#Characters of Color in Anime Part 5

[y0uc4n7kn0w]

Niji Nights Day 7: Characters of Color in Anime Part 5

Welcome to the last night of Niji Nights 2024 our PRIDE event here on We be Bloggin’! There’s no time like the present to appreciate when creators add characters of color to their works of art! Soma (Black Butler) He’s filled with energy and loves to annoy his uptight cousin, Ciel. Leo De La Iglesia Yuri on Ice!!! He’s an ice skater that works hard by studying hard and practicing hard so…

[batboyblog]

Copy Right and Public Domain in 2025!

It's January 1st 2025 which means it's my favorite unsung holiday! Public Domain Day! This is the day once a year when, in the US, copyrights expire and things enter the public domain, meaning they belong to everyone! even you, Steve!

American copyright for books, movies, art work, and musical compositions (but not recordings, more on that later) runs for 95 years (way too long!) so today works published in 1929 join us in the public domain.

So whats free? so glad you asked.

Popeye the Sailor Man

Many people assume Popeye originated as a cartoon character but thats not true, he comes from a comic strip. The strip was called Thimble Theatre and Popeye was something of a late addition. Thimble Theatre was first published in 1919, so Popeye's girlfriend Olive Oyl has been in the public domain since before the big 20 year copyright freeze of 1998-2019. Popeye first appeared as a minor character 10 years into the strip's run but was so popular he soon took over and the strip would be renamed Popeye less than 5 years later. Now as always whats public is only what appears in 1929, later developments, remain copyrighted. Such as, while Popeye always had super strength its not till 1932 his superpowers were tied to eating spinach, and Olive Oyl originally had a different boyfriend named Ham Gravy, who she dumped for Popeye when he became the main character. It looks like Popeye is following tradition for famous now public domain characters and getting a quicky horror movie this year.

Tintin!

This is personally very exciting as someone who grew up with the Belgian boy detective. Like Popeye I expect a lot of people don't know that Tintin started off as a weekly comic strip. Indeed Tintin appeared as a part of a weekly youth supplement in the Catholic newspaper The Twentieth Century. Any ways, Tintin was first published in there in January 1929, and soon would start what would become the first Tintin story, Tintin in the Land of the Soviets. Now only part of Tintin in the Land of the Soviets was published in 1929, the story line wrapped up in May 1930, so only those 1929 stories and what appears in them is free and clear and Tintin was published in black and white not color. Tintin's author Hergé had no idea what he was doing and was really learning on the job so In The Land of the Soviets is generally seen as his weakest outing and the only one he never opted to redraw in later years. Even so it's nice to see the character free in the world. No word on if Tintin will star in a horror movie.

Buck Rogers (but not really)

The original futuristic space man was published, again a comic strip, in 1929 which means he should enter the public domain today, but he won't. That's because he already is public domain! Before the Copyright Act of 1976 copyright was 28 years with the option to renew for another 28 years. The copyright on the original comic strips was not renewed so ran out at the end of 28 years, 1958. So Buck Rogers has been free and clear for close to 70 years now, whatever you hear about him today.

What else?

Famously last year Mickey Mouse entered the public domain, but all the entered public domain was one (maybe two) animated short, Steamboat Willie. Well this year a dozen Mickey Mouse animated shorts enter the public domain, including the first time Mickey has his iconic white gloves, and the first time Mickey speaks (the first thing Mickey Mouse ever says, voiced by Walt Disney himself, is "Hot dogs! Hot dogs!" in case you were wondering) This will give creators much more to work with if they want to use Mickey in their works which is exciting.

Speaking of Walt Disney, The Skeleton Dance is entering public domain, you likely don't know the title but I suspect you've seen at least part of it at some point

so look for this showing up on TVs in the backgrounds of films and TV shows in the next year or so

Books

The iconic novels of World War I, Ernest Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front enter public domain. In fact All Quiet on the Western Front entered public domain last year, but only in the original German, the 1929 translation by Arthur Wesley Wheen is whats entered the public domain now. John Steinbeck's first novel, Cup of Gold, William Faulkner's The Sound and the Fury, Virginia Woolf's A Room of One's Own, and Agatha Christie's Seven Dials Mystery (always get an Agatha Christie novel on this list for the rest of our lives). Dashiell Hammett published both Red Harvest and The Maltese Falcon, later made into one of the greatest films of all time, in 1929. Future children's book author E. B. White (who's go on to write Charlotte's Web and Stuart Little) and future New Yorker cartoonist and humorist James Thurber teamed up to write the delightfully titled Is Sex Necessary? Or, Why You Feel the Way You Do a book of spoof essays making fun of popular books on Freudian sexual theories at the time. The Roman Hat Mystery the first of the long running Ellery Queen mysteries was published, Queen would keep publishing mysteries into the 1970s (and Ellery Queen was a pen name for two people). Richard Hughes' A High Wind in Jamaica and Oliver La Farge's Laughing Boy also came out in 1929 and are in the public domain now. There's much else but those are the highlights sorry if I missed your favorite 1929 novel.

Movies

Alfred Hitchcock and Cecil B. DeMille's first movies with sound, Blackmail and Dynamite respectively, came out in 1929. Marx Brothers' first feature film The Cocoanuts joins the public domain. Other comedy land marks are Harold Lloyd's first sound film, Welcome Danger and Buster Keaton's last silent film, Spite Marriage (which Keaton also directed). John Ford's first sound film, The Black Watch, which also is 21 year old John Wayne's first appearance in a film, as an uncredited extra, he worked in the art department. Hallelujah the first studio film to have an all black cast came out that year. Also worth noting is The Hollywood Revue of 1929 a singing and dancing review, one of the earliest and the movie that popularized the song Singin’ in the Rain, maybe the first time a movie made a song a hit.

Musical compositions

musical compositions, ie the lyrics and musical notations you might see on sheet music are governed by the 1976 Copyright Act, and music written in 1929 is public domain. Music recordings are governed by a whole different law (we'll get there). Songs written in 1929 include Singin’ in the Rain by Arthur Freed & Nacio Herb Brown, Ain’t Misbehavin’ and Black and Blue by the legendary Fats Waller, What Is This Thing Called Love? by Cole Porter, Tiptoe Through the Tulips by Alfred Dubin, You Were Meant for Me by Arthur Freed & Nacio Herb Brown, and also Happy Days Are Here Again by Jack Yellen which would become FDR's campaign theme song in 1932.

Art!

a number of pieces by Salvador Dalí including:

Illumined Pleasures

The Accommodations of Desire

The Great Masturbator

are entering the public domain as is René Magritte’s The Treachery of Images.

Art is hard because while movies and books are clearly "published" and put on sale, what counts as "published" for a piece of art? the law is not totally sure.

Musical Recordings

as I promised, we got here. Till 2017 there were no federal laws governing the copyright of music recordings before the 1970s, it was governed by a confusing patchwork of state laws and it was not totally clear what was or was not free and clear even from the very earliest recordings ever. Now the term of a music recording's copyright is set at 100 years (way too long) so music recorded in 1924 is now public domain such as. Nobody Knows the Trouble I’ve Seen by Marian Anderson, Everybody Loves My Baby (But My Baby Don’t Love Nobody But Me) by Louis Armstrong, California Here I Come by Al Jolson, Rhapsody in Blue by George Gershwin, Shreveport Stomp by Jelly Roll Morton, Mama’s Gone, Good Bye by Ray Miller, and It Had To Be You by Marion Harris. Now many recordings a lot less famous can finally be preserved and digitized to save them for the next 100 years. Many abandoned works are literally rotting away since without the copyright holder's permission digitizing a work isn't legal.

[sahara-silver]

ATTENTION:

I am doing art commissions in exchange for donations to the gofundmes of the many Palestinians that have reached out to me. Any donation will get you something as every bit counts, but the higher the donation the more I will make for you

For under 5$, you can get:

A profile picture in black and white, traditional or digital.

A sketch of any animal traditional or digital.

A color palette based on a prompt.

For 5$, you can get:

A full color profile picture of anything.

A Chibi drawing of any character in black and white.

A color palette with simple drawing.

For 10$, you can get:

A short fanfic about anything you want, about 1-2 pages.

A simple colored drawing, digital or traditional. Any subject.

2 Chibis of any characters in full color.

For 15$, you can get:

A 5 page fanfic of any subject.

A drawing on any character in simple cartoon style, fully colored.

For 20$ or more, I'll draw, write, or edit anything you want! Just ask and I'll do it!

THIS IS ONLY PART ONE! I LITERALLY COULD NOT GET TO ALL OF MY ASKS IN TIME, SO I WILL ADD ADDITIONAL CAMPAINS LATER

HERE ARE THE GOFUNDMES TO DONATE TO!:

@abdalhadiaburas Rebuilding Hope For My Family And Saving Them

@abdelmutei Please help save my family

@abedalazeiz Help us build new hope for me and my family

@abedallhferwanagaza Urgent Appeal: Save Ola' family evacuate Gaza war

@abood-gaza2 Help Abood From the War

@aboodnemer From War to Education: Abdelrahman Resilient Journey

@/Abu-samir Save Gaza: A Brighter Future for Shady and Family

@ahedalshaer Help Gazans family get to safety

Anonymous Donate to Help Bisan and Her Family Survive In Gaza

@ahlam910 Help Mahdi family to survive to get better life

@ahmadelser Help Ahmed’s family escape the war

@ahmad-syam-blog Help Ahmed Jehad and his newborn survive!

@ahmadresh Donate to Ahmed's Journey to Safety and Education

@ahmeadhilles Helping the Ahmed Fathi family achieve a better future

@ahmed4palestine Save Ahmed and His Family in Gaza

@ahmed79ss Help my family to get out of Gaza

@ahmedalnabeeh11 Help Ahmed, Abedelrahman, and family Escape war

@ahmedabuomar Help Ahmed to get essential needs

@ahmedkhabil Help my family to live and go to a safe place

@ahmed-mohammed1 Urgent Help Needed to Evacuate My Family from Gaza

@ahmed-ziad Help Ahmed family to travel to a save place

@alaakhaled0 Help the child survive the Gaza war

@alhabil Assist in evacuating my family from the war in Gaza.

@alimeq92 Help us survive 10 months of hunger, aya & ali

Amira-world Amira's Story: Between Hope and Resilience

@anasalshrofa Donate to allow my family to survive.

Amjadshiltawu Support my uncle's family to survive the war

@amnyaburas Help me to give a save life for my children

Anas-from-gaza Help Anas family in Gaza ,Save us from war and bombing

@areej1982 From Gaza, help me to study and follow my dream

@asala-almashni Help me to protect my only daughter's childhood

@aseelo680 Support Asil Fight for Life and Family in Gaza

@ashraf-baker5 Hope for Gaza: Support Ashraf's Family Rebuild Their Lives

Asmaameqdad Help us to survive

@asmaayyad Help me and my family escape the war in Gaza

@a-ss-123 Save Our Children: Emergency Relief for a Family in Gaza

@atalah-mohammed Bone Grafting Operation for Muhammad & House Reconstruction

@aya2mohammed Assist in evacuating my family from the war in Gaza.

Ayaalanqarsblog Save Gaza: A Brighter Future for Aya and Her Family

@ayayassir Help me and my family in Gaza

@ayoosh-gaza Helping my family to evacuate from Gaza

Azaxa Support Family escape from rafah to save place

@burningnightgiver Help my family to get out of Gaza

Colorfulgladiatordelusion Donate to Caroline Smeerah Mahmoud

@darinedawoud Help future Dr Darine and her family evacuate Gaza

@d-imtthal Help Imtsal and her family have a better future

@dinamahammed99 Help me save my children from death in the Gaza war

@doaaomar1234 Help my son to live a normal live

@emanzaqoutt Help my family survive famine and have secure life

@eslamfamily Help Eslam Save Her Family

Esraayyad14 Help me and my family escape the war in Gaza

@eyad-alanqar255 Help my family EVACUATE from Gaza..

@eyadeyadsblog Help me and my family to evacuate from Gaza Strip

@ezzaldeens-blog Rebuilding Hope: Help Ezzedine Escape the War in Gaza

@falestine-yousef Help Palestine and Family Survive the Gaza Crisis

@family1234567 @familyetaf1234567 Familymaria1234567 Please help us get out of life's crises and the woes of war.

@fatimaalbalawi2 Help save my family to survive the genocide in Gaza

@fatma--gaza Support Fatima's Family in Gaza After Heartbreaking Tragedy

@fedao Help Tahrir's Survive in Gaza

@fidaa-family2 Help Fidaa and her children

@free-gaza2 Help Doaa Reunite her family

@freepaleatine95 Please Save What's Left of My Family

Grandmoonpersona Donate to Angeline Ikwabe

@haneenmohamed Help haneen and mohamed evacuate and get treatment

@hani-family Rebuilding the Homeland and Restoring Hope: Hani's Journey

@hasanamasi22 Help Hassan and his family get out of Gaza

@hashemabd Help Hashem's Family Escape Gaza, organized

@hashemsh92 Help my family survive and start a new life

@hashem-fromgaza Help evacuate our family and complete our studying

@hayanahed Emergency: Help Evacuate My Family From GAZA WAR

Hazemsuhali Help my family survive and start a new life

@helpfamily Please Save What's Left of My Family

@hillesmahmoud Save my children from death

Hsalem-2 Stand with Hatem family

@hyamshehab222 Help Zaen and Yehya to get out of Gaza

@ibrahimposts Help Ibrahim's family escape the Gaza war

@isra-elazaiza Aid Gaza's Displaced Family Find Sanctuary

@jody-family Help jody and her family evacuate from Gaza

Please look in the reblogs for the full list!

[knight-a3]

Heavenbound AU

Masterpost

Angel Dust "Angie"

So I can avoid confusion between Angel and angels, his stage name is Angel Dust but he goes by Angie casually.

Side note: I'm too ace for this guy, yikes. Don't mind me clutching my pearls.

Spider family:

More notes under the cut to reduce clutter. There's info about the whole Spider family and some info about the Mafia as well.

Angie's redesign took me a while to nail down. I looked at other people's designs for inspiration, but nothing felt right. I wanted to give his head shape more structure, but it's too iconic to significantly change. Many people added spider fangs but I think they always look too cluttered and ugly. I also wanted the right balance of masculine and feminine for his outfit.

I am not a fan of heterochromia in character design, unless there is a reason or it's used sparingly. Angie's design is complicated enough with the gold tooth, extra eyes and arms, and body patterns that the heterochromia would just be too much.

Instead of giving him fangs that jut out like a real spider, I chose to just give him a main pair of fang-like teeth, while the rest are smaller.

It didn't make sense to me why he's able to retract his tertiary set of arms, beyond simplifying for animation, but I also do not want to manage all of them all the time, so I'm keeping that little ability. I'm justifying it with the idea that he was only ever somewhat interested in the family business, so he had less of a hand in it than his Pop or Arackniss(both of which cannot retract their extra limbs at all). I also wanted the sets of arms to have a hierarchy in how he uses them. Also didn't like the shoulders canon gives his secondary arms. They look weird to me.

The main set has 5 fingers on each hand and are relatively normal, because they're the equivalent of his human arms. The secondary set is a little smaller and a little more bug-like, with 4 fingers. The tertiary/retractable set are smaller and have 3 fingers.

I tried giving him a spider butt, but I couldn't wrap my head around how he would wear any type of pants. Not that he would be opposed to going around nude, but I just wasn't interested in that.

Casual:

I remember reading somewhere that Angel likes to dress more comfy rather than provocatively outside of work. So I decided his work outfits are the skimpy, sexy stuff. His main outfit is his typicall out-in-the-town fashionable stuff, which tends to cover him up more(gotta pay for those goods). And lounging clothes are just purely for comfort.

Main outfit-

I really wanted something that alluded to his mobster background. He may not really be involved of all that now, but it's still a part of him and that would linger. For as much as he modernizes, he's still a product of his time. Anyway, that's why I gave him pinstripe pants and a blazer.

I didn't want to lean too far into either masculine or feminine styles. He is undoubtedly feminine, but he was raised in an environment where suits and violence was the fashion. I actually searched for 40s gangster costumes for women, counting on the fact I'd find the silly sexy costumes so I could get ideas for a more feminine spin of the classic mobster.

I tried a boob window shirt for awhile, but it didn't let me show enough chest fluff. So I traded it for a V neck, which can work for both masculine and feminine styles.

Eventually I settled on a crop top blazer, since it gives a sort of suit jacket vibe while being feminine. I preferred the short gloves from the pilot, at least on his main arms, and used the longer style from the show for his secondary arms.

In canon, his "skin" color and the white of his clothes just don't have enough contrast. So I used more pink, and had the color of his fluff be a different hue than his shirt. I liked the stripes on his jacket before, but I didn't want to add any more complexity, especially when I already committed to the pinstriped pants.

Overall, I like this outfit for him. Maybe that has something to do with my personal tastes, but I think it suits him.

Body markings:

He wasn't a star until Val came around in the 70s, so he wouldn't have been quite so glam before that. He still had more mobster habits. I used his older, pre-pilot, Zoophobia design as inspiration, which used a low saturated purplish color. I thought it struck a nice balance between his mobster roots, and his later glam style.

I wanted to make the pattern something easy for me to remember. The heart design got pushed lower down because I needed more room for his chest fluff. His hands don't have anything because I didn't like how it looked with his lounge clothes. The stripes on his arms reference the stripes on his canon, pilot, and pre-pilot jackets. The stripes on his legs represent garters(suspenders that hold up socks or stockings).

Human- Anthony "Tony"

Many human versions of him that I've seen make him look too modern. I think they would absolutely work for a modern human au, but not for the 1940s. So this is my take on what he would have looked like while he was alive. The Mafia is almost exclusively Italian, and overwhelmingly Southern Italian/Sicilian. Sicily was settled by the Greeks during the antiquity period, so many people there have Greek ancestry. The vast majority had dark hair and a tanner complexion(less than 7% are blonde in modern day). Northern Italy has more variety, with up to 25% blondes in modern day. I find it unlikely that an Italian-American mobster would have such light blonde hair(darker blonde, maaaaybe). I found only a couple of a blonde mobsters, and the pictures still look pretty dark. I just believe he would have had a more typical Mediterranean appearance: naturally dark hair and olive-toned skin, rather than the fanon platinum blonde more typical of Scandinavian areas.

Hair coloring in the 40s was always done professionally, and primarily used by women, and they usually didn't want it to be obvious. Bleached hair on a man(especially with naturally dark hair) would be far too much to maintain discreetly. He hadn't publicly embraced his feminine side while he was alive. His family was Catholic, and being gay was a no-no. But murder was okay for some reason. Don't question the mobster logic.

His brother and sister knew he was gay, parents did not. Arackniss was too tired to care, and Molly was supportive. She would take him to be her "bodyguard" when she would go out and do fun things, but it was partly an excuse she provided for him to do gay things.

Angie had mixed feelings about his participation in the mob. Sometimes it was fun, other times he'd really rather be partying. But he was a made man and swore an oath of loyalty. He can't just back out.

He spent his free time with drugs, guns, and hot guys. Then died of drug overdose in his early-mid 30s in 1947.

He wasn't publicly out as gay until Hell. His parents hated it and basically disowned him when they found out. But why should Angie care at this point? He's already in Hell. So he just parted ways with them(technically the oath of loyalty ends at death. It's not like the Mafia can really kill him for leaving now, since they all just regenerate anyway) and has kept in sporadic contact with his siblings. They aren't close anymore.

Spider Family:

Ma and Pops were mostly because I wanted to play with character design. And since they have no official designs, I had more room to play with it.

The whole family became spiders because they were involved with the "web of crime" that is The Mafia. Family relation does not automatically mean sinners will look similar. They usually don't.

Pops (real name Enrico, the Italian version of Henry. Nickname "Big Cig". Almost every mobster listed on wikipedia had a nickname) inherited the position of mob boss from a relative. I'm not thinking hard about historically accurate crime families, so this is a fictional family that we will pretend had a significant presence. He died not long after Anthony, in the early 1950s in his mid 60s via gang violence. He never managed to get to the same level of power after his death. He's a minor Overlord at best, but does hold some influence.

In Zoophobia, Angel and Arackniss had a dad named Henroin. A play on "heroin". So when considering a real name for him, I searched for a variant of Henry that sounded more Italian. I designed him before I knew he had a design, but I wasn't exactly impressed by Henroin's design, so I totally ignored it anyway.

Design-wise, I wanted to go for a stereotypical mob boss vibe, and it lends itself well to the more bulky, crustacean look. The resemblance to Mr. Waternoose was unintentional. He cannot retract any extra limbs.

Spider traits- I wanted to give everyone varying degrees of spider traits, partially determined by their level of Mob involvement and how dangerous they are. Pa is venomous(through his clawed hands), has super strength(because spiders are proportionally strong compared to their size), can super jump(cuz jumping spiders is the theme), and can summon a couple of guns. He's too large to crawl on walls and can't spin webs.

Ma was always at Pop's side, helping with the less violent aspects like finances. She did her share of poison murders as well. Ma died alongside Pop and is still at his side. She's arguably the more dangerous of the two at this point. She looks easy to take advantage of, but it turns out she has potent venom.

I didn't have anything canon to go off of, so she's technically an OC. I haven't put a ton of thought into her name, but I think I'll just go with Maria. Molly is named after her, I guess.

Design- Had to go with a femme fetale mob wife. The hourglass motif is because of her venomous nature, and not for any husband-killing. She can retract her extra limbs, because she is more dangerous than she initially seems.

Spider traits- she's more venomous than Pa(through her extra limbs), can wall crawl and super jump with her extra limbs, and spin webs(to ensnare prey. I think it might come from her hair bun and/or mouth, but I don't want to think too hard about it.). She's actually the more dangerous of the two, partially because she appears less threatening, and partially because the way her extra limbs are set up gives her more reach and agility. She cannot summon guns, and she doesn't have super strength.

Arackniss (real name is Giovanni, Italian version of John. Goes by Jon. Nicknamed "Little Cig", "Don Jon") worked as the underboss until Pa died, then took over as mob boss, making sure Molly was taken care of. He died in a shootout with police in the 1960s. He was around 50ish. He is on speaking terms with their parents, and sometimes works with them. He's tired and very addicted to coffee and cigarettes.

Apparently an old QnA revealed his real name to be Jonathan. Not sure if it's still true, but I didn't find anything more reliable. I found no examples of any historical mobster named Jonathan, despite there being many many Johns/Giovannis.)

Design- I wanted him to be unable to retract limbs, unlike Angie, but also wanted to avoid drawing all of them. So I used his overcoat to cover them, and he habitually keeps his hands in his pockets. Again, he can't retract any limbs because he was heavily involved with the mob. I changed his eyes from red to yellow, because I felt the yellow suited him better and reduces the overuse of red in general.

Spider traits- He can wall crawl, has super strength(which most don't expect because he's pretty scrawny), has super jump, and can summon guns. He cannot spin webs, and his venom is non-lethal and inflicted via bite(which isn't super useful to him).

Anthony/Tony "Wild Tony" was a soldier in the Mafia. He could have been a Capo(caporegime) if he was more committed. But he had a tendency to party and goof off. Technically, membership of the mob ends through death. Being the first to die, he was separated from the mob and didn't care to recommit. Angie partied hard and enjoyed gun violence, until Valentino came along. Valentino swept him off his feet with promises of fame, fortune, and love, convincing Angie to sell his soul.

Design- already covered most notes, but for organization: he can retract one set of extra limbs because he was involved with the mafia, but he was lower level.

Spider traits- He has less than the previous three. So he can super jump, spin webs(via mouth...he can make it kinky), and summon guns. He technically can wall crawl, but not for very long, and he usually uses it for things like pole dancing. He is not venomous at all, and does not have super strength.

In canon, Molly is in heaven, but I don't find it likely because of how the Mafia works, so she's in Hell now. (Real name is Marietta, which is an Italian version of Mary, and Molly is a nickname)She was the spoiled daughter and knew about the family's criminal activity. She knew, profited, and didn't care. She's guilty by association. Anyway, I'm gonna say she died about 10 years after Anthony, approx 1957, around the age of 40. Haven't thought too hard about how she died. Then she probably went and found some powerful, hot guy to sell her soul to. Not sure.

Design- I was going to give her an extra set of legs, but I couldn't wrap my head around the anatomy of it and just decided to stick with extra arms. She can retract all her limbs because she was "hands off" with the mafia.

Spider traits- she has the fewest because she was the least involved with the mafia. Aside from the obvious physical traits, she can only spin webs(because it is symbolically more domestic. Also via ponytail and/or mouth, but I don't want to think hard about it). She cannot wall crawl, or super jump, has no venom or super strength.

The Mob:

The Mafia is very patriarchal, so all members are men, as women were never formally initiated. But women were still significantly involved in a variety of ways. Most often by instilling mafia culture to the kids, drug trafficking, finances, or economics. Some helped as launderers, couriers, shills(con artist), drug traffickers, informants, and other typically non-violent roles. Some acted as proxies for their husbands in prison(which is becoming increasingly common in modern times).

Quick chart for Mafia organization, via the FBI.

Simple rundown of terminology because I didn't know the difference between Mob and Mafia, and I've now done too much research to not write it down in a relevant place:

mob- a group of people, usually disorderly

gang- crime group, ranging from loosely organized street gangs to structured syndicates.

syndicate- group of individuals or organizations that unite for a common goal. Can be legal or illegal.

cartel- (type of syndicate) a group of individuals or organizations that collude to control a business market via supply and demand. Can be legal or illegal.

The Mafia- originated in Sicily. Ethnically Italian gangs, referred to as "families" that may or may not have actual familial relationships. Characterized by a distinct hierarchal structure.

The Mob- the American extension of The Mafia. (ie. it's the same thing)

The Commission- the alliance of the various Mafia/Mob families. Older generation members, called "Mustache Petes", only worked with fellow Italians, sometimes even only Sicilians.

The National Crime Syndicate- multi-ethnic alliance of various criminal organizations. Most prominent being The Mafia/The Commission and Jewish syndicates.

All somewhat organized crime groups are gangs. Crime syndicates have a higher level of organization, and cartels deal in specific businesses. Eventually the terms mafia and mob were applied to other ethnic gangs that operated similarly. Such as the "Jewish Mob" and "Russian Mafia". But THE Mafia and THE Mob refers to Italian gangs.

(Jan 28, 2025- fixed the tags) (Jan 31, 2025- added a couple more notes about his human design, particularly the hair color)

[sfehvn]

new religion

Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7

Description: AU- Astarion is enamored by you, and while he fights it at first, he may have just found his new religion. A/N: Just a tad bit of sweet smut to be honest. This was my listen while I wrote if you were curious. Enjoy! xx Rating: M (18+ minors DNI) Word count: 2,069 Characters: soft!ascended!Astarion x fem!au!Tav

━─━────༺༻────━─━

  From the moment Astarion had seen you, he knew he had to have you. Walking through the animated city of Baldur’s Gate, your radiant smile was the first thing that had caught his eye. Flowing hair kissed your shoulders adorned with freshly plucked daisies. Your aroma was the most intoxicating scent that had graced his nose in all of his years. Your rose-tinted cheeks teased with the blood flowing beneath your flawless skin. Your eyes sparkled with wonder, reflecting the rays of the sun above. He had never been a believer in the love at first sight nonsense, yet there you were. If his undead heart could beat, he was sure it would be skipping against his ribcage. It was the only time the vampire had found himself utterly speechless. 

  For months, he watched from afar, finding excuses to go into town. Not that he had to excuse anything to anyone, but the newfound feelings were frightening, to say the least. Alas, day after day Astarion went out, whether for a drink or an unnecessary shop trip, and he would wait to get even the slightest glimpse at you. He was aware that this obsession was snowballing out of his hands as he fell harder and deeper. Hells, he had never even spoken to you. Yet he knew nearly everything there was to know. 

  He knew every other day you made your way to the apothecary to pick up medicines for your sick father, whom you cared for. He knew once every fifth day, you picnicked in the graveyard next to your mother’s grave. He knew your favorite color was yellow because it reminded you of the summers you spent with your mother before her untimely passing. You had six siblings: an older brother and five young sisters. 

  Astarion had also realized that you had a death wish, apparently. You were constantly staying out past sundown, running errands or helping neighbors. Did you even comprehend the dangers? He would often think to himself. Of course he had to follow you home to ensure you made it inside safely. You were becoming a liability to him, and quite frankly, he was terrified of how you made him feel. Just when he had decided to end this one-sided arrangement, there you were. Sat on the side of the road with tears pooling rivers down your cheeks, his body felt out of his control as he approached you.

  He stood in front of you, his words caught in his throat. You stared at him with those big doe-eyes, and his knees felt like jelly. “Are you alright?” He finally managed out. Gods, what am I doing? I should just sink my fangs into her and be done with it. It’s just bloodlust. This was something he had tried to convince himself of many times already- a lie.

  “Oh, yes.” Voice sweet and smooth, like the finest honey gold could buy. “Just this silly book.” You giggled, holding up the novel you had previously been engrossed in before Astarion had found you.

  “Right. Good.” He clears his throat in an attempt to regain his composure and still his spinning mind. “I’ll just be on my way then.” You nod, gifting that sweet smile to him. Astarion felt his legs would give out beneath him if he stayed longer, but he didn’t move an inch.

  The man intrigued you, ruby red eyes and skin pale as the snow that fell during winter. He was gorgeous. An aura of mystery surrounded him, and you were keen to discover those mysteries. “Say, you live in that big fancy manor?” You question, breaking the awkward silence that had befallen you two.

  “I do. Why?” Skepticism was palpable in his tone. 

  You disregarded his tone, and he believed it to be your naive nature. “You have the most exquisite daffodils blooming alongside your walls. I didn’t want to pick them without asking.” Your smile is sheepish, innocent. Astarion doesn’t speak, his face unreadable. “I-I enjoy putting bouquets together. I don’t mean to-” He already knew this, obviously.

  “They are yours.” Astarion can’t contain the smile that tugs the sides of his lips.

  As you two stroll to the location of said flowers, Astarion finds himself loosening up in your presence. He watches you intently, the way you move your hair from your face as you carefully pluck a few from the group. He urges you to take more.

  “Are you sure? I don’t want to be a bother. These are plenty.” You assure. In response, he crouches down next to you to help pluck the remaining flowers.

   After walking you home, Astarion ordered flowers to be planted around the grounds. With the help of just a little magic, within weeks, roses, peonies, sunflowers, and carnations bloomed healthily. You would come with a fresh serving of food, a bouquet as thanks, and collect the flowers. As naive as you were, you could recognize what Astarion was doing. The daffodils were a one-off in that area, but now flowers surrounded the entirety of his property. The rate at which they grew, too; you were aware some effort went into getting them to blossom so hastily. At every mention of a new flower, the next time you came, they were miraculously in bloom.

  This compromise had been in full swing for months when you finally questioned him about it. Astarion was on his knees as he snipped red roses from the bush, insistent on doing it himself so you didn’t prick yourself on a thorn. “Why are you doing this?” You question, a wicker basket that was already overflowing held firmly in your hands. 

  “I told you, you’ve nabbed yourself on these blasted thorns one too many times.” His reply came without a look in your direction as he continued to snip the stems.

  “That’s not what I meant.” A soft chuckle emanates from behind closed lips. He looks up at you in realization, his hands coming to a halt. Your breath catches in your throat as he stares at you wordlessly, longingly. Standing slowly, he takes a step closer to you. He drops the roses into your basket before cupping your cheeks, closing the distance between your faces. The kiss is electric. You drop the basket to your feet, arms snaking around his neck while he presses your body tightly to his, clinging to you like a prayer. His lips were a colder temperature than you expected, but they were soft and hungry. 

  That’s how Astarion ended up with you in his bed. As he eagerly ripped the pale blue dress from your body, you took note of the bouquets around his bed chamber. Every single one you had gifted to him was on display and in perfect condition. Your heart flits in your chest, eyes closing in ecstasy as wet kisses trail up the inside of your thighs. A soft moan is elicited from you as his mouth reaches your warmth, his tongue flicking teasingly along your slit. Your fingers thread into his stark white hair, instinctually tugging with every contact against your clit. Colors explode behind your eyelids from the euphoric excitement.

  He pulled away briefly, with his starving mouth against your thigh, he spoke muffled words, “I don’t think you realize how long I’ve been waiting to hear that, darling.” Your breathing quickens as you look down at him between your thighs with hooded, lustful eyes. His mouth returns to your clit and he suckles lightly, two fingers dipping into your dripping center. The sensation brings your back into an arch, aching to feel him deeper inside of you.

  The swirling motion of his tongue brings you close to the edge, your legs shaking mercilessly. Astarion’s free hand moves between his torso and your legs, holding them steady as he continues his work on your body. Just as you are about to cum, he places a final kiss on your mound before his eyes meet yours. “You’re much naughtier than I thought.” He tsked, crooning his neck at you before moving up your body.

  Your lips meet passionately, his tongue slipping effortlessly into your mouth to meet your own. He creates a gap between you as one hand holds him up, quickly removing his trousers and undergarments with his other hand. He pressed his bulge down onto your warmth, hitting your sweet spot as he grinds against you. “Do you taste how lovely you are?” He murmurs, plunging his tongue further into your mouth. You can only let out a delighted moan in response.

  Once he breaks the kiss, you press your slippery core harder against his erection. “Please fuck me.” You whimper lustfully, “Please-” Your words are cut short by the sensation of him rubbing the head of his cock against your clit, causing a delicate moan to leave your throat.

  “Fuck. You’re soaked, my darling.” He coos. As much as Astarion wanted to continue to play with your body, he needed to be buried in you as quickly as he possibly could. He slides the head of his member from your clit, pushing slowly into your welcoming embrace. He savors every sensation as he enters you. There is a momentary flicker of pain on your face as you adjust to his size, and he falters for a moment.

  “Have you done this before?” He asks quietly, pressing his forehead to yours, avoiding your throat to save himself from temptation. He cursed himself inwardly for even asking; he shouldn’t care. This woman brought a side out of him he had never met before- a softer side. The scariest part is he actually, well, liked it.

  You wavered for a second before shaking your head, confirming that he was indeed the first man to have ever been in such a position with you. The thought makes him feel feral. Such a sweet flower trusting someone like him to take your virtue; he would never admit it to anyone, but honor and pride swelled in his chest. He nodded in acknowledgment, “We’ll go slow, pet.” He reassures, hips rocking delicately into yours as he fills you with as much of him as he can manage without causing you discomfort. He lays a gentle kiss on your forehead as your pain turns into pleasure, still-shaking legs wrapping to engulf his hips.

  “A-Astarion.” His name sounded like a hymn gracing his ears from your mouth, and he wanted to devour you right there and then. It took everything in him not to plow you into the bed. His hand rests on the bedframe as he finds a comfortable rhythm, eyes never leaving your face. He wanted to soak up every reaction to his touch.

  “You drive me crazy, pet.” He grunts as his pace quickens, gripping the mahogany wood tighter at the magnetic pleasure buzzing through his body. He uses his free hand to effortlessly move you further up into a slightly seated position as his thumb once again finds your clit to draw purposeful eights over it. 

  “I-I’m- Oh my gods-” The moan is loud, music to his ears as your walls tighten around his cock.

  “That’s right. Be a good girl and cum for me.” It’s a stern demand, all to mask just how close Astarion was himself. His words push you over the edge, your body clinging to his for support as the euphoria rushes over you. Every hair on your body standing on end, you throw your head back and scream Astarion’s name thrillfully. 

  With you coming undone, he allows himself to reach fruition, his seed filling you to the brim. His hand on the frame loosens, and his head hangs, face full of gratification. He looks down at you, pulling his now-soft member from you, a satisfied sigh leaving your lips as you stretch contently, much like a cat. Your eyes were droopy, a giddy smirk on your face as you fought to keep them open. Astarion chuckles, pressing another kiss to your lips. “You can sleep, my darling. I’ll wake you in a little.”

  Astarion swore he felt the tiniest tinge of warmth in his heart at the sight of you so comfortable cuddled into his side as you dozed off. This could be a welcome change. Maybe his undead life just needed his very own light, his own sun. All he knew was that he was done fighting it. One weakness couldn’t hurt.

[raven-at-the-writing-desk]

I always thought the stuff Savannaclaw has around their eyes are natural markings since the fur around animal eyes often tends to be a bit darker

And since Jack still features the same markings in his loungewear while other characters don't have their make-up anymore

[Referencing this post!]

Oooh, that's interesting 🤔 That thought never crossed my mind!

I took a look at Jack’s Dorm Uniform look and his Relax in Room look side-by-side:

It very much looks the same, even down to the colors. When comparing to other characters’ eye looks, this is notably different. For example, Jamil and Malleus also appear to have “natural markings” in the eye area, but more likely these are just natural shadows that form due to their eye shapes.

This is a part of Yana’s art style, as you can see in the Ciel and Sebastian illustrations. You can also tell that these differ from Jack’s because the same color is consistently used around the bare eye for shading, whereas with Jack’s eyes, the shading used for crease differs from the darker color that lines the lower lid.

Jack also states in his Relax in Room vignettes that he usually does not wear makeup, so this may be an indication that what we previously thought was eye makeup is natural markings??? However, Jack’s “usual” look is his school uniform, not his dorm uniform. It’s possible that he goes without makeup for everyday, but wears makeup for when he puts on the dorm uniform.

We don’t have Leona or Ruggie’s bare faces yet (since their birthdays are in summer and spring, respectively), but comparing a few of their artworks, they do seem to still have their “makeup” (eye markings) on. We’ll have to see their Relax in Room card models to see if this theory holds!

Update: some people have pointed out that there isn’t makeup over Leona’s scar (otherwise the area of overlap would he darker). This is another point that may suggest natural markings around a beastman’s eyes, not makeup.

Interestingly, Rook—originally a student of Savanaclaw—does wear makeup, and he does it differently after transferring to Pomefiore. You can see in his Relax in Room version that he has shading around his eyes even without makeup. Then in his Pomefiore look, his eyeshadow extends to his upper lid. His Savanaclaw look has shadow only on the lower lid and follows the flick of his lashes. This mimics the “makeup” (natural markings?) of his Savanaclaw peers.

... But if that turns out to be markings that naturally appear around a beastman's eyes and NOT makeup... does that mean that Kifaji and Chenya just have those blue and purple rings around their eyes????? (I mean, I guess it's not unheard of since Idia exists and he has naturally blue lips and eye bags?? But his traits are on account of a curse, so...) Or is the blue/purple coloring makeup and they have brownish markings around their eyes if you remove the bright colors on top?

Lastly, it seems like Cheka lacks the markings we’ve bene discussing?? Though I wonder if that’s a product of his age (he’s only 5). It could be that he’ll develop those markings as he grows up.

[ladykailitha]

The Au Pair Boy Part 10

Just a reminder no posting next week, as I have to recover from the holidays and all the fics I wrote.

Eddie throws a homecoming party and friends get hella pushy, so both Steve and Eddie push back

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Pt 7 Part 8 Part 9

~

The next night Eddie threw a coming home party and invited all the people Steve had hired, the D&D boys (Mike and Dustin), and even let Steve bring Robin as his plus one.

As Steve walked in with Robin, he instantly spotted three men he didn’t know. The broad-chested black man was talking to Charles in one corner of the room, while the other two, a heavy set man and a short, curly haired man was talking to Dustin. And judging from how animated they were getting, Steve was gonna bet they were talking about D&D.

He had even had a chance to look for their host, when Eddie came bounding up to them with a big grin on his face.

“Stevie!” he greeted warmly. “You made it! Everyone else is here at the ball, Cinderella. Come, come meet my friends.”

Eddie grabbed Steve’s hand and dragged him over to the two talking with Dustin first. “This is Bri-guy and Gare-bear!”

Steve laughed and shook their hands. “I’m the nanny.”

Eddie bumped their shoulders together. “He’s much more than that, he’s an amazing cook and the girls love him.”

“I’m Brian and this Gareth,” Brian said shaking his head. “And we know all about you. This idiot wouldn’t stop talking about the an–”

Eddie slapped his hand over Brian’s mouth and grinned brightly at Steve. “I think that’s about enough of these two, don’cha think?”

Robin got a twinkle of mischief in her eye. “Not at all. I haven’t introduced myself. I’m Robin, the best friend and platonic soulmate of Steve. We’ve been friends for ages. How long have you known Eddie?”

Gareth grinned at her, sensing a partner in crime. “Oh ages. We all went to high school together. I’m not the original drummer and Bri isn’t the original bassist, but we’re the lightning in the bottle that made Corroded Coffin what it is today.”

Eddie dropped his hand from Brian’s mouth to put his hands on his hips. “How dare!”

Brian and Gareth cackled. And suddenly they were joined but whom Steve assumed was the final member of Corroded Coffin, Jeff Lawrence.

“Are we all picking on Eddie?” he asked gleefully.

“No!” Eddie and Steve cried at the same time the other three cried, “Yes!”

Jeff snapped his fingers. “Ooh! I like her! Jeff, the better guitarist of Corroded Coffin and its lead singer.”

Eddie pushed Jeff. “Oh get out. Only for the last album when we were trying something different. It was not something the fans liked. Asshole.”

“I’ve got to tease you, man,” Jeff huffed with a grin. “It’s so easy!”

“This is Jeffy,” Eddie groused, folding his arms like a scolded toddler. “Meet Steve and Robin.”

“Nice to put a name to the faces,” Jeff said with a charming grin. “Eddie talked all about Steve so Robin’s name came up a lot.”

Steve blushed, but Robin grinned.

“Glad to hear I made it to the dispatch notes,” she said, then turned to Eddie. “I’ve got to say, I really love this house. It looks like it stepped out of pages of a gothic horror film. It’s awesome!”

Eddie took a bow. “Why thank you, my lady!” He looked around his house proudly. “That was the look I was going for. I can’t stand all this sterile white, grey, and beige bullshit that is in vogue right now. Give me color and character!”

“Have you seen what Steve’s done to his room yet?” Robin asked cheerfully, knowing full well what she was insinuating.

Eddie flushed a bright pink, shoving his hair in face to hide the blush and Steve stared at her in wide-eye, slack-jawed shock.

“Robin!” he hissed, flapping his hands at her in embarrassment and dismay.

She grinned at him unrepentantly, folding her arms over her chest and sitting back to see what Eddie would say.

“I–I um...” he coughed. “I haven’t had the opportunity to see how Steve spruced up the place, no.”

“Robin,” Steve said low and deep in warning. “Eddie hasn’t had a reason to see my rooms yet as he’s only been home for thirty-six hours.”

Robin just batted her eyelashes at him innocently. “I would have thought he would have wanted to see what you did to the rooms he’s letting you use in his house.”

The other three members of the band were falling over each other, just cackling over this exchange. Steve was red from the tips of his ears all the way down the dip in his collar. Eddie’s mind tried to follow the thought of how much further the blush went. He didn’t have to think about it long as Steve grabbed Robin and hauled her off elsewhere.

He turned to his friends. “Oh shut it. Assholes.”

“Dude,” Jeff said breathlessly clutching his sides, “like that was the most pathetic thing I’ve ever witnessed and that includes the time Gareth tried to hit on the supermodel that last Grammy’s.”

“Hey!” Gareth huffed. “I got a date out of that, I’ll have you know!”

Brian put his arm around Gareth’s shoulder. “After I told her that you weren’t as big an ass as that interaction displayed. She was going to lose your number, man.”

Gareth folded his arms and pouted. “I hate you both.”

“But seriously, Ed,” Jeff said turning his attention back to Eddie who had been trying to slip away from them before they noticed he was gone.

He failed.

“It’s obvious he has the hots for you,” Jeff continued, “so why aren’t you tapping that ass? You wouldn’t shut up about him the whole time we were on tour. It was actually kinda annoying.”

“For real,” Brian agreed. “And please I don’t want to hear how you’re not ready to get out there again after Ethan left, or how you’re paying him to look after you girls because I’ve seen him with them and holy shit they adore him.”

Eddie buried his head in his hands. “Guys, I haven’t been home for forty-eight hours yet. Can you not try and hook me up with my daughters’ nanny for fuck sake?” He peered around Jeff, making sure Steve was out of earshot. “I don’t really know him yet. Yes, we talked a lot about everything during the tour but I haven’t had to live with him under my roof yet. I could hate the way he takes three showers a day or whatever.”

Jeff and Brian shared an exasperated look as Brian threw his hands in the air. “What does that have to do with anything?”

Eddie crossed his arms over his chest and took a step back on one leg. “That maybe if me and Ethan had lived together before we got married, maybe the marriage wouldn’t have blown up like it did.”

It was a small and simple “Oh,” from Jeff, but it encapsulated all the feelings of the three other members of Corroded Coffin.

“Shit,” Gareth hissed, running his fingers through his hair. “I’m sorry. We shouldn’t have pushed but we just wanted you to be happy. And you light up around Steve in a way I haven’t seen you do in years.”

“What would you know?” Eddie spat bitterly. He looked around at all of them. “What would any of you know? You scattered like kids around a broken window the second the band broke up. And where were you when Ethan left? Or when Wayne broke his leg? I appreciated the tour, it really helped me prioritize things. But you don’t get to come into my house and act like you’ve been there the whole fucking time when you haven’t.”

Eddie stormed off, leaving the three of them there with shocked expressions.

“Shit,” Jeff said, hissing out a pained breath. “He’s right. Fuck. He’s right. We should have flown out the second he told us about Ethan. But we kept putting it off until the deal about the tour came around and then suddenly we were interested in his life only when it benefited us.”

Gareth ran his hands down his face and rolled his eyes skyward. “Fuck. What kind of friends have we been? Like we’re all rich enough that hopping on a plane wouldn’t have even dented our fortunes at all. We should have been for the messy divorce and been helping take care of the girls. But what were we even doing that couldn’t have been put on hold?”

“I was the closest,” Jeff huffed. “I was in New York. Hell, I could driven down. But little shit just kept cropping up. Miranda’s health scare. Then she got pregnant and lost the baby. Which were important at the time, but Eddie needed me.”

“I don’t have any excuse,” Gareth said, shaking his head. “Because yeah, I was on the otherside of the world, but Eddie would have flown around the world a dozen times for me, but I couldn’t fly half way.”

Brian’s lip quivered. “My mom got cancer around the time, but I don’t think she would have begrudged me flying out to see Eddie. But I didn’t even give it a second thought.”

Jeff looked around the room for Eddie and spotted him standing next to Steve. Robin wandered off, leaving Steve sitting on a table, ankles crossed, swinging them back and forth, drink in hand as he listened to some story Eddie was telling him.

Jeff continued to watch as Eddie must have said something funny, because Steve threw head back and laughed.

“I think I see the silver lining to our neglect, boys,” he murmured, pointing out the tableau before them.

The other two men turned and looked. Steve was nodding vigorously, big smile on his face as he told his own story to Eddie.

“Because if we had been here to help Eddie around the house,” Jeff continued, “then he wouldn’t have gotten so desperate to hire a male nanny. Yeah, we fucked up. We pushed too hard. But damn boys, look at what grew in that barren wasteland, anyway.”

“So it’s settled,” Brian said, “we’re all staying in Indy to help Eddie and Steve get together, right?”

Gareth nodded. “Damn straight we are. Plus those kids Steve found to play D&D, I’d stick around just to see their style.”

“Looks like Operation: Refriend Eddie is a go, boys,” Jeff said excitedly, putting his arms around both of his friends. “And maybe we’ll get a wedding out of this, too.”

~

Steve had given Robin a good talking to. Like maybe don’t proposition his boss on his behalf before the sheets had even had time to warm up, yeah?

It took some proper talking to her to before she relented and apologized. Then stomped off to find some real booze. Steve knew she was going to raid Eddie’s liquor cabinet, but considering most of it was already out, he didn’t figure Eddie would mind too much.

Then a glass of whiskey was being dangled in front of him. He looked up to see Eddie smiling down at him. Steve took the glass with a murmur of thanks.

“Here’s to interfering best friends!” Steve said raising his glass to Eddie’s.

Eddie clinked their glasses together with wary smile. “I just wish they had been around more before they started interfering in my business. They weren’t around to pick up the pieces, so they don’t get to decide when to change puzzles.”

“Here’s to that.” Steve took a drink. “Robin is just trying to make sure I’m happy and she knows how much I love this place.” He shook his head. “I’m content with being the Au Pair Boy. I don’t need anything else.”

“You are much more than that,” Eddie said fiercely. “My girls love you. You’re special, don’t sell yourself short.”

“I promise.” Steve looked up at him through his eyelashes. “I love those little girls too.”

“Don’t look now,” Eddie said with a grin, “but I think our friends are spying on us.”

Steve took a drink of his whiskey and looked up through his eyelashes and sure enough the Corroded Coffin boys and Robin were all looking over at them, trying to look they weren’t.

“Quick, laugh!” Eddie said and Steve burst out laughing genuinely. “Oh, that was perfect. Good job.”

“Learning the art of actually laughing when you’re supposed to be fake laughing,” Steve said warmly, “is a skill taught to the children of socialites like my mother from birth.”

“I wish they gave you a crash course when you become famous,” Eddie said with a weary smile, “because holy shit it’s like being dumped in a shark tank!”

Steve winced in sympathy. “Yeah, they should teach classes and stuff.”

“Annoying best friends aside,” Eddie murmured. “I’m really glad you’re here.”

Steve looked up into his eyes and smiled fondly. “I am too.”

~

Part 11 Part 12 Part 13 Part 14 Part 15

Tag List: CLOSED

1- @itsall-taken @redfreckledwolf @zerokrox-blog @tartarusknight @gregre369

2- ​@a-little-unsteddie @chaosgremlinmunson @cryptid-system @maya-custodios-dionach @goodolefashionedloverboi

3- @val-from-lawrence @carlyv @wonderland-girl143-blog @irregular-child @bookbinderbitch

4- @bookworm0690 @forgottenkanji @ollieolive @yikes-a-bee @awkwardgravity1

5- @dragonmama76 @ellietheasexylibrarian @thedragonsaunt @useless-nb-bisexual @disrespectedgoatman

6- @counting-dollars-counting-stars @tinyplanet95 @ravenfrog @swimmingbirdrunningrock @lingeringmirth

7- @gutterflower77 @a-lovely-craziness @just-a-tiny-void @w1ll0wtr33 @beelze-the-bubkiss

8- @sadisticaltarts @xxfiction-is-my-realityxx @dolphincliffs @steddie-as-they-go @steddieislife

9- @kultiras @morallyundefined @themoonagainstmers @fearieshadow @blondie1006

10- @thesecondfate @wheneverfeasible @depressed-freak13 @genderless-spoon @yesdangerpls

[commandershepardvasfuckit]

An Arranged Marriage, part 22

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 | Part 21

1.6k words

While you absolutely needed summer clothes you got the feeling that Bira had something extra in mind. At least your husband seemed to like it!

(I am feral over my own character, ask box is always open for talking about my writing or just monster fucking in general!)

--------

“Thanks for helping me with this” you said as Bira lead you through the busy streets.

“Of course! I’m not going to let you drop dead from the heat! I’m just happy Zen’jan waved me down to let me know” Bira responded.

It was quite a walk to the shop, tucked into a corner of the city that was mostly minotaurs, though Bira assured you several times her friend who owed the shop would be able to help.

“Hoonti!” Bira practically yelled as the two of you entered the shop.

The minotaur woman behind the counter looked and smiled, “Bira!” and the two quickly launched into an animated conversation in orcish.

“This is Hoonti, a long time friend of mine” Bira introduced, “and one of the best tailors I know. She’s going to take your measurements and ask a few questions and get started on making you a few things to start with”.

“Sounds good!” you answered.

Hoonti got right to work, buzzing about you with her measuring tape while Bira translated her questions.

“Any preferences for colors? Or any colors you absolutely don’t want?” Bira translated.

“Nothing too bright” you said.

“That’s no fun!” said Bira.

Bira was almost always in bright colors and clothes with fancy trim or details, though Zen always dressed pretty simply. He seemed to be the odd one out though, most of the trolls in the city seemed to be more like Bira with bright, highly detailed clothes and lots of jewelry. The closet thing to jewelry you ever saw Zen wear were the gold bands at the base of his tusks, though he had gotten you a few bracelets and necklaces.

“Okay okay okay, nothing too bright but let me pick one outfit for you, please!” Bira practically begged.

“One outfit” you repeated firmly.

“Just one! And I promise you’ll like it, and so will Zen’jan! It’ll make him happy”.

You raised an eyebrow at her.

“Don’t worry, it’s just something traditional but it needs to be bright! Just trust me” she said.

“Sure”.

Many rounds of questions later and Bira and you were leaving the shop with the promise that Hoonti would drop the clothes off in a few days when she was done.

“So, you and Zen’jan” Bira began.

“Yeah?” you asked.

“He seems a lot happier than usual recently”

You could not help but smile a bit over that. There had been a shift in Zen over the last week, he was more relaxed around the house and was comfortable taking up space. He sat and stood up straight, no longer always trying to make himself smaller, he lounged and stretched out across the bed, he constantly showed you little affections like a hand on your shoulder or waist for a moment when he walked past or a quick nuzzle where he could.

“It’s been a good week” you smiled.

“Well, it’s good to hear that. He’s been doing better in general since you got married, he doesn’t look so tired and drained all the time anymore. He’s never been the best at taking care of himself, though it looks like he’s getting better about it though now that he has someone else to take care of”.

Bira showed you a few more of her favorite places around the city before walking you home.

“I’m happy he has you” Bira told you as she hugged you.

“I’m happy I have him too” you told her.

Three days later Bira and Hoonti showed up in the middle of the day laden with new clothes for you. Skirts, pants, shirts, and dresses of varying lengths, colors, and styles and much better suited for the weather than anything you brought.

They both fawned over you while you tried stuff on, it felt silly with how they fussed over you, but it was still fun.

“Ok ok, last one!” Bira called and handed you the last outfit.

It was several pieces all in a rich shade of red and trimmed with shiny gold embroidery and pearls.

“And I’m guessing this is what you were so excited about?” you asked.

“Just try it on!” she was so excited.

You ducked back into the bathroom to untangle the pieces; a pair of shorts, a wide rectangle of fabric with the beautiful embroidery on one long edge, and a longer thinner rectangle of fabric with the same embroidery in the center of one of the long edges.

“I’m going to need an explanation” you called from the bathroom.

“Shorts on, the wide rectangle ties over the shorts as a skirt, and just wrap the other around you and I’ll help”.

The shorts were shorter than you would have liked, the skirt came down to your mid thighs but because it was tied together it left quite a slit up the side where you tied it on you hip. You wrapped the other piece around you and shuffled out of the bathroom feeling rather exposed.

“Really?” you asked Bira.

“Yes! You’ve seen me in stuff like this! Don’t act so surprised!”

She helped you with the top, wrapping it behind your back and crossing it over your chest and tying it behind your neck. It left your midriff bare, but much to you surprise it at least covered a good amount of your chest.

“Absolutely perfect” Bira smiled.

“Its short” you muttered back.

“It’s good for hot weather, and for dancing! There’s a few festivals coming up that it’s perfect for. And I bet Zen’jan will like it, you should keep it on for when he gets home”.

You chatted with Bira and Hoonti for a while before both left to go about their day. You had to admit you had a lot of movement freedom in the outfit, and while it showed off a lot more than you were used to it was comfy and did look good.

Zen came home later that afternoon, in the last week he had been coming home earlier.

“I hope you do not mind, I stopped by the market in my way home and just picked up- wow” he paused when he saw you.

“It’s looks alright?” you asked.

“More than alright, you look incredible” he sat the food down and crossed the room, quickly placing his hands on your hips while he took a moment to take you in.

“Bira said it would be a good outfit for some festivals coming up”.

“It is, though now I am going to have to actually dress up for festivals to keep up with you” he pulled you closer until you were pressed against him and you could feel him purring.

You could also feel him hard against you. The two of you had been bathing together and sleeping naked, though both of you chose to ignore anything other than cuddling for now.

Zen was breathing hard and you could feel his heart racing being so close to him. He leaned down and nuzzled his forehead against yours before pulling you into deep kiss, wasting no time parting you lips and slipping his tongue into your mouth.

It caught you off guard. Zen never initiated anything, he always carefully waited for you to lean into him to cuddle, or for you to kiss him first. His grip on your hips tightened and you felt him grinding against you, felt the way he panted and moaned into your mouth, how his whole body heaved with every breath.

By the time he pulled away you were breathing just as hard, your heart racing while you looked up at him.

“I am sorry” he muttered, “Was that alright?”

You did not answer, instead you tangled your hands into hair and pulled him back in for another kiss. This time you pressed yourself against him and pulled him close just as much as he did to you. You slipped your tongue into his mouth and ran it along the base of his tusks before pulling back a bit and letting him lead again. His tongue nearly filled your mouth and you happily teased him by sucking on his tongue a bit.

Kissing him was never an elegant affair. His tusks always bumped the sides on your face and you also could not tilt your head at the right angle while you were wedged between them. Then mismatch in size between the two of you meant his mouth always entirely covered yours in an odd way, and it all added up to some rather wet, clumsy, and messy kissing but neither of you minded.

His hand drifted lower, cupping your backside and pulling you to rub against him, leaving an ache between your legs. Besides the night you had gotten drunk together, he had not so much as even hinted at anything more than cuddling, his sudden forward was was a bit odd but not unwelcome.

You pulled away from the kiss, “So, formal wear does it for you?” you teased, though at that moment he had also chosen to nudge your legs apart and press his thigh up against your center, making you collapse forward against his chest and let out a soft moan.

“When I come home and my beautiful wife is all dressed up for me it does” his voice was low in your ear and you could hear the need dripping from it. “And as beautiful as you look all dressed up for me, right now all I can think about is helping you out of it all, if you will let me”.

--------

Part 23

Tag list

@blushycadaver @hazyspacefairy @littlelovebug98 @tufflepuff23 @graveblanketgreen @krayziee

[ckret2]

✨⚠️ Wasting Away Again in the Goldilocks Zone ⚠️✨

If you're new here, this is one of those "human Bill in the Mystery Shack" redemption fics, you know the drill: Bill illegally escapes death via reincarnation; the Shack crew imprisons him til they can figure out how to kill him; but they won't, because Bill's gonna make friends with them and literally everybody else in town. Whether they like it or not.

Featuring!! The slowest redemption arc you've ever read; "human" Bill that doesn't decide being trapped in an alien body is fine; show-style episodic plot structure; individual plot arcs for characters you've never even cared about; so canon compatible we even include the dang coloring book; and so TBOB-compatible over a year before TBOB came out that I'm considering taking up a position as the Oracle of Delphi just so Apollo stops barraging me with dodgeballs.

New chapter every Friday, 5pm CST! Yes, that includes this Friday!

For art, doodles, upcoming scene excerpts, and posts about characterization & plot plans, see my #bill goldilocks cipher tag. For the fic itself, the first few chapters are on AO3, but tumblr's 60 chapters ahead:

⛓️ 1 Part 1. Bill returns, in a bedsheet toga.

⛓️ 1 Part 2. Bill tries to murder the Stans & Soos (with time travel).

⛓️ 2. Dipper and Mabel save the day (with time travel).

⛓️ 3. A tense evening as the Pines prepare to get rid of Bill.

⛓️ 4. Plot twist: the Pines physically can't get rid of Bill.

⛓️ 5. The gang goes to a diner at 3 a.m. for hostage negotiations.

⛓️ 6. Bill escapes from Theraprism. [NEW!!!]

⛓️ 7. "How'd Bill get here" flashback; plus, entering his new prison.

💇‍♀️ 8. Bill gives himself a haircut and depression.

💇‍♀️ 9. Bill & Ford grudgingly have a sincere conversation; regret it.

💇‍♀️ 10. The kids decide Bill won't ruin their summer. Also: Pacifica!

🧚 11. Mabel gives Bill the most beautiful makeover ever. (It's not.)

📓🔺📓 TBOB BOUNDARY: Everything above this line has been edited for 100% compatibility with The Book Of Bill and posted to AO3! Everything after this line has not been edited... so it's only 98% TBOB compatible. 📓🔺📓

🧚 12. Pacifica advertises Harry's Hairy Fairy Formula. Bill wants it.

🧚 13. Pacifica refuses to share; the twins discover its side effects.

🧚 14. Mabel wins Bill's eternal friendship with arts & crafts.

💭 15. Bill, Ford, and Dipper have nightmares that are Bill's fault.

💎 16. Ford has a fun day with Mabel but everything goes wrong.

💎 17. The day goes right again thanks to healthy communication.

🎥 18. Mabel's Guide To Local Animals, co-starring Bill Cipher.

🧊 19. Wendy snoops into the weird things happening in the shack.

🧊 20. Wendy meets the weird thing (it's Bill).

🎂 21. Stan & Ford's birthday party! Bill gives evil gifts.

💭 22. Bill "helps" Dipper's nightmares; no one knows his motive.

👁️ 23. Bill's ex is back in town and nobody's happy about it.

👁️ 24. Everyone's even less happy to learn Bill has a sex life.

🧿 25. Mabel and Bill make friendship bracelets! :)

🧿 26. The Pines take Bill to the mall. He wears terrible things.

🧿 27. Bill breaks Mabel's heart (and panics to fix it).

🏳️‍🌈 28. Bill talks his way into going with Wendy to Rainbow Club.

🎃 29. Bill contacts the Henchmaniacs on Summerween morning.

🎃 30. Costume making. Mabel pries into Bill's past, with crayons.

🎃 31. The Trickster's pals trick-or-treat; and Bill terrifies Dipper.

🪮 32. Dipper & Mabel make a poppet to control Bill.

🦷 33. Stan takes Bill to the dentist. In handcuffs.

🦷 34. Dentist & tooth fairy attack. Stan & Bill are still handcuffed.

🦷 35. Bill & Stan reach a painful understanding and stop the fairy.

🛁 36. Anime night; and Mabel makes Bill do community service.

🛁 37. Bill plots escape and runs into Wendy. Dipper panics.

🛁 38. Bill has the worst and stupidest day of his afterlife.

🌅 39. A cultist finds Bill; Bill tries to re-recruit Ford.

🚙 40. Gideon broadcasts car commercials; invokes Bill's wrath.

🚙 41. Bill apologizes for bullying Gideon. lol no he blackmails him.

🌕 42. Bill tells Dipper secrets of the universe; predicts an eclipse.

🌖 43. Gravity is disappearing; Ford and Fiddleford investigate.

🌗 44. Ford & Dipper drag Bill hiking; Bill faces his death.

🌘 45. Ford demands answers Bill can't give as totality looms.

🌑 46. Totality. Bill decides whether Ford lives or dies.

🌒 47. Bill feels rotten but finally explains the eclipse.

🌓 48. Bill has a complete mental breakdown.

🌔 49. The gang limps home. (Plus: a second dimensional eclipse.)

💿 50. Bill finally processes that mental breakdown.

💿 51. Dipper and Mabel try to remember the Axolotl's poem.

📖 52. The gang reads Flatworld. Bill isn't thrilled.

📖 53. Mabel tries to get Bill to talk about his home world.

⚛️ 54. Dipper, Ford, and Fiddleford do paradox physics.

📖 55. Mabel learns college-level geometry.

📖 56. Mabel & Bill have fun; Dipper & Ford prepare for murder.

💀 57. The execution of Bill Cipher.

💀 58. Everything you wondered about how Bill escaped.

💀 59. Everything you didn't wonder about how Bill escaped.

💀 60. Everything you never imagined about how Bill escaped.

✨✨ THE APOXOLOTLYPSE ✨✨

🪐 61. The Axolotl finds the second dimension's corpse. ✨

🪐 62. The 2D massacre is so much worse than the Ax thought.

🪐 63. A building inspection in the Nightmare Realm.

🪐 64. Even when Bill fixes things he breaks them.

🪐 65. A shape meets Bill as the world burns.

🪐 66. The gods & Bill negotiate him leaving Dimension Zero.

🪐 67. The gods deal with Bill not leaving Dimension Zero.

🪐 68. Bill is so much worse than the Ax thought.

🪐 69. THE END: the gods and Bill settle into a new status quo.

📙 70. Soos vacuums the attic (wow exciting)

📙 71. Soos decides how he feels about Bill's treatment.

📙 72. Fixin it with Soos: home redecorating!

🎥 73. The gang makes plans for the night.

🎥 74. Dipper's Guide to the Fremont Nightwigglers

🎥 75. Mabel's Guide to Secret Sleepovers

🎥 76. The aftermath of everybody pulling all-nighters.

🏖️ 77. Beach episode! The Pines fish! Bill tans!

🏖️ 78. Bigfoot, Agent Powers, and the cool teen gang.

Hey!! I posted chapters 61-69 AFTER this chapter, so if you've been reading along and HAVEN'T seen those yet, go back and make sure you've read them!

🏖️ 79. A post-fishing trip evening. The calm before the feds.

🕴️ 80. The government investigates the Mystery Shack... again.

🕴️ 81. What are they gonna do about the feds??

🕴️ 82. They're gonna seduce the feds. Bill learns human flirting.

💅 83. Pacifica gives Bill a makeover; decides he's a creep.

💅 84. Pacifica gives Bill a makeover; decides he's cool.

💅 85. Final prep. Hope nothing goes wrong at the last second!

COMING SOON:

🕴️ 86. Bill does his best to flirt with the world's most boring agent.

🕴️ 87. A dinner date with (and scheming against) Agent Powers.

🕴️ 88-89. Bill & co. prepare to con the hell outta the agents.

The chapters have been renumbered! Chapter 61 about the destruction of Bill's dimension was scheduled to post the week TBOB came out, so I skipped it and posted chapter 62 with Soos. By the time I rewrote chapter 61... it was 9 chapters long. I've now renumbered all the chapters to squeeze in ch 61-69.

This post was last updated February 22, 2025! If you're seeing this post as a reblog and it's been a while since then, check back on the original post to see if more's been added!

[literaryvein-reblogs]

Writing Templates: Character Sketch & Character Bible

Character sketches - the characters’ biography or CV.

Thanks to these sketches, your characters will have no secrets.

You’ll be clear about their appearance, behavior, past, and above all, about the way they must react under different circumstances.

They can take many forms, but they are usually divided into 2 groups according to their purpose:

Short Sketches: These contain the most basic information about the character. They are perfect for describing minor characters and can also be used as writing prompts. You can store them in a folder and resort to them when you are in need of inspiration. Georges Simenon used to choose two characters (a man and a woman, for example) and ask himself what would take them to the limit. The answer to that question was the beginning of a story.

Character Bible: This document contains a lot of information about each of the protagonists and their relationships with other characters. It’s used during the prewriting stage.

WRITING TEMPLATE: Character Sketch

Short character sketches can be used as writing prompts or as a prewriting strategy. Don’t be too exhaustive; it’s enough to just jot down a few general notes on your characters in order to know at a glance what is unique about each of them.

1. Sketch Number

Organize your sketches by number and add their creation date.

Make note of what story they belong (or could belong) to.

2. Character’s Name or Nickname

3. Type of Character

Role they play in the story (protagonist, antagonist, mentor...). 

When a character isn’t part of any story yet, it is not that easy to assign him (or her) to a role.

To solve this problem, ask yourself these questions:

Does (s)he meet the requirements to be classified as a protagonist (or antagonist)?

Should (s)he play a minor role?

Is (s)he a hero or an anti-hero?

There are many possible combinations.

4. General Information

Gender, age, date and place of birth, place of residence, etc.

5. Appearance

In this section, it’s not necessary to go into too much detail.

You just have to consider the features that make a character different from the everyone else (a scar, a limp, unique physique...).

Characters’ height, eye color, and hair color.

6. Personality

Try to focus on what makes each of your characters special.

Is he or she a home-loving introvert or a rather independent and sociable adventurer?

Choose adjectives that best define your characters’ personality.

Take into account their main virtues and shortcomings as well as their hobbies, fears, dreams, and goals (which can be important to define their motivations in the story).

7. Profession/Studies

What do your characters do for a living?

Explain the characters’ frustrated vocations.

The things they have given up can also define them.

Unless your characters are animals/fantastic creatures.

8. Family, Friends, and Acquaintances

Specify the kind of relationship your characters have with their family, friends, and acquaintances.

Who are the most important people in their lives?

9. Personal Motto

A personal motto, slogan, or catchphrase is a sentence or concept that sums up a character’s philosophy and values.

It’s not compulsory to invent it.

You can always use sayings such as “you live and learn” or “a bird in the hand is worth two in the bush,” etc.

You can also use quotes by famous philosophers.

10. Notes

Leave a blank space for other relevant information such as my characters’ biography, a funny anecdote, etc.

Anything that helps you visualize them in more detail will come in handy when you start writing your story.

WRITING TEMPLATE: Character Bible

This must be as detailed as possible. In this way, you’ll be clear about your characters’ appearance, peculiarities, virtues, shortcomings, customs, relationships, etc. Think about actors and actresses who must be very familiar with the characters they play in order to make a good performance. A writer who gathers information about a character faces a similar job.

Feel free to create the type of character sketch that best suits you. If you don’t know where to start, you can use the character sketch outline that I use for my stories. This document covers the most important points of a sketch.

1. General Features

Organize your sketches by number and add their creation date.

Make note of what story they belong to.

Character’s name or nickname (with origin and meaning).

Character’s role in the story (protagonist, antagonist, mentor...); specify in which part of the plot (s)he participates.

Gender, age, marital status, studies, occupation, residence.

2. Appearance

Write about the character’s appearance:

Physical features, clothes, gestures, manners, etc.

Pay attention to the features that make a character different from everyone else (a scar on the face, wears glasses, etc.).

3. Personality

Information about their character traits.

Adjectives that best define your character and the way (s)he sees himself/herself; the way others describe him or her.

Hobbies, fears, phobias, fixations, dreams, and goals.

4. Family and Friends

Information about the parents of each characters (names, jobs, ages, and type of relationship with their son or daughter).

Hobbies or events that marked them deeply.

If your main character has siblings, a partner, children, or other intimate acquaintances (name, age, and relationship with the main character, etc.)

5. Biography

6. Relationships and Other Notes

Include the rest of the characters and state how they met your main character, the type of relationship (s)he has with them, and how it affects their life and their actions.

Leave blank space for random notes and observations.

Source ⚜ More: Writing Worksheets & Templates 600+ Personality Traits ⚜ 100 Sensory Words ⚜ Goals & Motivations

[mikeysagereblog]

⊗ superhero cartoons to watch when little!!! (or big, they're that good imo!!) ⊗

✧.* i've been wanting to make this list for a while now, mainly because i wanna talk about my fav cartoons/open up opportunities for other littles to find something awesome to watch!!! there's gonna be a lot of ranges in age ratings to add some variety for older/younger littles :)

✧.* also, i'd like to put a disclaimer here and say that a lot of these are on streaming services that i own, but other littles may not. i would also like to say that there are ways to get around a paywall if you can't afford certain streaming services!!! you can find full episodes on youtube/other sites for free!!! (just use an adblocker if you're on a site other than youtube if u can!!)

✧.* another disclaimer: any regressor of any age can watch any of these shows!! i just wanted to put the age ratings for those who want to stick to media that's more in their age range!! so, don't feel like you have to limit yourself from watching certain shows just because of how old you regress to!!

✧.* spectacular spider-man (2008-2009, 2 seasons): suitable for 7-8+, but i'd say it'd be okay for littles who regress younger to watch, too!! honestly, my all-time favorite spider-man cartoon!!! not only is it fun to watch while little, you can truly appreciate the show when you're big, too!!! josh keaton's voicework as spider-man is just- ahhhh it's so amazing imo!! the story is really good, the animation/style is just so iconic, and the colors are very easy on the eyes!!! (especially if you're sensitive to bright colors when little/in general) absolute banger of a theme song, too!!!

✧.* x-men: the animated series (1992-1997, 5 seasons): rated for around 7-8+, but i do admit that there can be some scary scenes for especially younger/more sensitive littles. honestly, this show is great!!! i loved all the different story arcs, how colorful the show is, the characters themselves- a lot of cool stuff about this show!!! be warned, there's a sudden drop in quality during season 5... i think they switched animation studios/va's or something because season 5 is NOT the best season of the show, i'll tell you that... 0_0

✧.* x-men '97 (2024-present, 1 season so far): rated for 14+, so this show is more suitable for teen regressors. it's a continuation of x-men:tas, and oh man... this is it. my favorite cartoon of all time!!! the animation is just oh so beautiful!!! the fight scenes are awesome!!! the soundtrack- oh golly the soundtrack!!! the remastered x-men:tas opening is just- wow!!! but, there's definitely reasons why it's rated 14+... not gonna spoil anything, but there's a lot of scenes in the show that can be upsetting for younger littles. trust me, watching some scenes when you're little is just- too much sometimes... (speaking from experience) it's an amazing show, but watch at ur own risk if you're a younger regressor!!!

✧.* batman: the animated series (1992-1995, 4 seasons): i'd say it's for around ages 9-10+, since it can be fairly dark at times. (same goes for a lot of batman related media!!) honestly, this show's pretty good!!! the style of the show is very dark visually, so it's easy on the eyes for those with bright color sensitivities!!! the artstyle itself is also very nice to look at!!! the voicework is amazing as well, especially kevin conroy's (rip) performance as batman himself!!! from what i can remember, the plotpoints were also pretty on-par!! i remember liking the show a lot when i was a kid!! :)

✧.* hulk vs. wolverine (not a show but an animated movie, 2009): this one's rated pg-13, since there's depictions of violence. but, i gotta say- this movie had me hyped up when i watched it as a kid!!! this was part of a straight to video two-movie collection, (the other being "hulk vs. thor") and i gotta say... this movie was awesome!!! the fight scenes were rad as heck, the animation was amazing, even deadpool was in the movie!!! (which, fun fact, was his first appearance in animation!!! other than the 2 second cameo in x-men:tas) very fun movie!!!

✧.* these are just some recommendations!!! i really liked these when i was a kid, and i hope you'll like them too, if you decide to watch them!!!

✧.* (also yay!! finally have a new banner!!! + i updated my blog's theme because nightcrawler is so awesome and he's literally my cg guys!!! he said it himself :3)

[nightmaremonarch]

jojo’s bizarre fantasy au BECAUSE I LOVE PART 5 AUGHHHHHHHHH

i rewatched the entirety of part five in the span it took to make this. Details about the lore and characters below the cut ^_^

Ok. I will be separating this based on character… in an attempt to be more organized. Included will also be my friend’s description that she gave for each character upon seeing the drawing.

Giorno Giovanna — Race, half vampire. Stand name, Gaia. Unfortunately lost his silly victory rolls, which have been replaced with donut shaped curls. Has a dream of usurping the Crimson King and ending his oppressive reign.

Friend’s Description: “‘pink is still manly for this era guys trust’”

Trish Una — Race, human(?). Stand name, Spice. I like to think she tries to maintain an air of elegance and superiority, but she’s just a kid who doesn’t particularly want to be in the situation she’s in. The princess of an underground kingdom? No way. She just wants to be Trish.

Friend’s Description: “Noblelady”

Guido Mista — Race, human. Stand name, Coitus Cluster (good god the creative juices are NOT flowing). Best archer, like, ever. Probably enjoys animal furs but is too broke to get any. Stinky loser.

Friend’s Description: “Robin hood.”

Pannacotta Fugo — Race, elf. Stand name, Purple Death. Former nobleman and still dresses like it. Had to limit the holes in his clothes because he is, unfortunately, not immune to being sunburn.

Friend’s Description: “totally not a vampire”

Bruno Bucciarati — Race, human. Stand name, Strings of Fate. I love him. He’s the love of my life. I may or may not have put the most effort into his outfit. He’s so beautiful. No notes. Also, since zippers weren’t invented till like… mid 1800’s, rather than zippers, he uses strings!!! Tugs on ‘em the way you would a loose hem…

Friend’s Description: “Italian nobleman”

Leone Abbacchio — Race, drow. Stand name, Rewind. It takes the form of a snake!! Because Moody Blues had them.. neck thangs. I don’t know. Anyways. Abbacchio coulda been drippier, but at the time of drawing I was running low on brain power.

Friend’s Description: “TOTALLY NOT A VAMPIRE”

Narancia Ghirga — Race, human. Stand name, Pheonix. Due to the fact that airplanes did NOT exist prior to some point in the 1900’s, Narancia’s stand is a bird. Probably breathes fire and can detect carbon dioxide… cannot come back from the dead though. Sorry buddy. Also, his left eye is blind from his eye infection. Sorry again buddy.

Friend’s Description: “peasant working on a merchant ship”

AND FINALLY:

Diavolo — Race, Demon. The Crimson King. He took FOREVER to draw. Especially those tattoos. I tried to make his color scheme salvageable, but seeing as I was working with Diavolo’s actual color scheme… it is not the best. Diavolo used to have wings as well, but after an incident that prompted him to go underground, they’re gone. He hides in the body of a halfling named Vinegar Doppio… though they are two completely separate entities.

Friend’s Description: “Dante’s homosexual Inferno”

idk if ill elaborate more on this au. depends on the reception of this…!! this is all just for fun… goofs and gaffs… love u sorry for only posting wips for months before this

also in this au i think stands would be called spirits/be spirits ok that’s all fr now bye love u

[oftlunarialmoon]

75 Agere Journal Prompts

Draw yourself a kawaii bento lunch!

Write down any chores for the day as a to-do list or sticker check off list

Design a smol outfit

Make a playlist for your littlespace

Draw portraits of your stuffies

Write your headcanons for your comfort characters as caregivers

Write down some animal facts from different parts of the world that interest you!

List items that are your favorite color

Make a magazine collage with a specific theme

List ideas you want to do in certain seasons

List your favorite agere nicknames

Write down any agere headcanons you have for fictional characters or OCs

List stuffie name ideas

List all your current stuffie names

List your favorite phone apps for littlespace

Make a tier list of your opinions on different types of candy

Draw what your favorite characters would look like as stuffies

Invent a new kidcore fashion trend

List 5 facts about your favorite sea animal

Design your Jolly Roger if you were a pirate

Draw yourself as a Pokemon Trainer

List how you deal with stress in agere methods

Write out any recipes you can make while regressed

List crafts you’d like to make

Make a page about your morning routine when regressed

Make a page about your night time routine when regressed

Write out any rules or guidelines you have when regressed

What’s on your Agere/Littlespace Movies list?

Write about what you would do on a visit to the beach

List any animes you like when small

List your favorite agere books

Dear Past Me - What would you tell your past self?

Dear Future Me - What would you tell your future self?

List songs that make you regress

List your regression triggers (positive or negative)

Write about how you would comfort a friend in need

Write about your dream vacation

Make your christmas/birthday/holiday gift wishlist

List your fave agere video games

List your favorite stims

Write a letter to your favorite fictional character

Write a letter to a friend or family member

Play I spy and write down the categories and things you find

Make a page of your top 5 agere songs from the last month

List free activities you can do when regressed

Make a collage page from a coloring sheet and stickers

Play scavenger hunt with stickers of your preferred theme

Use a page to write down word games like word scrambles and mad libs

Fill a page with positive messages for yourself to read later

Write down tarot interpretations if you do tarot reading while smol

List ideas for kandi bracelets you could make

Declare a random day a holiday of some kind, write down how you celebrate it

Use a page to “braindump” all of your current thoughts, even if it’s babbling

Make a sticker collage inspired by your caregiver

Make a sticker collage inspired by the seasons

Trace your hand onto the page and give yourself fun nail art, tattoos, or accessories

Draw a race track for a toy car, add obstacles or scenery with stickers

Write a social media profile page for a comfort character

Make a “top secret” file with your stuffie’s secrets >:)

Make a collage inspired by yourself

Dedicate a page to facts about one of your special interests

Write a poem for your pet (or fave stuffie!)

Draw a scene around a sticker of your favorite animal

Draw the inside of a house and use stickers to furnish and decorate it

Draw a scene to play with your toys in

Try a mindful reset page (List problems you’re facing, then list more positive mindset changes to each one)

Document the stories you play out with dolls or toys

Write down “this or that” prompts in one color then answer them in another color !

Use stickers to tell a story or make a fun comic

Fill a page with word art, using any words that make you feel smol

Make a list of all of your OCs

Use a page to document Minecraft coordinates of your favorite builds

Draw the outline of a purse or bag, and use stickers to show what a character of your choice would have in their bag, or-

Use stickers to show what you would put in your dream agere bag!

Draw a face on a page in marker or pen, and use makeup to decorate it! (or face paint :p)

[byunpum]

Ghost girl | prologue

Pairing: Sully family x Albino na'vi!fem (for the moment)

Warning: All the characters are aged up 20’s, disaster, injured, death, neytiri being the mom we all need.

Note:I had this draft written, and it was taking dust. So I'm posting it, so you can read it and tell me what you think. You can see that I haven't paired the reader with any of the characters, and I think it's my first writing that the reader is not human. So I would like to know if you like it, and if so, who would you like to be Y/N's partner?

AVATAR MASTERLIST | Part 1, Part 2, Part 3, Part 4, Part 5(final)

You felt short of breath, the more you ran. A wave of fire was coming towards you. Holding your newborn baby in your arms. Turning to see your village being burned. You had to run, you had to get your baby to safety. The great trees that were once cold, were ablaze with flames. Climbing up a hill, fighting with your feet stuck in the snow. Resting a little, seeing how everyone was gone. The ships of those humans had destroyed everything.

Their ships were moving away, leaving a desert of fire in the snow. You can feel someone touching your chest, bringing you out of your shock. Your baby touches your chest, starting to cry. You hug him tighter, trying to find some consolation. Your family, your people…they were all dead. Two attacks in less than 6 months, just for a piece of land, just for having that damn mineral. Tears welled up in your eyes, you were heartbroken. It was all over…you were alone. You stood for a moment, analyzing the situation. You could still hear the sound of falling trees, the burning snow and the horrible smell of death. You had several wounds on your hands and legs. But they were not as worrying as the open wound on your right thigh.

You had tried to bandage it, before running out of your family's hut, as it burned. But it was barely covered. Groaning in pain, you sit down in the snow. You had to think about what you were going to do, you were alone. You had no home…those demons had taken everything from you. Holding your baby, closer. Kissing his hair. "Easy…easy" you speak. You had to get shelter, and fast. From your chest hung a beautiful green stone that your mother gave you minutes after you lost track of it. She had told you that there was a jungle clan, the Omaticaya. That they could help me, that it was the safest place. Taking the stone in your hand, to now take a look at the opposite side of the landscape.

You were from the clan of the icy mountains, the trip was going to be hard and dangerous. You were not a hunter, or an explorer. You were simply a girl who had lost everything. But you had no choice, rising from the ground. Bowing in respect. "Eywa…take care of my village, my people…take them with you. Promise them that we will meet again. I promise" you make the 'i see you' sign. Taking a last look at what was once your home, and leaving for the unknown.

The jungle was quieter than usual, the wildlife could be heard sounding. That's what neytiri thought as she walked in search of an animal. She had gone out to hunt alone. She had to clear her head, and spend time alone like the old days. Playing and touching some flowers, when out of nowhere he hears a small whimper. Her whole body freezes, raising her ears to listen better. That noise was not coming from an animal. She stayed silent, waiting to hear it again. A few minutes later, she heard the soft whimper again, someone was in danger. She was confused, it could be a human calling for help. Or a wounded na'vi. She didn't want to risk it if it was a human, she only socialized with the humans on the base, far from that nothing. But something told her she had to go see what was going on. Taking a deep breath, she walked slowly to where those whimpers were heard.

Peering carefully through the bushes, her eyes widen. When she sees a na,vi leaning against a tree. But that was not what was impressive, what had caught her attention. It was the color of this woman's skin, you had snow-white skin. Just like your hair, the stripes that adorned your skin were almost a blue that faded into your skin. Neytiri stood watching, she had never seen anything like this in her life. She was in a state of shock, it wasn't until she heard a whimper coming from the girl's arms. Neytiri looked down, seeing how she was holding the baby. But the grip was lazy, watching as the girl tried to move her arm, but it was too weak. Neytiri decided to approach carefully.

Neytiri holds her bow close to her, still being suspicious. Just to get close enough, to make you look up. Neytitiri felt her chest tighten when she could see how young the girl was. According to her she had to be the same age as her children. She let go of her bow, noticing that there was no weapon on any part of your body. But that you were injured, with burns.

You lift your gaze, looking at the woman. She was strange to your eyes, just as she was the first time you had seen a jungle na'vi. Looking down again, you were so exhausted. You had no strength to go on, your thigh wound was serious. And you had barely eaten in two days. You watch as the woman kneels down in front of you. "Who are you?" says neytiri. Trying to sound calm. "I…my name is Y/N te noeä pauzu'itan" you pause to catch your breath. "I am from the clan of the mountains of…cold" you speak, in a low tone. Neytiri moves closer to you, now all had some coherence. Her mother had told her something about these clans.

"What happened…why aren't you in your lands?" neytiri speaks, daring to touch a piece of your hair. Her maternal instinct, not allowing her not to help you. "They…they killed everything…everyone" you speak. "They?" asks neytiri. "The demons" you speak, neytiri hearing this word, tightens her bow. Closing her eyes, in response. Neytiri moves closer, looking at your wounded skin. And notices the large wound on your thigh. "We must heal it…I'll take you to the village" she speaks, watching as you awkwardly raise your arm. "No…I can't" you pick up your baby as best you can. Bringing him closer to neytiri. "Please…take care of my son. I can't" you are on the verge of fainting. "No…I won't leave you here" says Neytiri.

"I will die…I just want him to be okay…take care of him for me" your voice is very low. Neytiri notices how your hands are shaking, taking the baby in her arms. Watching as yours fall to your sides. "Thank you" you speak, smiling weakly. "I'm not going to leave you here" neytiri orders, getting up to think better. She had to plan something…in a matter of minutes neytiri created a sort of bundle, so she could hang the baby on her chest. Coming up to bend his back in front of you, taking your weak arms. Climbing you on her back, holding you tightly. She knew you could barely breathe, how weak you felt. Neytiri knew that if she left you, you would die in a couple of hours.

Starting her way back to the village. She walked as fast as she could, she had a baby crying. While carrying a girl on his back. She could have ignored her, but no…she could not. Getting closer to the village, taking faster steps. "We're close" neytiri says, waving your hand a little, hearing a 'mmm' in response. Good, you were alive. Entering the village, seeing how everyone was shocked by the scene, while neytiri walked fast to the hut where her mo'at mother was working. "Help, mother!!!" neytiri shouts, near the hut. Mo'at comes out quickly. To see how her daughter was carrying, what looked like a dead body. "This one" speaks mo'at.

"No…she's really hurt," says neytiri, watching as her mother begins to help her take the girl in her arms. Mo'at holds you on her arms, rushing to take you inside to treat your wounds. "I found her alone in the forest…she told me that her village was attacked by the sky people" says neytiri, she was scared. She tried to get there as fast as she could. Watching as her mother, began to examine your body. " She is from the clan of the cold mountains," says Mo'at. Mo'at finds the largest wound, and removes the dirty cloth. "I need to clean and treat this wound. I need the help of more people. Tell kiri to come" mo'at orders his daughter. Neytiri runs out of the hut.

She had the little baby on her chest, who had already calmed down, but she could hear some whimpering " calm down, we are taking care of your mother," Neytiri cuddles him, as she arrives to her hut. Kiri was with her sister tuk, talking to her father. They all see how neytiri enters in a hurry, she was agitated and you could see how worried she was. "kiri honey…come!!! Mo'at needs us" says Neytiri, Kiri without thinking about it gets up and accompanies her mother. "baby what's wrong?" shouts jake, from his seat. Noticing how neytiri ignores him and continues on her way to her mother's hut. Upon arriving, neytiri could see how mo'at had already started with everything, placing some medicinal pastes on the girl's skin. Kiri is surprised to see you, she has never seen someone like you before, but she doesn't ask too many questions. She feels her mother handing her something in her arms.

Kiri looks down, and sees a baby. Just like the girl they were healing. "Kiri hold the baby" says neytiri, approaching her mother. "Mom…will she be okay?" asks neytiri, she sees how your breathing is vague. But you are alive. "Yes…she's weak and I have to monitor that wound. But look" mo'at points to the large wound on your thigh. "I already put medicine in it…I need you to go get these herbs. I will make a drink to bring her vitality back" mo'at says, watching as neytiri ascends with her face, getting up to get everything her mother asked for. Mo'at watches as kiri is cooing to the baby, and began to wonder what such a young girl was doing alone with a baby. She could see that the baby was only a month old. Looking carefully at the girl's body, observing how on her neck hangs a green rock. Holding it in her hand, she had seen that rock somewhere.

After a rather agitated afternoon, neytiri was sitting next to her mother. Holding the baby, and kiri was next to the girl. "So what are we going to do with him?" asks Kiri. "I think it will be best if you take care of him…for tonight. She is very weak, I will take care of her" says mo'at, arranging a few pieces of white hair. Neytiri reaches over and caresses the girl's cheek. "Kiri…come let's go to the house" speaks neytiri. Kiri gets up, following her mother. Just as they were about to leave. "Neytiri…later I will come by your hut" says mo'at. Neytiri ascends, and leaves the hut. Looking at the baby in her arms.

Arriving at the hut, she finds to her surprise that everyone in the Sully family was there. Tuk is still small, so she runs to her mother. She hadn't seen her all day, but stops when she notices what her mom is carrying in her arms. "Is that a baby?" the little girl asks. Neytiri smiles, "Yes…and it's very small." neytiri walks over to where jake is. "A baby? where did you get that?" the man is scared and worried. Neytiri sits down next to him, moving the piece of cloth covering the baby a little. Revealing a totally white baby, his eyelashes, hair…everything. This causes everyone in the family to move closer. Including the two youngest men in the family. "That's…what is it?" asks lo'ak. Touching the baby's tiny foot. "I found a girl." Neytiri pauses, telling her family everything that happened. "Those bastards" jake says, the demons were just destroying…he was thinking to himself.

"I'm taking care of him…until she's okay" neytiri says. "but" she pauses…as some tears streamed down her face. "She is so young…I think she is the same age as you" neytiri looks at neteyam. The boy just looks at the baby that his mother holds on her chest. "and she's alone…I couldn't leave her there alone. She offered me her baby…she told me to keep him. Assuming she was going to die." says neytiri. Jake hugs her, and kisses her on the hundred. "You did the right thing my love…you're great. I bet that girl will be grateful" Jake speaks. At that same moment, everyone hears mo'at enter the hut.

"How is she?" asks Neytiri quickly. "She is stable…but she is very sleepy. I was able to give her the drink…she looks better" says mo'at. Kiri puts her hand to her chest, sighing in relief. " Mom…where did that girl come from?" neytiri asks, watching as mo'at sits in the familiar circle.

" The clan of the cold mountains…one of the most ancient clans. Great warriors and hunters. Their white skin, perfect for being invisible in their territory. Prepared to withstand brutal cold. Ghosts in white. They are not like all na'vis. separating in the far reaches of the mountains, to maintain their lineage. They carry a beautiful magic in their being… they are the favorites of eywa." mo'at spoke, watching as everyone listened to her intently. "Your father and I met them… making a pact of peace. They cared for us and we cared for them. But we never had another close call…not until now." Mo'at pulls from his pocket a stone. "This was given as a sign of peace…she had it around her neck. I guess she came for help" there was a silence in the room.

"She told me there was no one left" neytiri holds the baby tightly. Remembering how hundreds of her clan were wiped out, how their home tree was destroyed. And now they had to live in these caves in hiding. "I imagine the worst has happened…but we have to wait for her to tell us everything" mo'at speaks, reaching up to caress the baby's cheek. "Where is her family? Where is her mate?" mo'at asks. Neytiri falls silent, she too had many questions…but for the moment she was going to take care of the two of you. Until she could figure everything out.

[novelmonger]

I am now (finally) embarking on the last of the LotR audio commentaries I never listened to before: the Production/Post-Production one, with Barrie Osborne (producer), Mark Ordesky (executive producer), Andrew Lesnie (director of photography), John Gilbert (editor), Rick Porras (co-producer), Howard Shore (composer), and Jim Rygiel (visual effects supervisor). A lot more Americans in this group than the previous ones have been. I feel much more out of my depth with this one in terms of figuring out who's talking, but let's see what new stuff they have to say for FotR!

The sound from when Sauron explodes comes from a bunch of sounds they recorded both inside and outside ships in the harbor, as well as the sounds of WWII airplane propellers.

The scenes with Gollum in the prologue were actually some of the last shots they filmed for FotR.

The farmers around the area where they filmed Hobbiton would warn them when people would turn up who weren't supposed to be there, with cameras and whatnot, as well as warning them when planes or choppers would be overhead, so they could prevent (as much as possible) from footage leaking before the movie was released. That warms my heart :)

They used the analogy of a "shell game" when talking about all the different techniques they used to keep the proportions of characters correct with their different sizes. Because they would switch up the techniques between shots, it helped sell the overall effect, because you're not just always looking at a scale double or a bluescreen or what-have-you.

In the scene with Bilbo and Gandalf in the kitchen, they used forced perspective, with the table cut in half so that everything is small for Gandalf and the right size for Bilbo. When Bilbo pours the tea into the teapot, Gandalf handles a small lid on his side, putting it on a little rod that holds it in the right position so it looks like it's sitting on the teapot. Meanwhile, the actual teapot is on Bilbo's side so he can pour the water into it. Also, when Gandalf is first sitting down at the table and turning to get his legs underneath it, if you look closely you can see that when he bumps up against it, the half of the table closer to the camera jiggles a little, but the other half doesn't because it was actually some 5-10 feet away.

In the shot at the party that pans down from the fireworks and the tree, the actual party with all the dancing and everything was shot in a set, so they had to go back to the Hobbiton location (which had already been cleared of the set at that point, I think) and match up that shot to get the tree, and then they composited it together.

The direction for that shot of Minas Tirith when Gandalf goes to research the Ring was to make it look like "Constantinople in the morning." This may be my favorite part of this commentary :)

They needed to scan actors' faces so they could have their digital doubles to work with for certain shots. When they brought in Ian McKellen to scan his face, they said, "We just need to scan your face in a neutral position." He said, "Neutral for me or neutral for Gandalf?" And he demonstrated his own neutral expression, and when he switched to neutral Gandalf, he looked completely different, pursing his lips and furrowing his eyebrows and sucking his cheeks in more. Truly the sign of a gifted actor who knows how to ply his craft.

In the scene where Frodo and Sam are trying to sleep on the road for the first time, originally they were going to end with some sort of animal sniffing around them. First it was a deer, and they also tried a rabbit and maybe some other animals (possible fox appearance???). But that part didn't even make it into the Extended Edition.

Something I never thought about that they had to pay attention to was, because Orthanc is made of shiny material, they had to consider the color and quality of the light reflecting off it. So when they filmed the real location, they would take the camera and pan around the location, then print out stills and put them up around the miniature when they filmed that part of the shot, so they could get the right colors to match each shot they would composite over it, so it would look like both were in the same place. Now that's what I call attention to detail!

On the night they shot the little chase sequence with the Nazgul in the forest, it was actually raining off and on, even though you can't really see it in the movie. That made the ground very muddy, so the Hobbits actually had to be carried back to their first position for each new take so they wouldn't get too much mud on their feet and clothes.

To get the sounds of the trees' "voices" when the orcs in Isengard tear them down, they actually used several animal sounds like whales, moreso than sounds recorded from actual trees.

Bob Anderson, the swordmaster for the films, said they needed to have five copies of every sword for every actor every day they were going to be fighting with them, because that's how likely it is for them to be broken (since the swords actors use for hitting each other are lighter and not made like a real sword). But Richard Taylor wanted to find a way to make the swords more durable, because there are a lot of swords in these movies. So Weta developed a technique to help the stunt swords redistribute the shock from hitting them against each other. They took polyurethane, which Mark Ordesky notes is the same material as skateboard wheels, and they made a sort of sheath of that under the surface of the hilt. None of the swords they made like that ever broke.

The tree that gets thrown down into the chasm in Isengard had to be a miniature so they could get it high enough to drop it as far as they wanted to (and so they wouldn't have to cut down a huge tree). But they had to add little springs and things to make the branches bounce and jiggle properly, rather than just break off, as they would if you just made a little model tree. Little details like that really sell the scale.

In the Nazgul horseback chase scene, they cleared a path for the horses to safely run through the forest. But then they would also get branches and put them on the car or whatever vehicle had the camera, so it would look like they were pushing through more dense foliage, while still keeping the actors and horses safe.

The Council of Elrond was the final piece of the sound mix they had to finish for FotR, and it was down to a matter of hours. One of the things they mentioned having difficulty figuring out what to do with was the moment when Frodo sets the Ring down on the plinth. Originally, there was going to be a murmur of the crowd watching, but it didn't seem to have the gravitas and stunned awe necessary for that moment, so they had to play around with a lot of things before Peter Jackson was satisfied with it.

When Gimli smashes the Ring with his axe, John Rhys-Davies was actually only holding an empty handle, and the axe head was added digitally later so it could shatter.

Barrie Osborne (I think?) commented on something at least Billy Boyd and Dominic Monaghan, especially Dom, started to do in order to make it more believable that the primary actors and the scale doubles are the same people. He noticed that their scale doubles tended to move and walk in a certain way (I assume partly because most of them were Little People, so their physique and proportions are a bit different), and so instead of leaving it up to them to mimic his movements, he started changing the way he moved to match them. That's just really cool.

Originally, they were going to do a bit of a flashback when Boromir asks Aragorn, "Have you ever seen the white tower..." etc. It would have been shot in the same place as the scene where Aragorn is visiting his mother's grave, and would feature Elrond talking to Aragorn about how he's the only one who can wield Anduril and how he needs to take his place as the king of Gondor.

For some of the close-up shots of Gimli in the scene where they first head into Moria, they actually had to use a double - not a scale double! an actual guy who was the same size as John Rhys-Davies! - because John had such a bad reaction to the facial prosthetics that he had to go a few days in between each time he put it on. But he'd had the prosthetics on the day before, and they didn't have time to wait until he could put them on again. So they had to find a double, put on the prosthetics and costume, and then John stood out of frame and spoke the lines, and the double mouthed the words along with him. I would never have guessed!

THANK YOU TO WHOEVER WAS TALKING AND I'M SORRY I COULDN'T RECOGNIZE YOUR VOICE FOR SURE, but someone was talking about "cinematic dark." In other words, how to light a scene so you can see everything that's happening even though you're in a place with hardly any light sources, like in Moria where the only light comes from the torch and Gandalf's staff most of the time. Instead of making it all really dark (*pointed stare at too many movies these days*), they shot it as if there is a source of light, but always very far away, like it's filtering through miles of rocky caverns or something. What that meant practically was that they would only light the characters in silhouette or from the side, never the front. So it would still give the impression that they're in darkness, but you don't have to strain at all to make out what's happening. They also desaturated the colors so everything looked muted, similar to how your vision kind of goes black-and-white in the dark.

One of the fundamental elements for the Moria goblin screeches was an opossum screech. There was some kind of opossum research facility in Wellington that they went to to record what became the foundation of the goblin sounds. Then they took them and re-recorded them in some WWII tunnels to get the right echoey reverb effect. And then for the sounds of them moving, they took sounds from insects like grasshoppers, as well as rattling seashells from the beach against the walls of the tunnels to get a scuttling sort of sound for when they come pouring out of holes in the ceiling.

You know that one shot where Legolas fires an arrow at a goblin archer and the camera follows the arrow all the way into his forehead? I always assumed that whole thing was all CG, but no! Even that had a practical element to it! They set up a camera on a sort of zip line with a bungee cord and sent it down as fast as it could go towards an actual stunt guy in costume! Now that's what I call above and beyond.

They shot a scene that didn't make it into even the Extended Edition of the Fellowship arguing about what they should do next after they leave Moria, with some members having misgivings about going to Lothlorien. I wish we could see that, even though I understand why they needed to keep things moving. They didn't mention if they actually shot this or if it was scrapped by the time they got that far, but there was also a mention of the entry to Lothlorien being much more frantic, as they're chased by orcs and then rescued by a sudden volley of Elven arrows.

There was also once a longer scene between Boromir and Frodo as they're waiting to see if Haldir will let them into Lothlorien. He tells Frodo a story of him getting over the death of one of his comrades. Um...I wanna see these extra scenes!!!

They wanted Lothlorien to feel ethereal and maybe almost slightly in a different universe, because of the Elves and especially Galadriel, who can see into hearts and minds. One of the ways they did that was by diffusing the light on the set so everything seems kind of dreamy. Another way they tweaked things was by bringing out the blues and edging them towards lavender. Yes, yes, Lothlorien is supposed to be golden, but after hearing the explanation about how lavender is actually one of the hardest colors to get to look right on film (the word used was "fragile") and to look good against skin tones, and therefore you don't see it very much in the movies, I can appreciate the subtle ways they tried to make Lothlorien feel distinct.

Originally, they were going to have a scene where the Fellowship goes through some rapids on the Anduin and get ambushed by orc archers. Ultimately, they decided they didn't need that as a story beat at that point, and it would have been very difficult to shoot anyway. Makes me wonder if that influenced the infamous barrel scene from the Hobbit movies, like they dug up some old plans for that....

Except for one wide shot where they used a scale double for Frodo, the entire confrontation between Boromir and Frodo was shot just with Sean Bean and Elijah Wood, no special effects, just strategic blocking and using the slope and different angles to their advantage to always make it look like Frodo is smaller than Boromir.

If I understood Howard Shore correctly, he was inspired to use a boy's choir for Boromir's death when he saw Boromir, after falling to his knees from the first arrow or two, looking up at Merry and Pippin. Boys singing at his death gives a sense of lost innocence, which is appropriate both to Boromir trying to take the Ring as well as to the lost innocence of losing the Hobbits. So it's not just a lament for Boromir, it's also his lament for (as he thinks in the moment, because he knows he's dying) failing the Hobbits.

The original mix for Boromir's death had all the sound effects at full volume, which made the moment even more brutal. Mark Ordesky was saying that he (and probably some others) was thinking it might be better if they pulled back on some of the sound and let the music be louder. Peter Jackson said, "Well, let's try it," and as soon as they turned down the volume, the entire room basically agreed immediately that's how they needed to do it. It's meant to sound and feel almost like you're sinking underwater as Boromir is dying, because that's how it would sound and feel for him.

Oh my goodness, further proof that studio execs shouldn't have a say in the story of a movie. New Line wanted the movie to end with Frodo and Sam paddling across the river, and then an Uruk bursts up from underwater and grabs Frodo, pulling him out of the boat. The Ring somehow comes off the chain, and the Uruk is so enamored with it that he ends up drowning while trying to grab it. Then Sam somehow gets Frodo (and the Ring) back into the boat. Thank goodness they came up with the much better ending we all know and love. Because the people actually involved with writing the movie and telling its story knew that the ending of FotR needs to be about the breaking of the Fellowship, about love and loyalty in the face of great evil. So that's why they went with the ending they did: Sam falls into the water and almost drowns, Frodo saves him, and that paves the way for the incredible emotional high of Frodo leaving the Fellowship, but Sam going with him. And just like Frodo is thinking about how Gandalf talked about how he was meant to find the Ring, Sam is thinking about how Gandalf told him not to leave Frodo. It all ties together so much better.

The last shot for the film was Boromir going over the waterfall. It was in the final cut of the movie just as a previs shot, and Barrie Osborne said he assumed it was going to be a CG effect or something. But finally, while Peter Jackson was in London working on scoring the film - so pretty late in the production - Barrie called him and asked when they were going to shoot that scene. Peter Jackson had forgotten about it! So Barrie had to shoot it, and since they didn't have the actors in New Zealand at that point, they had to get Weta to make a silicon dummy to shoot instead.

[asidian]

Set breakdown time! Next up: Niko's room.

As before, I've circled the points of interest and numbered them to make them easier to talk about. Cool? Cool. Let's do this!

1: Niko's mom's name! This part is her and Niko's surname. The kanji are 佐々木.

佐 – sa, meaning help or aid

々 – an iteration mark. When you see this, basically it means "exactly what the last one said, one more time." So another sa meaning help or aid

木 – ki, meaning tree

It's really neat that they picked a last name for her that doubles down on her role in the narrative. Just like Niko is there to support and help other characters in whatever way they seem to need, her surname hammers it home by including 佐 not once but twice.

2: Riza (リザ) Niko's mother's given name. Somewhat odd here is that it's written in katakana and not kanji. Without getting sidetracked too much (you can pop over here to read more if you're interested) most Japanese people write their names in kanji.

Katakana seems like a bit of a strange choice here, unless a) Niko for some reason doesn't know the kanji for her own mother's name (weird, given that she's in high school) b) her mother is a foreigner (a possibility; foreigners usually write their names in katakana) c) the set designer/whoever prepped the letters didn't know the appropriate kanji for "Riza" (seems unlikely, given how accurate all the rest of this is) or d) some sort of personal habit. An interesting side note is that her letter to Niko also puts Niko's name in katakana.

3: Cutesy stationery, used for marking your place in a document or book

4: A cute blue purse!

5: Watermelon! Judging by the shiny material and placement near the other bag, I'm going to guess this is another purse

6: Niko's clothes :>

7: Pink luggage

8: Lots of instant noodles

9: A rice cooker

10: Rice vinegar

11: This girl LOVES her some plants

12: Probably food items…? The one on the right looks like it might be a five-pound bag of rice, but I don't recognize the brand

13: Lots of unwashed dishes

14: A toaster oven

15: Chopsticks

16: A cute octopus pillow. I think I saw someone mention that it's from Ikea :>

17: She often leaves dirty dishes sitting on the bedside table

18: A painting of what seems to be a skyscape

19: Brightly colored pillows

20: Metal art in the shape of a moon

21: A decorative window hanging

22: More plants :)

23: Candles

24: Her tv

25: Cute pens with pompoms on the end

26: Regular tape

27: A cute cat statue

28: Marble Pop Ramune, strawberry flavor. Ramune is a type of soda that's a popular festival drink in Japan. It's sealed with a  glass marble and you have to pop the marble down into the little catch basin before you can drink it.

29: Anime wall décor

30: Fruit jelly cups. In Japan, small gelatin based snacks like this are popular. They're tiny, about an inch tall, and you eat them in just one or two bites.

31: Niko's laptop. She has stickers on it

32: Washi tape! It's decorative Japanese tape, often with bright colors and patterns, used for crafting.

33: A lot of cute magnets, including the bunny one, which serves double-duty as a kitchen timer

34: Niko's grocery list. The only thing on here that's here because she wants it is strawberry ice cream. The rest of the items, licorice tea, manuka honey, and Epsom salts, are all natural remedies. She's been trouble-shooting how to get rid of the effects of the sprites. She knows she's sick, but not why

35: Cutesy craft supplies! Sequins, glitter, and pompoms

36: More washi tape!

37: Niko's manga collection. She is that particular brand of organizational mess that does not put her numbered volumes in order. She has made an exception for the series that makes a complete picture when you line them up, though

38: More plants :)

39: Manga posters! Issho is one of the series that she has on her shelf

40: A decorative jar

41: Little metal bird sculptures

42: What seems to be the only framed picture in her room. The angle is wrong to see what the photo is, but it's interesting that they added just one in here. Maybe it's her family…?