#Bootleg Dub Productions

[lm-g1]

I guess I should formally make a post here about this, even though it’s been out for a while now:

HISTORY: This project is something that I’ve been actively working on for the past 2 years and I am very proud to be able to finally present the fruits of my labor! Growing up, I’d always been a massive fan of the Donkey Kong Country titles. I remember finding “Legend of the Crystal Coconut” on VHS at my local video rental store and pleading with my parents to rent it for me. I was blown away, finally being able to put voices to kharacters- and while the overall quality of the animation and writing was rather dubious in hindsight, most of the vocal performances always stood out to me as being THE definitive voice cast. For an awkwardly-animated cartoon of the mid-90’s, the writing was fine for what it was and touched on the normal ‘Saturday Morning’ kids block tropes. However, I’d always felt that there was something more that could be brought to the table in terms of storytelling if things were more kongsistent with the games. Here’s where I come in. Fast-forward 25 some odd years and I’m now living out my childhood dream, as ko-producer, kreative kongsultant, kasting director and voice actor of my own little motley krew of Kremlings!

I hope you all will have as much fun watching this as we did making this!

[swingsetindecember]

quebec's language laws have protected quebec in a weird way from late stage capitalism. by no means to idealize quebec, i just don't see it wildly talked about how a language barrier has stalled capitalism.

i am sure there are socio-economic papers written on this. like because you need to have french contracts, terms of service and signage, a lot of american companies and global conglomerates don't go to quebec. like a lot of businesses just don't exist in quebec compared to the rest of canada. like franchise restaurants. quebec has a lot less franchise restaurants. oh there are a couple but they are like very specific to quebec and also just in the more metropolitan areas. usually in suburbs you don't have a lot of franchise restaurants.

this is also sweepstakes. because in quebec a mail in entry is required for any sweepstakes. you don't have to buy the product. also a lot of brands need to have their labels in french so a lot of products just don't get to quebec market

also a lot of the population wants to be serviced in french so they prefer quebec companies. this is why there are quebec specific internet and telephone companies. bootlegging is wild popular because there was usually a lag before you could get english content because they needed to make the french dub.

its also why movie rental stores stayed open for a long time in quebec because they catered to french language dubbed movies. like blockbuster did come to quebec but it didn't have the same chokehold on the market. like i rarely went to blockbuster growing up, there were 3 local video rental places that had more titles than blockbuster because the blockbuster business model didn't appeal to quebec residents. especially if you wanted to rent french versions of video games.

anyway, just interesting to think about

[themoonweaversden]

Messeges that were found so far: STAN / STANLEY PINES / STAN PINES / STANLEY (spoilers)

This is just to collect all the codes that you can type in in thisisnotawebsitedotcom.com and their effects only (please click images for better quality)

Masterpost with all messeges / codes

You have to keep spamming it to get all of these links

Eventually you'll get this:

Transcript:

"WHEEL! OF! SHAME!

STEP RIGHT UP! It's time to play my FAVORITE GAME!! BOOTLEG SIXER over HERE spent a LIFETIME trying to hide his humiliations, BUT I'VE BEEN INSIDE HIS MIND, so NOW they're ALL YOURS for the low price of BEING MY NEW PAL! IT'S SHOWTIME FOLKS, AND THE ONLY WAY TO LOSE IS TO BE NAMED STANLEY PINES! CLICK BELOW TO SEE WHAT THIS MOUTH BREATHING CARNIVAL BAKER HAS BEEN KEEPING TO THE VEST ALL THESE YEARS. BROUGHT TO YOU BY: SHAME!

"SHAME:™ IT'S THE ONE FRIEND WHO NEVER LEAVES!"

EX-WIVES!

FEARS

SECRET SHAMES

UNREPORTED CRIMES

FAILED PRODUCTS

LOWEST MOMENTS

DARKEST THOUGHT

HOW HE BEAT ME"

If you click EX-WIVES

Transcript:

"EX-WIVES

Old Goldie Vegas wedding to a cursed gold-toothed antique.

Marilyn Fakenamé Vegas wedding to a cursed gold-toothed antique.

Brenda Chuggins Shack attraction for having "World's Biggest Thumb." (Carny Tip: Never date your own freaks. She used that thumb to hitch-hike off with Johnny Snakes 3 days later)

Sandra Sweetmeadow A kind beautiful Amish girl eho made Stan choose between her and his "sinful gold chains." He chose the chains.

Someone named "Burline" Stan has no idea who she is, but he found her wedding ring in the Shack Lost & Found, put it on, and it got stuck forever. Physically binding. Might be legally binding!

His childhood poster of "Attack of the 50 Foot Woman" (8 year old Stanley drew a ring on the poster and made Sixer witness.)

Natalia Annika Ömanövv Totally un-suspicious turist from a country that no longer legally exists. She took Stanley's creedit card and social security number while he was sleeping and still "checks in on him" via hidden cameras. Ah, love!"

If you click FEARS

Transcript:

"FEARS

The IRS Finding Out

Soos being the one to find Stan dead and taxidermying his body. (Soos would consider this an honor)

The cops calling Stan's fingertips "unusually little."

Betting Dipper in a poker game (and losing.)

Word getting out about Stan's little fingertips, people discovering that they're littler than Ford's.

Stan being dubbed "Baby-Fingers Pines" by the media and having to look into black market finger enlarging."

If you click SECRET SHAMES

Transcript:

"SECRET SHAMES

The time Wendy beat Stan in arm wrestling. 3 times in a row. She never has to work overtime as long as she never tells a soul.

The fact that no one came to his fake funeral except his mom and an IRS agent who whispered to the coffin "this isn't over."

The quick cash Stan made in 1975 posing for a "Hunky Drifters Catalogue" that wasn't as tasteful and classy as the job listing made it sound.

Was the baby mascot for the "Fussy Boy" Brand diaper rash commercials. (Claims that was Ford.)

Writing His Duchess Approves erotic fan-novel: "The Duke's Temptations at Oglebottom Estate.""

If you click UNREPORTED CRIMES

Transcript:

"UNREPORTED CRIMES

The time Stan hit Toby Determined with his car and just... kept driving.

Illegally breeding wolves to create a "super wolf." You should hear this thing howl.

Pretending to be a veteran to get a discount on PEZ, then having to invent an entire fake war in a fake country to keep the ruse going. Stan still has a "Remember Operation Enduring Excuse" bumper sticker, and regularly updates the Wikipedia page for the "People's Grepublic of Grunklestan."

Shooting out the tires of the Mythbusters Van after they axposing him for "looking kinda doughy" on tape.

Selling his heart medication to Children claiming it was "metal-flavored candy!"

Accidentally inhaling too much taxidermy glue, black out, and waking up to discover that he had somehow managed to rob himself. Still tracking down the lost boot buried by his arch-rival "Glue Stan""

If you click FAILED PRODUCTS

Transcript:

"STAN'S FAILED PRODUCTS

The "Wishy Washy!" - A washing machine that somehow makes your clothes dirtier.

The "Counter Fit!" - A rubber band you attach to your kitchen counter to exercise while doing dished. INJURY TOLL: 27

"Welcome to Gravity Town!" - A cartoon show pitch which was unanimously rejected by every network for "blatant Illuminati references."

"Flavored Lottery Tickets!" - Turns out that the kind of people who think they can win the lottery are the kind of people who ignore "do not swallow" instructions. LAWSUIT TOLL: 48

"THE SAD SHACK" - A burlap bag to cover your head so no one can see you rendomly crying during the day. Cheaper than therapy!

A soda called the "Drippy Stanley!" INGREDIENTS: Pine Sol, wood glue, & expired sun tan lotion. Soos tested it and now he can't remember the year 2000."

If you click LOWEST MOMENTS

Transcript:

"LOWEST MOMENTS

That time he somehow got an F- on a history test, which teachers thought was mathematically impossible. Filbrick made him stand on the lawn for two days holding a sign that said "Estra Stan, 3 dollars or better offer."

When "1998's Best Tourist Traps in Oregon" listed the "Mystery Shack" as #99 below "The world's bigest fence" and "the dog that might be thinking human thoughts."

His birthday the year before he met Dipper & Mabel. No one came to "Mr Mystery's Mystery-Age Party & Used Wolf Pet Sale" He'd spent hours writing comedy roasts of employees who never came, burned off one of his eyebrows attempting to make a cake, and drank the night away skeet shooting Sixer's old Beethoven Records.

The day after he met the twins, he overheard them debating whether they should escape out the window and report him to the FBI. Mabel shook a Magic 8-Ball and tey stayed.

Stripping for edible flour in Tijuana Please don't make me elaborate."

If you click DARKEST THOUGHT

Transcript:

"DARKEST THOUGHT

Pin all my crimes on Soos"

If you click HOW HE BEAT ME (You have to keep spamming)

Transcript:

"HOW STAN BEAT ME He didn't! IM STILL HERE, SUCKER!"

Transcript:

"HOW STAN BEAT ME LOOK the gambler got a lucky break, alright? A lifelong LOSER was due for ONE freak royal flush! What does it mean? NOTHING! LESS THAN NOTHING! NOT WORTH EVEN THINKING ABOUT!"

Transcript:

"HOW STAN BEAT ME WHAT MORE DO YOU WANT ME TO SAY? That a guy who once tried to EAT THE DECORATIVE POTPURRI out of the bowl in the bank OUTSMARTED ME?! PLEASE! Goofus was just following Gallant's LEAD! It was SIXER'S PLAN, PTSD BARNUM is just a side character, a resume-inflating, cheap trick loving, past-denying overgrown child protected from failure only by a force field of DENIAL AND shamelessness! Sixer ate Stanley's potential in the womb, and the only thing interesting that ever happened to him started when I entered HIS head! END OF STORY! PERIOD. And I have NOTHING MORE TO SAY ABOUT IT!!!!"

Transcript:

"HOW STAN BEAT ME ..."

Transcript:

"HOW STAN BEAT ME AND ANOTHER THING! Ever since that pathetic excuse for a 5-sensed three Dimensional one lifespanned skin-puppet was barfed into the universe, he was nothing but a carbon copy of a better genetic duplicate, and he knew it! A trillion years from now when I've broken out of this place nd taken over, he'll be remembered as the special bump under the cement truck of my inevitable triumph asterisk next to an asterisk next to an asterisk next to an asterisk who would be a joke if he was capable of understanding comedy whehich he OBVIOUSLY isn't, I mean, have you heard the hacky matreials he does on his tours, I've been inside his dreams, he WORKSHOPS that material, he PAVES over it, and the best he can do are some puns that would make a third grader cringe and vaudeville that were hack before they were even invented! Its an insult that showed to wear a suit and tie, he should be in a BARREL with SUSPENDERS!

HACK JOKES. CODEPENDENT. SELF-PITYING STUPID "FULLY CLOTHED WOMEN" COULDNT WIN LOCAL ELECTION SMUG SAS-CROTCH TACKY UNWORTHY CLICHE DREAMS "SINGIN' SALMON" AND THAT'S THE FINAL WORD!"

Transcript for this image in specific taken from this Google doc

Transcript:

"HOW STAN BEAT ME OKAY I SEE WHAT’S HAPPENING HERE! You’re just like those those PREACHY INFANTILZING AUTOMOTONS AT THETHERAPRISM who are SO OBSESSED with getting me to TALK about my “FEELINGS”. YOU THINK YOU CAN GET A RISE OUT OF ME?! TRY! I DARE YOU! I DARE YOU!”

Transcript:

"HOW STAN BEAT ME KEEP CLICKING! SEE WHAT HAPPENS! I CAN OUT-LAST YOU PAL! DO YOU REALIZE WHO YOU’RE STEPPING TO HERE?! IM LITERALLY INSANE! TRY IT! KEEP TRYING IT! I’VE GOT FOREVER, LET’S GO! COME ON! GO! KEEP CLICKING! KEEP DOING IT!”

Transcript:

"HOW STAN BEAT ME KEEP DOING IT!"

Transcript:

"HOW STAN BEAT ME I LOVE IT!"

Transcript:

"HOW STAN BEAT ME IS THAT ALL YOU GOT?!

⚠︎ FLASH WARNING FOR THE FILES BELLOW ⚠︎

Transcript:

"WHAT ARE YOU DOING TO ME?!"

Transcript:

"DO Y Ou even fAThoM ho W muCH pAIN IM"

Transcript:

"sOMeTIMES when i CLOSE my eyE i caN"

Transcript:

"I cAN STiLL sEe (encoded in alchemic sipher, author's cipher, theraprism and color cipher (in that order))"

Decoded messege: "The eyes of everyone I've ever"

(last three images)

[theizzizzy]

YOU!!! TELL ME ABOUT YOUR SONIC AU!!! I'D LOVE TO HEAR ABOUT IT :)

OH- OKI DOKI THEN.

My Sonic AU is based on a dub my sister and I did of Sonic Mania Adventures a few years ago. The main joke of the dub was that everyone’s name was butchered like it was a bootleg product, and everyone (especially Knuckles) is based on a meme.

This AU follows a 12 year old Sanc as he lives his life on the peculiar “Mania Islands” with his best friend Tals, who’s a little weird. Sanc is the only person who can really understand Tals’ thick accent (think Stitch from Lilo and Stitch), but Sanc doesn’t mind translating when the other islanders give Tals a weird look.

Knucles is the Guardian of the Ultra Meme Stamp, Because of this, he’s known as the “Meme Approver” by people like Rye and Dr. EGG. The Ultra Meme Stamp, and even the lesser Meme Stamps, can bring Memes to life, so Knucles is very cautious and critical of anyone he sees. When he’s not enjoying the sunlight of the island, he’s down in the ancient ruins deciphering the murals made by the original inhabitants of the island over 100 years ago.

Rye is what’s known as a “Gamer Boy” on the island, even though he’s only really got a beat up handheld console from the same box Sanc found his Atari console in. He loves trying to use slang he finds on trash that washes up on the beaches, and his biggest dream for a very long time was to have his own meme approved. In the events of the dub my sister and I did, he finally got that wish, and Mighty Meme was brought to life, but he couldn’t speak since he was created with the meme stamps, and not the Ultra meme stamp.

Dr. EGG is the only human on Mania islands, but he’s also a little nutty since he isolated himself from the rest of the islanders. This is because he was from the Mainland, but was sent to the islands as punishment for his crimes against robotics.

Ami is obsessed with Oats, and is somehow more nutty than Dr. EGG.

Metal Sank-No is a deadly robot from Tals’ place of origin, and pretends to be a meme brought to life to kill Tals and everyone the little…whatever he is cares about.

the rest of the characters (like Shadow and Silver) will be revealed in due time once enough is said about these guys. :3

Here’s the dub.

[winxwiki]

Whoever put this Char Aznable knockoff in Hallowinx must have watched the illegal 1980 TV dub of Mobile Suit Gundam 0079. Season 2 of Winx was in production right while the new, legal dub was being produced and released in 2004. I've done some research and it was extremely common for bootleg vhs and dvd compilations with the pirated dub to be sold at cons in the 90s and early 2000s! And of course there were muxed copies available online.

The illegal dub this fan grew up with had various changes and incorrect translations, whole episodes missing, a whole new (terrible) opening and was disowned by Tomino himself and Sunrise. And it's the only international release that has episode 15! It was also the first oversea dub for the series ever.

fascinating how Winx connects to extremely specific anime history

[nekob0t]

lolz

Love how Caine jokes about the content farms and weird dubs of their characters including bootleg products as well lmao!

Anyways so excited for the second episode! =D

Totally not gonna make any art.. :3 (I SWEAR YOU GUYS I AM I HAVE JUST BEEN BUSY I HAVE MADE ART, AND WILL BE POSTING SOON I SWEAR!!)

[childofaura]

Ok, so I'm back at my computer now, I've gotten through all my messages.

Time to break down this whole Scooby Doo AI fiasco and why the people defending it have all the integrity of a moldy piece of wood. Because I thought I should just put it behind me after the first day, until I saw more bullshit from people coming out of the woodworks, including people trying to come at me with false equivalencies they were so smug about. Putting this under a read-more so people don't get exasperated with this post stretching their dash/blog.

Before we get to the main argument, we have to address what happened. And even before we address what happened, let's make something clear for anyone who's just here to argue and detract from my main point:

The animator at the center of this doesn't deserve to be harassed. A discussion deserves to happen and people are allowed to express their displeasure. But the animator doesn't deserve to be dogpiled.

So the main gist of it is that an animator created a pseudo-stop motion Scooby Doo short crossed over with FNAF, in the style of Rankin' Bass stop motion. The thing that's got everyone in an uproar is the fact that he used AI voices for most of the other cast (to my understanding, he only did the voices for Shaggy and Scooby). This caused the whole shitshow that's going on at Twitter right now.

Now there's a lot for me to break down on this one; I've already explained most of what was wrong with the excuses people were trying to come up with for this guy (Whom for some reason, people are trying to paint him as this "poor widdle kid who's just following his passion-" GUYS he's FUCKING 23 YEARS OLD. HE'S AN ADULT). But I'm gonna recap most of them, and then some based on the new discourse that's been coming out.

>"He can't afford voice actors! He's a single indie animator just working on a passion project!"

You can put out a casting call and let people know that this is a portfolio project, and you would like to see if anyone is willing to do it for free. Lots of people online are pretty enthusiastic about joining fan-dubs or dubbing projects even if it doesn't pay, and if you advertise the premise, you will have PLENTY of takers.

Or, regardless of whether you sound like a character or not, you do it yourself, with family/friends helping for roles of the opposite gender. Your credits should look like this:

(Credits are from Matthew Gafford's "A Fox in Space Episode 2")

Or, additionally, you can collab with dubbing productions like Alex Henderson did for "Return to Krocodile Isle" with Bootleg Dub Productions:

The bottom line is that there's no excuse for resorting to AI, especially if you claim to hate AI. You're just a hypocrite.

>"So you hate fanart then!"

NOT REMOTELY COMPARABLE. If you wanna compare this to fanart, this is the equivalent of tracing over someone else's work without their permission and adding a side note that it doesn't belong to you. The fanart/voice comparison only works when you're doing an IMPRESSION of a character. AI is plagiarizing someone's voice with existing content. Someone doing Sonic voice impressions based on a specific actor is the equivalent of fanart, while using a Sonic AI voice of the existing actor is the tracing.

>"You must hate YTPs where they splice together or isolate certain audio!"

THAT'S NOT COMPARABLE EITHER, DIPSHIT. YTPs are done using PRE-EXISTING recorded lines that the actors were compensated for! AI is generating entirely brand new "recordings" that the actors have no compensation for! Actors like Long John Baldry with the famous "PINGAS" line or Gary Schwartz with "Pootis" were asked to record those lines, and paid for it. You're generating brand new content with an AI voice that they were not asked to record, nor compensated for.

>"This was for his portfolio! It's a harmless indie project!"

See, this one is harmful to the animator specifically. A big thing I've learned about the animation industry, having learned from my friend who went to art school, having learned under famous animators, and having collaborated/cooperated with a LOT of her peers, is that the animation industry is a buddy-system team effort. Want to make an animation with voices? Hey, these guys over here want to be VAs and are looking for any kind of little work they can to see if they can get the hang of it. Cool, let's work on this together! Now, when you're an animator with a portfolio using AI, you've essentially told your peers to go fuck themselves. In addition to that, you're telling your potential employers these details about yourself that you may not want them thinking:

You have no moral integrity and you're willing to cut corners when put into an unfavorable situation.

You're dishonest, and you'll cheat out other people who could stand to benefit from having a role in your portfolio.

You're unintuitive, and can't think outside the box when it comes to resources being scarce.

You're lazy and unwilling to look for an ethical solution if you're lacking important aspects of your projects like the voice actors.

And even worse, these people defending this situation are bouncing between "It's a passion project, who cares!" and "It's a portfolio, who cares!" PICK ONE, BECAUSE THERE'S A VAST DIFFERENCE IN NUANCE BETWEEN "FUN PASSION PROJECT" AND "SERIOUS PORTFOLIO WORK".

>"AI isn't hurting the integrity of art or harming anyone!"

Hi, remember when Erica Lindbeck asked a Youtuber to remove their video of her voice being used in AI to sing a song? And did so professionally and even stated the person she contacted was very sweet and understanding about it? AND PEOPLE FUCKING CHASED HER OFF OF TWITTER BECAUSE SHE HAD AN ISSUE WITH HER VOICE, HER FUCKING VOICE, BEING USED IN WAYS SHE DIDN'T CONSENT FOR? It wasn't just about the silly AI parodies, she even said, and I quote, "It's not about *this* video in particular or *this* creator specifically. I've had a content creator make an AI video of my character [referring to her character of Loona on TV show Helluva Boss] saying disparaging remarks regarding the show I was on. Literally putting words in my mouth that could easily be taken as mine. As an artist, that is so terrifying. I absolutely believe these people are making this stuff for fun, and are not fully aware of the negative effects AI content could have on the people whose voices they're using. I never meant for this creator to be dogpiled." And people still decided to attack her and just further disrespect her wishes. People refused to treat her like a fucking human being because the shiny keys they drool over and play with are violating and intrusive, after all the horrible shit she's gone through the year before with losing her boyfriend Billy Kametz. What it's doing is solidifying the perception that "AI is no big deal and who cares what people do with it, just let us have fun you fucking stuck-up asshole".

>"It's fine when small-time indie creators are using it, it just shouldn't be done by big corporations".

And now you've just admitted you have no fucking integrity. If corporations are looking at all these AI covers and AI projects being done on small scale, why should they give a shit if they do it too? I mean, everybody's doing it right? Who cares?

You're just affirming their notion that actors deserve to be cheated out of their work.

I'm sure there's a billion other excuses that some of these chucklefucks are going to come up with, but in the meantime, these are the biggest arguments I've seen (some people trying to argue with me DIRECTLY) coming from people. And I GUARANTEE these hypocrites are going to be coming out of the woodwork screaming when the next story breaks that a corporation is doing the exact same thing, or when it happens to someone they actually like. I know this isn't going to change anyone's mind if they're already set on treating VAs as non-humans, but if you're concerned about AI and actually have a moral backbone, these arguments are here for you if you need some good solid reasoning to fight back with.

Edit: Since making this post, I’ve calmed my shit down significantly more. I realize I’ve tended to come off as way too unapproachable whenever I tackle any sort of discourse, usually because I’m coming right off of a personal argument with someone else. And that blinds me to the fact that there are people out there who are nothing like the asshats I’ve just been arguing with.

So honestly and truly, if you have a good counterpoint, come and engage in the conversation. We’ll approach this civilly and see if we can’t at least gain a perspective, even if we still disagree with each other in the end.

[pico-digital-studios]

Into, Across and Beyond! Cast: Hog the Tenrec

Created by: Jack Gore

(Art by Stikfig01 on DA)

"If it means getting to stop other lives from being unfairly destroyed by some paranormal creeps... I'm in! I've got a lot I need to make up for after my world was wiped out."

Sonic the Hedgehog 3 & Knuckles; a truly marvellous game by today's standards, and a pretty fitting conclusion to the original Sonic the Hedgehog trilogy. And of course, our story begins when the cartridges containing the full game are inserted into a console.

However, this isn't the SEGA Mega Drive/Genesis it got inserted into; rather, it was a bootleg product dubbed the GIGA Switch 'n Play, which aimed to create extensions to pre-existing titles. The console was made exclusively for the Sonic franchise, which aimed to include its own twists to the characters and gameplay.

And so this brought in GIGA's own original lineup of bootleg Sonic characters for this game; Hog the Tenrec, the land's hero, Prowler the Fennec, Hog's trusty sidekick, Fists the Porcupine, the guardian of the Giga Ruby, and Dr. Yolkman, the main bad guy. As to where the original assets ended up? Well, they ended up in a place dubbed "The Void", where hidden or unused assets go.

This is where this cartridge's Sonic ended up, having been stuck there for months by that point and trying to remain optimistic as best as he could, with little success. Just about everyone's code was being taken and used for the game, and Sonic was the sole survivor in the void, everything else he cared for having died upon coming here.

During his long time there, he learned about Hog, having witnessed him and Prowler getting into a scrape with Yolkman. He wasn't spiteful of this replica at first; rather, he was intrigued, and wanted to try and find a way to reach out to him. Unfortunately, nothing worked during his isolation, missing his friends and arch-nemesis a lot.

Soon enough, the distorting corpses of the trio revealed to Sonic some stuff; namely, what the Void was now doing to Sonic, and that he was really close to dying. Tails showed him a way to make his presence known via a Power Ruby, and Knuckles and Robotnik made it plain and simple that Sonic got replaced by Hog.

After a longer time in the Void, Sonic finally lost his mind, now feeling nothing but utter hatred for Hog and wanting to return on top again. In his words...

"I WILL NOT BE REPLACED!"

He was finally able to break out of the Void and snag the first Power Ruby. However, something wasn't right. He did not look like himself, and the fennec in front of him kept referring to him as Hog. He tried to take his anger out on Prowler, but his possession of Hog was short-lived, as the tenrec took back control, clearly unaware of what had just happened.

Hog felt guilty for unknowingly trying to strangle his now-upset friend, and Sonic was back where he was. However, he had that Power Ruby, and with them, he could keep trying to break free. And the more Power Rubies Hog collected, the closer Sonic was to his goal.

Later, Prowler noticed Hog's unnatural obsession with wanting to collect the Power Rubies, especially since he'd only ever get them to try and stop Yolkman. While the tenrec was resting up that evening, Prowler thought about what was going on and knew that this behaviour was completely unlike Hog. Whatever this thing was, it wanted the Power Rubies for its own purposes.

And so, Prowler worked on a device to nullify the power of the Rubies, testing it on one of them with success before pretending he was sleeping. The following day, Hog single-handedly dealt with a whole army of Boltniks, which gave Prowler a chance to sneak up on him and ready the gun.

This led to a fight between Prowler and Sonic, the gun working well against the corrupted hedgehog, who was impressed Prowler had figured out the truth. In the aftermath of their right, Prowler made it clear that Tails, despite the two being little alike, would not appreciate Sonic for doing this.

This only served to infuriate the fallen hero, who, in a fell swoop, slaughtered Prowler before Hog regained control. Hog was absolutely heartbroken over what had become of his best friend, falling into broken tears over this loss. And worse still, Sonic LET Hog regain control just to see his pain and relish in it.

Now holding all seven Power Rubies, Sonic attempted to transform proper, but with little success. However, the Giga Ruby on Heaven's Land (Hog's equivalent of Angel Island) could be a possible last resort. So he raced over there, only to be met with Fists, who wasn't too pleased about his motives for coming here.

After a fight that felt like hours, Sonic managed to weaken Fists, before using the Giga Ruby to summon his friends back into existence. However, they were more undead than anything, and they promptly slaughtered Fists in a really gruesome fashion.

Sonic then used the Giga Ruby to transform, but it wasn't what he had hoped for. His body was taller and more withered, reflecting the monster he had become. He was not Sonic anymore; he was now Scorched.

Yolkman arrived, feeling horrified at the sight before him before taking the Giga Ruby as fast as possible and retreating to Sacred Aether Zone (Sky Sanctuary Zone). When both arrived at the location, Yolkman ordered his newest robot, War Hog Mk. II, to fight off Scorched and buy him some time to escape.

However, Yolkman ultimately met his end too. But this time, Hog's resilience caused him and Scorched to be split into separate entities. And boy, was the tenrec NOT happy to see his most hated foe yet. The two fought a lot, and Scorched was getting the upper hand.

And yet, Scorched was forced to reflect on all that had happened, realising what he was doing was uncharacteristic of him, and he was losing all of what made him Sonic. Fists did survive his encounter, however, and his movement to patch himself up destroyed the Power Rubies AND Giga Ruby, setting off a worldwide apocalypse in the process.

Fists perished after getting some more hits into Scorched, leaving only the fallen hedgehog and Hog left. Scorched had now become nothing but a quivering wreck, regretting everything he had done after being called out for it by Hog. And with impending doom approaching fast, Hog didn't know whether he should forgive his enemy or let him suffer.

He seemed to lose consciousness for several hours after that, awakening in a new location he felt familiar with, but at the same time, didn't recognise. Something seemed to have saved his life, but he didn't know what it was. He did some investigating around the CR version of Angel Island, trying to get some bearings as to his new location.

During his time there, he discovered CR!Sonic paying a visit there, having patched things up with his Sally since One More Hero. The blue blur was headed to Hidden Palace as Hog quietly trailed behind so as not to be spotted. While in the palace, he saw the murals depicting all that had been, like the S3&K events and the ordeal with Perfect Chaos.

(Perfect Chaos mural by Sotaknuck from Sonic 3D in 2D)

At the shrine, CR!Sonic and CR!Knuckles were simply catching up with each other, the echidna having heard about Sonic fixing things up with Sally again. They noticed Hog a few seconds later, with the blue blur going to give his introductions.

Hearing Sonic's name caused those traumatic memories to surge right back into the tenrec, as he explained what had happened back at his world, and the sad truth that he can NEVER go back there ever again thanks to its destruction. CR!Sonic offered Hog his understanding and reassured him that he would not ever try to harm Hog.

For a couple more days, Hog stuck around the CR universe to familiarise himself with how regular Sonic universes are like, and he and CR!Sonic later got involved in the events of More than One Universe, Hog's motivation for doing so being to stop any more lives being unfairly lost to multiversal terrors like what Scorched was.

In the aftermath of it all, Hog decided to stick around in the OMT universe, becoming a new member of the Blur Gang and being able to interact with others from other worlds that are not hostile towards him in any way. In a way, he got what he couldn't back at his home; Sonics who COULD co-exist with him without being wiped clean from existence.

It's only telling that he and Wacky, both bootlegs of Sonic, take high offence to Lost Memory Sonic's remark that OMT!Tails and Antho were not deserving to be heroes due to not being Sonic. Speaking of them, they also have a good laugh about stuff like the names of their villains (Hog's being Dr. Yolkman, and Wacky's being Dr. Sunnyside, both egg-related puns).

[kah-hoa]

Speaking of Ace Attorney, what do you think about official localizations that heavily change the source material in ways other than censorship, like alterations to the characters names and personalities, to the work's story, setting and atmosphere, etc.? As a professional translator, I'm usually against that, even if I understand why people find stuff like YGO GX's dub pretty fun, but what about you?

I mostly concur.

I understand that it can be hard to translate all the nuances or convey the same effect because of different background context but sometimes it can be too egregious.

Feels like being given a sketchy bootleg when you paid for the OG product, like a scam yah know?

Hey, Remember this? :V

Also, here's a more painful one for you:

[matt0044]

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[d-j-a-t-o-m]

HOUGAKUBU #31 "シュッとしたHOUGAKUBU" at 桜川 environment 0g, 25th October 2024

part 1 19:00-19:30

アレイ・キャッツ (Single Version) / EPO [Midi/Dear Heart, 1986]

デメントス / 清水靖晃 [Victor/Invitation, 1988]

It's Brand New Day / 中森明菜 [＠ease, 2001]

いばらの冠 (Buffalo Daughter Mix) / 中谷美紀 [For Life/Güt, 1997]

Lost Child (Dub Version) / Hiroshi Fujiwara + Shinichi Osawa feat. Crystal Kay [SMEJ Associated, 2001]

他人の夢 (D.A.N. Remix) / Ogre You Asshole [Office Rope, LLC./SSWB/Bayon Production, 2023]

Ringo / the Trojans [Gaz's Rockin', 1987]

Traveling Love / Bachicco! [KSB瀬戸内海放送, 2003]

Sexy Heaven / Koizumix Production [Victor Entertainment, 1992]

Witches / 中山美穂 [King, 1988]

part2 21:30-22:00

White Key (Doze Off Mix) / 鈴木あみ [Sony Music Entertainment, 1998]

クールの誕生 (A.T.O.M.'s Coolest Beats & Up Mix) / Pizzicato Five [Seven Gods/Triad/private bootleg, 1991/2004]

Rain-Danceが聞こえる (It's in My Brain Now) / Meat Beat Manifesto feat. 吉川晃司 [Play It Again Sam/SMS/private bootleg, 1985/1990/2009]

飛ばしていくよ / 矢野顕子 [Speedstar, 2014]

You Owe Me (Bootleg Single Edit) / 藤井隆 [Slenderie/まわりそうな, 2015]

Disco Chaotic Dischord 6 / Lantern Parade [Rose, 2011]

O.K. (Automator's 2 Turntables And A Razor Blade Mix by A.T.O.M.) / YMO [Eastworld/Toshiba EMI/Mo' Wax/private bootleg, 1993/2008]

ワンBoxのオーナー (Remix Man Mix) / ダンス☆マン [Avex Trax, 2000]

あの鐘を鳴らすのはあなた (Jazztronik Remix) / 和田アキ子 [Teichiku Entertainment, 2006]

back-to-back

カサノバとエンジェル / 藤井隆 [Slenderie, 2017]

Inspired (the Radio) / Satoshi Tomiie feat. Diane Charlemagne [SMEJ Associated, 1999]

[harfblarf]

Circling back to this post to talk to myself abt this subject, because it's genuinely very interesting even from what little I know/have experienced.

I think it's important to keep in mind that no small part of this division, the lines that mark where copyright is and isn't real, is a matter of enforcement. Enforcement, under capitalism, springs from Perceived Profitability; as with any law in a capitalist society, it is only enforced as much as the parties with power think it can benefit them. Free access is allowed only when capitalism doesn't think it will profit from metering it; if it can profit from it, it will claim control over that access, and call you a thief.

Case study: anime. In the U.S. in the 80s-00s (at minimum; I would need to do more detailed research to set a specific timeline), anime was almost entirely community-procured, community-curated; in those circumstances, copyright was similarly treated as either fake or irrelevant. Access under the restrictions of copyright was usually nonexistent, and fansubs, illegal VHS copies, and eventually fansites were the dominant mode of access for anyone in the U.S. who wanted to watch it. Quality of copies and translations varied wildly, and the shows U.S. anime fans had access to tended to be very limited-- but that pool continued to grow as anime fans remained passionate and interested. No one expected their bootleg copy to be "legitimate" or pay the original artists, and no one really thought about it.

But that passion and interest tipped anime (and manga) into the Profitable category, and companies swooped in. It was exciting! Real companies were handling real deals with anime studios. Professional translators were being paid. More shows were getting dubs, and dubbing anime was becoming a viable, specific career. Manga hit bookstore shelves. USAmerican interest in anime was being solidified and spread via advertising. No longer was it a niche hobby quietly traded in the corners. How cool!

This is the trick of capitalism. You are legitimized and recognized when you are profitable, and people tend to crave recognition and legitimacy. This is the underlying logic of rainbow capitalism, and why-- even for many who know better-- it has an undeniable pull, a deeply personal sense of relief and security. The only people who have authority under capitalism are those who can be sold to. The only people who are desired are those who can be sold. Both desirability and authority are things people crave; that's how people are convinced to play both customer and product.

When anime became 'legitimate', piracy and fansubs became a threat to profit, and they were reshaped into a moral negative. Genuine love and passion for the art was weaponized against fans: "if you love it, you should respect the artists who made it. The only way to respect the artists is to pay them. Do you really want to be a thief?" Some established fans didn't buy in to the false dichotomies, but things like crunchyroll and netflix had money and power and authority, and fan spaces were reshaped as new fans outnumbered the old. The changes came gradually; many community spaces still taught each other to dodge ads or passed around old files and YouTube links, bitched about low-quality dubs and translations that changed the meanings. But gradually, failure to use "legitimate" channels to access anime became a source of shame, a sign of selfishness, to seek it without paying the toll, to prioritize your own enjoyment over honoring the artists. Once-loving jokes about janky fan translations and sketchy fansites slowly became more mean-spirited and disdainful.

Crackdowns on and legal threats against fansites, fan translations, and illegal copies chased the people involved into the shadows, took away their tools, and scared some out of the work entirely. Communities fell apart. Jokes about sketchy fansites were replaced with serious warnings about the dangers of piracy sites, and not without reason-- the crackdowns discouraged many, both those who wanted access and those who supplied it, so the sites offering it had every motive to drag as much profit and use out of their users as possible before getting shut down, and users did not have better alternatives. Support for community teams dropped, and interest and engagement in their projects plummeted. Translating and subtitling was intensive and fairly technical work, working within limited software and often with limited experience and linguistic skills. For most manga translators, it also required connections overseas, to get clean digital copies of the works they wanted to translate. Studios and artists alike began directly expressing distaste for rips and fan translations when they partnered with companies for translations. Artists are told they are being stolen from when someone loves their work enough to translate and share it with a wider audience, even when no official translation exists or is even planned.

Curiosity and love of stories is seen as a crime, if you aren't paying a middleman for your access. Challenging that narrative is treated as a betrayal of your community and the art itself. That goes for more than just the anime and manga communities.

Copyright is a legal cudgel wielded to protect a corporate entity's "interests"-- that is, their profits. Conflating copyright with the Artist, with protecting, preserving, or respecting their work-- it's a scam. It's marketing. Corporations and companies will do everything in their power to utilize copyright law against artists and take every penny they possibly can. This is undeniable. It's why Disney lobbied for copyright extension.

But it's also the sole legal tool artists are allowed in places where copyright law is taken seriously. They need its limitations if they want to have any shot at making a living creating their work. It's the only thing that can inflict any consequences on someone claiming credit or ownership of their work. It's the only shield small artists have against companies stealing and using their work without pay. For many artists, big and small, this sole, crappy legal protection is the difference between surviving as an artist and being forced out of the field. So they uphold the system, even though the true beneficiaries would just as soon see them starve.

When I said "I want that" about a copyright-less world, I meant it. Copyright sucks diddlydick, it crushes creative freedom, it hurts artists far more than it helps them, and it only has any decent function under the assumptions of a capitalist society. But it is also crucial to acknowledge why it exists, why it is held up as a golden rule in some places but not others, and how that happened.

If we want to be rid of copyright, we have to change how the entire system treats artists, how it treats people at large, because the few protections copyright provides are the ONLY protections most small and independent artists have. Blowing up a wall only to crush people under the rubble isn't good either!!

What's funny to me is that nobody cares about copyright outside the US and maybe, I dunno, Canada and Europe? For the entire third world, it's something we politely pretend is real so we don't hurt their feelings, but it's probably the fakest and less upheld concept here, absolutely nobody cares.

Some yanqui says something deranged like "um, uh, yeah, you should pay for every time you play a song otherwise you're stealing" and we just pat their head and say "claro que sí tesoro" while we download 15 GBs of movies and the local pizzeria has a mural of like Mickey Mouse and Bugs Bunny to promote it.

[ontherisedjacademy]

Chimpizm's UKG Minimix is the dose of sunshine we need right now

Chimpizm’s mix for BBC Introducing packs in the producer’s own UKG productions and a few unofficial remixes for a great big slice of summer goodness. One for the car journey to the rave!     Tracklist   1. Move to the Beat – CHIMPIZM DUB   2. Tell Me Something Good – Ewan McVicar (CHIMPIZM BOOTLEG)   3. Soundbwoy Killer – CHIMPIZM DUB   4. On My Mind – Jorja Smith x Preditah (CHIMPIZM…

[c-40]

A-T-3 082 Craig Peyton - Be Thankful For What You Got (Instrumental)

The fourth instalment of my whizz over reissue labels

Compilations are only references. If there is a track, band, musician, producer I fall for on a compilation I will seek out the original records. Some compilations I've really loved I've tracked down everything off them

This brings us to bootlegs. To fill the need to find certain tracks on different formats (they don't always have to be hard to find) like that album on vinyl by that artist, or that 12" for the dub on the b side that isn't on the compilation there are many bootlegs in circulation

When talking about bootlegs we can bring up edits. Edits are rarely officially licensed. There are good and bad edits, a lot of the time it's the way to get your hands nearer to a rare or unusual cut. Edits can act like compilations as they might introduce you to new genres or new music and artists within a genre. Major labels have reissued records based on the popularity of an unofficial edit

If bootlegs and edits are fulfilling need in the market the marketing has been done and you hold or have the nouse and ability to acquire the licence you can put out an official reissue. Compilations on smaller labels aimed at unearthing forgotten tracks or bringing scarce and collectable records to a wider audience can lead to reissues by the larger licence holding company

I've mentioned most of these companies before, Rhino/now part of Warners Music Group, Rykodisc/Warners, Legacy/Sony, Chronicles/UMG, ACE, Cherry Red Group. Best Records seems to have bought up its rival Italo disco labels and Unidisc have done well buying 70s/80s disco/soul labels. There are many Limited companies established to acquire and exploit the broad spectrum of music rights, buying the various rights and assets of a number of labels to license out those rights, comprising of artists, compositions, and thousands (or hundreds of thousands) of recordings, worldwide. This could be Phoenix Music International LTD, Demon Music Group/BBC, or BMG Rights Management/Bertelsmann Music Group, Warner Chappell Music, companies that as well as licence out, trade the rights and assets to the catalogues of former record companies

Ownership of the rights to music isn't just useful for reissues it can also be licensed to streaming platforms, video games, movies and tv. The software giant Epic that began with video games and is now in virtual production buying Bandcamp was interesting

Simply Vinyl launched in 1997. The label was set up to reissue classic albums (for it's first two years these were all white rock albums) on 180g virgin vinyl with thick card sleeves. The following year Simply Vinyl launched S12 which Mastercuts creator Ian was involved in, this was as they put it: The Simply Vinyl "Classic Collectors" range of 12" singles on 125g virgin vinyl

Nowadays labels with release vinyl reissues under one of their labels, like Rhino reissuing The Meters catalogue on vinyl record in 2001 (after years of unofficial pressings.) With vinyl record sales doing better and the popularity of Record Shop Day since 2007 coloured vinyl reissues and novelties have become mainstream. With record plants shutting down mere years before the vinyl record buying renassence the major labels repressing new copies of million seller albums began clogging up the schedules of the remaining pressing plants, and delaying putting new music on record shop shelves

It's worth watching the usual suspects for looking at new trends in reissues, in 2018 Brian Eno's catalogue began getting half speed master pressings on the UMG's Virgin/EMI label (now just EMI.) In 2016 Pink Floyd Records was launched to handle reissues of the band. With various acquisitions UMG own the rights to distributing Pink Floyd's music in Europe but Sony have the rights to the rest of the world. You can see how this happens. Rhino was given the rights to reissue Capitol's back catalogue (owned by EMI) Atlantic bought Rhino out in 1992. UMG now own Capitol and EMI and Warners own Atlantic and Rhino

Craig Peyton - Be Thankful For What You Got (Instrumental) is so good. It's a cover of William DeVaugn's classic. Craig Peyton has a rich music history (now including music videos, film, and tv) but it's the label Profile I want to look at here. Steve Plotnicki who was a co-founder of Profile decided to sell the company in 1997. Tommy Boy and Arista went into a bidding battle over Profile Records until Arista backed by its parent BMG won out. Profile is now one of BMG's many labels

This track was reissued in 2015 on Peyton Records, which means they made a deal with BMG or they found a loophole, like Peyton got the publishing rights back and this is a different mix, who knows but the 2015 reissue isn't the Eric Matthew mix. The sleeve notes say: Craig Peyton's own reference mixes for his cover of William Devaughan's "Be Thankful For What You Got" that were released on Profile Records in 1983. Fully licensed and mastered from his original tapes. 

[ghostflowerhotpotch]

Okay, so, this version may still exist, in other languages.

When the news of the different versions came out, I saw someone from Mexico said that it was probably only for the english version of the movie; he didnt see any changes and saw it multiple times.

This makes sense, making one of the voice actors in the movie production said different lines is normal, but they would do that when it was sent to different countries to dub it.

A few months ago saw a bootleg version of the Latqin american spanish version, and it was there, so there is chance it will be.

I need to talk to some people I know to see if they may be able to check, but I'm going to work so that will wait.

THIS GOT CUT

THIS BIT, SHOWING GWEN SCREAMING MILES NAME BEGGING HE ISN'T DEAD, IS BASICALLY ALL SILENT IN THE OFFICIAL DIGITAL VERSION.

And this my guys, is exactly why I kept this video handy. You can never guess what media could get lost.

Certainly not different versions of the movie.

[himitsusentaiblog]

In an effort to show Chinese fans what REAL Ultraman is all about in the wake of the Chinese-Produced, unlicensed, bootleg Ultraman set to appear in the film “Dragon Force: So Long Ultraman”, Tsuburaya Productions have begun streaming a Chinese dub of Ultraman Orb on their official Youtube Channel. The aim is to show the hero as he is meant to be, a champion of justice as opposed to his apparently villainous role in the Chinese Production.