#Clément DUCOL

[guycourtheoux]

Emilia Perez, le film de Jacques Audiard, c'est vraiment une énorme claque. A voir absolument.

Ce n’est pas tous les jours qu’on voit un film at que l’on prend vraiment une grosse claque, et c’est ce qui m’est arrivé avec un réalisateur que je classe désormais comme l’un des plus grands de sa génération : Jacques Audiard. Certes il de qui tenir, son père Michel Audiard fut un des plus grands scénaristes et dialoguistes français si ce n’est le meilleur  entre les années 50 et 80, qui s’est…

[genevieveetguy]

Emilia Perez, Jacques Audiard (2024)

[animusrox]

Golden Globes Nominations - FILM

Best Motion Picture – Drama​

The Brutalist (A24) A Complete Unknown (Searchlight Pictures) Conclave (Focus Features) Dune: Part Two (Warner Bros. Pictures) Nickel Boys (Orion Pictures/Amazon Mgm Studios) September 5 (Paramount Pictures)

Best Motion Picture – Musical or Comedy​

Anora (Neon) Challengers (Amazon MGM Studios) Emilia Pérez (Netflix) A Real Pain (Searchlight Pictures) The Substance (Mubi) Wicked (Universal Pictures)

Best Motion Picture – Animated​

Flow (Sideshow/Janus Films) Inside Out 2 (Walt Disney Studios Motion Pictures) Memoir of a Snail (IFC Films) Moana 2 (Walt Disney Studios Motion Pictures) Wallace & Gromit: Vengeance Most Fowl (Netflix) The Wild Robot (Universal Pictures)

Cinematic and Box Office Achievement​

Alien: Romulus (Walt Disney Studios Motion Pictures) Beetlejuice Beetlejuice (Warner Bros. Pictures) Deadpool & Wolverine (Walt Disney Studios Motion Pictures) Gladiator II (Paramount Pictures) Inside Out 2 (Walt Disney Studios Motion Pictures) Twisters (Universal Pictures) Wicked (Universal Pictures) The Wild Robot (Universal Pictures)

Best Motion Picture – Non-English Language​

All We Imagine as Light (Sideshow / Janus Films) – Usa / France / India Emilia Pérez (Netflix) – France The Girl With the Needle (Mubi) – Poland / Sweden / Denmark I’m Still Here (Sony Pictures Classics) – Brazil The Seed of the Sacred Fig (Neon) – Usa / Germany Vermiglio (Sideshow / Janus Films) – Italy

Best Performance by a Female Actor in a Motion Picture – Drama​

Pamela Anderson (The Last Showgirl) Angelina Jolie (Maria) Nicole Kidman (Babygirl) Tilda Swinton (The Room Next Door) Fernanda Torres (I’m Still Here) Kate Winslet (Lee)

Best Performance by a Male Actor in a Motion Picture – Drama​

Adrien Brody (The Brutalist) Timothée Chalamet (A Complete Unknown) Daniel Craig (Queer) Colman Domingo (Sing Sing) Ralph Fiennes (Conclave) Sebastian Stan (The Apprentice)

Best Performance by a Female Actor in a Motion Picture – Musical or Comedy​

Amy Adams (Nightbitch) Cynthia Erivo (Wicked) Karla Sofía Gascón (Emilia Pérez) Mikey Madison (Anora) Demi Moore (The Substance) Zendaya (Challengers)

Best Performance by a Male Actor in a Motion Picture – Musical or Comedy​

Jesse Eisenberg (A Real Pain) Hugh Grant (Heretic) Gabriel Labelle (Saturday Night) Jesse Plemons (Kinds of Kindness) Glen Powell (Hit Man) Sebastian Stan (A Different Man)

Best Performance by a Female Actor in a Supporting Role in Any Motion Picture​

Selena Gomez (Emilia Pérez) Ariana Grande (Wicked) Felicity Jones (The Brutalist) Margaret Qualley (The Substance) Isabella Rossellini (Conclave) Zoe Saldaña (Emilia Pérez)

Best Performance by a Male Actor in a Supporting Role in Any Motion Picture​

Yura Borisov (Anora) Kieran Culkin (A Real Pain) Edward Norton (A Complete Unknown) Guy Pearce (The Brutalist) Jeremy Strong (The Apprentice) Denzel Washington (Gladiator II)

Best Director – Motion Picture​

Jacques Audiard (Emilia Pérez) Sean Baker (Anora) Edward Berger (Conclave) Brady Corbet (The Brutalist) Coralie Fargeat (The Substance) Payal Kapadia (All We Imagine as Light)

Best Screenplay – Motion Picture​

Jacques Audiard (Emilia Pérez) Sean Baker (Anora) Brady Corbet, Mona Fastvold (The Brutalist) Jesse Eisenberg (A Real Pain) Coralie Fargeat (The Substance) Peter Straughan (Conclave)

Best Original Score – Motion Picture​

Volker Bertelmann (Conclave) Daniel Blumberg (The Brutalist) Kris Bowers (The Wild Robot) Clément Ducol, Camille (Emilia Pérez) Trent Reznor, Atticus Ross (Challengers) Hans Zimmer (Dune: Part Two)

Best Original Song – Motion Picture​

“Beautiful That Way” – The Last Showgirl; Music & Lyrics By: Andrew Wyatt, Miley Cyrus, Lykke Zachrisson “Compress / Repress” – Challengers; Music & Lyrics By: Trent Reznor, Atticus Ross, Luca Guadagnino “El Mal” – Emilia Pérez; Music & Lyrics By: Clément Ducol, Camille, Jacques Audiard “Forbidden Road” – Better Man; Music & Lyrics By: Robbie Williams, Freddy Wexler, Sacha Skarbek “Kiss The Sky” – The Wild Robot; Music & Lyrics By: Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi “Mi Camino” – Emilia Pérez; Music & Lyrics By: Clément Ducol, Camille

[byneddiedingo]

Zoe Saldaña in Emilia Pérez (Jacques Audiard, 2024)

Cast: Zoe Saldaña, Karla Sofia Gascón, Selena Gomez, Adriana Paz, Edgar Ramirez, Mark Ivanir, Eduardo Aladro, Emilio Hasan. Screenplay: Jacques Audiard, based on a novel by Boris Razon. Cinematography: Paul Guilhaume. Production design: Emmanuelle Duplay. Film editing: Juliette Welfling. Music: Camille, Clément Ducol. 

While I was watching Emilia Pérez I was caught up in the audacity of its neat intermeshing of drama with song and dance, but when it ended I felt let down. Jacques Audiard accomplishes what he set out to do: tell a story about a drug lord who transitions from male to female in search of authenticity and redemption. And he does it with the help of superb performances by Zoe Saldaña, Karla Sofia Gascón, and Selena Gomez, and witty choreography by Damien Jalet. But the film is all surface: It doesn't treat its characters as real people but rather as figures in a neo-noir melodrama laden with contemporary attitudes about sexuality and identity. The ending is far more conventional than I expected from such an interesting premise, turning the premise into a gimmick.

[sonyclasica]

BANDA SONORA ORIGINAL

BANDA SONORA ORIGINAL DE EMILIA PÉREZ

Sony Music Masterworks presenta hoy EMILIA PÉREZ (BANDA SONORA ORIGINAL DE LA PELÍCULA) con canciones y partituras originales escritas por CLÉMENT DUCOL y CAMILLE para el galardonado drama musical de Jacques Audiard.

Consíguelo AQUÍ

El aclamado compositor Clément Ducol y la cantante francesa Camille, líder de los rankings, crearon una amplia variedad de música que cubre varios géneros, cada uno de ellos adaptado a la historia en pantalla y su elenco de personajes. En el álbum se incluyen 16 pistas vocales en español con actuaciones del reparto coral de la película, como Karla Sofía Gascón, Zoe Saldaña, Selena Gomez y Adriana Paz. Con la supervisión musical de Pierre-Marie Dru, quien también es productor ejecutivo del álbum, la banda sonora captura la complejidad de los pensamientos y sentimientos más profundos de cada personaje, sumergiendo aún más a los espectadores en la historia que se muestra en pantalla mientras complementa la audaz visión cinematográfica de Audiard. Después de un recorrido exitoso por festivales, Emilia Pérez se estrena en algunos cines de Estados Unidos hoy antes de hacer su debut en EE. UU., Reino Unido e Irlanda exclusivamente en Netflix a partir del miércoles 13 de noviembre.

Concebida originalmente por Audiard como un libreto de ópera, la audaz historia de desarrollo personal de Emilia Pérez se sitúa en un México controlado por carteles y se desarrolla junto con la música en sí, convirtiéndose finalmente en un drama musical cuya narración depende en gran medida del poder de la música. La elaboración de bocetos musicales junto con el guion de Audiard hizo que los primeros demos de Ducol y Camille no se escribieran en su idioma nativo francés, sino en español, por lo que el dúo trabajó con un intérprete mexicano para lograr una consistencia lírica. Aunque la ambientación de la película influyó fuertemente en el proceso de escritura, Ducol y Camille a la larga expandieron la trama sonora para abarcar varios géneros, cada uno adaptado a los personajes que aparecen en pantalla. El álbum de 16 canciones originales refleja esta amplitud, desde el estilo de rock duro que se mezcla con hip hop de la Rita de Zoe Saldaña hasta los números líricamente íntimos interpretados por la Emilia de Karla Sofía Gascón, el espíritu rebelde encarnado por la Jessi de Selena Gomez y las baladas folklóricas de la Epifanía de Adriana Paz; cada canción fue cuidadosamente elaborada para reflejar los recorridos profundos y personales de los personajes a lo largo de la película.

Las actuaciones iniciales de la película son interpretadas por Zoe Saldaña, el lento aumento de intensidad de "El alegato" y los emblemáticos coros, estilo llamada y respuesta de "Todo y nada" establecen el escenario tanto para el personaje de Saldaña como para la aventura por delante. Esa misma energía llega a su crescendo en "El mal", que presenta una actuación de Saldaña con inflexiones de hip-hop, unida de forma natural con un provocador discurso cantado por la Emilia de Karla Sofía Vascón durante uno de los momentos en pantalla más emocionantes de la película.

Otro punto central de la película, “Mi camino”, es interpretado al estilo karaoke por Selena Gomez, quien comunica el emotivo y profundo mensaje de amor propio y aceptación con una singular actuación digna de una actriz y cantante ganadora de varios premios de platino y nominada al GRAMMY. Mira el video musical AQUÍ y la actuación de Gomez en la película AQUÍ.

La música de Emilia Pérez, mientras tanto, se escribió durante la posproducción, desafiando a Ducol y Camille a crear instrumentaciones que complementen, en lugar de que disminuyan, la formidable trama sonora establecida por sus canciones originales. Al transformar estas canciones en melodías clave, el dúo creó una partitura enfatizando las actuaciones vocales de Camille que dejan sin aliento y se encargó de crear una singular narrativa vocal entre los instrumentos y las canciones originales. Junto con las canciones originales, la colección de 2 discos y 43 pistas representa un medio para contar historias clave que captura los matices de cada personaje y su recorrido en pantalla imitando el alcance del género desafiante de Emilia Pérez. La música ya ha logrado un gran reconocimiento: ganó el premio Cannes SoundTrack en el debut del festival global de la película; además, Ducol y Camille ganaron el premio TIFF Variety Artisan en Toronto.

SOBRE EMILIA PÉREZ

Del renombrado director de cine Jacques Audiard, llega Emilia Pérez, una audaz película de ensueño que desafía los géneros y las expectativas. A través del poder liberador de las canciones y la danza junto con los audaces efectos visuales, esta odisea sigue el recorrido de cuatro admirables mujeres en México, cada una en busca de su propia felicidad. La temeraria líder de un cartel Emilia (Karla Sofía Gascón) contrata a Rita (Zoe Saldaña), una abogada poco apreciada que está estancada en un trabajo sin futuro, para que la ayude a fingir su muerte y así permitir a Emilia vivir genuinamente como ella desea. Escrita y dirigida por Audiard (Rust and Bone, A Prophet), la película ganadora de dos premios en Cannes también está protagonizada por Selena Gomez, Adriana Paz y Edgar Ramírez.

CONÉCTATE CON EMILIA PÉREZ  

SITIO WEB | TRÁILER|  INSTAGRAM | X

EMILIA PÉREZ (BANDA SONORA ORIGINAL DE LA PELÍCULA)

LISTA DE REPRODUCCIÓN:

DISCO 1:

"El alegato" interpretada por Zoe Saldaña

"Todo y nada" interpretada por Zoe Saldaña

"El encuentro" interpretada por Karla Sofía Gascón

"La vaginoplastia" interpretada por Zoe Saldaña

"Lady" interpretada por Zoe Saldaña, Mark Ivanir

"Deseo" interpretada por Karla Sofía Gascón, Camille

"Por casualidad" interpretada por Karla Sofía Gascón, Camille, Zoe Saldaña

"Bienvenida" interpretada por Selena Gomez

"Mis siete hermanas y yo" interpretada por Xiomara Ahumada Quito

"Papa" interpretada por Juan Pablo Monterrubio, Karla Sofía Gascón

"Para" interpretada por Aitza Terán, Iván Ruiz de Velasco

"El mal" interpretada por Zoe Saldaña, Karla Sofía Gascón, Camille

"El amor" interpretada por Karla Sofía Gascón, Camille, Adriana Paz

"Mi camino" interpretada por Selena Gomez

"Perdóname" interpretada por Karla Sofía Gascón, Camille

"Las damas que pasan" interpretada por Adriana Paz

"Fierro viejo" (versión coro) interpretada por Camille

"El alegato (versión piano)" interpretada por Zoe Saldaña, Karla Sofía Gascón, Camille

DISCO 2:

"Subiendo" (primera parte) interpretada por Camille, Clément Ducol

"Fierro viejo / La ciudad" interpretada por Camille

"Fantasmas" interpretada por Camille

"El rapto" interpretada por Camille, Clément Ducol

"Claroscuro" (primera parte) interpretada por Clément Ducol

"Claroscuro" (segunda parte) interpretada por Karla Sofía Gascón, Mark Ivanir

"El rayo" interpretada por Clément Ducol

"El despertar" interpretada por Camille

"Subiendo" (segunda parte) interpretada por Camille

"Cara a cara" interpretada por Clément Ducol

"Desire" (versión alternativa) interpretada por Camille

"El reclutamiento" interpretada por Camille, Clément Ducol

"Disonancia" (primera parte) interpretada por Camille

"Disonancia" (segunda parte) interpretada por Karla Sofía Gascón

"La pelea" interpretada por Camille, Clément Ducol

"El trio" interpretada por Karla Sofía Gascón, Zoe Saldaña

"3 dedos" interpretada por Camille, Clément Ducol

"Beatificación" (primera parte) interpretada por Camille, Clément Ducol

"Beatificación" (segunda parte) interpretada por Camille, Clément Ducol

"El fuego" interpretada por Camille

"Desire" interpretada por Camille

"Subiendo" (versión acústica) interpretada por Clément Ducol

"Subiendo" (versión coro) interpretada por Camille

"Desire" (versión acústica) interpretada por Clément Ducol

"Desire" (versión coro) interpretada por Camille, Yadam, Paloma Pradal.

BIOGRAFÍAS DE LOS COMPOSITORES: CLÉMENT DUCOL | CAMILLE

[multiverseofseries]

Emilia Pérez: Breaking Bad incontra Hedwig and the Angry Inch

Emilia Pérez, il musical di Jacques Audiard riscrive le regole del genere: è la storia di un signore del narcotraffico che vuole cambiare sesso. Nel cast le strepitose Zoe Saldaña, Selena Gomez e la rivelazione Karla Sofía Gascón.

"Se il corpo cambia, cambia la cultura e se la cultura cambia, cambia la società". In questa frase è racchiusa l'essenza di Emilia Pérez, sorprendente e pirotecnico film di Jacques Audiard, il primo anche come sceneggiatore, inizialmente pensato come un'opera lirica e diventato invece una pellicola che si rifiuta di essere rinchiusa in un solo genere. Proprio come la sua protagonista, il film passa dal musical al legal drama, trasformandosi anche in thriller e commedia.

Una scena di Emilia Pérez

Presentato al Festival di Cannes 2024, Emilia Perez è una visione davvero elettrizzante, non soltanto perché è un cinema che intercetta lo spirito dei tempi, ma soprattutto per come riesca a creare un racconto originale e inedito nei contenuti e nella forma..

La colonna sonora di Emilia Pérez è composta da Clément Ducol, mentre le canzoni sono di Camille. Su carta l'opera di Audiard potrebbe sembrare un pasticcio e un disastro, invece, grazie veramente a un numero di magia, tutto si incastra perfettamente, senza mai sbagliare tono. Questo è possibile sopratutto grazie alle sue magnifiche protagoniste: accanto a Selena Gomez, cantante e negli ultimi anni anche attrice, abbiamo Zoe Saldaña (Gamora nell'Universo Marvel) alla sua miglior prova, e soprattuto la rivelazione Karla Sofía Gascón.

La trama di Emilia Pérez

È un peccato dover rivelare la trama di Emilia Pérez, perché il colpo di scena che accade proprio all'inizio è notevole, ma, dato che è fondamentale per la costruzione di tutta la storia. Siamo in Messico. A farci da Virgilio è Jessi (Saldaña), avvocata di grandissimo talento, frustrata perché costretta a stare dietro le quinte di professionisti più in vista.

Zoe Saldaña in Emilia Pérez

Dopo aver vinto l'ennesima causa, la donna riceve una telefonata inaspettata: la chiama Manitas Del Monte, signore della droga, che le vuole affidare un compito segretissimo. Presa all'improvviso mentre è per strada e incappucciata, Jessi si trova terrorizzata davanti al criminale, noto per la sua efferatezza. Quando le rivela cosa ha intenzione di fare rimane senza parole: Del Monte vuole cambiare sesso e diventare donna.

La libertà di essere se stessi

Una scena di Emilia Pérez

Se dovessimo fare un paragone con altre opere esistenti per far capire meglio quale sia l'atmosfera di Emilia Pérez, potremmo dire che il film di Audiard è Breaking Bad che incontra Hedwig - La diva con qualcosa in più. Ci sono infatti la durezza e il sangue delle storie con protagonisti dei criminali e contemporaneamente numeri musicali che evidenziano la grande abilità di messa in scena del regista e la bravura di Saldaña: non soltanto ottima cantante, ma anche ballerina.

Selena Gomez in Emilia Pérez

Senza mai fare lezioni o facili morali, la pellicola riesce a far capire grazie al puro spettacolo - che si tratti di balletti o sparatorie non fa differenza - cosa voglia dire vivere in una società che ha deciso in partenza i ruoli per i propri componenti. Attraverso l'incredibile storia di un narcotrafficante spietato che sogna da tutta la vita di avere un corpo di donna, capiamo come gli esseri umani siano molto più complessi del loro involucro.

Audiard abbraccia con il medesimo affetto maschile e femminile, perché parte dello stesso insieme, entrambi privati della libertà nel momento in cui vogliono decidere del proprio corpo. E questo sui corpi è davvero uno dei grandi temi rivoluzionari della nostra epoca. Come dice il neuroscienziato Antonio Damasio nel suo testo fondamentale L'errore di Cartesio, tra corpo e anima non c'è questa divisione netta. Sembra un paradosso, ma senza emozioni l'essere umano perde la capacità di ragionare. E senza corpo il cervello non ha lo stesso funzionamento. Mente e materia non sono due realtà distinte e negare a qualcuno il corpo che sente di avere significa condannarlo per sempre all'infelicità.

Zoe Saldaña in Emilia Pérez

Arte e scienza, musica e pistole: Emilia Pérez è un film totale. Con dei lampi di genio: quando vediamo la nuova vita di Emilia Pérez, che, con il suo corpo da donna trans, comincia a cambiare anche modo di vedere il mondo, il film ci mostra una grande verità. Se tutti provassimo ogni giorno a capire come ci si sente a vivere in un corpo diverso, forse saremmo più comprensivi gli uni con gli altri. E contemporaneamente rimane realista: anche se è cambiata completamente, ogni tanto nella protagonista riaffiora l'aggressività di Manitas. Perché certe cose, come l'odore che ognuno di noi emana, non cambiano. Ma in quanto esseri umani dotati di coscienza possiamo decidere in ogni momento se assecondare la nostra natura o no. Nel mentre, più che le parole può la musica. E il cinema e l'arte. Imperdibile.

Conclusioni

Emilia Pérez di Jacques Audiard è un musical che riscrive le regole del genere. È la storia di un'avvocata che aiuta un narcotrafficante a cambiare sesso e diventare una donna trans. Strepitose le protagoniste Zoe Saldaña, Selena Gomez e la rivelazione Karla Sofía Gascón.

👍🏻

L'originalità della storia.

La bravura delle protagoniste.

La colonna sonora.

I costumi di Anthony Vaccarello.

L'incredibile equilibrio tra musical, thriller, crime drama e commedia.

La capacità di intercettare lo spirito dei tempi.

👎🏻

Questo è un film che farà storcere il naso a tutti quelli che credono esista "l'ideologia gender".

Se non vi piacciono i musical sarete messi alla prova.

[bambamramfan]

Predictions

Putting these out there to be accountable when we find out the Oscar winner. Below the cut.

Here's the list of nominees. Movies I expect to win are in bold, but movies I wish would win are in italics. I'm leaving out the categories where I don't have enough knowledge for (either haven't seen enough of the movies, or don't know the field enough to judge.)

Caveat: I have not seen A Complete Unknown (though politically, I think it will sweep), Emilia Perez (never), I'm Still Here, Nickel Boys, or Wicked (though I intend to see all of them before the awards, EXCEPT Emilia Perez.) So that may bias my picks, and if I come back and tell you Nickel Boys is the most revolutionary cinematography of the 21st century, don't be entirely suprised.

Best picture

"Anora" (Neon)

"The Brutalist" (A24)

"A Complete Unknown" (Searchlight)

"Conclave" (Focus)

"Dune: Part Two" (Warner Bros.)

"Emilia Pérez" (Netflix)

"I'm Still Here" (Sony Classics)

"Nickel Boys" (Amazon/MGM)

"The Substance" (Mubi)

"Wicked" (Universal)

Best director

Sean Baker, "Anora"

Brady Corbet, "The Brutalist"

James Mangold, "A Complete Unknown"

Jacques Audiard, "Emilia Pérez"

Coralie Fargeat, "The Substance"

Best actress

Cynthia Erivo, "Wicked"

Karla Sofia Gascón, "Emilia Pérez"

Mikey Madison, "Anora"

Demi Moore, "The Substance"

Fernanda Torres, "I'm Still Here"

Best actor

Adrian Brody, "The Brutalist"

Timothée Chalamet, "A Complete Unknown"

Colman Domingo, "Sing Sing"

Ralph Fiennes, "Conclave"

Sebastian Stan, "The Apprentice"

Best supporting actress

Monica Barbaro, "A Complete Unknown"

Ariana Grande, "Wicked"

Felicity Jones, "The Brutalist"

Isabella Rossellini, "Conclave"

Zoe Saldaña, "Emilia Pérez"

Best supporting actor

Yura Borisov, "Anora"

Kieran Culkin, "A Real Pain"

Edward Norton, "A Complete Unknown"

Guy Pearce, "The Brutalist"

Jeremy Strong, "The Apprentice"

Best original screenplay

"Anora," Sean Baker

"The Brutalist," Brady Corbet & Mona Fastvold

"A Real Pain," Jesse Eisenberg

"September 5," Tim Fehlbaum & Moritz Binder

"The Substance," Coralie Fargeat

Best adapted screenplay

"A Complete Unknown," Jay Cocks & James Mangold

"Conclave," Peter Straughan

"Emilia Pérez," Jacques Audiard, Thomas Bidegain & Nicolas Livecchi

"Nickel Boys," RaMell Ross & Joslyn Barnes

"Sing Sing," Clint Bentley, Greg Kwedar, Clarence Maclin & John "Divine G" Whitfield

Best international feature

"I'm Still Here," Walter Salles (Brazil)

"The Girl with the Needle," Magnus von Horn (Denmark)

"Emilia Pérez," Jacques Audiard (France)

"The Seed of the Sacred Fig," Mohammad Rasoulof (Germany)

"Flow," Miguel Gomes (Latvia)

Best cinematography

"The Brutalist," Lol Crawley

"Dune: Part Two," Greig Fraser

"Emilia Pérez," Paul Guillaume

"Maria," Edward Lachman

"Nosferatu," Jarin Blaschke

Best costume design

"A Complete Unknown," Arianne Phillips

"Conclave," Lisy Christl

"Gladiator II," Janty Yates

"Nosferatu," Linda Muir

"Wicked," Paul Tazewell

Best film editing

"Anora," Sean Baker

"The Brutalist," Dávid Jancsó

"Conclave," Nick Emerson

"Emilia Pérez," Juliette Welfling

"Wicked," Myron Kerstein

Best production design

"The Brutalist," Judy Becker

"Conclave," Suzie Davies

"Dune: Part Two," Patrice Vermette

"Nosferatu," Craig Lathrop

"Wicked," Nathan Crowley

Best original score

"The Brutalist," Daniel Blumberg

"Conclave," Volker Bertelmann

"Emilia Pérez," Clément Ducol & Camille

"Wicked," John Powell & Stephen Schwartz

"The Wild Robot," Kris Bowers

Best sound

"A Complete Unknown"

"Dune: Part Two"

"Emilia Pérez"

"Wicked"

"The Wild Robot"

Best visual effects

"Alien: Romulus"

"Better Man"

"Dune: Part Two"

"Kingdom of the Planet of the Apes"

"Wicked"

Best makeup and hairstyling

"A Different Man"

"Emilia Pérez"

"Nosferatu"

"The Substance"

"Wicked"

For those that made it all the way here, watch an amusing live reaction/analysis of the nominees here: https://www.youtube.com/watch?v=g3L64NBKsR8

[beforethepoison]

Do you have any Oscar predictions?

not sure, but lets play this game

Best live-action short

"A Lien"

"Anuja"

"I'm Not a Robot"

"The Last Ranger"

"The Man Who Could Not Remain Silent"

Best animated short

"Beautiful Men"

"In the Shadow of the Cypress"

"Magic Candies"

"Wander to Wonder"

"Yuck!"

Best documentary short

"Death by Numbers"

"I Am Ready, Warden"

"Incident"

"Instruments of a Beating Heart"

"The Only Girl in the Orchestra"

Best makeup and hairstyling

"A Different Man"

"Emilia Pérez"

"Nosferatu"

"The Substance"

"Wicked"

Best visual effects

"Alien: Romulus"

"Better Man"

"Dune: Part Two"

"Kingdom of the Planet of the Apes"

"Wicked"

Best sound

"A Complete Unknown"

"Dune: Part Two"

"Emilia Pérez"

"Wicked"

"The Wild Robot"

Best original song

"Never Too Late," "Elton John: Never Too Late" (Elton John & Brandi Carlile)

"El Mal," "Emilia Pérez" (Clement Ducol, Camille & Jacques Audiard)

"Mi Camino," "Emilia Pérez" (Clement Ducol & Camille)

"Like a Bird," "Sing Sing" (Adrian Quesada & Abraham Alexander)

"The Journey," "The Six Triple Eight" (Diane Warren)

Best original score

"The Brutalist," Daniel Blumberg

"Conclave," Volker Bertelmann

"Emilia Pérez," Clément Ducol & Camille

"Wicked," John Powell & Stephen Schwartz

"The Wild Robot," Kris Bowers

Best production design

"The Brutalist," Judy Becker

"Conclave," Suzie Davies

"Dune: Part Two," Patrice Vermette

"Nosferatu," Craig Lathrop

"Wicked," Nathan Crowley

Best film editing

"Anora," Sean Baker

"The Brutalist," Dávid Jancsó

"Conclave," Nick Emerson

"Emilia Pérez," Juliette Welfling

"Wicked," Myron Kerstein

Entertainment

See the full list of Oscar nominations for 2025 Academy Awards

By Eric Henderson

Updated on: January 23, 2025 / 1:20 PM EST / CBS News

Nominations for the 97th annual Academy Awards were announced Thursday morning, with "Emilia Pérez," "A Complete Unknown" and "Conclave" at the top of the heap in overall nods. This comes after the nominations were delayed twice due to the Los Angeles area wildfires. 

Leading the pack in overall nominations, with 13 total, is "Emilia Pérez," a crime musical centering around a cartel leader who has transitioned. That achievement is just one nomination shy of tying the record for overall nominations from a single film; "Titanic," "All About Eve" and "La La Land" all received 14.

Actress Karla Sofía Gascón, playing the titular role, made Oscar history by being the first transgender woman to be nominated in any acting category. She joins a competitive field that also includes Cynthia Erivo, from "Wicked," and Demi Moore, whose performance in the bloody body horror hit "The Substance" has stirred up a conversation on the industry's mistreatment of women of an age. Both Moore and the film itself were expected to get nominations in the top Oscar categories.

Behind "Emilia Pérez" in overall nominations were "The Brutalist" and "Wicked," which each received 10 nominations. All three, along with "The Substance," were among the 10 nominated for the best picture award, where they were joined by "A Complete Unknown," "Conclave," "Anora," "Dune: Part Two," "Nickel Boys" and "I'm Still Here."

"Emilia Pérez" won four Golden Globes earlier this month, including best motion picture musical or comedy, and best supporting actress for Zoe Saldaña's performance. "The Brutalist," a 215-minute epic about a Holocaust survivor who emigrates to America post-WWII, won Golden Globes for best motion picture drama, and lead actor Adrian Brody was also a Globe winner. Both Saldaña and Brody were nominated in their respective Oscar categores.

Actors Bowen Yang and Rachel Sennott hosted the live announcement.

Full list of nominations for the 2025 Academy Awards

Best picture

"Anora" (Neon)

"The Brutalist" (A24)

"A Complete Unknown" (Searchlight)

"Conclave" (Focus)

"Dune: Part Two" (Warner Bros.)

"Emilia Pérez" (Netflix)

"I'm Still Here" (Sony Classics)

"Nickel Boys" (Amazon/MGM)

"The Substance" (Mubi)

"Wicked" (Universal)

Best director

Sean Baker, "Anora"

Brady Corbet, "The Brutalist"

James Mangold, "A Complete Unknown"

Jacques Audiard, "Emilia Pérez"

Coralie Fargeat, "The Substance"

Best actress

Cynthia Erivo, "Wicked"

Karla Sofia Gascón, "Emilia Pérez"

Mikey Madison, "Anora"

Demi Moore, "The Substance"

Fernanda Torres, "I'm Still Here"

Best actor

Adrian Brody, "The Brutalist"

Timothée Chalamet, "A Complete Unknown"

Colman Domingo, "Sing Sing"

Ralph Fiennes, "Conclave"

Sebastian Stan, "The Apprentice"

Best supporting actress

Monica Barbaro, "A Complete Unknown"

Ariana Grande, "Wicked"

Felicity Jones, "The Brutalist"

Isabella Rossellini, "Conclave"

Zoe Saldaña, "Emilia Pérez"

Best supporting actor

Yura Borisov, "Anora"

Kieran Culkin, "A Real Pain"

Edward Norton, "A Complete Unknown"

Guy Pearce, "The Brutalist"

Jeremy Strong, "The Apprentice"

Best actor

Adrian Brody, "The Brutalist"

Timothée Chalamet, "A Complete Unknown"

Colman Domingo, "Sing Sing"

Ralph Fiennes, "Conclave"

Sebastian Stan, "The Apprentice"

Best actress

Cynthia Erivo, "Wicked"

Karla Sofia Gascón, "Emilia Pérez"

Mikey Madison, "Anora"

Demi Moore, "The Substance"

Fernanda Torres, "I'm Still Here"

Best picture

"Anora" (Neon)

"The Brutalist" (A24)

"A Complete Unknown" (Searchlight)

"Conclave" (Focus)

"Dune: Part Two" (Warner Bros.)

"Emilia Pérez" (Netflix)

"I'm Still Here" (Sony Classics)

"Nickel Boys" (Amazon/MGM)

"The Substance" (Mubi)

"Wicked" (Universal)

[eloscartimes]

Escucha la banda sonora de ‘Emilia Pérez’, de Clément Ducol y Camille

La banda sonora de #EmiliaPerez, de Clément Ducol y Camille. Nominada al Óscar 2025 como Mejor Música Original.

La violencia del crimen organizado en México y la transexualidad son los temas que enarbolan a ‘Emilia Pérez‘. Una visión europea bajo contexto mexicano de los músicos franceses Clément Ducol y la cantante Camille.   emilia perez banda sonora poster x twitter   En el filme del realizador Jacques Audiard, el dueto fusiona diversos géneros como el pop, el rock y el rap, así como toques de techno y…

[perspectivaglobalnews]

¡Estos son los nominados a los Oscars 2025!

Comienza la cuenta regresiva para los premios más esperados del cine y televisión; Los Oscars 2025.

Tras retrasar el anuncio en dos ocasiones debido a los incendios forestales que devastaron el sur de California, por fin se han dado conocer a los candidatos aspirantes al galardón más prestigioso del cine de la 97ª edición de los Premios de la Academia.

Debido a los últimos acontecimientos que llegó a poner en peligro el teatro Dolby, donde se celebra la gala, los nominados han sido revelados en una ceremonia virtual en el Teatro Samuel Goldwyn de la Academia de Artes y Ciencias Cinematográficas con la actriz Rachel Sennott y el actor y cómico Bowen Yang como presentadores.

Favoritas como The Brutalist, Emilia Pérez, y más están en estas nominaciones.

Mejor película

•Anora

•The Brutalist

•A Complete Unknown

•Conclave

•Dune: Part Two

•Emilia Pérez

•I'm Still Her

•Nickel Boys

•The Substance

•Wicked

Mejor director

•Sean Baker Anora

•Brady Corbet The Brutalist

•James Mangold A Complete Unknown

•Jacques Audiard Emilia Pérez

•Coralie Fargeat The Substance

Mejor actor

•Adrien Brody en The Brutalist

•Timothée Chalamet en A Complete Unknown

•Colman Domingo en Sing Sing

•Ralph Fiennes en Conclave

•Sebastian Stan en The Apprentice

Mejor actriz

•Cynthia Erivo en Wicked

•Karla Sofía Gascón en Emilia Pérez

•Mikey Madison en Anora

•Demi Moore en The Substance

•Fernanda Torres en I'm Still Here

Mejor actor de reparto

•Yuri Borisov, Anora

•Kieran Culkin, A Real Pain

•Edward Norton, A complete Unknown

•Guy Pearce, The Brutalist

•Jeremy Strong, The Apprentice.

Mejor actriz de reparto

•Monica Barbaro en A Complete Unknown

•Ariana Grande en Wicked

•Felicity Jones en The Brutalist

•Isabella Rossellini en Conclave

•Zoe Saldaña en Emilia Pérez

Mejor guion original

•A Complete Unknown James Mangold y Jay Cocks

•Conclave Peter Straugha

•Emilia Pérez Jacques Audiard en colaboración con Thomas Bidegain, Léa Mysius y Nicolas LivecchiNickel Boys RaMell Ross & Joslyn BarnesSing Sing Clint Bentley, Greg Kwedar Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John "Divine G" Whitfield Sugarcane

Mejor corto documental

•Death by NumbersI Am Ready,

•Warden Incident Instruments of a Beating Heart The Only Girl in the Orchestra

Mejor película internacional

•I'm Still Here Brasil

•The Girl with the Needle Dinamarca

•Emilia Pérez Francia

•The Seed of the Sacred Fig Alemania Flow Letonia

Mejor sonido

•A Complete Unknown Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey y David GiammarcoDune: Part Two Gareth John, Richard King, Ron Bartlett y Doug Hemphill

•Emilia Pérez Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz y Niels Barletta

•Wicked Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson y John MarquisThe Wild Robot Randy Thom, Brian Chumney, Gary A. Rizzo y Leff Lefferts

Diseño de producción

•The Brutalist

•Judy Becker Patricia Cuccia Conclave

•Suzie Davies Cynthia Sleiter Dune: Part Two Patrice Vermette Shane Vieau

•Nosferatu Craig Lathrop Beatrice Brentnerová

•Wicked Nathan Crowley Lee Sandales

Mejor canción original

•El Mal de Emilia Pérez Musica Clément Ducol y Camille Letra por Clément Ducol, Camille y Jacques Audiard

•The Journey de The Six Triple Eight Diane Warren'Like A Bird' de Sing Sing Abraham Alexander y Adrian Quesada

•Mi Camino de Emilia Pérez Camille y Clément Ducol

•Never Too Late de Elton John: Never Too Late Elton John, Brandi Carlile, Andrew Watt y Bernie Taupin

Mejor fotografía

•The Brutalist Lol Crawley

•Dune: Part Two Greig Fraser

•Emilia Pérez Paul Guilhaume Maria Ed Lachman

•Nosferatu Jarin Blaschke

[agendaculturaldelima]

#ProyeccionDeVida

📣 Kino Cat / Cine Tulipán, presenta:

🎬 “(EN BUSCA DE) EMILIA PÉREZ” 

🔎 Género: Thriller / Musical / Drama / Transgénero / Crimen

⌛️ Duración: 132 minutos

✍️ Guion: Jacques Audiard

📗 Novela: Boris Razon

📷 Fotografía: Paul Guilhaume

🎼 Música: Clément Ducol y Camille

🗯 Argumento: Sobrecualificada e infravalorada, Rita es una abogada de un gran bufete que un día recibe una oferta inesperada que consiste en ayudar al temido jefe de un cartel a retirarse de su negocio y desaparecer para siempre convirtiéndose en la mujer que él siempre ha soñado ser.

👥 Reparto: Karla Sofía Gascón (Emilia Pérez), Zoe Saldaña (Rita Mora Castro), Selena Gómez (Jessi Del Monte), Édgar Ramírez (Gustavo Brun), Adriana Paz (Epifanía), Mark Ivanir (Dr. Wasserman), Agathe Bokja, Anabel López y Shiraz Tzarfati.

📢 Dirección: Jacques Audiard

© Productoras: Why Not Productions, Page 114, Pathé, France 2 Cinema, Saint Laurent, Pimienta Films & Zima Entertainment.

📼 Distribuidora: Pathé.

🌎 Países: Francia-México

📅 Año: 2024

📽 Proyección:

📆 Martes 21 de Enero

🕘 9:30pm. 

🐈‍ El Gato Tulipán (Bajada de Baños 350 – Barranco)

🚶‍♀️🚶‍♂️ Ingreso libre

[influencermagazineuk]

Zoe Saldana caused a stir at the Golden Globe Awards when she unexpectedly joined the stage during the Best Original Song presentation. Many viewers were surprised and confused by her actions, with some calling it disrespectful. This article explores the details of the incident and the reactions that followed. A Surprising Moment on StageThe Golden Globe Awards are known for honoring the best talents in the entertainment industry. However, this year, actress Zoe Saldana became the center of attention for an unexpected reason. She shocked the audience by suddenly stepping onto the stage during the presentation of the Best Original Song award. Credits: Instagram The award was being presented by actors Jeff Goldblum and Michelle Yeoh. The winners were French musicians Clément Ducol and Camille for their song El Mal in the movie Emilia Pérez. Zoe had sung in the movie and played a key role, which might explain her excitement. However, her decision to rush onto the stage surprised many viewers. As Clément and Camille walked up to accept their award, Zoe ran behind them, grabbed the trophy from Jeff and Michelle, and stood at the front of the stage. It appeared as if she wanted to hand the award to the winners herself. This unplanned action immediately sparked conversations among fans watching the live broadcast. Reactions from Fans and ViewersZoe’s actions drew mixed reactions. While some fans found it amusing, others felt it was inappropriate. Social media was quickly flooded with comments. One viewer compared her actions to a past incident involving rapper Lil Mama. In 2009, Lil Mama unexpectedly joined Jay Z and Alicia Keys on stage during their performance at the MTV Video Music Awards. Many fans felt Zoe’s behavior was similar, calling it awkward and unnecessary. Others expressed their disappointment, stating that Zoe took attention away from the award winners, who deserved their moment in the spotlight. Some fans were harsher, calling the move “disrespectful” and questioning her intentions. One social media user commented, “Did Zoe Saldana just pull a Lil Mama on stage? That was so unexpected and awkward.” Another viewer wrote, “Zoe Saldana really needs to sit down. This moment belonged to the winners, not her.” Zoe’s Earlier Award AcceptanceEarlier in the evening, Zoe had already won an award for Best Supporting Actress for her role in Emilia Pérez. She played a lawyer who helps a Mexican drug lord transition into a woman. During her acceptance speech, Zoe became emotional and struggled to hold back tears. She thanked her co-stars, director, and family for their support. However, her speech went on longer than expected. The music signaling her to finish started playing, but Zoe continued speaking, ignoring the cue. This led to nervous laughter from the audience as she tried to wrap up. Some viewers were already discussing her long speech when the stage-crashing moment occurred, making it the second time that night Zoe drew attention in an unusual way. Why Did Zoe Join the Stage?While it’s still unclear why Zoe decided to join the stage, some believe it may have been an emotional reaction. Since she sang in the movie’s soundtrack and was deeply involved in the film, she may have felt personally connected to the award. Others think Zoe might have simply been excited and acted without considering the consequences. However, some fans argue that celebrities should remain professional, especially at formal events like the Golden Globes. Comparisons to Past IncidentsZoe’s stage appearance reminded fans of other awkward award-show moments. In addition to Lil Mama’s incident, Kanye West’s interruption of Taylor Swift’s speech at the 2009 MTV VMAs also came to mind. In Kanye’s case, he grabbed the microphone from Taylor to declare that Beyoncé deserved the award instead. The incident caused widespread criticism, and Kanye later apologized. Credits: Instagram Similarly, fans wondered whether Zoe would address her actions publicly or apologize for overshadowing the winners. The Importance of Award CeremoniesAward ceremonies like the Golden Globes are meant to honor hard work and creativity in the entertainment industry. Winners get to celebrate their achievements, and the moment often means a lot to their careers. When unexpected events, such as Zoe’s actions, occur, they can take focus away from the winners and make the event feel chaotic. Many fans believe celebrities should be mindful of their behavior to ensure the spotlight remains on the honorees. A Night of Mixed ReactionsDespite the controversy, Zoe’s performance in Emilia Pérez and the music in the movie were widely appreciated. Fans praised her acting skills and her contribution to the soundtrack. However, her behavior at the awards ceremony left people with mixed feelings. Some defended her, saying she may have been overwhelmed with excitement. Others believed her actions were inappropriate and hoped she would address the situation later. Read the full article

[stranotizie]

Nella notte tra il 5 e il 6 gennaio si è svolta la cerimonia dei Golden Globe, in cui vengono premiati i migliori prodotti cinematografici e televisivi dell’anno dall’Hollywood Foreign Press Association. Tra i protagonisti, il musical Emilia Pérez ha trionfato con quattro premi, inclusa la Miglior Canzone Originale per "El Mal", firmata da Camille e Clément Ducol. Il brano ha sbaragliato la concorrenza di artisti quali Trent Reznor e Atticus Ross, Miley Cyrus, Lykke Li, Maren Morris e Robbie Williams. Il premio è stato consegnato da Jeff Goldblum e Michelle Yeoh. La colonna sonora di Emilia Pérez, realizzata dal compositore messicano Carlos Rivera, è stata molto apprezzata, combinando strumenti tradizionali messicani e musica pop. Pur non avendo vinto nella categoria miglior colonna sonora, il suo contributo è stato fondamentale per il successo del film. Inoltre, Trent Reznor e Atticus Ross hanno ricevuto il Golden Globe per la Miglior Colonna Sonora per il loro lavoro in Challengers, nuovo film di Luca Guadagnino. Questa coppia di compositori, già premiata con l’Oscar per The Social Network, ha creato una colonna sonora che mescola suoni elettronici e atmosfere minimaliste, rispecchiando perfettamente l'estetica del regista. La musica di Challengers non funge solo da supporto, ma è essenziale nel rafforzare i conflitti emotivi dei personaggi. I premi principali assegnati sono stati: Miglior Film Commedia o Musicale per Emilia Pérez, Migliore Colonna Sonora Originale per Trent Reznor e Atticus Ross per Challengers, e Migliore Canzone Originale per Camille e Clément Ducol con "El Mal" da Emilia Pérez. Per ulteriori informazioni sui Golden Globe, è possibile visitare il sito ufficiale e le loro pagine social.

[dankusner]

Steve Warren's best 2024 movies

TOP TEN MOVIES Anora Emilia Pérez Sing Sing Day of the Fight Flow The Seed of the Sacred Fig No Other Land Kneecap White Bird Hundreds of Beavers

SECOND TEN (listed alphabetically) The Apprentice, Conclave, Heretic, The Old One, Saturday Night, September 5, Smile 2, Soundtrack to a Coup d’Etat, Touch, The Wild Robot Best Actor: Colman Domingo, Sing Sing Michael C. Pitt, Day of the Fight Adrien Brody, The Brutalist Best Actress: Karla Sofia Gascón, Emilia Pérez Mikey Madison, Anora June Squibb, Thelma Best Supporting Actor: Clarence Maclin, Sing Sing Ron Perlman, Day of the Fight Denzel Washington, Gladiator II

Best Supporting Actress: Zoe Saldaña, Emilia Pérez Danielle Deadwyler, The Piano Lesson Saoirse Ronan, Blitz

Best Ensemble: Emilia Pérez Sing Sing Kneecap Best Director: Ridley Scott, Gladiator II Jacques Audiard, Emilia Pérez Sean Baker, Anora

Best Original Screenplay: Sean Baker, Anora Jack Huston, Day of the Fight Line Langebek Knudson & Magnus von Horn, The Girl with the Needle Best Adapted Screenplay: Jacques Audiard, Emilia Pérez Greg Kinedar & Clint Bentley, Sing Sing Peter Straughan, Conclave Best Documentary: No Other Land Soundtrack to a Coup d’Etat Sugarcane Best Foreign-Language Film: Emilia Pérez The Seed of the Sacred Fig No Other Land Best Animated Film Flow The Wild Robot Memoir of a Snail Best Cinematography John Mathieson, Gladiator II Greig Fraser, Dune: Part Two Drew Daniels, Anora Best Score Clément Ducol & Camille, Emilia Pérez Trent Reznor & Atticus Ross, Challengers Hans Zimmer, Blitz