#Bengali Story Book
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booksmets ¡ 1 month ago
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Prithibi Theke Chande by Samarjit Kar
Prithibi Theke Chande by Samarjit Kar PDF Book. Book – Prithibi Theke Chande (From the Earth to the Moon), Author – Samarjit Kar, Genre – Science Book, Book Size – 11 MB, Book Format – PDF, Samarjit Kar wrote the informative book Prithibi Theke Chande<.p> The science-based book Prithibi Theke Chande (From Earth to the Moon) is essentially a brief history of the stages of the lunarâ€Ļ
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papenathys ¡ 2 years ago
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Want to read a Bengali version of Evelyn Hugo- 1960-70s cinema, tabloids, actresses, glamour and Calcutta film industry- but without the endless miscommunication, suffering and sexual exploitation? I might have something for you. Soon.
*Yes, yes it is sapphic. But you already know that.
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"Kabuliwala" is available to read here
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banglabooksme ¡ 2 months ago
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Chayer Dhoya Bengali stories collection ebook PDF
Chayer Dhoya Bengali stories collection ebook PDF ebook name- ‘Chayer Dhoya’Collected by- Utpal DuttaBook genre- A lot of Bengali stories collection bookFile format- PDFPages- 152File size- 9.5MbQuality- Best, without any watermark, Chayer Dhoya by Utpal Dutt is a notable play that reflects his own political and socially conscious perspective. Like many of his other works, this play deals withâ€Ļ
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minhadofficial ¡ 2 months ago
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āĻŦāĻŋāĻĻāĻžā§Ÿ āĻĻāĻžāωāĻĻ āĻšāĻžā§ŸāĻĻāĻžāϰ! āĻ­āĻ°ā§āϤāĻŋ āĻĒāϰ⧀āĻ•ā§āώāĻžā§Ÿ āϝāĻžāϕ⧇ āĻĒā§āϰāĻļā§āύ āĻ•āϰāĻž āĻšā§Ÿā§‡āĻ›āĻŋāϞ 'āϜāĻ¨ā§āĻŽāχ āφāĻŽāĻžāϰ āφāϜāĻ¨ā§āĻŽ āĻĒāĻžāĻĒ' āĻ•āĻŦāĻŋāϤāĻžāϟāĻŋ āĻ•āĻžāϰ āϞ⧇āĻ–āĻž?
ā§§.
⧧⧝ā§Ŧā§Ļ-āĻāϰ āĻĻāĻļāϕ⧇āϰ āĻļ⧇āώāĻĻāĻŋāϕ⧇ āĻĻāĻžāωāĻĻ āĻšāĻžā§ŸāĻĻāĻžāϰ āύāĻžāĻŽāĻ• āĻāĻ• āϝ⧁āĻŦāĻ• āĻĸāĻžāĻ•āĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāĻ˛ā§Ÿā§‡ āĻŦāĻžāĻ‚āϞāĻž āĻŦāĻŋāĻ­āĻžāϗ⧇ āĻ­āĻ°ā§āϤāĻŋ āĻĒāϰ⧀āĻ•ā§āώāĻžā§Ÿ āĻ…āĻ‚āĻļ āύāĻŋāϤ⧇ āϝāĻžāύāĨ¤ āĻ­āĻžāχāĻ­āĻž āĻŦā§‹āĻ°ā§āĻĄā§‡ āϤāĻžāρāϕ⧇ āĻĒā§āϰāĻļā§āύ āĻ•āϰāĻž āĻšā§Ÿ:
— āĻŦāϞ āϤ⧋, 'āϜāĻ¨ā§āĻŽāχ āφāĻŽāĻžāϰ āφāϜāĻ¨ā§āĻŽ āĻĒāĻžāĻĒ' — āĻāϟāĻž āĻ•āĻžāϰ āĻ•āĻŦāĻŋāϤāĻž?
āϤāĻŋāύāĻŋ āĻšāĻžāϏāĻŋāĻŽā§āϖ⧇ āωāĻ¤ā§āϤāϰ āĻĻāĻŋā§Ÿā§‡āĻ›āĻŋāϞ⧇āύ:
— āφāĻŽāĻžāϰāχ āϞ⧇āĻ–āĻžāĨ¤
āĻŦā§‹āĻ°ā§āĻĄā§‡āϰ āĻļāĻŋāĻ•ā§āώāĻ•āϰāĻž āĻĒā§āϰāĻĨāĻŽā§‡ āĻ…āĻŦāĻžāĻ• āĻšā§Ÿā§‡āĻ›āĻŋāϞ⧇āύ, āĻ•āĻžāϰāĻŖ āĻāĻŽāύ āĻāĻ•āϟāĻŋ āĻ•āĻŦāĻŋāϤāĻž āĻāϰ āϰāĻ•āĻŽ āϕ⧋āύ⧋ āϝ⧁āĻŦāĻ• āϞāĻŋāĻ–āϤ⧇ āĻĒāĻžāϰ⧇āύ āϤāĻž āϤāĻžāĻĻ⧇āϰ āϧāĻžāϰāĻŖāĻžā§Ÿ āĻ›āĻŋāϞ āύāĻžāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻĒāϰ⧇ āϝāĻ–āύ āϤāĻžāϰāĻž āϤāĻžāϰ āφāϗ⧇āϰ āĻ•āĻŋāϛ⧁ āϞ⧇āĻ–āĻž āĻĻ⧇āϖ⧇āύ āĻāĻŦāĻ‚ āϤāĻžāϰ āĻĒā§āϰāϤāĻŋāĻ­āĻž āĻŦ⧁āĻāϤ⧇ āĻĒāĻžāϰ⧇āύ, āϤāĻ–āύ āĻĻāĻžāωāĻĻ āĻšāĻžā§ŸāĻĻāĻžāϰāϕ⧇ āĻŽā§‡āϧāĻžāϰ āϜāĻ¨ā§āϝ āĻŦāĻŋāĻļ⧇āώāĻ­āĻžāĻŦ⧇ āĻŽā§‚āĻ˛ā§āϝāĻžā§Ÿāύ āĻ•āϰ⧇āύāĨ¤ āύāĻĨāĻŋāĻĒāĻ¤ā§āϰ āĻ…āύ⧁āϏāĻžāϰ⧇ ⧧⧝ā§Ģ⧍ āϏāĻžāϞ⧇āϰ ⧍⧧ āĻĢ⧇āĻŦā§āϰ⧁āϝāĻŧāĻžāϰāĻŋ āϜāĻ¨ā§āĻŽ āύ⧇āĻ“ā§ŸāĻž āĻ•āĻŦāĻŋāϰ āĻŦ⧟āϏ āϤāĻ–āύ āĻ›āĻŋāϞ āĻŽāĻžāĻ¤ā§āϰ ā§§ā§­ āĻŦāĻ›āϰ!
āφāϞ⧋āϚāĻŋāϤ āĻ•āĻŦāĻŋāϤāĻžāϟāĻŋāϰ āĻ•â€™āϟāĻŋ āϞāĻžāχāύ:
'āϜāĻ¨ā§āĻŽāχ āφāĻŽāĻžāϰ āφāϜāĻ¨ā§āĻŽ āĻĒāĻžāĻĒ, āĻŽāĻžāϤ⧃āϜāϰāĻžāϝāĻŧ⧁ āĻĨ⧇āϕ⧇ āύ⧇āĻŽā§‡āχ āĻœā§‡āύ⧇āĻ›āĻŋ āφāĻŽāĻŋ
āϏāĻ¨ā§āĻ¤ā§āϰāĻžāϏ⧇āϰ āĻāĻžāρāĻāĻžāϞ⧋ āĻĻāĻŋāύ⧇ āĻŦāĻŋāĻŦāĻ°ā§āĻŖ āĻĒāĻ¤ā§āϰ⧇āϰ āĻŽāϤ āĻšāĻ āĻžā§Ž āĻĢā§ā§ŽāĻ•āĻžāϰ⧇ āωāĻĄāĻŧ⧇ āϝāĻžāχ
āĻĒāĻžāϞāĻžāχ āĻĒāĻžāϞāĻžāχ āϏ⧁āĻĻā§‚āϰ⧇āĨ¤
...
āφāĻŽāĻžāϰ āϜāĻ¨ā§āϝāχ āϤ⧋āĻŽāĻžāĻĻ⧇āϰ āĻāϤ āĻĻ⧁āσāĻ–
āφāĻšāĻž āĻĻ⧁āσāĻ–
āĻĻ⧁āσāĻ–āϰ⧇!
āφāĻŽāĻŋāχ āĻĒāĻžāĻĒā§€, āĻŦ⧁āĻāĻŋ āϤāĻžāχ āĻ āϜāĻ¨ā§āĻŽāχ āφāĻŽāĻžāϰ āφāϜāĻ¨ā§āĻŽ āĻĒāĻžāĻĒāĨ¤â€™
⧍.
āĻĻāĻžāωāĻĻ āĻšāĻžā§ŸāĻĻāĻžāϰ āĻĻ⧇āĻļ⧇āϰ āĻĒā§āϰāĻĨāĻŽ āĻ•āĻŦāĻŋ āϝāĻžāϕ⧇ āĻ•āĻŦāĻŋāϤāĻž āϞ⧇āĻ–āĻžāϰ āϜāĻ¨ā§āϝ āĻĻ⧇āĻļ āĻĨ⧇āϕ⧇ āĻŦāĻšāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰāĻž āĻšā§Ÿā§‡āĻ›āĻŋāϞāĨ¤ āĻĻ⧈āύāĻŋāĻ• āϏāĻ‚āĻŦāĻžāĻĻ āĻāϰ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ āĻĒāĻžāϤāĻžāϝāĻŧ 'āĻ•āĻžāϞ⧋ āϏ⧂āĻ°ā§āϝ⧇āϰ āĻ•āĻžāϞ⧋ āĻœā§āĻ¯ā§‹ā§ŽāϏāĻžāϝāĻŧ āĻ•āĻžāϞ⧋ āĻŦāĻ¨ā§āϝāĻžāϝāĻŧ' āύāĻžāĻŽā§‡ āĻāĻ•āϟāĻŋ āĻ•āĻŦāĻŋāϤāĻž āϞāĻŋāϖ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āĻ“āχ āĻ•āĻŦāĻŋāϤāĻžā§Ÿ āĻšāϝāϰāϤ āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ [āϏ.], āϝāĻŋāĻļ⧁āĻ–ā§āϰāĻŋāĻ¸ā§āϟ āĻāĻŦāĻ‚ āĻ—ā§ŒāϤāĻŽ āĻŦ⧁āĻĻā§āϧ āϏāĻŽā§āĻĒāĻ°ā§āĻ•āĻŋāϤ āĻ…āĻŦāĻŽāĻžāύāύāĻžāĻ•āϰ āωāĻ•ā§āϤāĻŋ āĻ°ā§Ÿā§‡āϛ⧇ āĻŦāϞ⧇ āĻ…āĻ­āĻŋāϝ⧋āĻ— āĻ“āϠ⧇āĨ¤ [āϏāĻ‚āĻ¸ā§â€Œ āĻ…āĻŦ āĻĄā§‡āĻ¸ā§āĻĒāĻžāϝāĻŧāĻžāϰ āĻŦāχāϤ⧇ āĻāχ āĻ•āĻŦāĻŋāϤāĻžāϟāĻŋ āϏāĻ™ā§āĻ•āϞāĻŋāϤ āĻĨāĻžāĻ•āϤ⧇ āĻĒāĻžāϰ⧇āĨ¤] āĻĒā§āϰāϤāĻŋāĻŦāĻžāĻĻ-āĻŦāĻŋāĻ•ā§āώ⧋āĻ­ āĻļ⧁āϰ⧁ āĻšā§ŸāĨ¤ āϧāĻ°ā§āĻŽā§€āϝāĻŧ āĻ…āύ⧁āĻ­ā§‚āϤāĻŋāϤ⧇ āφāϘāĻžāϤ āĻšāĻžāύāĻžāϰ āĻ…āĻ­āĻŋāϝ⧋āĻ— āĻāύ⧇ āĻĸāĻžāĻ•āĻžāϰ āĻāĻ• āĻ•āϞ⧇āϜ-āĻļāĻŋāĻ•ā§āώāĻ• āφāĻĻāĻžāϞāϤ⧇ āĻāχ āϘāϟāύāĻžāϝāĻŧ āĻĻāĻžāωāĻĻ āĻšāĻžāϝāĻŧāĻĻāĻžāϰ⧇āϰ āĻŦāĻŋāϰ⧁āĻĻā§āϧ⧇ āĻŽāĻžāĻŽāϞāĻž āĻĻāĻžāϝāĻŧ⧇āϰ āĻ•āϰ⧇āύāĨ¤
ā§§ā§¯ā§­ā§Š āϏāĻžāϞ⧇ āĻ¤ā§ŽāĻ•āĻžāϞ⧀āύ āĻŦāĻ™ā§āĻ—āĻŦāĻ¨ā§āϧ⧁āϰ āϏāϰāĻ•āĻžāϰ āĻ•āĻŦāĻŋāϕ⧇ āύāĻŋāϰāĻžāĻĒāĻ¤ā§āϤāĻžāĻŽā§‚āϞāĻ• āĻ•āĻžāĻ¸ā§āϟāĻĄāĻŋāϤ⧇ āύ⧇āϝāĻŧāĨ¤ ⧧⧝⧭ā§Ē āĻāϰ ⧍ā§Ļ āĻŽā§‡ āϏāĻ¨ā§āĻ§ā§āϝāĻžāϝāĻŧ āϤāĻžāρāϕ⧇ āĻœā§‡āϞ āĻĨ⧇āϕ⧇ āĻŽā§āĻ•ā§āϤāĻŋ āĻĻāĻŋā§Ÿā§‡ ⧍⧧ āĻŽā§‡ āϏāĻ•āĻžāϞ⧇ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻŦāĻŋāĻŽāĻžāύ⧇āϰ āĻāĻ•āϟāĻž āϰ⧇āϗ⧁āϞāĻžāϰ āĻĢā§āϞāĻžāχāĻŸā§‡ āĻ­āĻžāϰāϤ⧇āϰ āĻ•āϞāĻ•āĻžāϤāĻžāϝāĻŧ āĻĒāĻžāĻ āĻžāύ⧋ āĻšāϝāĻŧāĨ¤ āĻ“āχ āĻĢā§āϞāĻžāχāĻŸā§‡ āϤāĻŋāύāĻŋ āĻ›āĻžāĻĄāĻŧāĻž āφāϰ āϕ⧋āύ⧋ āϝāĻžāĻ¤ā§āϰ⧀ āĻ›āĻŋāϞ āύāĻžāĨ¤ āϤāĻžāρāϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋāϚāĻžāϰāĻŖ āĻĨ⧇āϕ⧇ āϜāĻžāύāĻž āϝāĻžā§Ÿ, āϤāĻžāϰ āĻ•āĻžāϛ⧇ āϏ⧇ āϏāĻŽāϝāĻŧ āĻ›āĻŋāϞ āĻŽāĻžāĻ¤ā§āϰ ā§Ŧā§Ļ āĻĒāϝāĻŧāϏāĻž āĻāĻŦāĻ‚ āĻ•āĻžāρāϧ⧇ āĻā§‹āϞāĻžāύ⧋ āĻāĻ•āϟāĻž āϛ⧋āϟ āĻŦā§āϝāĻžāĻ— (āĻŦā§āϝāĻžāϗ⧇ āĻ›āĻŋāϞ āĻ•āĻŦāĻŋāϤāĻžāϰ āĻŦāχ, āĻĻ⧁'āĻœā§‹āĻĄāĻŧāĻž āĻļāĻžāĻ°ā§āϟ, āĻĒā§āϝāĻžāĻ¨ā§āϟ, āĻ¸ā§āϞāĻŋāĻĒāĻžāϰ āφāϰ āϟ⧁āĻĨāĻŦā§āϰāĻžāĻļ)āĨ¤ āĻ•āĻŦāĻŋāϰ āĻ­āĻžāώāĻžā§Ÿ, ‘āφāĻŽāĻžāϰ āϕ⧋āύ āωāĻĒāĻžāϝāĻŧ āĻ›āĻŋāϞ āύāĻžāĨ¤ āĻŽā§ŒāϞāĻŦāĻžāĻĻā§€āϰāĻž āφāĻŽāĻžāϕ⧇ āĻŽā§‡āϰ⧇āχ āĻĢ⧇āϞāϤāĨ¤ āϏāϰāĻ•āĻžāϰāĻ“ āĻšāϝāĻŧāϤ āφāĻŽāĻžāϰ āĻŽā§ƒāĻ¤ā§āϝ⧁ āĻ•āĻžāĻŽāύāĻž āĻ•āϰāĻ›āĻŋāϞāĨ¤â€™
āĻ•āĻŦāĻŋ āĻĻāĻžāωāĻĻ āĻšāĻžā§ŸāĻĻāĻžāϰ⧇āϰ 'āĻ•āĻžāϞ⧋ āϏ⧂āĻ°ā§āϝ⧇āϰ āĻ•āĻžāϞ⧋ āĻœā§āĻ¯ā§‹ā§ŽāĻ¸ā§āύāĻžā§Ÿ āĻ•āĻžāϞ⧋ āĻŦāĻ¨ā§āϝāĻžā§Ÿâ€™ āĻ•āĻŦāĻŋāϤāĻžā§Ÿ ‘āĻ•āĻŋāϛ⧁ āĻŦāĻŋāϤāĻ°ā§āĻ•āĻŋāϤ āĻŦāĻ•ā§āϤāĻŦā§āĻ¯â€™ āĻĨāĻžāĻ•āϞ⧇āĻ“ āĻ…āϏāĻžāϧāĻžāϰāĻŖ āĻ•āĻŋāϛ⧁ āϞāĻžāχāύāĻ“ āφāϛ⧇:
‘āφāĻĻāĻŽā§‡āϰ āϏāĻ¨ā§āϤāĻžāύ āφāĻŽāĻŋ; āφāĻŽāĻžāϰ āĻĒāĻžāĻļ⧇ āφāĻŽāĻŋ?
āφāĻŽāĻŋ āφāĻŽāĻžāϰ āϜāĻ¨ā§āĻŽ āϜāĻžāύāĻŋ āύāĻžāĨ¤ āϕ⧀āĻ­āĻžāĻŦ⧇ āϜāĻ¨ā§āĻŽ? āφāϤ⧁āϰ⧇āϰ āϘāϰ⧇ āĻ•āĻĨāĻŋāϤ
āϜāύāύ⧀ āĻ›āĻžā§œāĻž āφāϰ āϕ⧇ āĻ›āĻŋāϞ? āφāĻŽāĻžā§Ÿ āĻŦāϞ⧇ āύāĻŋ āϕ⧇āωāĨ¤
āφāĻŽāĻžāϰ āĻŽāĻž āĻļāĻŋāĻ–āĻžāϞ⧋ āĻāχ āϤ⧋āϰ āĻĒāĻŋāϤāĻž, āφāĻŽāĻŋ āϤ⧋āϰ āĻŽāĻžāϤāĻžāĨ¤
āφāĻŽāĻŋ āϤāĻžāχ āĻļāĻŋāϖ⧇āĻ›āĻŋāĨ¤ āϝāĻĻāĻŋ āĻŦāϞāϤ⧋, āĻŽāĻž āϤ⧋āϰ āĻĻāĻžāϏ⧀, āĻĒāĻŋāϤāĻž āϤ⧋āϰ āĻĻāĻžāϏ;
āφāĻŽāĻŋ āϤāĻžāχ āĻŽā§‡āύ⧇ āύāĻŋāϤ⧁āĻŽāĨ¤ āĻ•āĻŋāĻ‚āĻŦāĻž āĻ…āĻ¨ā§āϝ āĻ•āĻŋāϛ⧁ āĻŦāϞāϞ⧇āĻ“ āĻ…āĻ¸ā§āĻŦā§€āĻ•āĻžāϰ⧇āϰ
āωāĻĒāĻžā§Ÿ āĻ›āĻŋāϞ āύāĻžāĨ¤
āφāĻŽāĻŋ āφāϜ āĻŽāĻ§ā§āϝ āϝ⧌āĻŦāύ⧇ āĻĒāĻŋāϤāĻž āĻŽāĻžāϤāĻžāϰ āĻĢāĻžāϰāĻžāĻ• āĻŦ⧁āĻā§‡āĻ›āĻŋāĨ¤ āĻŦ⧁āĻā§‡āĻ›āĻŋ āϏāĻŦāχ āĻŽāĻŋāĻĨā§āϝāĻž
āĻŦ⧁āĻā§‡āĻ›āĻŋ āϕ⧇āω āĻ•āĻžāϰāĻ“ āύ⧟; āϕ⧇āω āύ⧟ āĻŦāϞ⧇āχ āϤ⧋ āĻŦāϞāĻŋ
āĻāĻ•āĻĻāĻŋāύ āϏāĻŦāĻ•āĻŋāϛ⧁āχ āϝāĻžāĻŦ⧇ āϚāϞ⧇ (āϚāϞ⧇ āϝāĻžāĻŦ⧇)āĨ¤â€™
ā§Š.
āĻ•āϞāĻ•āĻžāϤāĻž āĻ›āĻŋāϞ āĻĻāĻžāωāĻĻ āĻšāĻžā§ŸāĻĻāĻžāϰ⧇āϰ āĻ•āĻžāϛ⧇ āĻāĻ•āĻĻāĻŽ āĻ…āĻšā§‡āύāĻž āĻŦāĻŋāĻĻ⧇āĻļ, āϝ⧇āĻ–āĻžāύ⧇ āĻ•āĻžāωāϕ⧇āχ āϚāĻŋāύāϤ⧇āύ āύāĻžāĨ¤ āĻāϰ āφāϗ⧇ āϤāĻŋāύāĻŋ āĻŦāĻŋāĻĻ⧇āĻļ āϝāĻžāύāύāĻŋāĨ¤ āĻĻāĻŽāĻĻāĻŽ āĻāϝāĻŧāĻžāϰāĻĒā§‹āĻ°ā§āĻŸā§‡ āύ⧇āĻŽā§‡ āĻĒā§āϰāĻĨāĻŽā§‡ āĻāĻ•āĻž āĻ•āĻžāρāĻĻāĻ›āĻŋāϞ⧇āύāĨ¤ āϏāĻžāĻ‚āĻŦāĻžāĻĻāĻŋāĻ•-āϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻŋāĻ• āĻ—ā§ŒāϰāĻ•āĻŋāĻļā§‹āϰ āĻ˜ā§‹āώ āĻāϰ āĻ•āĻžāϛ⧇ āĻĒā§āϰāĻĨāĻŽ āφāĻļā§āϰāϝāĻŧ āĻĒāĻžāύāĨ¤ āĻāĻ•āĻŽāĻžāϏ⧇āϰ āĻŽāϤ⧋ āĻ›āĻŋāϞ⧇āύāĨ¤ āĻāϰāĻĒāϰ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻŋāĻ• āĻ…āĻ¨ā§āύāĻĻāĻžāĻļāĻ™ā§āĻ•āϰ āϰāĻžāϝāĻŧ āϤāĻžāρāϕ⧇ āύāĻŋāϜ āĻŦāĻžāĻĄāĻŧā§€āϤ⧇ āφāĻļā§āϰāϝāĻŧ āĻĻ⧇āύāĨ¤ āϞ⧇āĻ–āĻžāϞ⧇āĻ–āĻŋ āĻļ⧁āϰ⧁ āĻ•āϰ⧇āύ āĻĻā§āϝ āĻ¸ā§āĻŸā§‡āϟāϏāĻŽā§āϝāĻžāύ āĻĒāĻ¤ā§āϰāĻŋāĻ•āĻžāϝāĻŧāĨ¤ āϝāĻžāĻĻāĻŦāĻĒ⧁āϰ āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ⧇ 'āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āϤ⧁āϞāύāĻžāĻŽā§‚āϞāĻ• āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧇' āĻ­āĻ°ā§āϤāĻŋ āĻšāύāĨ¤
ā§Ē.
āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āϕ⧋āύ⧋ āϏāϰāĻ•āĻžāϰāχ āϤāĻžāρāϰ āĻĒā§āϰāϤāĻŋ āϏāĻšāĻžāύ⧁āĻ­ā§‚āϤāĻŋ āĻĻ⧇āĻ–āĻžā§ŸāύāĻŋāĨ¤ āύāĻŋāĻ°ā§āĻŦāĻžāϏāĻŋāϤ āĻ…āĻŦāĻ¸ā§āĻĨāĻžāϝāĻŧ ⧧⧝⧭⧝ āϏāĻžāϞ⧇ āϤāĻŋāύāĻŋ āĻ­āĻžāϰāϤ⧇ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻĻā§‚āϤāĻžāĻŦāĻžāϏ⧇ āύāĻŦāĻžāϝāĻŧāύ⧇āϰ āϜāĻ¨ā§āϝ āĻĒāĻžāϏāĻĒā§‹āĻ°ā§āϟ āϜāĻŽāĻž āĻĻāĻŋāϞ⧇ āϤāĻž āĻŦāĻžāĻœā§‡āϝāĻŧāĻžāĻĒā§āϤ āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤ āϤāĻ–āύ āĻ›āĻŋāϞ āϜāĻŋ⧟āĻžāωāϰ āϰāĻšāĻŽāĻžāύ⧇āϰ āĻļāĻžāϏāύāĻžāĻŽāϞāĨ¤ āĻāϰāĻĒāϰ āĻ­āĻžāϰāϤ āϏāϰāĻ•āĻžāϰāĻ“ āϤāĻžāρāϕ⧇ āĻ­āĻžāϰāϤ āĻ¤ā§āϝāĻžāϗ⧇āϰ āĻĢāĻžāχāύāĻžāϞ āύ⧋āϟāĻŋāĻļ āĻĻ⧇āϝāĻŧ- “â€Ļ āϝāĻŧā§āϝ⧁ āĻšā§āϝāĻžāĻ­ āύ⧋ āϕ⧇āχāϏ āĻĢāϰ āĻ—ā§āϰāĻžāĻ¨ā§āϟ āĻ…āĻŦ āϞāĻ‚āϟāĻžāĻ°ā§āĻŽ āĻˇā§āĻŸā§‡ āĻĢā§āϝāĻžāϏāĻŋāϞāĻŋāϟāĻŋāϜ āχāύ āχāĻ¨ā§āĻĄāĻŋāϝāĻŧāĻž āĻāĻ¨ā§āĻĄ āϝāĻŧā§āϝ⧁ āφāϰ āĻĻ⧇āϝāĻŧāĻžāϰāĻĢāϰ āϰāĻŋāϕ⧋āϝāĻŧ⧇āĻˇā§āĻŸā§‡āĻĄ āϟ⧁ āϞ⧀āĻ­ āχāĻ¨ā§āĻĄāĻŋāϝāĻŧāĻž āχāĻŽā§āĻŽāĻŋāĻĄāĻŋāϝāĻŧ⧇āϟāϞāĻŋ āωāχāĻĻāĻžāωāϟ āĻĢ⧇āχāϞāĨ¤â€
āύ⧋āĻŦ⧇āϞ āϞāϰāĻŋāϝāĻŧ⧇āϟ āϜāĻžāĻ°ā§āĻŽāĻžāύ āϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻŋāĻ• āϗ⧁āĻ¨ā§āϟāĻžāϰ āĻ—ā§āϰāĻžāϏ āĻ­āĻžāϰāϤ āϏāĻĢāϰ⧇ āĻāϞ⧇ āĻĒ⧁āϰ⧋ āϘāϟāύāĻž āĻļ⧁āύ⧇āύāĨ¤ āϤāĻŋāύāĻŋ āĻĢāĻŋāϰ⧇ āĻ—āĻŋā§Ÿā§‡ āϏāϰāĻ•āĻžāϰ⧇āϰ āωāĻšā§āϚāĻĒāĻ°ā§āϝāĻžā§Ÿā§‡ āĻ•āĻĨāĻž āĻŦāϞ⧇ āύāĻŋāĻ°ā§āĻŦāĻžāϏāĻŋāϤ āĻ•āĻŦāĻŋāϕ⧇ āϜāĻžāĻ°ā§āĻŽāĻžāύāĻŋāϤ⧇ āϰāĻžāϜāύ⧈āϤāĻŋāĻ• āφāĻļā§āϰ⧟ āĻĻā§‡ā§ŸāĻžāϰ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĻ•āϰ⧇āύāĨ¤ ⧍⧍ āϜ⧁āϞāĻžāχ ā§§ā§¯ā§Žā§­ āĻĨ⧇āϕ⧇ āϤāĻŋāύāĻŋ āϜāĻžāĻ°ā§āĻŽāĻžāύāĻŋāϰ āĻŦāĻžāĻ°ā§āϞāĻŋāύ āĻļāĻšāϰ⧇ āĻ…āĻŦāĻ¸ā§āĻĨāĻžāύ āĻ•āϰ⧇āύāĨ¤ āĻšā§āϏ⧇āχāύ āĻŽā§āĻšāĻŽā§āĻŽāĻĻ āĻāϰāĻļāĻžāĻĻ āĻ•ā§āώāĻŽāϤāĻžā§Ÿ āĻāϞ⧇ āφāϟāĻ• āĻĒāĻžāϏāĻĒā§‹āĻ°ā§āϟ āĻĢ⧇āϰāϤ āĻšā§‡ā§Ÿā§‡ āφāĻŦ⧇āĻĻāύ āĻ•āϰ⧇āĻ“ āĻŦāĻŋāĻĢāϞ āĻšāύāĨ¤ āĻŦāĻžāĻ°ā§āϞāĻŋāύ āϝāĻžāĻ¤ā§āϰāĻžāϝāĻŧ āϤāĻŋāύāĻŋ āĻĒāĻžāϏāĻĒā§‹āĻ°ā§āĻŸā§‡āϰ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤ⧇ āϜāĻžāϤāĻŋāϏāĻ‚āĻ˜ā§‡āϰ āĻŦāĻŋāĻļ⧇āώ āĻŸā§āĻ°ā§āϝāĻžāϭ⧇āϞ āĻĒāĻžāϏ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧇āύāĨ¤ āĻĒāϰ⧇ āĻāχ āĻŸā§āĻ°ā§āϝāĻžāϭ⧇āϞ āĻĒāĻžāϏ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧇ āĻŦāĻšā§ āĻĻ⧇āĻļ āϘ⧁āϰ⧇āϛ⧇āύāĨ¤ ā§§ā§¯ā§Žā§¯ āϏāĻžāϞ⧇ āϤāĻŋāύāĻŋ āϜāĻžāĻ°ā§āĻŽāĻžāύ⧀āϤ⧇ āϏāĻžāĻ‚āĻŦāĻžāĻĻāĻŋāĻ• āĻšāĻŋāϏ⧇āĻŦ⧇ āϚāĻžāϕ⧁āϰ⧀ āύ⧇āύāĨ¤
ā§Ģ.
āĻĻāĻžāωāĻĻ āĻšāĻžā§ŸāĻĻāĻžāϰ āĻĒā§āϰāĻžāϝāĻŧ ā§Šā§ĻāϟāĻŋāϰ āĻŽāϤ⧋ āĻŦāχ āϞāĻŋāϖ⧇āϛ⧇āύ āϜāĻžāĻ°ā§āĻŽāĻžāύ, āĻšāĻŋāĻ¨ā§āĻĻāĻŋ, āχāĻ‚āϰ⧇āϜāĻŋ, āĻĢā§āϰ⧇āĻžā§āϚ, āϜāĻžāĻĒāĻžāύāĻŋ āĻ“ āĻ¸ā§āĻĒā§āϝāĻžāύāĻŋāĻļ āĻ­āĻžāώāĻžāϝāĻŧāĨ¤ āĻĻāĻžāωāĻĻ āĻšāĻžā§ŸāĻĻāĻžāϰ⧇āϰ āĻ•āĻŦāĻŋāϤāĻžā§Ÿ āĻŦā§āϝāĻ•ā§āϤāĻŋāĻ—āϤ āĻŦ⧇āĻĻāύāĻž, āύāĻŋāĻ°ā§āĻŦāĻžāϏāύ⧇āϰ āĻ•āĻˇā§āϟ, āĻŽā§āĻ•ā§āϤāĻŋāϝ⧁āĻĻā§āϧ⧇āϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋ, āĻ¸ā§āĻŦāĻžāϧ⧀āύāϤāĻž-āĻšā§‡āϤāύāĻž, āĻĻā§āϰ⧋āĻš āĻāĻŦāĻ‚ āĻŽāĻžāύāĻŦāϤāĻžāĻŦāĻžāĻĻā§€ āĻšā§‡āϤāύāĻž āĻĒā§āϰāĻŦāϞāĻ­āĻžāĻŦ⧇ āĻĢ⧁āĻŸā§‡ āĻ“āϠ⧇āĨ¤ āϤāĻŋāύāĻŋ āĻĻā§€āĻ°ā§āϘ āϏāĻŽā§Ÿ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻĒāĻ¤ā§āϰ āĻĒāĻ¤ā§āϰāĻŋāĻ•āĻžā§Ÿ āϏāĻžāĻšāϏ⧀ āωāĻšā§āϚāĻžāϰāϪ⧇ āĻ•āϞāĻžāĻŽ āϞāĻŋāϖ⧇āĻ“ āϜāύāĻĒā§āϰāĻŋ⧟āϤāĻž āĻĒā§‡ā§Ÿā§‡āϛ⧇āύāĨ¤
ā§Ŧ.
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ā§­.
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āĻŽā§‡āĻ˜ā§‡āϰ āĻŽāϤāύ āϭ⧇āϏ⧇ āϭ⧇āϏ⧇, āĻāĻ•āĻŦāĻžāϰ
āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϘ⧁āϰ⧇ āφāϏāĻŋāĨ¤
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āϚāĻŋā§ŽāĻ•āĻžāϰ āĻ•āϰ⧇
āφāĻ•āĻžāĻļ āĻĢāĻžāϟāĻŋā§Ÿā§‡ āĻŦāϞāĻŋ:
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āĻāχāĻ–āĻžāύ⧇ āφāĻŽāĻŋ āĻāĻ•āĻž, āĻ­āĻŋāύāĻĻ⧇āĻļā§€āĨ¤ '
āφāϏāϞ⧇āχ āĻŽāĻžāύ⧁āώ āϏāĻŦ āϏāĻŽā§Ÿāχ āĻāĻ•āĻžāĨ¤
āĻŦāĻŋāĻĻāĻžā§Ÿ āĻ•āĻŦāĻŋ āĻĻāĻžāωāĻĻ āĻšāĻžā§ŸāĻĻāĻžāϰāĨ¤
- āφāϜāĻŋāϜ⧁āϞ āĻĒāĻžāϰāϭ⧇āϜ
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redwan999 ¡ 4 months ago
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āĻŦāχ āĻĒāĻ°ā§āϝāĻžāϞ⧋āϚāύāĻž – āĻŽā§ŸāύāĻžāĻĻā§āĻŦā§€āĻĒ
āĻ­ā§‚āĻŽāĻŋāĻ•āĻžāσ āφāĻŽāĻžāϰ āĻŦāχ āϏāĻ‚āĻ—ā§āϰāĻšā§‡āϰ āĻ…āĻ¨ā§āϝāϤāĻŽ āĻ‰ā§ŽāϏ āĻšāĻšā§āϛ⧇ āĻŦāχāĻŽā§‡āϞāĻžāĨ¤ ‘āĻŽā§ŸāύāĻžāĻĻā§āĻŦā§€āĻĒ’ āĻŦāχāϟāĻŋ āφāĻŽāĻžāϰ āϏāĻ‚āĻ—ā§āϰāĻš āĻāϕ⧁āĻļ⧇ āĻŦāχāĻŽā§‡āϞāĻž ⧍ā§Ļ⧍ā§Ģ āĻĨ⧇āϕ⧇āĨ¤ āĻāχ āĻŦāχāĻŽā§‡āϞāĻžāĻ‡ā§Ÿ āϏāĻ°ā§āĻŦāĻĒā§āϰāĻĨāĻŽ āϕ⧇āύāĻž āĻŦāχ āĻāϟāĻŋāĨ¤ āĻĒāϰāĻŋāϚāĻŋāϤ āύāĻžāĻŽ āĻĻ⧇āϖ⧇ āĻšāĻžāϤ⧇ āύāĻŋā§Ÿā§‡ āĻĻ⧇āĻ–āĻŋ āĻāϟāĻŋ āĻ”āĻĒāĻ¨ā§āϝāĻžāϏāĻŋāĻ• āĻŽāĻžāύāĻŋāĻ• āĻŦāĻ¨ā§āĻĻā§āϝ⧋āĻĒāĻžāĻ§ā§āϝāĻžā§Ÿ āĻāϰ āϰāϚāĻŋāϤ ‘āĻĒāĻĻā§āĻŽāĻž āύāĻĻā§€āϰ āĻŽāĻžāĻāĻŋ’ āωāĻĒāĻ¨ā§āϝāĻžāϏ⧇āϰ āωāĻĒāϰ āĻ­āĻŋāĻ¤ā§āϤāĻŋ āĻ•āϰ⧇ āϞ⧇āĻ–āĻžāĨ¤ āĻĒāĻĻā§āĻŽāĻž āύāĻĻā§€āϰ āĻŽāĻžāĻāĻŋ āωāĻĒāĻ¨ā§āϝāĻžāϏāϟāĻŋ āĻļ⧇āώ āĻšā§Ÿ āϕ⧁āĻŦ⧇āϰ āĻ“ āĻ•āĻĒāĻŋāϞāĻžāϰ āĻŽā§ŸāύāĻžāĻĻā§āĻŦā§€āĻĒ⧇āϰ āωāĻĻā§āĻĻ⧇āĻļā§āϝ⧇ āϝāĻžāĻ¤ā§āϰāĻžāϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡āĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϝāĻžāĻ¤ā§āϰāĻžāϰ āĻĒāϰ⧇ āĻ•āĻŋ āĻšā§Ÿ āϤāĻž āφāϰ āĻĒāĻžāĻ āϕ⧇āϰ āϜāĻžāύāĻž āĻšā§Ÿ āύāĻžāĨ¤â€Ļ
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golpokhuro ¡ 5 months ago
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📚🎧 āĻĨāĻžāύāĻžāϰ āϏāĻžāĻŽāύ⧇ āĻĒāĻžāϝāĻŧāϚāĻžāϰāĻŋ āĻ•āϰāϤ⧇ āĻ•āϰāϤ⧇ āϕ⧇āω āĻāϏ⧇ āĻ–āĻŦāϰ āĻĻāĻŋāϞ⧋ āĻāĻ•āϟāĻž āĻŦ⧇āĻ“āϝāĻŧāĻžāϰāĻŋāĻļ āϞāĻžāĻļ āĻĒāĻžāĻ“āϝāĻŧāĻž āϗ⧇āϛ⧇! āĻļ⧁āύ⧇ āϤ⧋ āφāĻŽāĻŋ āĻĒā§āϰāĻĨāĻŽā§‡ āĻĒāĻžāĻ¤ā§āϤāĻž āύāĻž āĻĻāĻŋāϞ⧇āĻ“ āĻĒāϰ⧇ āĻ–āĻŦāϰ āĻĒ⧇āϞāĻžāĻŽ āĻ•āĻĨāĻžāϟāĻž āϏāĻ¤ā§āϝāĻŋ !! āĻāĻ•āϟāĻž āĻ•āĻžāϠ⧇āϰ āĻŦāĻžāĻ•ā§āϏ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻ•āĻžāϕ⧇ āϝ⧇āύ āϖ⧁āύ āĻ•āϰ⧇ āϰ⧇āϖ⧇ āĻĻāĻŋāϝāĻŧ⧇āϛ⧇! !! āĻĻ⧇āĻšāϟāĻž āĻāĻŽāύ āĻ­āĻžāĻŦ⧇ āĻĢ⧁āϞ⧇ āϗ⧇āϛ⧇ āϝ⧇ āĻŦā§‹āĻāĻžāĻ“ āϝāĻžāĻšā§āϛ⧇ āύāĻž āĻĻ⧇āĻšāϟāĻž āĻ•āĻžāϰ??
āĻāĻ•āϜāύ āĻāϏ⧇ āĻŦāϞāϞ⧋ āϝ⧇ āĻ“āϟāĻž āϤāĻžāϰ āĻ­āĻžāχ, āφāĻŦāĻžāϰ āϰ āĻāĻ•āϜāύ āĻāϏ⧇ āĻŦāϞāϞ⧋ āϝ⧇ āĻ“āϟāĻž āϤāĻžāϰ āĻ¸ā§āĻŦāĻžāĻŽā§€ l āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻĒā§āϰāĻŽāĻžāύ āϕ⧋āĻĨāĻžāϝāĻŧ??? āĻ…āύ⧇āĻ• āϏāĻŽāϝāĻŧ āϝāĻžāϰ āĻĻ⧇āĻš āĻ­āĻžāĻŦāĻž āĻšāϝāĻŧ, āĻĻ⧇āĻ–āĻž āϝāĻžāϝāĻŧ, āϏ⧇ āĻŦ⧇āρāĻšā§‡ āφāϛ⧇! ! āϤāĻžāĻšāϞ⧇ āĻāχ āĻŦ⧇āĻ“āϝāĻŧāĻžāϰāĻŋāĻļ āϞāĻžāĻļ āϟāĻž āĻ•āĻžāϰ? ?? āϜāĻžāύāϤ⧇ āϤ⧋ āĻšāĻŦ⧇āχ!
āϤāĻžāχ āĻ—āĻ˛ā§āĻĒ āϖ⧁āĻĄāĻŧā§‹āϤ⧇ āϤāĻžāĻĄāĻŧāĻžāϤāĻžāĻĄāĻŧāĻŋ āϚāϞ⧇ āφāϏ⧁āύ āĻāχ āϏāĻĒā§āϤāĻžāĻšā§‡āϰ āĻ—āĻ˛ā§āĻĒ â€˜āĻŦ⧇āĻ“āϝāĻŧāĻžāϰāĻŋāĻļ āϞāĻžāĻļ ’ āĻļ⧁āύāϤ⧇ l
GolpoKhuro āĻ¸ā§āĻŸā§‹āϰāĻŋ āĻ…ā§āϝāĻžāĻĒ⧇ āĻāϏ⧇ āφāĻĒāύāĻŋ āĻļ⧁āϧ⧁ āĻĒāĻĄāĻŧāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύ āύāĻž, āĻļā§‹āύāĻžāϤ⧇āĻ“ āĻĒāĻžāϰāĻŦ⧇āύ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϧāϰāύ⧇āϰ āĻŦāĻžāĻ‚āϞāĻž āĻ—āĻ˛ā§āĻĒ! āφāĻŽāĻžāĻĻ⧇āϰ āĻ…ā§āϝāĻžāĻĒ⧇ āĻĒāĻžāĻŦ⧇āύ āĻšāĻžāϏāĻŋāϰ āĻ—āĻ˛ā§āĻĒ, āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻ—āĻ˛ā§āĻĒ, āĻ—ā§‹āϝāĻŧ⧇āĻ¨ā§āĻĻāĻž āĻ—āĻ˛ā§āĻĒ, āϰāĻšāĻ¸ā§āϝ āĻ—āĻ˛ā§āĻĒ āĻāĻŦāĻ‚ āφāϰāĻ“ āĻ…āύ⧇āĻ• āϧāϰāύ⧇āϰ āĻŦāĻžāĻ‚āϞāĻž āĻ—āĻ˛ā§āĻĒāĨ¤ āϏāĻŽāĻ¸ā§āϤ āĻ—āĻ˛ā§āĻĒāϗ⧁āϞāĻŋ āĻŦāĻžāĻ‚āϞāĻž āĻ­āĻžāώāĻžāϝāĻŧ āϞ⧇āĻ–āĻž, āĻāĻŦāĻ‚ āĻ…āύ⧇āĻ• āĻŦāĻŋāĻ–ā§āϝāĻžāϤ bengali authors-āĻāϰ āϞ⧇āĻ–āĻžāĨ¤
āφāϰ āϏāĻ™ā§āϗ⧇ āĻĨāĻžāĻ•āĻŦ⧇ golpo shomvar āϝ⧇āĻ–āĻžāύ⧇ āĻĒā§āϰāϤāĻŋ āϏāĻĒā§āϤāĻžāĻšā§‡ āύāϤ⧁āύ bengali story āĻĒāĻžāĻŦ⧇āύāĨ¤ 📚🎧
āĻ—āĻ˛ā§āĻĒ⧇āϰ āϜāĻ—āϤ⧇ āĻĄā§āĻŦ⧇ āϝ⧇āϤ⧇ āĻāĻ–āύāχ GolpoKhuro āχāύāĻ¸ā§āϟāϞ āĻ•āϰ⧁āύ āĻāĻŦāĻ‚ āĻŦāĻžāĻ‚āϞāĻž āϏāĻžāĻšāĻŋāĻ¤ā§āϝāϕ⧇ āφāϰāĻ“ āĻ•āĻžāϛ⧇ āϟāĻžāύ⧁āύ! 🌟
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subramanya-bala-blog ¡ 2 years ago
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Om hari om
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what-even-is-thiss ¡ 1 month ago
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Free or Cheap General Language Resources Because idk I Just Wanna Help
All resources either have a free tier or have a low ($10 USD/month or less) subscription fee or a one time purchase option below $100 USD. All prices I give are in USD because I live in the US and this list was already hard to put together okay I'm not also doing conversions
Find language specific lists here.
I have given the links in text format because tumblr has a link limit. Copy and paste into your browser to look at them.
These are generalized. Not for your specific language.
LinQ, a website for reading: https://www.lingq.com/en/
You can click on words you don't know and get a definition and save a flashcard. They provide readings for all levels from beginner to advanced and you can upload your own texts and podcast or video transcripts and there's stuff uploaded by other users to browse through. The website also has some texts with audio included. You can also purchase books through the website. This is all included in the free tier. The paid tier allows you to save an unlimited number of flashcards and includes some forum and tutoring options. It's either $15 a month or $120 for a full year.
Languages available in full: Arabic, Simplified Chinese, Dutch, English, Esperanto, Finnish, French, German, Greek, Hebrew, Italian, Japanese, Korean, Latin, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, Swedish, Ukrainian
Languages partially supported or with incomplete beginner courses: Afrikaans, Armenian, Belarusian, Bulgarian, Cantonese, Catalan, Traditional Chinese, Croatian, Czech, Danish, Georgian, Gujarati, Hindi, Hungarian, Icelandic, Indonesian, Irish, Khmer, Macedonian, Malay, Persian, Punjabi, Serbian, Slovenian, Swahili, Tagalog, Turkish, Vietnamese
Migaku, a web extension and app: https://migaku.com/
Paid service at $10 a month. It has beginner courses and allows for dual language subtitles on things like netflix or youtube. It also allows users to save flashcards from subtitles or articles and sync flashcards between devices
Supported languages: Cantonese, Mandarin, English, French, German, Japanese, Korean, Portuguese, Spanish, Vietnamese
Storylearning Books: https://storylearning.com/books
These are short story, dialogue, or history books by Olly Richards written for beginner to intermediate learners that in my experience at least are written to not be boring for adults. Each chapter of a book includes a key vocabulary list and comprehension questions. Storylearning also has online courses available but they're too expensive for what you get in my opinion. The books are way cheaper, though depending on the language you may have more or less books to buy. The books are usually in the $15-$20 range new but they're often available at used bookstores both online and irl for much cheaper.
Books available in: Spanish, French, Italian, Russian, Arabic (MSA), Brazillian Portuguese, Danish, Dutch, Icelandic, Korean, Norwegian, Swedish, Turkish, Irish
Mango Languages, a pretty standard language app: https://mangolanguages.com/
This is actually a pretty pricey one at like $20 a month but the reason I bring it up is that a lot of people can get it free through their local library and it has a large selection of languages.
Languages supported: Armenian, Azerbaijani, Egyptian Arabic, Iraqi Arabic, Levantine Arabic, Modern Standard Arabic (MSA), Bengali, Cantonese, chaldean Aramaic. Cherokee, Mandarin, Croatian, Czech, Danish, Dari, Dutch, Dzongkha, English, Tagalog, Finnish, French (European and Canadian), German, Greek (modern, ancient, and kione), Hatian Creole, Hawaiian, Hebrew (modern and biblical), Hindi, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Japanese, Javanese, Kazakh, Korean, Latin, Malay, Malayalam, Norwegian, Farsi, Polish, Potawatomi, Punjabi, Romanian, Russian, Scottish Gaelic, Serbian, Shanghainese, Slovak, Spanish (castillian and latin american), Swahili, Swedish, Tamil, Telugu, Thai, Turkish, Tuvan, Ukrainian, Urdu, Uzbek, Vietnamese, Yiddish
Comprehensible Input Wiki, a website for finding language specific comprehensible input resources: https://comprehensibleinputwiki.org/wiki/Main_Page
Comprehensible input is input in a language you understand the message of, not necessarily input you understand every word of. It's good for you to get a lot of it from day one. This website gathers resources like podcasts, kid's shows, youtube channels, books, etc. that are perfect for this sort of thing.
Languages currently on the website as I am writing this: American Sign Language, Arabic (MSA), Armenian, Basque, Biblical Greek, Biblical Hebrew, Bulgarian, Cantonese, Catalan, Chinese, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, German, Greek, Haitian creole, Hakka, Hebrew, Hindi, Hungarian, Indonesian, Italian, Irish, Japanese, Korean, Latin, Lithuanian, Norwegian, Occitan, Polish, Portuguese, Russian, Romanian, Sanskrit, Sardinian, Serbo-Croatian, Sicilian, Slovak, Spanish, Swahili, Swedish, Tagalog, Thai, Toki Pona, Tunisian Arabic, Turkish, Ukranian, Vietnamese, Welsh, Yoruba, Zulu
Drops, a vocab app: https://languagedrops.com/
Drops teaches vocab through pictures and matching and spelling games, though you can also customize your settings to show translations and different alphabets or not. The free tier has ads and a daily time limit. The lifetime subscription is technically against my personal rule for this post because it's $160 but it often goes on sale for half off or $80. There's also a monthly or yearly payment option. At the paid tier you can practice for an unlimited time without ads and choose which types of vocabulary words you want to learn.
Supported Languages: Ainu, English (American and British), Arabic (MSA), Bosnian, Portuguese (Brazilian and European), Cantonese, Spanish, (Castilian and Mexican), Catalan, Croatian, Danish, Dutch, Esperanto, Estonian, Finnish, French, Galacian, German, Greek, Hawaiian, Hebrew, Hindi, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Japanese, Korean, Mandarin, Maori, Norwegian, Persian, Polish, Romanian, Russian, Samoan, Sanskrit for yoga, Serbian, Swahili, Swedish, Tagalog, Thai, Turkish, Ukrainian, Vietnamese, Yoruba
Anki, a general flashcard app: https://apps.ankiweb.net/
You can make your own flashcards on Anki or download flashcard packs that other users have made. It also allows for importing of audio and visual aids. It has a spaced repetition system that a lot of people swear by. Some companies like Refold also sell premade flashcard packs specifically for Anki. Free on desktop, I believe about a $20 one time purchase on iOS.
Muzzy In GondoLand (1986): https://archive.org/details/muzzy-in-gondoland-level-i-1986
No, really! The old Muzzy movies from the 80s made to teach kids foreign languages are fairly easy to find for free on archive.org or on youtube. The new Muzzy with workbooks and an app and whatnot requires a paid subscription to the BBC but the older ones are much easier to find. They're available in English, Spanish, French, Italian, German, Chinese, Korean, Esperanto, and Welsh.
Easy Languages, a connected group of Youtube channels: https://www.easy-languages.org/
Easy Language channels are channels where people interview speakers of the language on the street about everyday topics like dating, tourism, and shopping for example. They have dual language subtitles in their videos in the target language and English. Many of them also have series about useful phrases for beginners and intermediate podcasts. Most also have bonus worksheets and other learning materials on their patreons but the free content available is already a lot.
Current active channels: Arabic, Catalan, Czech, Dutch, English, French, German, Greek, Italian, Polish, Portuguese, Russian, Spanish, Turkish
wordreference.com
A website that lets you look up words in another language. It's better than google translate. It has pronunciation in multiple dialects and in depth explanations that some other websites don't have.
Supported Languages: Spanish, French, Italian, Portuguese, German, Dutch, Swedish, Icelandic, Russian, Polish, Romanian, Czech, Greek, Turkish, Chinese, Japanese, Korean, Arabic
edX, a website for taking college courses, often for free: https://www.edx.org/learn/language
I can't tell you precisely what's available because it changes year to year but they usually offer a wide variety of courses. You can also often get real college credit through these if that's something you're interested in. Programming languages are often mixed in with spoken or signed languages though so you may have to do some digging through the lists to fins what you want.
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authne ¡ 2 years ago
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Recalling Rabindranath Tagore:Tradition of a Scholarly Goliath
Rabindranath Tagore, a famous writer, rationalist, performer, and craftsman, keeps on being a signal of motivation in Indian and worldwide writing. His significant effect on different aspects of culture, going from writing to workmanship and reasoning, has made a permanent imprint that rises above time. This article honors the demise commemoration of Rabindranath Tagore, thinking about his life,â€Ļ
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booksmets ¡ 1 month ago
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Prithibi-Parichoy by Sudhanshu Patra PDF
Prithibi-Parichoy by Sudhanshu Patra Bengali pdf. Name of Book – Prithibi-Parichoy, Author – Sudhanshu Patra, Genre – Bengali Story Book, Book Format – PDF, Book Pages – 111, PDF size – 7 MB, Sudhanshu Patra wrote the story book Prithibi-Parichoy.  The Science-information story book Prithibi-Parichoy is a science-based story. The author has shed light on various aspects of world identity in thisâ€Ļ
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papenathys ¡ 4 months ago
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MUTUAL AID
I'm doing all I can to escape my abusive home, because my mental and physical health has been at an all time low since December. If my work has ever meant anything to you, please consider donating to a disabled trans queer Bengali butch, if you are able to. I don't really want to talk about my personal life right now, because I'm sick of talking about it honestly and it's been horrific since 2023, but I would like a bit of help very much now, instead of just my shitposts and moodboards blowing up.
my trans poetry book collection
my trans sapphic Bengali story from ko-fi
If Indians have problem with Payp*l, you can donate on gpay: sritamasen1905@oksbi
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duckprintspress ¡ 3 months ago
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Celebrate Eid al-Fitr with 6 Queer Muslim Reads
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Eid Mubarak! Ramadan is ending, and Eid al-Fitr is beginning, and we’re celebrating with a modest list of queer books with Muslim characters. The contributors to the list are: Meera S., Linnea Peterson, Nina Waters, and Adrian Harley.
We Have Always Been Here: A Queer Muslim Memoir by Samra Habib
How do you find yourself when the world tells you that you don’t exist? Samra Habib has spent most of their life searching for the safety to be themself. As an Ahmadi Muslim growing up in Pakistan, they faced regular threats from Islamic extremists who believed the small, dynamic sect to be blasphemous. From their parents, they internalized the lesson that revealing their identity could put them in grave danger. When their family came to Canada as refugees, Samra encountered a whole new host of bullies, racism, the threat of poverty, and an arranged marriage. Backed into a corner, their need for a safe space–in which to grow and nurture their creative, feminist spirit–became dire. The men in Samra’s life wanted to police them, the women in their life had only shown them the example of pious obedience, and their body was a problem to be solved. So begins an exploration of faith, art, love, and queer sexuality, a journey that takes them to the far reaches of the globe to uncover a truth that was within them all along. A triumphant memoir of forgiveness and family, both chosen and not, We Have Always Been Here is a rallying cry for anyone who has ever felt out of place and a testament to the power of fearlessly inhabiting one’s truest self.
Hijab Butch Blues by Lamya H
When fourteen-year-old Lamya H realizes she has a crush on her teacher–her female teacher–she covers up her attraction, an attraction she can’t yet name, by playing up her roles as overachiever and class clown. Born in South Asia, she moved to the Middle East at a young age and has spent years feeling out of place, like her own desires and dreams don’t matter, and it’s easier to hide in plain sight. To disappear. But one day in Quran class, she reads a passage about Maryam that changes everything: when Maryam learned that she was pregnant, she insisted no man had touched her. Could Maryam, uninterested in men, be . . . like Lamya? From that moment on, Lamya makes sense of her struggles and triumphs by comparing her experiences with some of the most famous stories in the Quran. She juxtaposes her coming out with Musa liberating his people from the pharoah; asks if Allah, who is neither male nor female, might instead be nonbinary; and, drawing on the faith and hope Nuh needed to construct his ark, begins to build a life of her own–ultimately finding that the answer to her lifelong quest for community and belonging lies in owning her identity as a queer, devout Muslim immigrant.
Hani and Ishu’s Guide to Fake Dating by Adiba Jaigirdar
Everyone likes Humaira “Hani” Khan—she’s easy going and one of the most popular girls at school. But when she comes out to her friends as bisexual, they invalidate her identity, saying she can’t be bi if she’s only dated guys. Panicked, Hani blurts out that she’s in a relationshipâ€Ļwith a girl her friends absolutely hate—Ishita “Ishu” Dey. Ishu is the complete opposite of Hani. She’s an academic overachiever who hopes that becoming head girl will set her on the right track for college. But Ishita agrees to help Hani, if Hani will help her become more popular so that she stands a chance of being elected head girl. Despite their mutually beneficial pact, they start developing real feelings for each other. But relationships are complicated, and some people will do anything to stop two Bengali girls from achieving happily ever after.
Tell Me How You Really Feel by Aminah Mae Safi
Sana Khan is a cheerleader and a straight A student. She’s the classic (somewhat obnoxious) overachiever determined to win. Rachel Recht is a wannabe director who’s obsesssed with movies and ready to make her own masterpiece. As she’s casting her senior film project, she knows she’s found the perfect lead – Sana. There’s only one problem. Rachel hates Sana. Rachel was the first girl Sana ever asked out, but Rachel thought it was a cruel prank and has detested Sana ever since. Told in alternative viewpoints and inspired by classic romantic comedies, this engaging and edgy YA novel follows two strongwilled young women falling for each other despite themselves.
DeadEndia by Hamish Steele
Barney Guttman’s life has been turned upside down. His family is struggling to fully embrace his trans identity, but thanks to his best friend Norma, he’s just landed a job at Phoenix Parks, a Dollywood-esque amusement park inspired by the long life and career of mysteriously youthful actress and singer Pauline Phoenix. Soon, Barney and his dog, Pugsley, secretly move into the haunted house attraction. Little does Barney know, the house contains a portal to the demonic planes of Hell. When Courtney, Barney’s devilish new roommate, invites a demon king to Earth through the portal, they offer Barney and Norma as flesh vessels for the king, but in a strange twist, Pugsley is possessed instead! It’s a race through the park to save Pugsley—and the world—from the demon king’s reign of terror that leaves Pugsley with strange and magical side effects. With all of this chaos going on, Barney is also discovering he has crush on park employee, Logan, so he must face his biggest fear of allâ€Ļ talking to someone he likes. Follow the lives of this diverse group of friends in this hilarious and moving graphic novel series, complete with talking pugs, vengeful ghosts, and first love.
Shubeik Lubeik by Deena Mohamed
Shubeik Lubeik–a fairytale rhyme meaning “Your Wish is My Command” in Arabic–is the story of three characters navigating a world where wishes are literally for sale; mired in bureaucracy and the familiar prejudices of our world, the more expensive the wish, the more powerful and therefore the more likely to work as intended. The novel’s three distinct parts tell the story of three first class wishes as used by Aziza, Nour, and Shokry, each grappling with the challenge inherent in trying to make your most deeply held desire come true.
What are YOUR favorite Queer Muslim books? (We definitely need some recs ourselves!)
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banglabooksme ¡ 5 months ago
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Golper Hat Bengali stories collection ebook PDF
Golper Hat Bengali stories collection ebook PDFebook name- ‘Golper Hat’Collected by- Ritan KhanBook genre- A lot of Bengali stories collection bookFile format- PDFPages- 3221File size- 18MbQuality- Best, without any watermark, All the stories in this collection have been collected from various online magazines and blogs. Most of the authors in this collection may be unknown or somewhat familiarâ€Ļ
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sambhavami ¡ 13 days ago
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Hello,I have been following your blogs lately and it's very insightful ! Your version of MB and Krishna is so much more believable. Don't get me wrong, I grew up in a Bengali household where all these stories were narrated to me since my childhood days. Those days it seemed more of a fantasy story which fun to indulge in. Today the perspectives have changed because I would like to believe it was not a made up event and that it actually has some historical backing. You often talk about Dr. Bhaduri, do you mind sharing your sources of their work perhaps?
Also these days I have been super occupied with the thought of Radha and Krishna and why are they particularly worshiped so much across the north? I mean aside from the divine part when we talk about human Radha and Krishna how do you visualise them? Not to sound rude or ignorant but I feel they were/ are heavily romanticized. I do believe they were very fond of one another and perhaps lovers too but given the timeline of when Krishna leaves Vrindavan it's a little difficult to grasp that the kids were so much in love romantically.
I personally think they were in love but just not romantically and when I say that I don't mean to insult their bond. I believe there are various forms of love but they are rarely talked about. Love is so subjective and to me the greatest form of love is when it's in the very form of platonic, romantic and devotional. (Again not imposing my beliefs but it rather makes me question people)
Now my question is, Did they meet later in their lives after Dwarka was built or before that? I ask this because a lot of people around me say they met secretly and got married at some point (I heavily disagree on that as we don't have any source to back that statement and that they have just watched daily soaps ) I read somewhere that they emerged as a pair (for worshiping) during the Bhakti Movement in the subcontinent.
What do you think actually happened to her ? And the constant comparison content I keep seeing in the other social media platforms about her and Rukmini. Lmao (Unsettling) People also say she was the only one who met Radha out of all his other wives.
Actually I would like to know more about their relationship from your perspective.
Hey, thank you! <3 Dr. Bhaduri is Dr. Nrisingha Prasad Bhaduri, you can find his books here, here, here, here (although I recommend college street rather than Amazon, it'll be way cheaper and better overall), and his YT channel.
So, in my mind, since most of the early legends come from Bengal side, Radha and Aayaana are most probably a case of child marriage not working out. Now, even if they do not have an option to divorce safely, they are determined to make the best of it. Here, Radha meets the slightly younger Krishna (just because she's his aunt-by-marriage, doesn't guarantee they're aren't nearly the same age).
Radha is the face of a revolution of sorts, against a very puritan society, which would rather have kids be dropped off by storks rather than having a husband see his wife's face. She has a certain s*x appeal no one can't deny it, in all the stories, it is always the main undercurrent, but she is not going to apologise for it! Now, I don't want to get into much detail here for obvious reasons, but the concepts of vaama-nayika, parakiya, vipareeta-rati, sahajiya, love-as-consumption-of-the-beloved etc. may be worth looking up. I wrote a bit about Radha's origin and Krishna's Vraja in these posts: here and here.
Obviously, I do not possess a time machine, so I can't vouch that this is the case 100% and I myself skip over adults scenes even at 25, so clearly, not an expert on this matter either...but this is the general thread preserved in most of the texts. The story that is usually presented to kids (as it should be, but adults should grow up) is heavily sanitised, specially since after iskcon became a thing. But then even Geeta-Govindam was banned in its time.
The marriage story if I'm not wrong comes either from Garga samhita or Brahma-vaivarta. Either way, it's a later addition to 'legitimize' their relationship since most people did not want to accept the 'affair' part. Radha did gain popularity during the Bhakti movement, especially after Geeta Govindam became this secret sensation around your 12-13th century.
Most of Radha's friends and family are collated into one cohesive narrative by the Vrindavan Goswamis, and most of the Radha-Krishna stories come from Surdas etc. or the Bauls in Bengal. SriChaitanya in the 16th century obviously was a game-changer, bringing Radha-Krishna as a one-body-two-souls from the previous two-bodies-one-soul, all while shaking both the Brahmanical and Abrahamic religions of the time to their very core.
A lot of things make sense about Radha only if we remember that her origin and perseverance are both a form of protest, against sexism, casteism all of it. Now no one likes it, but Radha is ultimately the narrative antithesis to Rukmini (Satyabhama is somewhere in the middle of that scale). Rukmini is quiet, legitimate, pious, silent, Radha is the exact opposite of that. Moreover, she's inconvenient. The only thing that brings them together, in one line, is their love for Krishna, and yes, it is counter-productive to compare them, they have very different purposes to fulfill each. Some people who love drama have written very saas-bahu coded stories for them, usually ending with Rukmini being humiliated, but they are written in bad faith in my opinion.
As for them meeting, Radha comes to Kurukshetra in some texts and they meet there once (along with Nanda-Yashoda everyone). Most texts don't bother with it, since what's the point disturbing the sanctity of both of their sacrifices, right? Why make all that so trivial by removing the thread of poignancy?
One book Prabhasa Khanda [1973-ish?] says that Radha gave birth to twins, the father was Krishna, and no one found out till Yudhishthira did his ashvamedha, and the kiddos shot down the 4 Pandavas Ramayan-style. There Krishna and Radha met by each sitting on opposite sides of a wall.
In general, as the legend goes, Radha nearly went mad, and left her marital house, aimless walking in the forest. Aayaana came out as Aayaani and left her house as well, becoming a yogini. For the rest of their lives Radha and Aayaani lived in a hut by Yamuna, both by this time equally in love with Krishna [there's one story by Rajshekhor Basu, but I can't remember the name of it for God's sake, where Shikhandi exchanges his gender with Aayani].
In my personal opinion, Radha lived out the rest of her life in Vrindavan, as Krishna did in Dwarika.
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golpokhuro ¡ 5 months ago
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📚🎧 āĻ¸ā§āĻŸā§‡āĻļāύ āĻŽāĻžāĻ¸ā§āϟāĻžāϰ āϤāĻžāϰ āϞāĻŖā§āĻ āύāϟāĻž āφāĻŽāĻžāϰ āĻŽā§āϖ⧇āϰ āϏāĻžāĻŽāύ⧇ āϧāϰāϞ⧋.... āφāĻŽāĻŋ āĻŦāϞāϞāĻžāĻŽ āĻŽāĻžāĻŽā§āĻĻāĻĒ⧁āϰ⧇āϰ āϜāĻŽāĻŋāĻĻāĻžāϰ āĻ•ā§ƒāϤāĻžāĻ¨ā§āĻĨ āϚ⧌āϧ⧁āϰ⧀āϰ āĻāĻ•āϜāύ āĻŽā§āϝāĻžāύ⧇āϜāĻžāϰ āĻĻāϰāĻ•āĻžāϰ, āϤāĻžāχ āϚāĻžāĻ•āϰāĻŋāϰ āϜāĻ¨ā§āϝ āϝāĻžāĻšā§āĻ›āĻŋ...... āϤāĻž āĻļ⧁āύ⧇ āĻ¸ā§āĻŸā§‡āĻļāύāĻŽāĻžāĻ¸ā§āϟāĻžāϰ āĻŦāϞāϞ⧋ āĻ“āϞāĻžāχāϤāϞāĻžāϰ āĻŦāĻžāĻ—āĻžāύ āĻŦāĻžāĻĄāĻŧāĻŋ??? āϏ⧇āĻ–āĻžāύ⧇ āϤ⧋ āĻ—āϤ āφāϟ āĻŽāĻžāϏ⧇ āφāϟ āϜāύ āĻŽāĻžāύ⧁āώ āĻ“āχ āĻāĻ•āχ āĻ•āĻžāĻœā§‡āϰ āϜāĻ¨ā§āϝ āĻ—āĻŋāϝāĻŧ⧇āϛ⧇ āĻ•āĻŋāĻ¨ā§āϤ⧁ āφāϰ āĻĢ⧇āϰ⧇āύāĻŋ!!! āĻļ⧁āύ⧇ āĻŦ⧁āϕ⧇āϰ āĻ­āĻŋāϤāϰāϟāĻž āĻļ⧁āĻ•āĻŋāϝāĻŧ⧇ āϝāĻžāϝāĻŧ.... āĻ•āĻŋāĻ¨ā§āϤ⧁ āϕ⧇āύ? ?? āĻ•āĻŋ āϰāĻšāĻ¸ā§āϝ āφāϛ⧇ āĻ“āĻ–āĻžāύ⧇??? āϜāĻžāύāϤ⧇ āĻšāϞ⧇ āĻļ⧁āύāϤ⧇ āĻĨāĻžāϕ⧁āĻ¨ā§ āĻ—āĻ˛ā§āĻĒ â€˜āĻ“āϞāĻžāχāϤāϞāĻžāϰ āĻŦāĻžāĻ—āĻžāύāĻŦāĻžāĻĄāĻŧāĻŋ ‘ l āĻāĻŦāĻ‚ āĻ…āĻŦīŋŊīŋŊīŋŊā§āϝāχ āĻ—āĻ˛ā§āĻĒāϖ⧁āĻĄāĻŧā§‹ āĻā§āϝāĻžāĻĒāϟāĻŋāϕ⧇ āĻ…āύ⧁āϏāϰāĻŖ āĻ•āϰ⧁āύ.
GolpoKhuro āĻāĻĒ⧇ āĻāϏ⧇ āφāĻĒāύāĻŋ āĻļ⧁āϧ⧁ āϝ⧇ āĻĒāĻĄāĻŧāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύ āϤāĻž āύāϝāĻŧ, āϤāĻžāϰ āϏāĻ™ā§āϗ⧇ āĻļ⧁āύāϤ⧇āĻ“ āĻĒāĻžāϰāĻŦ⧇āύ āĻ—āĻ˛ā§āĻĒ⧇āϰ āĻ¸ā§āĻŸā§‹āϰāĻŋ! āφāĻŽāĻžāĻĻ⧇āϰ āĻāĻĒ⧇ āĻĒāĻžāĻŦ⧇āύ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϧāϰāύ⧇āϰ āĻŦāĻžāĻ‚āϞāĻž āĻ—āĻ˛ā§āĻĒ, āϝ⧇āĻŽāύ āĻšāĻžāϏāĻŋāϰ āĻ—āĻ˛ā§āĻĒ, āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻ—āĻ˛ā§āĻĒ, āĻ—ā§‹āϝāĻŧ⧇āĻ¨ā§āĻĻāĻž āĻ—āĻ˛ā§āĻĒ, āϰāĻšāĻ¸ā§āϝ āĻ—āĻ˛ā§āĻĒ āχāĻ¤ā§āϝāĻžāĻĻāĻŋāĨ¤ āϏāĻŦ āĻ—āĻ˛ā§āĻĒ āĻŦāĻžāĻ‚āϞāĻž āĻ­āĻžāώāĻžāϝāĻŧāĨ¤ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ, āφāĻŽāĻžāĻĻ⧇āϰ golpo shomvar āϏāĻŋāϰāĻŋāĻœā§‡ āĻĒā§āϰāϤāĻŋ āϏāĻĒā§āϤāĻžāĻšā§‡ āύāϤ⧁āύ bengali story āφāĻŦāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύāĨ¤
āĻ—āĻ˛ā§āĻĒ⧇āϰ āϰīŋŊīŋŊāĻœā§āϝ⧇ āĻĄā§āĻŦ⧇ āϝ⧇āϤ⧇ āĻāĻ–āύāχ GolpoKhuro āĻāĻĒ āχāύāĻ¸ā§āϟāϞ āĻ•āϰ⧁āύ āĻāĻŦāĻ‚ āĻŦāĻžāĻ‚āϞāĻž āϏāĻžāĻšāĻŋāĻ¤ā§āϝāϕ⧇ āĻšāĻžāϤ⧇ āϰāĻžāϖ⧁āύ! 🌟
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