#But for some reason I just... can't

[sophieswundergarten]

I have ideas???? But actually I have no ideas

Schrodinger's idea

[theabigailthorn]

"Good" Acting

i have a theory that a lot of people say acting is "good" when they're emotionally moved by it, and a lot of cishet white people have a lifelong habit of not listening or empathising when minoritised people speak, so minority actors get called "bad" even when they display some pretty fucking amazing technical skill

[egophiliac]

YOU MANIFESTED THE TWEEL CARDS CONGRATS

YOU'RE WELCOME EVERYBODY!

seriously though I was probably like. 60-80% thinking we'd get at least one tweel for chapter 10. but I was NOT expecting it so soon! both of 'em! in August! a shame we're not getting a Coral Sea event after all...but I guess I can be resigned to that and ALSO excited for getting shiny sparkly glowing(!!!!) mertwins along with Azul fighting his inner demons and going right for the eyes! AHHHH I CAN'T WAIT

(also heeeey I recognize that rowboat... 👀)

[poorly-drawn-mdzs]

I hope you take this as the compliment it is intended to be, but you strike the same chord of irreverence-as-love, jokes-to-showcase-sencerity that I get from Chuck Tingle, and I adore both of you.

You have bestowed the greatest honour upon me.

[forgettable-au]

FORGETTABLE-AU (Page 36-39)

* To note. Her hands are scaly. * And...unexpectedly wet?

[BEGINNING] [PREVIOUS] [CONTINUE]

[inkskinned]

you have to go to work so you can pay for your doctor, who is not taking your insurance right now, and if you say i can't afford the doctor's you are told - get a better job. it is very sad that you are unwell, yes, but maybe you should have thought about that before not having a better job.

(where is the better job? who is giving out these better jobs? you are sick, you are hurting - how the hell are you supposed to be well enough for this better job?)

but you go to the doctor because you had the nerve to be hurt or sick or whatever else. and they tell you that it is because you have anxiety. you try your best. you are a self-advocate. you've done the reading (which sometimes pisses them off worse, honestly). you say it is actually adding to my anxiety, it is effecting my quality of life. so they say that you are fat. they say that all young people have this happen to them, isn't it a medical marvel! they say that you should eat more vegetables. they say that you probably just need to lose a little more weight, and that you are faking it for attention.

(what attention could this doctor possibly give? what validation? that's their fucking job, isn't it?)

there is always a hypochondriac, right. someone always tells you about a hypochondriac. or someone who is unnecessarily aggressive during the worst days of their life. or someone looking "for a quick fix". or some idiot who wasn't educated about how to properly care for themselves who just abandons their treatment. and again, the hypochondriac, the overly-cautious hysteric. these people don't deserve to be treated like humans (right), and since you might be one of these people, you also don't get treated like a human. because those people can really fuck with the system, you now have to pay for it. and besides. you're actually probably faking it.

(more often than not, you find a 2:1 ratio of these stories. for every "hypochondriac", there are 2 people who knew something was wrong, and yet nobody could fucking find it. the story often ends with pointless suffering. the story often ends with and now it's too late, and it's going to kill me.)

you are actually just making excuses. someone else got that procedure or that diagnosis and he's fine, you should be fine too. someone else said they watched a documentary about other inspirational people with your exact same condition, maybe you should be inspirational, too. you're just too morbid. your pain and your experience is probably just not statistically concerning. it is all self-reported anyway, and you're just being a baby.

(once, while sitting down in the middle of making coffee, you had the sudden, horrible thought - i could kill myself to make the pain stop. you had to call your best friend after that. had to pet your dog. had to cry about it in the shower. you won't, but that moment - god, fuck. the pain just goes on and on.)

you know someone who went in for routine surgery and said i still feel everything. they told her to just relax. it took her kicking and screaming before they figured out she wasn't lying - the anesthetic drip hadn't been working. you know someone who went in for severe migraines who was told drink water and lose weight. you know someone who was actively bleeding out and throwing up in the ER and was told you're just having a bad period.

in the ER there are always these little posters saying things like "don't wait! get checked today!" and you think about how often you do wait. how often the days spool out. you once waited a full week before seeing the doctor for what you thought was a sprained wrist. it had actually been broken - they had to rebreak it to set it.

but you go into the doctor. the problem you're having is immediate. the person behind the counter frowns and says we're not taking your insurance. you will be paying for this out-of-pocket.

they send you home with tylenol and a little health packet about weight loss or anxiety or attention deficit. on the front it has your birthday and diagnosis. you think about crying, and the words swim. it might as well say go fuck yourself. it might as well say you're a fucking idiot. it might as well say light your money on fire and lie down in it. and the entire fucking time - the problem persists.

it's okay. it's okay, it's just another thing, you think. it's just another thing i have to learn to live with.

[ltorekdraws]

i'm not alive and i don't have a heart

[hussyknee]

I know some dickheads have now decided that Judaism is the "bad, violent, terrorist religion" and Islam is the "good, peaceful" one, which is only to be expected of white people, but how much of an issue is it currently? Like I've seen some USAmericans sharing how the Islamic faith shapes Gazans values and perseverance (good) except with that distinct white hippie "I'm about to imprint on this like the world's most racist duck" vibe (bad), but I didn't think they're already turning on Judaism in numbers.

Do they realize that Christianity is also the same kind of comfort to Christian minorities in Asia and Africa? That it was Buddhists that genocided the Rohingyas in Myanmar and Tamils in Sri Lanka? That Hindu fundamentalists are even now trying to ethnically cleanse Muslims in India? How Hindus and Christians are terrorized and persecuted in Pakistan? That Muslims have a history of persecuting and ethnically cleansing Jews too?

Really tired of asking y'all to be normal about people's religions man. There's no religion that's inherently violent or exceptionally peaceful. It's just like any other ideology that becomes a weapon in the hands of ethnic power. Interrogate power, not religion, and respect people's belief systems insofar as they aren't in your business.

Edit: I've amended the "long history" of Muslim persecution of Jews because it might be misleading in the current political climate. Zionism and antisemitic Arab nationalism are twin births resulting directly from Christian colonization, and Islamic empires tended to actually be more tolerant of other religions compared to Christianity, especially Judaism, which was considered a sibling religion. Antisemitism wasn't ideologically entrenched in Islamic tradition. It's simply that ethno-religious power will lead to ethno religious domination and intermittent cleansing of minorities, and Islam is no exception. Humans be humaning always.

[scarlettfevor]

I just saw this video talking about actresses who've had to wear sexualized outfits on film that made them uncomfortable (think Margot Robbie in Suicide Squad) and it brought up an ongoing concern of mine about how films and tv shows are way more explicit now than they've been before. Thinking about how many actresses have been topless or nude on camera when it's totally unnecessary) Like I know Hollywood is experimental and would show sex and nudity in their films, I don't have a problem with that it's just how disproportionate the amount of women vs men who have to be naked and sexualized in film is. It's misogyny, pure and simple. Forcing actresses to put their bodies and sexuality on display for the pleasure of male directors and a male audience. And I hate that you can never point out how many actresses have come out and said that no, they didn't like wearing sexualized outfits on screen, they didn't like going nude/being pressured to go nude, they don't like sex scenes or explicit rape scenes but still anytime anyone mentions this you have to fight puritan allegations because god forbid you question how a notoriously sexualized and objectified marginalized community seems to always be sexualized and objectified in media.

[bree-paints]

My copium where they all survive and they are an iconic one eyed trio

Also some random sketches because 266-267 have been killing me emotionally thank you

[madeofjules]

I'll never agree with the short Peeta/tall Katniss takes because their canonical sizes are both narratively and thematically relevant.

Peeta's medium height and stocky build give him the size and strength to overpower most of his competitors in the arena, yet he rarely uses those traits to hurt people despite being in circumstances that encourage violence. Having the power and motive to be deadly and choosing to be kind instead is what defines Peeta's character.

Katniss's small size generally puts her at a disadvantage in the Games but she's still very deadly. I like that she's earned the skills (bow and arrow, hunting) and survivor mentality that make her a formidable tribute because she's not supposed to be this naturally gifted "chosen one" type figure. She's a regular teenage girl who has some special qualities but still needs a lot of help to win the Games.

Their size difference is also relevant in their relationship. Katniss has had to take care of herself since she was a young girl because of her mother's neglect, and as a result she doesn't trust other people to protect her. She's understandably mistrustful of Peeta's kindness when they become tributes, as one of them has to die for the other to live and he has the ability to kill her with his bare hands if he wants to (which we see later on when he's hijacked). Yet once they become allies, his larger size is no longer a potential threat but a source of comfort and protection; being held by him is the safest Katniss has felt with anyone since her parents held her as a little kid. And after they leave the arena, his strong arms are the only ones she trusts to guard her from her nightmares.

So even though I do think short guy-tall girl couples deserve more rep, it doesn't really make sense for Peeta and Katniss. And tbh viewing the gentle and compassionate boy as short and the tough hunter girl as tall is a little stereotypical lol.

[starry-bi-sky]

Stillborn danyal al ghul au incorrect quotes - dpxdc au

Vlad and Danny, fighting for the nth time this month: Danyal, exhausted: hey if i call you dad will you like. Stop. I have a test tomorrow. Vlad, has a parental bone in EVERY part of his body: *immediately stopping* Vlad: What do you mEAN YOU HAVE A TEST. WHY DIDN'T YOU LEAD WITH THAT-- Danny: BECAUSE YOU'RE TRYING TO KILL DR. FENTON AGAIN, VLADIMIR.

-------------

Danny, flopping into bed facefirst: i need sleep or rehab. again Tucker (maybe?? I haven't decided yet who he's friends with): i thought you were clean Danny, into a pillow: not if this keeps up.

-------------

Tucker: favorite superhero go Sam: Wonder Woman Danny: the Flash Tucker: Okay Sam's is obvious but, Danny I would've thought you'd say like, Martian Manhunter or Superman or Starfire. But Flash?? Danny: i had a foster in Central City for a few years and met him, he's a really nice guy. He made me promise to invite him to my high school graduation and is part of the reason I made it to rehab and ended up getting rehomed and picked up by the Fentons. Danny: I have a hoodie with his logo on it in my closet, i saved up to buy it and its the first thing I got with the allowance the Fentons got me

------------

Danny wearing three layers and a scarf in the middle of summer: *shivering* Sam: how are you cold you're literally made of lava Danny, hissing: lava cools at contact with the air and I'm trying to keep my body temperature at a reasonable level, SAM. Tucker, touching Danny: you feel warm to me Danny: to YOU

------------

Danny:...i could eat lava Tucker: Sam: Danny: Tucker: do it. no balls Danny, getting up: bET--

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Danny: Dash: The Both Of Them: *under the bleachers to smoke/vape* Danny, smokes: I wont tell if you won't tell Dash, vapes: ....deal

-----------

Danny, breaking into Vlad's lab: YOU FUCKER QUIT-- what the hell is that Vlad, working on his newest invention: Language. ....And it's something I'm working on, go away Danny: what? no, fuck you. You're trying to kill Jack again and this looks interesting. I was gonna come beat you but now I'm curious what the hell this is (Vlad spends a good hour explaining what he's doing before they start arguing and Danny starts a fight)

------

Danny laying on the ground staring the ceiling, feeling like shit: Jazz, popping by his room: ,,,what'cha doing, Danny? Danny: Danny, internally: 'Jazz says i should be more open' Danny: considering the benefits of relapsing Jazz, immediately stepping into the room: oh okay so lets talk.

-----------

Danny, meeting Robin as Phantom for the first time unaware of his identity and his own birthright: Robin: Phantom: Phantom: fuck you Robin, a 12 year old: fUCK YOU

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Vlad: Jack Fenton iced me out of my early adulthood and got you, his foster son, killed by his own invention. He is a danger to society and I personally want him dead. Danny: okay, cool motive still murder. Danny, louder: I DONT NEED YOU TO TAKE REVENGE ON MY BEHALF

-----------

Vlad, grabbing Danny's shoulders: aren't you tired of being nice Danny: Vlad: don't you want to go apeshit Danny, in the american foster system since infancy, was in rehab at 11 years old, has been fucked over metaphorically, emotionally, physically, ten times over: Danny: i feel like we need to have a talk

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DP/Regular DPDC Vlad: *gripping by the shoulders* DPDC Vlad: how Stillborn Vlad: what DP/DC Vlad: how are you getting him to like you. Stillborn Vlad:,,, well first off i don't torture him so jot that down Stillborn Vlad: second of all, like is a strong word. Stillborn Vlad: Daniel only likes me on tuesdays and when i show him how to make fireballs

[egophiliac]

(breathing into a paper bag) FRALIO....

can't believe they gave us another guy. oh my god. so I guess Kelka is more, uhhh, more OOO then, and Fralio is Ankh? not that it matters too much, although they do seem to be doing something with the connected Riders so. who knows. anything goes! or if I may, anything gOOOes! god. of course they're the Ambition parallel. of course they are. oh my god.

fortunately there's nothing else they can throw at me right now that could possibly --

AHHHHHHHHHHHHHHHHHHHHHHHHHHH

[marikodraws]

equipping Akechi’s tie to fight Shido 👊🚢

[wasyago]

the man(?), the myth(?), the legend(?)

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.