#Black Perspectives

[ausetkmt]

NPR: In new documentary, Ibram X. Kendi asks 'What is wrong with Black people?'

In new documentary, Ibram X. Kendi asks 'What is wrong with Black people?'

Eric Deggans looks at the new documentary "Stamped from the Beginning," which looks at the history of racist ideas in America.

AYESHA RASCOE, HOST:

The Netflix documentary "Stamped From The Beginning" starts with a provocative question writer and professor Ibram X. Kendi asks of other Black academics.

(SOUNDBITE OF DOCUMENTARY, "STAMPED FROM THE BEGINNING")

IBRAM X KENDI: Can you please tell me what is wrong with Black people?

UNIDENTIFIED PERSON #1: What is wrong with Black people?

UNIDENTIFIED PERSON #2: OK, what do you mean by that?

UNIDENTIFIED PERSON #3: What is wrong with Black people?

RASCOE: Kendi, who founded the Center for Antiracist Research at Boston University, answers by invoking how systemic racism can convince Black people and everyone else that Black people deserve to be marginalized. NPR TV critic and media analyst Eric Deggans has watched "Stamped From The Beginning" and has also been following recent allegations of mismanagement against Kendi at the BU center. Hi, Eric.

ERIC DEGGANS, BYLINE: Hi.

RASCOE: So first, tell us more about this documentary. It's out on Netflix later this month.

DEGGANS: Yeah, it's this percolating primer on the themes in Kendi's award-winning 2016 book of the same name. Now, there's compelling animation, historical photos, interviews with lots of academics - although it might be tough for some people to watch. It's centered on this idea that much of the systemic racism that's directed against Black people was created as an attempt to justify enslavement and exploitation of Black people, not the other way around. And in the film, you know, Kendi speaks of this ruler known as Prince Henry of Portugal who he says turned to enslaving Black people from Africa in the mid-1400s instead of Europeans because it was harder for them to run away. Here's a clip. Let's listen.

(SOUNDBITE OF DOCUMENTARY, "STAMPED FROM THE BEGINNING")

KENDI: Prince Henry didn't want to admit he was violently enslaving African people to make money, so he dispatched a royal chronicler by the name of Gomes Zurara.

(SOUNDBITE OF MUSIC)

KENDI: Gomes Zurara justified his slave trading by stating that Prince Henry was doing it to save souls and that these people in Africa were inferior.

DEGGANS: So that, Kendi says, is the creation of Blackness in which Europeans treat Africans from many different tribes and countries as one inferior race to justify exploiting them.

RASCOE: So these are some very complex concepts about race and history. How does this fit with his other work, you know, like his bestselling book "How To Be An Antiracist" or his ESPN series on sports and race?

DEGGANS: Well, you know, I've interviewed Kendi for NPR's Life Kit podcast. And at the core of a lot of his work is this idea that racism is a behavior, not just a state of being - that it comes down to choices you make every day. And in Netflix's "Stamped From The Beginning," that means examining these ideas like the myth of Black hypersexuality, which has been invoked throughout history to justify raping Black women or lynching Black men. And after the death of George Floyd in 2020, you know, Kendi gained new prominence speaking on these themes - the themes in "How To Be An Antiracist." And those ideas are found in so many contemporary issues that it makes sense that Kendi could leverage them into an ESPN project on racism in sports or this Netflix film.

RASCOE: And what about that criticism Kendi ran into following his decision earlier this year to lay off about half the staff at the Center for Antiracist Research at Boston University? Where do those allegations of mismanagement stand?

DEGGANS: Well, the university just released an internal audit finding there were no issues with how the center's finances were handled, which kind of backed up Kendi's contention that the layoffs were not a result of bad fiscal management. And it also pushes back against some critics who tried to delegitimize his concepts by suggesting he's some kind of fraud. Now, hopefully, this will allow people to focus more on his ideas, which he sums up at the end of "Stamped From The Beginning" by answering that original question. The only thing wrong with Black people, he says, is that we think something is wrong with Black people.

RASCOE: NPR TV critic and media analyst Eric Deggans. Thank you so much.

DEGGANS: Thank you.

[kosmik-signals]

“ Three chapters in this book stand out. The first chapter, “On Firsts, Foremothers and the Walker Effect,” situates Hurston’s legacy within Alice Walker’s legacy because of Walker’s role in reigniting interest in Hurston’s literary contributions. Walker pulled Hurston into new arenas of Black feminist thinkers, solidifying her literary contributions into the canon of African American literature.”

Ida E. Jones, “Zora Neale Hurston’s Anthropological Legacy (Black Perspectives, March 30, 2023).

https://www.aaihs.org/zora-neale-hurstons-anthropological-legacy/?utm_source=rss&utm_medium=rss&utm_campaign=zora-neale-hurstons-anthropological-legacy

[jccheapalier]

Why Some Black People Don't Identify With Black Culture

[mercymornsimpathizer]

a non-exhaustive list of butch literature

a (very ad-hoc) list of butch reading and writing, (mostly) by butch authors. books I've read myself in bold; take the rest with a grain of salt. additions, addendums, and commentary welcome :)

(you can find my list of femme literature here)

general/literary fiction:

mrs s by k patrick

stone butch blues by leslie feinberg

boulder by eva baltasar

running fiercely towards a thin high sounds by judith katz

tipping the velvet by sarah waters

a crystal diary by frankie hucklenbroich

godspeed by lynn breedlove

cha-ching! by ali liebegott

the ihop papers by ali liebegott

greasepaint by hannah levene

lucy and mickey by red jordan arobateau

the bull-jean stories by sharon bridgforth

development by bryher

notes of a crocodile by qiu miaojin

america is not the heart by elaine castillo

the slow fix by ivan coyote

the swashbuckler by lee lynch

old dyke tales by lee lynch

sci-fi, fantasy, and horror:

gideon the ninth by tamsyn muir

the unspoken name by ak larkwood

vermilion by molly tanzer

metal from heaven by august clarke

scapegracers by ha clarke

the unbroken by cl clarke

fire logic by laurie marks

the seep by chana porter

these burning stars by bethany jacobs

feast while you can by mikaella clements and onjuli datta

non-fiction, memoir, and autobiography:

hijab butch blues by lamya h

gender failure by ivan coyote and rae spoon

fun home by allison bechdel

butch is a noun by h bear bergman

female masculinity by jack halberstam

burning butch by rb murtz

when we were outlaws by jeanne cordova

leaving isn't the hardest thing by lauren hough

odd girls and twilight lovers by lillian faderman

another mother tongue by judy grahn

boots of leather, slippers of gold by elizabeth lapovsky and madeline davis

the persistent desire ed joan nestle

persistence: all way butch and femme ed ivan coyote and zena sharman

dagger: on butch women ed lily burana

[shesnake]

I'm a lesbian and i see myself in media about bi women, also in media about gay/bi men. even if it's not Entirely made for me, it's still for me. and I know and hope that other gay/bi people are able to see parts of themselves in lesbian media. sorry to be cheesy but we are more similar than we are different and it's those experiences we share that draw us to these stories in the first place, and the reason we're even telling them <3

[ed13d1]

they call for me

tomosu #6013 • yamamoto masao, 2023

[chasiufan]

Nobody’s gonna buy ur 599$ marketable plushie stop tryna sell it to us -_-

[herve-ramboz-photographie]

[naturalhairhow101]

The Tignon laws of the 18th century were laws that banned black women from exposing their natural hair in public.

Their hairdos was obscuring the status of the white women and this threatened the social stability. The law would control colored women “who dressed too elegantly..”

Resembling today’s West African Gele, a tignon is a type of head-covering. It is a large piece of material wrapped or tied around the head to form a kind of turban concealing the hair.

Tignons were worn by free and slave Creole women of African descent in Louisiana from 1786. Historically, their prevalence was as a result of sumptuary laws passed in 1786 under Governor Esteban Rodriguez Miró.

These prescribed and enforced appropriate public dress styles for women of color in a white-dominated society. Hence, they were made as a way of regulating the appearance of black women in the U.S.

During the period, when black enslavement in America was at its peak, and places like New Orleans was unique in its high population of gens de couleur libres (free people of color), black women’s beauty and features often attracted white men who approached them as suitors.

This enraged white women who perceived them as competitors. Evidently, African women competed openly with white women through elegant dressing, including adorning their textured hair with gems, beads, and other accents that made them stand out from white women and possessing great beauty.

To take care of this perceived menace, series of sumptuary laws birthing the Tignon Law were put in place in order to stop white men from pursuing and engaging in affairs with women of colour, “while also being a class signifier,”

[everdistantstars]

Happy New Year! Here's to another year of skk kissing.

[chipsncookies]

Let's take ibuprofen together :)

Angel AU 👼Emmet by @nartothelar

[bull-shit-suji]

hey chat is this anything

[nephritebabie]

perspective is gained and our eyes open like never before

[courfee]

it's been exactly a year since the last chapter of Operation Walburga's Arbitrary No Kissing Ever Rule and I still miss it. This scene is probably one of my favourite things I've ever written and I've wanted to draw it for forever, so now seemed like an appropriate time

[jiveyuncle]

How about some bamf Black Paladin Keith with his bayard reflecting his internal growth and understanding of self