#But there's nothing like the real deal I guess!
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louisferrignojr · 2 days ago
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i keep saying i'm not going to pay this show any more attention and I keep coming back with more thoughts and i decided to inflict them on all of y'all so here goes
hot take: the brad/hotshots storyline isn't inherently bad. it was entertaining. it was fun and campy, classic 911. i love it when shows get a bit meta. we stay sillay.
however it all falls completely flat, and here's why:
they butchered the main storylines they had set up at the end of s7 — Hen and Karen vs Ortiz (and Gerrard), the 118 vs Gerrard vs Tommy (don't play, they wrote it out with big block letters), Bobby's suicidal ideation, abrupt resignation and relationship conflict with Athena, not to mention NDE. the only storyline they seem to have spent any time on is Eddie and Chris — thank fucking fuck, some good food for Eddie.
they have disregarded previously established side characters in favour of developing Brad Torrence. where the fuck is Ravi? where's Sue, where's Linda? why is Josh only there as a mouthpiece to deliver a cringeworthy self-congratulatory speech praising Ryan Murphy's previous — and still DEEPLY biphobic — work?
the hotshots storyline of 8x07 and 8x08 should have taken place WAY later in the season: only after spending time giving their existing characters and relationships the focus they so sorely need.
Hen and Karen and their struggles with Mara being with Chimney and Maddie — where was the conflict between Hen and Chimney? blink and you miss it in 8x01. why was everything wrapped up so fucking quickly in 8x04? the pacing of that episode was INSANE. they could have drawn it out until the mid-season finale, and ended it on a positive note of Mara coming home.
Maddie and Chimney have had almost nothing all of 8a — what looked like a conversation about family planning, addressing their past issues, deciding to stick together and make it work this time, it was building up to something so good — and it crumbled before my eyes with the accidental pregnancy reveal. because we're dealing with teenagers who don't know how birth control works, not two grown adults in their 40s with a history of PPD. be so for fucking real.
and then: why bring back a homophobic, racist, sexist character, have him act EXACTLY like his old self — including throwing a subtle slur at his old subordinate who's just come out of the closet — and then reduce him to a cartoonish villain — did they perhaps realise that bringing back Gerrard was a big mistake? that no one wants to see this type of villain anymore? that his return undercut the justice of him getting fired by the LAFD for his bigoted behaviour? much to ponder.
Athena and Bobby nearly died, they lost their house in a fire (hello? ptsd flashbacks? no? okay.), then Athena nearly died AGAIN, but we don't need to linger on any of this. back to work, you two. Bobby, you get your firehouse back. Athena, back to doing bad cop shit, i guess. (they had a nice relationship moment with the house hunting and deciding to build etc in 8x04, and that's about it).
Buck had a consistent storyline between 8x01 - 8x04: struggling being under Gerrard, getting to work with Bobby again, and finally getting his captain back on a permanent basis. then we got 8x05 with Tommy — an episode dedicated on the intimacy and depth of their relationship — which they then completely fucked it up in 8x06. yes, the "past connection" reveal was a terribly done messy retcon of the entirety of s1 if you ask me, and a disservice to all three characters: Buck, Tommy, and Abby. the backlash from the GA following the breakup speaks for itself. but they then went to make a big joke of Buck coping with the breakup in 8x07 and 8x08. because we can't be serious about anything, ever. and again — I get it. it's the weewoo show. but don't tell me they haven't previously done well thought-out, touching storytelling. anyway, this got a little derailed because i'm still so fucking salty — the bottom line is, however they butchered Buck's storyline, at least he's had something meaningful.
the only other main that has had a meaningful storyline in 8a is Eddie. they've shown him struggling with being away from Christopher in almost every episode. i can't say i'm a big fan of the way 8x06 went for him (literally. enough with the movie references. tim minear have a fucking original thought for once). but I'm loving where his storyline is headed. that was a good 'cliffhanger' if you will. go back to your roots baby! go reconcile with your son — own up to your mistakes! talk to him about his mother! go to father-son therapy together! -> so much wishful thinking, y'all. we'd be lucky to get 1/10th of this on the show, but whatever.
tldr: no one gives a flying fuck about hotshots or brad because while we love the silly weewoo show, we need something to chew on before you toss us a half-baked dessert. to quote lou ferrigno jr, i am not satisfied.
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slimeyoldman · 2 days ago
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1. Rick for sure, I like everyone in the family tho ! My favorite specific Rick's are Toxic(because he's awful and very very short sighted, idk i just think he's interesting in a sopping wet pathetic way.) and Flesh Curtains era(because let's be real how am I going to look at a 30 something grungey drunk and not be obsessed. thats like, some of my favorite people irl.)
2. I don't think it matters! Probably space beth, but eh 🤷‍♀️
3. No not canonically. I think it'd be really fun tho and I like all the theories. Ricks do mess around tho, hes a horndog and the citadel exists, a huge conglomeration of Him, i think it happens more often then it seems to.
4. Tilda. I will not elaborate.
5. Errh idk! A lot i guess. Theyve said before they want the like, classic adult cartoon run time(think futurama, family guy, simpsons), so as many seasons as humanly possible if the writers get their way. I think they step on their own toes a little since they seem to toggle between wanting to be an episodic sitcom, but ALSO a serial scifi thriller. I dont think theyve done badly in that regard so far, but theres absolutely aspects of both that are suffering because of the other's presence.(plot inconsistencies n that kinda thing.)
6. Smash, it would be a bad decision for both of us, but itd be fun !
7. Does the galactic federation count? Probably not since its an organization, but for sure that one. Super interesting stuff u can do with space bureaucracy(bc im boring) and state-sponsored violence. But as for an individual, I really really like Beths mytholog, that whole concept is really cool, and her design is hella badass lol. Also i guess Toxic Rick is a villain too !
8. oof I've tried to figure this out and i dont think i can narrow it down, but i really like Rattlestar Ricklactica, Vat of Acid, and a Rickle in Time.
9. uhh idk the one with the giant incest baby? I didn't enjoy Story Train either tbh. I don't think any of the episodes are like, unwatchably bad, but theres absolutely a few I skip when i rewatch the show.
10. I don't care about story lord like, at all. hes just. deeply uninteresting. Not a huge fan of Mr. Poopybutthole, but i think i just thought we were reminded of him too often.(i liked the intervention episode well enough tho)
11. Oh man this is hard to answer cuz hes just done So Much. Like, guys a shithead. The reckless disregard for innocent bystanders is pretty bad. I think it sucks when he orchestrates situations in which morty has to lethally defend himself, and then totally disregards his feelings(which is literally all the time lmfao). like, the kids 14. His casual manipulation of Beth is super fucked, cuz he knows how much he means to her and he exploits that. yeah idk, guys just a pos all around lol
12. Dated question, luckily no! I think the new voice actors are great :3
13. All the rnm blogs i follow are badass as hell. idk how to pick ill prob edit this l8r
14. Can I say rick without sounding like a total loser. mentally ill, substance abuse issues, ruled entirely by emotions, hedonistic while paradoxically engaging in self-harm/hatred. nihilistic(silly flavor). freaked out by commitment/attachment. the party friend(as opposed to someone you invite for brunch or to meet ur parents). also science is cool.
15. the entire "...couldn't let a dead snake be dead even after it bit his ankle, next time stay in the fucking car!" monologue. and the "a vat of fake acid are you Dying of Dementia?!" fight.
16. i havent finished my brackets yet ill get back to you.
17. same as above.
18. man idk probably. i dont actually watch it in a way that supports them(financially) anyway, but that would suck balls cuz its a fixation of mine.
19. done to death probably but mortys "come watch tv?" quote is my fave. it reads to me as incredibly reassuring. optimistic nihilism. like, "nothing means anything, nothings a big deal, lets chill and enjoy it while we can." ya know? like dying is the same as before you were born, and Everyones gonna do it, but we're here together right now, so lets eat pasta and get a little drunk.
20. i know hes doing his own thing but can i be snowball. hes cool and empathetic and capable of growth, also i wanna see how the dog utopia is going.
20 SHORT-ANSWER* RICK AND MORTY QUESTIONS FOR YOU:
*You can write long answers, if you'd like! Feel free to skip questions, too!
Who is your favourite Rick and Morty Character?
Which Beth is the clone: Domestic Beth or Space Beth?
Do you think that Rick-C137 and Rick Prime were previously romantically involved?
What do you think would be a good name for Birdperson and Tammy's daughter?
How many seasons do you think Rick and Morty will eventually have?
Rick C-137: smash or pass?
Who is your favourite Rick and Morty villain?
Your favourite Rick and Morty episode?
Your least favourite Rick and Morty episode?
Who is your least favourite Rick and Morty character?
What is, in your opinion, the worst thing that Rick C-137 has ever done?
Do you think that Rick and Morty will be affected substantially by having to change the voice actor for Rick and Morty and a bunch of other characters?
What's a good Rick and Morty blog?
Who is the Rick and Morty character that you relate to the most?
The funniest Rick and Morty bit/scene, in your opinion?
Best Rick and Morty season?
Worst Rick and Morty season?
Would you stop watching the show if Justin Roiland returned?
Your favourite Rick and Morty quote?
If you had to be one member of the smith family in the next season, who would you want to be?
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zara-renata · 2 days ago
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And everything that is now already existed then | ao3 | masterlist
Summary: Sylus shows you his favorite parts of his house, you are haunted by a strange feeling of familiarity, you spend some time with the twins and Noah, you learn about the bet they have going, no this is not a wattpad bet story that will be turned into a multi-part tv series even though i love that trope so much, the self control i exerted should be acknowledged if not praised. This part has less humor than other parts, I've been in a contemplative mood recently, sorry. Part 17 of the Sylus series.
Notes: Sylus x gn reader, Sylus x mc, second person POV, some Sylus POV. They/them pronouns are used to refer to reader as a placeholder for your preferred pronouns. The slowest of slow burns friends-to-lovers. This story contains: angst, fluff, banter, poetry, questions of morality, video game violence, discussions of real life violence, profanity, alcohol mention, self-harm mention, mc with self-esteem and guilt issues.
The water is warm. The man underneath you is warm. Your heart, you realize, is also warm. Quiet. Nothing hurts. You marvel at the feeling. How long can you get away with this? Plastered against Sylus’s big body, his rough hands just resting on your back. You feel guilty for keeping him from doing something else. For not being at work. For doing absolutely nothing useful to anyone. For feeling so good.
Sylus holds you, seemingly content to just sit here with you as the water laps against the sides of the pool.
“Don’t you have business to attend to?” you reluctantly ask, because you’re incapable of just trusting that good things can last. That the fulfillment of your deepest desires won’t be snatched away when you least expect it, so you push, push, push, seeking the weakness that will ultimately crack and cause the moment, finally filled, to break.
Sylus holds you a little tighter. “No.”
You wait, but he doesn’t elaborate. You should just accept it. Just enjoy this moment. All you have in this life is each moment—that’s all there is. Why can’t you just experience each one, savor it, suck it dry, until the next? Why must you always waste the pleasure of each moment by being in such a rush to get to the inevitable end?
But you can’t just accept it. You don’t know how. Your whole life has taught you that the moment you trust the permanence is the moment that the moment shatters. Might as well ruin it first, instead of fearing the end. And who are you to complain? What have you done to deserve it in the first place?
“Business slow in the Onychinus economy?” you ask.
“Tch,” he responds, seemingly indignant at the mere suggestion that his business isn’t printing him money even as he canoodles in a hot tub with you. “Business is booming, darling. The human capacity for cruelty is an endlessly growing market.”
You press your cheek harder against the sweaty skin just under his collarbone. You don’t want to think about what he offers people to enable that endless cruelty right now.
“Then how do you have the luxury of lazing about with me?”
“I’ve tasked Aidan with handling business that requires executive decisions for the foreseeable future. As much as it annoys me, I will likely have to answer calls like this morning, but I’ve informed him that I will not be leaving the base unless it’s absolutely necessary.”
You lift your head, curious. He looks down at you, relaxed, eyes glowing in the low light from the pool.
“Why?”
One corner of his beautiful mouth lifts. “Guess.”
You stare at him. He’s taking time off, not pursuing new deals, not focusing on growing his wealth… for you? Ridiculous. 
“What will you do while you’re not doing business?” you ask, not able to bring yourself to guess out loud that he took time off for you, to spend time with you while you’re staying with him.
“What do you want to do?” He runs his fingers along your temple, brushes a lock of hair behind your ear, traces the shell of it with a fingertip.
“That’s not an answer,” you say, softly.
“Yes, it is.”
You can’t believe it. The man who is always on the go, from one deal to the next, disappearing for weeks at a time, doing who knows what, who knows where—the man who probably gets bored out of his mind while instigating a riot—says that he just wants to do whatever you want to do. You, whose idea of excitement is a new pair of sleep pants and a night off to watch let’s plays of horror games that you don’t have the time and energy to play yourself anymore.
“You can’t mean that.” You frown at him.
“Try me,” he challenges.
You try to think of something that he’d hate just to prove your point that he doesn't actually mean it when he says he’ll do whatever you want.
“Oh, kitten’s plotting,” he snickers after seeing your expression.
“I want to watch every Justin Bieber documentary ever produced,” you say defiantly. You really don’t. But you’re sure he’ll balk at this outrageous suggestion.
He shrugs a little. “Okay. We can see if they’re on demand in the theater room. If not, I’m sure we can pirate them.”
You narrow your eyes. He can’t mean it. Fuck, if he’s going to call your bluff, you’re going to have to actually sit through who knows how many hours of Justin Bieber: Our World. You barely suppress a shudder.
“Actually, I want to fly to a warm seaside resort and swim with dolphins,” you try, the picture of casual entitlement. You do not want to do this. You’re fucking tired. The last thing you want to do is get on an airplane.
“Dolphins can be as vicious as humans, but if you really want that, we can pack some things now and be on our way by dinner,” he says calmly. As if the suggestion isn’t utterly outrageous.
Is he being as petty as you, intent on not admitting that he didn’t actually mean it when he said he would do whatever you want, or does he actually want to do whatever the fuck you want? You can’t read him at all right now.
You’re desperate and stubborn. “Actually, I think the amusement park in Linkon City is having a furry event all week. I’d like to dress up as our respective fursonas and ride the roller coasters all day.” 
Sylus doesn’t even blink. “Do you have a fursuit already, or do we need one tailored before we can go?”
You laugh in disbelief and rest your forehead on his shoulder. “What about you? Do you have a fursuit already?”
“No, I don’t have a fursuit, because I’m not a fucking furry,” he says drily.  “But I do think I’d make a very majestic caracal cat. Which goes nicely with your kitten fursona.”
You blink. “That's quite self-aware of you." And then you scowl. "My fursona wouldn’t be as lame as a kitten.”
“Oh? What animal do you think accurately portrays your personality?”
You lift your head and think. You’ve never really thought about it. Something small and mean, probably. “A mongoose.”
He tilts his head, considering. “That actually fits you quite well. Good at hunting snakes, and very, very cute.”
You can feel yourself blushing. “Yeah, well. I’m not a furry, so it doesn’t matter even if it doesn’t fit,” you mumble a little.
“And yet you want to go to the furry event at the amusement park,” he lifts an eyebrow. 
You stare at him, mulishly. You’re not going to admit that you’re trying to poke holes in his patience because you can’t trust nice things.
“But I don’t think that’s what you actually want to do,” he continues, with a gentleness that hurts your heart. He urges you to wrap your legs around his waist. “When I said you could test me, this is not exactly what I had in mind,” he teases. “How about you test me by telling me what you actually want to do, and then you’ll see that I mean what I say when I refrain from complaining about being bored while we do them?”
You wrap your arms around his neck as he stands gracefully, the water sliding down both your bodies. “I don’t want you to just not complain about being bored,” you argue. “I don’t want you to be bored at all. You don’t have to entertain me while I’m here. You can do whatever you really want to do.” You mean this. It’s enough, just being in the same house as him right now. Knowing that in the evening he’ll end up in the same bed as you. You don’t want him to tire of you too quickly by insisting that he spend every moment with you.
“Then I repeat—what do you want to do?”
Okay. Okay, he asked for it.
“Show me your favorite things to do at home, when you’re not being a warlord.”
He looks surprised. “That’s it?”
“Yeah. I’m really tired. I never get a chance to just relax. I don’t want to go anywhere, or do anything exciting.” You bite your lip, unwilling to admit that you’re desperate to learn more about him and that worried he’s going to think you’re boring. 
He leans forward and catches the side of your lip not caught in your own teeth with his. With your lip between his sharp teeth, he pulls back, gently, until you release it from your own. He pauses, inhales, and then lets go, licking your bitten lip with a quick, soothing flick of his tongue.
“That’s my spot,” he murmurs, pulling back.
Your brain is offline. You have no idea what you were just talking about, or what just happened. All you can feel is the slick of his saliva on the plush of your lip.
Fuck.
You want to fuck him so badly.
You search his face. Can he tell? Does he feel the same way? He touches you like this, and then does nothing. What does he want?
If he can tell what’s going on in your head, he doesn’t comment on it. “Then we can stay home. I’ll show you what I like to do when I’m tired and don’t want to do anything exciting.” His faint smile is tinged with self satisfaction.
“Okay,” you choke out. You will not slide down his body, push him onto the soft moss, and jump on him. 
“But first, I will feed you.” The tendrils of his evol bring the fluffy towels to his waiting hand, and he wraps one around you, all while you cling to his torso. He just drapes the other around his shoulders, over your arms still wrapped around his neck. His evol then ferries the two cocktails that remained untouched for the whole time you were in the hot tub, following you back through the pool room and into the chill hallway as Sylus carries you to the kitchen. Between the heat of Sylus’s body and the towels blanketing you, you’re still warm. You watch the drinks following you over his shoulder, and then glance at him.
At your look, he says, “What? It would be a shame to let perfectly good drinks go to waste.”
“What time is it? Don’t you think it’s a bit early to start drinking?”
He shrugs. “It’s probably past midnight, sweetheart. That’s when one normally drinks alcoholic beverages, isn’t it?”
You sigh. “So it’s basically noon in your day-night cycle.”
“Time is a construct, and inherently meaningless,” he says serenely.
After this insufferable response, you give up trying to save his liver for the moment.
____________________
Later, after Sylus serves you a meal packed with protein that pairs nicely with the cocktails as the fire crackles pleasantly and the clouds, reflecting the N109 Zone’s bright lights even at night, sweep across the sky outside his kitchen windows, after you’ve showered and put on warm, comfortable clothes, you find him in the sitting area of his bedroom, reading a book, the Beatles playing on his record player. You recognize the song— The long and winding road. 
You stop, suddenly overcome with an overwhelming sense of sorrow. He looks up from his book and watches you curiously.
You left me standing here, a long long time ago
You feel like you’re forgetting something very, very important. Like your dream last night, but not about your family. About the man watching you inquisitively, his long, graceful fingers holding the book gently, the outline of his aquiline nose limned in the soft lighting of his bedroom.
Don’t leave me waiting here, lead me to your door
You suddenly can’t bear to be separated from him for one more second. You pad to him on your freshly bandaged feet, knock the book out of his hand, clamber into his lap, and hug him.
His arms come around you as if he doesn’t mind that you’ve just bulldozed your way onto his lap. After a few minutes, the song ends, and a new, more upbeat one begins.
You feel like you can breathe again.
You sit up, looking down into his face. You want to kiss him so badly. You’re afraid that he’ll gently push you away, as he pushed your hand away from the tie of his sleep pants that you were fiddling with recently. With such kindness, but a loud, resounding rejection of what he perceived to be you offering your body to him.
He’ll bite your lip, but you’re so scared that he doesn’t want to kiss you. Sometimes it seems like he wants you, you, not just a body, not just anyone praising him or challenging him, but you. Do you really still not know? My beloved is perfect to me.  
But what if you’re wrong? What have you done to earn this incredible man's devotion?
“Will you tell me what you’re thinking right now, without the guessing game?” he asks softly. 
You shake your head. “No. And I don’t want to play the guessing game right now.” You can’t bear to think about what you may be forgetting as you look into his blood-bright eyes. You can’t bear to reveal how badly you want to kiss him, only to be rebuffed.
“Not even a hint?” He nudges your nose with his. “Otherwise I’ll spend every free moment sitting around reading, listening to classic rock music.”
You look at him in confusion. “Why?”
“It seemed to work in luring a kitten into my lap this time. Maybe it works every time.”
Your heart is doing something funny. It doesn’t hurt. It feels… it feels so fucking warm. Like in the hot tub. What is happening to you? 
“The music made me sad,” you offer this truth, as a reward for his sweet response.
“Not a fan of the Beatles?” He fiddles with the hem of your shirt, his knuckles brushing against your skin underneath.
“I do like their music. My gran used to listen to them a lot.”
“Is that what made you sad?”
You give him a look. “I said I didn’t want to play the guessing game.”
“I’m just asking questions,” he protests, the picture of innocence. “Is it a crime to want to get to know you?”
You gaze at him. Weren’t you just thinking about how you’re desperate to know everything about him? “Not one I’d arrest you for,” you say, looking down, smiling a little.
He laughs softly. “Lucky me. It would be hard to uphold my end of our deal and show you the music room, the library, and my favorite part of the greenhouse from behind bars.”
“That sounds like a busy itinerary,” you say, lifting a finger, tracing his clavicle revealed by his soft v-neck sweater.
His knuckles sweep over your skin just above the band of your soft pants.
“We have time—we don’t have to do everything today. Which one do you want to see first?”
You don’t care. Your heart is being weird and Sylus is touching you, and you’re touching Sylus. You could just sit here, forever, and enjoy whatever this… feeling is. But you’re afraid you’ll ruin it. Like you always do. If you take too much, he will actually get bored. You should pick one.
“Library,” you say firmly.
“As you wish,” he says, standing, holding you all the while. You can’t bring yourself to protest. You can walk on your own feet. Your feet already feel a little better after just a day. But he’s warm. And he doesn’t seem to mind at all. You drape yourself over him, and let him carry you through the dark halls to his library.
He sets you down outside one of the ubiquitous black doors, and then opens it for you. 
His library, like the greenhouse, the pool, the room like a mountain hot spring, is lovely in a way that the rest of his house simply isn’t. Soaring ceilings, heavy built-in wooden bookcases lining the walls, a huge fireplace, electric as opposed to the wood-fireplace from the kitchen, at one end of the room. A wrought iron spiraling staircase leads up beyond the heavy wooden rafter beams to a space you can’t see. Deep red, plush rugs in antique designs hush your footsteps. Plush, deep seated chairs and loveseats, side tables with Tiffany lamps gently illuminate the space. One wall of his preferred floor-to-ceiling windows letting in the N109 Zone night, the red moon bright in the sky as the clouds scuttle past. 
It’s like a library from an old, prestigious university. The kind of university you always wished you could have gone to, if you lived in another world. If this world didn’t need people prepared to kill and die for existential threats to humanity. Where you could study something functionally useless, but enriching to the human experience. Like French literature or poetry. The room smells of wood oil, old paper. 
You turn in a circle and find Sylus leaning against a bookcase, watching you take in the room. “This is one of your favorite spots in the house?”
“Yes.”
“Why?”
“It’s quiet. The twins aren’t big readers, so they don’t come in here. It’s a good place to think, and concentrate.”
“Have you read every book in here, like you’ve seen every film in your collection?”
He straightens from the bookcase and walks to you. As he comes to a stop in front of you, he reaches for your face, holds your cheeks gently in his hands. “No. This room is more about the future. Books I’d like to read when life is a little less busy. I’ve read some, but not as many as I would like.”
“Do you think that someday your life will be less busy?”
“If I have my way, yes.”
“And you’ll spend your days quietly reading in the solitude of your lovely library?”
“Not in solitude. But yes. You think it’s lovely?”
You look at him strangely. Didn't he just say he enjoys it because it's quiet and no one bothers him here? “Of course I do. It’s like someone designed it just for me.”
He looks down into your face, thumbs brushing across your cheekbones.
“Like I said. This room is about the future.”
You tilt your head at his non-sequitur. What does your loving the library have to do with his quieter future?
It almost sounds like…
The moment is full. You refuse to shatter it by considering such outrageous thoughts. You will enjoy this moment for what it is. A peek into the mind of this enigmatic man. The opportunity to explore a beautiful, private space in his home.
“Read to me,” he orders, striding to one of the soft couches and plopping down.
You snort. “What do you want me to read you, your spoiled highness?”
“Anything you want. Look around, pick something that catches your interest.” He lets his head drop onto the back of the couch, eyes half-lidded as they follow you walking to one of the bookcases, as you let your fingertips run along the spines of book after book. You see a lot of titles you don’t recognize. You see a lot that you do—classics as well as newer publications. You and Xavier spend enough time in the bookstore that you know a lot of titles by sight, even if these days you rarely have the time to read beyond the manga you share with your partner.
Your eyes catch on a familiar title.
“Oh,” you breathe.
“Find something?” Sylus asks languidly.
“One of my favorite poets. Gran had a copy of this.” You pluck the book from the shelf and walk back over to where Sylus is sprawled on the couch. The moonlight through the windows makes his eyes look even brighter than usual, glowing in the soft light.
“You’re a fan of poetry?” he asks, eyebrows lifting.
“Don’t act so surprised. I’m not entirely uncultured.”
“Your manga collection could have fooled me,” he teases.
“Manga is art. You’re a pretentious fool if you can’t recognize that.”
“No need to get your knives out, kitten,” he smiles, one sharp tooth peeking from behind his full lip. “I have a collection of manga here as well.”
“You do?”
He just steadily stares at you.
“Where?”
He closes his eyes. “Guess you’ll have to stay long enough to explore and find it.”
You stand over him, drinking in the sight of him. Surrounded by the scent of books, polished wood, the moon’s red light rendering him slightly otherworldly.
You want to stay long enough to find out. It’s only been two days, and you want to live in this moment forever. You're so greedy. You're so unworthy.
“Still want me to read to you?”
Instead of answering, the tendrils of his evol wind up from your ankles to your waist, lift you, deposit you on the seat next to him. He scoots down, places his head in your lap.
“You could have just said yes,” you say drily. “No need to be dramatic.”
“I don’t hear any reading. Chop chop.”
Oh hell no. You scowl down at him, but his eyes are closed. “Lap service costs extra.”
“Good thing I’m filthy rich.”
You scoff. “I don’t want your money.”
He opens his eyes. “I suspected as much. It makes taming you all the more difficult.”
You look at him curiously. “Is that what you’re doing? All of your generosity, in order to acquire a tame hunter?”
“What use is a tame hunter?” He dismisses your suggestion. “Your imagination is distressingly limited.”
“Once again, I disappoint,” you murmur. He clearly isn’t in the mood to answer your questions.
He tsks and closes his eyes again, wiggles a little to get more comfortable in your lap. “Make up for it by reading your favorite poetry to me.”
You want to lean down and kiss the smug look off of his face. You don’t want him to turn away if you do.
You begin to read.
“Try to praise the mutilated world.
Remember June's long days,
and wild strawberries, drops of rosé wine.”
He interrupts you. “I see why you like Zagajewski. Someone else who shares your taste in middling wine.”
“No comments until the end, thank you,” you jostle his head by bouncing your thigh a few times.
He scowls, places one big hand on your thigh and presses down. “Stingy. This should be interactive storytelling.”
You ignore the howling need in you to grab his hand, to guide it further up your leg. You continue to read.
“The nettles that methodically overgrow
the abandoned homesteads of exiles.
You must praise the mutilated world.
You suddenly think of the N109 Zone and all of its misery. Paying the price of some shitty corporation’s greed. But you keep reading.
You watched the stylish yachts and ships;
one of them had a long trip ahead of it,
while salty oblivion awaited others.”
You pause, thinking about Sylus’s wealth, the wealth of people like him, and everyone else. The yachts, versus the ships that will sink.
“That’s not the end. Why have you stopped?” Sylus's voice jerks you out of your thoughts.
“You know this poem?”
“I own the book, don’t I?”
“You said you hadn’t read everything in here.”
“Point,” he concedes. “But yes, I know this poem. I’m also an admirer of the poet.”
You think about him calling you kindred spirits, when you first met. How angry that idea made you. Now, you want to lean down and kiss him. You shake your head a little. You keep reading.
“You've seen the refugees going nowhere,
you've heard the executioners sing joyfully.
You should praise the mutilated world.
Remember the moments when we were together
in a white room and the curtain fluttered.”
Sylus interrupts you again. “I always liked the imagery of the moments spent together, the simplicity of the white room, the curtain fluttering. What more can one desire, when at their love’s side?”
You don't think you've ever heard him say something so romantic. But why would you have? You're not in a romantic relationship with him. Your heart doesn't seem to understand that fact—something inside you thrills that his idea of romance mirrors yours so closely. But his focus on the gentle moment, instead of the rest of the poem, strikes you as strange. “That’s what you see? Not the lovers enjoying simplicity, safety, while the refugees are going nowhere, and the executioners are singing joyfully?”
“The point of the poem is that you must wrest joy from an imperfect world where you can. You’re not helping the condemned by moping about their fate.”
“Is that the point? Perhaps the point is that all you can do is try to praise the mutilated world, but it’s fruitless. If that were the point, he would have entitled it 'Praise the mutilated world,' not 'Try to praise the mutilated world.' ‘Trying’ isn’t succeeding—try all you want, but it’s impossible to praise the world as it is. Better to use your yacht to save those drowning in the salty oblivion.”
“Idealist,” Sylus scoffs, as if the label is a profanity instead of a compliment.
You jostle his head again. “Cynic,” you retort.
“You’re not done,” he sniffs, closing his eyes again.
You resist the urge to buck your hips in order to dump him on the floor. You read again.
“Return in thought to the concert where music flared.
You gathered acorns in the park in autumn
and leaves eddied over the earth's scars.
Praise the mutilated world
and the gray feather a thrush lost,
and the gentle light that strays and vanishes
and returns.”
You finish, filled with a strange feeling. You’ve loved this poem ever since the first time you read it with the sunshine gushing into your gran’s living room on a slow summer day. As you grew, you loved it for different reasons, for its ambiguity, its hope and its resignation, its acknowledgment of the horrors of life and its simple pleasures. It always felt familiar to you, but the specific imagery reading it this time around is familiar in a way that feels concrete. 
You think about the gray feather, the light that strays and vanishes and returns. You think about the feeling while listening to the Beatles, that you’re forgetting something important. You think about Sylus’s casual dismissal of the suffering of others.
Calling suffering fate seems like a convenient excuse to you. Why bother trying to make the world better, if fate deems that it should be miserable?
You think about sipping the rosé, biting the strawberry Sylus offered you. Your curtains fluttering in the breeze in your room, when Sylus has come to your place at night. These things you have enjoyed, as people suffer beyond the safety of your apartment and Sylus’s fortress walls. 
“Stop torturing yourself, darling,” he says through your racing thoughts. He turns his head, presses his lips against your thigh, inhales deeply. It’s not a kiss, but you feel the press of his mouth through the fabric of your pants as if it were. You resist the urge to spread your thighs further.
“Should I read another?” you ask quietly. You don’t want to think about these things. You want to live in the moment. What kind of person does that make you? The desire to ignore the cost of this pleasure, your enjoyment of Sylus's home, proves that you don’t deserve it. 
“Of course,” he says, but his phone vibrates in his pocket. He grunts unhappily as he reluctantly sits up, sliding the phone from his pocket. “Keep exploring,” he says, heading to the door. “I’ll try to make this quick.”
So you do. Wandering amongst the books, finding other titles that are your favorites, but so many that you’ve never read, never heard of. Many of them are not in your native language. You wonder how many languages Sylus speaks.
After a surprisingly short amount of time, he returns. "Read more to me," he orders, sprawling on the couch once more.
You look back at him, admiring the wrought-iron staircase spiraling up, the moon through the windows, his long, strong body casually stretched along the couch.
“Can we light the fire?”
“Of course. Fire," he says, and the fireplace flares to life at his command. You wonder if such a system is in place in each room. You wander back to the couch, and he pulls you down. You read him the rest of the poems from this collection, arguing here and there, learning his favorite parts, both matching and diverging from your own. Until your stomach growls, causing him to nuzzle it, insist on taking you to the kitchen and feeding you another meal. After you're once again full, he offers to show you the conservatory.
“Okay,” you say, relaxed, satisfied. He wraps his arms around you, lifts. You let him, wrapping your legs around his waist. You think about a gentle light that strays and vanishes and returns. What are you forgetting?
He takes you to the music room. It’s behind another black door. You would never be able to guess, walking through his solemn hallways, each expansive room unfolding behind each uniform door.
As you walk into the beautiful space, you’re struck with the realization that Sylus’s home is strange in many ways, and not just because it serves as both his home and his fortress, an armory and an indoor playground. The halls are winding and despite the height of the ceilings on each floor, they’re oppressive. There is no open floor plan for the house itself. Each room’s door can be closed, barricaded, turning the room within into a bunker. But behind each door, each room fans out, soaring windows, high ceilings, glass giving way to a savage view of the harsh landscape in a way that renders even the ugliness of the N109 Zone beautiful in a stark, barren-planet kind of way. You suspect that the glass is bullet-proof. You wonder what kind of impacts it can withstand beyond firearms. Could it survive a thrown grenade? A direct strike from a drone? Would anyone dare actually wage a full-on assault on the leader of Onychinus’s home?
“Not even the greenhouse rendered you speechless, kitten. Does that mean you like it, or hate it?”
You blink. You had been so busy wondering about the strategic choices of Sylus’s architectural design that you hadn’t even begun admiring the metal support beams, curling like vines in a distinct art nouveau style between multiple panes of glass, each meeting at the pinnacle of a glass ceiling. Two of the larger glass panes are not the standard window glass, but are stained glass, continuing the art nouveau theme, depicting colorful curls of plants, flowers, as well as animals—beasts from mythology, dragons, phoenixes, winged chimeras. Luscious potted plants scattered along the white marble floor. A white grand piano sitting in the center of the circular space. Instruments of all kinds, from all parts of the world, hung or resting on more organically wrought metal display mounts along two-thirds of the glass walls. A seating area, filled with comfortable, low furniture, carved blond wood in flowing, plant-like designs, sits between the piano and the view of the landscape through the clear glass, framed by the murals of stained glass.
It’s breathtaking. But you’ve had your breath taken by the greenhouse, the pool, the room with the hot tub, the library. Each in a distinctly different style from the rooms of the house that see daily use by their owner: Sylus’s bedroom. The kitchen. The hallways. The imposing dining room and its equally imposing banquet table. The cave-like theater room. Each dark—black marble, maroon accents, deeply masculine, modern, abstract art. But the rooms that have taken your breath instead of making you feel oppressed are so startlingly different from Sylus’s often-used spaces.
You can’t accept the moment. You can’t stand not knowing, even as you are afraid to know. You have to ask. “I don’t understand,” you say, turning to him.
He glances around the room, and then looks back at you. “It’s a home conservatory, sweetheart. Not a trick question.”
You ignore him. Your curiosity will eat you alive if you don’t ask him. You want to know. You don’t want to know. “Why does it feel like two different people designed your house?”
His eyebrows lift in surprise. “What do you mean?”
“Half of your house is edgy, big-dick rich vampire man-cave, and half is this,” you sweep an arm to indicate the delicate yet sturdy steel beams, organically curving into the height of the room, the chairs carved like palms, stained glass, the lush vegetation.
“Can one person not appreciate more than one style of home decor?” he asks, walking over to you, winding an arm around your waist.
You stare at him. Nothing Sylus does is by accident. You know this much by now. You know a lot about him by now. You don’t know enough about him by now.
“The parts of the house you spend the most time in reflect your style. But the other parts… the parts that wait for an owner that rarely comes. Did you choose the design yourself? Or did you let your architect run wild?”
His smile is faint as he gazes down at you. “How very observant of you, darling. But I designed every room in this house. The architect modified the plans where necessary to ensure the structural integrity was sound, but I chose the decor.”
You wait. It sounded like he ended that sentence with a ‘but.’
“You’re right. I didn’t have just my preferences in mind as I was planning each room.”
You want to know. You don’t want to know. What if you’re wrong? The very idea is insane. Presumptuous. How could he possibly know? You only met him a few months ago. This base isn’t newly built. You have no idea how long I’ve already waited, his voice whispers through your mind.
“Whose preferences did you have in mind?” you ask, your heart doing that thing again. That weird thing that doesn’t hurt but scares you with how good it feels. Don’t leave me waiting here, lead me to your door.
His smile widens, just a little. “Do you really not know?”
You can’t process this. How could he have known?
It’s like these oases in his dark fortress of a home were designed with your deepest heart’s desires in mind. 
You want to kiss him. You want to resonate with him again. You want to drop to your knees in front of him.
The enormity of your feelings is terrifying.
What if you’re wrong?
How much worse will it be, if you let yourself believe, and he turns you away. What if he designed all of this for someone else. Because how could he have known, before you met just a few months ago—how could he have known the contours of your tastes, the things that make you most comfortable, the yearning of your heart in your small apartment, of what you’d give yourself if you could ever afford to make your home exactly how you would want? A refuge from the harsh world. Space to breathe.
Your feelings are choking you. You step away from his embrace, turn. You have time. He said he’ll wait. You focus on this room.
It’s beautiful. Because of course it is. You don’t recognize even half of these instruments.
You turn back to him. He has moved to the piano, straddling the white bench, legs spread, just watching you.
“Do you know how to play all of these?”
He shakes his head. “No. Most of these are collector’s items, antiques. But I do know how to play the piano.”
You stand, resisting the constant pull towards him. You want to go to him, run your hands through his hair, tug his head back, expose his throat, bite.
“Only the piano?” You satisfy your need to move by walking over to the sitting area, forcing yourself to sit away from him. You need to control yourself. You plop down on one of the beautiful chairs, carved like a ginkgo leaf.
He turns, sitting properly on the bench in order to face you, and opens the cover over the piano keys. He leisurely presses down on one key, and the note resounds through the lovely room.
“I can also play the organ,” he murmurs, before beginning to play in earnest.
You don’t recognize the piece. You know you’ve never heard it before. But the longer he plays, the more you’re overcome with the sense that you know it. The blood under your skin, your lungs, your bones—you feel pulled to him, to his long fingers sweeping over the keys, unseen from your vantage point in the room. You know what’s coming, the crescendos and the pauses. It’s beautiful. It hurts. Your thoughts drift to the poem. Its strawberries, its rosé wine. Its familiarity. Return in thought to the concert where the music flared. You want to ask Sylus if he owns a yacht. You’re convinced that there will be a park, and acorns, and you will pick them up and offer them to him on a sunny summer morning after a long, long night. It has already happened. It will happen in the future.
You can’t resist the pull any longer. You stand and walk over to him, stand next to him at the bench. His hands hypnotize you. Big. Rough. Delicately pressing the keys—sure, confident, flowing. Like his evol. Like him.
“Sit,” he orders, and you obey, sliding in next to him. You try to give him space, but he takes one hand, still playing with the other, and pulls you by the waist until you’re shoulder to shoulder, hip to hip. 
You watch his hands, lost in the moment, lost in the feeling of recognition, of … something. That warm feeling in your heart, threaded with the pain of having lost something that you can’t remember.
Slowly, the piece comes to an end. His hands become still on the keys.
“What song was that?” you ask.
He flicks his eyes to yours.
“It doesn’t have a name.”
“Who composed it?” You hope that perhaps you can track it down later and listen to it again when Sylus isn’t around.
“Me,” he says, turning his head to look at you.
Wait, what?
“It’s already shocking enough that you play, but when do you have the time to compose?”
He lifts one of your hands and threads his fingers with yours. “Why so shocked that I have hobbies, like anyone else?”
“I just figured you’re always too busy with murder, mayhem, and munitions to have hobbies like a normal person,” you squeeze his hand as it swallows yours.
“I don’t have a lot of free time, but when I do, I like to spend some of it practicing and composing. Sometimes when I’m bored during business meetings I compose a little in my head and then write it out when I get home.” 
At your incredulous look, he flicks your forehead gently with his free hand. “What would you have guessed that I spend my free time doing if it occurred to you that I do not, in fact, work in every waking moment?”
You consider it. “I would have assumed you spend all your free time hanging out in your shady nightclubs.”
He frowns at you. “I own classy nightclubs because they make me money and provide convenient venues for business deals now that I no longer host such deals in my own home. I do not spend any more time in them than necessary.”
“Is that what you meant when you said that Amnesia isn’t really your vibe?”
“You remember,” he says, sounding pleasantly surprised. 
“Even though it feels like weeks ago, you did just tell me that like, two nights ago,” you flick his forehead in revenge.
“Fair point,” he concedes. “All right, then, yes. That’s what I meant.”
“So what is your vibe?”
“Curious, kitten?”
“Yes.” That warm feeling you have is overriding your fears of admitting this to him. You want to know him. You want to know everything about him.
“It’s easier to show you my vibe,” he shrugs. “We’ll make a date of it.”
He dropped the “fake” part again.
His phone begins to vibrate in his jeans pocket again.
He frowns in irritation. You stand, forcing yourself to move away from him.
“I’ll entertain myself,” you smile at his questioning look. He holds onto your hand as you move away, until your arm and his are stretched between you, and then he lets go.
You’re thankful for the interruption. Too much unadulterated time being the subject of Sylus’s entire focus makes you think insane things. Like that he designed parts of his house with you in mind. That you know music that you’ve never heard before. That you’re forgetting something important about him, even though you only met him recently. That a poem you read in your youth is a roadmap of things that have already happened between you and the man pacing behind the door, and what will happen before the light strays, vanishes… returns again.
You step into the hallway and wander back toward the kitchen. After a few minutes, you hear the flap of Mephisto’s wings. He’s keeping you company again. You keep walking.
You’re distracted halfway to the kitchen, however, when you hear voices coming from the theater room. It sounds like the twins, and someone else whose voice is familiar, but you can’t pinpoint it. You knock.
“No need to knock,” one of the twins yells.
You open the door and peek into the room. It’s dark, with all the lights dimmed.
On the large screen where you almost watched a movie with Sylus the other night, a video game is playing.
Luke sits on one of the loveseats, holding a game controller, while Kieran is squished onto the same small loveseat with him, their two big bodies barely fitting, hiding his face in Luke’s shoulder.
Noah is sprawled out on another loveseat, perfectly at ease. She gives you a lazy wave.
Luke pauses the game and looks over his shoulder at you.
“Boss busy?” he asks as Kieran lifts his head, a look of relief on his face at the interruption.
“Business call,” you say, nodding. You stare at the screen. It looks like…
“Are you playing the Silent Hill 2 remake?” you squeal.
“Yeah! Since boss is on a little holiday, he gave us the time off as well. Figured we’d finally play it.”
“Are you a fan of the original?” Kieran asks.
You nod. “Huge fan. I was so excited when they announced the remake, but I’ve been too busy with work to play it.”
“Wanna join? Kieran is too scared to look half the time. We can take turns, if you want,” Luke offers, sounding pleased to have another person to share the game with.
You seriously consider his offer, but you’re still so tired. You don’t really want to learn the controls mid-way through a playthrough. Weren’t you just thinking about watching let’s plays of horror games you haven’t had a chance to play yet? You can watch Luke play without having to do a thing.
“I’m good, but do you mind if I stay and just watch until Sylus is done?”
“Is that even a question? Get in here.”
Luke unpauses the game, and the familiar sounds of the world of Silent Hill, with amazing, updated graphics fills your vision. You slink inside the room and sit on another love seat, preferring to give Noah her space since she’s sprawled out like she already owns the place.
You watch as Kieran hides his face in Luke's shoulder again as a lying figure jerkily lumbers towards James Sunderland.
Apparently Noah notices Kieran’s fear as well.
“Aren’t you one of the feared Raptors of Onychinus? Like, you’re famous in the Zone. How can the same person who is known for intentionally leaving mutilated corpses in public as warnings to your boss’s enemies be afraid of video game monsters?”
You turn and stare at the twins, a little horrified. Not entirely surprised, because you know what kind of man Sylus is. You know what his organization stands for. But mutilated dead bodies? Where normal people just trying to get through their shitty workday, where kids can see them?
“That’s fucked up,” you say out loud.
“Hey, you’re a fucking cop. We know what cops are capable of,” Kieran says softly, with a flatness in his tone you’ve never heard before. Noah looks between you and Kieran like she wishes she has popcorn. “Don’t act like what you sometimes do is any better than our calling card.” Luke kills a monster shaped like two shapely pairs of legs attached at the waist with a metal pipe, and it dies loudly. He stomps on it for good measure. “At least we’re honest about it, and don’t hide behind a shield of so-called legitimacy. People know what they’re getting when they deal with us.”
You look at Kieran thoughtfully. It’s difficult to admit, but he has a point. You know that there are corrupt hunters. The so-called Tenebrae. You also recognize that dark part of yourself, when you’re faced with someone who you know has done terrible things, and the itch to pull the trigger before you can bring them in. You know that innocent people suffer at the hands of criminals and law enforcement alike.
Kieran stares steadily back at you, his normally cheerful face serious. “How did you come to work for Sylus?” you ask.
Luke pauses the game. “We don’t talk about that,” he says in the same flat tone that his brother just spoke in.
“Oh?” you say, because you don’t want to continue to pry, and you don’t know what else to say.
“Boss says it doesn’t matter where we come from. Only where we’re going. So there’s no use talking about the past if we don’t want to.”
“And you don’t want to?” Noah asks, the look of entertainment morphing into something else on her face.
The twins shake their heads in unison.
You think she’s going to say something snarky, but she just nods. “Then you shouldn’t. No one is entitled to your story.”
“That’s what boss says. I see why he hired you now,” Kieran says, smiling at her, the odd stillness broken.
“He hired me because I’m fucking awesome,” Noah sniffs, flicking her braids behind her shoulder. They’re down now, spilling over her back.
You tilt your head. “Are you a new hire?” For some reason you thought that Noah had been Sylus’s driver for a long time.
“Did he not tell you?” she asks, looking at you strangely.
“Tell me what?”
“I’m not gonna do his work for him,” she says, rolling her eyes.
“Huh?”
“Don’t worry about it,” she smiles at you, and it’s unnerving instead of soothing. “Anyway, yeah I’m a new hire. You’re gonna be seeing a lot of me in the future.”
Although Kieran seems to have reached some sort of approval of Noah, Luke still shudders and starts the game again.
You let it go. You’ll ask Sylus about Noah’s weird comment later. Instead of dwelling on it, you sink into admiring the awesome graphics, the atmosphere, your childhood nostalgia rendered in state of the art graphics
When the sirens go off as James is about to enter the Other World, you have a sudden flashback to playing the original Silent Hill 2 with Caleb. You were also too afraid, like Kieran, to play yourself, so you just clutched Caleb’s arm as he held the controller, and you delighted in the safety of vicarious thrills, of Caleb’s reassuring, solid presence at your side as you experienced the story. You suddenly miss him so, so much. The feeling of loss is overwhelming.
The sudden punch of grief leaves you breathless. Everyone else is so focused on the screen, they don’t notice your gasp. You want to watch. You’ve been wanting to experience the remake ever since the developers announced it, over a year ago. You want to experience it with who you are tentatively thinking of as your new friends. But you need a second to ground yourself before you can bring yourself to keep watching. 
Your force your voice through your throat. “I’m going to grab a snack. Do you guys want anything from the kitchen?”
“Popcorn!” Noah calls.
“We’re good,” Luke answers, because apparently Kieran is almost catatonic with terror.
“All right, be right back.” You take your time getting to the kitchen, Mephisto following you out the theater room door. You rifle through the fridge, shove some snacks into your mouth. You’re shocked to find microwave popcorn in one of the cupboards. Sylus strikes you as the kind of snob who insists on popping loose kernels on the stove, or over the fire in the fireplace. Nothing so pedestrian as store-bought and in the microwave. You snicker, that feeling of sorrow fading as you engage in everyday tasks, with company to look forward to. You’re not alone right now. You’re excited to see more of what the devs retained from the original game and what they added or changed in the remake. You head back to the theater room, but accidentally drop the bag of popcorn before you can open the door. As you pick it up, you can hear Noah.
“You know you don’t actually have to kill every monster you encounter, right?” She asks in barely disguised disdain.
“You know that you don’t actually have to offer your opinion when no one asked, right?” Luke snarks.
“Oooh, someone’s grumpy because he isn’t going to have an advantage in the bet like he thought,” Noah says through a snicker.
“What advantage? We agreed not to interfere. Boss is gonna have it in the bag even before the two weeks are up even without our help,” Luke responds.
“If he doesn’t fumble it by being too passive,” Kieran adds, thoughtfully.
“What ‘help?’ I bet your help would result in more delay than progress,” Noah taunts. “I probably don’t even have to do anything to counter your nonsense. You’ll do all my work for me.”
“Hey, flooding the guest floor was a good idea,” Luke protests.
This is just met with a cackle. 
You stand, frozen. You didn’t mean to eavesdrop. But what is their boss going to have in the bag without their help? What bet?
Something inside of you already knows. Hadn’t you thought earlier that the twins probably made a bet out of your obvious, pathetic crush?
But they said it was about their boss achieving something. Not about your feelings.
You don’t want to know.
You try desperately to cling to that warm feeling you’ve had since the pool.
Boss is gonna have it in the bag.
You spin on your heel, intending to return to the kitchen without them knowing you heard anything, just to buy yourself time to process. But of course, you promptly knock over another ugly sculpture. It shatters on the floor.
You stand there in your bandaged feet, holding the popcorn, staring down at the mess you just made.
The door swings open and Kieran, Luke, and Noah jostle each other to see what just happened in the hallway.
“Sorry,” you say. What the fuck else can you say?
“What happened?” Kieran asks.
“Just me being clumsy,” you say, trying to smile.
Luke squints at you. “Oh shit.” He turns to Kieran. “They’re making that horrible face again.”
Kieran stares at you.
Noah flicks her braids and tilts her head, examining you like an art critic trying to find meaning in a child’s finger painting. “What does that face mean?”
“It means they heard what we were discussing,” Kieran says grimly.
Luke glares at Noah. “What are you even doing here? Now the bet is fucked and boss is gonna be mad because his hunter’s making that expression again. Look at them. We’ve hurt their feelings!” He gestures at you.
She glares back. “Boss told me to report here for duty every day to remain on standby in case the hunter wants to go anywhere. What are you doing here?” she sneers.
“We live here,” he answers, looking confused that that’s even a question.
You take a step back, away from the sharp shards of the broken sculpture. Maybe they’ll be too busy arguing to notice.
That good feeling is gone.
You think about every move Sylus has made since the auction. All of his attention, his gentleness, his kindness, his dogged reappearance at your home, his arranging for you to have sick leave.
Would Sylus do all that for a bet?
Is he that bored? Is he that good of an actor?
How on earth would you even know? You don’t know shit about him. You’ve known him for a few months. In that time, you’ve seen him a handful of times. What the fuck are you doing?
You think about that feeling you had while listening to the Beatles, while listening to Sylus play the piano, of forgetting something really important. You want to throw up. 
Yeah, you’re forgetting something all right.
You can’t stand the feeling inside you right now. It’s too big. It’s eclipsing everything you’ve felt up until this point.
You think about what it will take to get out of here.
You think about picking up one of the sculpture’s shards and digging it into your thigh, anything to override this feeling inside you now.
You think about the resonance with Sylus when you woke up. Could he fake that?
His evol is unearthing a person’s deepest desires. But is it more than that? Could he make you feel adored without using his aether core? Did he promise not to use his evol on you because the terms of the bet forbade interference? Your fears send you spiraling.
“Oh no. No, no, no, no,” Luke says, peering at your face again. He takes a step forward, reaching out to you like someone trying to calm a wild animal, his house shoe crunching on the broken bits of sculpture.
You take a step back.
Noah just looks between the twins and you, confused.
“I’m just going for a walk,” you lie. You take another step back, turn, and start to walk down the hallway that will eventually lead to the lift. The lift that goes to the underground garage.
As you round the corner, Luke says,“Get—”
“On it,” Kieran says, with his phone to his ear.
Noah looks thoughtfully down the now empty hallway. “The hunter’s fucked up, huh?”
Luke shrugs. “Aren’t we all?”
Noah frowns at him. “Speak for yourself. You don’t know shit about me.”
“I know that boss hired you after looking into your soul. Which means you’re fucked up too. He isn’t interested in wholesome things or people—too boring.”
“And you?”
“You said it yourself. I really enjoy carving people up.” He shrugs. “Soothes something from our shitty childhood.”
Noah considers him. “Your brother seems to be okay with me now. Are you going to have a problem with me?”
Kieran grins at her. “What makes you think I have a problem with you?”
“You were mean when I suggested you try to stealth around the monsters. And don’t think I didn’t see your reaction when I said I’d be around more often. And acting like the hunter being upset is solely my fault, when we all made the stupid bet.” She counts each piece of evidence on her pretty fingers.
“Who the fuck likes backseat gamers?” He pouts a little. “And I didn’t like being hit on within an hour of meeting you. I don’t like people like that.”
Noah scowls back at him. “You don’t like people like what? ”
“I mean, I don’t like, like people. I get the creeps when people hit on me.”
Her lovely eyebrows shoot up in surprise. “Oh.”
“But boss likes you, so I like you. We’re cool, so long as you don’t hit on me again.”
Noah nods.“I was just giving you two shit since you hauled me in front of your scary fucking boss. But I promised boss I wouldn’t do it again.”
“Then we’re cool. And if you don’t like how I play Silent Hill, then you can play if you want.” He opens the door again, gesturing for her to go in ahead.
“Nah man, I like being in the peanut gallery.”
“Does that mean you’re not gonna shut up?”
“You know it.” Noah gives him a big, feral grin.
Luke grins back at her, equally frightening. “Then I’ll be sure to kill every single monster we come across, no matter how much ammo it wastes.” The door swings shut on Kieran standing in the hallway, looking thoughtfully down at the phone in his hand.
_____________________
Sylus hums the melody of the music he played for you as he ends the call with Aidan. Luckily the issue this time could be settled by answering Aidan’s questions, and he can still look forward to a mostly uninterrupted day with you. He wonders where you’ll like to go next. Back to the library? To the greenhouse?
He’s in a great mood, despite the interruption. Every conversation with you convinces him that you’re closer and closer to accepting the truth. That you’re his, and he’s yours. He wants to drag you back to the library, listen to you read to him, argue about poetry—the way your eyes flash when you’re making a counterargument, the sneer in your retorts to his needling you—he wants to kiss you. He wants to kiss you so much it hurts.
His phone vibrates in his pocket again. He clenches his jaw, pauses. He wants to throw the damn thing against the wall and just continue looking for you, business be damned. But he also doesn’t want to leave Aidan in an awkward position. He fishes the phone out of his pocket and accepts the call.
“Boss, your hunter is making a strategic retreat again,” Kieran says breathlessly.
Sylus jerks to a stop.
“Repeat that?” he demands.
“They overheard us talking about the wager,” Kieran explains, sounding pained.
It takes Sylus a second to remember what he’s talking about. “The bet about how long it will take for kitten to realize that I want to date them?”
“Yeah.”
Sylus thinks. Why would you be spooked by a stupid bet between his henchmen and your driver?
“But they—well, they overheard us talking about it, and they don’t know what the wager is actually about. I am afraid that they might have misunderstood something,” Kieran says carefully, like he’s waiting for Sylus’s wrath.
Sylus immediately realizes what probably just happened.
“I left kitten alone for less than twenty minutes,” he sighs. Just his fucking luck. It’s like the universe or some cruel god wants to create obstacles in his path to winning your precious heart.
“Your bet is over,” he barks.
“Understood.”
Sylus ends the call and pulls up Mephisto’s app. You’re walking quickly, with purpose. He squints, trying to figure out which part of the house you’re in. It looks like you’re trying to get to the lift that leads to the underground garage. Sylus dissipates into red and black mist.
_______________
As you walk, you make your way to the garage, not even sure what your plan is. You have that hollow, manic feeling filling you—the feeling that always fills you when you’re hurt like this, when you just need to get out, to outrun your own body and the feelings it contains. This time though, through the noise in your head, you remember your promises to Sylus. About not hurting yourself, but going to him. If you have doubts about his intentions, to go to him. To ask him when you have questions, instead of making assumptions.
But how can you? What’s the point of honoring promises made to a man who thinks your feelings are fair game for a bet? 
You need to think. You don’t want to think. You’re hurting so, so much. You need time. Your body feels like you’re out of time. You miss Caleb. You miss your grandmother. 
It takes all of your self control to stop moving. You hear Mephisto’s wings flapping behind you. You close your eyes. You resist the urge to punch yourself, barely. If you’re just a bet to him, you should punch him instead. You open your eyes and realize you stopped next to a door with an electronic lock blinking on the handle. You turn and look at it fully, and you hear the lock click.
It recognized your face. Just as Kieran and Luke told you all the locks in this house would. Why would Sylus bother programming your face into his home if you’re just a bet?
You watch your hand reach out, grasp the handle. You pull, and the door opens easily. You slip inside and let it close before Mephisto can follow.
The lights flicker on.
You gasp.
It’s like standing inside an upscale jewelry store, built inside a bank vault. Except instead of sparsely filled display cases, designed to emphasize and showcase a select number of precious jewels, each glass case is stuffed with the things. Diamonds. Rubies. Emeralds. A mind-blowing variety of beautiful stones that you don’t even know the names for. Loose stones, as well as jewelry—necklaces, rings, earrings. Where most of Sylus’s house is the picture of meticulous order, this vault looks like a dragon’s hoard of priceless treasures, casually piled high without much thought.
Why would Sylus trust you with access to such wealth, if you were just a bet?
But more importantly, how much death must Sylus Qin sell, to afford such a vault?
How many lives in exchange for each gem?
You turn in a circle as you slowly process the fact that you’re standing in the middle of a sea of blood diamonds.
What are you doing?
What the actual fuck are you doing?
You were just marveling at the luxury of the rooms he designed, filled with the thrilling possibility that he had built them for you. You had thought about the cost of the heating in the hot tub, the pool. And yet you were willing to overlook such expenses. Why? Because at least the pool, the lovely architecture are useful? Because they provide some value to the human experience, even if only a select few will ever get to experience them at Sylus’s house?
But what value do diamonds have? Shiny clumps of compressed carbon. You can’t burn them for warmth. You can’t eat them. Okay, so maybe they’re used in some industrial processes, but for fuck’s sake, artificially created diamonds could serve that purpose. And you’re absolutely sure that the diamonds Sylus has hoarded in this vault are real, products of millions of years of pressure, and not made in some lab.
You sink to the black marble floor. It’s cold. You draw up your knees and hug them.
There’s too much happening in your brain right now. Your grief. Your uncertainty about Sylus’s intentions—the question of who his beloved is. The bet.
The realization that you’re falling in love with a man whose life’s work is bringing misery to others.
You hate yourself. Here you are, thrown into a tailspin from the idea that Sylus may have spent all this time on you because of a bet with his minions, when you should be in a tailspin about the fact that it’s probably already too late for you to stop falling for a man who not only praises the mutilated world, but is one of the people shoving the knife in deeper. 
There is so much you don’t know about him. But what you do know is that Sylus is too busy pouring salt into the wound of the world to dedicate so much time and resources to something as frivolous as a wager about how long it will take for him to get you in the bag. It’s pure, self-pitying hubris to assume otherwise.
You’re focusing on the wrong things, again. You’re forgetting what’s important, again.
What do you want? What can you live with? Why do you feel a connection with this complicated, cruel, ruthless man, as if you’ve known him for more than a few months? What kind of person are you, if despite sitting in a sea of diamonds paid for in other peoples' blood, you still want this merchant of death to come find you, to hold you in his arms, tell you that he wasn't placing bets on how long it would take to have you in the bag?
You begin to rock, somehow resisting all of your terrible urges: to hurt yourself, to run, to set this awful room on fire. You rock, and you hurt, and you wait for the terrible man you’re falling in love with to find you, as he always does.
______________
Sylus finds Mephisto pacing on the floor in front of his gem vault. He caws in distress when he sees his owner re-materialize in the hallway. Sylus finds the fact that you’re in the gem vault, and not currently trying to procure a getaway car, to be a source of hope—a strange feeling for him. What use does he have for hope? He has plans. Plans with contingencies, alternatives, backups. They either succeed because he planned well enough, or they fail because he did not plan well enough. 
Hope has no place in his world.
People suffer and die. Deals are made and broken. Fate is cruel, inflexible. He knows this all too well, no matter how much he’s struggling against fate this time around.
Hope has no place in his world.
But.
You could have kept running. You could be in any one of his vehicles right now, trying to break land speed records to get the fuck away from him, convinced that he was involved in a bet about the biggest gamble of his life.
But you’re not. You’re in his gem vault, for some reason. You strange, unpredictable, delightful creature.
He finds himself hoping that this misunderstanding hasn’t just caused you to retreat beyond his reach again. 
Your fingers in the dip of his clavicle.
The yearning look on your face, that he doesn’t think you even knew you had, when he bit your lip—the closest he’ll allow himself to a kiss until he’s one hundred percent sure you’ll welcome him while awake.
He opens the door.
He pauses, struck with the strange sensation of viewing his greatest treasure surrounded by so much of his material treasure. You belong here. The value of all of these precious stones nothing in comparison to you, shining like a beacon to him at the end of a long and winding road from the marble floor, dimming everything else in this room by comparison.
His house shoes whisper along the cold marble floor where you’re sitting, curled in on yourself.
He has watched you take down wanderers the size of an elephant. All that strength, contained in your huddled body. You look so small to him. He wants to protect you from all the horrors of the world. But of course, he’s the biggest horror of all. Is it any wonder that he keeps hurting you instead?
A better man might keep his distance in an effort to protect you. Like your partner. A better man might know when to quit. Like your dandy artist friend. A better man might be content with loving you from afar. Like your fucking doctor. 
But Sylus is a terrible man, because he’s not going to stop trying to get it right, even as he hurts you in the process, until you order him to stop and mean it.
You don’t look up at the sound of his footsteps, but you also don’t retreat as he approaches.
He sits on the floor next to you, wraps an arm around your shivering shoulders. He pulls you into his arms, feels the rush of hope when you let him.
He cradles your head in his palm.
“The twins bet on everything. Which snail is the fastest on a leaf. Whether it will rain or snow tomorrow. How long it will take someone to bleed out. Whether the traffic light will change in five versus ten seconds,” he says softly into your hair.
“About how long it will take to get your pathetic hunter in the bag?” Your voice is small, just as your body feels in his arms.
“About how long it will take for my beloved to realize how I feel about them,” he sighs.
You stiffen, and he feels a moment of paralyzing fear, before you melt into him. He breathes again.
“What did you bet?” you ask, and Sylus feels the sorrow in your voice like a gunshot in his chest.
You ran, but you stopped. You assumed, but you’re asking questions now. You’re allowing him to touch you, to hold you. The hope in him surges again. 
“I didn’t place a bet in this particular wager,” he manages through the unfamiliar feelings. “But if I had, the gamble would be my whole heart.”
“Does a man who has a dragon’s hoard of wealth, bought with the blood of the guilty and the innocent alike, have a heart?” you ask, finally looking up, your eyes hollow in a way that he doesn’t like.
Sylus is a terrible man. He has never lied to himself about this, or to you. He showed you the worst of himself, the day you met. He has to hope that the fact you’re still here, still asking him questions, means that he hasn’t lost you yet. An unpleasant feeling of doubt slithers through him. Is it the bet upsetting you, or something else?
“Even dragons have hearts, darling.”
You close your eyes. He wants you to open them again. He wants you to look at him. He never wants you to look away from him. Even if you’re looking at him with doubt, or hate, so long as you’re looking at him, that means you’re not leaving him.
“What do you want?” he asks.
You open your eyes again. He is terribly tempted to use his aether core on you, because for once, he can’t read how you’re feeling.
“You offered me time.”
He leans forward, rests his forehead against yours. “And I will give you time.”
“I want to see your favorite part of the greenhouse.”
“And I will show you my favorite part of the greenhouse,” he whispers, breathing, breathing. He can’t tell how you’re feeling, but you smell like home, a door at the end of a long road. The hope grows.
“I want to see Luke and Kieran and Noah play the remake of Silent Hill 2.”
The hope shifts, dissipates. There is no need for hope, once it is fulfilled. You want to stay, for now. He can work with that. Whatever damage learning about the bet caused, he can work with your willingness to stay. If that look in your eyes isn’t about the bet, he has more time to dismantle your walls, to pull it out of you. Just two nights ago, you were running barefoot through the dark. Tonight, you stopped yourself and waited for him to find you. “You’re in luck. They’re still playing.”
You watch him, as if you’re weighing something behind your hollow eyes. “Will you watch with me?”
Of course, he thinks. Of course. You could ask for so much more, and the answer would be the same. “Do you want me to watch with you?”
“I want you to want to watch with me.”
He smiles, his mouth a breath away from yours. You smell like popcorn. He wants to throw a piece in the air, catch it in his mouth, feed it to you. “Again, you bring me luck. We have a win-win deal.”
He stands. Carries you out of his gem vault.
“Why do you have so many jewels?” you ask, quietly.
“In case the authorities freeze my accounts, physical currency will be useful. A sort of insurance.”
You gaze at his face, and he wonders what you see when you look at him. “You’ll escape with a truck full of precious stones?”
“Something like that,” he says.
“No other reason?”
He tells the truth. “I’ve always been fond of shiny things.”
“Do you have a favorite stone?”
He laughs softly. “Whatever stone you’re wearing.”
Instead of looking at him with suspicion, a helpless look crosses your face. Like you’re in pain from his admission. He doesn’t like it. But then you lean forward, press your face into his neck. He tells himself that he has time. He’ll figure out what’s bothering you, and he’ll fix it.
Outside the theater room, he pauses. Looks down at the pieces of shattered sculpture. "If you didn't like it, darling, you could have just said so."
You just mumble that you're sorry.
"We've talked about your apologies," he says, frowning down at you in his arms.
You huff. "Fine. I'm not sorry. That sculpture was edgy and ugly. You should replace it with something beautiful."
"Deal. But only if you come with me to choose something," he says.
"Deal," you say softly, and he still can't tell what's going through your head.
When you enter the theater room, Luke pauses the game. “We’re really sorry for hurting your feelings and shit. The bet was about boss’s rizz, not about you. Please don’t leave.”
Kieran nods in approval, as if he had helped Luke compose this little speech.
Noah just looks at you, face unreadable, as you rest your head on Sylus’s shoulder.
“I had planned to give you a lot of shit. But I think I would’ve lost anyway,” she says, not looking apologetic at all. “It’s only been two days and you’re practically merging into one person.”
Sylus carries you to a loveseat next to the twins, with Noah on their other side.
“Thanks,” you say. “No worries.”
Everyone is awkwardly silent for a moment after your brief response. You seem to notice, and smile a little. “Can we hang out while you play?”
“Fuck yeah,” Luke says, and Kieran groans as the game is unpaused.
After a while, you, Luke, and Noah start discussing the difference between the remake and the original. What everyone likes, what they don’t. Sylus leans back, draws you onto his chest. His relief remains intense as you let him. The discussion moves on to which Silent Hill games are the best in the franchise, which are the worst. Luke and Noah have a good-natured clash about Silent Hill 4: the Room, with only a few insults flung at each other. You and Kieran share your admiration for Bloober Team's Layers of Fear, which Kieran liked because he didn't think it was scary, and which Luke hated, because he thought it was boring. Sylus doesn't give a shit about video games, and certainly not horror games. Life itself is already horrific enough, he doesn't have the patience for manufactured terror. He just listens, feeling your heartbeat against his chest, breathing in your comforting scent.
A feeling of wholeness settles in him, as unfamiliar as hope. As unfamiliar as the happiness from your movie night, just last night. You, Luke, and Noah have moved on to animatedly arguing about some character’s outfit changes between the original and the remake.
He feels like he’s been standing, left behind in the dark for so long, and he’s finally being allowed home. Whatever is bothering you, he’ll fix it. He’ll destroy the world if he has to, to preserve the scene in front of him, so that he can offer you this, so that he can experience this with you, again, and again, and again. His gentle light that strays and vanishes and returns.
End notes: I had planned shenanigans for the twins and Noah to increase their odds in winning the bet, but this story is already out of control with how long it is, and some of the things I thought of were really manipulative and fucked up even if I personally thought they were hilarious, but my brain is craving a softer vibe for this story I guess (lmao if this can be considered soft), so I hope this isn't too much of a let down for the resolution of the bet subplot. I've given up hinting at what's coming next because it turns out I'm very bad at guessing what's next.
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rubberbutton · 1 day ago
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So, I have this wacky Javert & Cosette detective agency AU idea that I’ll probably never write…
Post-Seine Javert starts a private detective agency — reuniting loved ones, shutting down extortion rackets, stopping forced marriages, things like that. He doesn’t make any money because he fails to collect payment on the rare occasion he’s not working pro bono. [Very Angel Investigations, sans vampires … unless?] The work is both penance and its own reward.
Bored of social calls and society dinners, Cosette decides to help him in his work. Javert refuses her, but she keeps showing up. She proves herself useful, as no one ever suspects her of being a double agent, she’s clever, and she can cry on command — which is an incredibly effective distraction. Since Paris’s underworld is already familiar with him from his previous profession, Javert has had difficulty making progress on some of his cases. But Cosette is entirely unknown. Grudgingly, he allows her to help on his smallest, safest, most respectable cases. Which rapidly escalates into her running the place. He’s really not an ideas man.
There are capers! Escapades! Daring rescues! A heart-warming Christmas episode!
Valjean and Marius are given to believe that Cosette’s time is spent volunteering with ladies aid societies. When the truth comes out, Valjean is apoplectic, and it’s the first real risk to his relationship with Javert (well, post Seine, haha), especially when Javert makes it Cosette’s choice whether to continue. Marius’s anger burns out much quicker; that boy is nothing if not easily led.
Meanwhile, Montparnasse has filled the leadership vacuum left by Thénardier and has made great inroads in the Parisian organized crime scene. With Javert foiling many of his more lucrative business interests, Montparnasse decides it’s time to deal with with him more permanently...
Other odds and ends for this ‘verse:
Javert accidentally adopts some urchins when he attempts to cultivate them as informants, but they keep showing up like stray cats when they realize he’ll feed them. 
Having heard it in her tenderest years, Cosette quickly picks up the accent and argot of the street and becomes a mistress of disguise.
She also purchases an umbrella with a stiletto hidden in the handle, which she mostly uses to underline her better rhetorical flourishes.
Whilst Javert is not an easy man to like, Cosette appreciates his honesty. Granted, that honesty is couched in the most pessimistic, condescending and insulting way imaginable. But after her father and her husband gaslighting her for years, it’s a relief to not second guess the information someone gives her. 
They both appreciate having someone to commiserate about Jean Valjean’s idiosyncrasies with. “You know the way he clears his throat when he disapproves, but won’t say he disapproves — and if you ask him if he disapproves, he’ll deny it?” “I know it very well!” 
After Jean Valjean is finished being furious, he moves right on into being jealous. He wanted them to get along, but not quite this well. He of course would rather eat glass than admit it. 
Also, as many of les amis survive as I can reasonably get away with. Definitely Courfeyrac, because I like him. Probably Bahorel, in case they need some additional muscle when working a case. And Joly because they’d need someone with a medical background to identify the cause of death/provide medical aid. Also no one should die with a cold, talk about insult to injury. 
Anyhoo. Everybody lives happily ever after with a gentle ’90s TV glow. Fuck you, Victor-Marie Hugo.
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sunburnacoustic · 2 years ago
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The vocoder vocals on Compliance have been stuck in my head for a bit now so I'm posting them here. From producer/engineer/mixer Aleks Von Korff's Instagram during the recording sessions for Will Of The People.
The vocal bits for "and no more defiance" are so musically satisfying, what the hell
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kelocitta · 2 months ago
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The last thing I'll say, and I'm saying it because it applies broadly- is that there is very rarely a perfect victim OR evil mastermind and everyone needs to get better at recognizing and responding to that fact. Victims of legitimate crimes or horrible acts can be aggressive, or bitter, or biased or a dozen things that make them 'unappealing' to listen too. They can have willfully exposed themselves to content or been in circles they really shouldn't have. They could have been given warning signs that they missed or outright ignored. They might exaggerate or misremember their claims. That does not mean they are no longer victims. If you completely missed the red flags and were taken advantage of- you were still taken advantage of. If you exposed yourself to harmful content that was upsetting or distressing, you were ultimately still exposed to harmful content. Maybe it is "your fault" for being there, but you were still there and it still happened. Especially in terms of online, its just shockingly very easy to end up in places where you are in danger of harm- and its shockingly easy to not notice that you may have put yourself in that position until its too late. If you want to be supportive of victims, you need to recognize that very often victims did things that were inappropriate themselves, put themselves in harmful situations, didn't back out when they should have, missed "obvious" signs... and are still a victim in the end. Likewise, abuse ranges from the intentional to the neglectful. Sometimes an abuser can even do both at once. People do harmful things completely on accident- even repeatedly. It can be mental illness or stress, it can be a dozen things- but yes sometimes people have patterns of behavior that are harmful and destructive that they either aren't aware of, in denial of, or don't get how bad they are about it. That does not erase the harm those behaviors cause. If you handle a situation poorly, it could just be that you handled it poorly- you didn't think through your actions or their implications. But from the receiving end, it doesn't matter how accidental it was, its going to often read as intentional, or a pattern, or whatever. And ultimately the harm is still done regardless of what it was. There is a world of difference between harm done intentionally and harm done through stupidity, neglect, or plain old mistake- but it not always easy to identify which is which- and harm is still done in the end. Sometimes people are harmed because someone saw an opportunity to do so, and sometimes they're harmed because no one stopped to question if it was even a risk. Both of those still ultimately result in someone getting hurt. The point of this is that if you are ever going to analyze situations critically you can not be looking for just "the good one" and "the bad one". You can't just weigh initial impressions on a scale and hope one side tips further and call it a day. Believing victims doesn't mean you need to throw caution to the wind, but likewise bad actors or misinformation doesn't mean your reaction should be that there couldn't possibly be victims. Be very mindful of how you interact in situations where someone was potentially hurt. Being 'critical' can easily boil over into disregard for harm- both the harm the involved might have done to each other and the harm you yourself do in how you respond to it.
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moeblob · 12 days ago
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Huevember 11
Karen and Rick but in the DND AU. (I just look at this and think 'Barbie learned eldritch blast' but ya know. Whatever.)
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phagodyke · 1 month ago
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the masculine urge to take a saucepan off thr draining board and bash myself repeatedly over the head with it until I pass out and no longer have to experience feeling Bad 😍
#struggling to tolerate this one ngl its fucking dire this weekend. i just cant do this man#thr things i would fucking do for attention please. just one person to notice and care in the slighest i feel like im losing my fucking#mind out here how does every single person who has ever mattered to me in my lifr see me in distress and choose to ignore it or maybe they#dont even recognise im ij distress in the first place i dont know whats worse i dont think i hide it well at all im just so done#listen like ultimately its fucking fine. i will get myself through it like ive gotten myself through everything else in my fuckijg life#i dont even feel bad that often these days im doing so so so much better and its so much more tolerable to only have to deal with this#once or twice a week instead of it being a struggle every single day like i dont think i could go back to feeling like that again ever i#dont know how i managed to get througyh it before jesus fucking christ. but i can deal with it i can deal with this#ik ill feel fine tomorrow. its just thr fact im so desperately fucking alone with it that makes it so much worse than it has to be#i fucking hate repression i hate being so incapable of expressing myself that its easier for me to injure myself than it is to talk about#how i feel to anyone i hate being trapped in this stupif fucking torture labyrinth and not knowing how to get out of it and never being#given a single avenue anything to hold onto i hate having to do it alone every single fucking time and when i do try i just freeze out#entirely i cant form a coherent thought my brain enters total fucking shutdown pure static white noise fuzz and i dont know why please#its so unfair i dont think its that much to want a little comfort. just once just for someone to stay with me while i cry it doesnt have#to be more than that i just dont want to be alone like this i just want to feel safe around someone just close to someone just once#and well ill survive without it bc i always have i guess. so far at least. and there are many things im grateful for and i do in general#feel pretty okay my life is pretty good at times even. i feel so pathetic and stupid and ashamed for even feeling like this#but do i have to go my entire life without ever experiencing any kind of real intimacy with another person emotionally that is#i mean physical is nice too and they go hand in hand in some ways but i just want to feel seen and safe over anything.im tired#i feel like i try.but not hard enough i know its all my fault really but i dont know how to try any harder but nothing will ever change if#i dont i cant expect anyone to do anything if i cant rven communicate in thr first place. oh i dont want to think about it anymore#i have a headache from crhing and its not even 8pm ugh. okay. well it is what it is.#ill breathe until i calm down and then tidy up whatever i left in the kitchen and get my work stuff ready for tmr#and polish my boots maybe. and read and go to bed at 9:30 i think. and ill feel fine in the morning#my fault for thinking about it earlier i know i shouldve nipped it earlier on its such an easy spiral to fall into i need to get better#it happens. okay anyway. no cause for concern im good guys. weakly thumbs up at the camera all covered in blood#my period is late actually thats probably all this is lmao. makes sense thinking abt it#cant wait for it to finally start and all earthly desire to leave my body so i never experience pain again amen#.vent#ignore this sorry for being mentally ill im not even that mentally ill anymore so no excuse rly ummmm. bit embarrassing innit.
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weirfq1 · 4 days ago
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with all these gaston crackships/rarepairs that are coming out lately it would be so fucking funny if he had a flig with all the main characters (ambar, nina, simon... hell luna too if you want) and they all know it except matteo
#mf would feel so betrayed once he finds out#and not because he's jealous or anything - or maybe yes (they kinda have a vibe between them if you get what i mean)#mainly because his best friend didn't tell him#gaston would 100% use “you didn't ask” with a shit-eating grin while shrugging his shoulder#he would have the time of his life making fun of matteo reaction lol#and matteo would also lowkey be insecure (understandable because gaston was probably a better boyfriend for all those people [real])#[from here on i'm gonna yap but like... YAP - get ready]#type of flings/situationships/whatever i think he had:#LUNA/GASTON : [barely a fling/ a kinda relationship (?)] - them just trying it out for the hell of it#they had a lot of fun and it strengthened their friendship#they never talk about it unless they're sure that they're by themselves#gaston sometimes reminiscences about it in front of others(to make luna panic/embarass)but in such a vague enough way that they don't get i#it always comes off as them play-fighting#it either happened before he and nina got together (which is what i'm running with for this post) or they did it after she left#because they were the closest to her and were the only people that could understand what it meant to lose nina#(luna also dated her in the past by this point)#GASTON/NINA: [literally canon and one of the main ships] so i don't have to explain it i guess#GASTON/SIMON: [was a “they were all in their feelings” during those moments - kind of deal]#that scene i reposted the other day is a good way to pinpoint when they started to actually eye eachothers /put a start to what they had#it ended two or three months later - don't know who put an end to it between them#but it wasn't a problem because they both had something else they wanted to focus on more - they're extremely chill about this#GASTON/AMBAR: [kinda the same - got to know eachother when they were kids and became extremely close (even tho it took A BIT since#even if gaston came from a good family ambar was still as standoffish as now (and also a bit shy even if she wouldn't admit it)]#gaston was the one that did the first step#at that point ambar actually never stopped to think about dating in general but especially him#but the idea of losing him as a friend for something so stupid as a relationship terrified her#he reassured her that whatever happened nothing between them would've changed#which was real but also not really#they ended up breaking up a year and a half later and became a bit awkward around eachothers for a bit (mostly because of ambar)#they're still cordial with eachothers
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butchdykekondraki · 2 months ago
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okay anyway. sorry for the repeated eminem posts i got reminded of his existence and he fascinates me to literally no end
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b-blushes · 10 months ago
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also i am going to the dr tomorrow so please can you send some spare good vibes my way if you have them thank you
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filmnamtans · 1 year ago
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guys this is going to sound really heavy? insane? but. first of all going on a hiatus. i’ll put the rest in the tags because idk. it feels really weird doing this but also unfortunately it is very very necessary at this point.
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butterflieswhisper · 7 months ago
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hhelp wait this is so funny. didnt you follow me forever ago after a scott themed october song analysis . sorry if you dont remember that and this ask doesnt make sense but this is still funny to me
hi!!!! yeah. it was the cherri crane lives art i think and also where you made your flower husbands tag! I have never really interacted with fh outside of you (and like, seeing pretty fanart) but i am nonetheless deeply invested in your interpretation specifically!!! I honestly haven't watched jimmy outside of rats and the beginning of empires2 either i genuinely have no clue what they get up to you just seem to have a lot of fun with it
#asks#<-omg i can make that a tag now#i also am a year behind on the life series. i think the most recent one i've seen is double#like from any pov. i am a year behind. however that goes for everything on youtube#my poor watch later playlist hit the 5000 video limit forever ago and so did the second one i made to replace it. i am on my third#but seriously i don't know what goes on in fh canon but i like their blue/yellow thing they have going on. idk if that's like? intentional?#but like scott blue and canary yellow are really pretty colors together#and they are also SO close to being complimentary colors and yet. they aren't. just a little bit off#they don't quite fit quite how they should. i made that up on the spot i mostly think yellow and blue are nice colors#i think my biggest exposure to scott before you was literally the deal with destiny song in empires1#and i don't even think i acknowledged him as like a real guy ykwim.#like oh yeah. scott smajor. he's like. in that song lizzie made or something. he can sing alright i guess (plays it on loop)(plays it on lo#whisp whispers#seeing u post about Discourse(tm) is always really funny to me because i didn't realize for a while that u did not have like#the 'normal' interpretation? like i didn't realize you had a different view than other people#i was like oh yeah the relationship held in the death games is toxic. that makes sense yeah and is not surprising#and then suddenly there would be a post where you mention discourse and i went. Ohhhhh wait they're supposed to be HAPPY!!!#but i feel like this is infinitely more enjoyable i love Flawed Characters#and especially now after watching his rats. i get it. i get it i get it i see what you are saying#he doesn't interact much with jimmy hes mostly with owen and. i mean#'i've never heard someone apologize so much while putting the blame on the other person'???? i see exactly what you mean#r!scott accidentally hurting r!owen and then apologizing profusely while insisting it's because owen stood in his way. and then immediately#isolating himself in a room for like 20 minutes and refusing to interact with anyone feels like. idk#it reminds me of ur rambles and i understand them more now i think. kind of#to be clear by 'with' i mean like. in proximity of. those rats are AROMANTIC!!!!! (to me)#i'm so sorry these tags are a mess. but alas#i also think it's really funny to follow Flower Husbands guy and know nothing abt them. invested by proxy. whenever i hear abt scott giving#jimmy a flower i get excited not because like i know what's going on but because omg! that's like that thing bree talks about sometimes!!#i hope that like. any of this makes sense shdbfjk
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databent · 9 months ago
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why the fuck is it that some people cant seem to acknowledge that people can just... be disabled. not through any fault of their own, not because something "happened" to them, just because, you know, sometimes people have disabilities. like, come on
#.pdf#rd#kd#just a warning these tags are long. like. really incredibly long. i had thoughts.#sorry for the vague ass post i'm just upset about some stupid shit my dad said yesterday.#namely: outright telling me that he doesn't believe i have non-24 (circadian rhythm disorder).#and that even if i do he doesn't believe it's possible for it to actually be a lifelong and disabling condition.#*also: this post isn't meant to imply that disabilities that did have some inciting incident are more accepted or anything.#it's just that i'm frustrated with the “you're disabled? why? what happened?” sentiment a lot of people seem to have.#nothing happened to cause my disability. i'm just like this. no i can't change it. what the fuck do you want me to tell you?#i'd guess it probably has to do with society's focus on work and productivity and career-mindedness above all else.#and when someone comes along that doesn't fit in with the way things are structured it just doesn't compute.#because the idea of people who can't dedicate their entire lives to working is so fundamentally contradictory to their view of... i don't-#-know. meaning in life? fulfillment? that they feel a need to reject the possibility altogether.#this is mainly when dealing with invisible disabilities from what i've seen. because i think there's a tendency to view visibly disabled-#-people as belonging to a different category altogether. which of course is its own issue but i'm not visibly disabled so i don't feel-#-like it's necessarily my place to speak on that.#anyway. i just want my struggles to be acknowledged as real. because they are. and i need people to understand that I Have A Disability.#albeit one many people don't even believe could be real because there's a sort of belief that circadian rhythms are purely a product of-#-external forces like sunlight so “you can't possibly have yours be different and have you tried just going outside more?” sigh.#sorry i also just remembered my dad telling me he doesn't believe i can have something so rare because the chances of having it are too low.#which is some ridiculous logic to me. rare doesn't mean it's impossible. some amount of people have to wind up with it regardless.#i just lucked out i guess.#n24 tag
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vraska-theunseen · 2 months ago
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aughhhh. aughhhhhjhhhh
#everhoneignore this post classic rant post i don't have real problems everyone can move along#truly have had such a bad couple of days here and i am not even close to finishing the assignments i need to finish in welding being in#clsss makes me want to quit and die i don't know why i'm so slow i don't know why everyone else can intuit this stuff and improve and#understand how to do it and im always always falling behind if i could try harder wouldn't i be able to do that ive got no drive to push#myself at all i guess i like the english and i can do the physics i thought i at least liked drafting and metals fabrication but i feel so#stupid everything i do makes me feel so stupid and my teacher talks to me like i'm always doing everything wrong when i do some classroom#ettiquette breaches that everyone else does too and i can't get myself to go to sleep on time can't get myself to go in early i have hours#and hours and hours and i blink and it's gone and i've done nothing i should've welded today and gone in early to draft but i didn't because#im stupid and im slow and i can't do anything right i have always been able to square away a little bit of pride on being precise on doing#things well because people are always telling me that i am but i am below average here i just can't do things right and i feel like everyone#hates me and thinks i'm obnoxious and i don't know how to interface with my class or my teacher or how to improve or how to be less anxious#and i feel even stupider for that because i am so stuck up not being able to deal with even a little bit of failure or issue or hardship#and everyone around me is sick all my classmates and people in my dorm are sick im sure it's covid they haven't said it's covid but none of#them would test and i've been wearing a mask again but im certainly been exposed to it already and no one else is wearing a mask anyway so#what difference does it even make and i can hear them coughing in my dorm and in the classroom and when i go to get food and i miss seeing#my friends from philly and everuthing will be terrible forever and ever#alex talks
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owleics-fr · 2 years ago
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okay im probably not the authority to write about this as i am white and come from a place of privilege and i am sure there are better worded explanations about this topic out there but I do wanna say: I keep seeing people mention how they can separate reality from fiction and enjoy conflict and don't understand why devs felt the need to make the change. But regardless of how you felt about the lore and feel about violence in your lore the devs never intended to tell a story reflecting real world colonialism, they never deliberately wrote the lore with how to carefully address this real world history they were reflecting in mind and they ended up with a story that made the colonised out to be the villains and the colonisers out to be the heroes. FR is many things but it shouldn't be a place that intentionally or otherwise condones imperialism and racism. Which is exactly what you are doing when your colonisers are your stories heroes with no narrative to the contrary.
So when they realised just what the lore they had crafted was reflecting they made the decision to correct it. It all comes down to intent: you can absolutely write a story featuring colonialism and imperialism in a well thought out and sensitive way. You can also absolutely tell stories featuring violence and where you protagonists are the villains. But this was never the devs intent and the story as a whole suffered for it. It doesn't matter that you understand the story was fictional, it reflected real world, very upsetting events. And particularly for players who come from a similar real world position that the beastclans were in- of being colonised and forced out of their homes- then seeing that reflection of themselves in FR being portrayed solely as villains? I can't imagine what that must've been like. FR is supposed to be a fun dragon game and thats what it should be for everyone who plays it.
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