#Bert Remsen

[l-ultimo-squalo]

Terrorvision (1986) dir. Ted Nicolaou

[moviesandmania]

TARANTULAS: THE DEADLY CARGO Reviews and free online

‘Terror has 8 legs’ Tarantulas: The Deadly Cargo is a 1977 made-for-TV movie about a horde of killer spiders that are accidentally transported from Ecuador to California. The movie was directed by Stuart Hagmann from a screenplay co-written by John Groves and Guerdon Trueblood. It was produced by Paul Freeman and executive-produced by Alan Landsburg. The Alan Landsburg Productions movie stars…

[duranduratulsa]

The Fat Boys feat. Freddy Krueger - Are You Ready for Freddy? (1988)

Spooktober Movie 🎥 Song 🎵 of the day: Are You Ready For Freddy? by The Fat Boys featuring Freddy Krueger Robert Barton Englund (1988) from A Nightmare On Elm Street 4: The Dream Master #fatboys #freddy #freddykrueger #robertenglund #bertremsen #areyoureadyforfreddy #anightmareonelmstreet #anightmareonelmstreet4 #anightmareonelmstreet4thedreammaster #80s #spooktober #halloween #october

[ruleof3bobby]

CALIFORNIA SPLIT (1974) Grade: B-

It had great insight on a gamblers lifestyle, the #TheGambler is a better gambling movie with a better hook. However, the loose plot works well with the great chemistry with the leads. Gould and Segal are somehow underrated.

[abs0luteb4stard]

W A T C H I N G

[ulrichgebert]

Irgendwie auch einmal für vergleichende Studien vorgesehen gewesen war Thieves Like Us, Robert Altmans Verfilmung des gleichen Stoffes wie They Live by Night hier. Es ist jetzt allerdings so lange her, daß ich nichts mehr zu vergleichen weiß, außer daß die dort erwähnte Thematik des Anwaltsheuern hier keine so große Rolle spielt, und Gene Tierney klassischer hübsch ist als Shelley Duvall. Die nun leider auch gestorben ist, so daß wir es immerhin noch als Gedenkfilm verwenden können. Es ist nicht unschön, die jungen Liebenden sind ganz reizend, aber leider ein bisschen anstrengend, weil das Radio immer läuft, und ein bisschen zu dicht an Bonnie & Clyde.

[perfettamentechic]

22 aprile … ricordiamo …

21 aprile … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2023: Barry Humphries, John Barry Humphries, attore, sceneggiatore e doppiatore australiano. Si affermò inoltre come drag queen, creando il personaggio di Dame Edna Everage (noto anche semplicemente Dame Edna). Noto per l’interpretazione di Claire Otoms in Ally McBeal. Si sposò quattro volte: il primo matrimonio, con la ballerina Brenda Wright, dal 1955 al 1957; il secondo matrimonio, con la…

[filmhoundsmag]

Thieves Like Us (Bluray Review)

Continue reading Untitled

[kwebtv]

The Awakening Land - NBC - February 19-21, 1978

Drama (3 episodes)

Running Time: 420 minutes total

Stars:

Elizabeth Montgomery as Sayward Luckett Wheeler

Hal Holbrook as Portius Wheeler

Jane Seymour as Genny Luckett

Steven Keats as Jake Tench

Louise Latham as Jary Luckett

William H. Macy as Will Beagle

Jeanette Nolan as Granny McWhirter

Bert Remsen as Isaac Barker

Charles Gowan as Alan Hamilton

Sean Frye as Resolve Wheeler, as youth

Tracy Kleronomos as Dezia Wheeler

Katy Kurtzman as Rosa Tench

Byrne Piven as Dr. Pearsall

Julie Gibson as Lady Peddler

[absurdical]

#columbo had the same actor play different villains all the time and it was fucking GREAT - klasdflksajldf for real???? i know only basic Columbo info, this delights me

yes, sure did! the columbo wiki tracks them all here. i knew william shatner had played villains in two episodes* but there's a handful of others who appeared as the villain in multiple episodes

(never the same character, never overlapping with a previous character, no tongue-in-cheek 'hey remember me' it's a whole new story every time)

* apropos of nothing except i love columbo lol but shatner's 70s episode (S6E1) is excellent for both the plot/columboness and also for shatner himself acting at PEAK ham. chef's kiss. kiss the ham. he's terrible. lil kiss

[byneddiedingo]

McCabe & Mrs. Miller (Robert Altman, 1971)

Cast: Warren Beatty, Julie Christie, Rene Auberjonois, William Devane, John Schuck, Corey Fischer, Bert Remsen, Shelley Duvall, Keith Carradine, Michael Murphy. Screenplay: Robert Altman, Brian McKay, based on a novel by Edmund Naughton. Cinematography: Vilmos Zsigmond. Production design: Leon Erickson. Film editing: Lou Lombardo.  McCabe & Mrs. Miller may be Robert Altman's best film, as well as the greatest of all "stoner Westerns." It's very much of the era in which it was made, with its fatalistic view of its loner protagonist, doomed by his naive willingness to go up against the big corporate mining interests who want to buy him out. Hippies against the Establishment, if you will. It's also very much at the heart of the mythos of the American Western, which always centered on the loner against overwhelming odds. McCabe & Mrs. Miller came along at a time when the Western was in eclipse, with most of its great exponents, like John Ford and Howard Hawks, in retirement, and some of its defining actors, like John Wayne, having gone over to the side of the Establishment. So when iconoclasts like Altman and Warren Beatty, coming off of their respective breakthrough hits M*A*S*H (1970) and Bonnie and Clyde (Arthur Penn, 1967), took an interest in filming Edmund Naughton's novel, it was clear that we were going to get something revisionist, a Western with a grubby setting and an antiheroic protagonist. The remarkable thing is that McCabe & Mrs. Miller, perhaps more than either M*A*S*H or Bonnie and Clyde, has transcended its revisionism and formed its own tradition. For once, Altman's mannerisms -- overlapping dialogue, restless camerawork, reliance on a stock company of actors like Michael Murphy, John Schuck, and Shelley Duvall, and a generally loosey-goosey mise-en-scène -- don't overwhelm the story. Some of this is probably owing to Beatty's own firmly entrenched ego, which was often at odds with Altman's. His performance gives the film a center and grounding that many of Altman's other films lack, especially since he works so well in tandem with Julie Christie's performance as Mrs. Miller, the only thing about the film that the Academy deigned worthy of an Oscar nomination. How the Academy could have overlooked the contribution of cinematographer Vilmos Zsigmond remains a mystery, except that at this point the cinematographers branch was dominated by old-school directors of photography who had been brought up in the studio system, which was to flood the set with light -- one reason why Gordon Willis's magisterial chiaroscuro in The Godfather (Francis Ford Coppola, 1972) failed to get a nomination the following year. 

[ulkaralakbarova]

A man obsessed with conspiracy theories becomes a target after one of his theories turns out to be true. Unfortunately, in order to save himself, he has to figure out which theory it is. Credits: TheMovieDb. Film Cast: Jerry Fletcher: Mel Gibson Alice Sutton: Julia Roberts Dr. Jonas: Patrick Stewart Agent Lowry: Cylk Cozart Mr. Wilson: Steve Kahan Flip: Terry Alexander Cynic: Alex McArthur Justice Guard: Rod McLachlan Justice Guard: Michael Potts Justice Guard: Jim Sterling Public Works Man: Rich Hebert Clarke: Brian J. Williams Piper: G. A. Aguilar Henry Finch’s Secretary: Cece Neber Labao Alice’s Secretary: Saxon Trainor Grouchy Nurse: Sage Allen Nurse – Roosevelt Hospital: Joanna Sanchez Cop – Roosevelt Hospital: Michael Shamus Wiles Lawyer: Andrew Lauren Tech: Danny Smith Surveillance Operator: Sean Patrick Thomas Helicopter Pilot: Al Cerullo Cleet: Dean Winters Night Security – Federal Building: Rick Hoffman Surveillance Operator: Peter Jacobson Intern: Troy Garity Alice’s Father: Bert Remsen Jonas’ Aide: J. Mills Goodloe Old Man in Book Store: Leonard Jackson Film Crew: Director of Photography: John Schwartzman First Assistant Director: Jim Van Wyck Original Music Composer: Carter Burwell Producer: Joel Silver Editor: Kevin Stitt Producer: Richard Donner Casting: Marion Dougherty Assistant Editor: Kris Cole Associate Producer: Julie Durk Writer: Brian Helgeland Co-Producer: Richard Solomon Art Direction: Gregory Bolton Editor: Frank J. Urioste Co-Producer: Dan Cracchiolo Co-Producer: J. Mills Goodloe Post Production Supervisor: Ilyse A. Reutlinger Unit Production Manager: Helen Pollak Unit Production Manager: Nan Bernstein Freed Second Assistant Director: John G. Scotti Set Decoration: Casey Hallenbeck Set Designer: Lauren Cory Set Designer: Joseph G. Pacelli Jr. Set Designer: Thomas Betts Leadman: Steven Curtis Husch Still Photographer: Andrew Cooper Video Assist Operator: Martin Glover Underwater Director of Photography: Pete Romano Second Second Assistant Director: Sean McCarron Unit Publicist: Stephanie Pond-Smith Script Supervisor: Sioux Richards Key Grip: Les T. Tomita Best Boy Grip: Audie Aragon Dolly Grip: Brad Rea Location Manager: Robbie Goldstein Location Manager: David E. Kaufman Negative Cutter: Mo Henry Color Timer: David Orr “A” Camera Operator: Mitchell Amundsen Steadicam Operator: Neal Norton First Assistant Camera: Christopher Duskin First Assistant Camera: A. Anthony Cappello Second Assistant Camera: Thomas D. Lairson Jr. Second Assistant Camera: Charles B. Katz Camera Loader: Jacobus Marcus Supervising Sound Editor: Mark A. Mangini Supervising Sound Editor: George Simpson Sound Editor: Richard L. Anderson Sound Editor: Mike Chock Sound Editor: John Dunn Sound Editor: Julia Evershade Sound Editor: Eric Lindemann Sound Editor: Geoffrey G. Rubay Assistant Sound Editor: Oscar Mitt Assistant Sound Editor: Sonny Pettijohn Music Editor: Adam Milo Smalley Scoring Mixer: Michael Farrow Orchestrator: Sonny Kompanek Supervising ADR Editor: James Simcik ADR Editor: William C. Carruth ADR Editor: Denise Horta ADR Mixer: Troy Porter Sound Re-Recording Mixer: John T. Reitz Sound Re-Recording Mixer: David E. Campbell Sound Re-Recording Mixer: Gregg Rudloff Sound Re-Recording Mixer: Jeffrey J. Haboush Sound Re-Recording Mixer: Kevin E. Carpenter Sound Re-Recording Mixer: Dan Hiland Sound Re-Recording Mixer: Gary D. Rogers Foley Editor: Solange S. Schwalbe Foley Editor: Aaron Glascock Production Sound Mixer: Tim Cooney Boom Operator: Todd Bassman Chief Lighting Technician: Andy Ryan Assistant Chief Lighting Technician: Brian Evans Assistant Costume Designer: Christopher J. Kristoff Costume Design: Ha Nguyen Production Design: Paul Sylbert Costume Supervisor: Kimberly Guenther Durkin Makeup Supervisor: Lee Harman Makeup Artist: Richard Dean Makeup Artist: Mel Berns Jr. Key Hair Stylist: Stephen Robinette Hairstylist: Lyndell Quiyou Hairstylist: Monique DeSart Property Master: Erik L. Nelson Assistant Property Master: Christopher Amy Special Effects Coordinator: Michael Meinardus Stunts: S...

[duranduratulsa]

Up next on my 90's Fest Movie 🎬 🎞 🎥 🎦 📽 marathon...The Bodyguard (1992) on glorious vintage VHS 📼! #Movie #movies #romance #thriller #thebodyguard #kevincostner #whitneyhouston #RIPWhitneyHouston #BillCobbs #RalphWaite #ripralphwaite #michelelamarrichards #garykemp #mikestarr #robertwuhl #DebbieReynolds #richardschiff #gerrybamman #DavidFoster #bertremsen #ripbertremsen #joeunger #vintage #VHS #90s #90sfest #durandurantulsas4thannual90sfest

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 5 / 10

Título Original: Stand Alone

Año: 1985

Duración: 94 min

País: Estados Unidos  

Dirección: Alan Beattie

Guion: Roy Carlson

Música: David Campbell

Fotografía: Tom Richmond, Tim Suhrstedt

Reparto: Charles Durning, Pam Grier, James Keach, Bert Remsen, Barbara Sammeth, Lu Leonard, Luis Contreras, Willard Pugh, Bob Tzudiker, Mary Ann Smith, Cory 'Bumper' Yothers, Duane Tucker, Annie O'Donnell, Robert Covarrubias, Marty Zagon, Al Christy, Mercedes Alberti, Hanala Sagal, Kerry Yo Nakagawa, Joey Miyashima, Ed Pansullo, Alan Abelew, Thomas Rosales Jr., Del Zamora, Chester Grimes

Productora:  Texas Star Productions. Distribuidora: New World Pictures, New World Video, Scorpion, Starmaker Entertainment [USA]

Género: Drama; Action

https://www.imdb.com/title/tt0090062/

TRAILER:

[brody75]

TerrorVision (1986)

[filmjunky-99]

s t a r t r e k d e e p s p a c e n i n e created by rick berman, michael piller The Collaborator [s2ep24]