#CHILDE STANS WE ARE SO BACK

[tthelady]

Project "Stuzha"

In the 4.6 version trailer, "Two Worlds Aflame, the Crimson Night Fades," we get a little section where we hear Childe's voice where he mentions being put on pressure on by the old men for a project and arlecchino asks "Project Stuzha?".

What does stuzha mean? Well stuzha means cold

And this I don't believe this is the first time we have heard of this project either in "Collected Miscellany - "Childe: Foul Legacy"", towards the end of the video we get these lines from Dainselif

I don't have any sort of theories about this right now. I'll have to look into this more, but I can definitely say that this project heavily involves Childe in it seeing how he's mentioned in it to be needed and how this project was first mentioned in his trailer.

Edit: I added more information and connections in the reblog!

[seven-stars-in-his-palm]

the thing i love about bill cipher is that even after i've learned all of this stuff about him, seen him at the most vulnerable he'll ever get, seen him at his most innocent, i still can't give a flying fuck about trying to justify his actions. yes he's traumatized, yes he was twisted into what we know today, and while it gives a semblance of context to why he did what he did, it doesn't matter. he still ruined ford's life. he still drove and baited multiple humans to suicide. he still tormented every human he saw as his ticket out of the consequences of his own actions. he still took delight in his actions. he was willing to commit genocide for fuck's sake!!! (freezing all of the humans into statues). trying to explain away what he did does not get rid of what he did, but it certainly puts it in perspective. you won't be catching me being a bill apologist any time soon <3

[serach-bat-asher]

i feel like a lot for me is clicking and i just can't with the AZ world anymore. the response to the p*ger thing has been balls to the walls insane

[starlooove]

Realizing the adultification and demonization of Duke and Damian is just. Not gonna stop. El oh el

[wordsinhaled]

i’m ngl there is a very specific, sort of pontificating-style tone of negative meta post that will almost certainly get me to instantly nope out of reading it

[little-laurance]

Not to stir up trouble, but the Aphmau fandom can be so hard to be in sometimes cause all of us have increasingly strong parasocial relationships with characters who kinda sucked

[erisahime]

thank you for coming home birthday babyyyyyyyy~~~ 🎉🎉🎉

[chisungie]

.

[acourtofquestions]

Well I’m 7 chapters in and all hell has broken loose… this feels like final chapters of a final book not first introductions to a three more book series… things are gonna be crazy aren’t they… here we go Empire of Storms

[tobiasdrake]

*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

[ckret2]

So a while ago some friends were talking about fans who claim the Same Coin theory is canon. And I made the mistake of saying:

Do you know who also has tons in common with Bill? Mabel. Yet nobody claims Bill reincarnated as Mabel. …wait now I want a "same coin but it's Mabel" AU. Funniest Bill reincarnation option. The all-seeing arsonist is making macaroni glitter art. The omnipotent tyrant is crying because a unicorn called her a bad person.

And then I overthought it for two months.

So—AU where after death, Bill's soul shoots 13 years into the past and reincarnates as Mabel. I'll call it ✨ Sparkly Coin AU ✨

Don't leave yet. Lemme show you why it works. Behold the eerie amount of parallels in their personalities, dialogue, behavior, mannerisms, tastes...

I could have kept going but my attention span ran out. All right, we all on board now? Convinced we could segue from one personality into the other? Great. Now here's why you should be interested: the juicy post-Weirdmageddon angst potential.

As long as a small fringe of the fandom still thinks Weirdmageddon is Mabel's fault, why not amp that up x100 and have some fun with it?

Is everyone sold now? Great. Let's get into the details. I've got 8 more pieces of art under the read more.

So the AU starts the instant Bill dies. Thanks to invoking his deal with the Axolotl—one way to absolve his crime, a different form, a different time—the Axolotl gives him a new shape and shoots him thirteen years into the past. Apparently, the Axolotl thought it would be very funny to stick Bill in the family that defeated him.

Which probably made for a jarring transition.

(It's fine, she's like 10 minutes old, she probably can't even tell who she's looking at. Not being able to tell who she was looking at is what got her into this situation ayyyy)

When Dipper & Mabel come back from Gravity Falls complaining about this triangular jerk Bill, their parents mention that Dipper's name was nearly Bill. See, after they knew they were going to have a boy, one night their mom dreamed about a visitor—some kind of magic pink salamander??—calling her child "BILL." Then at the next sonogram they found out they were having twins, the girl must've been hidden at a weird angle the first time, and they wanted matching names, so they thought, Bill and Bell. But they didn't really like Bell; but eventually they stumbled on Mabel, so to keep the names matching they switched from Bill to Mason. Isn't that the darnedest thing?

(Of course, Mabel and Dipper assume Bill harassed their parents to try to trick them into naming a kid after him. To be a jerk.)

When Bill meets Mabel, he's unaware that she's his future self—Bill's notably bad at doing things like, say, double-checking to see whether he's going to die anytime soon—but like... he can tell something's up.

Naturally, before visiting Gravity Falls, there were echoes of who Mabel used to be—but nothing anyone would be able to identify without context. All her Bill-ish quirks either smoothed out with time (see: how between second grade and fourth grade Mabel went from being the "freak" to the popular girl in class), or else they were accepted by her family as Mabel-ish quirks.

After they meet (and kill) Bill, they have the context to understand some of Mabel's behaviors... and unfortunately, some of Mabel's latent Bill-ness starts surfacing after she's been directly exposed to her prior incarnation.

The part of the Pines family familiar with Bill thinks the worst case scenario is that maybe Bill's survived and is slowly possessing Mabel; but far more likely, they think this is just some weird way of trying to subconsciously process last summer. Mabel doesn't think she's being weird, you guys are being weird, stop giving her weird looks. They get attacked by one triangle and now she can't wear yellow or pick up macrame as a hobby??

(It's not all red flags and uncomfortable triangle imagery, though. When Stan asks her what she'd like as a gift for some important event, she shyly admits that she thinks she's starting to outgrow her plastic gem jewelry and maybe she's old enough to get her first piece of real gold jewelry, if that's not too expensive? And Stan's never been so proud of her. Thirteen years old and already thinking about buying gold!)

But of course, the real fun starts when Mabel finds out.

That's the face of a girl who's just discovered that she tortured her great uncle. Now imagine running into the brother she possessed.

But I've already spent a million words and thirteen images on this post. If enough folks are interested in the AU maybe I'll expand on it later. Let me know what y'all think.

[mr-jack-letterman]

We need more young stan content out here.

And nah I ain't talking about 12 year old Stanley or 30 year old mullet Stan, I'm talking 17 year old, slicked back hair, acne riddled Stan pines.

Yeah that one.

I am so happy mullet Stan is so popular because his fit slaps ngl and the angst is so potent I can't not respect it. But teenage Stan has so much potential it's driving me insane.

There is a line dividing the 17 years of relative happiness Stan had with Ford and the 10+ years of depression and crime he had on the streets, and teenage Stan uses that line as a goddamn jump rope.

Seriously, depending on how you look at it dude is either living his best life or is fighting for said life in the trenches of homelessness and poverty.

I see a lot of content regarding Stan on the streets but it only ever focuses on 30ish Stan in his later years of homelessness where he's already a hardened adult after years of dealing with this bullshit. But Stan didn't just drive away and then magically turn 30. There were times in those first few months after Stan got kicked out where he was in his car, trying to sleep, probably starving, while still being fundamentally a child.

Hell, compared to the 30ish age of mullet Stan and the 60+ year old con man he'd later become, teenage Stan is damn near a baby. There's a certain brightness about him, a sort of warm naive optimism that still clings to him because he's straight up just too young to know any better.

He's still fully convinced he's gonna make it rich and go back to his family in a few years. He still believes wholeheartedly that even if shit sucks right now, eventually everything is gonna be okay. It has to be. But it's not gonna be okay. It's not gonna be okay for a long time. And some parts are just never gonna be okay.

Seeing a happy and oblivious teenage Stan feels like watching a baby lamb walk into a slaughter house.

The next 10-something years are going to tear him apart limb from limb. In 40 years he's going to wake up on a boat during a bout of amnesia thinking he's in Columbian prison, or he's locked in the trunk of a car and about to drown, or his shoulder is on fire and his brother is gone, or it's the end of the world and everyone he ever dared to give a shit about is about to die in front of him and it's all his fault because he was too weak to stop it.

At some point, a young Stanley is going to get into his first true life or death fight. He doesn't even have to be involved with crime yet for it to happen. He's probably bruised and bleeding, with not nearly enough money to afford a doctor. He's sitting in the driver's seat of his El Diablo having a complete and utter break down because he almost died and suddenly everything is real.

Nothing is okay, absolutely nothing is going to be okay and whatever is left of his teenage innocence, naivety, and warmth dies in that car and it never comes back.

The next 10+ years are going to fundamentally change Stanley as a person and he's never going to be the same ever again. But teenage Stan doesn't know that, he's still a kid trying to sleep in the back of his car, ignoring hunger pangs and finding comfort in the half baked business ideas his mind cooks up because he doesn't understand how utterly done for he is.

12 year old Stanley I believe is so appealing because of his bright rambunctious spirit. He's still just a kid playing on the beach with his brother, but so was teenage Stan. I just wish the wholesomeness that comes with that and the subsequent hurt that follows as that spirit is broken over and over again by the world was explored more.

Thank you for coming to my Ted talk.

[estellan0vella]

Shut Up, Mom! ❀ includes: Gojo, Geto, Nanami, Choso, Toji & Sukuna (REQUESTED) Masterlist

You stand firm in the kitchen, arms crossed, after denying your child's request for more sweets. Gojo lounges casually nearby, a faint smile playing on his lips. Your little one, clearly frustrated, looks up at you and blurts out, "Shut up, Mom!"

The air grows tense instantly. Gojo's blue eyes narrow, the usually playful glint gone in a flash. He straightens, walking over to kneel beside your child, his expression serious yet calm. "Hey, we don't talk to Mom like that," he says, his voice low but firm. He gently cups your child's cheek, his touch a blend of sternness and care. "Mom loves you and makes rules to keep you from getting sick. Apologize to her."

Your child glances between you and Gojo, recognizing the gravity in his usually lighthearted father's eyes. "I'm sorry, Mom," they mumble, looking down.

Gojo's smile returns, a bit softer now. He ruffles their hair. "Good. Now, how about we find something else fun to do together?" 

In the living room, you're putting away toys when your child whines for more TV time. When you deny the request, they stomp their foot and shout, "Shut up, Mom!"

Geto, who has been quietly reading on the couch, lowers his book, his usually calm demeanor shifting to one of quiet authority. He stands, approaching your child with a measured stride. "We don't speak to Mom like that," he says softly, yet his voice carries a weight that demands respect. He kneels to meet their eye level. "Why did you say that?"

Your child looks guilty, fidgeting under Geto's steady gaze. "I was mad."

Geto nods, his expression softening slightly. "I understand being mad, but words have power. Use them to express your feelings, not to hurt others. Apologize to Mom."

With a small nod, your child turns to you. "Sorry, Mom."

Geto smiles, patting their shoulder. "Good. Now, let's find a way to enjoy the rest of our day without TV."

You're in the study, helping your child with their homework when they throw down their pencil in frustration. "Shut up, Mom!" they snap when you suggest they redo a wrong answer.

Nanami, who had just walked in with a cup of tea for you, freezes. His jaw tightens, and he places the cup on the desk with deliberate calmness. He steps over, placing a hand on your child's shoulder. "We do not speak to Mom that way," he says, his tone firm but not loud. "She is here to help you."

Your child looks up at him, eyes wide. "But it's hard!"

Nanami nods, his expression softening but remaining serious. "I know it's hard, but being disrespectful doesn't make it easier. Apologize to Mom and let's try again together."

Your child sighs, looking down. "I'm sorry, Mom."

Nanami gives you a small, reassuring smile before turning back to your child. "Good. Now, let's tackle this problem together, step by step."

In the middle of a family game night, you deny your child an extra turn, trying to teach fairness. They scowl and shout, "Shut up, Mom!"

Choso, who has been arranging the next round of pieces, looks up sharply. His eyes, usually so gentle, darken with concern. He sets the pieces down and moves closer, crouching beside your child. "That's not how we talk to Mom," he says, his voice calm but with an edge of disappointment. "Mom is being fair."

Your child pouts, crossing their arms. "It's not fair!"

Choso sighs, placing a hand on their small shoulder. "Life isn't always fair, but respect is important. Apologize to Mom and let's continue our game with kindness."

Your child hesitates, then mumbles, "Sorry, Mom."

Choso smiles softly, nodding. "Thank you. Now, let's see if we can make the game more fun for everyone."

During a meal, you tell your child they can't have dessert until they finish their vegetables. They glare at you and shout, "Shut up, Mom!"

Sukuna, who has been eating quietly, pauses mid-bite. His eyes flash dangerously, and he slowly puts down his utensils. Rising from his seat, he moves with a predatory grace to stand beside your child. "What did you just say?" he asks, his voice low and menacing.

Your child shrinks back, suddenly aware of the gravity of their outburst. "I... I said shut up..."

Sukuna leans down, his presence overwhelming. "You will not speak to your mother that way," he growls. "She deserves your respect. Apologize. Now."

Trembling, your child looks up at you. "I'm sorry, Mom."

Sukuna straightens, his intense gaze still fixed on them. "Good. Now, eat your vegetables. Or I eat your toes"

"Ryo!"

You deny your child's request to stay up late, and they respond with a defiant, "Shut up, Mom!"

Toji, who has been leaning against the doorframe, straightens immediately. His expression hardens, and he walks over, his steps heavy with purpose. Kneeling down, he looks your child directly in the eye, his voice a low rumble. "We don't talk to Mom like that. Ever."

Your child squirms under his intense gaze. "But I want to stay up!"

Toji shakes his head, his tone leaving no room for argument. "That doesn't matter. Respect is non-negotiable. Apologize to Mom right now."

Your child glances at you, then back at Toji, clearly chastened. "Sorry, Mom."

Toji's expression softens slightly, and he ruffles their hair. "Good. Now let's get ready for bed. No arguments."

[reareaotaku]

Hi! I saw your yan Bill hc's and I really enjoyed them so I was wondering if you could please do a prompt or hc's of a reader that taunts Bill after finding out he can't bother them anymore (because he's trapped in the theraprism).

Like Bill thinks reader is there to visit but in reality they're there out of spite? Sorry if this is too specific btw

I'm so glad you liked it! I also have a 'Rev! Pine Twins vs Pine Twins' & 'Teenage Ford and Stan Pines Headcanons' in my drafts. Really excited for the future of Gravity Falls

I hope that this is to your liking!

👁️ He's not supposed to have contact with the outside world, but you still heard through the grapevine that he was in the Theraprism. As a victim of Bill, you were allowed into the Theraprism as a hope for Bill to rehabilitate faster. For you it was more of making sure he was really gone and wasn't going to bother you anymore.

👁️ He was thrilled to see you, even if he was behind a force field. They left you alone and for a second, he thought you came here to help him get out. Imagine his surprise when you start laughing. He's angry and embarrassed.

👁️ "You know, when I heard you were locked up, I was imagining more chains, but it looks like you got a worse fate than prison." You laugh pointing at him. "Aww, you almost look cute in there."

👁️ "Shut. Up."

👁️ "Or what?" You tease, tilting your head, causing a smirk to appear on your face.

👁️ "When I get out of here-"

👁️ "Oh, Billy... You really think you're getting out of here? Don't be ridiculous."

👁️ He decides to just turn around and start ignoring you, much to your annoyance, because you were having fun teasing him. You were annoyed and Bill just wanted to have some control over you, even if it was having control over your anger.

👁️ "Oh, what are you? A child? Stop throwing a tantrum."

👁️ He shakes his triangle body, in a way that lets you know he means no. You frown, your brows scrunching together.

👁️ "God, you're like a kid. For someone so powerful, you really are so... Immature."

👁️ "You think I'm powerful?" He turns around, his eye lighting up. If he could blush, he would.

👁️ You groan, rolling your eyes and turning away from him. "Of course that's all you heard."

👁️ He gets close to the glass, eye to eye with you, "You have to get me out of here, Y/n."

👁️ "Why on god's earth would I do that?"

👁️ "I can give you power you've only imagined. We could rule this world toget-"

👁️ "Yeah, I'll pass. Thanks tho."

👁️ He frowns, making a sound of a pout/huff and going back to his corner.

👁️ You sigh rolling your eyes, "You know, I won't let you out, but if you're good, maybe I'll come ba-"

👁️ "Yes! Yes, you must come back."

👁️ "Mkay. I will." You dig through your bag, before pulling out a cupcake.

👁️ Bill watches you pull open the little window between you and him and pushing the cupcake in. He devours it in one bit, it was rather graphic, taking you back.

👁️ "When will you be back?"

👁️ "I don't know..."

👁️ "As soon as you can?" He practically pleads and you sigh.

👁️ "Sure, Bill. As soon as possible."

[burst-of-iridescent]

the thing with zuko and azula that people, specifically azula stans, seem to forget is that they are intentionally and specifically characterised in opposition to each other.

i keep seeing discourse about how azula deserves a redemption arc & even leaving aside the fact that a) saying someone “deserves” a redemption defeats the purpose of what redemption is and b) there was no space in the original show for azula to redeem herself anyway, azula could not have been redeemed because part of her narrative purpose is to be a foil to zuko.

zuko and azula are each the metric against which the other’s evolution (or devolution) is measured, and it’s the striking disparity between their character arcs that makes said arcs as impactful as they are: the child who swallowed the poison vs the child who spat it out. the fire nation royal who perpetuated the cycle of violence vs the fire nation royal who broke it. the abuse victim who became an abuser vs the abuse victim who became a protector.

would zuko’s redemption have felt as satisfying and hard-won if we hadn’t seen in azula the alternate path he might have so easily gone down? would azula’s downfall have been as terrible and saddening if we hadn’t seen the possibility of a better future embodied in zuko?

thematically speaking as well, the fire nation royal family exists as a microcosm of the fire nation itself — the generational trauma and violence passed down from sozin to azulon to ozai to azula and zuko is symbolic of how the fire nation’s warmongering has turned inwards, back on itself, a self-inflicted wound that grows and festers and rots until they’ve destroyed themselves just as much as they’ve destroyed the world. but where zuko represents a way out — hope for healing, for peace, for an end to the self-destructive nature of war — azula represents the cost of that war, the damage that can never be undone, the danger of remaining mired in an ouroboros, forever the snake that bites its own tail.

a version of the show where both zuko and azula redeem themselves together would have lost the grave, sobering impact of that message: that getting out as zuko did is the exception, not the norm, because the system in which they exist is built to be a trap. and even when that system is dismantled, the destruction it’s wrought cannot be fully erased.

the point of zuko and azula’s story lies in its inherent juxtaposition: there was never going to be room for both of them to rise or even fall together, not in the world in which they were raised and the virtues it extolled. and it’s because zuko exists as who azula could have been and azula exists as who zuko might have been, that their individual arcs are so powerfully poignant, and their relationship so infinitely tragic.



[drmohammedibrahim]

After I written a post regarding to my journey for bought milk and diapers to my child Ibrahim and the price was not reasonably more than 140$... I decided today go to kan younis market (city in South Gaza) one of the big market before the war in whole Gaza strip to buy some clothes for my child with a knowledge there are no new clothes and most of the clothes are from bales (secondhand).  I have no problem if it is used.. The important thing is to find any clothes for my child because winter is starting to get tough... I went into all the stores that sell children's clothes, and there are 7 of them... I looked at most of the clothes inside them for sale in these stores. I rarely found exactly what I wanted, but I decided to buy... I took two pieces of these clothes and went to pay costs... Guess how much the saler asked for these two pieces.. The first piece asked for 140 shekels ($38), and the second piece cost 180 shekels ($49). Of course, I was shocked by these exorbitant prices, but the biggest shock was when I asked him why the second piece was much more expensive than the first piece... He told me because the second piece is almost new, not like the first, but for me they both look the same. I laughed and said to him, do you have another piece that is used a lot and is cheaper than this almost new one? He told me no, but it might be available after a week, but I don't know how much the prices will be... I was curious and asked the saler from where he gets these used clothes . He answered me that there are people who come and sell me these clothes because they don't have money to buy food . I asked him again, what if they have children? What will they do when they sell their children’s clothes? He told me it is enough for the child to have one or two pieces, and they sell the rest. After I heard that for a moment I keep silent and thinking of this world  why we? why gaza? why Palestinian people? why why why?... of course no one can answer? Then I back to my matter and asked him how much would you sell me the two pieces that I want.. Is there a discount? He said to me, I will give you both for 300 shekels ($83). Note: the real price before the war for these 2 pieces 30 shekels (8$) now ×10

In case ..., I only have 200 shekels ($55) in my pocket. I did not know what to do, should I buy or not... In the end, after deep thinking, I decided to buy the second piece... I felt so happy when I returned to my tent because I brought something for my child..

Note: Average income in the Gaza Strip before the war around 1000 shekels (270$). Now during the war no income at all

However, I wished that I had enough money to buy the second piece because I spent more than two and a half hours until I found what suited my request. I expected the money I had would be enough to buy clothes and buy some vegetables and groceries, but this is what happened, knowing that the price of vegetables and groceries is not much less than the price of the clothes. I will write about that soon.

Wait me for the second trip to buy some food.

Thank you all, my friends.

If you want to donate and contribute any amount even (5€) I will be so appreciate and thankful 🙏

Donation link here:

https://gofund.me/faf917c2

Love you all.

Vetted by

@90-ghost here

@gazavetters here (#137)

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