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#Christian reflections
jambandatl · 3 days
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“The Greatest Superpower: The Power to Delete God”
Introduction:We often dream of having superpowers—strength, flight, the ability to control time. But what if I told you that every single one of us has the most incredible superpower imaginable? The power to delete God from our lives. This superpower is unlike any other. It’s the greatest, not because of its magnificence or glory, but because of its immense implications. It is the power of free…
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Title: The Heart of Faith: Believing in Jesus and Following His Teachings
Introduction In John 6:40, Jesus provides a profound insight into the will of God: “For my Father’s will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise them up at the last day.” This verse is a cornerstone of Christian faith, underscoring the importance of recognizing and believing in Jesus. Yet, this belief is not merely about acknowledging…
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dkcdude · 4 months
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Remembering Sacrifice: Gratitude for Freedom and Life
Introduction As we approach Memorial Day, a poignant moment arises in our collective consciousness—a time to remember and honor those who have made the ultimate sacrifice for our nation. This day is set aside not just as a holiday from work, but as a sacred time to reflect on the cost of our freedoms. In a similar spirit of remembrance, this occasion also invites us to reflect on the supreme…
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seekingtheosis · 10 months
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Christian Perseverance through Faith - Advent Meditation on St. Luke 1:1-25
The post reflects on the annunciation to Zechariah, providing insights into the faith and struggle of Zechariah and his wife Elizabeth. Despite their childlessness and societal ridicule, they stayed true to their faith. The post underscores the transforma
A reflection on the Annunciation to Zechariah In the name of God the Father, Christ Jesus His only begotten Son and the Holy Spirit, One True God. Amen Dear brothers and sisters in Christ Jesus The Christians around the world are gearing up for one their most important festivals which celebrates the birth of Jesus Christ in the manger in Bethlehem. The weeks prior to the Feast of the Nativity…
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prettieinpink · 9 months
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BEING MAGNETIC THROUGH SOFTNESS
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BEING OPTIMISTIC, regardless of the circumstances. People love positivity and will gravitate to people who make them feel good regardless of their circumstances.
SMILE. Even if you’re just walking around, having a nice friendly smile appeals to people and deems you approachable.
HELP WHENEVER YOU CAN, hold the door for someone, or lift a small burden for them. However, if you’re helping someone and it is out of your capabilities, it’s people-pleasing.
BE PRESENT, don’t dwell on the past or worry about the future. Just focus on what you’re doing, and with who at that moment.
BE AN ACTIVE LISTENER, engage in conversations with people and genuinely take in the information they tell you + make an effort to remember these facts about them.
AVOID JUDGING AND GOSSIPING, no matter how nice you are, as soon as you display these traits, you create a distance between your friends/family. While honesty is valued, if people don’t feel like they can be their authentic selves around you, they’ll close themselves up.
GIVE COMPLIMENTS OFTEN. Only if you mean it. It doesn’t have to be someone who you’re close to, but even just passers-by.
BE VULNERABLE. People won’t open up to people who are closed up. Share your deepest fears, challenges and emotions to create a deeper connection and trust.
PRACTICE BEING HUMBLE, while it is okay to celebrate our successes, we must be mindful of the manner we do so. Acknowledge other’s efforts and be willing to learn from others.
REPLACE SORRY WITH THANK YOU. If you’re a serial say-sorry person, replace them with thank you. E.g. sorry I’m late -> thank you for patiently waiting.
BE OPEN-MINDED, surround yourself with a diverse environment, and be willing to learn from other’s perspectives.
TAKE ACCOUNTABILITY. Apologise when necessary and own up to your own mistakes, but be sure to not repeat them.
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saltofthearth · 2 months
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agoddamnrayofsunshine · 8 months
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Such complicated feelings about Mary Hatford because like. She was not a good mother. She was abusive and unkind, she beat Neil so badly that her words haunted him long after her death. But also. She was never given the chance to be a good mother. A young woman, arranged to marry an older man, who was not only horribly abusive but also incredibly dangerous, a woman who had a child at a young age and then spent the next decade and a half keeping him as safe as she possibly could, even when that meant treating him horribly. She was not a good mother, but the one thing about Mary Hatford that cannot be denied is that she absolutely, without a doubt, loved her son. I think that maybe, under better circumstances, she would have been able to become a good mother.
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bookshelf-in-progress · 3 months
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Reflection: A Retelling of “Snow White and the Seven Dwarves”
The mirror is a gift from the dwarves. Its frame of hammered gold is wrought with delicately-crafted birds and beasts, fruit and flowers. Its silver-backed surface, unlike those created by human craftsman, shows a true reflection.
The queen loves to gaze at herself in the mirror. It tells her that she is beautiful—skin like milk, hair like midnight, eyes as blue as a crystalline lake. She is young, healthy, graceful, charming—perfection in human form. Truly a queen worthy of this kingdom.
Then, one day, the mirror’s message changes. It shows that the queen has lines around her eyes, sunspots on her nose, wicked glints of silver in her night-black hair. The queen does all she can to hide the damage, spends hours before the mirror with cosmetics and concealers. To the rest of the world, the queen is as perfect as ever.
Yet every morning, the mirror tells the truth.
Worst of all, her husband has a little daughter—barely fourteen years old—who grows lovelier by the day. Every morning, the mirror says that before long, those who worshiped the queen’s beauty will transfer their devotion to the princess—and will be right to do so.
The queen's beauty would not seem so tarnished if the princess were not there for comparison. The queen tries to send the princess to an isolated estate—tells her husband it is better for the girl to grow up away from the corrupting influences of the court. But the girl is too dear to her father. She wastes away with homesickness, until her father the king orders her to come home for the sake of her health.
The queen tries neglecting the girl in ways the king won't notice—refusing to let her wash with good soap, denying her a maid, forbidding her fashionable clothes and hairstyles. Through it all, the mirror tells her that the girl’s beauty shines out brighter than ever.
Before long, the queen spends hours by the mirror each day, locked in a futile endeavor to restore what is lost forever. One moonlit night, she finds a dagger, and considers plunging it into her heart just to end this ceaseless torment, but the morning shows her a better path.
She will never be perfect, nor make the princess less so—but she can destroy perfection.
It would be easy to take this dagger to where the princess sleeps and shove it through her perfect heart, but the queen doesn't dare to mar her own beauty with blood-stained hands.
She gives the dagger to a loyal huntsman. He takes the girl into the forest—and returns holding a small, bloody heart.
That night before the mirror, the queen's smile makes her glow with a new kind of beauty.
*
People often tell the princess she is beautiful. She believes them, for she has never seen an ugly face. Old Sal’s missing tooth is an open door into her smile. The chambermaid’s freckles make a daytime constellation. The little stable boy’s one good eye glitters green as an emerald. Her stepmother owns a beautiful mirror, but the princess barely gazes at it. Why would she waste time examining her own familiar face in a world with so many other lovely faces to gaze upon?
One day in early spring, she asks to go berrying in the forest beyond the castle, as she once did with her mother. To her surprise, the queen permits it—the queen rarely allows the princess anything that might be a luxury. She even sends one of her huntsmen as protection.
In the eaves of the forest, the princess finds strawberries not far from the path, and she hastens to gather as many as she can. She invites the huntsman to join her, but he stands statue-like at the edge of the clearing, always on guard. Not wanting him to go without, the princess brings the berries to him, and offers him the largest, sweetest one.
As she does, she gazes at his face. Scars make mountain ranges along his cheeks and brow. His hair is edged with silver. The lines of his face are solid as stone. His deep gray eyes hold storm clouds.
“Oh, my,” the princess says in awe. “You are beautiful.”
The huntsman’s face disappears as he hides it in one of his hands. “I can’t,” he says, his voice rough with unshed tears. “I must betray my queen."
His other hands darts to the side, quick as a serpent, and the silver flash of a blade disappears into the undergrowth.
The huntsmen places both of his hands on the princess’ shoulders and crouches to look into her face. “You must run. The queen wants you dead. If you stay at the palace, she will find a way to kill you. You must flee into the forest and never return.”
“The forest?” the princess asks in terror. She has often wandered in the eaves, but she has never dared the strange terrors that are said to lurk in its interior.
“There is nothing there that can harm such innocence,” the huntsman says. “You will find shelter.” He turns her around and pushes her toward the depths of the forest. “Now run! As fast and as far as you can!”
The shadows of the forest embrace her, and the flowers make a path at her feet. She crosses shallow rivers, climbs rocky slopes, winds through twisted groves of trees. She couldn’t return home even if she wanted to.
She had not been blind. She had seen something like ugliness in the queen’s face whenever they were alone. But hatred? Murder?
She nearly collapses with grief, but through the trees, she sees a wisp of smoke. A chimney. A roof over a tumbledown cottage. The princess runs through the open door, collapses on the floor, and is glad to find a safe place to weep.
Her father will think her dead, and she will not be there to comfort him. She will never again see any of the beautiful faces that fill the palace. The hundreds of hidden details that made the castle home are forever out of her reach. The huntsman saved her, but to what end? A lifetime of loneliness and misery? Is this truly a better fate than the quick death of a dagger through the heart?
She opens her eyes. She has looked too long at the sorrows in her heart. She must find solace from without.
She gazes upon the cottage.
And sees seven beautiful faces.
*
The dwarves love their princess. She is beautiful, not only because of her face, but because of the way her soul shines out through it. She is endlessly beautiful because she sees the beauty in everyone and everything.
There never was a girl so selfless. Her every waking moment is spent filling their days with a million small comforts. The cottage has never been so clean. The food has never been so lovingly prepared. There is nothing she would not do for them, and in return, they devote their lives to her service.
She needs their protection. One so naturally kind and innocent can’t recognize when strangers might have ill intent. One day, after being out in the woods, the seven dwarves return to the cottage to find the princess nearly strangled by a set of stays. When they revive her, she tells them of a ragged old woman (with such beautiful hands!) who asked for food and water and then repaid her generosity by giving a nearly-fatal gift. The eldest of the dwarves caught a glimpse of the stranger’s retreat, and saw enough of her form to suspect the queen.
The dwarves keep a closer guard on the princess, but six months later, a few minutes go by when all seven of them are away from home. They return to find the princess nearly killed by a poisoned comb in her hair. The story she tells is similar to the last one—an old woman in need of help repaid their kind princess with a gift meant to kill.
After that, the princess is never alone. The dwarf on guard duty always has the envied task, so lovely is it to be in her presence. A year, then two, go by with no signs of danger.
Then one winter morning, after a night of birthday feasting, all seven of the dwarves sleep late. The princess rises at her usual time, hoping to fix them a holiday breakfast. By the time the dwarves stumble out of bed, they find the princess sprawled across the kitchen floor—cold, pale and lifeless, with a poisoned apple in her hand.
They despise themselves for having failed her, but their love for the princess drives them to serve her the only way they can—by laying her body to rest. The cold, hard earth won’t take her, and they can’t bear to hide her away in the realm of death. Knowing that decay will not touch one so innocent, they place her in a coffin of glass and lay her in their garden, where her beauty can brighten the world in death as it did in life.
They keep a constant vigil, lost in loving grief. They ought to have known she would end this way. This is the fate of all innocence in this dark and sinful world—to be destroyed by wickedness. Even as they see this truth, they know that it is wrong. The world should not be this way, but what can they do? They wish and pray for better, but they can’t hope. How can innocence ever overcome such evil?
In the spring, when the last snow melts and the first snowbells bloom, the dwarves see movement in the woods beyond their cottage. A prince approaches on a snow-white horse. He is ruler of this forest and its mysterious ways—a king of kings, even more beautiful than their princess. His face shines with a wisdom that does nothing to defile the innocence of his heart.
He leaps from his horse, approaches the coffin, raises the lid, and takes the cold hand of the princess between his.
“Beloved,” he says, “arise.”
In his words and actions, the dwarves find the answer to the riddle they have pondered in their long vigil of grief. In a world of wickedness, the salvation of Innocence is Love.
The princess opens her eyes. Takes a breath. Sits up and gazes upon the world she loves, upon the one who loved her back to life. Something of the prince’s wisdom is reflected in her, so that her beauty is almost painful to behold.
The dwarves rejoice, and the princess rejoices with them. She kisses each one atop the head, but does not release the hand of her prince.
Eager to serve one who served them so well, the dwarves cook her breakfast, and she eats with even more enthusiasm than she showed in her former life. Yet when the meal ends, she stands with her prince at the threshold of the cottage.
“I must return to my father,” the princess says.
The dwarves protest. What of the queen? What of the danger?
The princess looks at her prince with eyes full of love. “I have nothing to fear.”
*
The king rejoices at his daughter’s return—he has thought her dead for so many years. Grief has aged and weakened him, but there is beauty in his face that grows brighter with every minute he spends in the presence of the princess.
The princess tells him of her troubles since she went away, and the king is horrified by her words. “I knew my wife had lost her reason,” he says, “but not her heart! She must pay for her crimes!”
He moves toward the door as though he will administer justice this moment.
The prince stops him with a gentle hand upon his chest. “There is no need.”
*
The queen gazes at herself in the mirror. She never looks anywhere else. If there is a world beyond the edges of its frame, she has forgotten it. She sees only her own face, searches for the remaining scraps of beauty, tries desperately to erase the blemishes that grow ever more hateful with the passing of years.
Another face appears in the reflection—a face the queen thought she had destroyed long ago. It is lovelier than ever. The queen hides her face in her hands so she can not see the painful beauty of the princess.
“Come away from there,” the princess says. “Gaze with me upon the other beauties of the world.”
“And lose myself?” the queen shrieks. “That is what you have always wanted—to destroy my very self! To take all the honor and beauty that should be mine!”
“I wish to save you,” the princess says. “Come away.”
“Never!” the queen screams, clutching the mirror in two white-knuckled hands. “I have everything I need right here! You can’t take it from me!”
The princess touches the queen’s shoulder. The queen screams and shrinks away, hiding her face once more in her hands.
A man’s voice—painful in its beauty—says, “Beloved, she has made her choice.”
At long last, they leave. The queen looks in the mirror and sees no face but her own. No greater beauty remains nearby to shame her.
In the confines of her world’s silver surface, she is fairest of all.
*
The queen is locked away in the prison of her choosing.
The king stays to do what good he can for his kingdom, and the princess promises to return for him after he has fulfilled his purpose.
The prince places the princess on his snow-white horse, and they travel once more past the cottage of the dwarves, who are glad to see her so beautiful and beloved.
At last, the prince brings the princess to his kingdom at the heart of the forest.
The beauty she finds there is beyond words.
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milolovesbmc · 5 months
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The "I do too" from Marvin after "Do you take this man to be your husband?" in In Trousers absolutely destroyed me so here's this!!!
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huariqueje · 1 year
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Unknown - Hans Christian Rüngeler
German , b. 1957 -
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prettyjesusfreaks · 15 days
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a reflection on creation
It's easy to see God's beauty and goodness when you only focus on things you find to be beautiful and good. It's easy to love monarch butterflies and kittens and sunflowers. It's harder to understand God and His creation when you're faced with the spider on your wall. It's easy to feel uneasy when you see photographs of angler fish and that unfortunate footage of the magnapinna squid. Are these things evil just for existing? No. But they are frightening - and that's something you have to accept and embrace about God and His creation if you really want to know Him. Nature can be terrifying. God is terrifying.
But He's good. He's still so good.
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jambandatl · 5 days
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The Intersection of Science, Art, and Education: A Christian Libertarian Perspective: Universal Development Subscription:
Thesis: Christian Libertarianism encourages individual liberty under God’s sovereignty, calling for a society where personal freedom, moral responsibility, and biblical truth guide every aspect of life. Science, art, and education are crucial fields in shaping culture and society, and it is our responsibility as believers to infuse these areas with God’s truth, evangelizing and influencing the…
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thecatholicbozo · 1 year
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In a world that is addicted to carrying grudges, Christ chooses to forgive
In a world which abandons its friends when they become a liability, Christ chooses to never abandon those whom He loves or His promises to them
In a world where rulers become despots or fail to pursue the best interests of their citizens, Christ chooses to reign in total goodness & charity
In a world which exalts the strong & the wealthy, Christ chooses to raise up the weak & the poor
In a world that views others as simply a commodity or a means to an end, Christ chooses to sacrifice Himself for the good of mankind
Christ chooses you
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Domenico Fetti (c. 1589-1623) "Magdalene in Meditation" (1618) Oil on canvas Baroque
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dukeofdelirium · 2 months
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honestly why do ppl even keep trying to be like “uhmmm 🤓 actuallyyyyy lawlighters ☝🏻☝🏻 the foot scene ISNT gay 🚫🏳️‍🌈💏 it’s about JESUS ✝️⛪️” like … lmao most of us have been in this fandom for well over a decade. we are all very aware that Death Note uses Christian motif as aesthetic. we literally don’t need anyone to tell us this, we’re not stupid
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thomastanker02 · 2 months
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Taken from Grace For The Moment by Max Lucado. God bless, Jesus loves you ✝️❤️
@cosmicfunnies @babyimlosingit @cottonpuffmouse
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