#But it has its criticisms too

[gigigazelleloves]

Warning: Heartstopper Rant

As much as I love Heartstopper I will say that it is hard for me to get into the fandom. I love the concept of the heartstopper but I feel afraid to comment on the execution because I know fans here can be brutal but you know what? Here is my FAIR criticism of heartstopper (the show, not so much the webtoon).

I HATE how Tara's character is written. She seems like the woman of color side kick who is just there to validate white characters (Nick and Darcy specifically). It's like she's only there to push the plot forward and I was hoping she'd become more of her own character like Isaac in season 3 but I was wrong. You know what, I wasn't the biggest fan of the panic attack/perfectionist plot (I would've personally preferred if it had taken different route) but I was happy she was getting a storyline. Turns out the storyline was just supposed to be a yes-man to the fact that Charlie (a white character) was doing better in his mental health struggle. I also feel like Alice also doesn't understand Black British culture because what black immigrant mother is letting her daughter's girlfriend stay in her bedroom for more than a month? I'll tell you, no one from that culture is doing that, and if they are, you must be a fuckin unicorn. And again that storyline was just to push Darcy's story forward plot wise.

I feel the same way about Sahar, like she's just there to push Imogen or even sometimes Nick's story forward. Like yeah, the girl of middle eastern ethnicity just found out she likes women, why are we throwing a good story to the side? I get Imogen was in season 1, but Sahar was an original character from the comic and I personally think she deserves a better story because she in general is a better character than Imogen (no offense Imogen).

Now I know people will bring up Elle and say that she gets a lot of screen time but I would like to remind everyone that Elle has a white mother and is stated to have her father not interact with his side of the family due to their transphobia. She has a completely different experience also because she is with another person of colour (who also is mixed). But that's a whole different rant.

Bottom line I feel like Sahar and Tara are there to check off boxes, not to be full fledged characters which is disappointing as they have so much potential that gets thrown out the window . I would also like to state that I can see Alice and whatever fellow writers are trying. I will also say entertainment media has gotten better for minorities. However, Heartstopper still does have room for improvement when it comes to characters of colour. I would just like to finish this rant by stating that this situation proves how much white privilege still exists in the LGBTQ community and how that just because your queer doesn't mean you are exempt from being privileged.

Edit: I was not aware that Alice went by she/they pronouns so my grammer that needs to be fixed it will be done. Just let me know down in the comment area of this post.

[bunnnali]

maybe the term “antisemitism” seems “overused” because theres so much of it

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[bread-wizards]

I actually think Dorian and Orym should fight more.

Remember when their slowly building tension over and entire episode (full of passive aggressive remarks and blame throwing) led to threats? And how after, Orym thanked Dorian for handing over the crown sadly because he knew Dorian would be mad at him? And Dorian couldn't even look at him because he was legitimately hurt, thinking Orym was disappointed in him for doing what he thought was right? That was peak.

The fact they went from that to their current closeness and trust is the best part of their entire dynamic. Their relationship was hard fought and still will be. They will fight for it because they respect and care for one another deeply, and their disagreements don't change that, only improve it.

[lizzybeeee]

THE ENTIRE DRAGON AGE AMA IS A DUMPSTER FIRE

They avoided all the high-rated questions with genuine criticism (not blind hate!) and went for questions that were safer and allowed them more leeway. After that awful IGN article and that treatment of Davrin...God, just put it down. I have no faith that BioWare will be able to continue Dragon Age or Mass Effect with the respect it deserves.

Edit - They had an opportunity for genuine discussion with fans who were concerned/unhappy with the way Veilguard was -> people unhappy with the story, the marketing, the lack of 'RP' options in an RPG, etc... Instead they just doubled-down even more, avoiding those critical questions, with no real acknowledgement that fans have very reasonable problems with this game.

Some Highlights & My Initial Ramblings Below:

The Executors

"They attempt to manipulate events in the most subtle way they can manage."

So, very clear that they're not simply observers of what is happening in Thedas: they're manipulators...

"Magical Illuminati Confirmed! Lizard People Did 9:30 Dragon!!!!"

All that complexity of character -> his hatred of Orlais, his experience as a general, his relationship with Cailain, and the influence of Howe...all diminished. Any influence from a shadow cabal is too much influence - all the humanity of Loghain's choices/consequences...God, what a waste.

Not to mention what this does to other events/characters in the series -> they imply they've been intervening as far back as the magisters breaking into the golden city. I do not find this compelling! At all!

2. Solas and the Executors

Oh my god, he sounds like such a fucking Mary-Sue I'm so sick of Solas at this point -> "Actually, I know more about the Executors than anyone alive - not even the rest of the Gods know as much as me."

("I'm also, like, an Ancient Elven God, I'm responsible for the Blight and the Veil, and I kind of locked the Gods away cause they were evil - but, like, I'm really sad about it. Also the Herald of Andraste thinks I'm cute <3")

<- Previous comments: massive oversimplification, obviously

But I miss the days when not everything was about Solas. It removes so much interest and wonder in this world when the fucking egg is behind it all. I loved him as a character in DAI and now I just feel this bone deep tiredness when I see his stupid face.

Don't you dare threaten to bring Gareth David-Lloyd back -> keep him away from this mess!

3. The Fate of the Rest of the Evanuris

Yay. I'm so looking forwards to "The Return of the Elves: Electric Boogaloo 2" - it was done so well the first time!

"It was the elves all along!"

The only character with any potential to be interesting is Andruil*, but how they handled all this lore was done so shallowly and so poorly that I find it hard to give a damn anymore. Not to mention that the game literally mentions Ghilan'nain mourning Andruil - so is this a retcon/redirection/or have you confirmed that one of the most interesting members of the Evanuris' is dead?

*interesting in that she's established in lore to potentially have a tonne of really cool things attached to her (the void armour, the great weapon she has etc...). The rest of the evanuris are nowhere near as well established as she is.

4. Southern Thedas, Sociopolitical Issues, and Future Games

NOW YOU WANT TO INCORPORATE GEO-POLITCAL EXPLORATION?? You avoided any meaningful discussion like the plague in DATV but now you're acknowledging it?? OkaY. okAy.

They couldn't even give us the long-term ramifications of the mage/templar war how the hell am I supposed to believe that they will be able to pull off 'elven gods are real' etc...? For a game series that totes : your choices matter -> they have not proven that they have been able to show that in a meaningful way. They literally cleaned the slate with this game to avoid doing that.

So, what, does that mean that the Veil is never going to come down now? Or are you going to have the entirety of Thedas build themselves up again just to have the Veil fall and send things into chaos once more?

What a fatalistic, miserable outcome for Thedas -> why the fuck would anyone bother to live in Thedas if you're going to keep throwing meteorites at them? By all means, change/conflict has to happen for the series to move forwards...but this is just so miserable at this point.

(The Elder Scrolls, at least, gives people room to breathe between crisis' or sets them up in different areas of the world! Bethesda treats past installments/your decisions with greater respect than DATV does.)

Even, then, if the Veil remains up, that means that the spirits are just trapped in the Fade being miserable for the rest of existence. The entire series has been humanizing spirits, from Justice to Cole, and now they're just throwing in the towel? I guess they can stay in the fade now! Problem solved!

What do you mean the Evanuris are not a threat anymore? IN A PREVIOUS QUESTION YOU LITERALLY SAID SOME ARE STILL POTENTIALLY KICKING AROUND THE BLACK CITY?

Weakened, sure, but Solas was 'weak' in DAI. You're giving yourself an out if you decide to go back to the elves again. Please do, I'd love more content on how the elves alone fuck everything up!

5. More Southern Thedas, the Chantry, and Tevinter

Thanks for the confirmation that things in the South are so fucked up that they have to work alongside the 'Slave Capital' of the known world to rebuild!

Slavery was one of the biggest things that caused a rift between the north/south chantry system -> one of the reasons why there were exalted marches -> a uniting belief in the south is that slavery is fucked. They didn't address slavery in DATV - what hopes are there that they will do so effectively in a future game?

Don't tell me that Dorian fixes everything off screen either -> either he solves slavery off-screen or the south is being forced to work the slaver-capitol because their land is nuked and they have no ground to stand on.

I'm so thrilled.

6. Solas and the Idol / The Blight

I will never get over Solas fucking curing the Blight off-screen and no one asking questions/giving a shit. Hello?? The Hero of Ferelden would like a word with you???

So the Blight is calcified in Minrathous, at least, but everywhere further away is still fucked! Once more, the South is doomed to suffer from the long-term effects that regular blights have -> not to mention the red lyrium (which still exists according to the AMA) across the south.

I don't care; it's lame. It's a lame way to conclude the blight and I hate it. This game did not earn 'cure the blight from thedas' at all. You could have had us learn how to soothe a titan and see how that can diminish the blight but you did it this way.

Another 'magical ritual' because Solas has such a good track record with them lmao.

7. The Agents of Fen'Harel / The War with the Qun / The Crows

Turned him against the idea of being a leader???!!

Fen'harel's Call to the Elven People After the events at the Winter Palace, elves left the Inquisition under mysterious circumstances, as did elven servants across Thedas. None could say where they went, but those who believed the Inquisitor's story about Fen'Harel wondered just how large the Dread Wolf's forces were... and what the ancient elven rebel had planned. This is from the Trespasser Epilogue, Epler!

Your concept art for Joplin literally had him as a leader of a faction of elves. Just be honest that it's a retcon and you changed course - don't try to save face with this reasoning.

About the Antaam: "We needed some big mindless bad guys to fight and so we did this because we didn't want to address the Qunari War/Invasion we set up in Trespasser".

You had to canonize Sten as being alive and Arishok in order for this reasoning to work -> you didn't even come up with an alternative Arishok to take Sten's place.

Yeah, the exchange that set up the Crows we see in the game as "idealists" did not make the game. I can confirm that!

I'm sorry, "Caterina kept Illario in check?" as in, 'kept him an idealist and not the usual Crow'? The woman that beat him with a cane and starved him and his cousin to train them as Crows. Fuck off.

lmao -> tell me you're coming up with this on the spot without telling me that you're coming up with this on the spot.

8. World State Discrepancies - Isabela

Outright ignores the very real criticism about the marketing from this game and World States.

"there are absolutely places where we unintentionally suggested there was a hard canon (...that Isabela is always assumed to have joined Hawke's party.)"

Unintentional?

Excuse me, you have her talk about Merrill and the Kirkwall Crew as family - that was not unintentional in the slightest. Not to mention Sten, Blackwall, Sera, and Cole are canonized as being part of your world state no matter what.

You had a story you wanted to tell - one that only fit a few world states - and you went ahead with it and disregarded those choices. Don't try and lie about this all being a big misunderstanding.

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Edit - They could have taken the opportunity to address the very reasonable criticisms that people had with this game but they cherry-picked questions and avoided/minimized anything remotely critical.

They could have provided us some insight into the game development time but each time they approached the topic they settled for "we're happy with what we delivered and it was well optimized."

They had an opportunity to acknowledge that people were bothered by the handling of the lore/stories (to potentially mention they could course-correct/ rethink their plans) but instead they doubled down on everything that they did and even 'justified' some decisions. They doubled down on the Executors, Solas's changing motivations, the destruction of Southern Thedas, and the elves/Solas being at the heart of everything etc...

This AMA basically confirmed that the only reason they did what they did to the south was for a reset -> It's not a compelling or fulfilling narrative to have everything we've done reset back to ground zero off-screen. BioWare games differentiate themselves from other RPG's by their import system from previous games - it was compelling and exciting! With DATV they set the expectation that BioWare can outright throw out entire games worth of choices/build up, not solely retcon them.

Justifying your choice to water down the lore/world of your story by saying you'll address it in the 'next game' does not instill me with confidence, BioWare! It doesn't explain that lack of it in this game either!

They avoided every question that, rightfully so, pointed out the misleading comments made by devs in the pre-order period of the game:

the fact that there were only 3 imported choices from previous games was leaked by a reviewer -> BioWare was vague from the start about choices

that this game was the most 'romantic' in the series

that world states/ headcanons wouldn't be disrespected

that there are 'lore' reasons for bad darkspawn design

that there are lasting, impactful choices/consequences to be made in this game

that the lore/world was not watered or toned down

that companions are deep and you can disagree with them etc...

BioWare's behavior towards their customers in the lead up period to this games release was downright scummy. I absolutely felt misled after playing the game for myself and recalling what I read in interviews put out. While EA is undoubtedly poison, you can't hold them solely accountable for this.

I feel for the individual developers who worked on this in what was undoubtedly a toxic environment from EA - but I feel that it's pretty clear that BioWare itself has a lot of problems within and in their leadership/executives. Working for EA does not give them an excuse to mislead their customers.

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I already had a very grim outlook on the franchise from the end of DATV but this literally look my interest out the back and sent it to God. What a disaster.

[thenationofzaun]

"If only Season 2 had more episodes/if only the show had more seasons it would be better"

No girl, more episodes and seasons would have just been filled with more bullshit. If you were only saying this about S2 Act 1, I'd get it. But after all 9 episodes have dropped y'all are still saying this as if "rushed pacing" was the end all be all issue of this season?

Having more episodes wouldn't have fixed their garbage politics and horrible messaging baked into the show's very foundation. It wouldn't have fixed the glaring plot holes opened up by the idiotic flashbacks. Nor the juvenile Disney Junior "resolution" of conflicts (because the writers genuinely don't think Piltover's oppression of Zaun is that big a deal). Nor the terrible characterizations of most characters (how can more episodes fix Vi for instance, when it didn't even register to the writers that prison would have traumatized her?) It wouldn't have fixed the plot devolving into MCU avengers-assemble-to-defeat-the-zombie-horde drivel either. That was always the slop they were heading towards.

I think so many people have way more faith in the writing team than I do. They truly think that the only issue with Season 2 is that the writers were screwed over by Riot and not given enough screentime. That if they did have the time necessary, they could have fixed the show with their wonderful writing. But from what I see in season 2's limited screentime, it's the writing itself that completely lacks any maturity or intelligence.

Give the season 12 episodes, and you'd have ended up with 12 episodes of the same old nonsense, just with more meandering in between. Give the show 50 episodes instead of 18, same result.

[lessthanimpressedlesbian]

I feel so vindicated knowing that we all read those many microexpressions correctly. Laura was really playing an anxious queer woman in love with her best friend so accurately that we couldn't help but pick up on all the little nuances.

[chronurgy]

Idk man thinking about Caleb and Astrid and breakdowns. How the one time we see her have a breakdown it's so neat and quiet and private in contrast to Caleb's messy, public, even violent breakdowns. Do you think she looks down on him for not being able to control it? Do you think she resents him because Trent still wants him back even after all of it and she could never get away with something like that (does the specter of the hysterical woman keep her up at night)? Does she envy him because that's what freed him? And does that just cause the resentment to pile even higher because she could never allow herself to fall to pieces like that? Because someone has to stay in control. Someone has to keep it together.

[communistkenobi]

I remember one time I was theoryposting on here and my friend emailed me with corrections about what I was saying. like she read my post on tumblr and then closed the website to email me. literally graded feedback on posting

[asharaks]

something else that grates on me about taash's writing is the.....casual cruelty they talk to everyone else with. they mock bellara's gods and religion as sordid and petty; they accuse neve of performativity, of shallowness; they treat rook like an idiot, unavoidably; they are sharply disrespectful of emmrich, and only apologise when pushed (and this is the only time the game even has them apologise! notably, to the white man-) to by rook. I wouldn't hate this abrasiveness as a character choice, if we were given the option to push back against it, if it was shown to be a flaw - youthful bravado, defensiveness, preemtive responses to what they assume people will say to them.

instead, they're coddled, treated as innocent of harm: neve mothers them through their feelings, rook holds their hand as they lash out, we have to therapy-speak them through their feelings about death magic, and most notably to me, bellara's gentle request for them to be respectful in the way they talk about her gods, fallen or not, is rejected, and rook has the "funny"" option to get on board with the degradation. it's just another facet of weekes' writing, where shitting on the indigenous religion is made retroactively acceptable because they're evil and always have been, where being blunt is the same as being rude and pushing back against it makes you just another regressive parent figure trying to tell them who to be, where the context makes any and all interpersonal cruelty acceptable but only if it comes from the Right person.

[xxplastic-cubexx]

erik will genuinely jump at any chance he can to steal charles' last name and be so catty about it i know this for a fact WHAT is his deal

[Magneto (2011)]

[brionysea]

I'm trying really hard not to just be The Complainer because that's an energy I don't want to bring here when I love (present tense; I rewatch it like 5 times a day) arcane season 1 so much but does anyone remember when powder was taken in by silco and being raised by this very utilitarian merciless 'the ends justify the means' type character made jinx turn out violent and merciless as well. and vi was horrified by her and the lanes were terrified of her and piltover was falling over itself trying to scapegoat her as the one bad apple of the undercity to kid themselves into believing that everyone else was perfectly fine with being treated as less than. and that contrasts vi after vander etc. died because she was raised by him and internalised the idea that no one wins in war and fighting back against systemic oppression isn't worth the damage it causes to your own community which is why she ended up working with cait and the council like vander worked with grayson. the people who raised them shaped them into who they are today but then in season 2 jinx has a daughter and she's suddenly completely normal and well adjusted and her attachment style isn't digging her nails in until she draws blood at all. like What. what happened. didn't things used to mean something

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[sludgekludge]

talking about the overlap between fizz and barbie backstory-wise made me retroactively notice that blitz and moxxie both have greedy physically abusive fathers who forced them into amoral things they didn't want to do (ok edit: arguably amoral steal from the rich who cares but the writers want you to see it as not nice) and silent deceased mothers, the only parent they had a good relationship with, they are also both estranged from the family business and changed a portion of their name (blitz removing the o/moxxie changing his last name) as a result

this is a story featuring magical demon characters, your writing possibilities should be practically limitless. how are we already reusing elements like this within your main cast. we're just under 2 seasons in. oh. my god

[bread-wizards]

I think that Orym actually does doubt Imogen, but this isn't a thing that is unique to Imogen. Orym doubts all of them to an extent, because paranoia is something he struggles with (and this is continuously reinforced by the story).

It's not a 'good' thing that he should never get over, nor is it an immoral character flaw that proves he actually hates Imogen. However it's also not something I think he can get over as long as the threat of having to possibly fight his friends exists.

"I have all the faith in the world in you guys, all of you. And I have also spent time thinking how to neutralize each of you."

[lizzybeeee]

the language being stripped of lore specific terms made it so much worse in retrospect. fr tho Davrin calling Eldrin "Uncle" Eldrin instead of Hahren, like it's okay Davrin you can use elvish around my Rook I won't judge :( I haven't romanced him does he at least call you vhenan??

I could get the use of 'uncle' if Davrin was trying to explain it to Rook who was not elvish (since all elves in this game seem to just instinctively know elvish) since it would make sense to make a connection between the dalish role and familial role for an outsider:

Rook - "Who are we seeing?" Davrin - "Hahren...Uncle Eldrin." Rook - "Hahren?" Davrin - "It's elvish - they're storytellers and caretakers in the clan." Rook - "So...not your uncle." Davrin - "Close enough. He raised me."

Does Davrin call you 'vhenan'? I could have sworn he did in the final love/petting over clothes scene but I did a look up because I couldn't remember...apparently its just my wishful thinking - but don't quote me, maybe it's only in a specific dialogue option? :(

That fact that I can't recall it off the top of my head is telling -> Solas calls Lavellan 'vhenan' so much its burned into my brain, the same with other endearments from other romances. I played as a shadow dragon elf so I was hoping to be able to say 'amatus' - didn't get to do that either.

Which is one reason that the romances in this game really fall flat for me. I loved how different characters had different endearments for you, it made it feel more personal! Bull with 'Kadan', Dorian with 'Amatus', Solas with 'Vhenan', Leliana with 'My Love', and Sera had a 'pick your own' that wonderfully reflected her character!

I assume they were trying to make the language more accessible for new players, but it was never a barrier for me in any of the other games? If anything it always made me more interested/curious in what was going on when I encountered a phrase that I didn't understand. It added to the idea that these characters were from different nations and cultures - they had their own languages and phrases that reflected that -> the world felt bigger because of it!

Even if I didn't understand something, the voice work was always so stellar that even if the exact meaning wasn't understood, I got the intent that it was being said with.

Best examples being Solas and the Arishok - I understand certain words and phrases of each language, but I'm not a translator like some very talented people on this website. Even if I didn't get what was being said I absolutely understood the intent from the emotion and nuances in voice work. Top tier example is Solas and Sera in DAI:

Solas: Our people used to be here. Sera: Pfft, you say that everywhere. Solas: It is more true than you want to believe. Sera: I bet, right? Who wants to think about stepping on dead elves. Solas: Din elvhen emma him? Sera: Oh, you felt that one.

The way that line was delivered was incredible. Didn't understand a word but you could absolutely feel the repressed fury of what Solas was saying - his disgust at what Sera said. Once again, Gareth David-Lloyd coming in with incredible voice work! <3

It's such a strange choice to just...remove that immersion - to have so little of it in-game. Does it require extra work to make certain that the characters language reflects their history and culture? Yes! But what it adds is so immense to the world. I can't imagine not having Solas call Lavellan by elven endearments or having Andrastian characters not say 'Thank the Maker!' or 'Maker's breath!' It was cool worldbuilding! Just like how we say 'oh my god' there's a Thedas equivalent that communicated the very same idea!

Hearing lore specific words and phrases makes me know that I'm playing a Dragon Age game. Playing DATV which severely lacks in those words and phrases made me realize I'm sitting on my swivel chair and looking at a computer screen.