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#Caribbean politics
allthegeopolitics · 27 days
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Trinidad and Tobago is redrawing the island’s coat of arms for the first time since its creation in 1962 to remove references to European colonisation – a move lauded by many in the eastern Caribbean nation.
Explorer Christopher Columbus’s three ships – the Pinta, the Nina and the Santa Maria – will be replaced with the steelpan, a popular percussion instrument that originated on the island.
Prime Minister Keith Rowley first made the announcement on Sunday at a party convention for his governing People’s National Movement to a standing ovation, saying the changes will be made by late September.
“That should signal that we are on our way to removing the colonial vestiges that we have in our constitution,” he said. [...]
Continue Reading.
Tagging: @vague-humanoid
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havatabanca · 1 year
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b-0-ngripper · 10 months
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Here's a video explaining how the US invaded and occupied Haiti in the early 20th century
instagram
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troythecatfish · 4 months
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sanyu-thewitch05 · 8 months
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Black Diaspora, if King Charles dies on Black History Month we need to…
TURN IT UP!!!
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bimdraws · 5 months
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Cubans for Palestinian Liberation 🇨🇺🇵🇸
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blackbrownfamily · 2 months
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Ayiti 1805
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newhistorybooks · 6 months
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“This book presents a brilliant analysis of the neoliberal policies imposed on Haiti by international institutions. Dupuy skillfully connects decades of extractive foreign interventions in Haiti, from the US occupation to the aftermath of Jovenel Moïse’s assassination. Haiti since 1804 points the way toward a future in which Haitians might finally regain sovereignty over their own economy and government."
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fatehbaz · 1 year
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[T]he infamous Diable (Devil’s Island) [French prison in Guiana, South America] [...]. Seventy thousand convicts were sent to French Guiana between 1852 and 1938. [...] Alongside deportation of political prisoners [...], a [...] convict population [...] was sent to the bagne (common parlance for the penal colony) [...] as a utopian colonial project [...] via the contribution convict labour would make towards colonial development in French Guaina. However, [...] French Guiana [...] was predominantly used as a depository for the unwanted citizens of France and its colonies. The last remaining French and North African convicts were repatriated in 1953, whereas the last Vietnamese prisoners were not given passage home until 1954 [...].
[T]he same form of built environment and carceral technology [...] structures found on Con Dao [French prison in Vietnam] and [the French prison in Guiana] [were] built at almost the same time [...] to house the same convict populations (Vietnamese implicated in anticolonial struggles) [...]. Old world colonialism is thus displaced by new world imperialism. Both rely on the prison island and its cellblocks. [...]
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The carceral continuities [...] throughout France’s penal colonies are supplemented by legal exceptionalism which works to redefine colonial subjects within shifting political contexts. [...] Many of the Indochinois convicts transported to the forest camps of French Guiana in 1931, including the Bagne des annamites, had originally been classed as political prisoners. The transfer was intended in part [...] to remove a number of anticolonial actors from Indochina. [...]
As political deportees sent to French Guiana were usually exempt from labour according to the political decree of 1850, this status had to be revoked to ensure the maximum labour force possible.
Consequently, those arrested on suspicion of specific acts of violence or property damage were reclassed as common criminals. Described by Dedebant and Frémaux (2012, 7) as “little arrangements between governors,” this was not simply a sleight of hand but written into legal codes. [...]
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[M]any of the Vietnamese sent to French Guiana had to wait until the 1960s to be repatriated. [...] After their sentences were completed, convicts were not simply repatriated to France or other colonies.
A system of “doublage” intended to shore up colonial development meant they had to serve the same length of their sentence again on the colony. For those condemned to eight years or more, this became life. Opportunities for sustainable livelihood were limited in a territory possessing swathes of free convict labour. Worn out and sick from their time in the bagne, most of these men were unfit to work and relied on charity to survive. [...]
[T]he last living convict [of the Guiana penal colony] [...] died in Algeria in 2007 after being repatriated to Annaba. In an interview given in 2005, he claims that every night he dreams he is back in Cayenne: “when I think about it, I get vertigo, I spent my life there” [...].
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All text above by: Sophie Fuggle. "From Green Hell to Grey Heritage: Ecologies of Colour in the Penal Colony". Interventions: International Journal of Postcolonial Studies Volume 24, Issue 6. 2022. Published online 8 April 2021. [Bold emphasis and some paragraph breaks/contractions added by me. Presented here for commentary, teaching, criticism purposes.]
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lgbtpopcult · 9 months
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Caribbean: Same-sex marriage likely in Sint-Maarten, Aruba, Curaçao
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kcarve · 1 month
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"patriotism kills!" (KcARve) 07/24
mixed media piece
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dougielombax · 3 months
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Okay.
Here’s some advice.
Don’t talk shit about my country (Ireland), especially when you demonstrate that you clearly don’t know SHIT about it or its history beyond British propaganda and colonial mythmaking.
Because that’s something I’ve seen FAR too much of on the internet.
From both my own people and those outside Ireland (especially in the UK and Israel for some BAFFLING reason (why though?)).
Many such cases.
I don’t talk shit about other countries unless I know a thing or two about them beforehand. And even then it’s not without good reason.
Hence why you don’t see me talking shit about Israel, Palestine, Turkey, Belize or fucking wherever unless I know what I’m talking about.
The least you can do is learn a few things on your own beforehand.
And from proper sources.
Not some propaganda spouting tabloid or shitty news site owned by some vulgar populistic shitpig or publishing house (or a cult (epoch times for example)).
I would know, considering I study history and have a fucking masters degree. I have plenty of practice in this sort of thing.
So you can’t say I’m out of my depth.
Granted I’m no expert but I do know a thing or two.
At the least.
Get with it, people!
For fuckness’ sake!
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kaalbela · 2 years
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Creole Portraits series by Jocelyn Gardner
Creole Portraits is a collection of hand-coloured lithographic portraits that reveal intricately braided Afro-centric hairstyles entwined within iron slave collars which were used to punish female slaves accused of inducing abortion. Each portrait also displays one of thirteen ‘exotic’ botanical specimens identified as having been used to induce abortion in the 18th century. Delicately hand-painted with watercolours, as was characteristic of natural history engravings of the period, each portrait is named after one of the botanical specimens using the established Linnaeun binominal system of nomenclature of the period in tandem with each slave’s plantation name; an act which parodies the imperial taxonomical systems.
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belle-keys · 1 year
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one of the absolute worst unironic takes i've seen on the instawebs is "only people from x background can write main characters from x background" like holy shit how can you possibly politicize literature to this extent?
it's genuinely shocking to me that some people's personal motto when it comes to art and media creation is "only write what you are". with this mindset, writing inherently becomes about social and political identity when it should be about "let's do justice to this character and their background the best we can".
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warpedlegacywrites · 1 year
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The finale of Swept Away is posted. This bitch is DONE!
DAFF tag list: @rakshadow, @rosella-writes, @effelants, @bluewren, @breninarthur, @ar-lath-ma-cully, @dreadfutures, @ir0n-angel, @inquisimer, @crackinglamb, @theluckywizard, @nirikeehan, @oxygenforthewicked, @exalted-dawn-drabbles, @melisusthewee, @blarrghe, @agentkatie
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caripr94 · 1 year
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I see Indiana Jones x The Mummy crossovers, and raise you…
Hamilton x Pirates of the Caribbean Crossover
I mean, think about it. The timeline and locations actually line up more than you would think:
Shortly after his birth in 1708, Will Turner and his parents move to North Carolina, where they would live for the next 7 years, until 1715, when his father, Bootstrap Bill Turner, joins Captain Jack Sparrow on the Black Pearl and Will moves with his mother to England.
The main events of Pirates of the Caribbean: The Curse of the Black Pearl take place in 1728, when Jack Sparrow is about 38 years old and Will Turner and Elizabeth Swann are about 20.
Dead Man's Chest and At World's End happen about a year later, in 1729, including Will and Elizabeth's wedding and the conception of their son, Henry Turner, who is born about 9 months later in May(?) 1730.
Hector Barbossa is in his early 60s at the time of the events above, though probably biologically in his 50s, considering his cursed and undead status for a decade prior to COTBP.
On Stranger Tides takes place in 1750, when Jack is about 60 years old and Barbossa is in his early 80s. Dead Men Tell No Tales comes a year later in 1751, when Jack is about 61, the Turner couple are about 43, Henry is about 21, and his new love interest and Hector's daughter, Carina Smyth Barbossa, is about 19.
As the name of the film series suggests, all of the events above take place in the Caribbean, with the original trilogy centering around Port Royal, Jamaica.
Alexander Hamilton is born in 1755 or 1757 in Charlestown, in the Caribbean island of Nevis, only about 60-70 miles south of St Martin, where Henry met Jack in DMTNT. In 1757, Henry would be about 27 years old, his parents would be 49, Jack would be 67, and Carina would be 25. Henry and Carina would probably also have children around Hamilton's age group.
Hamilton moves from Nevis to the 13 American Colonies in October 1772, at the age of either 15 or 17. At this time, Henry would be about 42 years old, his parents would be 64, Jack would be 82, and Carina would be 40.
On April 19, 1775, the Battles of Lexington and Concord begin the American Revolutionary War, an 18 or 20-year-old Hamilton enlisting on the side of the Patriots soon afterwards. About a year later, on July 4, 1776, the American Colonies declare their independence from Britain, forming the United States of America. In the latter date, Henry would be about 46 years old, his parents would be 68, Jack would be 86, and Carina would be 44.
On September 3, 1783, the Treaty of Paris is signed, officially ending the Revolutionary War (which was partly fought in the Caribbean) and cementing American independence. On this day, Hamilton would be about 26 or 28 years old, Henry would be about 53, his parents would be 75, Jack would be 93 (if still alive), and Carina would be 51.
In other words, the events and locations of POTC are close enough to the Revolution that at least Jack and the Turners would have still been alive and young enough and lived and worked close enough to meet Alexander Hamilton and his peers and play an active role in aiding him and the other Patriots in the Revolutionary War, at least at the beginning. They could be doing so to help their family friend Hamilton, free Will's childhood home from oppression, and/or, at the very least, spite the British Empire for all the trouble they've caused them in the past. There's even historical basis for the Patriots (and their enemies) using privateers in the War.
That would be an interesting crossover that I'm surprised to see no one write about yet.
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