Tumgik
#Brian Fargo
Text
something i'll always kind of appreciate about classic fallout is that they had absolutely no chill
3 notes · View notes
ultimacodex · 2 years
Text
Through the Moongate 17 - Return Home
Through the Moongate 17 - Return Home #Ultima #Ultima5 #ThroughTheMoongate #OriginSystems
View on Zencastr Subscribe on Zencastr | Subscribe on iTunes | Subscribe on Google Play | Subscribe on Spotify | Subscribe on TuneIn | Subscribe on Stitcher Podcast Topic(s) Andrea Contato’sThrough the Moongate, per its Kickstarter page, “illuminates the path of the Ultima games’ history and the creative people behind this landmark series. It also covers some of Origin’s other games,…
Tumblr media
View On WordPress
0 notes
Photo
Tumblr media
Happy Birthday to Interplay Games's Fallout which was released on October 10, 1997. Fallout changed the RPG landscape on PC and laid the foundation for the @bethesda Fallout game series.
#Fallout #Interplay #BrianFargo #PostApocalypticRPG #RPG #RolePlayingGame #ComputerGames #VideoGamesHistory #VideoGame #VideoGames #SiscosFavoriteComics
https://www.instagram.com/p/CjjbfMNMzix/?igshid=NGJjMDIxMWI=
0 notes
briangriffin93 · 14 days
Text
Tumblr media
I CANNOT FEEL
12 notes · View notes
lexcanium-moved · 1 year
Video
undefined
tumblr
you guys will never understand how specials he is to MEEE
1 note · View note
just-ornstein · 4 months
Text
Tumblr media Tumblr media
[JK]  My first job was as an Assistant Producer for a video game company called Interplay in Irvine, CA. I had recently graduated from Boston University's School of Fine Arts with an MFA in Directing (I started out as a theatre nerd), but also had some limited coding experience and a passion for computers. It didn't look like I'd be able to make a living directing plays, so I decided to combine entertainment and technology (before it was cool!) and pitched myself to Brian Fargo, Interplay's CEO. He gave me my first break. I packed up and moved out west, and I've been producing games ever since.
Tumblr media
[JK] I loved my time at EA. I was there for almost a full decade, and learned a tremendous amount about game-making, and met the most talented and driven people, who I remain in touch with today. EA gave me many opportunities, and never stopped betting on me. I worked on The Sims for nearly 5 years, and then afterwards, I worked on console action games as part of the Visceral studio. I was the Creative Director for the 2007 game "The Simpsons", and was the Executive Producer and Creative Director for the 2009 game "Dante's Inferno".
Tumblr media
[JK] I haven't played in a long while, but I do recall that after the game shipped, my wife and I played the retail version for some time -- we created ourselves, and experimented with having a baby ahead of the actual birth of our son (in 2007). Even though I'd been part of the development team, and understood deeply how the simulation worked, I was still continually surprised at how "real" our Sims felt, and how accurate their responses were to having a baby in the house. It really felt like "us"!
Now for some of the development and lore related questions:
Tumblr media
[JK] So I ended up in the incredibly fortunate position of creating the shipping neighborhoods for The Sims 2, and recruiting a few teammates to help me as we went along. 
Around the same time, we started using the Buy/Build tools to make houses we could save, and also bring them into each new build of the game (correcting for any bugs and incompatibilities). With the import tool, we could load Sims into these houses. In time, this "vanguard QA" process turned into a creative endeavor to define the "saved state" of the neighborhoods we would actually end up shipping with the game.
On playtesting & the leftover sims data on various lots:
Basically, we were in the late stages of development, and the Save Game functionality wasn't quite working. In order to test the game properly, you really needed to have a lot of assets, and a lot of Sims with histories (as if you'd been playing them for weeks) to test out everything the game had to offer. So I started defining a set of characters in a spreadsheet, with all their tuning variables, and worked with engineering to create an importer, so that with each new build, I could essentially "load" a kind of massive saved game, and quickly start playing and testing. 
It was fairly organic, and as the game's functionality improved, so did our starter houses and families. 
The thought process behind the creation of the iconic three neighborhoods:
I would not say it was particularly planned out ahead of time. We knew we needed a few saved houses to ship with the game; Sims 1, after all, had the Goth house, and Bob Newbie's house. But there wasn't necessarily a clear direction for what the neighborhood would be for Sims 2. We needed the game to be far enough along, so that the neighborhood could be a proper showcase for all the features in the game. With each new feature that turned alpha, I had a new tool in my toolbox, and I could expand the houses and families I was working on. Once we had the multi-neighborhood functionality, I decided we would not just have 1 starter neighborhood, but 3. With the Aging feature, Memories, a few wacky objects, plus a huge catalog of architectural and decorative content, I felt we had enough material for 3 truly distinct neighborhoods. And we added a couple of people to what became the "Neighborhood Team" around that time.
Later, when we created Strangetown, and eventually Veronaville, I believe we went back and changed Pleasantville to Pleasantview... because I liked the alliteration of "Verona-Ville", and there was no sense in having two "villes". (To this day, by the way, I still don't know whether to capitalize the "V" -- this was hotly debated at the time!)
Pleasantview:
Anyway, to answer your question, we of course started with Pleasantview. As I recall, we were not quite committed to multiple neighborhoods at first, and I think it was called Pleasantville initially, which was kind of a nod to Simsville... but without calling it Simsville, which was a little too on the nose. (There had also been an ill-fated game in development at Maxis at the time, called SimsVille, which was cancelled.) It's been suggested that Pleasantville referred to the movie, but I don't think I ever saw that movie, and we just felt that Pleasantville kind of captured the feeling of the game, and the relaxing, simple, idyllic world of the Sims.
Pleasantview started as a place to capture the aging feature, which was all new to The Sims 2. We knew we had toddlers, teens, and elders to play with, so we started making families that reflected the various stages of family life: the single mom with 3 young kids, the parents with two teens, the old rich guy with two young gold-diggers, etc. We also had a much greater variety of ethnicity to play with than Sims 1, and we had all new variables like sexual orientation and memories. All these things made for rich fodder for a great diversity of families. Then, once we had family trees, and tombstones that carried the actual data for the dead Sims, the doors really blew open. We started asking ourselves, "What if Bella and Mortimer Goth could be characters in Sims 2, but aged 25 years? And what if Cassandra is grown up? And what if Bella is actually missing, and that could be a fun mystery hanging over the whole game?" And then finally the "Big Life Moments" went into the game -- like weddings and birthdays -- and we could sort of tee these up in the Save Game, so that they would happen within the first few minutes of playing the families. This served both as a tutorial for the features, but also a great story-telling device.
Anyway, it all just flowed from there, as we started creating connections between families, relationships, histories, family trees, and stories that we could weave into the game, using only the simulation features that were available to us. It was a really fun and creative time, and we wrote all of the lore of Sims 2 within a couple of months, and then just brought it to life in the game.
Strangetown:
Strangetown was kind of a no-brainer. We needed an alternate neighborhood for all the paranormal stuff the Sims was known for: alien abduction, male pregnancy, science experiments, ghosts, etc. We had the desert terrain, which created a nice contrast to the lush Pleasantville, and gave it an obvious Area 51 vibe.
The fact that Veronaville is the oldest file probably reflects the fact that it was finished first, not that it was started first. That's my guess anyway. It was the simplest neighborhood, in many ways, and didn't have as much complexity in terms of features like staged big life moments, getting the abduction timing right, the alien DNA thing (which I think was somewhat buggy up until the end), etc.  So it's possible that we simply had Veronaville "in the can", while we put the last polish on Pleasantville (which was the first and most important neighborhood, in terms of making a good impression) and Strangeville (which was tricky technically).
Veronaville:
But my personal favorite was Veronaville. We had this cool Tudor style collection in the Build mode catalog, and I wanted to ship some houses that showed off those assets. We also had the teen thing going on in the aging game, plus a lot of romance features, as well as enemies. I have always been a Shakespeare buff since graduate school, so putting all that together, I got the idea that our third neighborhood should be a modern-day telling of the Romeo and Juliet story. It was Montys and Capps (instead of Montagues and Capulets), and it just kind of wrote itself. We had fun creating the past family trees, where everyone had died young because they kept killing each other off in the ongoing vendetta.
Tumblr media
[JK] You know, I have never seen The Lone Gunmen, and I don't remember making any kind of direct references with the Strangetown Sims, other than the general Area 51 theme, as you point out. Charles London helped out a lot with naming Sims, and I'm pretty sure we owe "Vidcund" and "Lazlo" to him ... though many team members pitched in creatively. He may have had something in mind, but for me, I largely went off of very generic and stereotypical ideas when crafting these neighborhoods. I kind of wanted them to be almost "groaners" ... they were meant to be tropes in every sense of the word. And then we snuck in some easter eggs. But largely, we were trying to create a completely original lore.
Tumblr media
[JK] Well, I think we kind of pushed it with The Sims 2, to be honest, and I remember getting a little blow-back about Bunny Broke, for example. Bunny Broke was the original name for Brandi Broke. Not everyone found that funny, as I recall, and I can understand that. It must have been changed before we shipped.
We also almost shipped the first outwardly gay Sims in those neighborhoods, which was bold for EA back in 2004. My recollection was that we had set up the Dreamers to be gay (Dirk and Darren), but I'm looking back now and see that's not the case. So I'm either remembering incorrectly (probably) or something changed during development.
In general we just did things that we found funny and clever, and we just pulled from all the tropes of American life.
Tumblr media
[JK] The alien abduction started in Sims 1, with a telescope object that was introduced in the "Livin' Large" expansion pack. That's when some of the wackier ideas got introduced into the Sims lore. That pack shipped just before I joined Maxis in 2001; when I got there, the team had shipped "House Party" and was underway on "Hot Date". So I couldn't tell you how the original idea came about, but The Sims had this 50's Americana vibe from the beginning, and UFOs kind of played right into that. So the alien abduction telescope was a no-brainer to bring back in Sims 2. The male pregnancy was a new twist on the Sims 1 telescope thing. It must have been that the new version (Sims 2) gave us the tech and flexibility to have male Sims become pregnant, so while this was turned "off" for the core game, we decided to take advantage of this and make a storyline out of it. I think this really grew out of the fact that we had aliens, and alien DNA, and so it was not complicated to pre-bake a baby that would come out as an alien when born. The idea of a bunch of guys living together, and then one gets abducted, impregnated, and then gives birth to an alien baby ... I mean, I think we just all thought that was hilarious, in a sit-com kind of way. Not sure there was much more to it than that. Everything usually came from the designers discovering ways to tweak and play with the tech, to get to funny outcomes.
Tumblr media
[JK] Possibly we were just testing the functionality of the Wants/Fears and Memories systems throughout development, and some stuff got left over.
Tumblr media
[JK] I can't remember, but that sounds like something we would have done! I'm pretty sure we laid the groundwork for more stories that we ended up delivering :) But The Sims 2 was a great foundation for a lot of continued lore that followed.
--
I once again want to thank Jonathan Knight for granting me this opportunity and taking the time from his busy schedule to answer my questions.
1K notes · View notes
tau1tvec · 5 months
Text
Tumblr media
[ quote ]
Cain was invited by Bethesda's Todd Howard to the premiere event at the Chinese Theater in LA, and seemed to enjoy the big budget celebration of the Fallout series. As for the show itself, Cain had nothing but praise for the premiere, which consisted of the season's first two episodes. "I was literally at the edge of my seat," he said.
Cain appreciated the performances and storytelling, but singled out how the show nailed the Fallout "vibe" as its biggest achievement. "I was just looking at all the props," he said of one scene. "I realized after a few minutes went by that I had not followed the dialogue at all, because I was so engrossed by it visually."
On a more sour note, Cain took time to address the way fans of the series can behave poorly online, particularly regarding any perceived rivalry between Fallout entries developed by Bethesda (3, 4, and 76), and those from Interplay, Black Isle, and Obsidian (1, 2, and New Vegas). Cain spoke positively of Todd Howard, and said that "Some of the stuff you [series fans] say online is so off."
At the premiere Cain also caught up with Brian Fargo, founder of original Fallout publisher Interplay and currently the head of RPG studio inXile. In the past, Cain criticized Fargo when explaining why he left development on Fallout 2 to found his own studio, but Cain made it clear that their relationship is amicable, and that the development of Fallout 2 was a complicated situation from over 20 years ago: "People remember things differently, things happen differently, things affected people differently."
Unfortunately, Fargo seems to have experienced abuse online from fans reacting poorly to Cain's story, reactions which the developer strongly disavowed. "If we can get along, you guys can get along," Cain insisted.
"You guys can be really destructive," Cain said, "Which is odd, because you do it to people who are trying to make things."
[ end quote ]
219 notes · View notes
glamfellens · 8 months
Text
"todd howard has the confidence to allow other people to create within the fallout universe" like it wasnt tim cain and brian fargo and a whole other team of people from black isle who created fallout in the first place. lol
96 notes · View notes
fizzigigsimmer · 1 month
Text
Back At One Part 2
Pairing: Caligator, Billy Hargrove x Gator Tillman
Fandom Fusion: Stranger Things & Fargo S5
Dom/Sub au
*Title taken from this truly sappy love song by Brian McKnight that these boys would NEVER admit was kinda okay lol.
<<<<PART I
“When is that fella of yours gonna make an honest man out of you?" Dot asks, just as Gator reaches for the pans stacked on top of the fridge, and he jerks, pulling too quickly, sending a cookie sheet clattering toward the kitchen floor - he just manages to save it. Scotty raises the cover of her book to hide her face, but his ears work just fine and he hears her snicker.
"What do you mean?" he gripes as he fumbles with the cookware. This is what he gets for trying to do something nice for his boyfriend on his birthday. "Billy's already registered as my dominant."
Which means if Gator really does burn the house down trying to make this fucking cake, Billy can have the honor of identifying his barbecued remains and save Dot the trouble.
Dot’s giving him this look though. Like she can see right through his bullshit. Let's get real. She always could read him like a book and play him like a fiddle.
“Alright, lets bake this mother fu-uuning,cake” Gator self corrects, remembering Scotty at the last minute. Shit that was close. Dot only has a few rules for when they’re together: no talking about the past when Scotty’s in earshot and no potty mouth. She literally calls it that. It’s kind of annoying though, cause the kid is like twelve right? Gator could curse in three different languages by the time he was twelve. But apparently that’s not the thing to be proud of that he thought it was when he was twelve.
“Real nice save Hon.” Dot laughs at him.
“Yeah yeah. Let’s just do this.” Gator grumbles in reply, and they do. 
Dot ties an apron around Gator's waist and hands him a mixing bowl while Scotty eagerly climbs up on a stool to read out the recipe as they work. She’s only meant to be walking him through the basics of a simple white cake with Billy’s name spelled out on it, but somehow the kitchen quickly descends into chaos. 
"Okay, first we need to cream the butter and sugar together until light and fluffy," Scotty reads.
Gator dumps an entire stick of butter and a heaping cup of sugar into the bowl. He picks up the electric mixer and jams it in after, cause that much he can figure out for himself. Only it sends a plume of sugar into the air the minute he powers it on. 
“Holy shit!”
"No, silly!" Scotty giggles. "You have to soften the butter first or it won't mix right."
Grumbling, Gator fishes the hard butter out of the bowl and tosses it into the microwave. A few seconds later, there's a loud pop - because he’s a fucking idiot and apparently it doesn’t take more than a few seconds to warm butter. One glance inside confirms the worst: the stick is now a molten mess, and butter drips down the microwave door.
"Oh honey," Dot sighs, grabbing a towel to wipe up the mess. "Just grab another stick and leave it on the counter for a bit to soften."
“Jesus. Come on. Get your head in the game!” Gator admonishes himself, trying to shake off his embarrassment and the feeling of shame welling up inside of him from fucking up something so simple. “I have cooked before. I’m just -”
What? Nervous? Fucking stupid? What else is there to say when he can’t even melt butter.
Dot lays a hand on his back. She doesn’t need to say anything, and she doesn’t as she hands him a clean bowl and Scotty reads out from Dot’s phone that it’s time to sift the dry ingredients together. He upends the bag of flour over the sifter, and thinks it might be too much. It definitely is, because he doesn’t get more than a few taps in before flour has started to overflow everywhere, dusting his hands and the arms of his black t-shirt. But hey, some of it is getting into the bowl.
Somehow with Dot's patient guidance and Scotty's enthusiastic "assistance", they manage to get the cake batter mixed and poured into pans. Gator slides them into the oven, sets the timer, and leans back against the counter with a sigh, his shirt and jeans thoroughly dusted with flour, bits of batter streaked in between.
Dot chuckles as she hands him a damp towel. "Well, that was an adventure. I think Billy will appreciate the effort you put in, even if it's not perfect."
Gator wipes his hands and grumbles. "It better turn out decent after all that. I still think I shoulda gotten him something else though. Something big, to really wow him, y'know?"
Dot studies him for a long moment, and then finally broaches the subject that has been festering like a smelly turd in the corner of the room.
"Want to talk about what happened at the store today?"
No. No he really fucking doesn’t. Gator turns to snap on the faucet, thinking that he’d like to stick his head under it and drown himself right about now. He focuses intently on scrubbing the batter caked on his nails instead.
"Nothin' happened. She was a stuck-up bitch is all. Lookin' down on me like I'm nothin' just 'cause I ain't some fancy dom in a suit."
He hears Dot murmur something quietly to Scotty about going to get her things together, and grunts in acknowledgment when the twerp says a shy goodbye before slipping from the room. He immediately feels like shit, because Dot can’t really punish him anymore - it’s not her place, and she’s got too much respect for Billy to overstep - but she can take away the one thing she knows he really wants. He wasn’t ready for them to leave, but he can’t blame Dot for not wanting her kid around him when he’s like this.
Her family is not something that Dot plays around with, and Gator might be someone she cares about, but there’s a stark line between whatever the hell they are to each other and the beautiful thing Nadine - fuck - Dot, built for herself with her own grit and guts in the aftermath of the Tillmans.
He understands. He gets it. He does. And yet he still flinches when she speaks again, body somehow unprepared for her to still be there even though he would have heard her leave if she wasn’t.
"She shouldn't have treated you that way," Dot says softly. "But Gator, how you reacted wasn’t like you. I haven’t seen you do something that rash in a long time. What’s this really about?”
Gator's jaw clenches and his hands still, suds dripping from his fingers into the sink. The air grows heavy with all the things unsaid between them.
"It’s nothin'. Alright?" he mutters unconvincingly. "I lost my cool is all. Won't happen again."
Dot sighs and leans her hip against the counter next to him, arms crossed. Her eyes are filled with gentle understanding and he hates it. Hates how much it reminds him of his mom, and all the times after, when she was gone and it was Dot standing in her place, filling the void as best she could. Hates most of all that he’s never been strong enough to resist the comfort Dot offers and the temptation to fall apart in her arms. She was his safety, even when safety was a lie and she was just a kid who couldn’t do shit to keep herself safe, let alone him.
But no matter how hard Gator had tried, he’d never stopped needing someone to lean on and take him apart and clean out his rust and dust, to put back together again good as new. That’s his curse, the sub in him, which is hard to swallow most days but Billy makes it better. No one does any of that for him like Billy Hargrove does. Even when Gator makes it hard on him, Billy always knows just which way he’s bent and how to fix it. Yeah it bugs the shit out of him, but he wouldn’t know what the hell to do with himself now without it. If Billy left he’d -
Stop that shit! He flinches away from the thoughts, and reminds himself for the umpteenth time that Billy isn’t going to leave him over some dumb shit like a lame birthday gift. He needs to just quit already. Why can’t he make the thoughts stop?
"You've been doing so well lately, Gator. Really making progress in therapy, communicating better when you’re dropping... What happened today?" Dot presses again.
Gator's throat works as he swallows hard. His hands clench the edge of the sink, knuckles going white. He doesn’t want to talk about this but maybe it will help. God he hopes it helps.
"I just... I wanted to get him somethin' special, y'know? Somethin' to show him how much he means to me." His voice cracks slightly on the last word and Dot's face softens. She reaches for him, laying a hand on his shoulder. 
"Oh honey... Billy knows how much you love him. You don't need fancy gifts to prove that."
"Don't I though?" Gator argues, a bitter edge creeping into his tone. "He does so much for me, Dot. Takes such good care of me, even when I'm a pain in the ass. And, like when am I not a pain in the ass, huh? You were gonna kick his ass and like send him to the Gulag. How am I worth that?”
Dot laughs, giving Gator's shoulder a gentle squeeze. "Listen to me. You are a pain in the ass, but only when you’re trying so hard not to be the sweet, kind, and wonderful man I know you are. You're a good boy, Gator. You always have been. And yes, at first I was worried when I found out your Saftey-Dom had a thing for you. Who wouldn’t be?”
Gator shrugs away her very good point - doms who are employed to counsel and provide subs with therapeutic care are bound by a strict code of ethics. Billy could have been in deep shit if anyone other than Dot had found out about their relationship before Billy stopped being his therapy dom.
“I kissed him Dot, and he never let it happen again while I was still just a case.” Gator laments. “That’s what I’m talking about though, all I could do was think with my dick - meanwhile I could have seriously fucked up his life. And he still took care of me!”
“He did. Which is what convinced me he’s the best thing for you.” Dot says. “It’s because he loves you for who you are, flaws and all."
Gator shakes his head, jaw tight. "You don't get it, Dot. I'm not...I'm not good like you keep saying. The shit that goes through my head sometimes…”
He trails off, shame burning hot in his gut. He can't even bring himself to say it out loud. But with Dot he doesn’t need to. 
She was there through the worst of it. She’s seen the worst of him. Shit Billy knows about, but hasn’t seen. Hasn’t really lived it, the way Dot had to live it, and maybe that’s why Gator’s been fucking everything up. 
Maybe he’s trying to see once and for all whether or not someone who isn’t trauma bonded to him will stay once they see him for what he really is.
"I know I'm fucked up, alright? I know I got a long way to go before I'm anything close to the kinda sub Billy deserves.” He tries to shrug off the admission like the words aren’t sending pain twisting inside him like a knife.
But Dot, perceptive as always, cups Gator's face, turning him back to meet her gentle gaze. "Oh honey... Is that what this is about? You want Billy to collar you?"
Gator's breath hitches. Hearing it stated so plainly sends a jolt through him, equal parts longing and terror. He jerks away from Dot's touch, arms wrapping defensively around himself.
"No! I mean... Fuck, I don't know," he stammers, the words tangling on his tongue.
Dot is quiet for a long moment, letting his confession settle heavily between them. When she speaks again, her tone is thoughtful.
"Have you talked to Billy about this? About wanting his collar?"
Gator barks out a harsh laugh. "No. No fuckin' way. He'd probably laugh in my face if I did.”
Dot's brow furrows, her eyes shadowed with concern as she clicks her tongue in admonishment. "I don’t believe you really think that for a second. That Billy would laugh at you for expressing your needs."
Gator's shoulders hunch, defensive. He keeps his gaze fixed resolutely on the mixing bowl in the sink, watching the dregs of batter slowly dissolve under the running tap. The sweet scent of vanilla and butter hangs heavy in the air, incongruously cheerful.
"I didn't say I needed it," he mutters. "I'm just sayin'... a guy like me askin' for a collar. It's funny right? Like, I’m not some needy bitch who needs a collar to keep from dropping, and I don’t need Billy thinking he gets to boss me around more than he already does. Guy’s an absolute control freak."
"Uh-huh and you love it. I've seen the two of you together. The way Billy is with you... It's special. He'd move heaven and earth to make you happy. To give you what you need." Dot says. Her voice is soft but sure.
Gator swallows thickly, his eyes stinging. He blinks rapidly, determined not to let the tears building behind his lids fall. "Sure. Why hasn’t he done it then? I’d put that shit down in two seconds, but he hasn’t even tried. Y’know?"
And the reason why is obvious. Yeah, there’s the fact that Gator doesn’t need a collar, but even if he wanted one he’s too much work, too damaged.
Dot sighs heavily, like he said the last part out loud.
"Honestly Honey, I think you should think about it from his perspective. With the way you talk about it... He may not realize how much this would mean to you. Billy does a good job, making sense of what’s going on in that squirrel head of yours but he’s not superman. Talk to him.”
Gator grunts noncommittally. Because hell no. He will not be begging his dom to collar him any time soon thanks, but he doesn’t want her to worry either. 
Dot says she has to get Scotty home in time to start dinner and he follows her out to the front door where Scotty is waiting with Dot's purse and her school bag. He sees them off with a wave and a promise to attend some talent show at Scotty’s school next week. Dot gives him a kiss on the cheek, urges him to talk to Billy one more time and reminds him that her mother-in-law knows the president, and really can get Billy thrown in the gulag if he really does laugh in Gator’s face.
And then he’s alone. Alone with his thoughts. Which is frankly the best way to be. Gator can think much more clearly about this now that Dot’s not here, reminding him of the past and making him feel weaker than he actually is. He can totally still salvage this situation. He’ll just make the cake really impressive. Like those 3D ones that look like real shit? Billy loves to chill with him on the weekend and watch that show where people try and guess which random item is cake or not. Gator’s usually tied up, plugged or gagged when that happens so his memories are a little hazy - but it doesn’t look that hard. It’s just cake right?
When the timer goes off Gator brings the cake out of the oven.
He whips out his phone and starts scrolling through cake decorating videos on YouTube, determined to find something suitably impressive. His eyes light up when he spots a tutorial for a realistic 3D surfboard cake, uploaded by some fruit calling himself Barry Bakes. He doesn’t really want to take advice from some dude with pink hair, a full face of makeup, wearing a sparkly crop top with the word TWINK encrusted on the front, but the cake is undeniably badass.
"Alright, let's do this," Gator mutters, cracking his knuckles. He fast forwards through the beginning of the video, impatient to get to the good stuff.
First step - carving the cakes into a surfboard shape. Easy enough. Gator grabs a serrated knife and starts hacking away at the layers, tongue poking out the corner of his mouth in concentration. Crumbs fly everywhere as he saws off uneven chunks. When he's done, he steps back to survey his work. It...sort of looks like a surfboard. If you squint. And tilt your head to the side.
Next up - the "ocean" frosting. Gator mixes a batch of blue buttercream, dumping in what is probably way too much food coloring, but whatever at least he softened the butter without blowing up the microwave this time.
Gator continues to follow along with Barry Bakes' tutorial, growing increasingly frustrated as each step seems to go awry. The blue buttercream frosting he mixed up is a garish turquoise color from the excessive food dye. It's also too thin and runny, dripping off the cake in gloopy rivulets.
He blames Barry, that fucking fruit, because if he weren’t so hell bent on turning everything into some kinda innuendo maybe Gator could actually concentrate on what he is doing!
"Shit shit shit," Gator grumbles under his breath, frantically trying to smooth the messy frosting over the lopsided surfboard shape he carved. It's a losing battle. The cake looks like a melted smurf.
Next, Barry cheerfully pipes delicate white frosting swirls and curls to create realistic seafoam on his perfectly smooth blue surfboard. Reminding the audience that big tips are better for piping, and everybody loves a good pipe.
Gator glares at the screen. His own piping bag is loaded with frosting that's somehow both too stiff and too drippy at the same time. When he tries to pipe, it comes out in sad, deflated spurts. He can only imagine what Barry would have to say about that.
"Motherf-!" Gator bites off the curse, chucking the piping bag down on the counter. This was a stupid idea. He's no baker, who was he kidding? He should've just bought Billy a damn gift card like a normal person.
Dejected, Gator slumps against the counter, hanging his head. Failure churns in his gut, sharp and nauseating. He can't give this monstrosity to Billy. He just can’t. Can’t bear to watch him try to hide his disappointment.
Frustrated and embarrassed, Gator gives up on trying to salvage the cake. In a fit of pique, he grabs a spatula and starts roughly shaping the blue frosted mess, not even bothering to smooth it out anymore. He carves angry slashes and gouges into the cake's surface with the edge of the spatula.
Before he even fully realizes what he's doing, the cake has taken on a new, crude shape under his hands - a lumpy, misshapen hand with the middle finger extended in an unmistakable gesture of "fuck you".
Gator steps back, breathing hard, and stares at his handiwork. The hand is far from anatomically correct, with uneven sausage-like fingers and a palm that curves at an odd angle. Globs of sticky frosting cling to the digits in gloopy turquoise clumps. The raised middle finger lists slightly to the side, like it's too heavy to hold itself up properly.
It's possibly the ugliest cake Gator has ever seen. So ugly it crosses the line twice and becomes perversely impressive in its sheer awfulness. A surprised, slightly unhinged laugh bubbles up from his chest as he takes it in.
This is what he has to show for his efforts. This fuck-ugly, lewd gesture of a cake, cobbled together from the dregs of his failure. It suits him.
“Yeah don’t know what the fuck else I expected.” Gator grumbles, despondent. He goes to the fridge to fetch a beer and tabs it open roughly, determined to drink thoughts of the stupid cake away. 
He’s not crying over cake like some lame ass. It’s whatever. It’ll probably still taste good, and if Billy doesn’t like it he can throw it in the trash. They’ll order a pizza or something and Gator will ride him till his dick goes numb and call it a night. Happy birthday.
Gator stomps to the bedroom he and Billy share and pulls out the trunk where he keeps his hunting gear from under the bed, because it’s been awhile since he polished his knives and that always helps lift his mood. He takes the trunk out to the living room and gets to work. Ques up his workout playlist on his phone and connects it to the TV so he can put it on blast.
It helps a little. Allows him time not to think. But the time gets away from him, because he doesn’t even hear the sound of the front door opening and closing. 
Billy's entrance is marked by the faint scrape of his boots against the hardwood floor as he turns the corner into the living room. He pauses briefly, taking in the scene before him—Gator, surrounded by an array of gleaming knives, his trunk spilling open on the coffee table, and the ear splitting rifts of heavy metal blaring from the television speakers.
A faint smile tugs at Billy's lips as the dom sets down his bag and sheds his leather jacket, revealing the broad contours of his chest hugged by a tight white T-shirt. The room is thick with the scent of metal and leather, a comforting familiarity that wraps around Billy like a second skin. He approaches Gator slowly, noiselessly, his gaze fixed not on the array of blades but on the man holding them as gently as baby chicks.
Billy casts a long shadow across the coach and Gator finally notices him. He jumps up, fumbling the knife in his hands which clatters to the floor. The music crescendos, a dramatic backdrop to the moment. Gator lowers the volume, and whips around to glare at Billy who laughs at the fright he gave him.
“Hey, Baby Gay.”
“Don’t call me that!” Gator snaps. “And don’t sneak up on me. I was like, this close to killing you!”
“Oh?” Billy arches a mocking brow. “Probably shouldn’t have dropped the knife then.”
“Haha. Very funny asshole. You’re lucky I did,” Gator grumbles in reply, bending down to pick up the fallen knife. “You know how sharp one of these babies are? With one o’ these I can cut through the shell on a coconut just like that.”
He flicks his wrist to demonstrate the ease with which he could peel Billy’s flesh off, and Billy gives him this look - like Gator is just fucking adorable - and it’s god damn condescending, is what it is. But it also makes the back of Gator’s neck tingle with awareness, and his dick try to get hard. So yeah.
It’s probably a good thing that Billy’s so distracted anyway. Because swearing at his dom is firmly against their rules on account of the fact that Gator uses it as some kinda defense mechanism to keep Billy at arms length.
Or that’s what Billy said anyway when he made the stupid rule. Gator doesn’t make the rules here, he just follows them.
“I’ll count myself lucky then. I think I’ll get a beer. You want one killer?” Billy asks, already on his way to the kitchen. 
FUCK! The Kitchen. Gator remembers too late that he forgot to clean up and do something with that awful cake and scampers after him.
Billy strides into the kitchen before Gator can stop him.
His stomach knots as Billy pauses, his gaze landing on the misshapen dessert surrounded by strewn icing bags, crumbs and powdered sugar. Slowly a grin spreads across Billy's face, and blue eyes sparkle as he turns to look at Gator, where he lingers hesitantly in the kitchen doorway.
"Is this cake trying to tell me something?" he teases, amusement rich in his voice. He leans forward slightly to inspect the cake more closely. "Is this your way of telling me you don’t want to sixty-nine later, or is it a failed science experiment? Hard to tell."
Gator feels heat rush to his face, embarrassment mixed with irritation bubbling in his chest. He knows Billy is just poking fun, yet it stings, tapping into that deep-seated insecurity instilled by years under his father's critical eye.
"Scotty was here with Dot and it gave us something to do. That’s all," Gator mumbles defensively, his words sharper than intended. Then, unable to stop the words from tumbling out recklessly, he adds, "Just thought it would be nice to share, but you don’t have to have any if you’re just going to be an asshole."
As soon as the words are out, Gator regrets them. Swearing at Billy is one thing, but lying to him breaks one of their most cardinal rules. It’s not just about respect; it’s about trust.
Billy’s expression shifts subtly; the playful light in his eyes dims as he adopts a more serious demeanor. He closes the distance between them with measured steps. "Gator," he says softly yet firmly, "That’s the second time you’ve pulled that tonight. Watch it.”
Gator snaps his mouth shut and fumes silently, hanging his head. God, Billy sounds so disappointed in him and it’s worse than he even imagined.He wants to puke.
“Did Scotty really make this?” Billy asks, and Gator can tell just from his tone that Billy already knows the answer, but he’s waiting for Gator to fess up to it. Gator shakes his head, hot tears stinging at his eyes that he blinks away as rapidly as he can.
“It’s for you.” He confesses, feeling a weight lift off his chest despite his overall misery. “I made it for your birthday, and you made fun of it.”
“I did.” Billy acknowledges too easily for Gators liking, but before he can say anything Billy goes on. “I could have handled that better. You’re right. But before we get to that, don’t you have anything to say to me?”
“No. Can’t think of anything.” Gator immediately denies, because how is it fair that he has to apologize for a little white lie when he only did it in the first place because he knew Billy was going to laugh. He knew it.
“Oh?” Billy’s face is impassive but he’s unhappy with Gators answer. It crackles in the air between them. “Do you need a reminder of the rules?"
Gator swallows hard, defiance battling with remorse inside him. He shrugs stiffly, avoiding Billy’s gaze. “Let's just forget it. I don’t need a lecture right now.”
“I’ll decide whether you do or not.” Billy’s tone is calm but carries an undeniable edge of authority—one that sends shivers down Gator’s spine and fear bolting through him all at once. “You know, I was looking forward to a nice night with my boy. Didn’t know I was coming home to a brat.”
Gator ignores the voice inside that screams for him to stop stop stop, barreling ahead in desperate angry defiance.
“Fuck you and what you want! Maybe I want a boyfriend who knows how to lighten up huh?  Sorry I’m not your perfect little bitch. Go cry about it to someone else!” 
His insides shake from the fear and lingering tension. Gator has just royally pissed off his dom. It’s in Billy’s eyes and the slow exhale of breath he takes. Punishment is inevitable. Gator longs to take it back but he can’t - can never take it back - and nothing will fix it. Or fix him. He’s all wrong inside and nothing works no matter how hard he tries.
But the thing is, Billy is safe.
Billy is angry and Gator is terrified and trembling but It’s nothing like it was before, in his father’s house. When the fear of a hand went bone deep and lived in his nightmares.
Gator loves Billy’s hands. They way they touch him. The way they hold him fast and glue him back together. They’ve never let him down those hands, which is why Gator is shaking like a leaf right now, terrified that they won’t reach for him.
He didn’t yell those things at Billy because he wants more space. It’s stupid, he knows, but he yelled them because he needs Billy to take over. He can’t stop himself running full speed ahead toward a punishment. Billy will straighten him out. He can trust Billy to know what to do even when he’s lost sense of which way he’s turned.
Gator’s dom considers him for a long moment, the silence stretching taut between them.
“Go in our room and get me a paddle.” Billy finally orders. Then, deliberately turning away, he starts rummaging through the kitchen cupboards - no doubt in his mind apparently that Gator will obey him.
Of course he does. Knees shaking, Gator stumbles out of the kitchen because now that he’s driven them to this point his skin is crawling with the need to make it right. He’s aching with the need to be good so bad his knees feel like jelly and it’s everything he can do just to follow the order. He wants to hit the floor - go to his belly and plead for his dom’s forgiveness but that’s not what Billy asked for.
He will be good. He’ll make Billy forget that mouthy idiot who talked back and clearly had shit for brains. He can be such a good boy. The best boy! Just give him a chance and he’ll come wagging his fucking tail.
It’s pathetic.
But it’s also a relief, when he returns to the kitchen a few minutes later with a paddle from their toy chest and sets it on the table and Billy acknowledges it with an approving nod.
“Good boy.” he says, and Gator’s knees buckle. He catches himself on the table, holds himself up with palms pressed firmly to the wood because Billy hasn’t told him to kneel yet. He forces himself to focus on Billy as the dom takes an empty glass vase inexplicably sitting next to a bag of rice on the table, and places it on the floor between their feet.
Gator watches warily as next, Billy grabs the open bag of rice and tilts it sending a stream of white grains cascading down onto the tile. He stops when the bag is empty and kneels briefly to stir through them gently with his fingers before straightening and meeting Gator’s eyes again.
“Pants off.” he orders, and Gator sucks in a breath. He doesn’t have to ask why, and doesn’t bother, cheeks hot with shame as he reaches for his belt and gets to work.
"On the floor," BIlly commands softly, when Gator is down to his underwear. The dom points to the pile of rice on the floor.
"Kneel."
And Gator folds like fucking cake batter, sweet sweet relief coursing through his veins. He puts himself at Billy’s feet where he belongs, where he wants to be and shudders, biting his lip to stop himself from begging for the dom’s touch. He hasn’t earned that. Doesn’t make him want it less, but he can be good for Billy and prove when he remembers how.
Billy picks up the paddle that Gator chose – sleek and dark, crafted from polished walnut. As Gator settles on his haunches, head lowered in submission.
“You picked the heavy one. My favorite.” Billy remarks. “That why you picked it, or do you just really need to feel it tonight? You can answer.”
“Want to feel it.” Gator licks his lips. “Want you to be happy.”
“Good boy.” Billy says, leaving Gator to wonder which he is pleased with: that Gator wants his ass beat so raw he can’t sit or Gator wanting those things because they please his dom?
“Alright Baby, are you listening? I want you to pick those up and put them in the vase. Count each one,” Billy instructs, motioning toward the scatter of grains. His voice is firm. It brooks no argument.
Gator looks down at the nearly indistinguishable mass of tiny grains and feels a rush of frustration. "All of them?" His voice is a mix of incredulity and unease. What if he can’t do it? What if he can’t be good and Billy is disappointed in him again?
“Every last one Baby boy," Billy confirms with an implacable nod. “Don’t think about it. It’s not your job right now to think. Just do what I ask you to do. Can you do that?”
Gator takes a deep breath, steadies himself on the sound of Billy’s voice and nods. He can do that. He can follow Billy’s instructions. He doesn’t have to worry about ho much rice there is or whether he can even find it all. That’s not his to worry about. Not his place. He just has to listen. 
He reaches out shakily to touch the closest grain, his voice barely audible as he starts, “One… two… three…” His fingers tremble slightly; counting each grain feels like an impossible task. But Billy never sets him up for failure - not the way his dad used to. Billy doesn’t ask him to do things he’s not capable of just to fail. He asks Gator for things he knows he can do, and if he fails anyway it’s because Billy wants to be there when he breaks. He won’t leave Gator laden with shame and misery that will eat away at his insides.
As Gator focuses on the rice, Billy steps behind him. Without warning, he brings the paddle down gently but firmly across Gator's backside. The sound cracks sharply in the air, followed by another count from Gator's lips that judders from the impact.
“Four… five…”
Billy administers each swat in time with Gator’s counting—methodical and paced.
The pain is not harsh but it accumulates with each slap—the stinging warmth spreading across Gator’s skin contrasting starkly with the coolness of the floor beneath his knees and hands. Tears prickle at Gator’s eyes as he continues—his voice breaks around “twenty-nine… thirty…” 
It’s more than just physical pain; it's a release valve for all he’s been holding inside. Every impact sends ripples through him, but it’s not just his body. It does something to his soul too that he can’t explain. Something he no longer wants to deny.
“Let it out,” Billy murmurs close to his ear between paddles—a soothing contrast to the sharp swats.
“Thirty-one… thirty-two…” The numbers start blurring together as sobs hitch in his throat. The task which seemed merely frustrating at first now feels poignant— slowly, bit by bit, Gator cleans up the mess on the floor, and swat by swat Billy cleans up the mess inside. He doesn’t hit Gator after every grain, that would be excessive. He takes breaks at interment periods, spacing them out so that it’s impossible for Gator to try and guess when he might start up again. The fresh sting whenever he does is brutal, worse in some ways than if he had just continued until Gator’s cheeks were numb.
“Two-hundred and ten…” 
Billy pauses, placing his hand gently on Gator's shoulder as he surveys his progress.
"You’re doing well," he encourages softly, and that little praise, that nothing bit of touch, is enough to break him. Gator chokes on a sob, hot tears spilling down his cheeks despite his best efforts to hold them in.
“Keep going.” Billy reminds him and Gator nods emphatically, tears dripping off his chin, because he hadn’t meant to stop. He was doing so well. Billy said so. He’ll never stop. Not until Billy tells him too.
With shaking hands Gator pinches grains of rice between his fingers and continues to count aloud between sobs and hits from the paddle—each number spoken is more than just an acknowledgement of rice grains; but of his submission to Billy. 
Billy’s little murmurs of praise and sounds of pleasure make him feel high. Like his head is floating in the clouds.
He loves subspace. Wishes it were easier for him to reach and he didn’t have to be taken down so hard. But finally he feels the familiar edges of it and the tears fall faster as he lets himself go.
Gator sinks into the feeling of weightlessness as it rises up to take him. Billy maintains a rhythm that is both firm and considerate, attuned to Gator's responses—his body language, his breathing, his blown out pupils and slurred speech. 
This is no longer about punishment. It’s a guided breakdown.
As Gator’s cries begin to subside into quiet murmurs and his ability to speak leaves him, Billy lessens the intensity of his strikes until he stops altogether. 
“That’s enough. You were beautiful Baby.” Billy halts Gator’s hands woozly still trying to lift rice and the sub sags against him. “You’re always so good for me baby boy.”
He brushes his fingertips along Gator's heated skin, tracing the raised welts along his buttocks and thighs softly, and making him shiver. Gator’s mouth stretches in a dopey lopsided smile, beaming from inside and out. He soars. Works his mouth to ask Billy to do it again - he can take more - but can’t get past the mushmouth.
The room is heavy with the scent of sweat and leather, the only sound now the quiet thud of Billy’s heart and Gator’s shaky breaths.
Hands roam over Gator’s back and legs, soft, soothing caresses that glide over his flushed skin. Billy leans close, his breath warm against the nape of Gator’s neck, whispering reassurances that float through his head like feathers.
The shift is gentle, a tender transition as Gator's breathing evens out and his trembling subsides. Billy’s hands are confident, knowing exactly where to touch to bring Gator back from the intense high of subspace. With each calculated stroke on his back and whisper against his ear, Gator feels the ground slowly come back under him, the weightlessness dissipating as reality takes hold once more.
Billy finally eases back, giving space for Gator to gather himself in the afterglow of their session. He cups Gator’s face tenderly, wiping away the trails left by tears with his thumbs. 
“Talk to me, Gator. What’s been eating at you?”
The use of his real name pulls Gator further out of his dazed state. He blinks slowly, focusing on Billy’s concerned face, grounding himself. “I... I’m scared,” he admits, voice still hoarse.
“Scared of what?” Billy probes gently, petting the long side of Gator’s hair now.
“I’m scared I’m not enough for you,” he confesses, dropping his gaze to where their fingers are entwined. He knows the words will hurt Billy. Make his dominant frown in the middle of his brow and start thinking of all the ways Neil Hargrove used to tell him he was a waste of space - too broken and wrong to ever take proper care of a sub. Nothing could be further from the truth. But if there’s one thing Gator knows it’s daddy issues and how they can haunt you.
But to his surprise Billy’s expression doesn’t change. He just nods quietly, still petting Gator’s hair. “Why would you think that?”
Gator hesitates, lips parting but no sound coming out. He swallows hard and shrugs.
“Listen to me Baby.” Billy says after a moment, fisting Gator’s hair between his fingers and tugging until he brings his eyes up. “You’re what I want. You. Even when you’re being a greasy dirtbag leaving your shit everywhere and blaring your candyass music.”
“Hey, lay off my Skyfire man.” Gator can’t help but smile, because Billy’s lips have curved up in amusement and they’ve had this argument a dozen times or more and it just makes him feel so good, that Billy pays attention to which albums he gravitates to depending on his moods. “They aren’t candy. Fractal is the best album produced since Reign In Blood.”
“Why are we talking about fucking Slayer, or Skyfire, right now when Ride the Lightning exists?” Billy growls, tugging on Gator’s hair until his scalp stings just the sweetest bit. “I should beat your ass again just for that.“
“Yeah. If you wanna.” he pants, eager, and Billy’s smiling mouth kisses him, hot and hungry. Billy licks into Gator’s mouth, possessive and sweeping, until he whimpers. The dom nips at his plump lower lip with a grin before pulling back.
“Don’t think you realize how sore you’re gonna be when you come down off this high babe.” He says. “But you heard me right? When I said I loved you? Cause I do. I wasn’t about to lose you before over shitty timing, and I’d never let anything take you from me now. Not Dot. Not him. Not anyone or anything. Okay?”
Gator shivers, but even the mention of his father can’t intrude on the blanket of safety Billy has woven around him, the sure way his gaze holds Gator and rings with truth.
“Yeah.” he sighs, breathless.
“Yeah?”
But it’s not good enough, according to Billy’s tightening grip. And fuck that feels good. Gator is suddenly aware of how hard he is in his briefs, but it’s strangely distant. Like he’d be happy to just sit here hard for another hour or more, letting Billy play with him.
“Yes Billy.”
“Good boy.” Billy's voice is soft, infused with a warmth that seeps into Gator's bones, coaxing his tight muscles to loosen.The room around them—their living room with its deep blue walls and plush gray couches— disappears momentarily, focusing all existence on their intimate bubble.
Billy lifts Gator’s chin so their eyes meet. "Nah nah, stay up for me Baby boy. I need you present." His thumbs brush under Gator’s eyes, rubbing warmth into his skin while he waits for Gator’s eyes to focus. "I think it’s time I show you something," Billy continues, when Gator’s gaze is clear once more.
"In the bedroom," Billy instructs softly, "In my sock drawer, there's a small white box. I want you to go and bring it to me."
Gator feels a jolt run through him. It shocks him rather unpleasantly back to reality, like he’s been dropped from a short height.
“Wait what?” he tries to ask, tries to think, because Billy can’t be hinting at what his muddled brain is trying to convince him he is. Can he?
“Shh. Don’t ask questions.” Billy warns. “And absolutely no peeking either. Just go get it.”
Gator’s movements are slow and automatic as he stands and makes his way down the hallway. This isn’t happening. Well obviously it is, he is on his way to their bedroom to open Billy’s drawer - which is strictly hands off unless he has permission - and get some mysterious box. But it’s probably like some new toy they can enjoy together. Maybe Billy went out and finally got those chains Gator found on that web store, the ones with the studs that dig into your wrists the more you struggle? He’s going to feel so owned wearing those. It’s gonna be great.
He’s convinced himself down off the ledge by the time he gets to the bedroom, but his heart hasn’t gotten the memo because it starts going double time in his chest as he reaches for Billy’s drawer. It slips open smoothly under his fingers which are trembling slightly. From fear or excitement, he isn't sure.
Inside lies a small white box, unassuming in its simplicity yet Gator just stands there and stares at it like it’s a bomb for a full minute before lifting it from its nest among Billy's socks. The weight of potential futures presses down upon him as he clutches the box in his hands.
He should be a good boy. He can just turn and go back into the living room and - Fuck it! Gator’s not kidding anyone. Least of all himself.
Before he knows it, Gator has torn off the ribbon and lifted the lid on the box to peek inside.
And there lies a beautiful black leather collar, its surface smooth and flawless except for the bold engraving of 'GATOR' studded across it in shining silver letters.
Gator stares at it in disbelief, eyes flooding with fresh tears. His heart trips over itself in his chest, thrumming against his ribcage like a caged bird desperate for flight.
The room is silent except for the sound of Gator's shallow, ragged breathing. Gator runs his fingers over the cool, shining letters that form his name, the studs scraping against the pads of his fingers sending tingles through him.
He lifts the collar, feeling its weight in his hands. It's heavier than it looks. He brings it closer, inhaling deeply—the leather smells rich and earthy. It’s the good shit. Supple and strong enough to take some serious pull, and yet the inside of the collar is lined with soft velvet, ensuring his comfort.
Something white resting on the blue lining of the box catches Gator’s eye. It’s a folded card, its crisp edge nearly taller than the sides of the box. Gently plucking it up, Gator flicks it open and scans, eyes widening at the one word message inside.
Peeker!
An unexpected burst of laughter escapes him as he wipes away tears. The simple word on the card speaks volumes, but so does Billy’s presence in their bedroom doorway where Gator finds him leaning when he looks up.
Billy is gazing at Gator with an intense mixture of emotions.
"Do you like it?" he asks, and there’s something like worry there. As if Gator might actually have shit for brains and do all that stupid stuff he’d told Dot he’d do back when he was scared shitless. All because he’d convinced himself that Billy wasn’t true - that he’d disappear like every other good thing has.
“Yeah.” Gator sniffs through his red nose, rubbing fiercely at his eyes. “Shit man. How long have you had this?”
“Since right after your birthday actually.” Billy confesses with an easy shrug. Like he isn’t just standing there admitting that he bought a collar for Gator and has been hanging onto it since September.
“Billy! It’s fucking March!”
“I know! I thought if I forbid you from going through my drawer eventually you would. I know what you’re like.” Billy said. Meaning of course he knows that no matter what, Gator eventually messes up.
But Billy says, “I guess I underestimated what a good boy I’ve got, huh?” with this soft look in his eye, like he’s looking at the best sight in the world and not his fuckup boyfriend standing in the middle of their bedroom in his tighty-whities.
Gator might be melting a little, which is why he has to sit down heavily on the bed before he crumples.
“Hey Billy?”
“Yeah, Babe?”
“I’m your sub…” Gator begins and Billy laughs, the sound loud and full of joy instead of mockery.
“No shit?”
“Come on, Billy please. Don’t be mean.” Gator whines, lifting the hand still holding the collar wordlessly and Billy finally takes pity on him and crosses the room to take it from him. Gator trembles, straightening up and bending his neck a little to give Billy room as he claps it on. He gasps a little, shuddering when Billy leans back and the heavy weight settles against his skin.
"You’re my sub," Billy repeats with finality."With or without this. But when you wear this, I want you to remember," he pauses for effect, letting his fingers softly caress down Gator’s neck and over the dark leather. "You’re my gift. The love you give me, makes me Gator, and I thank whatever lucky stars I’ve got that you came into my life when you did. Okay?"
A simple nod is all Gator manages in response; it’s all that’s needed. The smile that spreads across Billy's face is radiant—as if a piece has clicked into place within him too.
Carefully, lovingly, Billy cradles his chin and pulls him into a kiss.
It tastes sweet… like buttercream icing.
28 notes · View notes
Note
hi! can I ask you for crime movie recommendations, or just a list of your personal favorites? I've been getting super into crime fiction recently (books and movies), and I'm making a watchlist of movies I want to check out next. heist movies, gangster films, thrillers, anything involving criminals is interesting to me, and I'd really love to hear about your faves! have a nice day <3
hiii, Estelle! oh I love a good crime movie! I grew up on gangster and mob movies tbh so there's some obvious choices like the godfather and goodfellas. continuing with Scorsese, I love casino. I think it's somewhat underrated Scorsese, idk i just don't see it mentioned that often, but it's super fun. the departed as well, people talked shit about it, but it's great. then mean streets, serpico, taxi driver, dog day afternoon, heat, collateral, thief, chinatown. pretty much every Tarantino ever, obviously reservoir dogs and pulp fiction, jackie brown is my favourite and the sort of song of the movie is across 110th street from the movie of the same name, so I'd def recommend that one, it's an underrated flick. heist movie-wise, ocean's eleven kind of the king here. then set it off, bound, inside man, widows, the italian job (the original), topkapi and rififi are underrated ones, the asphalt jungle, the friends of eddie coyle, the taking of pelham 123, the thomas crown affair (the remake), dead presidents, out of sight, point break, the driver, hustlers, a fish called wanda is sooo funny. sexy beast is such a great and intense movie.
if you'd enjoy something criminal and psychosexual, I'd recommend two 60s movies the housemaid and who killed teddy bear? the cook, the thief, the wife and her lover is an insane sexy one. blue velvet fits here as well. Guy Ritchie made the same movie like 4 times tbh, but I love snatch and lock, stock and two smoking barrels, I think the man from uncle is also a fun one. Brian De Palma is good at corny and sleazy and I kinda love his scarface. body double is silly but I love a good voyeuristic movie. along those lines you obviously have rear window and peeping tom, and then to continue with Hitchcock, I love rope, psycho, and think dial m for murder is quite overlooked. natural born killers, true romance and the doom generation for something stupid and bloody. mandatory Fincher recs like se7en and zodiac. I love the usual suspects, it has that twist at the end that for me personally works even upon rewatches. another underrated movie is joy house with beautiful Jane Fonda and Alain Delon in his prime. faster pussycat kill kill is just pure fun and sleaze and gorgeous ladies. I love lady snowblood and scorpion with Meiko Kaji but I know you've seen those. tokyo drifter is a stylish one as well. some obvi french new wave recs like breathless and pierrot le fou. I'd say there's nothing quite like the atmospheric the night of the hunter. I love drive too, it's all style and the only substance is blood. uncut gems and good time are quite good too. out of something extra new, I enjoyed love lies bleeding more than I expected. seven psychopaths and in bruges for something cynical and silly. then fargo, no country for old men, the big lebowski. filth and trainspotting for something utterly dirty and disgusting. not to forget Hannibal Lecter, we can't not mention the silence of the lambs and manhunter. also badlands, dirty harry, carlito's way, eastern promises, the third man, the big sleep, double indemnity, gun crazy, bonnie and clyde, foxy brown, american psycho, the talented mr ripley, prisoners. something more along crime drama strange days, fallen angels, the city of the rising sun and made in hong kong.
22 notes · View notes
Text
Films the Crows would like:
Kaz: Trainspotting, Kill Bill, The Killing of a Sacred Deer (even though I think it's bad), Gone Girl, Parasite, Snowpiercer, A clockwork orange, Citizen Kane, Sin City, The Dark Knight, Tarantino films, the Godfather, Come and See, V for Vendetta, Prisoners, Silence of tbe Lambs, No country for old men, City of God, Shawshank Redemption, Kubrick's and Hitchcock's work (except lolita bc that's gross), Hunger Games Trilogy, All of Aronofsky's work (Black Swan, Requiem for a dream etc.), Memories of Murder, Donnie Darko, Fight Club, Taxi Driver, Oldboy, Blade Runner 2049,
As for series he would like Breaking Bad, Death Note, Aot and Vinland Saga, Berserk maybe, Prison Break but like only the first two seasons and The Walking Dead.
Inej: Ladybird, Little Women, Anna Karenina, The Virgin Suicides, Marie Antoinette, Lost in Translation, Girl, Interrupted, Everything Everywhere all at once, Nomadland, The Florida Project, Alice in Wonderland (the Tim burton one), Hard Candy, In the Corner of this World, portrait of a lady on fire and Princess Mononoke. I can't really think of other ones to be honest.
I'm not really sure what series she would like. Maybe Ai Yazawa's animes? I'm not sure.
Jesper: Star Wars (the original trilogy and the prequels), Indiana Jones, Life of Brian, Ferris Bueller's Day off, American Pie, MIB, Terminator, Ghostbusters, Scream, Back to the future etc. He definitely likes fun adventure movies. Also a lot of animated movies like The Lego Movie and Lego Batman (masterpieces) and Pixar and Dreamwork's Movies (his favorites being Toy story and Shrek). Also Disney classics like treasure planet and Atlantis. Probably also western movies and he'd idolize Clint Eastwood.
Favorite Series are The Office, Cowboy Bebop, Samurai Champloo etc.
Wylan: Perks of being a wallflower, Ladybird, Howl's moving castle, Billy Elliot, Your Name, Dead Poet's society, Stardust, Narnia, La La Land, Lotr trilogy (his comfort movies), Call me by your name and all of Wes Anderson's movies. I think he'd be secretly a huge filmnerd who also loves A24 movies, David Fincher, arthouse movies etc. But I think he would be a bit embarrassed by it.
His favorite series are Doctor Who (David Tennant Version because that's the best one), Fargo and Good Omens.
Nina: A sucker for romance and chick flicks, especially romantic comedies. The Notebook, Mamma Mia!, When Harry met Sally, Mean Girls, She's the Man, badly written Netflix romantic comedies,
She likes reality TV and desperate housewives, sex and the city, friends and modern family.
Matthias: 1917, Saving Private Ryan, All quiet on the western front, Hacksaw Ridge, The Notebook, Dunkirk, John Wick movies and other action movies. My taste is completely different so it's very difficult for me to think of other movies he would like.
I don't think he would watch a lot of series because it takes up a lot of time. Not the guy to concern himself with entertainment and media really but does enjoy a good story.
Feel free to criticize me or suggest other media. Maybe I should also make a list about the music they'd like?
25 notes · View notes
ultimacodex · 2 years
Text
Through the Moongate 16 - Ultima IV: Quest of the Avatar
Through the Moongate 16 - Ultima IV: Quest of the Avatar #Ultima #Ultima4 #ThroughTheMoongate #OriginSystems
View on Zencastr Subscribe on Zencastr | Subscribe on iTunes | Subscribe on Google Play | Subscribe on Spotify | Subscribe on TuneIn | Subscribe on Stitcher Podcast Topic(s) Andrea Contato’sThrough the Moongate, per its Kickstarter page, “illuminates the path of the Ultima games’ history and the creative people behind this landmark series. It also covers some of Origin’s other games,…
Tumblr media
View On WordPress
1 note · View note
crynwr-drwg · 5 months
Text
youtube
Career RPG designer and project lead on the original Fallout game, Tim Cain, has released a near-17 minute video on his YouTube channel to talk about the Hollywood premiere of the Fallout TV show. Cain had a lot of praise for the new series, but also expressed frustration with how fans project onto and treat many of the people who have worked on Fallout.
Cain was invited by Bethesda's Todd Howard to the premiere event at the Chinese Theater in LA, and seemed to enjoy the big budget celebration of the Fallout series. As for the show itself, Cain had nothing but praise for the premiere, which consisted of the season's first two episodes. "I was literally at the edge of my seat," he said.
Cain appreciated the performances and storytelling, but singled out how the show nailed the Fallout "vibe" as its biggest achievement. "I was just looking at all the props," he said of one scene. "I realized after a few minutes went by that I had not followed the dialogue at all, because I was so engrossed by it visually."
On a more sour note, Cain took time to address the way fans of the series can behave poorly online, particularly regarding any perceived rivalry between Fallout entries developed by Bethesda (3, 4, and 76), and those from Interplay, Black Isle, and Obsidian (1, 2, and New Vegas). Cain spoke positively of Todd Howard, and said that "Some of the stuff you [series fans] say online is so off." See also: the debate about whether the show somehow overrode or ignored the events of those non-Bethesda games, which has since been denied by a senior developer at the studio.
At the premiere Cain also caught up with Brian Fargo, founder of original Fallout publisher Interplay and currently the head of RPG studio inXile. In the past, Cain criticized Fargo when explaining why he left development on Fallout 2 to found his own studio, but Cain made it clear that their relationship is amicable, and that the development of Fallout 2 was a complicated situation from over 20 years ago: "People remember things differently, things happen differently, things affected people differently." Unfortunately, Fargo seems to have experienced abuse online from fans reacting poorly to Cain's story, reactions which the developer strongly disavowed. "If we can get along, you guys can get along," Cain insisted.
"You guys can be really destructive," Cain said, "Which is odd, because you do it to people who are trying to make things."
20 notes · View notes
aristotels · 2 months
Text
tagged by @txttletale
rules: list your five all time favorite films and have people vote on which one matches your vibe
tagging HM @chexcastro @sadomarxist @yourlocalfallofthewest @mesetacadre @arr-jim-lad @raecaw well anyone reading this, i am almost dead asleep ;P
10 notes · View notes
felassan · 1 year
Text
Article: ''A triumph': Brian Fargo, Mike Laidlaw, and other RPG architects weigh in on Baldur's Gate 3'
Creative forces behind series like Fallout, Dragon Age, The Elder Scrolls, and Pillars of Eternity react to Baldur's Gate 3.
[source]
32 notes · View notes
mrcatin123 · 7 months
Text
Tumblr media Tumblr media Tumblr media
Enemies from wasteland 1988. Brian Fargo’s post apocalyptic rpg before fallout.
8 notes · View notes