#But I didn't love the movie

[wanderingmind867]

Maybe an unpopular opinion (I don't know what is and isn't popular, though), but I didn't love the Bob's Burgers Movie. I love the show a lot (I've seen a lot of episodes on TV 5 times over), but I didn't like the movie as much as I could. I last tried to watch it some year or two ago with my dad. Because of that, my memories of it aren't too good. But can I still try and explain why I didn't like it?

I think I didn't like it because it felt like it dragged sometimes. Mind you, we were watching it online and our internet crashed halfway through (so I know I have no place to talk), but it did feel like it dragged sometimes. Other than that, I don't know why I didn't like it. I wish I did (at least then I could try and get people to see my perspective). But as it stands, I don't really remember why I didn't like it. I just remember not loving it. Maybe in a few months I'll try watching it again. But who knows if I'll even finish it then?

[lonelyzarquon]

Aubrey Plaza in Addicted to Fresno (2015)

[acecroft]

SAW 3D (2010) dir. Kevin Greutert

[hoziersong]

the reason poolverine is so appealing is also because in all of his two-decade run in the xmcu they have given logan some of the most boring and rushed relationships with women (because it was the 2000s and the mold that they followed for rugged manly protagonists meant an astounding lack of chemistry between them and their love interests in favor of giving them the "dead wife who has a montage at the beginning of the movie" treatment etc etc) and then they put him in a 2 hour long film with a guy even more insane and fucked up than him and they matched each other beat for beat. say what you want about the mcu but they achieved a level of chemistry between logan and wade that fox couldn't reach in 20 years with like four different love interests. which is also a petition for them to either go the gay route or finally let logan find a woman he has good chemistry with and who can pass the bechdel test

[batterycityghoul]

Favorite Quotes/Lines To Quote: The Lost Boys (1987)

[explodingstarlight]

waiting....

mom said it's my turn to make fanart of @somerandomdudelmao 's ol' wizard

i can't express how many times I listened to this song on loop while drawing

andddd a bonus close-up & a version with wraps that I totally didn't forget to add before now haha,,

[ruubesz-draws]

Godzilla will never be sorry for anything

Yes I still ship them and no I will never stop shipping them

Original tweet here

[ilovemesomevincentprice]

Vincent Price -

The Pit And The Pendulum (1961) dir. Roger Corman

[egophiliac]

Waittt, what did you mean with your last post?? I don't want to spoil myself so I'm waiting for the nightmare before christmas event to arrive on the eng server before diving deep into the wiki. But I HAVE to know; were there hints of Lilia joining in for a rerun or a sequel ??? Your big "OR IS IT???" filled me with way too much hope !! please tell me it wasn't a bit : (

there was a little teaser at the end that implied there'll be a sequel event, though we don't really know anything beyond that! I do think it's likely we'll get the other half of the cast in it, even if it's just wishful thinking on my part. 🤞🤞 NIGHTMARE SUITS FOR EVERYONE!!!!

as far as I know there's been no confirmation on whether it's going to be next year's Halloween event or a separate thing (the snow makes me think it'll be more Christmas-themed, or otherwise more related to the plot of the original movie) so. we're probably going to have to wait quite a while before we find out anything solid. :') they really do love just dropping these things on us and then watching us go absolutely wild with speculation while they watch like

[riddlerosehearts]

thinking about how people who watch the emperor's new groove and somehow come out of it shipping pacha and kuzco, or thinking yzma only became evil when kuzco fired her and that she would've been a better ruler than him, are both so wrong in so many different ways and are also missing one of the things that i absolutely love about the movie. which is that, the way i see it, pacha and yzma are counterparts. as parental figures to kuzco.

like, just to get this out of the way first, yzma was a dismissive asshole to a peasant whose family was starving. and yeah, if kuzco had been in her place he definitely would've also done that, which... is why she would not be a better ruler than him. she'd just be the same because they're both horrible people in the exact same ways. her reaction to being fired is to plot murder, and as soon as his funeral is over she sets everyone to work on replacing paintings of kuzco with paintings of herself and covering the palace with imagery that makes it clear that it's all about her now. i'm not even sure why this is a discussion tbh.

and also, kuzco is literally a teenager. he's barely 18 years old. source: in the movie, yzma says at his funeral that kuzco was "taken from us so tragically on the very eve of his eighteenth birthday." she also claims in the movie to have "practically raised" him, to which kronk replies "yeah, you'd think he would've turned out better". and sure, she could be exaggerating, but what evidence do we have that she is? we learn absolutely nothing of his parents, who are never mentioned even once in the movie, or of anyone else who could've raised him, and she's his advisor who for some reason sees no problem with attending to royal duties in his place. most likely because she's his regent. also, i'm not exactly a fan of the sequel tv series "the emperor's new school" but it does have something that backs up my point: kuzco is revealed to be an orphan and just before his father went and got lost at sea, he asked yzma (who was also his advisor) to take care of kuzco if anything happened to him. so, yeah, the writers who worked on the series clearly thought that yzma genuinely did raise kuzco, and nothing in the movie contradicts this.

and i find the idea of her being his only parental figure for pretty much his whole childhood incredibly interesting because, and this also goes back into why she wouldn't be a better ruler than him--she mirrors him as a reflection of what would've become of him if he'd never met pacha. they're both incredibly arrogant, power-hungry, selfish, and cruel, with a tendency to blame their problems on everyone but themselves. yzma was even originally going to have her own reprise of kuzco's theme song "perfect world", which i really wish had been kept:

[ID: Lyrics that read:

I'Il be the sovereign queen of the nation And the chicest chick in creation I'm the cat with all the cream and ooh-la-la This deadly concentration Will put an end to my frustration Now this perfect world begins and ends with moi

What's my name? Yzma, Yzma, Yzma Yzma (what's my name?) Yzma, Yzma (What'd you say?) Yzma (Ha ha ha ha ha ha ha ha ha!) Yzma. End ID]

(this song can be fully heard in "the sweatbox", the documentary about the making of the movie, and is also on youtube btw)

anyway, i'm sure yzma would not exactly have been the most nurturing or hands-on guardian, especially given that she and kuzco don't exactly treat each other like family. but it makes a lot of sense to think that her behavior influened kuzco's throughout the years. and for the entire movie, she remains determined to kill him. when he tries to reason with her and admits that he should've been nicer, she says the same thing to him that he originally said when he fired her. she never grows or changes and in the end, she hurts the one person who was willing to stand by her (and even then, kronk had never fully been on board with her plan) and he ends up trying to crush her with a chandelier. kuzco on the other hand is able to realize the error of his ways, come to regret who he was in the past, and start taking steps toward being a better person. his theme song gets a reprise where it's changed from a song about one person being the center of the world to a Power Of Friendship song. why? because, as i've already mentioned, he has pacha.

pacha, who similarly to both yzma and kuzco is in a position of authority as the leader of the village but unlike either of them is gentle and humble. who isn't afraid to stand up to kuzco and be honest with him even though he's the emperor, who agrees to take him back to the palace but has no obligation to be so helpful, kind, and caring toward him--and just about every reason not to be--and still chooses to be anyway. pacha who is 45 years old (also stated in the sweatbox documentary) and can see that kuzco is practically still a kid, not a single day over 18, who has time to grow and change. pacha, who already has a wife and two kids with another on the way, but practically treats kuzco like one of his own. who acknowledges that if kuzco dies all his problems will be gone and then still worries about him and goes out of his way to rescue him after he wanders into the jungle. who sees kuzco shivering at night and covers him with his poncho, who carries him when he's genuinely too weak to keep walking, who refuses to give up on him even after repeatedly being betrayed by him because he believes there's good in everyone.

also, while yzma ends up repeating kuzco's harsh words of dismissal as she tells him of her plans to kill him, kuzco had previously repeated pacha's words that "nobody's that heartless" after he saved pacha's life. and as the movie progresses kuzco and pacha's relationship becomes more and more equal and is constantly contrasted by moments of yzma being cruel and unappreciative of kronk's kindness. a good example of this is how kronk is constantly being forced to carry yzma everywhere on his back while yzma literally walks all over him and steps on his hands when she gets down, whereas when pacha briefly carries kuzco after the latter collapses he tells him he'll have to walk the rest of the way later and kuzco doesn't even protest.

idk if i'm even explaining well what i'm trying to say here. but basically, if yzma actually raised kuzco and contributed to his current behavior, then she and pacha both are figures who guided him and helped him grow. only yzma helped him become the tyrant that he was at the start of the movie, who was selfish and callous and saw everyone else as beneath him. whereas pacha helped him see the value in being selfless and considerate of others. and in the end, yzma is stuck as a cat and nobody is concerned about her. kronk has found a new job that makes him genuinely happy, while kuzco has decided to build a hut on the hill next to pacha's and effectively joined his family. in the sweatbox documentary it's even mentioned that chicha and the kids were at risk of being removed from the film, but it was decided that they needed to be there because having just pacha as a single guy who lived alone wasn't interesting enough--kuzco needed to go from having basically an empty world where he had nobody to being able to come together with pacha's whole family. and i just think that's incredibly satisfying and beautiful. it also leads up to one of the few things i really do enjoy about the emperor's new school, which is the fact that during the show kuzco moves in with pacha and chicha and pretty explicitly thinks of them as basically his parents while he's like a son to them.

idk. i feel like my mind went in a million different directions while i was writing all this. but i guess i just think that for all of the praise the emperor's new groove gets for its comedy and for how hilarious yzma and kronk in particular are as a duo, the movie also has a lot of genuine heart that gets overlooked. kuzco's character growth and his unique dynamic with pacha is, for me, really what elevates the movie from just a funny movie that i like to one of my favorite disney movies. and i wish more people appreciated that aspect of it and saw it as a found family story in the same way that treasure planet, brother bear, and lilo and stitch are all found family stories.

[xxplastic-cubexx]

was talking to my brother the other day after i rewatched dark phoenix and he was like 'why is everyone so mean to charles in this movie?? were they always this mean to him ?? is it cause he's bald now- he lost his pretty privilege??' and i fear i havent recovered

[bixels]

I'm not getting into The Giving Tree discourse...

[cluescorner]

The Council of Optimuses: Pleasant, generally positive, they exiled Bayverse a while ago but they still check in once in a while to make sure he's ok/out of curiosity, Earthspark enables One's 'I can fix him' delusion to the point that Prime is falling into it too, IDW does NOT want to add to the delusion pile so he shuts up, Cyberverse kinda doesn't want to be at this meeting it feels too much like a party, IDW keeps making calls to somebody but he won't tell anyone who, they used to have 'bring your Bumblebee to work day' but Skybound had a breakdown over it so they can't do that anymore, everybody is suspicious of Skybound's new arm but the only person who actually brought it up was Bayverse whose solution was 'kill him' so now everybody thinks they are getting paranoid and should maybe start seeing a therapist (they should start seeing therapists, but they ARE right about the arm).

The Council of Megatrons: They are having a great time even if it looks horrible from the outside looking in, Prime constantly wants to fight IDW for his spot as the strongest Megatron but IDW is not about that, they tried to kick out Earthspark but he somehow keeps getting in (IDW leaves the door open), One has like 5 devils on his shoulder telling him to escalate and two fallen angels who are desperately trying to get across that maybe total destruction isn't the move, IDW is trying to hide his redemption arc in order to keep the situation under control (only Earthspark is aware of it, though Skybound has his suspicions), Cyberverse always tries to kill the others to take over their universes and it's the highlight of everybody's month, Bayverse is mocked for being killed by Optimus but secretly everybody is kinda jealous about it (Prime especially), one time an unidentified Starscream (it was Animated) broke in and it was on sight (he got away because every Megatron wanted to be the one who killed him and they fought each other over it), IDW keeps taking calls from somebody but he won't tell anyone who, Skybound can listen in on his Optimus's meetings due to being his arm and reports back, there is an ongoing debate about whether Galvatrons should be included.

Inspired by @jyang030107 's art of ES and IDW Megs advising their One counterpart.

[wistfulwatcher]

As for myself, I gave birth to a healthy baby girl. The creature spared our lives, and in return I honored her with my absolute silence. Some things, no matter how magnificent they are, are best left alone. And as to whether I'd ever see her again, the answer is yes. But that's another story.

LILY & THE MERMAID in SHE CREATURE (2001)

[emilynightshade89]

Poor Things (2023) dir. Yorgos Lanthimos

[rockingtheorange]

Do you ever think about how important and significant Alex's action to give his key to Henry was?

Alex had brought the key with him everywhere throughout his life since he got it.

Then, the first moment he's quietly alone with Henry, Alex gets to explain what it means to him: it's the key to his family's house in Austin.

But it means much more to him: it's from the times when his family was still all together (book), it's his childhood, his time growing up in Texas, it's his mixed blood, and the quiet life he left behind to follow his mother in something bigger than him.

That key is his comfort and reminder of what he was and the memories he will treasure forever.

Alex doesn't tell all of this to Henry, but Mr. HRH Prince Dickhead knows there's more about it underneath, just like how he had always known Alex wasn't just a peasant boy.

Alex brings his keychain everywhere and Henry is always there to admire it.

The key to Henry means something completely different: it's the reminder of his unusual life, the fact that he can't have such normal things as possessing a simple key, it represents all the things he can only admire from afar but he'll never be able to posses.

And then Alex breaks the wall that Henry thought would suffocate him forever, that seemed impossible to destroy.

Alex starts to remove the key when he's in the most intimate moments with Henry. He decides to leave the thoughts and worries related to his family for another time. He decides to be fully Henry's, even during just brief rendezvous.

And Henry takes everything he can, as far as he can. Till the moment, he's sure will come, when the magic breaks and the key will return to be something to admire and desire from afar, but never possess.

But Alex isn't just a peasant boy.

He hands over his childhood, his memories and his whole being to Henry, with just a simple gesture. Alex says "Henry, I'm yours." by giving him the object of his desires, by breaking the illusion that Henry can't be a normal boy, simply owning the key of someone's heart.

And Henry is reluctant to accept it, cause he knows (just like he had always known that Alex wasn't just a peasant boy) that the key means so much to him. But Henry accepts, cause he wants to believe that the wall between them can break, Alex made him believe it. And he grips and holds onto that hope like his life depends on it, cause it does.

Alex is the only key to his freedom.