#fight reference

[mmmeso]

trying to move more towards greyscale for my longer comic projects, heres a bit of practice

feel free to use the pose as a reference :)

[harfblarf]

Still-live article from Nov 18th 2023 ^

Internet Archive (Wayback Machine) version of the above article

Unfortunately I was not able to find the OP's linked BNN article on Wayback (may just be because I'm bad at operating the wbm).

Additionally, please note this is not the only article on this topic. I am only adding this one for ease of reference.

I’m really glad that Aaron’s self-immolation for Palestine is getting attention, but on November 8th there was also a Congolese man who did the same thing for the genocide happening in the DRC. From what I read in the article above, his fate and identity are unknown but I think his story should be getting equal amount of traction and I haven’t really seen anyone talking about it on Tumblr specifically yet.

[literaryvein-reblogs]

words for your fight scenes

Breathe

draw, expire, heave, inhale, puff, suffocate

Catch

intercept, tackle

Climb

arise, ascension, mount, scale, surface

Cut

amputate, ax/axe, bisect, chisel, cleave, crop, cut up, dent, dissect, engrave, etch, fell, hack, lacerate, mangle, molt, mutilate, notch, peel, scar, scratch, shave, shred, slash, slit, trim, whittle

Dispose

boot, chuck, disposal, dispose of, do away with, elimination, kick out, rejection, scrap, throw away, void

Drop

alight, crash, decline, descent, dive, droop, duck, fall, flop, fumble, go under, keel over, light, percolate, plumb, plunge, sag, settle, sink, slump, stoop, submerge, suspend, thud/thump, tumble, wilt

Hide

ambush, bury, camouflage, conceal, cover, cover-up, cringe, disguise, dissimulate, embed, ensconce, envelop, isolation, lurk, masquerade, palliate, screen, seclusion, sequester, shrink, shut off/shut out, sneak, withhold

Hit

applaud, bang, baste, batter, beat, blindside, boot, buffet, bunt, chip, clash, clip, clout, collide, concussion, crash, cuff, deflect, drive, flail, glance, hammer, jab, jostle, knock, lick, nail, peck, plaudits, pound, punch, rap, scourge, slap, smack, sock, strike, swipe, tap, thud/thump, tip, whack, whip

Hold forcefully

apprehend, cage, clasp, clinch, confinement, constriction, cramp, detain, embrace, enslave, fetters, grasp, gripe, hold, incarcerate, overpower, press, shackle, snatch, strangle, throttle, wrestle

NOTE

The above are concepts classified according to subject and usage. It not only helps writers and thinkers to organize their ideas but leads them from those very ideas to the words that can best express them.

It was, in part, created to turn an idea into a specific word. By linking together the main entries that share similar concepts, the index makes possible creative semantic connections between words in our language, stimulating thought and broadening vocabulary. Writing Resources PDFs

Source ⚜ Writing Basics & Refreshers ⚜ On Vocabulary Notes: Fight Scenes (pt. 1) (pt. 2) Word Lists: Fight ⚜ Pain

[waterthatsmoe]

First years shenanigans

Bonus jack

[charcoaldustonmyfingers]

Me, a fool: It would be cool if TOTK brought back old Zelda enemies!

Me, later: I take it back I take it back I take it back

Something about the hand shaped enemies in Zelda games give me the absolute heebie-jeebies. I hate them so much. They freak me out man, it’s legit bad for my heart!

So here’s an artistic interpretation of the first time I came across those damnable gloom floormasters in game. It was like every creepy hand enemy merged into one nightmarish abomination come to haunt me. Link almost met the goddesses that day…

See if you can spot all the references!

[bbbbbbbbatman]

Gotham has so many rogues and most of them don’t actually cause that much trouble in the grand scheme of things, so other than the really big ones, like joker, news about Gotham rogues can get pretty muddled outside the city which leads the JL to believing that Batman and Manbat are the same person and that their colleague sometimes turns into a giant bat monster but they don’t bring it up bc they think it’s a sensitive topic

Which eventually leads to a scenario like this mid combat when they’re getting pretty desperate:

Green Lantern: I know we’re not supposed to talk about it or whatever, but it would be really helpful if you could turn into a giant bat right now, spooky

Batman, having zero context for this comment, pausing mid fight to look at Hal like he just grew a second head: What the fuck are you talking about, Jordan?

Green Lantern, suddenly much less confident: Um…you know how you…turn into a giant bat?

Batman, utterly bewildered, turning to the other members but finding that he is clearly the only one out of the loop: what is happening right now

[ursiday]

The Lackadaisy mini-episode was so cute I loved it 🥲🥲

[harfblarf]

This isn't an accident or stupidity. This is a threat. It's designed to menace potential protestors into silence. The protests threaten the blood money our politicians and institution leaders line their pockets with, and so they are creating ways to silence them and manufacture cause for arrest.

Oh my god???????

[captainadwen]

Damian Wayne vs the World

Sixteen year old Damian Wayne is on the hunt for a younger sibling. Being more discerning than Bruce 'child collector' Wayne, Damian's firm criteria for Batman's latest adoption problem includes but is not limited to: black haired, blue-eyed, tolerable humor, not evil, and most importantly - younger than Damian.

Lucky for him, fourteen year old newbie vigilante Danny Fenton is the perfect fit. Now, to fulfill his end of their deal, Damian must defeat the evil government organization hunting Danny in order to gain a baby brother.

Or, @livinghalfway your post made my brain go !! but in such a different way I figured it was better to make a separate post, hope you don't mind/enjoy still

~~

Damian Wayne re-entered Tim Drake's life like a gnat revealing itself in a closed bedroom space. Tim was in t-shirt and a boxers, maneuvering ramen into his mouth with one hand and scribbling out an epiphany on a murder case with another, when Damian's demonic dulcet voice echoed down from the ceiling. "Drake," said Damian, judgemental, "You live like this?"

Tim nearly choked on his ramen, because the day Damian doesn't attempt to murder him - however doubtfully accidental this incident might be - is the day Darkseid decides to be friends with the Justice League. "Fucking knock," Tim coughed out. "And get out. No one invited you in."

"Put better traps if you don't want me here," said Damian, dropping from the ceiling where he'd crawled in on wall-clamps.

"This is my apartment," said Tim. "It's called courtesy."

Damian sniffed. He padded around to Tim's desk and frowns at his cases, then said, with no further lead up, "I need your assistance."

"No," said Tim.

"You did not even listen to my request."

"Don't need to," said Tim. "Answer's still no. Door is that way. Bye."

"Father says mutually assisting each other is beneficial," said Damian.

"Father," said Tim sarcastically, "blamed me for you exploding a glitter bomb in the batcave two weeks ago."

"That is your fault for not being able to provide evidence to the contrary in an appropriately efficient manner," said Damian. He squinted down at Tim. "And he apologized. Eventually."

"I would not have glittered the batcomputer," said Tim. "Do you know how much of a pain in the ass it is to backup those servers? No, because you don't like tech work, you just profit off it."

"Blaming me for Father's mistake," said Damian, "Most mature of you. But we must put our differences aside. I have selected a new family member and I need you to dismantle a government organization."

That drew Tim up short. He blinked down at his ramen as though it might explain Damian's words to him, but the ramen remained disappointingly uninformative. "Repeat that," said Tim, gesturing with his chopsticks. "Slower, and with more detail."

Damian pulled out his phone and sent him an email. Silence surrounded them in the brief moment it took Tim to set aside his chopsticks and open the email. The subject line was titled 'New Baby Brother', which birthed all sorts of horrifying nightmares of Damian Part 2: Demon Child Boogaloo. The teen in the inserted picture, however, was reassuringly not in possession of Damian's bone structure.

He did have black hair and blue eyes. "Who am I looking at?" asked Tim.

"Daniel Fenton," said Damian. "He is fourteen years old, enjoys puns, and has recently awakened 'ghost powers' that allow him to transform into the vigilante Phantom to fight other ghosts."

"Is he also an orphan with a tragic backstory?"

"No," said Damian, and Tim relaxed. "But that will not be an issue. We can share custody if they cannot be removed from the picture."

"Jesus H, kid."

"I am joking, of course," said Damian blandly. "Murder is wrong."

"Ha ha," said Tim. "If he has parents already he's not joining our menagerie."

"He will," said Damian, with a smug upwards tilt of his lips. "He and I have a deal."

"So you're coercing him in addition to stalking him. Anything else you want to share with the class?"

Damian considered this query with a serious frown, which was how Tim knew this was not a flight of fancy or a very early midlife crisis (although with their lifestyle and Damian already having died before...).

"He has," said Damian after a moment, "a rogue that calls himself 'The Master of all Technology' and is a technopath." This was clearly meant to be of interest to Tim, and not to be a stereotype, but it kind of was.

"Great." Tim turned his attention back to the email the demon child sent him. He scanned through it quickly. There was apparently a secret and evil government organization dedicated to the investigation and extermination of 'ghosts' and other paranormal creatures in the world. Their latest efforts were focused on the town of Amity Park, Illinois, which was 'infested with ectoplasmic pests'. Their words, not Damian's. (It was specified in the email.)

"Okay," Tim drummed his fingers against his desk. "Before I help you defeat this secret evil government organization so that," he opened the email attachment with a contract on it and squinted at the legalese, "this poor newbie teen you've harassed into signing this joins the family in exchange."

"I did not harass him," Damian huffed. "It was a gentleman's agreement."

"Does he know that?"

"I am not a politician, Drake. I thoroughly explained the terms and legalities before presenting any contract. Now ask your question."

"Why are you doing this?"

"Because," said Damian, tone implying 'you are stupid and haven't noticed something obvious, idiot'. "Father has begun saying he misses the noise around the manor and looking wistfully at old pictures."

"We still live there though?" said Tim. Damian looked flatly at him. "Sometimes."

"If you lived there frequently enough," said Damian, "you would already know Father is having...empty nest syndrome." Damian sounded disgusted. "I refuse to tolerate whatever inadequate and incompetent child he will find."

"So instead you found an incompetent and inadequate child for him?"

"Don't be stupid, Drake," said Damian. "I would not have chosen someone inadequate. Daniel is merely lacking formal training. Father can rectify this. It will keep him occupied for at least the next two to four years, which gives me enough time to find another black-haired, blue-eyed, tolerable child I approve of to be his successor and my second younger sibling." Damian paused. "Or until one of you procreates and gives him a grandchild."

"You're really serious about this," Tim whispered in horrified awe.

"I am serious about everything I do," said Damian. "Now, you will help me defeat this evil government organization so that our new sibling joins us."

"Okay," said Tim, but his mind snagged on a minor, throwaway detail, so utterly in odds with Damian 'Demonic Jealous Child' Al Ghul it surely came from another person - "Did you just call this kid your successor?"

[unboundprompts]

Hii!! I came across your blog and immediately followed since I thought I might needed some help with my fanfics, and if there's one thing I'm bad at is describing fight scenes with like guns or magic, I've been struggling to write it and did some practices and didn't like how they came out, I'm hoping if you can do some fighting prompts, I hope this isn't too much!!

How to Write Fight Scenes

-> check out @howtofightwrite , they are an excellent resource for writing realistic fight scenes.

Set the Stakes Early

Why are they fighting? Establish the stakes of the fight clearly before it begins. If the reader understands what’s at risk, they’ll feel more invested. Stakes could be personal (revenge, survival), emotional (protecting a loved one), or strategic (achieving a mission).

Use the Environment

Incorporate the setting to add depth and realism. Are they fighting in a cramped alley, an open field, or a crowded city street? Describe how the environment affects movement, line of sight, or weapon use.

Vary Sentence Length for Pacing

Short sentences create tension and speed, while longer sentences allow for brief moments of reflection or description.

Incorporate Sensory Details

Highlight the senses beyond sight to ground the reader in the fight. Describe the smell of sweat, the metallic taste of blood, the weight of a sword, or the deafening roar of a gun.

Example: “Her ears rang as the blast reverberated around the alley. Smoke filled her nose, thick and choking, but she ignored it, tightening her grip on her weapon.”

Focus on Key Moments, Not Every Movement

Avoid blow-by-blow descriptions. Instead, highlight critical moves, reactions, and turning points to keep the scene flowing and avoid overwhelming the reader.

Show Physical Strain and Fatigue

Fights take a toll, especially over time. Show characters struggling to keep up, panting, sweating, or even stumbling as exhaustion sets in.

Example: “Her arms ached, each swing feeling heavier than the last. Her breathing came fast, ragged, but she couldn’t stop now.”

Capture Emotions and Mindset

Mix action with glimpses of your characters’ thoughts and emotions. This adds depth and reminds readers why the fight matters.

Describe Injuries Believably

Injuries impact the pace and intensity of a fight. Showing injuries realistically adds tension and makes victories feel hard-won.

Example: “She hissed as pain flared in her side where his blade had grazed her. Her vision blurred, but she forced herself to stand, one hand pressed to the wound.”

Build Up to a Climax

As the fight progresses, increase the stakes and bring tension to a peak. This could be a devastating blow, a risky last-minute decision, or a surprising twist.

Example: “He was backed against the wall, nowhere left to run. She raised her hand, a final spell crackling in her palm, the light casting a fierce glow in her eyes.”

Conclude with a Realistic Aftermath

Show the immediate aftermath of the fight: physical exhaustion, injuries, and the character’s emotional response. If they won, are they triumphant, relieved, or traumatized? If they lost, what happens next?

Fight Scene Prompts (with Magic)

-> feel free to edit and adjust pronouns as you see fit.

As they crept down the dim hallway, the flash of gunfire exploded from behind, forcing them to dive to the ground, bullets ricocheting off the walls around them. She barely had time to pull her weapon, pressing her back to the wall as footsteps drew closer. With a steadying breath, she waited for the right moment, then spun, firing off two rounds that hit their marks with surgical precision. The hall fell silent, the smell of gunpowder hanging in the air.

Electricity crackled around his hands as he stalked toward his opponent, energy building in his fingertips. She mirrored his stance, blue flames licking up her wrists as her gaze narrowed. He made the first move, sending a bolt of lightning in her direction, but she countered with a quick flick of her wrist, sending the flames forward like a living shield. Sparks flew as their magic collided, the force of it rattling the metal beams around them.

He ducked behind the dumpster as gunfire erupted, bullets pinging off the conjured barrier that surrounded him. He gritted his teeth, feeling the strain as his shield flickered with each impact. His opponent advanced, shouting taunts over the noise, but he focused, raising one hand to push the barrier outwards, turning it from defense to offense. With a growl, he flung the shield forward like a battering ram, the force slamming his opponent back against the alley wall.

They ascended into the night sky, wind whipping around them as spells flew between them like streaks of fire. He could barely keep up, dodging her relentless attacks as the city lights twinkled below. Finally, he unleashed a burst of energy from his hands, the force spiraling outward in a shockwave. She managed to deflect it just in time, retaliating with a beam of light that sliced through the night like a comet, forcing him into a desperate mid-air roll to avoid it.

[egophiliac]

Hello ! I positively adore the running joke of Idia unknowingly finding Lilia to be the coolest guy ever whenever he doesn't know it's him, like when Silver described his father, or obviously with muscle red. I can't say what'd be funnier, Idia finding out his online best friend is actually Lilia, resident spooky hyper fairy; or them both never finding out, and it'd become even more ridiculous as time goes on. How do you think it'll play out ? You're always so on point

(Also, though it makes sense, I'm still devastated bat boy didn't get a ticket for the Halloween skeleton train : ( does anyone mentions him at some point ? Like how he'd have fit right in with all those Halloween town little freaks, and how he'd have impressed them with his spooks and scared techniques; after all he's been every Briar Valley's children worst fear on Halloween for centuries. I'm on the eng server and I didn't wanna spoil myself by watching the whole thing on youtube)

Have a nice day !

you and me both, Idia and Lilia being oblivious online BFFs (+ Idia being incredibly intimidated any time Silver brings up his jock gamer dad) is my favorite running joke/subplot. 🤝 it's SO good, to the point where I also am unsure if I actually want it to ever be resolved or not...maybe, like, as a post-canon stinger or something? everyone's standing around covered in overblot ink, and Idia and Lilia's phones go off at the same time...

(legit I do think this is part of why Idia couldn't be present for Lilia's dream, because for some reason Lilia decided he was going to just. embody his past self online. he probably quotes his own battle strategies or whatever in the middle of boss fights. Idia didn't pick up on the whole "oh how weird that we both live on a super remote island" thing, but he would spend thirty seconds listening to General Lilia describing siege warfare and be like "w-wait")

all that aside, however it does end up happening, I do see Lilia being very blasé and all "oh! cool!" about it. y'know, taking it very much in stride! and Idia...very much not.

(can't tell if tumblr is going to chew this into illegibility or not, this will be a fun surprise ᕕ( ᐛ )ᕗ)

as for Lilia sadly missing out on Halloweentown shenanigans...he does get one little mention as part of an offhand reference to the light music club, but so far no one has brought up how this basically is just Lost In the Book of Liliatown (Sebek's been too busy yelling about not getting to be in the same group as Malleus). 😔 honestly though, it's probably for the best that he got left out, because he would just settle right in and refuse to ever leave. canon would shatter. we would miss out on all the delightful angst of episode 7 because Lilia is too busy eating poisonous shrubbery inbetween practicing his very best screams, and no one can pull him away from it.

(I can hope for a sequel next year though...)

[harfblarf]

Circling back to this post to talk to myself abt this subject, because it's genuinely very interesting even from what little I know/have experienced.

I think it's important to keep in mind that no small part of this division, the lines that mark where copyright is and isn't real, is a matter of enforcement. Enforcement, under capitalism, springs from Perceived Profitability; as with any law in a capitalist society, it is only enforced as much as the parties with power think it can benefit them. Free access is allowed only when capitalism doesn't think it will profit from metering it; if it can profit from it, it will claim control over that access, and call you a thief.

Case study: anime. In the U.S. in the 80s-00s (at minimum; I would need to do more detailed research to set a specific timeline), anime was almost entirely community-procured, community-curated; in those circumstances, copyright was similarly treated as either fake or irrelevant. Access under the restrictions of copyright was usually nonexistent, and fansubs, illegal VHS copies, and eventually fansites were the dominant mode of access for anyone in the U.S. who wanted to watch it. Quality of copies and translations varied wildly, and the shows U.S. anime fans had access to tended to be very limited-- but that pool continued to grow as anime fans remained passionate and interested. No one expected their bootleg copy to be "legitimate" or pay the original artists, and no one really thought about it.

But that passion and interest tipped anime (and manga) into the Profitable category, and companies swooped in. It was exciting! Real companies were handling real deals with anime studios. Professional translators were being paid. More shows were getting dubs, and dubbing anime was becoming a viable, specific career. Manga hit bookstore shelves. USAmerican interest in anime was being solidified and spread via advertising. No longer was it a niche hobby quietly traded in the corners. How cool!

This is the trick of capitalism. You are legitimized and recognized when you are profitable, and people tend to crave recognition and legitimacy. This is the underlying logic of rainbow capitalism, and why-- even for many who know better-- it has an undeniable pull, a deeply personal sense of relief and security. The only people who have authority under capitalism are those who can be sold to. The only people who are desired are those who can be sold. Both desirability and authority are things people crave; that's how people are convinced to play both customer and product.

When anime became 'legitimate', piracy and fansubs became a threat to profit, and they were reshaped into a moral negative. Genuine love and passion for the art was weaponized against fans: "if you love it, you should respect the artists who made it. The only way to respect the artists is to pay them. Do you really want to be a thief?" Some established fans didn't buy in to the false dichotomies, but things like crunchyroll and netflix had money and power and authority, and fan spaces were reshaped as new fans outnumbered the old. The changes came gradually; many community spaces still taught each other to dodge ads or passed around old files and YouTube links, bitched about low-quality dubs and translations that changed the meanings. But gradually, failure to use "legitimate" channels to access anime became a source of shame, a sign of selfishness, to seek it without paying the toll, to prioritize your own enjoyment over honoring the artists. Once-loving jokes about janky fan translations and sketchy fansites slowly became more mean-spirited and disdainful.

Crackdowns on and legal threats against fansites, fan translations, and illegal copies chased the people involved into the shadows, took away their tools, and scared some out of the work entirely. Communities fell apart. Jokes about sketchy fansites were replaced with serious warnings about the dangers of piracy sites, and not without reason-- the crackdowns discouraged many, both those who wanted access and those who supplied it, so the sites offering it had every motive to drag as much profit and use out of their users as possible before getting shut down, and users did not have better alternatives. Support for community teams dropped, and interest and engagement in their projects plummeted. Translating and subtitling was intensive and fairly technical work, working within limited software and often with limited experience and linguistic skills. For most manga translators, it also required connections overseas, to get clean digital copies of the works they wanted to translate. Studios and artists alike began directly expressing distaste for rips and fan translations when they partnered with companies for translations. Artists are told they are being stolen from when someone loves their work enough to translate and share it with a wider audience, even when no official translation exists or is even planned.

Curiosity and love of stories is seen as a crime, if you aren't paying a middleman for your access. Challenging that narrative is treated as a betrayal of your community and the art itself. That goes for more than just the anime and manga communities.

Copyright is a legal cudgel wielded to protect a corporate entity's "interests"-- that is, their profits. Conflating copyright with the Artist, with protecting, preserving, or respecting their work-- it's a scam. It's marketing. Corporations and companies will do everything in their power to utilize copyright law against artists and take every penny they possibly can. This is undeniable. It's why Disney lobbied for copyright extension.

But it's also the sole legal tool artists are allowed in places where copyright law is taken seriously. They need its limitations if they want to have any shot at making a living creating their work. It's the only thing that can inflict any consequences on someone claiming credit or ownership of their work. It's the only shield small artists have against companies stealing and using their work without pay. For many artists, big and small, this sole, crappy legal protection is the difference between surviving as an artist and being forced out of the field. So they uphold the system, even though the true beneficiaries would just as soon see them starve.

When I said "I want that" about a copyright-less world, I meant it. Copyright sucks diddlydick, it crushes creative freedom, it hurts artists far more than it helps them, and it only has any decent function under the assumptions of a capitalist society. But it is also crucial to acknowledge why it exists, why it is held up as a golden rule in some places but not others, and how that happened.

If we want to be rid of copyright, we have to change how the entire system treats artists, how it treats people at large, because the few protections copyright provides are the ONLY protections most small and independent artists have. Blowing up a wall only to crush people under the rubble isn't good either!!

What's funny to me is that nobody cares about copyright outside the US and maybe, I dunno, Canada and Europe? For the entire third world, it's something we politely pretend is real so we don't hurt their feelings, but it's probably the fakest and less upheld concept here, absolutely nobody cares.

Some yanqui says something deranged like "um, uh, yeah, you should pay for every time you play a song otherwise you're stealing" and we just pat their head and say "claro que sí tesoro" while we download 15 GBs of movies and the local pizzeria has a mural of like Mickey Mouse and Bugs Bunny to promote it.

[tackykachowch]

Silco SO should've haunted the narrative in s2 I can't stress this enough. Like, we knew Vander, Mylo and Claggor only for 3 episodes, but their presence was felt aaaall throughout s1. And now you're telling me that a PRIMARY ANTAGONIST of s1, a leader of Zaun, Jinx's dad and The person who started the negotiations with Piltover for Zaun's independence only got a couple of mentions?? Which aren't even relevant to the plot or character motivations??? Are you LEGIT FOR REAL kidding me???? I still can't believe this happened chat.

He's literally a part of the main cast. He literally was present in every single episode of s1. And again, given just How Much was tied directly to him his death should've had just. Massive consequences. For almost every single character. And yet.

My honest reaction to this information:

[literaryvein-reblogs]

words for when your characters get into a fight (pt. 4)

Pain

ache, anesthesia/anaesthesia, distress, harassment, hurt, pinch, strain, suffer, torture, wrong

Attack

aggression, assail, beat up, blast, blind-side, bomb, brutality, charge, come at, coup d’état, embroil, encroach, fire, foray, go for, infest, insurrection, invasion, lay into, mug, occupation, offensive, onslaught, overrun, pillage, pounce, raid, ravage, rush, sortie, subvert, waylay

To destroy

ablate, abolition, annul, batter, bomb, bring down, burst, butcher, clobber, come unglued, consumption, coup de grâce, crumple, cut down, decimate, deforestation, demolition, desecrate, desolate, devastate, dismantle, dispatch, do away with, do in, end, endanger, eradicate, erosion, execute, expunge, exterminate, extinguish, finish, genocide, hara-kiri, homicide, jeopardize, kill, knock off, liquidate, mangle, massacre, murder, obliterate, paralyze, pillage, poison, prostrate, pulverize, put away, put out, quench, raze, ruin, sack, shiver, slaughter, smash, stamp out, subdue, suppress, undo, vandalism, violation, wipe out, wreck

To injure

abuse, ail, batter, beat, bruise, cost, crush, debilitate, deface, deform, desecrate, devastate, disagree, disfigure, expose, fragment, gripe, handicap, hurt, incapacitate, jeopardize, lacerate, maim, mar, mistreat, mutilate, outrage, paralyze, poison, pummel, repay, ruin, sabotage, scar, shatter, shoot, smart, snap, spoil, stress, taint, torture, turn, violate, vitiate, wrong

To make dirty

adulterate, clutter, mess up, smudge, stain, tarnish

To make hot or cold

air, chill, freeze, heat, melt, numb, refrigerate, shrivel, warm

To make wet

absorb, dampen, dip, drench, drool, dunk, extinguish, marinate, oil, permeate, saturate, souse, splash, spray, squirt, submerge

Military action

barrage, blow up, conflict, coup d’état, deploy, deposition, dethrone, disarm, draft, engage, enlist, explosion, incursion, induction, invade, maneuver, occupation, offensive, overthrow, rebellion, revolt, salute, station, volley, warfare

Bad person

accessory, accurser, adversary, aggressor, alarmist, antagonist, ass, assassin, authoritarian, barbarian, bigmouth, bottom feeder, bum, burglar, cad, captive, charlatan, clod, cold fish, conspirator, criminal, crook, culprit, deadbeat, delinquent, demon, derelict, desperado, devil, dirty old man, dolt, do-nothing, dope, dregs, drone, dumbbell, dunce, enemy, espionage, exile, failure, fall guy, femme fatale, fighter, firebrand, fool, fugitive, gangster, glutton, good-for-nothing, gossip, grump, hellion, hobo, hot dog, hypocrite, imbecile, impostor, incubus, insurgent, intruder, Judas, killer, klutz, know-it-all, lawbreaker, lemon, loafer, loser, lummox, mad person, maniac, menace, misanthrope, miser, mole, mountebank, naysayer, ne’ er-do-well, nuisance, nut, ogre, organized crime, parasite, pawn, pessimist, pill, placebo, prodigal, prostitute, psychopath, quack, rascal, renegade, rogue, ruffian, sap, scamp, schlemiel, Scrooge, shirked, shyster, simpleton, skinflint, sleazebag, sneak, sourpuss, spy, swindler, tattletale/tattler, thug, tool, traitor, troll, truant, tyrant, vandal, wanton, whipping boy, wimp, witch

NOTE

The above are concepts classified according to subject and usage. It not only helps writers and thinkers to organize their ideas but leads them from those very ideas to the words that can best express them.

It was, in part, created to turn an idea into a specific word. By linking together the main entries that share similar concepts, the index makes possible creative semantic connections between words in our language, stimulating thought and broadening vocabulary. Writing Resources PDFs

Source ⚜ Writing Basics & Refreshers ⚜ On Vocabulary Writing Notes: Fight Scenes ⚜ Word Lists: Fight ⚜ Pain

[ks1971]

Tears o'er a tin box Oh, Jesus Christ, he wasn't to know Like a chicken with a fox He couldn't win the war with ego

close-ups below

[harfblarf]

Also, even if this wasn’t insidious bullshit, please take a half-second to critically think about all the resources and tools available to children online that are not available anywhere else for them, or cannot be reached safely in other ways. Increasingly, “third spaces” are dying, and we are forced to turn to online spaces to supplement our isolation. This is also true for children.

Yes, the vast majority of online social spaces are not merely not designed for children, but contain active risk of harm. Yes, we don’t know the full repercussions of social media use on young minds. This is, undeniably, a problem that needs addressing. Locking children and teens out of any place to discuss their lives or reach out for help is not?? The solution??

If I had not made online friends between the ages of 14-18, I most likely would not be alive today. Yes, including adult online friends. They provided resources and support I was lacking in my abusive home situation. They helped me educate myself on skills I would need to survive and find reprieve from my physical environment. They helped me realize I was being covertly abused and that my reactions were not actually some inherent moral failing or monstrous nature, it was completely normal emotional responses to abuse. They provided critical advice and love I wasn’t getting anywhere else.

Furthermore, if you can’t bother to actually care about what’s best for children, gating it arbitrarily at 18 would only create a bottleneck, creating a culture where every year a massive influx of people with no internet etiquette or awareness flood onto every social media site. Newbies to the internet would clog up social media ecosystems and be bullied, harassed, and targeted if they failed to learn quickly (which would affect anyone with disability or neurodivergencies, as well as those who are ESL, far more). This is setting aside that plenty of kids would simply commit identity fraud and use parents’, relatives’, older siblings’, and friends’ identities to access the internet sooner. This would also push online abuse further under the table, and make reporting it next to impossible.

Eighteen-year-olds are also still incredibly emotionally and psychologically vulnerable, often physically vulnerable too, and would be much more so if they had no education on how to navigate social media before being dumped into it. Now you have created a population that is extremely vulnerable, extremely determined to prove they can handle things, and extremely easy to identify. Congrats! You have created the perfect storm for abuse.

objectively good idea