson

SCORE - INDEPENDENT FILM (FOREIGN LANGUAGE) THE GOAT LIFE - A. R. Rahman

SCORE - DOCUMENTARY SERIES -TV/DIGITAL PLANET EARTH III - Hans Zimmer, Jacob Shea and Sara Barone

SCORE - TV SHOW/LIMITED SERIES (FOREIGN LANGUAGE) WOMEN IN BLUE (LAS AZULES) - Lucas Vidal

SCORE – VIDEO GAME (CONSOLE & PC) DELTA FORCE - Johan Söderqvist and Zio

SONG - VIDEO GAME (CONSOLE & PC) "The People's Cry (Main Theme)" from AVATAR: FRONTIERS OF PANDORA - Written by Pinar Toprak and Paul R Frommer.

SONG/SCORE - MOBILE VIDEO GAME HONOR OF KINGS - Volker Bertelmann, Matthew Carl Earl, Laurent Courbier, Robbie Say, 2WEI, Zeneth, Henrik Lindström, Martin Landström and Rasmus Faber

MUSIC SUPERVISION - TV SHOW/LIMITED SERIES FALLOUT - Trygge Toven

MUSIC SUPERVISION - FILM DEADPOOL & WOLVERINE - Dave Jordan

MUSIC SUPERVISION - VIDEO GAME HONOR OF KINGS - Jing Zhang, Shuqin Xiao, Corey Huang, Peiyue Lu and Samuel Siu

SONG/SCORE - COMMERCIAL ADVERTISEMENT RAM "THE CONVOY" - Emily Bjorke / In The Groove Music

SOUNDTRACK ALBUM DEADPOOL & WOLVERINE - Hollywood Records

SONG - SHORT FILM "No Wahala" from ALKEBULAN II. Written by Matt B, Buguma Mark, Performed by Matt B and Royal Philharmonic Orchestra

SCORE - TV/STREAMED MOVIE WINNER: THE SUPREMES AT EARL'S ALL-YOU-CAN-EAT - Kathryn Bostic

MUSIC DESIGN - TRAILER AMERICAN HORROR STORY - DELICATE PART 2 - FJØRA X NOCTURN

MAIN TITLE - TV SHOW (FOREIGN LANGUAGE) WINNER: HOTEL BEYROUTH - Suad Bushnaq

MUSIC VIDEO Lainey Wilson - "Out of Oklahoma"

LIVE CONCERT FOR VISUAL MEDIA OLIVIA RODRIGO: GUTS WORLD TOUR - Olivia Rodrigo

EXHIBITIONS, THEME PARKS, SPECIAL PROJECTS BRAVESHIP: THE LIVE SYMPHONIC SPECTACULAR - Matt Cook (Composer, Producer), Dan Merceruio (Producer), Leslie Ann Jones (Recording Engineer, Mixing Engineer), Mirusia (Soprano). 200+ contributors on over 20 countries, representing all 7 continents.

SPECIAL RECOGNITION - NEW MEDIA SPECIAL RECOGNITION: BULLET SYMPHONY - LIVE CODING FOR EVERYONE - Yang Zhang

[byneddiedingo]

Zoe Saldaña in Emilia Pérez (Jacques Audiard, 2024)

Cast: Zoe Saldaña, Karla Sofia Gascón, Selena Gomez, Adriana Paz, Edgar Ramirez, Mark Ivanir, Eduardo Aladro, Emilio Hasan. Screenplay: Jacques Audiard, based on a novel by Boris Razon. Cinematography: Paul Guilhaume. Production design: Emmanuelle Duplay. Film editing: Juliette Welfling. Music: Camille, Clément Ducol. 

While I was watching Emilia Pérez I was caught up in the audacity of its neat intermeshing of drama with song and dance, but when it ended I felt let down. Jacques Audiard accomplishes what he set out to do: tell a story about a drug lord who transitions from male to female in search of authenticity and redemption. And he does it with the help of superb performances by Zoe Saldaña, Karla Sofia Gascón, and Selena Gomez, and witty choreography by Damien Jalet. But the film is all surface: It doesn't treat its characters as real people but rather as figures in a neo-noir melodrama laden with contemporary attitudes about sexuality and identity. The ending is far more conventional than I expected from such an interesting premise, turning the premise into a gimmick.

[themovieblogonline]

Jacques Audiard's Emilia Pérez is a daring and distinct blend of musical, crime, and comedy, delving into themes of identity, redemption, and societal transformation within a vibrant musical framework. The film, based on Audiard's opera libretto, which itself draws loosely from Boris Razon’s novel "Écoute," showcases a fearless attempt to navigate the life-altering journey of a feared Mexican cartel leader, Juan “Manitas” Del Monte, who transforms into Emilia Pérez. Played by Karla Sofía Gascón, Emilia's transformation is portrayed not just physically but through an emotional and philosophical reinvention, marking this as a story about seeking authenticity in a world built on façades. The result, however, is a film that swings between deeply moving and disjointedly chaotic, ultimately presenting a mix of hits and misses that leaves it uneven. https://www.youtube.com/watch?v=4h7j_EcZ5fU Setup: Audiard places Emilia Pérez in the realm of high-concept filmmaking, with the core plot tracing a cartel leader’s quest to shed their violent past and assume a new life in line with their true identity. The narrative gives space for intriguing moments of self-examination, especially in the scenes where Emilia (formerly Manitas) confronts her family and reflects on her past. Zoe Saldaña as Rita Mora Castro, a pragmatic lawyer pulled into Emilia’s orbit, complements this storyline by offering a grounded counterpoint to Emilia’s dramatic metamorphosis. Rita’s moral dilemmas, her professional ambition, and her own undercurrents of disillusionment provide an interesting subplot that runs parallel to Emilia’s journey. Yet, while Emilia Pérez bravely tackles transgender identity within the crime genre, the film occasionally falls short of conveying depth in its examination of Emilia’s internal struggles. The narrative, aiming to weave themes of personal liberation with an underlying message of atonement, loses coherence amid the exaggerated, at times kitschy, musical elements that feel more like decoration than meaningful storytelling. The emotional weight of Emilia's experiences is sometimes diluted by the sudden shifts in tone—from introspective to comedic to operatic. Musical structure: One of the film’s more polarizing aspects is its musical structure, shaped by original songs from Camille and an evocative score by Clément Ducol. The music veers between catchy and hauntingly melancholic, working best when underscoring Emilia’s moments of reflection. However, the songs sometimes lack integration within the narrative, feeling more like standalone performances than organic extensions of the story. This is especially evident in elaborate numbers like “El alegato” and “Mis siete hermanos y yo,” which, though memorable, occasionally detract from the film’s pacing. Paul Guilhaume’s choreography brings a welcome layer of artistry, injecting moments of expressive movement that accentuate the film’s operatic themes. The choreography is most effective in “El encuentro,” where Emilia’s internal struggle and aspiration for freedom are powerfully conveyed through dance. Yet, some of the dance sequences can feel overly stylized, pulling viewers out of the story rather than immersing them in it. This, coupled with the already sporadic tone shifts, makes the film’s musical and choreographic choices a mixed bag—creative but inconsistent in their impact. Lead performances: The cast delivers committed performances, with Karla Sofía Gascón standing out in the role of Emilia Pérez. Gascón brings an authenticity and a quiet power to the character’s journey of self-discovery, portraying Emilia’s vulnerability and resolve with nuance. Zoe Saldaña, as Rita, adds depth to the film, grounding it with her portrayal of a lawyer caught between her principles and personal ambitions. Saldaña’s chemistry with Gascón injects some much-needed realism into the otherwise larger-than-life narrative, particularly in scenes where the two characters confront the moral and emotional implications of their decisions. Selena Gomez, in the role of Jessi Del Monte, also makes a memorable appearance. Her character’s initially superficial nature becomes more layered as Jessi’s life unravels, with Gomez managing to evoke both pity and frustration in her portrayal. Supporting cast members like Adriana Paz and Mark Ivanir contribute with solid performances, though they are often underutilized, given the film’s sprawling plot. Filler scenes: Sadly, the film sometimes veers into excess, with certain sequences feeling unnecessarily grandiose and dragging down the pacing. The balance between lavish visuals and tight narrative focus isn’t always maintained, leaving some scenes to feel like filler rather than essential components of the story. Overall: Emilia Pérez is undoubtedly an ambitious film, attempting to tackle complex issues of gender identity, redemption, and family through a musical lens. Audiard’s creative vision shines in moments, especially through Gascón’s compelling performance and the film’s striking visual presentation. However, the film’s narrative structure lacks cohesion, with tonal shifts that disrupt rather than enhance the storytelling. The music and choreography, while artistically intriguing, can feel out of place and distract from the emotional depth of Emilia’s transformation and the impact of her past. Emilia Pérez is a film brimming with style and creativity but one that ultimately stumbles over its own ambition, leaving audiences with a memorable but uneven cinematic experience. Read the full article

[sonyclasica]

BANDA SONORA ORIGINAL

BANDA SONORA ORIGINAL DE EMILIA PÉREZ

Sony Music Masterworks presenta hoy EMILIA PÉREZ (BANDA SONORA ORIGINAL DE LA PELÍCULA) con canciones y partituras originales escritas por CLÉMENT DUCOL y CAMILLE para el galardonado drama musical de Jacques Audiard.

Consíguelo AQUÍ

El aclamado compositor Clément Ducol y la cantante francesa Camille, líder de los rankings, crearon una amplia variedad de música que cubre varios géneros, cada uno de ellos adaptado a la historia en pantalla y su elenco de personajes. En el álbum se incluyen 16 pistas vocales en español con actuaciones del reparto coral de la película, como Karla Sofía Gascón, Zoe Saldaña, Selena Gomez y Adriana Paz. Con la supervisión musical de Pierre-Marie Dru, quien también es productor ejecutivo del álbum, la banda sonora captura la complejidad de los pensamientos y sentimientos más profundos de cada personaje, sumergiendo aún más a los espectadores en la historia que se muestra en pantalla mientras complementa la audaz visión cinematográfica de Audiard. Después de un recorrido exitoso por festivales, Emilia Pérez se estrena en algunos cines de Estados Unidos hoy antes de hacer su debut en EE. UU., Reino Unido e Irlanda exclusivamente en Netflix a partir del miércoles 13 de noviembre.

Concebida originalmente por Audiard como un libreto de ópera, la audaz historia de desarrollo personal de Emilia Pérez se sitúa en un México controlado por carteles y se desarrolla junto con la música en sí, convirtiéndose finalmente en un drama musical cuya narración depende en gran medida del poder de la música. La elaboración de bocetos musicales junto con el guion de Audiard hizo que los primeros demos de Ducol y Camille no se escribieran en su idioma nativo francés, sino en español, por lo que el dúo trabajó con un intérprete mexicano para lograr una consistencia lírica. Aunque la ambientación de la película influyó fuertemente en el proceso de escritura, Ducol y Camille a la larga expandieron la trama sonora para abarcar varios géneros, cada uno adaptado a los personajes que aparecen en pantalla. El álbum de 16 canciones originales refleja esta amplitud, desde el estilo de rock duro que se mezcla con hip hop de la Rita de Zoe Saldaña hasta los números líricamente íntimos interpretados por la Emilia de Karla Sofía Gascón, el espíritu rebelde encarnado por la Jessi de Selena Gomez y las baladas folklóricas de la Epifanía de Adriana Paz; cada canción fue cuidadosamente elaborada para reflejar los recorridos profundos y personales de los personajes a lo largo de la película.

Las actuaciones iniciales de la película son interpretadas por Zoe Saldaña, el lento aumento de intensidad de "El alegato" y los emblemáticos coros, estilo llamada y respuesta de "Todo y nada" establecen el escenario tanto para el personaje de Saldaña como para la aventura por delante. Esa misma energía llega a su crescendo en "El mal", que presenta una actuación de Saldaña con inflexiones de hip-hop, unida de forma natural con un provocador discurso cantado por la Emilia de Karla Sofía Vascón durante uno de los momentos en pantalla más emocionantes de la película.

Otro punto central de la película, “Mi camino”, es interpretado al estilo karaoke por Selena Gomez, quien comunica el emotivo y profundo mensaje de amor propio y aceptación con una singular actuación digna de una actriz y cantante ganadora de varios premios de platino y nominada al GRAMMY. Mira el video musical AQUÍ y la actuación de Gomez en la película AQUÍ.

La música de Emilia Pérez, mientras tanto, se escribió durante la posproducción, desafiando a Ducol y Camille a crear instrumentaciones que complementen, en lugar de que disminuyan, la formidable trama sonora establecida por sus canciones originales. Al transformar estas canciones en melodías clave, el dúo creó una partitura enfatizando las actuaciones vocales de Camille que dejan sin aliento y se encargó de crear una singular narrativa vocal entre los instrumentos y las canciones originales. Junto con las canciones originales, la colección de 2 discos y 43 pistas representa un medio para contar historias clave que captura los matices de cada personaje y su recorrido en pantalla imitando el alcance del género desafiante de Emilia Pérez. La música ya ha logrado un gran reconocimiento: ganó el premio Cannes SoundTrack en el debut del festival global de la película; además, Ducol y Camille ganaron el premio TIFF Variety Artisan en Toronto.

SOBRE EMILIA PÉREZ

Del renombrado director de cine Jacques Audiard, llega Emilia Pérez, una audaz película de ensueño que desafía los géneros y las expectativas. A través del poder liberador de las canciones y la danza junto con los audaces efectos visuales, esta odisea sigue el recorrido de cuatro admirables mujeres en México, cada una en busca de su propia felicidad. La temeraria líder de un cartel Emilia (Karla Sofía Gascón) contrata a Rita (Zoe Saldaña), una abogada poco apreciada que está estancada en un trabajo sin futuro, para que la ayude a fingir su muerte y así permitir a Emilia vivir genuinamente como ella desea. Escrita y dirigida por Audiard (Rust and Bone, A Prophet), la película ganadora de dos premios en Cannes también está protagonizada por Selena Gomez, Adriana Paz y Edgar Ramírez.

CONÉCTATE CON EMILIA PÉREZ  

SITIO WEB | TRÁILER|  INSTAGRAM | X

EMILIA PÉREZ (BANDA SONORA ORIGINAL DE LA PELÍCULA)

LISTA DE REPRODUCCIÓN:

DISCO 1:

"El alegato" interpretada por Zoe Saldaña

"Todo y nada" interpretada por Zoe Saldaña

"El encuentro" interpretada por Karla Sofía Gascón

"La vaginoplastia" interpretada por Zoe Saldaña

"Lady" interpretada por Zoe Saldaña, Mark Ivanir

"Deseo" interpretada por Karla Sofía Gascón, Camille

"Por casualidad" interpretada por Karla Sofía Gascón, Camille, Zoe Saldaña

"Bienvenida" interpretada por Selena Gomez

"Mis siete hermanas y yo" interpretada por Xiomara Ahumada Quito

"Papa" interpretada por Juan Pablo Monterrubio, Karla Sofía Gascón

"Para" interpretada por Aitza Terán, Iván Ruiz de Velasco

"El mal" interpretada por Zoe Saldaña, Karla Sofía Gascón, Camille

"El amor" interpretada por Karla Sofía Gascón, Camille, Adriana Paz

"Mi camino" interpretada por Selena Gomez

"Perdóname" interpretada por Karla Sofía Gascón, Camille

"Las damas que pasan" interpretada por Adriana Paz

"Fierro viejo" (versión coro) interpretada por Camille

"El alegato (versión piano)" interpretada por Zoe Saldaña, Karla Sofía Gascón, Camille

DISCO 2:

"Subiendo" (primera parte) interpretada por Camille, Clément Ducol

"Fierro viejo / La ciudad" interpretada por Camille

"Fantasmas" interpretada por Camille

"El rapto" interpretada por Camille, Clément Ducol

"Claroscuro" (primera parte) interpretada por Clément Ducol

"Claroscuro" (segunda parte) interpretada por Karla Sofía Gascón, Mark Ivanir

"El rayo" interpretada por Clément Ducol

"El despertar" interpretada por Camille

"Subiendo" (segunda parte) interpretada por Camille

"Cara a cara" interpretada por Clément Ducol

"Desire" (versión alternativa) interpretada por Camille

"El reclutamiento" interpretada por Camille, Clément Ducol

"Disonancia" (primera parte) interpretada por Camille

"Disonancia" (segunda parte) interpretada por Karla Sofía Gascón

"La pelea" interpretada por Camille, Clément Ducol

"El trio" interpretada por Karla Sofía Gascón, Zoe Saldaña

"3 dedos" interpretada por Camille, Clément Ducol

"Beatificación" (primera parte) interpretada por Camille, Clément Ducol

"Beatificación" (segunda parte) interpretada por Camille, Clément Ducol

"El fuego" interpretada por Camille

"Desire" interpretada por Camille

"Subiendo" (versión acústica) interpretada por Clément Ducol

"Subiendo" (versión coro) interpretada por Camille

"Desire" (versión acústica) interpretada por Clément Ducol

"Desire" (versión coro) interpretada por Camille, Yadam, Paloma Pradal.

BIOGRAFÍAS DE LOS COMPOSITORES: CLÉMENT DUCOL | CAMILLE

[thomas-querqy]

Emilia Perez réalisé par Jacques Audiard avec... 😍😍

Un film bluffant, qui surfe sur l'esprit d'époque mais avec la bonne idée de le situer au Mexique où les violences mafieuses et masculines ne sont pas un vain mot ; si l'on rajoute ses dialogues en espagnol et un peu d'anglais, il est taillé pour les Oscars.

Les chansons de Clément Ducol et Camille, les chorégraphies de Damien Jalet, et leur insertion dans le récit, tout est admirable.

d'après "les passantes" de Georges Brassens

[chansonsinternationales]

Camille et Clément Ducol, les compositeurs de "Emilia Perez" programment 42e rue | France Musique

[awardswatcherik]

TIFF 2024: Mike Leigh, Durga Chew-Bos, Camille Dalmais and Clément Ducol to Receive TIFF Tribute Honors

[vaevictis2]

Toi, tu dis il me manque Tant de choses tu sais toi Toutes ces choses qu'il me manque Et ma vie passera Et ma vie incroyable Et je vivrai comme ça Sans danser sur la table

Danse sur la table - Clément Ducol & Vincent Delerm © Lili Louise Musique