#Berthe

[chic-a-gigot]

La Mode illustrée, no. 6, 8 février 1874, Paris. Toilettes de Mme Bréant-Castel, rue du 4 Septembre, 19. Ville de Paris / Bibliothèque

Description de toilettes:

Robe de dessous en faye lilas, Jupon de mousseline blanche, garni par devant d'un volant plissé, puis disposé au-dessus du volant jusqu'à la taille en trois grands bouillonnés, séparés par une guirlande de feuilles de pommier. Manteau de cour, en même mousseline, garni d'une haute dentelle; au-dessus de celle-ci, un large ruban lilas, sur lequel sont jetées des touffes de feuilles de pommier. Corsage décolleté. En guise de basques, de grandes coques en ruban lilas, avec branches de fleurs de pommier. Mêmes fleurs sur les épaules.

Robe de satin vert paon. Jupon en tulle de même teinte, bouillonné en lignes diagonales. Tunique en même tulle noir; à droite, trois nœuds immenses, en satin et velours, avec boucle dorée au centre. Corsage décolleté avec berthe et basques à créneaux, bordés d'un câble d'or. Nœuds et boucles dorés sur chaque manche courte.

—

Underdress in lilac faye, Petticoat in white muslin, trimmed in front with a pleated flounce, then arranged above the flounce up to the waist in three large swirls, separated by a garland of apple leaves. Court coat, in the same muslin, trimmed with high lace; above this, a wide lilac ribbon, over which are thrown tufts of apple leaves. Low-cut bodice. As basques, large shells in lilac ribbon, with branches of apple blossoms. Same flowers on the shoulders.

Peacock green satin dress. Tulle petticoat of the same shade, bubbled in diagonal lines. Tunic in the same black tulle; on the right, three huge knots, in satin and velvet, with a golden loop in the center. Low-cut bodice with berthe and crenellated basques, edged with a gold cable. Golden bows and buckles on each short sleeve.

[thomtmexploration]

Randonnée mystérieuse la Dame de Chambrille, Maison Blindée

🌲✨ Hello tout le monde !

Aujourd'hui, je vous emmène en randonnée à La Mothe-Saint-Héray, sur un parcours de 3 km au cœur de la nature. 🌿💚

Préparez-vous à découvrir des panoramas magnifiques, la légendaire Dame de Chambrille (curiosité géologique) et la mystérieuse Maison Blindée (petit urbex). 🏞️🏰

Vidéo 👇

Photos 👇

Saviez-vous que ce site était autrefois sous la mer ? 🌊 Le rocher déchiqueté, qui ressemble à un visage humain, est chargé d'histoire. La légende raconte l'amour tragique entre Berthe et Guy, séparés par le Baron Tutebert. 💔✨

Berthe, pétrifiée par le chagrin, est devenue la Dame de Chambrille, tandis que Guy a laissé des gouttes de sang qui se sont transformées en grenats dans le ruisseau. 💎❤️

Si vous aimez ce genre d'aventure, n'oubliez pas de liker, de vous abonner et de partager ! Ça m'aide énormément et c'est gratuit ! 🙏✨

À très vite pour de nouvelles explorations ! 🌍💖

📷 **Équipement :**

Matériel utilisé: Canon EOS M50

[classicalcanvas]

Title: Two Sisters on a Couch

Artist: Berthe Morisot

Date: 1869

Style: Impressionism

Genre: Portrait

[incorrectelswordquotes]

Elsword: Why is it always murder and mayhem with you, Berthe? Don’t you ever just do normal person things? Elsword: Eat a sandwich? Elsword: Brush your teeth? Elsword: Do you even brush your teeth?

[postcard-from-the-past]

Berthe Chantenay on a French vintage postcard

[thejazzera]

Harper's Bazaar, Oct. 1924

Outfits by Berthe, illustrated by Reynaldo Luza

"The Paris Openings Autumn 1924: THE ENSEMBLE FROM THE PARIS OPENINGS"

[monkeyssalad-blog]

madame berthe zip hair remover by Al Q

[erwan-corre]

Un petit moment de détente, et de l'art… Là, un petit carton, un « collage » recto-verso de Maëlle de Coux nommé sobrement « Berthe » ! J'adore et je remercie MHV pour m'avoir fait découvrir cette artiste aux doigts de fée et à sa sensibilité à fleur de peau… Et, du Baudelaire dedans… A découvrir ici : https://www.instagram.com/collagescmg/

« L'EXAMEN DE MINUIT »

La pendule, sonnant minuit, Ironiquement nous engage A nous rappeler quel usage Nous fîmes du jour qui s'enfuit : — Aujourd'hui, date fatidique, Vendredi, treize, nous avons; Malgré tout ce que nous savons, Mené le train d'un hérétique ;

Nous avons blasphémé Jésus, Des Dieux le plus incontestable ! Comme un parasite à la table De quelque monstrueux Crésus, Nous avons pour plaire à la brute, Digne vassale des Démons Insulté ce que nous aimons Et flatté ce qui nous rebute ;

Constristé, servile bourreau, Le faible qu'à tort on méprise ; Salué l'énorme Bêtise, La Bêtise au front de taureau ; Baisé la stupide Matière

— 95 —

Charles Baudelaire « Les Fleurs du mal » - Section « Spleen et Idéal » (1868)

[soapbbox]

By law, you cannot move if kitty cat meow meow sleepy time; punishable by death

Megatron’s in his cogless form because of this

[wally-b-feed]

Anthony Fineran (B 1981), Ze Berthe Dos, 2023

[zeropro]

Did his bros ever manage to get Screamer to get some sleep? Did they have to bribe him with something? Or practically hold him down until he gave in?

I don't think they were successful, Starscream mainly sleeps at his desk (unintentionally).

Ah, but what the heck, I can force Starscream to go to bed with his trine uwu ✨

[reference to this post]

[chic-a-gigot]

La Mode nationale, no. 12, 23 mars 1895, Paris. No. 7. — Toilettes de réception. Bibliothèque nationale de France

(1) Robe de satin blanc rosé. Corsage de velours noir, à petite pointe, recouvert par une berthe de dentelle, retenue devant par un nœud de velours, agrémenté d'une broche, et ornée sur les épaules par une riche application de dentelle rebrodée de perles. Manches ballon, brodées. Jupe à traîne, brodée sur les côtés et reliée devant sur un tablier de velours par des brandebourgs en perles fines. Au cou, collier de perles fines.

(1) Pinkish white satin dress. Black velvet bodice, with small point, covered by a lace berthe, held in front by a velvet bow, embellished with a brooch, and adorned on the shoulders by a rich lace appliqué embroidered with pearls. Balloon sleeves, embroidered. Skirt with train, embroidered on the sides and bound in front on a velvet apron by frogs in fine pearls. At the neck, a necklace of fine pearls.

Métrage: 20 mètres satin.

—

(2) Toilette de mousseline de soie blanche sur transparent bleu-bleuet. Corsage fermé sous ceinture de satin, drapée, décolleté en carré, avec garniture de renard bleu; têtes naturalisées devant et sur les épaules. Volant de dentelle au-dessus de la fourrure. Manches ballon, retenues par une agrafe-bijou. Jupe drapée sur le devant, garnie dans le bas par un volant de dentelle, posé en baldaquin et garni de fourrure comme le corsage. Riche broderie sur le côté. Perles fines au cou et en cache-peigne.

(2) Toilette of white silk chiffon on blue-cornflower transparent. Closed bodice under satin belt, draped, square neckline, with blue fox trim; naturalized heads in front and on the shoulders. Lace flounce above the fur. Puff sleeves, held in place by a jewel clasp. Skirt draped on the front, trimmed at the bottom with a lace flounce, posed as a canopy and trimmed with fur like the bodice. Rich embroidery on the side. Fine pearls at the neck and in the comb cover.

Métrage: 15 mètres mousseline de soie.

[lmadsadness]

how to trick your husband into admitting that hes sleep deprived:

[liriostigre]

Eva Gonzalès / Will Barnet / Berthe Morisot / Kitagawa Utamaro / John William Waterhouse / Michael Orwick / Budkin Philipp Osipovich / Salman Toor / Auguste Toulmouche

[incorrectelswordquotes]

Berthe: You wound me.

Elsword: This is the fourth time I tried to kill you. Will you please take being stabbed a little more seriously for once?

[literaryvein-reblogs]

Writing Notes: Speech Development

Several stages of development have been distinguished in the first year, when the child develops the skills necessary to produce a successful first word.

FIRST 2 MONTHS

Apart from the cry patterns associated with hunger, pain, and discomfort, the first 2 months of life display a wide range of primitive vocal sounds reflecting the baby’s biological state and activities – as in the ‘vegetative’ noises heard while eating and excreting.

Some of the most basic features of speech, such as the ability to control air flow and produce rhythmic utterance, are being established at this time.

BETWEEN 6 & 8 WEEKS

There emerge the sounds generally known as cooing, produced when the baby is in a settled state.

Cooing sounds do not grow out of crying; rather, they develop alongside it, gradually becoming more frequent and varied.

They are quieter, lowerpitched, and more musical, typically consisting of a short vowel-like sound, often nasal in quality, and usually preceded by a consonant-like sound made towards the back of the mouth.

Strings of cooing noises soon emerge, and the sounds become more varied, as the baby begins to develop a greater measure of control over the muscles of the vocal organs – especially over tongue and lip movements and associated vocal-fold vibration.

BETWEEN 3 & 4 MONTHS

Cooing sounds begin to die away, to be replaced by sounds which are much more definite and controlled, often repeated, and produced with wide pitch glides.

It is a period commonly called vocal play, because the baby seems to take great pleasure in producing these noises, especially those made with the lips.

But it is perhaps more accurate to call it a time of vocal practice or experimentation.

AROUND 6 MONTHS

Vocal play gives way to babbling – a period of syllable sequences and repetitions which can last most of the second half of the first year.

To begin with, the consonant-like sounds are very repetitive:

Example: "babababa"

But at around 9 months, the babbling moves away from these fixed patterns.

The consonants and vowels change from one syllable to the next, producing such forms as [adu] and [maba], and there is a wider range of sounds, anticipating the sounds of the accent of English to be learned.

The utterances do not have any meaning, though they often resemble adult words – and of course adults love to ‘hear’ such words (especially mummy and daddy) in the baby’s vocalizations.

But babbling does not gradually shade into speech; indeed, many children continue to babble for several months after they have begun to talk.

Babbling is perhaps best summarized as a final step in the period of preparation for speech.

The child, in effect, ‘gets its act together’; but it has yet to learn what the act is for – that sounds are there to enable meaning to be communicated in a controlled way.

With the production of the ‘first word’, this final step is taken.

NOTE

However, the first word is not the first feature of adult language to be acquired.

From as early as 6 months, there is evidence that the child is picking up features of the melody and rhythm of the adult language.

Certainly by 9 months, strings of syllables are often being pronounced in conversation-like ways which adults interpret as communicative:

‘He/ she’s trying to tell us something’ is a common reaction to a piece of ‘scribble-talk’, and such speech-act functions as questioning, commanding, and greeting are ascribed to babbled utterances.

The melody and rhythm of often-used phrases, such as "all gone", are also likely to be heard long before the vowels and consonants are clearly articulated.

It is these prosodic features which are the first signs of real language production in children.

Prosody - the linguistic use of pitch, loudness, tempo, and rhythm; the study of versification

Source ⚜ Notes & References More: Children ⚜ Children's Dialogue ⚜ Childhood Bilingualism