#Becks post

[astrid-beck]

This is my unethical polycule. The nonmonogamy is consensual and negotiated we're just evil in other ways.

[peachybeesplease]

jon looking for connections between the statements vs elias choosing which spooky little gossip to drop on georgie's doorstep

[neo--queen--serenity]

Exploding into spiders is OUT ❌

Exploding into snakes is IN ✅

[nellasbookplanet]

I think it's funny that I keep seeing Liliana compared to Essek on the basis of 'beloved npc the cast wants to see redeemed', with a contingent of fandom claiming Liliana to be more 'deserving' of said redemption because they see her as a victim and Essek as a villain. To me, if we are going to compare her to a c2 npc, her role is much more similar to that of Astrid (and Eadwulf, though he's less central).

As in, she’s an antagonist who’s deeply emotionally and historically tied to one of the pc's, with said pc being unable to bring themself to give up on her despite her being unwilling to stop fighting for the bad guy (examples: Liliana casting timestop to get bells hells past the vanguard; Astrid allowing the nein to flee to the fire plane; both of them returning to working for their evil boss immediately afterwards).

Like Astrid, Liliana was manipulated into joining a cult-like supremacist organisation (though unlike Astrid she was an adult, giving her less leeway) for what they thought of as good, just reasons (Liliana to save her daughter and 'free' exandria from the gods; Astrid to protect her home nation). Like Astrid she is a victim, but she is also undeniably a villain. Both of them have the lives of countless innocents on their hands and could not, for the longest time, be trusted. The fact that they are sad little meow meows or whatever doesn't change this. Even at the end of c2, Astrid may have turned on her boss, but unlike Caleb she was unable to fully give up the organisation he was part of, becoming part of the assembly herself. Liliana may be out from under Ludinus' thumb, but she has shown little indication that she has moved away from his ideas of 'let's blame the gods for all the ills of the world and exterminate them for it'.

Essek, while arguably a much darker character who acted for wholly selfish reasons, nonetheless entered c2 as a perceived ally. By the time the nein found out about his involvement there was already a foundation of trust and friendship, and he had made the decision to sever ties with the assembly (though it took a bit longer before the guilt and regret caught up) while all but devoting himself to the nein after. Liliana and Astrid both struggled for most of the campaign to turn their backs on the evil organisation they worked for no matter the pleading of loved ones. All three are morally grey characters who at some point had the potential to be redeemed or go full antagonist (WHAT would have happened if Liliana found out Imogen really knew of the assassination attempt) but their journeys and the way they are presented to the audience as well as the players differ quite strongly.

If you are going to compare Essek and Liliana, admit to their strongest similarity: the fact that they both had the agency to choose their bad actions, and that neither were an innocent victim to the consequences that followed.

[lithiumseven]

Bullet Train as incorrect quotes

[mikeansach]

[vsemily]

What is a Timorvas?

[biracy]

Saw VI (2009) / Gideon the Ninth (2019)

I'm connecting the dots. I've connected them

[sir-ballister-boldheart]

"Ambrosius is a bad boyfriend because he lead the manhunt for Ballister."

Did you miss the part where Ambrosius stepped up to lead the search for Ballister because if he didn't, then someone else would and that person would not be kind to Ballister? Literally the moment before Ambrosius volunteered, Todd was declaring in front of the whole Institute about how, if he was given the charge of the hunt, he was going to "make it hurt" for Ballister when he captured him and there were people CHEERING for him.

Do you think this is the face of a man who is super stoked about the decision to lead the search for the love of his life?? Literally no one is more heartbroken and disappointed about Ambrosius' decision to lead the manhunt for Ballister than Ambrosius himself

Ambrosius wanted to protect the man he loved and the only way he could do so was by spearheading his manhunt and arrest. That's the fucking tragedy of the situation.

[sturniolo-triplets]

Noah Beck on Instagram

[catharsim]

a new Lucchesi has entered the chat.

[astrid-beck]

Something insanity inducing about jester and veth trying to comfort caleb after the vergessen heist by telling him that the people he killed were bad people, they were evil, they obviously deserved it, we're the good guys, he had to do it, he had to do it for the greater good, the chosen few made the hard choice and do what few have the will to do—

[peachybeesplease]

this page is SO MUCH to me

just like. the bed is a whole acre. two people could sit on opposite corners of that bed and they'd have to raise their voices to have a conversation. there's enough of that bed that you'd have to call a search party for a stuffed animal.

AND YET. remy has bundled himself to the very Very edge of this bed that is larger than most studio apartments to be close to jamis. sometime in the night he took one of the pillows on the cross-country journey from the middle to the end of the bed to be as close to jamis as is physically possible without actually rolling off. and he did it SUBCONSCIOUSLYYYY like I know he turned down the whole "there was only one bed" immediately but if I'm being honest with you all I think what they have going on is gayer than that

[visualnoteslibrary]

What is this blog?

@visualnoteslibrary a.k.a. the illustrator's library is a project wherein I attempt to collect, organize and share all the physical/visual descriptions of characters in classic lit to provide reference to illustrate from! It started as a personal project, as I had been annotating my copy of The Count of Monte Cristo to save all of the quotations referencing characters' appearances to draw them and decided to digitize and share the notes and decided it would be fun to make it an ongoing project. The folder can be found here!

Current Titles

The Count of Monte Cristo

Dracula

Little Women

War and Peace

Les Misérables (work in progress, see this post for more information)

Les Misérables [Version Française] (see above; this version will be updated concurrently)

How is the information arranged/presented?

By character, then by chapter so you can easily find the quotes in context. I also sometimes add a column to easily track characters' ages where relevant/possible. Check out some titles above for examples!

Can you add this book?

For copy-pasting purposes I prefer to do books in the public domain, and I'd only do a book I'd already read, since it would otherwise be pretty spoiler-heavy. I also prioritize books written in English since it's my native language and I'm extremely opinionated about translations and can be skeptical of their accuracy (I hand-typed all the quotes from my favorite translation of War and Peace) but I definitely make exceptions. But please do request titles and if they fit the bill I'll try to get to them!

Do I need to credit you?

Not at all! I'm just pulling quotes from books I didn't write, so I could hardly demand credit. If you'd like to credit me in order to inform people about the project, it would be appreciated! I also love to be tagged (@visualnoteslibrary, #visualnoteslibrary or #visual notes library) so I can reblog your awesome art!!

You missed the part in [book] where it says that [character] is [description]!

Pleeeease tell me these things so I can fix them! I'll even add your URL, name, or whatever moniker you prefer to the bottom of the document and say how you helped.

[wynandcore]

Experimenting w adult Beck going through his beefcake era

[books]

Writer Spotlight: Jamie Beck

Jamie Beck is a photographer residing in Provence, France. Her Tumblr blog, From Me To You, became immensely successful shortly after launching in 2009. Soon after, Jamie, along with her partner Kevin Burg, pioneered the use of Cinemagraphs in creative storytelling for brands. Since then, she has produced marketing and advertising campaigns for companies like Google, Samsung, Netflix, Disney, Microsoft, Nike, Volvo, and MTV, and was included in Adweek Magazine’s “Creative 100” among the industry’s top Visual Artists. In 2022, she released her first book, An American in Provence, which became a NYT Bestseller and Amazon #1 book in multiple categories, and featured in publications such as Vogue, goop, Who What Wear, and Forbes. Flowers of Provence is Jamie’s second book.

Can you tell us about how The Flowers of Provence came to be?

I refer to Provence often as ‘The Garden of Eden’ for her harmonious seasons that bring an ever-changing floral bounty through the landscape. My greatest joy in life is telling her story of flowers through photography so that we may all enjoy them, their beauty, their symbolism, and their contribution to the harmony of this land just a bit longer. 

(Photograph: Jamie Beck)

How do your photography and writing work together? Do you write as part of your practice?

I constantly write small notations, which usually occur when I am alone in nature with the intention of creating a photograph or in my studio working alone on a still life. I write as I think in my head, so I have made it a very strict practice that when a thought or idea comes up, I stop and quickly write the text in the notes app on my phone or in a pocket journal I keep with me most of the time. If I don’t stop and write it down at that moment, I find it is gone forever. It is also the same practice for shooting flowers, especially in a place as seasonal as Provence. If I see something, I must capture it right away because it could be gone tomorrow. 

(Photograph: Jamie Beck)

You got your start in commercial photography. What’s something you learned in those fields that has served you well in your current creative direction?

I think my understanding of bridging art and commerce came from my commercial photography background. I can make beautiful photographs of flowers all day long, but how to make a living off your art is a completely different skill that I am fortunate enough to have learned by working with so many different creative brands and products in the past. 

(Photograph: Jamie Beck)

Do you remember your first photograph?

Absolutely! I was 13 years old. My mother gave me her old Pentax 35mm film camera to play with. When I looked through the viewfinder, it was as if the imaginary world in my head could finally come to life! I gave my best friend a makeover, put her in an evening gown in the backyard of my parents’ house in Texas, and made my first photograph, which I thought was so glamorous! So Vogue!

You situate your photographic work with an introduction that charts the seasons in Provence through flowers. Are there any authors from the fields of nature writing and writing place that inspire you?

I absolutely adore Monty Don! His writing, his shoes, and his ease with nature and flowers—that’s a world in which I want to live. I also love Floret Flowers, especially on social media, as a way to learn the science behind flowers and how to grow them. 

How did you decide on the order of the images within The Flowers of Provence?

Something I didn’t anticipate with a book deal is that I would actually be the one doing the layouts! I assumed I would hand over a folder of images, and an art director would decide the order. At first, it was overwhelming to sort through it all because the work is so personal, and I’m so visual. But in the end, it had to be me. It had to be my story and flow to be truly authentic. I tried to move through the seasons and colors of the landscape in a harmonious way that felt a bit magical, just as discovering Provence has felt to me. 

(Photograph: Jamie Beck)

How do you practice self-care when juggling work and life commitments alongside the creative process?

The creative process is typically a result that comes out of taking time for self-care. I get some of my best ideas for photographic projects or writing when I am in a bath or shower or go for a long (and restorative) walk in nature. Doing things for myself, such as how I dress or do my hair and makeup, is another form of creative expression that is satisfying. 

What’s a place or motif you’d like to photograph that you haven’t had a chance to yet?

I am really interested in discovering more formal gardens in France. I like the idea of garden portraiture, trying to really capture the essence and spirit of places where man and nature intertwine. 

Which artists do you return to for inspiration?

I’m absolutely obsessed with Édouard Manet—his color pallet and subject matter. 

What are three things you can’t live without as an artist?

My camera, the French light, and flowers, of course. 

What’s your favorite flower to photograph, and why?

I love roses. They remind me of my grandmother, who always grew roses and was my first teacher of nature. The perfume of roses and the vast variety of colors, names, and styles all make me totally crazy. I just love them. They simply bring me joy the same way seeing a rainbow in the sky does. 

(Photograph: Jamie Beck)