#Bon Festival dance

[gon-iii]

広がる踊りの輪

2019年、西新井大師盆踊り。

提灯も踊りの輪も広がってゆく。

[rumeko]

gala

[japansapporowalk]

🇯🇵さっぽろ夏まつり 2024 北海盆踊り「子供盆踊り」／日本 北海道 札幌 [4K HDR Binaural ASMR]

[christiebenker]

Within the Weft

Upcycled plastic bags, antique apron, reused lace chiffon, reused lace ribbons, Cantonese fabric, and silk Japanese fabric from Mantokuji Temple’s Bon festival. Hand sewn.

Hair piece from Mantokuji Temple’s Bon festival.

Antique metal bell, mod core nux pedal, cherub violin pickup, Boss amp, abalone and metal baby rattle, and lap harp.

[soulprompts]

IDEAS FOR A DATE! ( A PROMPT LIST! )

now before i give this list, i want to address two things: 1) i'm enclosing a list of reasons for people to go on dates, because i want to, and also because there's some very good reasons for dates, and 2) i plan to write another list that's not as modern and contemporary, for my historical and fantastical and science-fictionally minded angels! for now, bon appetit: remember, your muses might be undercover, on a blind date, on a first date, matched online, a platonic date, trying to make other love interests jealous, like there are so many reasons, don't be shy, and DON'T ADD TO THIS LIST.

[ LEARN ]: the sender and receiver attend a class together (e.g. for cooking, baking, dancing, pottery, etc.) for a date.

[ ARCADE ]: the sender and receiver decide to visit an arcade together for a date.

[ DRINK ]: the sender and receiver meet each other at a bar for a date.

[ SANDY ]: the sender and receiver go to the beach together for a date involving strolling, a picnic, swimming and watching the sunset!

[ STRIKE! ]: the sender and receiver meet at a bowling alley for a date to practice their bowling skills.

[ MORNING ]: the sender and receiver decide to meet for a breakfast date rather than a dinner one.

[ FOREST ]: the sender and receiver take a weekend break in the woods, staying in a lovely cabin surrounded by nature.

[ TENT ]: alternatively, instead of finding a cabin to stay in for the night, the sender and receiver pack their tents and head out for a camping trip instead.

[ POPCORN ]: the sender and receiver opt for the classic date option of going to see a movie at the cinema together.

[ CAFÉ ]: going for a more relaxed option, the sender and receiver arrange to meet up for coffee and cake at a local café for a date.

[ MUSIC ]: finding tickets to their favorite band's concert, the sender and receiver head out for the night to listen to them play.

[ BICYCLE ]: the sender and receiver mount their bikes and head off to cycle in the countryside together.

[ DUO ]: the sender and receiver set up the bluetooth speakers and dance together in the peace of their own home to the sounds of their favorite songs.

[ DIY ]: the sender and receiver are about to go out for a date, but instead end up staying at home to complete a DIY project together.

[ ESCAPE ]: the sender and receiver attempt to solve an escape room together for a particularly exciting date.

[ COMMUNITY ]: the sender and receiver visit a local fair, festival, market or parade together for a date.

[ PLUS ONE ]: the sender and receiver put on their glad rags and attend a very fancy and prestigious event together.

[ WINNER ]: the sender and receiver set up a game night (card games, board games, video games, etc.) at home for their date.

[ GELATO ]: the sender and receiver head out to the best ice-cream parlour in town for a cold and sweet date.

[ SPEED ]: the sender and receiver go to a go-karting track for a particularly competitive date.

[ HIKE ]: the sender and receiver lace up their hiking boots and head out to a scenic hiking route together.

[ SADDLE UP ]: the sender and receiver take the reins and head out for a scenic horseback riding session together.

[ UP ]: the sender and receiver take an unforgettable ride in a hot air balloon for a date.

[ SING ]: the sender and receiver find a local karaoke bar and take turns singing solos and duets together.

[ PAGES ]: the sender and receiver find a cozy library-café and spend an enjoyable date reading books and drinking coffee together.

[ CHEF ]: deciding to stay in for the evening, the sender and receiver decide to make dinner together in the comfort of their own home.

[ HOLE IN ONE ]: the sender and receiver find a nearby mini-golf course and decide to play a few holes together.

[ MOVIE ]: the sender and receiver pick a few movies to watch for the evening and curl up on the sofa with some snacks to watch them together.

[ PAST ]: the sender and receiver go to a museum or an art gallery together to see the displays and get to know one another better.

[ CLUB ]: the sender and receiver get dolled up and go to a very popular and newly opened nightclub together.

[ PORTRAIT ]: the sender and receiver get canvases and paints and begin to paint one another at home, leaving plenty of peace and quiet to get to know each other.

[ AIM ]: the sender and receiver get suited up to go for a paintballing session together.

[ OUTSIDE ]: the sender and receiver get their nicest blanket, their favorite refreshments, and head out to a park for a nice relaxing picnic.

[ ITALIANO ]: the sender and receiver attempt to make their own pizzas at home together.

[ DINNER ]: the sender and receiver go to a nice restaurant together for a dinner date.

[ ROAD ]: the sender and the receiver embark on a long but worthwhile road trip together.

[ ROWING ]: the sender and receiver get into a rowboat together and guide the boat down the river.

[ QUICK ]: the sender and receiver meet one another for the first time at a speed dating event.

[ ROLLER ]: the sender and receiver put their roller-blades on and hit the rinks together.

[ RELAX ]: the sender and receiver head out to a luxurious spa resort together for some well-earned rest and massages.

[ COMFORT ]: the sender and receiver transform their home into a makeshift spa and give each other facials and massages for the evening.

[ STARS ]: the sender and receiver stretch out on the rooftop/lawn/back of a truck etc. for a night of star-gazing together.

[ WALK ]: the sender and the receiver go out for a nice, relaxing stroll together to see the sights.

[ POOL ]: the sender and receiver go out to the pool, beach or lake for a swimming session together.

[ SHARE ]: the sender and receiver split the evening in half to teach one another a skill that they're particularly good at (e.g. the sender teaching the receiver how to paint, etc.)

[ QUIZ ]: the sender and receiver go out together and find a local pub that's hosting a table quiz event, which they decide to enter.

[ AWAY ]: the sender and the receiver decide to indulge in a long vacation somewhere that they've both wanted to go for a long time.

[ BREAK ]: in the spirit of compromising, the sender and receiver book a nice quiet weekend break together.

[ SIP ]: the sender and receiver book tickets for a wine tasting event in a local vineyard.

[ SAIL ]: the sender and receiver go out on a yacht for the evening.

[theclassiccherry]

class 2-a misc. headcanons

hey, I'm cherry. welcome. recs are open if you're interested. much love, drink some water, and take care babe. (also, a lot of this turned into their music tastes, so??)

tw: language, but that’s expected w me

====

-Todoroki and Momo are both well traveled, having been to multiple countries, and at one point or another becomes something the two share about with one another.

-Deku absolutely had a fnaf phase.

-It's canon Bakugou likes romance novels; however, sharks I present to you: Bakugou watches Bridgerton. Send tweet.

-Mina has a fake and has used it to buy alcohol; however, this doesn't work so well after the sports festival after she's disclosed as a first year.

-I saw someone posted that Bakugou is a Kendrick Lamar fan, so whoever originally posted that, full credit to you (if you know, please comment and I'll tag them) -- I'd like to add he's a Future, Metro, 21 Savage, and The Weeknd fan as well, and you bet your ass he's training to The Hills, 10 Freaky Girls, and Mask Off.

-Bakugou has a skin care routine.

-Kirishima knows 'Unwritten' by Natasha Bedingfield by heart. If it gets played, he gets into that shit.

-There's a speaker system in Gym Gamma, and everyone takes turns on aux whenever there's a class practice. Songs that get played most are as follows:

Surround Sound by JID, 21 Savage, and Baby Tate

Without Me by Eminem

Literally anything that's by Rihanna, Pitbull, Nicki Minaj, Cardi B, or Blackpink

m.A.A.d city by Kendrick Lamar

10 Freaky Girls by 21 Savage and Metro Boomin

Not Like Us by Kendrick Lamar

(idk I feel like rap goes hard when you're training to kick ass, yk)

Livin' on a Prayer by Bon Jovi (one of kiri's favorite songs)

yk Smooth Operator by Sade too 😭

-After the drake disses, no one is allowed to play drake, it gets vetoed almost immediately. however when not like us comes on, everyone holds the 'A MINORRR' and it's fucking gold

-Bakugou, Mina, Jirou, and Kirishima are primarily in control of the music cause the class tends to like whatever they play, but if enough people yell skip, the song gets vetoed.

-Deku could roast the shit out of someone if he chose to, like if you put him in Wild'n'Out he'd gut bitches, he's just too nice and keeps his mouth shut 99.9% of the time. Considering he knows so much about people, their habits, and quirks, he's also unintentionally got dirt on people. All of saying is, Deku could 1000% pull a Kendrick Lamar and end someone's career if he just decided to.

-Inko Midoriya brings food over to the class dorms for those who choose to remain in the dorms. She's the emergency contact for like, half of the class, and is essentially everyone's mom. If something's wrong, Momma Midoriya is already in the mom van and on the way.

-Mitsuki is a wine mom. Tell me I'm wrong. I'll wait.

-Kirishima has like, 50 flavors of protein powder. it's all stacked neatly on a shelf in his dorm.

-Kaminari has been banned from the kitchen, he's too much of a liability once he starts 'cooking'.

-Sato keeps a cookie jar, and bakes fresh cookies every couple days - it lives in the kitchen off to the side. He's also just really laid back, and if you're on your cycle and have a specific pastry you're craving, if you ask, he'll make it for you fresh if he has the time.

-Kirishima is a hugger and if you've had a bad day, and need a hug, just hug him. He'll sit there and hold you as long as you need, stating it's, "manly to hug it out!"

-Deku also gives amazing hugs, but is too shy to do so with people he's not close with.

-Mina and Hagakure host dance parties every Friday night for the girlies. No boys are allowed, but Aoyama is invited because he's fabulous.

-Bakugou, Kirishima, Kaminari, and Sero play Fortnite and COD together. Kirishima called them the 'Baku-squad' once and that's when that term was first coined by the group (in my headcanons). Bakugou secretly likes that it's named after him.

-Deku, Tsu, Uraraka, Todoroki and Ilda have a Minecraft server together. Deku built a massive All Might and proceeded to live in it, Tsu has a hut by the mangroves, Uraraka lives in the cherry biome, and then Todoroki and Ilda have this really organized massive house in a spruce forrest. When everyone saw it for the first time, they all went, "holy shit...". Lest to say it soon becomes the HQ of the server when they suit up for the ender dragon fight.

-Speaking of Minecraft, Deku builds the most elaborate red stone you've ever seen, but cannot explain how and what he built to save his life. He also owns all of the Minecraft books that came out in like, 2016.

-Aizawa lives on Melatonin gummies, black coffee, and shear force of will. I also feel like at one point in his early 20s he smoked cigarettes then quit.

-Sero's hammock is something he keeps as a privilege after Bakugou broke it.

-Bakugou just happens to 'make too much' food and happens to make sure his friends have eaten properly.

-Present Mic is a die hard Mitsuki fan.

-Aizawa genuinely loves his students and does little things for them. Like at graduation, there's a small note from him to each student in their diplomas for them to find later. It's personalized for each of them, but he gives his personal contact to all in case they ever need anything (he would drop everything and help but he won't say that out loud).

-If Bakugou or Midoriya ever got ahold of Thor's hammer, they'd both be worthy. Bakugou more-so at the end of the series than the beginning. Kirishima could also lift it depending on the situation.

-Mineta's been sent to detention multiple times for looking up things he should NOT be googling on the school WiFi. Aizawa is really sick of his shit, he refuses to even look at the links anymore cause it's bad, and so he just lectures him like a hopeless parent and then gives the Chromebook back lmao

-Aizawa uses his body wash as face wash and has flawless skin.

-If Denki was a vine, he’d be the *calling roll call* “Uh, Shithead?” “It’s pronounced shi-thead”

copyright © @theclassiccherry

[resart]

The Inconspicuous Writing Gem: Daeran’s Look-alike Contest Breakdown

The Dance of Masks brought the long-anticipated last hurrah to the Knight Commander’s story. Although it was announced that the DLC would focus on the companions, I wasn’t holding my breath for substantial content that would actually enrich the characters’ plots. The game is already massive and has a ton of variables, so expecting the writers to continue storylines that can have multiple outcomes would be unreasonable. But one scene far exceeded my expectations and set the bar high for the rest of the expansion, rendering me more critical about some of its elements than I would normally be. The event in question may not appear as much, but the true artistry in writing stories driven by the player’s choice fully reveals itself in what we don’t see on the surface. Daeran’s look-alike contest varies greatly, depending on how his personal quest was resolved, and, therefore, serves as a semi-epilogue to his arc. I wanted to post an analysis of his character’s progression for quite some time, and this send-off is a fitting opportunity to delve into this matter. I’ll break down the differences in the new scene as well as in a few others and share my overall thoughts on what this addition brings to the table. Brace yourself because it’s going to be long.

I'll start with a quick reminder of what Daeran’s questline outcomes are, because I'm going to reference them a lot:

Good, in which he’s openly grateful to the Knight Commander despite having to face the tribunal, and Liotr, noticing their bond, intervenes so the Inquisition doesn't lock him up;

Lobotomy, in which Daeran reluctantly accepts his predicament of having to face the trial, Liotr doesn't support him and after the crusade, the Count is sent to the asylum and lobotomized;

HappyEvil, in which the Commander kills Liotr to secure Daeran’s freedom;

ArchEvil, in which Daeran doesn't have any trust in the Commander, feels deserted and murders Liotr to avoid the trial.

At first glance, there's nothing profound about Daeran’s festival quest — it fits his image to indulge in the vain act of self-celebration by choosing the most accurate imitation of himself. However, this simple setup proves itself clever when we realize that, by observing the contestants, he sees himself in a distorting mirror. Coincidentally, each participant appears to represent a different facet of the Count’s character. Therefore, his reactions to them speak volumes of the self-image and mindset he developed during the crusade in each scenario.

Among the doubles, we have an aasimar who mimics Daeran's arrogance and cruelty, and constantly interrupts other participants' speeches with mocking remarks.

A woman who recreates Daeran's sophisticated bon vivant persona.

A drunkard who paints Daeran as a worthless and utterly unapologetic rake.

And finally, an innocent boy who keeps staring at Daeran with admiration and portrays him as a virtuous hero of the crusade.

After the presentation of the contestants is over, Daeran asks the Commander’s opinion. Again, his responses to their verdict vary in each case (unless they choose the cat), but the difference in how he reacts to being compared to the little boy is the most telling.

No matter what the protagonist suggests, the winner of the contest is fixed for each of the outcomes. If the Commander failed to earn Daeran's trust and he murdered Liotr himself, the conceited aasimar is declared the winner.

If the Commander killed Liotr, the Count awards the lady.

If the quest was resolved peacefully (either Good or Lobotomy), Daeran chooses the boy and has a heartwarming exchange with him.

This variety of possible scenarios and the way they are handled encapsulate why I consider Daeran's story so intricately woven and enjoyable to analyze. He's an incredibly flexible and dynamic character whose potential endings range from becoming a saint to a homicidal maniac. But what makes this duality and everything that comes in between so engaging is that all these vastly contradictory conclusions are equally organic and convincing, given his rich characterization and the player’s choices. The subtle yet significant divergences in the narrative paths maintain the integrity of his personality and prevent his evolution from seeming far-fetched while efficiently showcasing his growth or regression.

Regretfully, this attention to detail is missing from the other new scenes, which don't convey a similar sense of progression and can come off as somewhat disconnected from the rest of the playthrough. The rendezvous, for example, avoids references to how the player concluded Daeran's romance and quest. Given these plotlines' non-linearity, it's an understandable approach, but it prevents the scene from exploring deeper themes and hitting more emotional notes. What's particularly detrimental to the its overall intensity is the absence of exclusive dialogue for the True Love outcome. Ironically, it's the two worst endings that get unique and surprisingly heartfelt lines.

The difference is insignificant, however, because the conversation always plays out the same. All in all, the segment is nice and leaves a lot to the imagination, but only partially exploits its potential. Meanwhile, the festival mini-quest embraces the aforementioned strengths of the storyline's writing, giving every iteration of Daeran distinct dialogues that clearly demonstrate the impact the crusade and acquaintance with the Commander had on him.

I won't examine every dialogue branch in detail but will mainly focus on the Good scenario. As someone who likes this ending the best and even advocates the controversial writing in the final confrontation with Liotr, I always thought the narrative failed to properly sell its implied benefits. Apart from the closing conversation in the quest itself, late-game provides little reactivity to differentiate the outcomes, making it hard for the players to fully grasp the internal shift that Daeran undergoes. Comparison of said dialogue in various scenarios reveals his perspective in Good route as the least egocentric and overall most mature. Unfortunately, in an individual playthrough, these qualities can get overshadowed by the Count's dissatisfaction with the inconveniences he will eventually have to endure.

Aside from that, the effects of each resolution manifest only in Daeran's responses to one question in the romantic route and how he expressed his feelings regarding Galfrey’s death.

Even though they show evident contrast and serve as a much-needed emotional pay-off for the moral dilemma the player faced in the storyline finale, both are relatively minor, with the Queen one completely missable in most playthroughs. When combined with the similar omission of negative repercussions for Daeran’s moral condition and emotional maturity in other outcomes, it's not surprising many players believe he doesn’t ever change or that becoming better fundamentally clashes with his nature.

The discussed competition scene remedies the narrative’s deficiencies, ultimately proving this statement untrue. In the Good outcome, Daeran presents a reasonable dose of self-distance. When confronted with the drunk’s insults, he replies with humor and courtesy, which is a stark contrast to his reactions in the Evil outcomes and his past responses to criticism. Despite being hurt by the harsh judgment, he understands such a low opinion of himself is somewhat justified. The Count's mild response and his sensitivity to the suggestion that he's nothing more than an unfeeling scoundrel may even indicate that he has developed some remorse for his past actions. He also dismisses unwarranted flattery and distances himself from the brash egotism. All without falling into a spiral of gloom and self-deprecation that occurs in the Lobotomy scenario. Introspectiveness and vulnerability showcased here are a seamless continuation of the self-evaluation Daeran does in the High Trust version of his quest upon being supposedly betrayed by the Commander.

It's all the more unfortunate that the other interactions in the DLC don’t acknowledge these differences and instead return to the common denominator of all endings. As a result, the player will go from Daeran, who self-reflects and claims the aasimar presents an unfunny caricature of him, to Daeran in the tavern, who puffs himself up exactly like the guy (using even the same words) and seeks more sycophantic praise. While it's expected for him to put on an airy act and tease others, the absolute lack of self-awareness he previously exhibits in the Good route is quite jarring. Considering the complexity of the storyline as well as all sorts of limitations, such inconsistencies are inevitable (the base game already has a fair share of them) and in the end, one can easily reconcile them through their own interpretations. However, after being spoiled by a reactivity treat like the festival mini-quest, it's disappointing that the remaining dialogues lack similar nuance.

In the Good scenario, Daeran's behavior reinforces what we learn in the epilogue — that in this version, he has the most difficulty navigating through his newfound freedom and redefining himself in it. Choosing the winner of a silly contest shouldn't be hard for him, and it isn't in the Evil outcomes. There, the self-satisfied Count (who in both cases already has the blood of at least one innocent man on his hands) picks what he perceives as an idealized version of himself — be it the aestheticized depiction of his self-centredness or the unbridled and unyielding haughtiness. Noteworthily, in the Happy variant, Daeran openly flirts with the lady and, in both Evil paths, if not romanced, attempts to seduce his favored contestant. It’s peak narcissism, given the implications of the scene. In the peaceful outcomes, especially the Good one, the ordeal is a series of unpleasant self-reflections that even causes him to become overwhelmed by sorrow at one point. In the end, Daeran’s choice stems not from an ulterior motive or a desire to boost his ego but from genuine fondness for the boy. The youngster's belief in the Count’s kindness and heroism reminds him of his own innocence that was prematurely and brutally snatched from him. At his core, Daeran is not a self-sufficient master of his own fate but a helpless child thrown by unfortunate circumstances into otherworldly oppression and a vicious cycle of selfishness. In the Evil routes, he successfully deludes himself into believing he’s the former, but here, he realizes he’s the latter.

We're used to seeing Daeran scoffing at saccharine narratives and lofty ideals, and in the Evil versions, he's indeed annoyed with the boy’s portrayal of him. In one of them, he even anticipates him to be disenchanted, finding the prospect amusing. In the campaign's early stages, the Count voices his dissatisfaction with being enrolled in the crusade and laments the tarnishing of his ill reputation. Any suggestions that he may be secretly vulnerable are met with biting retorts. But now, Daeran doesn't disabuse the child and isn’t even bothered by being seen as a heroic figure. There also isn’t any objection when the Commander points out the similarity between him and the boy. He’s shocked they can see through him but decides to be honest and agrees with their assessment. Daeran’s sensitivity and his tendency to be more emotionally transparent with the protagonist is, at this point, a recurring theme in the peaceful outcomes, so it’s a shame that when they later choose to compliment his vulnerable soul, he's always equally dismissive.

Daeran is perfectly aware of how damaging cruel disillusionment can be to one’s psyche. As a child, he witnessed firsthand the powerlessness of good in the face of evil, the suffering adhering to moral principles can bring, and how those who claim to be righteous can turn out to be as callous and uncaring as hardened villains. These experiences left the young Count with a pessimistic view of the world and human nature, making him adopt coping mechanisms that only deepened his melancholy and loneliness. Knowing this, he wishes to spare the boy a similar fate and plays along to preserve his innocence.

In the non-peaceful outcomes, Daeran gives the signet away as if it was an insignificant bauble. But even though we barely ever see this side of him, some dialogues indicate he’s proud of his heritage and his ancestors' role in Mendev’s history. They were valiant defenders of the kingdom, who, for generations, protected its borders from any threat. This is who the Count, as a scion of the Arendae house, was originally destined to be and who, it so happens, the boy sees in him. Perhaps his take on him makes Daeran reflect on how differently things could have turned out had it not been for his family's demise and the Other’s interference. It undoubtedly revokes memories of his roots and deceased kin, since he not only rewards the child with the ring but also educates him on its meaning and sentimental value, expressing unexpected sincerity and kindness. In the Lobotomy scenario, this gesture is particularly bittersweet — with his impeding childless death, Daeran’s lineage is going to expire, making the memento the only way to keep its memory alive.

Finally, the Good version of the scene carries a deep symbolic significance. Daeran rewards one person who doesn't focus on his superficial traits or recreates the mask he hides behind. The image the boy paints of him may not be accurate, but while the other portrayals embody what the Count turned into under the Other's influence, this one shows what he could have been if he hadn’t lost the childish naivety he now longs for. And who he, despite his own skepticism, still can or perhaps even already started to become, thanks to the good protagonist's compassion and support. Just like the Commander, the boy views him as someone better than what his predicament forced him to be. And Daeran, confronted with sincere faith in him, cannot help but answer the call.

[lira-kaarijaart]

I forgot to share these Häärijä BD art here😝

Hyvää Syntymäpäivää Häärijä💛

Käykööt kaikki toiveesi toteen!

August is the summer festival (Natsu Matsuri) season in Japan.

The movement that Häärijä often dances to is similar to the Japanese Bon dance(dance held during this season), so I drew the image of a Japanese summer festival.

This costume is called Jinbei, which is one of the traditional Japanese kimono which is often worn during summer festivals🌞

[witchofthesouls]

IDW/MTMTE fic idea,

A cultural exchange is proposed in the Council of Worlds to show a little bit of each other in good faith:

Cancer shows its deep militaristic culture in its oldest tradition: a dance competition. A no-contact sport where partners' tests constantly test each other’s skills: flexibility, speed, reaction time, strength, and coordination. A violent, vicious whirling to the rhythm that's both entertainment and discipline.

No one was surprised by Velocitronians setting up a race track in the city, but this particular style emphasizes acrobatics, flair, and efficiency as speedsters parkour through the infrastructure. This kind of race allows teams who will be judged on collaboration and creativity as many utilize immense drops to act out iconic or playful scenes. One pair had a full gamestation set up in freefall.

The Devisen showed off their food culture, which is dominated by molecular gastronomy. They enjoy playing with properties and compositions of ingredients. Thermal sense is a very popular technique among the locals.

The Eukarian tribes had settled with an art exhibition. The Scale Walkers shown off pottery with fascinating grooves and whorls with patterns of their planet. The Fur Walkers had submitted bone carvings ranging from delicate jewelry of native fauna to intricate designs recreating battles. Guests were able to interact with Cloud Walker furniture: elaborate hanging seats embedded with different textures, designs, and compartments. The Fateweavers sent beautifully woven, silky smooth fabric, each one with its own specific geometric design. The Wave Walkers' exhibit was done in a dark room where visitors watched a reconstruction of how marine life reacts to their sonata. Twinkling jellies, haunting kelp forests, the wild explosion of color from massive reefs, dancing phantomish creatures, and synchronized schools of fish.

Earth demonstrated a surrealistic fashion show based on Marissa Faireborn's observations on what Cybertronians focused on.

The Camiens had invited everyone to come enjoy a sacred rite that embraced all aspects of Solus: a widespread, drug-enhanced sex festival and revel at a monstrous bon fire.

[musicallisto]

clara my dearest role model, clara my devoted friend, clara my delicate muse... i am sending this right as i'm finishing the final chapter of romancing mister bridgerton on audiobook, so forgive me for being so inexcusably brief </3. might i request one of these 💿 lovely surprises with literally any f1 driver, i want to see a violent characterization of these loser men from my most respected author friend yuki tsunoda? i am, in all things, horribly on brand.

· · · · ♡ EXILE (yt22)

… starring yuki tsunoda x f!reader ... based on exile by taylor swift ft. bon iver ... 1.2k words ... in which yuki tsunoda, fresh from his formula 1 debut, returns to a tokyo both familiar and foreign, where ghosts and feelings still linger. ... i really hope you enjoy this my darling olive!! when i saw i had pulled exile out of all songs i freaked out a little,, this song has gotten me through a lot so i had to pay homage </3 happy august 1st to those who celebrate!!!

"I can see you staring, honey

Like he's just your understudy

Like you'd get your knuckles bloody for me

𝐀𝐔𝐆𝐔𝐒𝐓, 𝐖𝐇𝐄𝐍 𝐒𝐇𝐄 comes to Tokyo, always brings her heat with her.

More than the temperatures, it's a joyous sort of effervescence that coils around the street corners, trickling down like the first monsoon rains. Day after day, Tokyo attires itself in the most festive of summer colors, until all of a sudden all the festivals, open-air markets, and traditional dances flood the city like budding poppies. Here, rows upon rows of sunflowers sway to the soft breeze in Kiyose; over there paper lanterns float off into the night sky over the Sumida river, each cradling an unspoken wish.

To Yuki, August is always the best time to return to the capital. Or rather, the second best; nothing beats the cherry blossoms of late April, but late April is home for Imola now, and it's been years, really, since he last saw the sakura of home.

He doesn't mind the heat—he never did, and his Japanese friends joke that he was already a fiery character before his time in the West made him brazen. He's always glad to be back home over the summer break. Even more so since he debuted in Formula 1 six months prior.

It's Yuki's first time returning to Tokyo since he started racing with AlphaTauri, and one of his increasingly rare visits to his homeland. He's been eagerly anticipating the break; to recharge, certainly, and most importantly to meet with his family. In the cloudy skies the plane traverses, Yuki can see his elders' crinkled eyes, beaming with pride as he, the picture of practiced humility, answers every question about the sport, about Italy, about the world he made it big in. It matters not they won't understand much about racecars, or the FIA—he's coming home aureoled in a gladiator's glory. Honor to his family, to the Tsunoda bloodline! He smiles to himself as the plane touches down on the tarmac.

Yet as Yuki steps into the urban jungle he's so ardently missed… he finds the city changed. Not transformed, entirely, but… almost misplaced. As if street names and trees and playground slides have been shuffled over his time abroad, all of them still there but in a disposition unknown to him. Sure, he is a child of the suburbs, and Tokyo a fidgety creature—maybe Italy's stone roads have eroded his memory. But wasn't there an old laundromat on this corner, on which the papier mâché dragons would cast fantastical shadows as they snaked down the street? And the brand new KFC—this was a pet store, where he'd press his nose against the glass to watch the colorful fish and guinea pigs until his mother forcibly dragged him away.

This is still home, he tells himself to soothe the unease away. Things change, but they don't leave you behind, he repeats as he checks his phone to make sure he's going in the right direction.

They're all little details. Like when he stops at a food vendor's cart and has to repeat his order twice, taken aback by the sound of his very own mother tongue coming out of his mouth. Six months without speaking Japanese to another person, other than the odd calls to his parents, have left his voice chalky. The woman looks at him for a brief second, quizzical, but hands him the sugary buns; he thanks her, seamlessly this time, and it's all back to normal. Yuki Tsunoda is home.

They're all little details until they aren't. Until he turns on his heels, biting into the snack, and catches sight of her.

It's unmistakable, and it's her. Even with the facemask, it's the same silky hair and smooth skin, same little bounce to her step, and even the same linen pants she used to wear in high school. Tokyo's immutable certainty on the other side of the street. Y/N.

Yuki stops dead in his tracks as their eyes meet, thirty feet away, and a flash of recognition has her almost recoiling, but she holds firm onto the hand she's holding and stays immobile. A man's hand; he's a little taller than Yuki, black hair in a neat middle part and dark eyes distracted by an advertisement on a screen. Wearing nice clothes, sunglasses hanging from his neckline, shoulders relaxed but holding Y/N with the casual affection of a man who cherishes a great treasure.

Yuki's throat dries up. He thinks about reaching out—to say what? Giving her a polite wave—but what for? High school confessions play in his head, back when he loved her as zealously as he raced, and when her laugh ringing in his ears, more than the trophies and the European circuits and the million-dollar contracts, was his only belief.

"So when do you plan on coming back?" she'd asked him the last time they'd ever seen each other, sitting on a park bench that cherry petals flecked.

"Eight months to a year, maybe," he'd answered after a little while, knowing there was no return once he said it.

"Eight months?" she'd exclaimed, disbelieving. "Yuki, I can't… I don't think I can go eight months without seeing you."

"I don't think I can ask you to do that, either," he'd said, sounding sadder than he'd wanted, though he had rehearsed the moment over and over in his head.

She'd stared at him wordlessly, her incomprehension feigned. She knew what he was about to say, but pretended not to. He'd wished she'd piece it together on her own, admit it to herself so he wouldn't have to say it out loud, but…

"I think it's best for both of us if we just… go our separate ways. I don't want to hold you back, and you deserve to be happy here. With someone who's here with you."

You are among the twenty best in the world, Yuki, had told him Franz Tost after some F2 race he couldn't remember, when news had broken out into the world the Japanese rookie would be AlphaTauri's shiniest, newest addition. It's rough getting here and it's only gonna get rougher staying here. The engineers may cut out what's slowing you down… but you need to do it too.

"All right," was all Y/N had said, her eyes glassy. Steel. Dignified, like he'd always known her. Like he sees her right now, staring at him from the other side of the street.

Her new boyfriend taps her shoulder to show her something in a shop, and she turns her head, breaking eye contact with Yuki. Up the road, the lights turn green, and a flock of cars of all shapes and colors buzz past, invading the crosswalk and hiding the couple from view.

Twenty seconds later, when the street is quiet once more, and Y/N eagerly turns her gaze from her boyfriend to the opposite sidewalk, she finds moms pushing strollers and well-behaved Inus on leashes, but no trace of Tsunoda. A flame, gone in a flash. Her heart drops.

She squeezes her boyfriend's hand, and they keep walking.

I'm not your homeland anymore, so what am I defending now?

You were my crown, now I'm in exile, seeing you out

I think I've seen this film before

So I'm leaving out the side door"

… tagging @retvenkos @heliads @faerieroyal (the f1 girlies🥺)

… masterlist here

[noirandchocolate]

I said I would do a headcanon post about Yiga Clan wedding ceremonies, so Here! I! Go! (If you're interested but missed it, here's a post about proposal headcanons.) Time for so many details and a very long post. Also, just at the outset, I wanna say that the other reason I've been thinking about this stuff recently (in addition to real world reason of me and my girlfriend getting engaged), is that my Kohga and Sooga just got married in an RP. So I'll be using examples from their wedding alongside others, in this post!

Preparation/Background

It should come as a surprise to no one that Master Kohga officiates all weddings. If a Master Kohga is getting married, their Right Hand will do it. If the Master is marrying their Right Hand (which is on the rare side but hey, Kohga's Nana also did it!), another high-ranking member of the Clan will do it. For Nana Kohga's wedding, it was the most senior historian, who had been friends with her father. For the recent nuptials, it was current Kohga's former Right Hand/sort-of-pseudo-uncle and Sooga's mentor, the very respected elder Blademaster Chisao.

Weddings are held outside, in the circular area by the chasm, like many of the Clan's festivals are. They start in the late afternoon (for whatever season they're happening in), so that afterward, a big dinner feast can be held indoors before the party commences back outside (after some of the seating is removed to allow room for dancing, etc).

The outdoor area is hung with lanterns as well as the strings of protective noisemaker talismans, and a tower is placed and hung with even more lights. This structure is reminiscent of those used for the Japanese Obon festival ("Creating a Champion" states that some design elements for Master Kohga and the Clan were inspired by Bon Odori dance!), but with Yiga flair. A similar decorative piece can be seen in the hideout in the games (see above left). It serves a couple of purposes. First, masks of the couple's ancestors are brought from the Complex's shrine and carefully hung around the sides of it. Second, that's where the band is placed!

That's an excellent segue to say that music also plays an important role in wedding ceremonies. An ensemble traditionally consisting of taiko (also seen in the above left image), shamisen, shakuhachi and shinobue plays background music throughout the ceremony, with specific cues/phrases/flourishes accompanying specific events. (It may be noted that a similar combination of instruments is used in kabuki theater; several elements of the Clan were also inspired by this art form.)

The marrying couple wears their very best clothes, of course, and polish up their masks for the big day! Formal attire is, again, similar to Japanese garments but not exactly (since the Sheikah and Yiga are Japanese-inspired but not...literally Japanese). A wedding is cause to wear long furisode-like sleeves and fancy-patterned haori, kimono, and hakama combos. Oftentimes, because these garments require fine fabrics that would be harder for the Clan to come by, parts of a person's wedding outfit are passed down through their family and re-tailored to them. The Clan does of course have a whole group of people who make clothes, and their training includes embroidery and silk-painting for just such special occasions! If you didn't think Kohga had a haori with Dinraal embroidered in gold thread on the back and phoenixes and Inverted Eyes painted in patterns all over it, you would be WRONG. He also wore his father's black wedding hakama! And Mama Hotaru's long and gorgeous wedding robe was black with a pattern of softly painted insects on it, in an homage to her family's naming tradition; it originally belonged to her own great-grandmother, who shared her name.

Ceremony

The ceremony begins with the officiant welcoming the Clan on this happy occasion and declaring that the date is "AUSPICIOUS!" I plan to do a post about Hyrule's calendar and associated "astrology"-type beliefs but for now suffice it to say that one could come up with a way that almost any day is auspicious (since nobody would want to say someone's wedding day is cursed or something), but couples do very often try to schedule their weddings for particularly positive dates (as I said in the last post, they have to wait at least six months--it doesn't have to be exact).

The couple is then called to approach from either side of the area. They are each accompanied by two family members--usually parents if possible. If not, more extended family or in the absence of any family, friends can do it. For example, Kohga's the last of his family lines aside from distant-er cousins, and Sooga wasn't born in the Clan, so Chisao's children (who both men are close with) stepped in. These four people act as assistants to the couple in various parts of the ceremony! It may be noted, that on each side, there is a group of three.

Yiga wedding ceremonies, like so much else they do, are meant to reinforce not only the joining of two individuals but the bonds that join the whole Clan together. For that reason, they involve several call-and-response-type declarations that all present participate in, and many references to the Clan's history.

The officiant recites the following: "Our Clan was born of conflict. May you weather any in your path. / Our Clan as ever weeps the blood of our fallen ancestors. May their spirits raise you up. / Our Clan has turned betrayal on its head. May you remain ever true." The last of these lines is accompanied by a gesture toward the speaker's mask, evoking the symbolism of the Inverted Eye.

There are two major sections of the ceremony that each require an exchange of three things, between the couple. The first of these sets involves three liquids: saké, water, and blood. The couple's assistants will pour them dishes of saké, which they then exchange and drink, and then the same is done with water. The saké represents the time, patience, and effort that must be put into a marriage, as preparation of the drink surely requires such care. The water represents life and replenishment--and it's not just any water, but some taken from the especially healthful spring at Satori Mountain (which I've said previously, the Clan has strong ties to)!

(NOTE: For this and one other notable part that involves eating/drinking, the partners lift their masks only enough to imbibe.)

For the blood, the couple are each handed a special knife with which they cut their palms. Carefully--it isn't meant to be a super deep cut, just enough to produce drops of blood. The couple then hold out their hands toward each other, palm down so those droplets fall to the sand. Their assistants then wrap the cuts with red bandages. The symbolism is multi-fold: to show the joining of blood/family, the willingness to endure pain and hardship for each other, and, since the blood is dropped to the ground, the Clan's connection to the land and its energy.

(NOTE: PLEASE DO NOT take this headcanon as some suggestion that I think the Clan is some kind of ~weird blood cult~. I absolutely do not think that. The Clan was born of a bloody conflict/betrayal. They have not forgotten this, nor will they forsake the blood, both in terms of family and in terms of bloodshed, that ties them together. I thus think it's reasonable to headcanon that the concept and symbolism of blood--as well as actual physical blood--are present in some of their rituals/traditions. There's nothing creepy or evil about it. It is meant to be a meaningful, loving exchange and promise. Please please do not willfully misunderstand me. Thank youuuu~ <3)

The second set of exchanges is of three gifts. This section of the ceremony begins with everyone present reciting the following together: "Our strength is in our edges. Our might in what we take. Our bond is what defines us. All three, our family make." Each of these three concepts is represented by the gifts, which are brought forward to the couple in succession by further family members or friends. (As in, someone brings the gift to the giver, who then offers it to the receiver.) For example, Sooga's helpers for this section were three of his most recent Blademaster trainees, who had all recently passed their tests!

"Strength" is represented by a weapon. The Yiga have always been willing to fight for their beliefs, and more importantly to protect themselves/one another. They have a strong culture of martial arts and weapons training. So, each member of the couple offers the other a weapon of some significance to them. The exchange is typically symbolic; if a woman gives her intended the vicious sickle she uses on missions as her Strength gift, the idea is that when she uses it going forward, it's in his honor. However, if a man gives his intended a meaningful family heirloom weapon that isn't in use anymore, the couple will continue keeping it among their belongings together. See? Kohga's father gave Hotaru his eightfold longblade, and she gave him a (carefully sheathed) poisoned dagger. Sooga gave the longblade Kohga first presented to him, at the ceremony when he became a Blademaster years before. The words of exchange for this gift are: "I give you this, my strength. / Will your strength defend my body? / I will protect you with all my strength. / Then this I accept."

"Might" is represented by, you guessed it, mighty bananas. A bunch is brought to each person, who selects one and peels and feeds it to their intended. I know we Earth gamers think the bananas are kinda funny, but to the Clan, they're quite the opposite. Food is serious business when you're a marginalized community considered wanted criminals by the outside world. For the purpose of a wedding, the exchange means the couple are promising to provide for one another as well as possible. (To clarify, the Clan is very highly communal about resources, but the thought here is that one party would go without to allow the other to eat if necessary, and that regardless both will do their part within the Clan as a whole, etc.) It's not even just about food; it symbolizes caretaking in general. The words of exchange for this gift are: "I give you this, my might. / Will your might nourish my soul? / I will care for your with all my might. / Then this I accept."

"Bond" is the most personalized of the three, and the associated gift is something that represents the individual giver! It may be an item they crafted, or something else that shows off one of their skills or interests. The idea is that the giver is offering themself to the receiver--something that makes them, them! There are so many possibilities, too, as the gift may be an object to keep, or something more abstract or ephemeral. For example, a member who makes clothing for the Clan might weave a garment or blanket for their intended. A cook might offer his partner her favorite food, prepared fresh right before the ceremony, to eat a few bites of on the spot. Hotaru's Bond was her music, in the form of a shamisen song she composed. Her son followed in her footsteps and went a step further, with a poem too! The words of exchange for this gift are: "I give you this, my bond. / Will your bond shelter my heart? / I will hold your heart in mine forevermore. / Then this I accept."

Following this exchange, the couple recites: "We grow in strength. We grow in might. Our bond is unbreakable. All three we pledge, that we will grow in love."

If the Master is a party to the ceremony, there's an additional section here. The other partner says, "I vow to serve you with my body, soul, and heart, and to follow where you lead forevermore." Then the Master says, "I vow to keep you with my body, soul, and heart, and to lead you ever with your joy in mind." And finally, they say in unison, "You are my guiding star, from now into eternity."

The final bit is a general vow recited together, as follows: I am with you through your joys and all your trials. I am with you by your side or over miles. I hold you as the sky holds sun and stars. Where my heart is, ever there you are. I pledge my life to you and to our Clan. To the future and our master plan. We join our souls together with our kin. Together may we all life's battles win!

AND THEN! As the couple JOINS HANDS for the first time as SPOUSES! The ENTIRE ASSEMBLY! Shouts with ALL THEIR MIGHT: "Glory to Master Kohga! Glory to the Yiga Clan! Long days and nights to the love of [name] and [name]!"

Post-Ceremony

Well then it's feast time!

And then it's party time! Bring on the bonfires and bananas and saké and music and chatter and dancing and--

Speaking of which, during the after-party, the newly-married couple will start off the dancing by performing one together while holding on to a red silk cord between them. Symbolizing, again, the joining of their souls and fates, and also the need to work together carefully in walking the path of life.

Additionally, as I have brought up several times in previous headcanon posts of mine, following the wedding ceremony, couples are now considered family and can see each other's true, un-magicdisguised, -masked, or -veiled faces. This is a big deal! (I do find it quite romantic, that partners court each other without knowing for sure what the other looks like. As I have said before, if both grew up in the Clan they will likely recall things like hair and eye color, but Yiga start wearing veils around everyone but their close family quite young and get their masks at the start of the year they are to turn eleven. So, what your partner's face looks like as an adult, or at all if you've truly never seen/paid attention to them before...well, it's something to anticipate!) Couples are given leave from work to go have a brief honeymoon away from the Complex if they wish, to go unmask each other and spend some good time together. A traditional place to do this is Satori Mountain, since most other people keep away from it anyway. <3 <3 Those who don't want to leave, get to stay in a sleeping room set aside just for this private purpose, instead!

Final Notes

Just wanted to point out, if it wasn't obvious, the threes in the ceremony. Three people on each side of the rituals, three liquids, three gifts. While the Yiga's particular wedding traditions have grown and changed from Ancient Sheikah customs over the millennia, to the point where Yiga marriage ceremonies have only a little in common with the older ones (and are quite different from contemporary Kakariko Sheikah ways), one small detail is the presence of threes. I headcanon that the Ancient Sheikah often utilized the number three in their various rituals and customs, to reference the Triforce, the three Golden Goddesses, the three major Springs across the land where Hylia is worshipped and their three attendant dragon spirits, etc. Some Yiga traditions also involve threes, despite that they've renounced their service to Hylia and to any deity in general. After all, even apart from that, three is an auspicious and satisfying number.

Master Kohga loves officiating weddings, it's one of his favorite parts of being Master Kohga. <3 It just delights him to his core, to see two of his fellow Clan members in love and getting together, and he really helps everyone make it a special day. (Weddings are an occasion when he's most likely to join the band for the party, twanging away on his shamisen...or two. He can make a double of himself. And use it to play duets! How fitting!) He's done the ceremony so many times over the course of his (so far) twenty-five years as Master, that he knows all the words by heart.

Which are more, for the officiant to say, than I've written out here. There's more that accompanies each exchange, for example. But this post was already six million miles long. So I'm going to end it now.

Thank you for taking the time to read! Hope you enjoyed!

[gon-iii]

深紅の熱い夜

2015年、六本木ヒルズ盆踊り。

提灯の色のように熱気がこもった盆踊り。

[shintoinenglish]

Household Festivals in Shinto

Shinto festivals are usually celebrated at shrines. For those who do not live near a shrine, here is my adapted festival calendar. The dates for these festivals may vary due to astronomical or calendrical reasons.

New Year's Day (Oshogatsu):

On New Year's Day, eat and make lucky foods known as Osechi. Some recipes are listed here. Many Japanese people go to a shrine or temple for the first time in the new year, a practice called hatsumode. Instead of this, worshipers abroad could try offering sake at the kamidana.

Setsubun

Setsubun marks the beginning of spring. This is celebrated on either February 3 or 4. The date for Setsubun moves one day every 20 years. On this day, children throw roasted soybeans out the door or at an adult wearing an oni mask and chant "(鬼は外! 福は内!" (Oni go outside, luck come inside!). You can also eat roasted soybeans equivalent in number to your age.

Hinamatsuri

Hinamatsuri is held on March 3 at home by families who often are gifted hina dolls. These are carefully laid out, with votive miniature mochi in front of them. Special lanterns are laid out on both sides. Sometimes there are many dolls to play music and entertain the main couple. The purpose of this holiday is to pray for a good marriage for your daughter. Of course, this is quite heteronormative, but I wanted to include this just in case.

Haru Higan

Haru Higan is usually celebrated around March 20 for seven days. On this day, those with Japanese ancestry can worship their ancestors. Everyone can appreciate the coming warmth of spring as well.

Tanabata

Tanabata is usually celebrated on July 7, though some celebrate it on August 7. This commemorates the day that two literally star-crossed lovers, an oxherd and a weaver, can meet by crossing the Milky Way. If it rains, it is said that the weather prevents them from meeting until the next year. If it is clear, they are able to be reunited. You can write wishes on pieces of paper and hang them on bamboo stalks.

Obon

Obon is a major summer holiday held in honor of ancestors on July 15 or August 15 depending on the family. This one is often more Buddhist-flavored. You can make a small fire (real or symbolic -- and please be mindful of fire safety) as a landmark for your ancestors to find your home. Traditionally, specific altars just for the ancestors who return during Obon are constructed. A common practice is to construct horses and cows out of cucumbers and eggplants, respectively. The method for this is simple -- simply stick toothpicks in for their legs! It is said that this is to make ancestors come faster and leave slower. Bon Odori (Bon Dances) are held where slow traditional songs are played, and locals dance in a circle around a high platform with a drummer on it. This is a time of much fun and games. Fires are also lit at the ancestors' departure.

Tsukimi

Tsukimi is the moon-watching festival held on the eighth month of the lunar calendar on the 15th day. Traditions for this festival include making tsukimi dango (recipe here) and offering them on a sanbo tray by a window. You can also offer seasonal fruits and vegetables, and sprigs of susuki, or pampas grass.

Aki Higan

Aki Higan is the fall festival on September 22 or 23 marking the beginning of fall and cooler seasons in Japan. This is another day for worshiping one's ancestors.

Preparing for the New Year

At the end of the year, get mochi, shimekazari and any other items you need in preparation for the New Year. You may also wish to clean your home at this time.

*I may update this list later!

[japansapporowalk]

🇯🇵第4回 新さっぽろ夏まつり 2024 大人の盆踊りシンサツ盆ディスコ／日本 北海道 札幌 [4K HDR Binaural ASMR]

[rudjedet]

Kawanabe Kyōsai (1831–1889), painted hanging scroll showing skeletons dancing. The scene recalls the celebrations enjoyed across Japan during the O-Bon Festival. Ink and colour on silk, Japan, 1871–1889.

[ichinisankaku]

Event Translation - Spotlight ~Tsukushi High Side~ (Part 1)

Muku: Today's food was delicious too.

Juza: Yeah. I like how this stew tastes.

Izumi: The stir-fry's also delicious! As expected of Omi-kun.

*door opens*

Kumon: Haa, that was a good workout!

Izumi: Kumon-kun, were you training by yourself?

Kumon: Yep! Or, well, rather than training, I was practicing my dancing.

Since I'll be dancing at the school festival this year, I gotta learn the choreography!

Sakyo: Right, Tsuku High's having its school festival soon, isn't it.

Kumon: Yeah! It's Tsuku High tradition for some third year volunteers to put on a dance show at the post-festival party, with all the most popular songs of the year.

I saw the previous year's performance and decided that I absolutely wanted to take part, so I applied for it!

Sakyo: Sounds like you.

Muku: Is Azami-kun doing something too?

Izumi: (Azami-kun doesn't really seem the type to take part in these things, but…)

Azami: …

Kumon: Azami's doing a rap show that night!

Juza: He's also takin' part in a voluntary performance like that?

Azami: …Seems like some guy from another class saw one of the rap etudes I do with Homare-san sometimes.

I was basically dragged into it against my will.

Izumi: I see…

Sakyo: Sounds like Bon's fitting in well.

Azami: Mind your own business.

Kumon: Only people affiliated with the school are allowed at the post-festival party, though.

I wanted you guys to see my dancing and Azami's rapping~

Azami: Well I didn't.

Kumon: But but, I'll absolutely make sure to video it! And I'll show that video to everyone!

Plus, anyone can enter during the day, so come and have fun. Our classes are putting stuff on too!

Mine is doing a bubble tea house, and Azami's is doing a haunted house.

I actually wanted to do a haunted house too, but I got to do that with everyone in the dorm.

And our bubble tea house is gonna be super hype!

Muku: I'm looking forward to Tsuku High's festival. I'll make sure I'm free then.

Kumon: Great! Ah, that reminds me, Sumi-san said he'd come too!

Juza: Right, that guy also went to Tsuku High, didn't he.

Muku: Let's go talk to him too, then.

Azami: You better not come, shitty Sakyo.

Sakyo: What was that?

Izumi: (Fufu, everyone seems to be having fun.)

Kumon: Lunch, lunch~

Azami: I'm starving…

Kumon: Hey hey, Azami, are you practicing your rapping?

Azami: Eh, here and there… you?

Kumon: Of course! I've got plans to practice after school today! Yamaguchi's joining in too~

Azami: Huh, that's a bit surprising.

Kumon: He said he was invited by his classmates.

Speaking of, let's go around the festival together!

Azami: Hah? Isn't that something you'd normally do with your own classmates?

Kumon: I wanna go around with everyone, and that means you too! C'mon, it'll be fun!

Azami: Well, I guess that's fine…

Kumon: Yaay!

Azami: Anyway, let's eat our food.

Kumon: I'm hungry too! I bought lotsa bread today.

Azami: I've got salad and onigiri… and a yogurt drink.

Kumon: Ah! That sounds good! I'm kinda interested in that one.

Azami: Yuki-san said it's pretty good.

Kumon: Hu~h!

…Y'know, it's just occurred to me, but going to school with you and regularly eating lunch together like this…

I never would've thought it would happen when we joined the troupe~

Azami: I mean, that's 'cause you-

[Prologue | Flora 1 | Flora 2 | Flora 3 | Flora 4 | Flora 5 | Flora Epilogue | Tsukushi 2 | Tsukushi 3 | Tsukushi 4 | Tsukushi 5 | Tsukushi Epilogue]