#Child Psychiatrist Meaning

[seaweedstarshine]

Sometimes I think of Amy Pond, who grew up being called mad by those who wielded the word as a tool of exclusion and shame —

Amy Pond, who though forced into the hands of four psychiatrists, still clung to that which they called madness until those systems which elevate psychosocial conformity above humanity stripped it from her —

Amy Pond, whose imaginary friend reappeared for a single hour after twelve years and reignited that faith before disappearing for two more years —

Amy Pond, who spent those those two years under the same implicit threat ingrained in her through psychiatric violence, and thus began to believe the man who stopped the invasion was “just a madman with a box,” only for him to agree, and to also call her “mad, impossible Amy Pond,” reframing madness as non-negative for the first time in her life —

Amy Pond, who ignored the disembodied voice of her imaginary friend even as she ran away with him for real, who still lived each day with the traumatic internalization of deviancy dictated upon her by the psychiatric-industrial complex that shaped her from childhood —

Amy Pond, who wouldn't acknowledge the Doctor's voice, such that it took an Angel in her eye that was literally killing her to ensure she couldn't reality check herself —

Amy Pond, who stood before a room which muttered about “the psychiatrists we brought her to,” and though afraid, escaped their rigid parameters of acceptable existence.

[sschmendrick]

I kinda miss hanging out with old people. All my friends used to be old people.

But the older I grow, and the more I'm expected to behave well like a normal adult, the harder I find it to keep those links. I'm lost between trying to stick to a script I don't know the words of to have a proper normal and interesting relationship for them, and allowing myself to screw up a little, be boring, be interested in stuff they aren't, having opinions they don't agree with (for silly stuff like music, though yk me), not be cool. Cause the latter stresses me out. Cause I see no reason for people to want to be friends with me if not that.

[luveline]

hii jade are u going to write something about hotchner!reader and spencer any soon?

—You panic when Spencer’s late for a date. He makes it up to you as best as he can. fem, 2.6k

cw implied past child abuse

You weren’t young when you were adopted, so you were instilled very quickly with the need to be grateful. How lucky you were to be given a second chance at a family. How you owed it to your new family to be the perfect daughter and sister to a father who didn’t like you and two brothers your senior. 

Family for you is complicated. It always has been. You didn’t get the unconditional love you’d hoped for in all of them, but you have one older brother who loves you as though you and him are two branches of the same tree, and maybe that’s enough for anyone. 

“Yes!” Aaron cheers, jumping up from the bench. 

You spin around with a grin that’s half shy, half ecstatic. “I did it!” 

Jack runs up to your legs. “You got a strike!” 

You pretend to give him a karate chop. “Boosh! Double strike.” You grin as Aaron sizes up the pins down the long ally. “Think your dad can get one before we run out of turns?” 

“No!” Jack laughs. 

You laugh at his easy answer. His father, determined now in the face of your disbelief, picks up a number twelve ball and stands at the arrows to take his last turn. You brace your hands on Jack’s shoulders and wait for the line to be put down again. 

You’re pretty sure he’s throwing his turns to let Jack win. You’d not done the same until you realised the yawning gap in the scores, and maybe you’d feel embarrassed for not noticing if Aaron ever made you feel bad for anything, but he doesn’t. 

Your phone rings as he pulls back his arm. You ignore it. “Good luck, dad!” Jack says under your hands. 

It’s that good luck that gives Aaron his strike. You cheer with Jack as the ball glides straight into the first pin and veers on a spin toward the third, creating a wave of noise and action as the pins go flying back toward the baseboard. 

Aaron turns around with a huge smile. “Jack!” 

“You did it!” Jack cheers back. “Not first, but you did!” 

You grab your phone from your pocket. “Couldn’t let me have it, could you?” you ask. 

“What do you mean?” Aaron picks Jack up from the floor to hold against his chest, pointing at the screen with love. “Look at that, buddy, you won! Can you see that? You got the most points!” Aaron kisses his cheek, high on happiness. “Wow!” 

You have two missed calls from Spencer. To Aaron’s begrudgement, you and Spencer are actually going steady. The first attraction didn’t fizzle, the dates turned to dating turned to exclusivity; Spencer Reid is your boyfriend, and he’s supposed to be taking you out to dinner in ten minutes. 

“Everything okay?” Aaron asks, creeping closer to you, Jack still in his arms. 

“It’s fine, he’s just running late.” You notice his small frown. “His mom’s doctor wanted to talk to him, that’s all.” 

“How late is he thinking?” 

The plan was you’d go bowling with your family and then meet Spencer outside to eat at the Chinese restaurant just across the parking lot, but it’s not seeming so sure now. 

“He said half an hour. I’m pretty hungry,” you say, “he’s gotta speak to a psychiatrist about something. I can’t eat though, right? That’s rude.” 

“That’s not rude, honey. You can’t help being hungry as much as he can’t help being late.” As you’d noticed his, he notices your small frown. “You can’t go hungry,” he says with a shrug, “so you’re gonna have to come and eat something, but Spencer can join us when he’s done.” 

“Right, because you’ll love that.” 

“I’ve been on more dates with him than you have.” 

You take Jack as he opens his arms toward you. “I forget. I always think of you as his boss, and not his teammate.” 

Aaron grabs Jack’s backpack off of the bench, and your empty cups off of the table to throw away. “I am his boss. Okay, Jack, what do you want for dinner? What sounds good?” 

You, Aaron and Jack leave the bowling alley and end up in the Italian restaurant opposite of your originally proposed restaurant. You carry Jack on your hip and text Spencer with your open hand, content to let Aaron guide you through what little foot traffic there is to your table. Aaron sits on one side of the booth with Jack, and you slide into the other side. 

Spencer’s texts are getting more and more convoluted. He says he’s sorry, and then he says he has to call someone else, and then he needs to talk to his mom. You nibble your fingernail. 

“You okay?” 

You nod slowly. “Yeah, uh… Yes, everything’s fine.” 

“Is Spencer okay?” 

“I think he might cancel.” 

Aaron flattens his menu. “I’m sorry.” 

“It’s okay. I think his mom is having a bad day…” 

“What else are you worried about?” 

Jack saves you for a moment, “Dad, can I have juice?” 

“Yes, sweetheart, I’ll get you juice. Apple juice?” 

Jack presses his cheek to Aaron’s arm, earning himself a hug. 

“Are you tired?” Aaron whispers. 

“No.” 

“Okay. Hey, there’s a table over there with some colouring pages and crayons, do you see that? Do you want to do some colouring?” 

“Can I go get some?” Jack asks. 

“Yes. Don’t bump into anybody, okay?” 

The table isn’t far enough to worry, but Aaron splits his attention between Jack and you fairly evenly, just a tad more worry following his son. “Do you wanna talk about it?” Aaron asks. 

“You don’t think Spencer would lie, do you?” you ask. 

“Lie about his mother? I doubt it very much.” 

You trust Aaron, and you trust Spencer too, but Aaron has earned that trust over years and years where Spencer has been gifted it. He hasn’t done anything to break it, but he hasn’t proved he should have it yet either. And really, truly, it isn’t actually about what you believe of Spencer. 

You feel a bit nauseous, but your brother is the best person in the world, so you tell him why without preamble, “I’m worried that he’s going to get sick of me.” 

“Why would he do that?” Aaron asks. 

You scratch at the menu beneath your hand rather than meet his eyes. Because you’re awful. That’s what your father instilled in you, and it’s what you’ve come to learn. Eventually, the people who love you get tired of you. Everyone except Aaron, and isn't that proof of something? He’s the only man good enough to pretend you’re someone worth caring about. 

If he could hear your thoughts he’d probably cry. It’s why you’ve struggle to tell him. 

You rub your thumb into the side of your index finger, feeling the texture of your skin. “I think people just do.” 

Jack returns quickly, with paper and a huge fist full of crayons, though there are four colours altogether. “Well,” Aaron says, helping Jack back into his seat, crayons rolling released from a small fist every which way, “I don't. And Jack doesn’t, Haley doesn’t. I see no reason why Spencer would feel that way.” 

“What don’t I do?” Jack asks, frowning at his dad. 

“You don’t think Aunt Y/N’s bad at bowling, do you?” 

“You’re great at bowling!” Jack's eyes go wide. “I’m gonna make us a photo, to remember. We got strikes!” 

You let your face fall into your hand as Aaron strokes hair up the side of Jack’s head. It’s a soothing thing to see, you know the soft touch of his hand well, having been petted and patted through a hundred different bad moments. 

Spencer probably isn’t lying about why he’s late, but he could be. You wouldn’t blame him. 

“She’s very good at bowling,” Aaron says, hugging Jack to his side. “And so many other things, that’s why we love her. Should we make a list?” 

He used to love doing that, too. 

Your father wasn’t a nice or kind man. Aaron doesn’t know how it escalated, only knows what happened to him, and how he’d come to see you and you’d burst into tears the second he asked how you were. 

If Aaron knew how bad it was at the time he would’ve forced you to leave, but you never told the whole truth. He assumed it to be a mixture of everything —school was awful, dad was worse, and you were more isolated than most. 

Make me a list, he’d say. 

The first time you didn’t get it. You were a teenager sitting on his couch, his wife in the kitchen, a weight on your chest. What for? 

A list of the stuff that’s bothering you. 

Do you need a list? you’d asked. He had a knack for knowing more than you could say. 

I think we should make one. 

You realise now it was a strategy to calm you down. If you could quantify the things that were depressing you, you could begin to understand it, and hopefully dismantle some of the bigger problems. It didn’t always work, but it didn’t matter. It made you feel better just to have you and Aaron on the same couch with a notebook and a number two pencil. Don’t see my brother enough, he’d written with a sad face. 

Brother, you’d thought with a secret joy. He’s your brother. 

Jack and Aaron make a list they won’t show you. You order drinks and then dinner, waiting for a phone call or a text back you don’t receive. It’s disheartening, and when your pasta arrives, you can barely eat. 

“Honey,” Aaron says, “why don’t you go call him? You can see if he’s alright.” 

You poke at a shell with a tightly gripped fork. “What if he doesn’t want me to call him? It sounds serious.” 

“Maybe that’s why you should call him. I think he’d appreciate it.” He looks like he wants to reach for you, but ultimately, he doesn’t. “Take a minute for yourself, if nothing else. Everything’s okay, I promise.” 

“Sorry.” 

“For what?” Jack asks. 

You smile regretfully. “I’m just feeling confused today, babe. What about you? Are you confused about where your mouth is?” you tease lightly. 

Aaron gasps a laugh and reaches over to wipe Jack down with a napkin as you slip from the booth. You take your phone, worrying that Aaron’s eyes are on your back as you pass by the host booth and back out onto the street. The breeze kisses your clammy skin. 

Why do you assume that no one really likes you? It’s difficult to comprehend. Your thumb hovers over Spencer’s contact photo, debating, and debating. Should you call him? He might be preoccupied, upset even, and what if you make it worse? But if you don’t call him, you can’t reassure yourself that you’re not in trouble. 

He answers on the third trill. 

“Hello?” you ask. 

“Hey!” There’s a sound like something heavy has been put down. “Hey, I’m so sorry!” 

“Don’t be sorry!” you say immediately. “It’s okay. Are you okay?” 

Spencer’s voice is a little high and fast, but beside that, he has a nice tenor. When he’s calm and feeling up to it, alone at night with nothing else to do, he’ll read to you from one of his infinite books, his syllables catching and tripping over air as you rub your nose into his arm. 

“I’m fine! There was a mixup with some medication at the sanitarium and they realised my mom’s dose of one of her antipsychotics has been charted higher than she was really taking, so she’s been having a hard time, it’s a total mess but I think we have it figured out now. How was bowling?” 

“Spencer, are you sure it’s okay?” 

“It’s fine.” He laughs softly, not a hint of condescension or derision for you, but an emotion you can’t name. “I’m so sorry, I didn’t mean to take so long.” 

“It’s okay.” 

“I mean, it’s fine if it’s not okay. I know you can’t help yourself sometimes, but you don’t have to tell me it’s fine if it’s not fine.” 

“Uh–” You cough around it. “No, it really is. You can’t help it. Family is important, right?” 

“It’s so important. Listen, where are you right now?” 

“I’m just standing outside of the Pasta Factory by the bowling alley. I tried to have dinner ‘cos I’m starving, but… I think I lost my appetite.” 

“What? Are you okay?” 

“I’m having one of those days, I guess?”

“What kind of day?” 

His voice is bouncing strangely, as though he’s talking near you. You pause, turning on your heel to look down the few stairs into the parking lot asphalt. 

Spencer’s walking up them, a bouquet of roses in his hands. 

“Hi,” you say, the phone still pressed to your ear. 

Spencer puts his away. “Hi. 

His hug is full, all-encompassing and warm as he wraps his arms around you, the bouquet a cacophony of crinkling against your shoulder. He smells like aftershave, his Tom Ford one with the woody tinge that has you pressing your nose into the top of his shoulder to just breathe. Your phone digs into his spine. He doesn’t say anything about it. 

“Hey,” he says softly, giving you a similar swaying, back and forth. “I’m sorry I’m late, I had to call them, but it wasn’t fair on you.” 

“Spencer,” you say, holding him tightly. “You’re my boyfriend.” 

“Don’t sound so unsure.” 

“No, but. We can be flexible, right?” 

“Of course we can, but I’m still sorry.” He peels back to smile at you, his eyes gently squinted. “So what’s wrong? What’s making it one of those days?” 

You can’t explain it to him. He likely doesn’t need you to. 

You’re expecting him to pull away —you’re in a public place and affection isn’t his usual expertise— but he doubles down. New boyfriend or not, this hug feels like it’s from somebody who’s loved you for years and years. 

“What’s making it a bad day?” he asks quietly. 

“I don’t know…” You rub your nose self indulgently against his shoulder. 

“Are you sure you have no appetite? Maybe that’s what it is? Stuff tends to feel bigger or more upsetting when we’re hungry because low blood sugar prompts your body to release more hormones that affect your cortisol level, and cortisol plays a big part in how your mind interprets your emotions.” Spencer pulls away, his hand sliding up your shoulder to hold you in place. He grins. “So I think you should still let me take you to dinner. Especially if you didn’t eat much.” 

Why would Spencer lie to you? you think, relieved. He wouldn’t. And the idea that he’s going to get sick of you, that’s rooted in bad lessons from a poor situation. It’s not a reflection on you. 

“We will,” you decide, “I just have to get my stuff. I left my bag, and Jack’s writing me a list.” 

“What list?” 

“A list of stuff I’m good at.” 

He doesn’t waver. “Really? Can I add stuff too?” You turn your nose up in an unsubtle prompting, satisfied when Spencer gives you a quick, smiling kiss. “Sorry,” he says, though his apology is distracted by a fond undertone, “I missed you.” 

You receive a few more gentle kisses for all your worries, and you begin to feel better. Spencer presses the roses into your hand and encourages you into the restaurant with his hand spread behind your back. 

[astrosky33]

The Best Career for you: Asteroid Industria

◉ Industria is an asteroid in astrology that can represent the long term career industry you will work in. Based on the readings I’ve done this asteroid is very accurate in predicting your long term career

◉ Asteroid Code: 389 -> How to find asteroids

House Meanings

Asteroid Industria in the 1st house

Your career will be a major part of your identity (more so than others careers would). Your career may change or constantly be testing your outlook/view on life. This career will be something you’re very passionate and ambitious about. You may use lots of mannerisms in this career. It most likely is going to involve your physical body, fighting, beauty, confidence, and/or individuality

Ex: Athlete, Model, Makeup Artist, Fighter

Asteroid Industria in the 2nd house

Your career will be a major source of stability (not just financially but also emotionally) for you in your life and your career may boost your self esteem/self worth. It is going to revolve around material items. It most likely is going to involve either your singing voice, finances, cooking, giving, receiving, and/or material resources

Ex: Singer, Banker, Accountant, Chef, Product Designer

Asteroid Industria in the 3rd house

In your career you will use your voice to spread an important message. You will express many of your ideas to others. It most likely will involve communication, literature, teaching, transportation, influencing, social media, the mind, and/or phones

Ex: Author/Writer, Social Media Influencer, Driver, Teacher

Asteroid Industria in the 4th house

Your career will be in an industry where you’re using lots of emotion toward your work and/or caring for others. It won’t be a job far out of your comfort zone. It likely will involve houses, home related things, food, and/or self-care

Ex: Real Estate Agent, Nurse, Baker, Home Designer

Asteroid Industria in the 5th house

Your career may revolve around you and be in an industry where a lot of spotlight/attention is on you. You’re going to work in an industry where you use your talents. It’s going to be a career you really enjoy and that makes you happy! It likely will involve entertainment, romance, events (such as a festival or concert), children, talents, and/or drama

Ex: Actor, Event Planner, Child Psychiatrist, Talent Agent

Asteroid Industria in the 6th house

Your career will have a set schedule and steady income. In this career industry you’ll constantly be working on self improvement. It likely will involve health, fitness, hygiene, your analytic nature, animals/pets, and/or giving service to others somehow

Ex: Doctor, Nutritionist, Fitness Trainor, Dentist, Vet

Asteroid Industria in the 7th house

Your career will be one that’s based around equality or partnership. You’re going to be working towards harmony or peace in this career. It will likely involve commitment, marriage, attractiveness/attraction, contracts, conflicts, negotiations, and/or equality/sharing

Ex: Wedding Planner, Lawyer, Model, Fashion Designer

Asteroid Industria in the 8th house

Your career will be one that’s based around a lot of transformation, power, or mystery. In this career industry you’ll constantly be working on changing for the better. It will likely involve crime, death, taxes, psychology, surgery, investments, the stock market, business, loans, secrets, your inheritance, reproduction, and/or spiritual transformation

Ex: Detective, Psychologist, Tax Preparer, Surgeon

Asteroid Industria in the 9th house

Your career will be one that helps you grow a lot as a person. In this career industry you will learn a lot more than most people do in their career. It will likely involve travel in general, air travel, exploration, television, media, teaching, higher education (college/uni), religion, beliefs, ideologies, philosophy, interviews, courts, law, cultures, ethics, viewpoints, and/or languages

Ex: College Professor, Pilot, Newscaster, Photographer

Asteroid Industria in the 10th house

You are more likely than others to be very successful when having this placement in your chart. Your career will teach you how to set long term goals for yourself and succeed. It will likely involve being in charge/a boss, business, peoples reputations/images, sense of mission, responsibilities, being famous, and/or status

Ex: Manager (anywhere), Publicist, Movie Director

Asteroid Industria in the 11th house

You’re more likely to gain wealth from your career with this placement since the 11th house represents financial gains -> read more here. Your career will be one that introduces new ideas to the world and may be a more unique career compared to most peoples. It will likely involve technology, film, politics, science, inventions, chaos, sudden change, friendship, groups, desires, manifestations, hopes/wishes, humanitarianism, social networking, clubs, and/or parties

Ex: Engineer, Scientist, Film Producer, Politician

Asteroid Industria in the 12th house

Your career is one that will transform you spiritually. In this career industry you will heal others. It will likely involve spirituality, hypnotism, isolation, music, karma/karmic debts, hidden enemies, the subconscious mind, subconscious memory, sleep, dreams (the ones you have when you sleep), old age/people, mental health, fears, losses, endings, impersonations, closure, self-undoing, bed pleasures, intuition, illusions, and/or the afterlife

Ex: Therapist, Song-Writer, Astrologer, Psychic

➠ [READ] the examples listed aren’t the only possible careers for each house only some, so there can be more interpretations than the ones listed

𝗖𝗔𝗥𝗘𝗘𝗥 𝗥𝗘𝗔𝗗𝗜𝗡𝗚! 𝗜 𝘄𝗶𝗹𝗹 𝗮𝗻𝗮𝗹𝘆𝘇𝗲 𝘆𝗼𝘂𝗿 𝗶𝗻𝗱𝘂𝘀𝘁𝗿𝗶𝗮 𝗮𝘀𝘁𝗲𝗿𝗼𝗶𝗱 𝗽𝗲𝗿𝘀𝗼𝗻𝗮 𝗰𝗵𝗮𝗿𝘁 𝗶𝗻 𝘁𝗵𝗶𝘀 𝗿𝗲𝗮𝗱𝗶𝗻𝗴

𝗦𝗨𝗕𝗦𝗖𝗥𝗜𝗕𝗘 𝗧𝗢 𝗠𝗬 𝗣𝗔𝗧𝗥𝗘𝗢𝗡 𝗶𝗳 𝘆𝗼𝘂 𝘄𝗮𝗻𝘁 𝘁𝗼 𝗮𝘀𝗸 𝗺𝗲 𝗾𝘂𝗲𝘀𝘁𝗶𝗼𝗻𝘀 𝗮𝗻𝗱 𝗵𝗮𝘃𝗲 𝗮𝗰𝗰𝗲𝘀𝘀 𝘁𝗼 𝗺𝗼𝗿𝗲 𝗰𝗼𝗻𝘁𝗲𝗻𝘁

𝗠𝗬 𝗠𝗔𝗦𝗧𝗘𝗥𝗟𝗜𝗦𝗧

© 𝐚𝐬𝐭𝐫𝐨𝐬𝐤𝐲 𝟐𝟎𝟐𝟑 𝐚𝐥𝐥 𝐫𝐢𝐠𝐡𝐭𝐬 𝐫𝐞𝐬𝐞𝐫𝐯𝐞𝐝

[a-small-safe-place]

His Haven

Homelander x Psychiatrist!Reader Pt. 1?

Part 1 Part 2 Part 3

When Homelander first met you, he just came in because Madelyn cooked up some scheme with Edgar to 'prove' that the members of The Seven were sound of mind and could pass a psychiatric evaluation similar to the one used in the army. Of course, you had been paid a lot of money to do the evaluations and even more money to ensure that these heroes passed no matter what they said. You were a respected psychiatrist in your field; that’s why Madelyn wanted you specifically.

Homelander went to his appointment, planning on leaving until you said something that caught his attention. You said, 'I am here for you. I took this job because you all spend your days helping and saving people, but at the end of the day, who helps and saves you? Obviously, I couldn’t physically save you, but I can be a place for you to talk if you need it. Nothing you say will leave this room.' Boy, did that stroke his ego in all the right ways. He decided to stay. Something about you was comforting, and he wanted to talk, so he started small with the obvious stuff. He led the conversation by making off-handed remarks about being better than everyone and having to be perfect for Vought. It was clear you didn’t understand his pain, but you were listening to him. You were actually listening to him and responding.

You weren’t like Madelyn, who seemed to argue with every other thing he said; you didn’t respond with dismissive and uncaring responses like Queen Maeve, and you could actually keep up with the conversation, unlike The Deep.

Homelander surprised you and himself when he began attending regular scheduled sessions. You usually led the discussion by asking various questions. Some questions he would lie about, not feeling totally safe to dive into certain topics, or he would just dodge the question and change the subject. Homelander knew you noticed this because anytime he did either of those things, your body language would change, and you would write something down in your little notebook. That notebook had made Homelander incredibly nervous until he found out you were not in there calling him a useless pussy. You were just simply writing topics you two had discussed and what topics made him uncomfortable.

You seemed to actually care about Homelander’s feelings, even the bad ones. Stan Edgar put Homelander in his place, and Homelander looked down avoiding Edgar’s pointed gaze like a child being scolded by their father. Homelander needed some reassurance, but he would never admit that willingly. Homelander felt weak and stupid for needing someone, but you didn’t seem to mind even when he was ranting and raving, so he went to you. You had been his haven. The one person he could confide in and actually be himself.

He arrived at your office in the morning while you happened to be filling out some paperwork. He knew you didn’t have any appointments today because this had been previously the day Vought scheduled for the evaluations of the heroes. Homelander spent the whole day pestering you. 'What are we doing now?' He asked, not entirely oblivious to your mild frustration. 'Still just filling out paperwork,' you replied. He rolled his eyes. 'God, your life is so boring. Go to work, talk to the crazies, fill out paperwork and go home, and you do that all alone? I forgot how boring normal people can be.'

You laughed before telling him, 'no one is keeping you here.' Homelander’s jaw tightened. This pissed him off. You’re not supposed to say that. You’re supposed to offer to do something more fun. You seemed to notice that 1,000-yard stare he has as he retreats into his own mind. 'Look, I just mean that I have to finish work. I know it’s probably boring you to death just sitting here; you don’t have to stay if you don’t want to,' you told him, which seemed to make him feel a bit better, but he’s not entirely out of his head. 'It’s fine, we can just talk while you work,' he tells you with a feigned smile.

Homelander begins to perk up while you finish your paperwork and finally asks you the million-dollar question, 'What are we doing when we get home?'

'I am going home to cook up some dinner and watch some television,' you told him, trying to hint that you were wanting to be alone. Homelander was undeterred. 'What are we eating? I could use a home-cooked meal. We could watch one of my movies. I’ve been told I’m a great actor.' Homelander needs you to agree and compliment him. He desperately wants you to tell him he does a good job, even if you’re just talking about acting. 'Yeah? Your movies are pretty famous,' you say, accepting your fate that he isn’t leaving you alone tonight.

The night is spent with him at your house. Homelander wastes no time making himself at home and pilfering through your things. He feels comfortable being so ensnared in your scent. He becomes more comfortable as the night carries on. You fix his plate and drink for dinner, and the two of you share a dinner that he perceives as romantic. Your food isn’t as good as the private chefs at Vought, but Homelander loves it because he got to see the love you put into making it just for him.

You two clean up together. It’s really you cleaning, and Homelander helps by talking about which movie of his you should watch tonight. Finally, you try to retire to your room, but he follows. 'I thought we were gonna watch a movie… it doesn’t have to be one of mine,' Homelander tries not to sound too desperate, and he hated to say that last bit.

'I had planned on watching something in my room, but you can come lay with me if you want,' you tell him reluctantly. Homelander is excited but tries to keep that hidden. You two lay down and begin watching one of his movies. By the end, Homelander is 'asleep.' He knows you can’t tell the difference in him and ignores you when you gently shake him trying to wake him. He’s not the biggest fan of sleeping in strange beds, but for you, he can make an exception. Next time, he wants you in his bed though.

[bet-on-me-13]

Stranded Danny AU

Danny gets pulled into a faraway Dimension by a Villain one day, just after the events of Phantom Planet. He is barely 15.

He has no way to get back, but he does manage to unlock the power to make Portals. Unfortunately, none of the dimensions he ends up in are his own, and none have enough Ectoplasm to open portals for very long. It takes up to a week to scrounge up enough Ecto to open a single Portal into the next dimension over.

And none of these worlds have Technology strong enough to take him home either. The few times he did find some tech that could potentially get him home, it never worked or it was destroyed before he could finish it.

He spends well over 30 years of his own Personal Timeline trying to get back to his home dimension, constantly gathering scraps of Ectoplasm and Tech until the day he eventually collected enough to build a safe way home.

But time does not pass the same across dimensions.

What to him was a 30 year long Journey, was actually just 10 for his home Dimension.

And they had to move on without him.

Sam became a Business Woman who used her money to fund Nature Preservation Organizations. She hired Pamela Isley and helped her through her powers when she became Poison Ivy (still a Villain, but secretly working for Sam)

Tucker got a high ranking job at Star Labs, and helped Cyborg come to terms with his new life when he became a cyborg. He even helped upgrade his tech a few times.

Jazz became a successful Psychiatrist, and now works under Daina Lance as one of the Justice League's top Therapists, specifically their Child Psychologist for young Heroes

Ellie took his place as a Hero and became the new protector of Amity after he dissappear. After the Justice League was formed, she joined them and became one of their best members, always working and nor really taking many breaks.

They always wondered what happened to Danny, and spent many years trying to figure out what happened to him, but never succeeded. They finally began to assume that he was fully dead after a few years of searching. They had enough time to come to terms with it.

...

So one night, while a 22 yr old Ellie is resting on one of her rare days off, she gets called in by the League about a possible Dimensional Breach near her Home Town. JLD was deployed to investigate, and she was asked to tag along since she was the Resident Hero of the area.

But she refuses, thinking it's just some random ghost trying to enter the Living Realm illegally after she began regulating the Portal. JLD would be able to handle it on their own, let her sleep on her day off!

Meanwhile, JLD has located the spot where the Dimensional Breach is about to appear. They surround the Area, and prepare to interrogate whoever is about to appear, or deal with them if need be.

Space begins to tear apart as the fabric of Reality breaks apart at the seams. And from that wound in existence, an Adult Danny steps out. He is 44 years old, and looks like a less buff version of Dan without the mustache (basically imagine Danny as Ford Pines from Gravity Falls)

The JLD can sense that he is strong, but not too much so. It feels like he is powerful, but like that power has been starved for a while.

"Who are you?" Asks Wonderwoman, ready to jump into battle if needed. "What are your intentions in this World?"

Danny ignores them. He is staring into the Night Sky, eyes wide. The Constellations he hadn't seen in 30 years were there. The stars were in the right locations. He takes a deep breath, tasting the amount of Ectoplasm in thr Air. This is it. He's home. He's finally home.

"Finally" He says breathlessly. A slightly manic Grin on his face.

"What the hell does that mean?" Demands Constantine. The grin had unsettled him, and he began preparing a few spells just to be sure.

Danny ignored him again, this time deciding to close his eyes and finally eat his fill of Ectoplasm for the first time in 30 years. He was ravenous, this was the first decent Meal of Ectoplasm he had been able to have in 30 years. He was giddy, he was so happy to finally be home.

However the Heroes didn't know what was happening. All they knew was that some guy had ripped a hole in reality, said "finally" with a crazy grin on his face, and started emitting a dangerous amount of Death Energy for no apparent reason.

Constantine reacts on impulse, trying to cast a Banishing Spell on this guy.

Danny, feeling the spell begin to pull him away from his home after he had just found it again after Thirty. Fucking. Years. Does something that he would consider reasonable.

He quickly dashes over to Constantine and slams him through a tree.

This sparks a fight between Danny and the JLD. And at first he is having some serious trouble, but as he continues to feed on Ectoplasm and recover his strength, he becomes progressively more Powerful. It comes to the point where the JLD can't keep up anymore, and call in Backup.

Ellie was enjoying her night off, but the desperate Call from JLD about a powerful Entity at the edge of Amity finally got her going.

She rushes over and slams into Danny just as he is about to attack Constantine again. Neither of them recognize eachother, since they have changed since they were kids (Danny moreso) and continue to Duke it out.

Ellie is trying to banter with him, but Danny is really angry at this point. So he resorts to his final attack, his Ghostly Wail.

He levels a good chuck of the Forest, and in the end he is standing over Ellie as his anger fades. He says "Sorry" and he starts taking a look around him to see if there is anybody else.

Ellie is on the ground, shaken because she recognized that power.

She gets up, and asks "Danny?"

Danny finally gets a good look at her and says, and says "Ellie?"

Meanwhile JLD still has ringing in their ears and thinks that Ellie just called Danny "Daddy"

(Which makes sense because of the new age difference)

[s3thwrit3sstuff]

I love your writing am and i always seem to go back to your sally face fic and i would love something similar to that but with sally and i would love to see if you could incorporate substance use (ex. weed) not to a dangerous extent but almost seen as inviting. with ftm reader again! ofcs you can take this request and do what you like with it!! i just love your writing sm and i want to see more sally face content:)

❝ If you think I’m pretty put your hands on me, know I can’t stop thinkin’ ‘bout it ❞

Sal Fisher x ftm!reader | fluffy, NSFW, slight angst | reader has had top-surgery & bottom growth | vers. bttm. reader | NOT PROOFREAD + written on phone | wc: 4K

warnings: recreational use of marijuana, some guilt from Sal because he vowed not to smoke as a child but r! reassures him, Sal mentions painkiller addictions, mentions of hospitals and wounds, mentions of scarring, shotgun kisses, handjobs, fingering, AFAB terminology (clit referred to as dick/cock)

masterlist ; "I was the boy who was on your side"

authors note: I FORGOT TO FILL THIS UHM UHHH IM BACK?

*song on repeat: Romeo by Until The Ribbon Breaks

He's been drumming his fingers across his knees for a full 20 minutes now. A never-ending symphony of thumps occasionally disturbed by pauses of silence as he picked at the ripped edges of his jeans. You suppose you understand the anxiety that was racking through him, despite the reassurances you'd given him, he was bound to have some second thoughts. "Hey, baby," you tap the steering wheel, an elbow propped onto your window sill panel. Despite your eyes being glued on the road, you're acutely aware of his gaze on yours.

"Ya' didn't have to come along if you didn't want to," at your words he shakes his head. "No — Sorry, I didn't mean to come off that way, baby." Sal reaches out and places a hand on your knee, squeezing it just enough to have you decompressing your nerves.

"No, no. I didn't mean to make you feel bad," you clasp his hand and squeeze him back, the road will be fairly emptier now that you've driven past the bridge. "You just look a little nervous is all, I was jokin' 'bout you needing to follow along. I was just teasing you, Sal." "I know. I wanted to spend time with you, (Y/N). Which is why I followed along even though I knew you were just fucking with me," he sighs, allowing the song playing on the radio to filter in the silence for a few seconds. "It's just, buying drugs, makes me a liiittle nervous."

A chuckle escapes you and you risk staring at Sal for a bit. "You've dealt with poltergeists and the like, the baloney incident, and buying a little ganja is making you sweat?"

“Shut up,” he groans as he slips his hand up and lands a muted smack on your thighs. “Poltergeists can land me in a psychiatrist's office, this could land us in jail.”

“At least we’ll be together in a small cell,” you coo and Sal rolls his eye with a scoff. “We’re not gonna get caught, ya’ big baby. I’ve done this a thousand times with Larry, Todd, and Ashley — we’ll be fine. Promise.”

It went more than fine. Underwhelming actually. He had expected a more intense, whispered, exchanges with some weirdly firm handshake while the other dude slipped you the weed. He had even lifted the hood of his hoodie up to make the both of you less identifiable. It was adorable.

Your dealer had come down from their apartment. Sal seeing her brightly coloured pink tie-dye sweatpants from the slat of the stairs, and the cheerful wave she gave you once she took notice of your car.

“Was wondering when you’d text. I got your favourite.”

She’s leaned on your rolled-down windows, discretely holding the pink paper bag of weed in front of her chest and bouncing it around. She extends her other hand first, and Sal is silent as you reach for the cash from the cup holder.

In that pause of conversation, she takes notice of him and recognition is crystal clear.

“O-M-G, is that Sal, the boyfriend?” You chuckle while Sal stutters in surprise. Handing her the cash, she graciously exchanges it with the bag.

“Yeah, he’s following along with me running errands.” “Cute,” she coos. After a few pleasantries, she leans away. That small pink paper bag between your legs barely able to distract your boyfriend from her excited wave of goodbye — that you return obviously.

“You talk about me with her?” you glance at him for a second then laugh. “Dude, most of us get our weed from her. She eventually gets to know the side characters in our lives the longer she interacts with us.”

He scoffs, crossing his arm as he leans back in the seat.

“Side characters? Seriously?” “Duh,” you pick the bag up and shake it in his face teasingly. “Everyone knows the main characters participate in drug culture and the side characters don’t.”

“This is the peer pressure my father warned me about.”

You giggled at his joke as you place the bag between your thighs again. This time, Sal’s eyes follows it.

He’s seen you and Larry smoke before. Hell, most of his friends smoke on the back porch while he’ll be mindlessly cleaning up as he waits for all of you to herd back inside. He’s never felt left out, you guys were simply respecting his wishes is all. He wasn’t much of a fan of drinking or smoking. But he wouldn't stop anyone from doing it, as long as no one got too inebriated.

Though, for some reason, he just can’t take his eyes away from that pink bag.

“Mhm, next thing you know, you’ll look like those anti-bullying posters. All the stoners will point and laugh while you have big ole’ sad cat eyes.”

The imagery makes him laugh softly and he glances at your face as the scenery zooms past beside you.

When you reach home, the house is empty. A note was left on the kitchen fridge by Todd, something about him and his boyfriend going on a date.

Just you, Sal and Gizmo.

It makes his palms clammy and his nerves turning up his sensitivity a few notches.

You greeted Gizmo with a few chin scratches. Settling on the living room couch with crossed legs, you open the bag one handedly while you lean over to the catch-all bowl on the coffee table for the lighter and your MP3 player.

All the while, he stands in the kitchen threshold. Like a kid who knows they’ve done something they’re definitely shouldn’t have done — the guilt was just radiating from him. It made you toss your head to the side when you took notice of him, a joint hung loosely between your lips.

“You good, baby?”

He nods, your words setting him into motion as he sits on the couch.

“I’m not gonna smoke inside,” you reassure with a smile. Why else would he stare at you like that, right?

He nods again. Oddly quiet. Gizmo yawns and sinks further down onto the couch, watching the TV show with an almost human-like concentration. Nobody says anything about it anymore. He’s just a little guy, really.

You lean over, joint plucked out and resting between the second knuckle of your pointer and middle finger this time, and give his cheek a kiss.

“See you in a bit.”

He watches like he always does. There’s nothing to clean. It’d be weirder if he attempted to look busy. So he glances at the TV, then at Gizmo and then at your back as you sit down on the porch. He can hear the muffled sounds of you flicking the lighter, and shortly after he sees the white smoke that slithers upwards into the air along with the sounds of your favourite band quietly playing.

You thought you hadn’t closed the sliding doors properly when you hear the approaching footsteps. Turning your head to check, you’re surprised to spot Sal walk through the doors to move and settle next to you.

You cough out some smoke. Attempting to fan it away with your hand while you reach to put out the joint in the ash tray that Ashley had made. But Sal stops you as he knocks your knees together, his thigh pressing against yours as he peers at you.

“Sal?”

“...Say hypothethically, a side character wants to dip his toes in some drug culture." Your eyes widen considerably at his confession.

“Huh?” you squeak out. Sal sighs, regret creeping up on him as he scratches the back of his head. The smell of the weed doesn’t exactly help either — it was so distinct.

“Wait, no, sorry. I’m just, this isn’t because of peer pressure is it?” You did mini-hops, getting close enough to him for your thighs to press together. Yet you still held the clay ash tray an arms length away, especially as you note the sharp inhale and exhale he'd made.

Sal’s deadpanned expression makes your eyebrows jump.

“This was dumb,” He admits. “No — no, it isn’t. I was just caught off-guard. Are you...curious?”

Sal nods sheepishly. You lean back on the heel of your hand, the other still holding onto the tray, your finger mindlessly keeping the still-lit joint perched between your digit and the rim of the tray. You think for a moment, then huff in amusement.

“Damn, you still manage to surprise me even after all these years.”

“You’re making it sound like we’ve been married for 50 years,” he retorts. “We will be, I’m just practicing these phrases out loud so you don’t get heart failure in the future.”

This time, Sal’s shoulders shake as he laughs. It dies down as he sees you take a drag, and breathe out the plumes of smoke. Not directly at him, but in his general direction. The smell isn’t something he’s used to. Not this close anyways. Usually, it’s just stuck on your clothes but you reach for the bottle of Febreze strategically placed near the sliding doors anyway so it's more muted.

It. . .doesn’t completely suck. The earthiness of it making his shoulders less tense. You watch his reaction closely, the corners of your lips in a gentle curve as he leans back onto his hands.

You take another drag and Sal’s enraptured at the way the end of your joint glows bright orange. He feels almost envious of the way you swallow the smoke, how you harbour it within your mouth before it slips past your lips. You’re looking at him, just basking in the moment for a little longer before you ask him to play your favourite songs.

It was just beginning to get dark, the sky was setting up for its finale of the day and he was enraptured as you explain what shotgun kisses were.

"I have smoked a cigarette before," he says, brows furrowed as he unbuckles his prosthetic. "Yeah, and nearly coughed up both of your lungs. This will be smoother for you, trust me."

"So I just inhale what you exhale?" "Mhm, easy as pie, right?"

His placed his prosthetic next to him, turning his head and immediately seeing your face invading his vision. "Hi," he smiled at your attempt to keep your smile at bay by chewing on your lower lip.

"Hi," he replies, his anxiety lessening at the sight of your confidence and giddiness. You bring the joint to your lips. He can hear the paper burning and sees tendrils of smoke escaping through your lips. Your words echoed in his brain as you lean in further.

“Just breathe it in slowly, baby."

He feels the smoke across his face, your lips pouted as you blow it his way. Sal breathes it in, sucking the smoke in just like you’d demonstrated earlier. He coughs like you said he would. His eye-watering as he moves to sit and you carefully pat his back as he does.

“Shit,” your eyes squish at his flustered expression. His first time trying a cigarette playing briefly through your head. Though this time it wasn’t even half-bad.

“You did great. Didn't burn on the way down if you smoked it yourself, right?” he got what you meant. He was coughing but he didn't feel like the back of his throat got thwacked by a whip of burning paper and tobacco. The ride was smoother, way smoother with your help. “It feels like the smell is stuck onto my teeth." Sal only complains to see you look at him with that fond gaze. You took another drag as he smacks his lips a few times. Your eyes flutter close, sighing in relief, and tossing your head to the side as you feel yourself loosening up.

“Why do you think I always brush my teeth before I kiss you?”

Sal protests softly as you take another hit and you laugh as he leans in.

“Isn’t that too much — “

You breathe out and Sal seems stunned for a moment, so you apologize but he simply leans in further.

“If this'll be my first time getting high, I want it to be with you.”

"Slow down, baby," you bumped your foreheads together, cupping his jaw in your hand. "What's the rush, hm?"

Curiousity was a valid enough reason to start smoking, but your Sal wasn't the kind of guy to jump into these things head first. It wasn't anything special to him, all of your friends smoked and drunk. He wasn't some pre-teen being excited to finally "grow up" and get in with the cool kids.

Hell, even during his 21st birthday, he'd taken his first drink and smoked his cigarette and decided that he didn't enjoy any of them.

Sal sighs, dropping his weight on you. His head balanced between the curve of your neck and shoulder. You simply thread your fingers through his hair, combing out the indents of his buckles and straps from his hair.

"You think I can't take it?"

"Oh, I definitely know you can't."

He protests with an indignant but whiny 'hey' but settles. His arms wrap around your waist and despite the uncomfortable angle of your torso facing him while your legs faced ahead as they rested on the stairs, you stay like that for a bit.

He eventually pulls away and leans back onto his arms again, reaching for his prosthetic though only to fidget with it on his lap.

"...Is it bad I feel bad? Not physically, just...morally?"

Your silence urges him on. So he continues; “Drinking fucking sucks, and cigarettes don’t make sense to me. But weed as a concept always seemed...appealing to me.”

He feels your chin on his shoulder and he subtly breathes in the smoke that teases him as you exhale.

“But?”

“Argh, it’s stupid. But as a kid, in the hospital there weren’t a lot of people that got as messed up as I did. But the ones that were? Christ, babe, they were in so much pain. Even when the wounds were already scars.”

Your brows pinch. You squeeze his hand and he stops toying with feeling the shape of the bolts to instead gently press the pads of his thumb over your nails.

“The doctors scared me with the whole speech. Painkillers being addictive and all that, it made me scared to ask for ‘em even when the skin grafts felt like they were on fucking fire.”

He shuts his eyes and brings your hand to his face, the pressure and warmth across his jaw and cheek making the phantom pains ebb to nothing.

“I made a promise to my younger me that I would never end up like the adults I saw. I just, don’t want to be in constant pain.”

“You aren’t, Sal. And you won’t be.”

You put out the joint, turning his face to you and planting a kiss on his lips. He breathes out a sigh of relief through his nose and you tilt your head to deepen it. When you pull away, you both linger in the afterglow of it for a second.

“I’m here for you, Sal. If you ever stray from the path, I’m here to guide you back, right? You’ve got me and Larry, Lisa and your dad, Ashley, Todd, Gizmo —” his smile widens as you go on about the precious people in his life.

“Thanks,” he kisses you again and you happily reciprocate.

“By the way, you’re right, you should always brush your teeth before you kiss me when you’re done smoking up.”

Sal laughs as you shove him back, watching admiringly while you light the joint up again.

“...Can I have another hit?”

“You just said my breath smells like ass —”

“You’re overreacting!”

By the time the two of you walk back inside, Gizmo’s nose is twitching. You hadn’t taken too much too be completely useless, just to start feeling that buzz and take the edge off. Sal had expected more of a droopy, drowsy, feeling when he entered the house.

He still feels like himself. A little light on his feet, but still himself. You had paced him from his little smoke-sucking sessions — teasing that he just wanted to kiss you which wasn’t entirely untrue. But you always pulled away just as his eyes would flutter. Most likely you getting back at home for saying your breath smelled like weed. Little tease.

You spray your clothes down, then ask Sal if he’d like to chill on the couch. Something in his brain perks up hard enough to make his penis do the same. He feels a bit shameful of it, but then again, everything you do could make him hard.

The other day you’d been wolfing down some cheesy fries with Ashley and somehow it made Sal have to think of baloney to shut his penis down.

Gizmo’s tail flicks knowingly as Sal sits at the end of the couch, which was his cue to set off to the basement instead. When Sal hears the TV turns on from there, he simply decides to never question how dexterous Gizmo's thumbs were.

You're laid out on the couch with your tummy showing and your eyes just a bit hazy. He knows weed affects people differently; why does it make his lust for you feel so thick? Like cloying, thick, honey dripping down from the back of his throat. Fuelling him in an unfamiliar, alien, way. He climbs over you and the half-lidded gaze you look up at him with makes his mouth feel drier than it is.

This lust is new. It’s more languid in it’s desire — akin to a beast stretching its back only to flop down to its side and show its belly. Still undeniably dangerous, yet so inviting with its soft underbelly and demure paws.

You seem to recognize this beast, lips stretching into a toothy grin.

“Need something handsome?”

He narrows his eyes at you. Then, he places a hand on your chest, fingers brushing along your collarbones before it slowy slips downwards.

“...I really wanna finger you.”

He seems to catch himself. Through that haze that makes him caught between wanting to curl up next to you for a nap or fucking you nice and slow, he finds the part of him that remembers embarrassment.

But before it could throw away his new lazy bravado, you surge up to kiss him, moaning the second your lips made contact.

Stoned Sal decides pants are way too annoying very quickly on. He huffs and puffs at the obstacles that are called buttons and zippers. When he finally undoes them, he pulls your jeans below the swell of your ass and brings the heel of his hand to your clothed cock.

The pressure has your teeth brushing over your lips.

“I love your dick,” he murmurs, “it’s just s’fuckin’ pretty.”

You moan airily, wishing he’d pull your pants all the way down but he is just too entraced at the sight of the wet spots he’s seeing. He traces the fold of your cunt and your breath hitches as he presses a finger through. Not enough to be inside of you, but enough to have your dick twitch.

He brings his thumb to rub against it and you groan.

“Let me take my jeans off, Christ, Sal.”

He chuckles, suddenly abandoning your pussy to pin your hips down. “Barely touched you and you already wanna spread your legs f’me?”

You glare at him, feeling your cheeks heat up as you hitch yourself up onto the couch and stubbornly shimmying out of your pants. He simply watches, uncaring of the less-than-delicate display. You toss your jean away and your underwear follows along, piling onto the floor somewhere.

“The weed is making you so chatty, hm?” you don’t get much out of you after that as Sal immediately claims your lips again. He doesn’t even wait for you to lay back down as he brings his hand between your legs.

Not exactly hasty but not taking his time either. He pulls away enough that the spit between your lips break, but you can still feel him groan when he feels the dewdrops of moisture on your cunt; the slick that coats his finger makes him whisper your name.

“So wet,” he marvels. Your legs twitch at his movements. Sliding up and down, pressing in just to make your breath hitch but never fully slipping inside.

Oh fuck.

Stoned Sal likes to tease.

Your dread is shortlived as he descends his kisses to your neck. You groan, clutching onto the back of his shirt as he mottles your neck with unapologetically languid kisses.

You’re whimpering underneath him as he hums and groans. Using his teeth and making hickey after hickey, dark and tender — he’d even brush his teeth along them just to hear you gasp.

Meanwhile, he continues to torture your poor cunt. Bringing his thumb into the fray again as he rubs circles on the tip of your cock. The tip of his fingers spreading your slick around your lips, making it messier and messier.

“Sal, please just fuckin’ finger me already,” you whine out. Turning your head away and arching your back as he sets his eyes on your nipples.

“I’m already — Shit, Sal. I’m already so hard.”

He knows. You don’t have to remind him.

“Don’t make me beg, baby, please.”

Sal bites down on your nipple just as he pushes his finger inside of you. He groans at the feeling of your boypussy clamping down. Fuck, you felt good.

So soft and warm and wet and tight.

He slips another finger in and neither of you are surprised at how eagerly your cunt lets it in.

Sal’s lips pause in their conquest as he looks down between your legs. Fuck, what a sight it was. The happy trail you have that always makes his cock jump in his pants — there it goes again — and that beautiful dick that he always loves choking on to that boypussy that he’s convinced is made for him.

He starts pumping his fingers. In and out in a steady rhythm. Adoring every noise that comes out of you. You take them well, all the way down to the base and when he angles his palm just right your hips buck to grind your cock against his hand.

Fuck, you were perfect.

He kisses you. Breathing through his nose as he bites down on your already swollen lower lip — relishing in this. In you.

He adds another finger and you mewl. It makes him laugh.

You were usually much more headstrong. When he teases, you tease back. The weed is working in his favour, you were so pliant. Melting under him and already close to your first orgasm.

When he curls his fingers, you toss your head back, mouth opening in a silent scream. Your hand dives between your legs to rub your cock and Sal watches your face as you jeek yourself off.

“Just like that, just like that — Oh, oh—ah! Fuck!”

He doesn’t falter his pace, moaning out curses as you clamp down around his fingers.

“Come on, baby. Cum for me, cum for me.”

His voice undoes you.

You buck your hips as wetness covers his hand. He groans, praising you as he continues to pump in and out. You let him, simply curling your toes and panting as you just kept on cumming and cumming.

When he kisses you this time, he doesn’t even let you breathe. Just swallowing your noises as he finger-fucks you through your orgasm and makes you barrel to your second with no breaks.

You clutch at his shirt, feeling lightheaded but unwilling to ask him to stop.

“Keep going, Sal. Please, please.”

How could he say no?

[astrobiscuits]

Astro obs part 10 (mostly Saturn related lol)

🧸 Individuals with Sun trine/sextile Saturn tend to have a great relationship with their grandparents (if they were a part of their life, ofcours). They usually inherit lots of traits from their grandparents

🧸 Sun trine/sextile Saturn people also have a great moral compass and sense of justice. They follow rules and regulations and are well seen in society (unless Saturn is retrograde, then they still try their best to be exemplary, but they might fail from time to time)

🧸 Most Libra Moons i've met went to law school for their university degree

🧸 Saturn in 1st house people tend to look really good when they get older. When they are young, they might often look older than their age, but once their Saturn Return hits them, they age up like "fine wine" from that moment on

🧸 Saturn in 2nd house individuals literally fit the "old money" aesthetic. Often times they come from a wealthy family. If they don't, then they are very motivated to work hard and become millionares. Bonus points if their Saturn is at 28°/29°, as 28° signifies the household degree (being famously known for your family OR in your family) and 29° signifies long-term fame for completing a (often times) karmic cycle and reaping its rewards

🧸 Saturn in 4th house peeps have always felt like the black sheep of the family. Often times they end up abandoning family traditions in the pursuit of following their own individual path. Growing up, they have often felt lonely in their family and shy around people they weren't familiar with

🧸 Saturn in 5th house individuals take their hobbies and passions seriously. They could pursue one of their hobbies/passions as a career later on. Child prodigies tend to have this placement. If there are other planets in the 5th house, those can give hints on the "talent" (but in the case of Saturn here, it's not talent, just hard work)

For ex. Saturn and Venus in 5th house - pursuing art/fashion/make-up/singing/baking sweets as a career

Saturn and Mars in 5th house - pursuing martial arts/race car driving/working out as a career

Saturn, Mercury and Pluto in 5th house - pursuing drama writing as a career

The exception would be for Saturn and Jupiter in 5th house - these people tend to have multiple talents that they could turn into careers

🧸 Saturn in 5th house is also often an indicator of an unhappy childhood. This child felt like a lot of expectations and responsabilites were placed on him by his parents from an early age. Another meaning of this placements would be that Saturn in 5th house children were brought up by their grandparents

🧸 Those with Saturn in 11th house feel more comfortable befriending people who are older than them. They're also not very keen on the latest technologies and prefer sticking to the ideals of the past long gone (aka they love victorian era and prefer to live like they're a gal/man from the 19th century). They also tend to be interested in politics

🧸 Earth Venuses and the type of chocolate they love:

Taurus Venus - milk chocolate

Virgo Venus - white chocolate

Capricorn Venus - dark chocolate

🧸 Individuals with Chiron in 5th house tend to struggle with infertility issues from a young age

🧸 Uranus in 3rd house individuals prefer taking short-haul flights when travelling short distances, while Uranus in 9th house individuals prefer taking long-haul flights when travelling long distances

🧸 Neptune in 6th house people make great psychologists and psychiatrists!! Often times these people have had a long history of dealing with certain mental illnesses, but instead of wallowing in their pain, they are inspired to help others overcome their own issues. Their capacity to emphasize with people's emotions is heightened, as they tend to relate to many of their client's symptoms. These people are also fit as somnologists (sleep doctors)

🧸 The sad part of Neptune in 6th house is that they often have to deal with stomach issues :( Their digestive system is extra sensitive, so they need to be careful with what they eat

🧸 Wanna know if you're secretly Jewish? Check out asteroids Hebrewu (271763) and Israel (7507) in your natal chart and your family's natal charts. If you find atleast one of these asteroids aspecting the angles (ASC, DSC, IC, MC), Sun or Moon in your chart and your family's charts, then there's a high chance you've got Jewish ancestry

🧸 In synastry, if your Ascendant conjuncts another person's Ascendant (so your house cusps become overlays), it's very likely that you've experienced the same events during your lives. This person would be your mirrored soul, which can prove to bring a great understanding over oneself

🧸 While we're still talking about aspects in synastry, Moon conjunct Chiron is not for the weak ones!! The Chiron person must display a sense of maturity or atleast be emotionally evolved enough to be able to deal with the Moon person. Chiron can trigger Moon's childhood trauma on a subconscious level, while Moon can trigger Chiron's deepest wounds regarding their house's themes. They can either heal each other or wound each other even more. This conjunction requires a great deal of patience and understanding between Moon person and Chiron person

[copperbadge]

How did you find the doctor(s) who assessed you for ADHD? Im looking into the process of getting diagnosed because (although ive suspected I might have adhd for years now) I've been struggling a lot more lately and i want to try medication to see if it helps at all. Im trying to search for psychiatrists through my health insurance portal but the the results im getting are all for child/adolescent psychiatry specialists, and I dont think that'll be much help for an adult adhd assessment? Did you have an established therapist to refer you for your assessment or were you able to find a psychiatrist independently?

I actually just kind of had to freeform it, but that does mean I have some tips to share!

I will say, I have never once used a health insurance portal to find someone to treat me for anything. Often their search engine is fucked up and the information is sometimes out of date. I almost always either ask someone who I know has had similar issues if they have a recommendation, ask my treating physician if I have one, or just google until I find someone reputable-looking; any qualified medical center or professional will list what insurance they take anyway, and you can always ask when you make the appointment.

So here's the process for how to do that!

When I was first considering it, I asked a friend who'd had an evaluation that came back not-ADHD, which I liked because it meant we knew it wasn't like, a weird Adderall pill mill or something. I really wanted to have a professional and thorough evaluation because I knew myself and knew I was capable of gaming a questionnaire. The place she had her evaluation was unfortunately having some staffing issues; part of the reason it took me so long is that I played phone tag with them for ages -- I'd call, and regardless of what time of day I called, their scheduler would be "out", so I'd leave a message and never get a call back. Ultimately I said "I really need to talk to a human, because your scheduler has not returned any of my numerous calls" and they said they could transfer me to another office outside of Chicago (in the burbs). That was not going to be accessible to me, so I told them thanks but I'll go somewhere else. Then COVID hit and I was not going to go anywhere near a medical center unless I had to for about two years.

So, when I was making my second serious run at getting evaluated, I did what might be expected of me by longtime readers of this blog: I made a spreadsheet.

I want to caveat this up top with REALLY IMPORTANT CONTEXT: I did not do all of this in a single day. The process from starting research to making an evaluation appointment took about a month, and probably would have taken longer if I wasn't getting somewhat desperate. Do not push yourself to do this as a single act. Research alone is a multi-day process; some days I looked at the open tabs and only entered one tab's worth of information. It took me quite a bit of time to write the form email I sent inquiring about an assessment. It took me time to call the clinic back when they asked me to call to book the appointment. This is a series of steps, not a single leap.

So!

I was looking for a clinic rather than an individual, in part because I'd heard a couple of horror stories about people who went to a psychiatrist and just got argued with for an hour instead of actually getting evaluated. So I googled, and here are some key terms for you, chicago adult adhd assessment. Chicago obviously for the region, but "adult adhd" (putting it in quotes will help) is the important term that will help you filter out a lot of child psych stuff. A lot of what I looked at did included family or child assessment/therapy but were clear that they also evaluated adults.

Then I went through every legit-looking search result and noted down, in my spreadsheet, the name of the clinic/company, the contact phone and email, the URL, the physical location (I needed to be able to get to it fairly easily) and whether they took my insurance. Even if they didn't take my insurance (all but one did) I still put them into the spreadsheet so that if I found them again I could check the sheet and know I didn't need to investigate further. I also tended to bump more legitimate and friendly-looking places to the top of the sheet. And if I were going to do it again I would also look for one specific thing, which is an assessment guide of some kind.

The assessment guide may be something they only give you after you speak with them, so it's not a no-go if they don't have one on their website, but it basically tells you what generally will go on during the assessment, how long it will take, and what you should bring. A full assessment like I had is estimated to take 4-6 hours and they recommended I wear layers so I wouldn't be overly cold/warm in their office, and to bring a snack. That's the kind of information you want, duration of the assessment and what they recommend for you, to ensure that you're working with people who are thorough and care about your comfort.

So, I have this spreadsheet now of places to reach out to, which I know take my insurance and do adult assessment. In the spreadsheet I also had columns for what date I contacted them and whether they'd responded. I started reaching out via email, one per day, with the form email I'd written.

The form email basically said "I'm 42 with no previous diagnosis but I have a family history of autism and dyslexia. I've been told I should get assessed for ADHD, so I'm looking for a clinic that will do the assessment and takes (my insurance). I prefer to be contacted by email but if need be, my phone number is (phone number). Please let me know if you have any open appointments and what information you will need from me to book an evaluation with you." (You can always ask for more information about the actual evaluation process once they respond.)

If I didn't get a response within 24 hours, I moved on to the next, but I only greyed out the text in that line of the spreadsheet; I didn't disqualify/remove the nonresponsive ones because again, I wanted to make sure I kept that information in case they eventually did respond. I did this with about ten clinics, because I figured I must be able to find at least one in ten who could do the eval, and I could go back and research more if necessary.

I think the third or fourth one I reached out to was the first to respond, and I ended up going with them; I had a very positive experience in the assessment itself but it was a real pain in the ass getting the documentation from them -- they took about a month to go through the evaluation data (this is not abnormal but is rather longer than usual according to my psychiatrist) and they gave me an in-person-by-zoom report once it was ready. That said, it took another four months and the threat of reporting them to the state to get them to send me the text of the eval (in part because the evaluator left the clinic unexpectedly with my formal report not yet written). But that's something that's truly impossible to know until you're working with them, and highly unusual, so don't let concerns about that deter you. If you end up in that situation come hit me up and I'll tell you how I dealt with that.

My eval recommended an executive function coach, but if I haven't been able to func it by now I never will, so I thanked them for the recommendation and went looking for a psychiatrist unaffiliated with the clinic to prescribe me meds. There, the key words you're going to be looking for are again "adult adhd" but also "adult disability" and if you want medication that's less likely to be a huge fucking hassle, "medication management". My psychiatrist and I meet every two months to reup my prescription, but he doesn't require me to take a regular drug test or meet him in person in order to get a new scrip, as some people have encountered. We meet in person once or twice a year (I can't remember, it's due to a legal requirement in Illinois) but otherwise it's over zoom.

So yeah -- it's a process, but there are ways to streamline and manage it, and a few tripwires in place to make sure you don't end up screwed by the system. Definitely feel free to ask if you have questions, either here or if you want a more indepth conversation you can email me at copperbadge@gmail.com. GOOD LUCK!

[oval3000]

Chapter 5

Yandere Psych Patient König x Nurse Reader

Warning: Possesive, Obsession, Death, Gore, Blood, Smut, Toxic behavior, age gap.

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 6

Chapter 7

Chapter 8

Chapter 9

-------------------------------------------------------

"Seriously, I'm talking to you and you're dismissing me!" Dr. Smith followed Mr. Miller trying to get off the elevator.

He turned around clenching his fist. His stared at her with pure hatred, "shut. Up. You are a psychiatrist! Do your dam fucking job and leave me out of it. The only way you get to talk to me is if it's work related not to fulfill your pathetic needs. If you're so desperate for sex? Get a dam husband!"

He left the elevator, leaving her shocked. He walked towards the nurse's station and saw you doing your work on the computer. He hasn't spoken to you after his attempt and neither have you. You avoided him like like the plague. After the comfort König gave you, you apologized for how inappropriate it was for a worker to get her personal feelings get in the way of work. He spoke to you with his thick accent, telling you that you're more than just his nurse. It really took you back at how wrong it was for you to have this sort of connection towards a patient. You had to keep your distance, even König made it a bit hard for you.

He's been more comfortable giving you physical touch by touching your cheek with his finger or tracing your hand with his. Even so, he's noticed the distance you made with him. He didn't enjoy it.

Everything has been complicated for you. Your co-wrokers wanted to know why Mr. Miller called you in his office. They were too curious about it and kept nagging you for an answer, but you told them that nothing happened. You wanted to march out those doors and never come back, but it means giving up your lifestyle you have sacrificed to live.

The heels of Dr. Smith came near you and the scent of her strong perfume lingered around you. "Check König's vitals."

"I already did." You pointed to the computer screen of König's last vital check.

She crossed her arms, rolling her eyes, her eyebrows form a sharp arch as her wrinkles showed more perfoundly, "and I'm asking you to do it again." You looked at back the computer, not staring at the screen perse, but just nothing. "Is there a problem (y/n)?"

"No." You got your supplies ready and went into König's room.

He was surprised you came in three times already and dinner time hasn't even passed. However, you're lonely visit was interrupted when Mr. Miller entered the room. He shut the door, which alarmed you. No, he wouldn't, he couldn't possibly, not infront of König, you thought.

"I think we need to talk." He said, watching you prepare to check König. You haven't made eye contact with anyone yet. "About what happened the other day." König tilted his head, listening to the conversation. His fingers tingled a bit, feeling a bit of a twitch. Mr. Miller reached to touch the side of your arm only for you to quickly yank yourself away. " I didn't mean to do those things to you. I was just stress with everything that is going on. Look, your wonderful and beautiful." His placed his hand on your back reaching," why don't I take you out for dinner, my treat," down to your ass. You felt as he gave it a squeeze, which made you jump causing you to bump into the cart. This caused König to stand up.

Was he foolish, stupid. König couldn't believe it. He swooped in and stood between you and Mr. Miller. He stood tall and broad in front of him, making him look like a child wearing a suit. "Wh-what are you doing, König. Get back on your bed." He pointed his finger on his chest, shaky, but trying to keep his confidence. "Listen to me now! Go back to your bed...you fucking looser," he whispered.

"Looser! Looser!"

Without a single thought, a single hesitation. He grasp his finger and with a quick, smooth, swift, König move it to the side. Mr. Miller let out a shriek of pain as he felt the bone of his finger breaking in half. He saw the blood coming out as the bone sticked out. "AAAHH! SHIT!"

He moved his hand with the compound fracture close to him, blood driping down to the floor, covering the white tiles with red liquid.

You covered your ears with the loud scream he made. "HELP ME (Y/N)!" He screamed at you. You were facing König's back. You were afraid. Afraid of everything.

He is going to hurt you too? Is he going to turn around and break your neck? You thought.

"FUCK!" Mr. Miller took another look at his finger and saw the bone clear as day. You peaked through and saw. You walked in front of König and saw the fracture. You were about to grab Mr. Millers hand with the wound, until you felt big, strong, hands on your arm, yanking you away from Mr. Miller. It made you collaps onto König's torso.

You heard multiple people trying to open the door. People screaming at others to get the extra key.

You felt König's breath near your neck. He lowered his head to get close to you. You felt his lips near your ear, "Is he the one, schatz?" Not breaking eye contact with Mr. Miller.

The one. The one that almost raped you in his office. You didn't say anything, you just shook your head to give him an answer.

The door eventually flew open as guards rushed in to assist the situation. They looked at Mr. Miller and saw his despair of his broken finger. Jacob and the fellow nurse rushed to help him, wrapping gauze around to help stop the bleeding while they called 911. Dr. Smith made her way and saw the scene. She was left in shock. Her jaw dropping to the floor. Her eyes widen so big it looked like her eyeballs were going to pop off her eye socket. She followed the blood trails and saw you in Königs brace.

The guards telling König to let you go. Were you his next victim? you thought. Was he going to kill you? Everything was killing you on the inside.

König released the grip he had on your arm. You walked away from him and went towards the guards.

"Sedate him." Dr. Smith demanded one of the nurses. You didn't stand up. You didn't interfere. You watched as they stuck a needle into Königs arm.

He flopped onto his bed unconscious. Everyone left the room including you. They took Mr. Miller to the hospital as the rest of the staff made in the report. Dr. Smith wasn't happy. Not one bit.

She was furious. She stared you and thought about how stupid you look. Just standing there, in shock..maybe. You didn't mutter a word. Your workers tried to question you, what happened? But you didn't give them an answer.

"(Y/n). (Y/n)!" Dr. Smith yelled out. It finally got your attention. Everything went back into sync. The blurred vision finally cleared and the echoing finally stopped. "You need to come with me for the report. Now!"

You followed her into the elevator. Her feisty walked made her heels clink harder on the floor.

As soon as the elevator doors closed, you felt the palm of her hand smacking up against your left cheek. "You stupid bitch!" Your head turned to the side, holding your irritation it developed.

"You bitch! Instead of studying, you're becoming a whore!" The mother smacked the girls cheek, making the girl cry in pain.

"Mom!? Why would you hit me!?" She cried out.

"For being a slut! Just like that cunt that stole your father!" She yelled back at her.

"We were only studying. I was just tutoring him. We did nothing wrong!" The girl tried to reason with her mother, who was in distress with what she thought she caught her daughter trying to seduce one of her fellow classmates, but the truth is she was just tutoring him.

That's all. She was just tutoring the boy who was struggling with math. Until her own mother came in and saw, greeting herself to him, saying goodbye to him. The innocent daughter thinking her mother would be proud of her for helping someone in need. Instead it was all...

"Lies! Don't lie to me (y/n)! I know exactly what you were doing. Seducing that man for your liking." She argued with her 15 year old daughter. "How dare you do this to me. Becoming a prostitute while your own mother is sick!"

"I'm sorry, mom. I wasn't doing anything to him, I swear!" The last plea she gave to her mom before recieving one last slap from her mother.

"You are a nurse and you can't even help someone in need! You let someone like Mr. Miller, who has been nothing but nice to you, get hurt like that!" She yelled at you. Your hand was trying to sooth the irritated left cheek she gave you. "So pathetic! If you think you can get away from this then think again. As soon as he's back, you'll be walking out of here."

She told you to leave. To clock out and take the rest of the day off. She said, she couldn't bare to look at you anymore. Everything you do is a disaster.

"Auughh! What a day!" Jacob groaned, closing the cabinet with the medical supplies.

"I know. Poor (y/n). I feel bad for her. Having to deal with someone like König." She sighed smacking the bottle for it to open.

The other nurse pitched in giving glances to them, "I heard that she gets triple the pay, just to take care of König. That's the reason why we are short staffed and lack of working supplies."

"Are you kidding me! She gets like what? Four patients and gets paid way more then us. Way more then Jacob, who does the heavy lifting. " The nurse, Mia, the one who banged the bottle to open, said.

"Don't feel bad for her anymore, Mia?" Jacob said, standing next to Mia.

"I did, but it's hard to feel bad for someone who does less work and gets paid more then us even though we all have the same title." She scuffed "We all went to nursing school to get our degrees only for us to get bitch slapped. I guess I feel bad, I mean, almost getting killed isn't worth anything."

"I heard that she fucks König and the administrator." The nurse, Wendy, said crossing her arms.

Mia let out a laugh of denial, "No! How!?"

"I mean she's always defending König and the way he held her earlier. They definitely fuck. Plus everytime, she leaves his room, she's happy. You don't walk out of a lunatics room unless he shoved his cock inside your pussy." Wendy leaned in closer to Jacob and Mia, "and i heard from Mr. Miller's secretary that she heard Mr. Miller talking about how good (y/n)s pussy looks like. And that she saw (y/n) walking out of his office with her clothes looking a little shriveled."

"Oh my gosh! Is that why she didn't want to tell us why she was called to his office?" Mia exclaimed with joy, like she was on celebrities gossip. "I mean it makes sense that König broke his finger. Two lovers fighting for the same vigina."

"Are you guys finish gossiping" Dr. Smith said towards the three nurses all huddled up together.

"Sorry." They said in a union.

Dr. Smith smacked the file of paperwork into the small desk. She wasn't deaf, she heard what they were gossiping about.

Mr. Miller and (Y/n). Dr. Smith didn't love it. She stared down at her wedding ring finger.

"You're leaving me!?"

"Sarah, I can't do this. Not with you!" The men screamed at her as he packed his suitcase.

"You're leaving me for that slutty waitress!" She screamed at her husband, yanking out his clothes from the dresser.

"Don't call her a slut! The only slut is you!" He words tamed with anger, burning her heart like acid.

"How many times do I have to apologize!? Me and Ben, it was only a one time thing." She plead trying to get her husband's affection. "I thought we pushed back this."

"No! You pushed it back! You wanted to pretend like nothing happened after you slept with another men! With! Your! Colleague! In! Our! Bed! Sarah!" He pulled his arm away from his soon to be ex- wife from her touch.

"And what! You don't think it hurts me too, to see you with another women. What is it!? What does she have that I don't!?" She cried to him. For an answer an answer as to why her husband went out to sleep with a beautiful waitress that attends him with his needs.

"Loyalty! Respect! Careness!" He answered her walking away from their shared bedroom, rolling his suitcase with him.

"Loyalty!? A homewrecker doesn't have any loyalty!" She chased after him.

He turned to her, hovering over her, "And you do!? She's not a homewrecker. The only homewrecker here is you when you slept with that Miller. You ruined this marriage, not her. You ruined this for us, not her. So go cry to Ben, because I don't care. Goodbye Sarah, have a nice fucking life."

Sarah saw as her husband left her. She reached to her phone. "Ben. Ben is me. He left me, Ben. I'm all alone." She cried to him.

"Dr. Smith."

"So what? You want to fuck her? Is that it. Never head young pussy before?"

"Dr. Smith." She snapped away from her thoughts and looked at Jacob. "König. He's awake."

"Check up on him." She said.

Jacob gave her a nod and walked away.

Jacob entered Königs room alongside a guard. He placed his medication on the table. König stood up. It alarmed them.

All of them.

Dr. Smith couldn't comprehend anything. She was so in her own thoughts, the screams of pain went passed her.

The screams of nurses and guards running. It finally caught her attention. She turned around in her chair and saw Jacob on the floor. His neck slit opened. The blood squirting out of his neck and into the walls and tiles. He tried his hardest to crawl away.

But nothing stopped König. She saw him coming out of his room. The guards ran to him, to hold him down, but all König did was to smash their heads into the wall. Nurses running away from him, but he quickly yanked their hair closer to him. He twisted Mia's neck all the way to the back until her spine cracked open. Wendy tripped on the blood and got her head stomped by his large foot.

Dr. Smith stood up from her chair, seeing the massacre. The screams from guards and nurses ringing in her ears. His eyes landed on her.

She ran. She ran as far as she could. She opened the door for the emergency staircase. She ran while looking back to see if he was still chasing her. Her stupidity of not paying attention caused her heel to miss a step, making her trip down.

Her hands landed on the floor, preventing her face from smashing into the tile floor. She groaned in pain. She looked down and saw her knees, right below her dress skirt, bleeding. She heard the door open and saw König walking down the stairs. She saw the look on his eye.

"Please! Please don't hurt me!" That doesn't stop him from getting close to her. She tried getting up, but her legs felt like they're going to snap. She stumbled down and landed on the floor.

She cried her eyes out. Turning around so her back is faced away from him. " *hic* please! Please don't hurt me! Please!" The Burning tears made it hard for her to see clearly.

König grabbed her neck, lifting her up from the ground. "I-I'm sorry! I'm sorry. I...I'm SO SORRY!"

He grabbed a chunk of her dirty, blonde, hair and with a quick movement, he smashed her head onto the wall...repeatedly. Over and Over.

The blood coming out. The chunk of skull falling to the floor. Her brain matter slushing out.

He threw her dead body to the floor and walked the rest of the stairs down. Finding his old clothing where he first arrived here. His tight compressed black t-shirt, his tan trousers and his black t-shirt- mask, his combat boots.He placed the needle inside his pants and went on to his destination.

Being a computer analyst and specialist really come in handy.

But nothing beats the help of his good ol'pal.

"Hello?"

"Horangi. It's König."

-------------------------------------------------------

The night fell. The moon shining through your curtains. You took off your shower robe, put on a bra and a white tank top and some comfy shorts. You fixed your hair and went to the kitchen.

You opened up a tea bag and dumped it into the mug with hot, boiling, water.

Silence filled the room in your apartment. You decided to enjoy this time off. To take advantage of it.

You made your way to the living room and placed the mug onto the glass table, next to the couch. You roamed around to see the remote, but couldn't find it.

The sound a bang coming from your bedroom startled you frozen. You have a view of your room and saw the window, near your bed, open.

Either be stupid like the characters in horror films and check it out, or walk out of this building.

Either way, ignorance is bliss. Pretending that you never heard anything in the first place.

You entered the bedroom, taking precaution, quickly glancing you room and found nothing.

You entered to grab your blanket when out of sudden you felt a hand covering your mouth, preventing you from making any noise. The large hand covering your entire bottom half face. You felt strong wall behind you. "It's okay, die liebe"

He pulled out a needle, the same needle they use to sedate him. He injected it into your arm.

It didn't take long for you to fall unconscious. He lifted you up and carried you, bridal style. He carried you out and placed you in his car. "Don't worry, schatz. Ich bringe dich nach Hause. (I'm taking you home.)" He caressed your cheek, giving you a light kiss on the lips. "unser Zuhause. (Our home.)"

"Mein Liebling."

"Mine."

[yuespropagandablog]

Hello esteemed mutual. If you are reading this, then that means my propaganda is working. But you might still have questions, so I am here to answer them.

What is Falsettos?

A damn good musical.

But time to get serious. It's a sung-through musical written by William Finn and James Lapine, with Lapine also writing the music and lyrics. Falsettos is a two-act musical, like many, but it's important here because Falsettos is actually two musicals in one. The first act is March of the Falsettos, and the second act is Falsettoland. These are the last two installments of the Marvin Trilogy. The first part, In Trousers, flopped on off-Broadway and is also not part of Falsettos. Are you following?

The first acts centers on a Jewish man named Marvin (the main character of the Marvin Trilogy, who would've thought) and his homosexual relation with Whizzer, and how that impacts the family. He's left his wife Trina and son Jason to be with Whizzer, but Marvin is also Marvin, and loves to have a tight-knit family that includes all of them, but fails to see how his wish impacts the others. The second act takes place two years after the first and it's all about Jason's bar mitzvah, but oh, oh no, it's a homosexual story set in the 80s. Yeah folks, I am going to be upfront: this musical does not have a happy ending. Spoiler. I know. But I just want people to know what they're getting themselves into.

The show has a lot to say about gay life in the 70s and 80s, gender roles and masculinity, traditional family, illness, and Judaism. Yes, you cannot separate the Judaism from this show, no matter how hard a Spanish production tries.

Where can I watch it?

The original Falsettos debuted in 1992 on Broadway. I know it from its 2016 Broadway revival. There are, uh, slime tutorials for both (and also for In Trousers if you're interested), and the 2016 version also got a proshot that was aired on PBS, so they did have to censor some language. RIP "You save lives and I save chicken fat, I can't fucking deal with that", you will forever be missed. This link totally definitely does not lead to a YouTube upload of that proshot, what do you mean?

There are also a bunch of other productions, sometimes with footage, sometimes not. I actually saw the Dutch version in 2021 in Amsterdam (probably while I had COVID, but in my defense, I tested negative before I boarded my train!)

Is there a trailer or something?

Yes, here's a trailer for the proshot.

Here is their Tony performance, which is also my favourite song of the show:

(They did take out the "Lighbulb up the ass" and "I can't fucking deal with that", because America is America. But at least we got Andrew Rannell's boner in return?)

And for funsies, here's the Tony Awards performance of the OBC:

(They did censor the words "homosexuals" and "lesbians", unless that was the original lyrics. I dunno. I am not very familiar with the original one.)

You implied AIDS. Are there other content warnings?

Yes. AIDS will be the main theme of the second act. You can ignore it by just turning off the show after the song What More Can I Say, but that is obviously not the full show. There's also some period-typical homophobia, as in in act one, Jason is afraid that his father's homosexuality is a fatal hereditary disease. There are also a lot of dysfunctional relationship dynamics in act one, including one instance of physical abuse. Act two has the AIDS of it all and because of that, the major character death warning.

But is there also fun to be had?

Yes, definitely! One thing that makes Falsettos a good show is the tonal whipslash. Both act one and act two start out as the funniest shit you've ever seen and then BAM, drama. It is kind of impressive how the show does that. It has stellar comedic songs like Four Jews in a Room Bitching, My Father's A Homo/Everyone Tells Jason to See a Psychiatrist, I'm Breaking Down, Jason's Therapy, Year of the Child, Miracle of Judaism, The Baseball Game, A Day in Falsettoland, Everybody Hates His Parents and whatever the fuck March of the Falsettos (the song) is.

The first half of both acts you can't stop laughing and the second half of both acts you can't stop crying. That's Falsettos, baby!

Does the music slap?

Oh yeah. It is a fully sung-through musical. If that's not your jam, then you're better off skipping it. It also has a more "traditional" musical theatre sound, whatever that might mean. As you saw in the previous section, it has a lot of great comedic songs, with stellar lyrics like "Look, look, look, look, look, it's a lesbian from next door!/Followed by her lover who's a lesbian from next door too!", "Hepa-hepa-hepatitis-hepatitis?", "We're watching Jewish boys who cannot play baseball play baseball", "You have paintings of dicks!/Don't talk to me about taste!", "Lightbulbs in the ass!", the entire "You are going to kill your mother" section, "Homosexuals!!!!!" and of course the opening line of the entire show "Four Jews in a room bitching". And many more. But don't be fooled, because this song also has some emotional bangers (mostly in the second part of the acts due to the aforementioned tonal shift).

Are there German characters in this musical?

Mendel's last name Weisenbachfeld sounds German. Is that close enough?

[adhdtsukasa]

tsukasa tenma has ADHD!! except it's an actual analysis because 1. look at my url 2. i'm mentally unwell (and i started to love tsukasa mostly because i immediately recognized my ADHD traits in him). which is a thing i should probably leave for ADHD awareness month, HOWEVER!! it was my birthday yesterday and i wanted to spoil myself (i just kinda overlooked how much time writing it from scratch would take me, so i'm a bit late with it). and i reaaally don't wanna wait until november when i finally wrote it down because i'm so HYPED because i was preparing for it like what? two years? somewhere around it. and that's a LONG time.

please keep in mind that i'm no psychologist, psychiatrist nor a neurologist and while i do use some sources (cannot really confirm if they are true, though... because i forgot to write credits down... so i'm really sorry for that), most of this analysis was just based off on my personal experiences with the disorder (and i don't really have the full professional knowledge of what i struggle with i'm just a Boy). i mean, i am analyzing a character from a hatsune miku game. i think i'm already putting way too many effort than i should.

also the examples of tsukasa's behavior here are not all of the things, because i wrote down only the things i remember off from the top of my head. sorry, guys. my hyperactive ass is not sitting thru all the stories again just to get my crumbs, unfortunately.

anyways, with this a little bit unprofessional and messy introduction, let's get it started!

1. THE MAIN PART OF THIS WHOLE THING, AKA HOW THE ADHD SYMPTOMS CORRESPOND TO TSUKASA'S BEHAVIOR

i wanted to write it down in my own words, but i think the screen above has summed it up perfectly; there are some established symptoms of ADHD, but to be an ADHDer you don't have to experience them all. and this is going to explain why i'm gonna show a lot of these symptoms later, yet gonna connect only some of them with tsukasa. it's only these i have evidence for, and yet i think they're good enough to point at tsukasa and already say woah! an ADHDer!!

in short, there are three types of ADHD: hyperactive, inattentive (ADD) and combined. the combined one is the most common iirc, so that's also what i'm going to focus on today. especially since for a rep of the other types, i could say that shizuku's a rather great representation of ADD — but that's not the point of my ted talk today, so i'm not going to go into the detail about it. i'm sure some momojan or shizuku oshi would do better than me in this field, so i'm leaving it to the experts.

these are the symptoms that i managed to gather — the first two screens being about the symptoms viewed in children, the last one being about the symptoms viewed in adults. "in which one of them tsukasa belongs to?" that's a good question, because i actually don't know. calling a high schooler a child doesn't sit quite right with me, yet a freshly turned 17/18-years-old is not exactly an adult, either (although most of the symptoms i'm analyzing come from these that are viewed in adults). and while i do think tsukasa has more of the symptoms viewed in adults, we're gonna analyse them all! because i'm putting my all into this.

FORGETFULNESS

i believe there's not much left to say, as this is the most obvious one and everyone already knows that. even though it's not touched that much anymore for some reason, tsukasa's forgetfulness is his very apparent trait. it varies in severity a lot of times: from him basically forgetting both his childhood and true feelings in the main story to him, for example, forgetting his own phone and lunch (in the same day!!) in hinamatsuri. even saki in the same event, while they were arguing, called him a "big, dumb forgetter" and assumed that he forgot what happened the day he brought her the hinamatsuri dolls to hospital. while forgetting basically half of your life is not exactly normal and can be a sign of something bigger, like dissociative amnesia, his forgetting of just the ordinary things and it happening a lot definitely still fits this trait.

EXCESSIVE TALKING/PHYSICAL MOVEMENT

while this is something that you'd rather connect to emu (and for a good reason), it's not like tsukasa is completely devoid of it either; he talks a lot. he moves a lot. it's not on emu's level of hyperactivity, but it's also not "a lot" that's taken as a social norm, based on how the people around him react. he's putting the 1 in oddball 1 2, after all.

in holy night or some side stories connected to it (it might be meiko's side story? but i'm not exactly sure) it was also said that tsukasa moves in his sleep a lot to this point that his parents have to leave his christmas presents under his door instead of next to his bed.

oh, and he also talks to himself a lot. even in class, which was confirmed in chapter 6 of dazzling (or maybe even earlier, it's just the one moment that i remember). (but i'll get to this moment later on)

he says his long monologues, he strikes his poses at every occasion — and while i don't think that's the first thing you think of when you have "excessive talking/movement" in mind, for me it sure does count as it.

LITTLE OR NO SENSE OF DANGER

this point can seem rather weird, because "isn't tsukasa always riddiculed at rui's weird inventions"? well, yeah, he is, that is not a thing to deny. but he also agrees to try out most of them, if not all, if it's for the sake of the show. he's aware of what can happen, but he also doesn't back away if it means that he'll be one step closer to achieving his dream of stardom.

does it count as "little sense of danger"? well, i'm actually not sure, for me it doesn't, but maybe for someone it does. i'd say that's a rather weak point, but i wanted to include the explanation for the counterpoint of it — that's why i even mentioned it in the first place. i don't have a lot to say about this tbh.

update: oh, actually no, wait, i just remembered. remember how tsukasa in phoenix decided to not eat anything for three days just to be able to resonate with rio, while also having to do straining exercise on top of that? you certainly cannot say that's a safe thing to do, but he still went along with that in order to get the role. it makes me come to a conclusion that tsukasa actually has a sense of danger, but sometimes chooses to willingly ignore it if only it makes him get closer to fulfilling his dream. i think it's coming close enough to the little/no sense of danger to be actually considered an ADHD trait.

DIFFICULTY KEEPING QUIET

while i'm not sure if what i'm going to talk about is a difficulty keeping quiet in a traditional sense of way, it definitely counts as it, somehow: tsukasa is loud. like, really loud. and that's another obvious fact both for us and for characters in-universe, especially when thinking of tsukasa shiho's first thought is that he's kinda noisy, which can be seen in the "a friend's brother" 1koma. (and probably a lot of other cases. free shiho.)

tsukasa doesn't seem to realize that he's way louder than he should be and that him being loud is his first impression in most of the cases, though, or at least i don't remember any moment where it happens (and it's a possibility. then that's on me, i guess.). and yeah, i know what's the reason for it, obviously — he's supposed to be a comic relief character. because wansho's stories are mostly supposed to make you smile, as this is what wansho's aspiration is. however, as much as being intended to make the viewer laugh it wouldn't be, it still is a part of tsukasa's character, and a rather important one on top of that. his constant loudness is something that's definitely not considered normal by the society and could very well fit into this symptom.

and since i promised to elaborate on the mentioned before scene from dazzling chapter 6: when tsukasa talks to himself in class, it always ends up to be loud. and it already happened a few times.

(tl by tsukasa's #3 fan on youtube because i don't have proseka on my phone wah)

if it's not a difficulty keeping quiet, then i don't know what is. bro can scream up to 120dB as measured by robonene for god's sake.

IRRITABILITY/QUICK TEMPER

again, this is something that was more apparent with early game tsukasa, maybe he just got medicated. idk man. but even if it happened three, almost four years ago, it still happened, i don't make the rules. back in the early game, tsukasa was really easily losing his temper and getting annoyed, mad even — i mean, that was the whole point of the main story argument: tsukasa's first response to nene accidentally messing up their show, which was not even her fault, was to shout at her. and while this was obviously very important thing to him and being upset at this is a rather understandable reaction, taking this as far as screaming at a poor girl for not being to face the audience because of her anxiety is not something a person who can control their anger would do.

it could be also easily seen by his reaction to emu and rui's antics back in the early game, which were often stained with irritation.

another example is his hinamatsuri argument with saki, where, despite loving her so much, he still got slightly mad at her for not liking the new dolls he bought her. he started to regret his harsh words and actions soon enough, obviously, but it doesn't change the fact that it was rather easy for him to get him across.

INABILITY TO DEAL WITH STRESS

if i'm not mistaken, tsukasa has once said something along the lines of "is it anxiety? there's no way a star like me would feel anxiety" — but i cannot recall for the love of my life in which story it appeared, so i don't want to take it as a face value when i don't have a solid proof for it.

other than this vague mention of "something that's in the story but i don't remember where", i'll admit, i don't really have anything backing me up for this tbf. i mean, i guess maybe tsukasa doing his best to appear strong as a child to not worry his parents could work? because the stress of saki being in the hospital definitely was also present here, although i just see this more as a coping mechanism for his situation than a reaction to stress, so that's not a solid evidence either.

so, yeah. take this one with a grain of salt, actually.

from the symptoms that weren't listed here, i remember reading something about people with ADHD enjoying to show off more, which is certainly what tsukasa does often — and while it actually applies to me too, it wasn't on an english site so i didn't screenshot it and i cannot really find it anywhere in english... so even though i treat it just like my whole argument for the inability to deal with stress, i thought it's just worth mentioning.

however, there is obviously one more thing...

HYPERFIXATION/SPECIAL INTEREST

obviously, i'm talking about acting here: for tsukasa, acting aligns with all these criterias. it is his deep passion; it is something highly engaging for him; it is sometimes all-consuming for him; he tunes out the world around him when he thinks about how can he possibly improve his acting (see: the dazzling moment i showed earlier. yeah, i like to use it as a backing point a lot, as you can see.); and it is something that is his life-long interest.

is it his special interest or his hyperfixation, though? well, it's hard to tell...? because while according to screen two, spinterest revolves around a topic and hyperfixation revolves around an activity, so it would qualify what tsukasa feels towards acting as a hyperfixation, it's still kinda hard for me to call it so because of its length. yes, screen three clearly says that hyperfixation can last years, but they mostly revolve around shorter periods of time, after all (my longest hyperfixation was just a year long, for example). i think it's up to you to determine whether you'd call tsukasa's love for acting a hyperfixation or a special interest, but it's something from these two most certainly.

i'm also a big fan of the headcanon that tsukasa's other spinterest is kaito ww it's in no way a canon evidence (unfortunately!), but kaito's 1* side story, where tsukasa and emu are watching kaito's show and tsukasa is explaining to her why kaito's wearing a scarf somewhat implies that tsukasa knew a thing or two about kaito before the main story. and i'm all for it. colopale let tsukasa be a kaito fanboy pleaseee.

2. I REALLY LIKE ANALYZING SONGS, IF YOU CAN'T TELL

those who have already read a few of my things probably know what i love to do the most — analyzing songs!! so i wouldn't be myself if i just left tsukasa's commisions without analyzing them under the angle of neurodivergence, especially since the sole reason i became obsessed with the thought of ADHD tsukasa was that one sekahaji line (there's too much noise, so much noise and it keeps getting worse you will always be famous).

of course, remember that only the world hasn't even started yet should be taken as a canon value! producers are often given space to do whatever they want in the lyrics of the songs they are commissioned for, so they're not canonical in any way. i think it's still fun to look at their lyrics and ramble about them for a bit, though. i've already got too carried away anyways.

won't be posting photos of the lyrics since i'd hit the images limit, but you can check them yourself — all the translations i'm taking, as always, from the vocaloid lyrics wiki. (since filament fever has two tls on there, i want to clarify that i've only looked at and considered in my analysis the official english one, because it's, well, official.)

THE WORLD HASN'T EVEN STARTED YET

besides the mentioned earlier there's too much noise, so much noise and it keeps getting worse, which i think of as a representation of overstimulation (since i used to see people asking "oh but why tsukasa has something about there being too much noise in a song made out of his feelings when he's such a loud person himself". because he likes the noise he makes, not the overwhelming, overstimulating noise from the outside!!), sekahaji also has a rather good amount of quotes that could be read as something connected to neurodivergence (based on the fact that it's not supposed to be a song about this topic): the main theme of these are procrastination, which can be seen in let's cross the end of all of this, partying forever and the world hasn't even started yet line itself. the thought of the world not even starting implies that there's still a lot of time left to do something, while "partying forever" can refer to deciding to give up on doing the things you should do and going to drown in something that indulges only you and yourself for the rest of eternity. while procrastination is not counted as an official ADHD symptom, it's a trait that people with the disorder very often have (for reasons obvious).

other lines, which i couldn't entirely fit into a box of a certain symptom, are there's too much conflict, so much conflict and it keeps growing (a parallel line to the noise one, so it means something! right) and let's break the plans for a harmonious future. in my personal interpretation, they both can be viewed as your typical neurodivergent struggle in a neurotypical society — "too much conflict" refering to an internal struggle of not being completely normal, while the "harmonious future" that's going to get broken are just the social norms that are going to be broken because of an off-putting, neurodivergent behavior. something that some neurotypical people dooon't really like.

TONDEMO-WONDERZ

since i've just talked about breaking the social norms, "why?!" and "do it like this!!" aren't like you, huh? line from tondemo-wonderz is going to go first, because it revolves around the same topic. it's the same case: it's about (subconscious, not intentional) fighting what's accepted by the society by just being yourself — because you're neurodivergent, you're different.

from the other lines in tondemo-wonderz, i have only one and it's take an eraser to your memories?!, which is pretty much self explanatory. as always, a mention of forgetting something in tsukasa's commision. who would've thought.

88 SHOOTING STARS

another self explanatory line that i have written down as first: it's okay if you only remember a little part of it sometimes. another mention of tsukasa forgor™, and while it corresponds with what happened in dazzling, it's still a line mentioning forgetfulness — so it's worth mentioning.

aren't we just inevitably going around in circles? and it's okay if you take a rest for a little bit sometimes can be interpreted as another mention of procrastination and while it's not that apparent as it was with sekahaji, because going in circles can refer to something else and taking a rest sometimes is not a bad thing at all, i still wanted to mention them here. for the record.

you ought to slip and fall in panic in the final moment is connected to a symptom that i showed, yet didn't elaborate on it (because i didn't have anything to work with) — making careless mistakes. the same case, yet with another symptom goes with is this not enough yet again? is this not how it's supposed to be? couldn't we go even further than this?, which can be seen as a reflection of unability to listen to instructions. a bit of reaching with this one (like this whole part damn), but as i said earlier: for the record, i'm leaving it here. to show that i had some intense thoughts.

tbf, when i think about it now, maybe the mentioned earlier "why?!" and "do it like this!!" aren't like you [...] could very well fit this symptom too.

MR SHOWTIME

mr showtime you will always be famous, because this is a song that gave me a looot of things to work with. i was so flabbergasted when i read these lyrics for the first time. tsukasa tenma why are you like this. /aff

there are a lot of lines hinting being easily distracted, and these are basically the very first ones, too: you know what? i just can't make up my mind, it's so messed up that i can't put my thoughts together and a merry-go-round (my thought process) goes round and round are all about it. like you cannot deny it this time, if it's not about being unable to stay focused then i really don't know what is [insert the tsukasa don't look away stamp here because i love it and it's my biggest motivation to actually focus whenever i do something]. the more i mess around and waste time, the more i become hungry / and i can't handle it can be seen as about procrastination again, and even not "can be seen", it's literally being frustrated at yourself for wasting time, that's the sole outcome of a procrastination!! being bothered by feeling anxious, meanwhile, is resonating with the inability to deal with stress once again.

also jumping the gun. driving in a zigzag manner can actually connected with the little to no sense of danger. because, as far as i'm aware, driving in a zigzag manner is certainly not a safe activity. don't do it at home.

from the symptoms that i haven't yet mentioned to this point, am i taking a long way? am i making a fruitless effort? can be reflecting difficulty organizing tasks — since the poor planning of your activities can make you take a long way and can make you do a fruitless effort. then, where's the fun in taking shortcuts all the time? can be read along the lines of something coming close to extreme impatience and while a person that's extremely impatient would actually enjoy taking the shortcuts to get closer to their goal or destination, said impatience can be also connected with the desire for something interesting to happen. a task can make you impatient not because it's long, but because it's simply boring — avoiding shortcuts can make it less boring, even if it extends its duration. with this explanation, it makes the unexpectedness (unexpected program) is the best part of the show (my life) perfectly fit into this category, even though i wouldn't call this line a sign of impatience on its own.

i have some issues with i'm pathetic. i can't satisfy myself, because... at first i thought of connecting it with either mood swings or inability to deal with stress, however i'm not sure if that's really it. i'm pretty sure it connects to neurodivergence in some way, but i just can't put my finger on it, so... i'm just leaving it here for the record, once again.

oh, and there's also i got lost in the world (stage) and / the end credits rolled (the curtain fell), which also is pretty much summing up the experience of being neurodivergent in the neurotypical society. in the middle of trying to stay true to yourself and having to mask just to be accepted, it's easy to get lost — and once you do so, there's no going back. the curtain falls.

to end this part of the analysis, i'd show the lyrics from filament fever and sekai wo terasu tetrad here. i won't do this, however, and the reason for it is fairly simple — they don't give me much material to work with and i'm not really surprised, because mr showtime has succesfully sucked all of the neurodivergent coded lyrics into itself. there just won't be another song like mr showtime, i fear.

i can just say that in filament fever there is running away from the flow of time — which got me thinking of either procrastination and unability to stick to time-consuming tasks, with the former being more plausible as a potential interpretation... but that would be it.

3. NAKAYAMA IS A METAPHOR FOR NEURODIVERGENT MASKING AND IT'S THE STUPIDEST THING I'VE EVER SAID BUT YOU HAVE TO HEAR ME OUT ON THIS

listen, i know how it sounds.

i'm not actually a fan of trying to fit every thing a character does into a box of a metaphor, symbol or allegory, i really am not. i think some things should just stay as simple as they are, but this thought has been bothering me ever since i've first seen spoilers of what's happening in a story where you're the star for the very first time. i'm in no way saying it has any canonical meaning, but i just thought it would be fun to include. because maaaybe someone sees my vision.

for those who haven't seen tsukasa4 yet or want to have a recap of what has happened in it: the whole event story revolves around tsukasa trying to grasp his role (as always). wxs got recommended to shunmei-za by shousuke and went there to practice their acting skills, immediately getting thrown onto the preparation for their next performance. tsukasa, however, is not a lead this time — he got the role of a supporting character and has got basically three lines to say on stage total. since tsukasa's used to playing lead roles, he obviously has issues with grasping the role — it's hard to use method acting in regards of a character that says three sentences total and nothing more. with help of bakuno reki, one of the actors in shunmei-za, and the rest of wxs, he manages to create a portrayal of nakayama that would make him "come to life" and "be a protagonist of his own story", something that would make it easier for him to get into role, however...

he gets a little bit too carried away with his acting during the actual performance.

and this is not something that would ruin the whole play, obviously, he's just a supporting character, the less invested audience would probably forgot about his impact on the story after five minutes of his last appearance — but he still made a slip-up. he still resonated with his role, but didn't achieve the utmost perfection. he still did well acting, after all, he managed to receive praise from the director in the end... but it's still a very apparent mistake that was made.

(tl, once again, by the awesome tsukasa's #3 fan)

and that's where the nakayama masking metaphor theory (it's not even a theory but it sounds cooler this way) comes in.

nakayama is supposed to be just a man. from what we know about him, he's in his late twenties and works as an editor — and even though tsukasa makes up a whole backstory for him later on, he's still supposed to be ordinary. nothing special. he's coming nowhere near the other roles that tsukasa has played, he's not on the same level as miles, torpe and rio. and while you could possibly consider torpe and rio as rather ordinary, they still had something interesting to happen to them, the main reason why they were lead roles for their respective plays. in the tsukasa4 play, nakayama has nothing like that. he's literally just a guy, he's normal. and "normal" is a keyword here.

tsukasa did everything he could to fit into nakayama's role. he followed the script, he took the advice from a more talented and professional actor that is bakuno, he didn't do any mistakes during his preparations — and yet he still managed to mess up in the end. why?, besides of the fact that he just let himself become one with nakayama during the performance and it resulted in a supporting character outshining the lead?

if we take as a fact that tsukasa is, in fact, neurodivergent, it would make sense that he's having troubles with playing a normal person — because he's not exactly normal either. and this would very well work out as a metaphor of masking; even when you try your best, even when you mask yourself perfectly, you can still make slip-ups. you can still accidentally drop the act in middle of something that absolutely required it, or, similiar to what tsukasa did, can accidentally overdo it and end up perceived as even more weird than you'd be without masking. something something i got lost in the world and the end credits rolled. rings a bell?

and i'm not saying that tsukasa has a problem with masking, because he doesn't. he tries his best to pass as a normal member of society, but he also makes no effort in actively masking his weirdness (or else he wouldn't be a part of oddball one two). however, if you want to neurodivergent code your character, it would make sense to include a possibility of it in some way, right? especially since wxs stories' already had the theme of dealing with being perceived as weird (eg. rui's whole backstory, obviously). even if it's not affecting tsukasa directly, i think it would be cool to include something that indicates this issue's existence in his story and, in a way, his struggles.

however, as i said earlier, this is a very stupid thought and that's why i left it for the very end. i don't actually think that how tsukasa played nakayama was supposed to be a metaphor for masking, it's just a pure coincidence that it could be interpreted like that when you think about it too much.

aaand with this, we've finally come to an end!! (finally. i'm so exhausted.) i don't have anything more to say about this topic. maybe i'll retweet it with some more evidence in the future if we ever get more ADHDkasa content. for now, it would be all!

is tsukasa actually intentionally written as an ADHDer? Who Knows! there's a possibility that he is, but even if he's not, he's still one in my heart. regardless of the status of his possible neurodivergence, analyzing his behavior in this light was still very fun! and maybe i even converted someone into the ADHDkasa hell.

feel free to add something if you want to, and feel free to correct me if i got some things wrong! i still hope that even though of how messy this whole thing is written, i did tsukasa justice and didn't accidentally say too much nonsense lmao

...i hate ending analyses.

[sysmedsaresexist]

Hello. I know I've sent in messages before but very very rarely. But recent events have caused us to have a question. Just this week, we got officially diagnosed with D.I.D and recommended the idea of getting a psychologist for the first time in my life, besides a psychiatrist. Two of my alts say they can't be serious but the other three think they are bout the psychologist and we are nervous. I saw you talking about disorganized attachment in your latest posts and was wondering if you could tell me more bout what that is because it sounds like I may have experienced that and I'm trying to understand myself and us more from others with experience with D.I.D and similar disorders. We hope that makes sense! We are still very new to all of this. Thank you so much for your time. - Us

First, congrats!!! Try to come back and tell us what therapy and the interviews are like! I'm certain my followers would love to hear about it. It's scary, I'm so proud of you ❤️

Disorganized attachment is both very complicated, and quite easy to understand. I just reblogged a couple old posts about it, but this will be shorter :)

This is my favorite image to describe it!

Note that disorganized attachment (DA, from here on) is linked to low trust in self AND others. All of these types of attachment have shown strong links to different types of disorders, but DA is most associated with dissociative disorders.

The most important thing I've learned is

Even well-meaning, well-intentioned, loving parents can cause DA

DA can be hidden trauma, its relation to neglect is much stronger than originally thought, and neglect is a lot harder to spot and understand than straight up abuse.

A quick note here: DO NOT play trauma Olympics-- with yourselves, with others, on this post, nothing. Trauma is a personal reaction to events, abuse, or neglect and can occur in response to literally anything. When it comes to CDDs, we're looking at cumulative responses resulting in psychopathology, and you don't get to decide what was enough for other people.

It's their reactions.

Mind your own business.

So, all that said, DA is about the child being both fearful and reliant on caregivers. They want to both flee to and flee from caregivers. When a caregiver is unpredictable, the child has a difficult time establishing a consistent view of the caregiver, and of themselves. In other words, the caregiver is both needed, and someone to be avoided, and the child may not understand what makes them a “good” or “bad” child, as the caregiver’s behavior is often confusing and unpredictable.

I'm going to throw out a couple examples here:

Parent A has yelled at you, and you're scared to go to parent B and talk about it - neither parent feels safe but they're your only source of comfort

You're hungry, but parents scold you for eating too much - you're both scared to ask for your needs and yet reliant on their abilities to meet them

Sometimes parent is attentive and kind, and sometimes very dismissive - you never know what you're going to get, but when they're dismissive, it kills your drive for things you thought you enjoyed - sometimes parent puts your art on the fridge and sometimes they throw it in the trash, and maybe that particular piece was important and you'd expected better reception

Parent gets physical when they drink but at school, parent is a model citizen and teachers and other students always tell you how lucky you are

Parents are openly homophobic and you think you might be a little gay - they're good people otherwise (you think), and maybe if you just keep that part of you down...

Parent struggles with their own mental illness and you never know what kind of reaction they'll have, but you treasure the good memories and hold out hope you'll see that side of them again, despite the many letdowns

Parent doesn't let you keep anything to yourself, it's to the point you want to avoid them as much possible, only seeing them for meals

Parent is... mean. Just flat out mean, and they'll tell you no one will listen to you. There's no point is trying to find help with other caregivers-- teachers, babysitters, friends. It's just you and them, against the world.

The start of DA is typically formed in infancy when a parent doesn't respond properly to their child. Missed feedings, not enough skin time, mixing "cry it out" with giving in, ignoring cries for food or changing. These first attachments in infancy set the tone for all your attachments going forward. Meeting needs and milestones help the brain develop in a healthy way. If some of these milestones are missed or slowed, you tend to see psychopathology of some kind as a result. Various future relationships are likely to be affected, and more often than not, you respond to your own children the same way-- a type of intergenerational trauma.

And this is only the grey areas. We haven't touched full and proper abuse and how that can affect someone.

The result of DA is that a child will try to push memories and feelings about their caregivers down so that they're not bothered-- they can interact with their caregiver, whatever mood they're in or whatever happened yesterday.

If you just kill your feelings, parent's outbursts don't hurt as much. If you just don't think about what they did to you, you can put on a smile and get through dinner.

This is, in and of itself, dissociation. A rejection of feelings or memories. DA on its own isn't very likely to cause a CDD, but with additional trauma, it's... oof.

Children with DA and suffering from abuse “are likely to generate two or more dissociated self states, with contradictory working models of attachment,” in order to handle their confusing relationship with the caregiver. This can go in several directions, not necessarily a CDD, but it becomes much more likely.

So, the child needs to maintain a relationship with the caregiver– they have no one else to turn to, so the child can develop dissociation as a way to make sense of themselves, and to maintain a child-caregiver relationship. They may “forget” the abuse, or deny it. “It is an adaptive and defensive strategy that enables the child to function within the relationship, but it often leads to the development of a fragmented sense of self.” This fragmented sense of self may or may not develop into something worse– namely, BPD and DID based on severity, frequency, and whether there was any sense of reprieve (i.e. a child can avoid the worst of dissociative symptoms if one of their parents was more supportive, because it helps them build some positive attachments).

I really hope this helps!

Good luck, come back soon!

[jimmy-tulparco-pilot]

*throws the entire canon jimmy mouthwashing lore for you to read then leaves*

Here's what the actual jimbus nimbus the III did

IMPLIED ABUSE. (Can be interpreted as SA or Phisical Abuse)

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(Oh my god Jimenez Lore drop? 👀)

Hi! Im the OP once more, and here's a little secret about me, more than an artist, im a medical student with the focus of becoming a psychiatrist and a psychoanalist. anyway here is a little something: Mentions of Abuse, under the cut and a little personal rant if you dont want to read you dont have to.

A lot that the Psychoanalists of Freud and Jung talk about is the co-relation of the bad parenting to ones trauma in development, if you were Abused as a child theres a higher possibility of you growing to be an Abuser as an adult, if you have been thought that your values as a person is defined by a certain something as a child there's a higher possibility of you believing that to your adulthood and that's what im going here about.

For the ones who dont know, i have a comic strip that works for Canon Jimmy and the tulpar crew, where the topics of Mental Health will also be aborded. more info about it on @analgesic-comic

Now a bit of a Personal talk, i know some people are getting mad that jimmy on this au hast done anything big assholish to anyone yet and that he hadnt r**ed anya and that its "out of character". But i will be honest, i made this for me to draw some silly goofy stuff, while i take breaks from my comic, my comic has a lot of heavy writing envolved and doesn't give much space for jokes, there's funny stuff here and there but still all of it is pretty heavy because its based of a psychological horror. So i made this Ask blog that aint even in the future. It's in the present to be able to draw the characters and get my mind out of some stuff.

I love drawing jimmy because i love his design, and i love drawing all the characters, but if every drawing i made of them was strictly related to canon i would never bring myself to draw any stupid stuff because my autistic brain would ran me on the "Oh no they wouldn't do that because jimmy is there, jimmy and curly are the only ones you can draw together because curly is the only one who turns a blind eye to jimmys actions"

On the ask blog, Jimmy keeps his personality, but he is getting MENTAL TREATMENT that is making him a little less insuferable, of all the answers most of them there's scenes of him trying to gaslight curly or being mean to someone so i think i madd quite clear he is not healed, i just made him not be a criminal.

[actual-changeling]

It was actually rather hard to decide how to begin this meta post because there are essentially going to be two main parts: why Crowley does not actually avoid/run from his problems and why "going off" is not a bad thing regardless.

Then I wrote the first part and realised this is now 2.5k words long, so uhhhh I will grant part 2 its own post.

With that, welcome back to Alex's today-not-unhinged meta corner!

I am going to approach this topic from a psychological angle, which a lot of people have already done, but without explicitly mentioning it or going into depth. All my information comes from personal experience, research, my therapist, and my psychiatrist, just so you know I am not making shit up. I actually dug up some resources my therapist gave me a while ago.

Generally, there are four different fear/survival responses: fight, flight, freeze, and fawn. Most people have probably heard about fight and flight, since those two are usually the only ones that are mentioned/taught, so I will stick to explaining the other two.

"Fawning" refers to actively being submissive and subdued, both physically and emotionally. The goal is to appear non-threatening and to calm whoever is causing the fear response in the first place. It shows up as being overly agreeable, not having thoughts/opinions of your own and ignoring them if you do, your body language changing (e.g., making yourself smaller, taking up less space), and generally attempting to 'keep the peace' or reinstate it.

"Freezing" is pretty much exactly what it says on the tin—you freeze. It means slipping into a dissociative state, which disconnects you from your body, your emotions/mind, and/or the outside world. Usually, people stop being able to talk well or at all, they do not move, and if they do, it is on autopilot; you do not fight or flee, you simply exist until what is causing the fear response is over.

While dissociating, your brain is unable to form full memories—and depending on how heavily you are dissociating, it does not form any memories at all. 

Freezing as a response happens when fight, flight, and fawn aren't possible anymore, e.g., a child who has no internal mechanisms to deal with large amounts of fear because it's a child, so the only way to escape the pain and aggressor is by fleeing into your mind and shutting down.

Why am I telling you all this? Because most people tend to have one or two survival responses that dominate/they usually fall back on, and the same goes for Aziraphale and Crowley.

When faced with an outside problem and a lot of stress, Aziraphale's first instinct is to fawn, to placate the person, to diffuse the situation, to make sure everyone is agreeing, or, at the very least, submitting to authority figures or aggressors. It is what heaven teaches them—stick to the rules, don't ask questions, do what you are told. If fawning involves lying, he will do so, here the need for safety is stronger than his desire to be truthful and stick to his morals.

Unfortunately, the fact that this is his primary fear response is also the reason behind his extreme cognitive dissonance. How can you stick to the rules when you do not know what the rules ARE? So he is stuck trying to figure out what is "good" and what is "bad" so he can be a good angel and avoid doing anything that might be seen as bad or disobedient.

His secondary response to stress or fear is to fight—once it's clear that fawning won't work, he can and will switch over to being more direct and aggressive/less submissive. We see that happening when he gets discorporated in season 1 and needs to get back to earth, at the airbase, or when the bookshop gets attacked.

If I were to ask you what you think Crowley's primary fear response is, how would you respond?

Well, if you said "flight"—you're wrong, and I will explain why.

Flight is his secondary fear response, it is what he falls back on in absolute emergencies when everything is doomed and there's nothing he can do anymore.

Before that, though, he fights.

Even as an angel, he was already questioning the system, he was ready to go and tell God she was doing a terrible job, that her ideas were bad, that he wants to keep his stars and the universe— six thousand years are nothing! If you actively oppose existing rules and defy people's authority over you, fighting is the only option you have unless you plan on giving up or the response becomes too much to deal with.

Fear itself happens when you or someone/something you love is being threatened (whether that threat is real or simply perceived as such doesn't matter), plus there are a large number of more irrational fears.

Crowley's creations were threatened -> He goes against the rules, he wants to fight for them.

On the walls of Eden, he questions God and talks to an angel, his hereditary enemy, once again defying the rules, questioning them.

Job and his children were threatened -> He goes against orders to try and save them.

There is good reason to believe he went against God by saving some of the children from the flood.

He showed Jesus the kingdoms of the world—do we really think that was based on orders? No, it was once again Crowley not playing by the rules.

Wessex? He proposes the Arrangement, which is one gigantic "fuck you" in his fight against celestial rules. Everything after that goes back to Crowley knowing that their jobs suck and that they can cheat, fight the system by working together. In 1827, it gets him pulled to hell and punished, and yet he does not stop; he keeps fighting.

Crowley is the one who immediately tries to stop the apocalypse. Aziraphale needs to be talked into it, needs to be convinced with selfish reasons and personal pleasure.

The reason why both heaven and hell absolutely loathe him is not because he is a runner; it's because he constantly and consistently defies them. He fights.

In season two, he immediately tries to deal with the Gabriel problem while Aziraphale is standing behind him and saying "I don't know" to all of his questions. Taking him somewhere so they can figure shit out in peace is not 'running'—it's smart. Sure, it's far from ideal, but we see what keeping him in the bookshop brought them, don't we? The hiding miracle is what tipped heaven and hell off in the first place.

Aziraphale goes to Edinburgh based on a hunch, but once again—did that help? Did his journalist roleplay trip actually provide vital information that solved a single puzzle piece of that mess? No. Finding out that Gabriel was at that pub with some mystery person was a nice fact to know, but that's it.

During the ball, Crowley is scared, vigilant, prowling around the shop, checking windows, telling Aziraphale to "stop this charade" so they can figure out what to do. Aziraphale, in that moment, was already convinced that sticking to the rules would save them—a heavenly embassy on a technicality, surely the group of fallen angels who got booted due to not following heaven's rules will respect that.

Crowley goes to heaven, which is once again him actively looking for a solution, while Aziraphale also falls back on fighting because fawning is not going to do shit.

There are three times during which Crowley suggests fleeing—which is his secondary fear response—but those are exceptions. Let's have a look at them.

The first one is at the bandstand, the evening before the Apocalypse, and since Aziraphale is lying to him, the situation seems hopeless to him. Yet he is still having his 'agents' look for him, is still fighting.

Do you know why he even suggests running? He is about to leave when Aziraphale calls him back with "there isn't anywhere to go," and now allow me to insert the following passage from the scriptbook.

Crowley looks back. He looks at Aziraphale. Above them, a beautiful starry sky. And Crowley softens.

"Big universe. Even if this all ends up in a puddle of burning goo, we could go off together."

The sentence in the show is slightly different, but they have one thing in common: If.

IF the world ends, we can still leave and be together. IF.

Crowley is NOT saying "let's leave", he is presenting Aziraphale with a contingency plan in case stopping the Apocalypse does not work. He is NOT running, he isn't even SUGGESTING to run.

It's a "if the world ends, we can be together. We don't need to be with hell or heaven; we can be in the stars," because remember what the end of the world would mean? Eternal torture for Crowley while Aziraphale bores himself to death in heaven.

The next time he suggests it again—when he stops Aziraphale on the street—several things have happened.

First, he did not leave. If he truly wanted to flee, he would have by now, but he didn't. He sits in a cinema waiting for the end: "Out of time. Out of hope," as Neil puts it. Then Hastur and Ligur show up on screen and tell him, 'You're dead meat, Crowley. You're bloody history. […] We're coming to collect you'.

We all know that means "eternal torture in hell," but if you're not convinced for some reason, have another snippet from the script book that did not make it into the show.

Dagon is speaking from the Bentley's radio while he drives towards the bookshop, saying that something has gone wrong and they're sure he has a 'perfectly reasonable explanation' for it. Once he gets out of the car, however, Dagon still keeps going and says the following:.

"Your explanation, and the circumstances that will accompany it, will provide a source of entertainment for all the damned of hell, Crowley. Because no matter what agonies the damned are suffering, Crowley, you will have it worse."

Crowley already knows that. He has been punished by them before, heard, seen, lived torture, there is no doubt as to what will happen should they catch him. So he does what any person with a single fucking brain cell would do—he tries to get his loved one and FLEE.

Flight is the best response in this situation, and if you need me to explain why, then honestly, I cannot help you anymore. I won't go into detail about Aziraphale's response, but, tl;dr, it was shitty and incredibly hurtful, go figure.

Now, let's get to situation number 3, which is his speech during the final fifteen. We do not have an official script for that, but someone did make transcriptions for all episodes; you can find them here. Additionally, I will copy some of what I already said in a different meta post.

Crowley, stuck in his trauma-induced hypervigilance and paranoia, suggests putting as much distance between them and the problem as possible. I think it is interesting that in ep1 he wants to get Gabriel away from them, while at the end of the season, he is ready to get them away from the problem.

So far, I have never seen anyone mention that change! And it’s important! The entire season, it is hammered into our heads how much they love being on earth. It is THEIR bookshop and THEIR car and THEIR life.

Crowley wants to protect that home, and Gabriel is a threat to it, a threat to both of them, their life, the bookshop—everything. He does not want to leave, he wants his peace and angel in one place.

Yet by allowing Gabriel to stay, Aziraphale destroyed the sense of comfort and safety Crowley had slowly developed over the last few decades. Heaven nipping down every now and then to check in with Aziraphale is very different from him sheltering the Supreme Archangel who is running from ‘something terrible’ without even asking if he’s alright with that.

Aziraphale calls it their bookshop, but he fundamentally still sees it as his space to govern and Crowley as a guest; he even calls it a 'heavenly embassy'.

After another horrible week and having his previously safe space violated by several different times and beings, Crowley is back to where he was before—without a home. That fragile existence broke apart, so he is standing in the heap of shards and telling Aziraphale 'I don’t feel safe here anymore, let’s leave’.

He lost his safe space, but he still has his safe person, his best and only friend, the person he loves. I doubt he cares where exactly they go as long as they’re together and it’s safe.

Returning to heaven—it is the one place Crowley cannot follow him to. It’s literally the worst option, he can’t go back, he won’t go back. So he invokes the bookshop again, if you don’t want to stay for me, stay for the bookshop, your books, your corner of existence that I thought we had carved out for ourselves.

There is a common error that people make regarding the timeline, which is assuming that during this conversation they are already aware of the impending apocalypse—but they aren't. Aziraphale himself has no clue, and while Crowley saw the conversation and trial, he does NOT know when it will happen. For all he knows, it could be tomorrow, could be in a thousand years, and, even if he had been given a date, I doubt they laid out all the details and how to stop it.

Considering that his original plan was "get drunk at the Ritz and then have us time," I don't think he knew literally anything about how or when to stop it. So no, Crowley does NOT suggest running away from earth and leaving it to die.

All he wants is some bloody peace and quiet where no demons, angels, or power-hungry floating heads can interrupt them. A space that is safe and theirs. There are also zero mentions of where he wants them to go; he is not talking about the stars or the universe. He wants to get away from where they currently are because heaven and hell show up uninvited whenever they please.

If your boss and ex-boss constantly kicked down your front door and stated their wish to torture you, would you stay there or would you move? Yeah.

This post got very long, but it was long overdue.

I am tired of seeing people call Crowley a callous coward who always runs away from his problems when he is the literal opposite. You take three sentences said under exceptional circumstances and apply them to Crowley as a whole, when it is nothing but his last ditch effort to keep himself and Aziraphale safe.

One last thing: If you come onto my post and start aggressively arguing about this, I will block you. Genuine discussions and questions are always welcome, being a dick is not, and I also simply cannot handle some of the rhetoric people in this fandom perpetuate because it's very triggering.

Make your own post, don't do it on mine.

[bugs1nmybrain]

Shigaraki's Psychological Conditions Headcanons - (a long ass post)

So, I'll preface this by saying I am NOT a psychiatrist and am not qualified to diagnose shit. I do however have a history of personal mental health disorders and am going to school for mental health work. This is mostly just for theory sake. My word is not absolute

Let's begin

warnings: mental illness as title suggests, not proofread and probably has typos

Antisocial Personality Disorder / Conduct Disorder

This one sort of goes without saying cuz duh he's a villain or whatever. I want to specify that in terms of Antisocial Personality, he likely is a sociopath, NOT a psychopath

I hear people call him a psychopath all the time and it's infuriating because people throw around labels without understanding what they mean. Psychopaths are more cunning and charming, and very manipulative. This isn't to say that Tomura is none of those things. Psychopath, however, applies to people like All For One. Almost diplomatic and very persuasive.

Tomura is a sociopath because he's known for recklessness and abrasive behavior. Psychopaths often pretend to have feelings, but for sociopaths aggression is a key emotion that's visibly displayed. They are also able to feel remorse in some cases, and I run this back to Shigaraki because he spent years in what was implied to be repressed guilt regarding the death of his family. Tomura admits it himself in his flashbacks, but ultimately decides to let go of that guilt (that he still fucking feels and is in DENIAL but that's another post). Hence, his forgiving nature toward his mother and sister when he's dreaming during surgery.

Even after Tomura let that burden go, he has no desire to be cool and collected, he just fucks around and finds out. Overall, though, he disregards people's lives and doesn't have remorse for what he's done because he throws his trauma and desires over it as a bandaid. He does show care and consideration to people in the League, though.

The conduct disorder part of it is self-explanatory. He's a violent criminal, lol.

Post Traumatic Stress Disorder (PTSD)

Duh.

Trauma is pretty much all Tomura has known. I won't reiterate his backstory, but being physically abused and rejected as a child, the murder of his family, being blatantly ignored by people on the streets, and AFO's upbringing? That's a lot

His PTSD is so dehibilitating that it took hold of his body language and behavior. Before the end of s5, Tomura was rigid and hunched over. In the MHA video games, he's also seen as very restless and moving his body around (until s4 era in One's Justice 2). I'll attach a video below.

He's also just very irritable and easily set off at the reminders of his trauma and rejection. "I HATE YOU" is a key example, as up to that point Tomura had been improving his rash behavior, but he's very unsettled by his past and continues to be now.

Obsessive Compulsive Disorder

His case of OCD is connected to his trauma and emotions. You'll find that a lot of his conditions feed into one another. For him, he has a variant of dermatillomania (often known as the skin picking disorder). For him, that is in the form of scratching rather than picking. But he does it compulsively and without thought, and he does it in attempts to self soothe. I believe he does it occasionally as a self injurious behavior, resulting in itching himself rather than lashing out. He even just does it when he's only moderately anxious or irritated.

Depression

While we don't see Shigaraki slumped in bed or feeling sad in the ways we see in many cases of depression, his "I hate everything" mentality puts him here. Actually, it's safe to say he experiences anhedonia, which is the lack of enjoyment in anything. He seems to somewhat enjoy video games, but his bio states "nothing" as his likes. I'm inclined to believe he feels no personal joy or happiness, and tries to attain that through murderous rage. Never works tho, does it Tomura?

Bipolar Disorder and Unspecified Psychotic Disorder

This one might stir some debates, but I do genuinely think he has a mood disorder. I don't want to feed into stigma that bipolar and psychotic people are "evil," because I myself have these conditions, so maybe I'm projecting lmao. He's definitely not medicated, and so I'd say his case is Bipolar Type 1. This type is characterized by intense manic symptoms, though depressive symptoms can be severe, too.

Tomura has manic tendencies, and he's impacted by mania in that he seems to get spontaneous motivation, but he also will stay stagnant for some time. I saw this as the case when Spinner literally went at Shiggy for putting the League in a complacent stage, but he's done this before, such as when he was in a slump about Stain. When his motivation surges, though, he goes above and beyond and doesn't put extensive thought into it. He just lunges into his desires in pursuit of satisfaction. He also has delusions of grandoisity to some degree and has a moment where he treats himself as invincible. He fought Gigantomachia for almost two months, and kept fucking going at him. Surely, he could've asked the doctor to call him off, but Tomura wanted that power so bad. Tomura also went into his surgery without asking many questions about it. He makes very impulsive decisions, even after people insist that he "matured." He also gets flicked into motivation like a snap of a finger, and proceeds to be lead mostly by endorphins and gratification.

When Tomura experiences what he perceives as a "positive" emotion, it overtakes him. He becomes pretty much engrossed in his bodily sensations. Through maniacal laughter and taunting language that's charged in a hate induced fuel. When Shigaraki has "voila" moments, he has a surge in neuroactivity and gets into aggressive mood stages, but I guess that could apply to most of the villains. I saw this when Deku told him the difference between him and Stain, and Tomura had a surge in manic-like bliss and drive.

I'm not sure if Tomura hearing the voices of his family before his epiphany was just intrusive thoughts, but I thought they may have been auditory hallucinations. Tomura admits to hearing things that aren't there and seeing visual hallucinations, too. Evidenced by:

I hate how the dub translated this into "when you're this tired" as a broad statement. The manga gives this more personal association to Shigaraki, and he says that it happens when he's sleepy, and doesn't specify if it's only when he's extremely sleep deprived or just tired. Also, him staying up for days on end and smiling his ass off reeks of mania. He has delusional sprinkles in his thinking process, but they're not of bizarre nature, and are usually tied to his trauma. At this point in the manga he's very psychotic, though. That has a lot to do with him being fueled with adrenaline and also just breaking out of AFO's control.

I think he is either bipolar type 1 with psychotic features or has a mild case of schizoaffective disorder. Probably the first one, but I'm not sure.

ADHD (Attention Deficit Hyperactive Disorder)

This one is more of a gut feeling for me, but I see Tomura as being easily distracted and aloof to his surroundings at times. He's fidgety and does shit on whim.

Also, look at his room.

I'm not saying that everyone with ADHD has a messy room, but from what I can see, he goes from one task, drops it entirely without picking up, and goes to the next. Some could argue that Tomura simply doesn't care, and that's true, but he's at least got some decency to put the shit in trash bags. Trash bags that he HASN'T EVEN TAKEN OUT. I think he gets too caught up in the shit he's focused on that it slips his mind to do simple things like that.

He has spontaneous interests from what I can tell from the many books and toys he has that seem to have gone untouched for some time. He also hyperfixates, and I don't mean interest wise. I mean that when he's dwelling on something, it doesn't leave his mind for DAYS, until he gets some gratification. All Might in s1 and Stain s2 for example.

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In conclusion, this boy has a grocery list of conditions, but I love Tomura. I love my beautiful prince with a disorder, and he is so dear to me.

I'm open to discussions about this, but please keep them respectful.