#Because yea that is a part of this as well

[albinokittens300]

!Spoilers Under The Cut!

Last critical leaning post, but warning I am gonna boarderline vent here. Hopefully after this I can take up enjoying the vagueness the ending left us with but. Still gotta get this out.

Gonna say it: I swear they just were to scared to give Jinx a positive ending. Like they had such a perfect set up for it and plain and simple the writers were not brave enough to give her the ending she should have gotten.

I wholeheartedly disagree with this idea of her running away is a good ending. It's a terrible one, because it doesn't allow her to heal anything. It allows her to run away from what she needs to heal. It's avoidance not growth. Guess I can be happy she wasn't really dead but that's kinda the most positive thing I can say about her exiling herself by leaving. And this being what is probably a sacrifice for Vi's happyness when it also takes her away from whatever is very clearly being built between her and Ekko? Again. That's not good in my opinion. It's going backwards for her. Chooseing things based on what someone else wants, not herself.

And let me be clear: leaving behind the two people she loves and has a connection with? Is completely out of character for her.

So unless it is intentionally meant to be a short lived absence, which we have nothing inplying that to be the case, I think her leaving is only a few points better than her actually dieing.

It would have made so much more sense to show her coming back and joinning the Firelights and the others who were fighting with them. Her sacrifice, than her walking in amongst a group of Zaunites and Ekko noticing her and a laugh as she plays with him for a minute. It's an open ended thing- we don't know if she really is fully joinning them, how she feels about the new situation between the cities, or Vi- but she is there and faceing the new.

THAT would be so many worlds better than her just being assumed dead and leaving her life completely behind. Because doing that doesn't break the cycle of killing the way Silco was encourageing her to do- it just prevents her from having to make any changes.

Whew. Okay. There, off my chest.

I do have a whole post like this about Episode 7 that I might get the heart up to actually post. Though, I almost refuse just on grounds so many Timebomb fans are loving and enjoying it. The last thing I want to do is tear it down, even if I haveing a harder time of it.

But hopefully with this out I can play with some of the freedom this ending did bless us with. If nothing else, I can have any ending I want because they just let Jinx fly off.

[coryndoll]

plot ── tasked with interviewing actor drew starkey about his latest movie, you unintentionally steal the spotlight, leaving him blushing and lost for words under your mesmerizing gaze.

content ── reader being toooo pretty that drew is just like woah, drew being so observant ugh love him, reader not even trying to get his attention at all but ure just so alluring to him

authors note ── yea FUCK my series even tho i made that poll tbh im just so unmotivated. i saw this pic of drew n had some ideas for this lil oneshot of reader interviewing him post-premiere or something and him literally falling in love n reader noticing the little things n he becomes soheart eyes for u omg

you were a little nervous, to say the least. it was supposed to be a one-on-one interview, which somehow felt more intense than group ones with an entire cast. at least in those, the attention wasn’t entirely on you. but now? now it was just you and drew starkey, a handful of questions, and an awkwardly large camera crew standing just out of frame, watching everything. no pressure, right?

your boss had insisted that this interview focus on drew’s performance in his latest film. fair enough, but it also meant no backup—no costar to bounce off of or share the spotlight. it felt intimate in a way you weren’t entirely comfortable with, no matter how many times you’d done this. at the end of the day, it was just you sitting across from a celebrity while everyone else quietly judged your ability to hold a conversation.

you had almost turned this job down when you first started, not because of the nerves (though there were plenty) but because of the sheer vulnerability of it. still, the exposure wasn’t bad, and the paycheck? even better.

as you stepped into the room, clipboard in hand, the tension in your chest tightened just a bit. drew starkey, an actor you were only somewhat familiar with, sat casually in his chair. outer banks, hellraiser, the other zoey—you’d done your homework, skimming through his projects like your career depended on it. because, well, it kind of did. and he was . . . well, better looking in person, if that was even possible. the kind of face that made you forget you had questions to ask in the first place.

meanwhile, drew had been at this for hours. interviews were basically part of the job, but after a while, they all blended together. same questions, same conversations, just with different faces. he was tired but not miserable, holding onto the thought of dinner plans with some friends later that night.

interviews weren’t bad—he liked the connection when it happened, like the guy he was first interviewed by had laughed when he cracked a joke—but there was only so much charm drew could muster after a full day of talking about himself and the same film.

when you walked into the room, he barely glanced up at first. another assistant, probably, or someone from the crew running around to keep things moving. he didn’t pay much attention until you stopped right in front of him, introducing yourself and the network you worked for, arm extended for a handshake.

his gaze flicked to yours, and for a moment, he forgot how to move, but he pulled himself together quickly, or at least he hoped it looked that way. he shook your hand, smiling the kind of easy, practiced smile he’d perfected over the years, but there was something a little shaky in his voice when he said, “nice to meet you.”

he sat back down, reminding himself to focus. you were a professional. he was a professional. this was just another interview. but it was hard to ignore the way his heart picked up every time you looked at him like that—focused, curious, maybe even a little nervous yourself. he wasn’t sure what it was about you, but for the first time that day, he couldn’t wait for the next question.

his hand went to his earlobe almost instinctively, a nervous habit he hadn’t really noticed until now. yeah, you were . . . stunning, in the kind of way that made him feel like he should stand up straighter or check his hair. if someone had told him you were a celebrity, he wouldn’t have questioned it. but the fact that you were here to interview him? that just felt unfair.

but the interview was smooth, the kind he’d done a hundred times before. the questions were predictable again, circling around the same themes: his character, the challenges of filming, the energy on set. drew answered easily, slipping into that familiar rhythm, but every so often, his focus wavered—not on the questions, but on you.

you glanced down at your list, scanning it for the next prompt, and then back up at him with those eyes. god, those eyes. drew swore they could make anyone feel like they were the only person in the room, even though he knew there were at least ten crew members just beyond the cameras.

he noticed it, though—how bored you seemed, even if you were too professional to let it show. your smile was polite, your tone unwavering, but every now and then, you hesitated just slightly before asking him a question, like you were already tired of the script you’d been given.

and then there was him, barely able to hold eye contact. it was almost embarrassing when he caught himself smiling at you, just a small, almost shy curve of his lips, but it was enough for you to pause, tilting your head slightly as if you were studying him.

"are you okay?" you asked softly, your own lips quirking into a smile that practically knocked the wind out of him.

it was such a simple exchange, but drew could feel the heat creeping up his neck. “yeah. yeah, i’m . . . awesome,” he managed, clearing his throat and looking away for half a second before his eyes found their way back to yours. he had to play it off, had to stay professional, but the way you smiled back at him, like his answer had made your day a little brighter? it felt like a win. still, he reminded himself: there was only so much time left. you were on a clock, and he couldn’t afford to waste it, even if you made it almost too easy to get distracted.

you just laughed, accepting his answer, but the moment lingered. your smile lingered. and the questions rolled on, one after another. nothing groundbreaking, but you kept it light, adding just enough to make it feel like a conversation. drew appreciated that. but eventually, after a particularly shared laugh—he couldn’t even remember what the joke had been—he leaned in slightly, his voice carrying a hint of playful curiosity.

“okay, so what did you think about the movie?” he asked, a smile tugging at his lips. it caught you off guard; he could tell by the way your posture shifted, your pen stilling over your notes.

and then you started talking.

at first, it was simple—a few observations, some praise for the direction, the performances. but the more you went on, the more animated you became, your voice lifting slightly, your words flowing effortlessly. you dove deep, unraveling moments and emotions from the film like you’d been holding them in since the premiere. drew leaned back, one hand resting against his chin as he watched you, utterly mesmerized.

you talked about the subtlety of his character, how his guarded exterior felt like a shield hiding something raw and vulnerable. you mentioned the tension between the characters—the way their connection felt like a push-and-pull dance neither could fully commit to but couldn’t walk away from either. you dissected the music, the cinematography, how it all wove together like a symphony of yearning and restraint.

and the way you talked about his performance . . .

you didn’t gush, which he appreciated, but your words were thoughtful, specific. you spoke about his quiet expressions, the way he held so much in his body language—the hesitation in his glances, the way his character seemed to pull back just when you thought he’d lean in. it was like you’d been watching with a magnifying glass, picking apart moments even he hadn’t considered.

he couldn’t stop himself from grinning. not just because you liked the movie, though that didn’t hurt, but because it was you. you, sitting across from him, completely unaware of how captivating you looked while tearing apart his work in the best possible way. if someone had asked him to focus on anything other than the way you gestured, your fingers brushing lightly against the edge of your clipboard, or the way your lips curved when you spoke, he would’ve failed miserably.

drew just sat there, watching you, and he couldn’t help but smile. you weren’t just pretty—you were sharp, insightful, and clearly so much more than the routine questions your clipboard suggested.

“you’re good at this,” he said when you finally paused for a breath, and he meant it. but he couldn’t help the slight teasing edge in his tone, the way his smile softened just a little as his eyes met yours again.

[hplonesomeart]

Hey. Sorry about the inactivity, but pretty sure no one cared that much anyways lol. Been a looooong time since I kept that distant from Tumblr…at least now I know I’m able to survive without checking posts every day/being chronically online! I’ve got an intense love-hate relationship with this lifestyle I’ve dug myself into. Think I’m getting a little bit better with the balance even if school isn’t really giving me an option. Got a load of work I need to keep catching up on if I don’t want to disappoint my professors. We’ll survive somehow. Here take a quick batch of Puzzle doodles k bye

[laf-outloud]

https://collider.com/jared-padalecki-fire-country/

Jared Padalecki Is Exactly What 'Fire Country' Needed

Yea he is!!

As Camden Casey, Bode Leone's (Max Thieriot) new boss, Padalecki shows off his impressive range as an actor. Who would've thought that from Gilmore Girls to Supernatural and Walker, and now on Fire Country, Padalecki would be routinely cast as characters who couldn't be more different? This time around, Padalecki plays a maverick, but an extremely likable one who has a legitimate reason for the chip on his shoulder. It turns out that Casey's entire unit died on a call because he didn't follow his gut, instead allowing himself to get bogged down by procedure and red tape. Haunted by being the only survivor, he trains cadets to learn from his mistakes and to run into the fire with the full intention of saving lives and not just avoiding legal controversy. According to an official CBS featurette on Padalecki's role on the show, he and series star and co-creator Max Thieriot have actually been friends for a long time off-camera. "We talked about it since day one," Padalecki reveals about his finding a spot on Fire Country. "He brings such a positive energy to the set and the people around him," Thieriot adds. Frankly, we can tell. Gabriela Perez actress Stephanie Arcila noted that Padalecki only spent about 10 minutes prepping for his introductory fight sequence at Smokey's, where he saves Bode's honor from some of Diego's (Rafael de la Fuente) old friends and instantly proves to be Season 3's breakout character. No one else on Fire Country is quite like Camden Casey, and his SoCal demeanor adds some flavor to a show where we've come to know the cast all too well. More than that, it's just fun to watch Jared Padalecki play such a different personality.

Bolded some of my favorite parts. There's more to the article but this section had some good stuff!

Link

I love that his reception is so well received! The spin-off vibes just keep getting stronger!

[ash-lien]

BEEP BEEP MOTHER SHEEPS

DANDY'S WORLD AU!!!!

This is an AU I made with @buzzshaws

THE REBOOT AU!!!

Some additional stuff I forgot to mention:

As the name suggests, this is an AU where the show shut down due to complications with staffing and the twisteds

The more mentally unstable you are the more accurately Ichor can portray you (hence Twisted Glisten's autophobia and twisted Shelly's dinosaur obsession showing, although in the wrong form) That's the reason why the other toons that are more mentally well just act like rabid animals.

The reason why there are lots of technical issues, unedited scenes and bloopers is because ever since the twisteds, humans haven't wanted anything to do with filming the show, so the toons (who don't know much about technology) have to do it themselves

Surprisingly the bloopers actually catch the attention of many adults and teens due to mentioning mental illnesses, EDs (yes Glisten I see you), touchy subjects, bullying, etc. (Dandy wasn't pleased at first that they weren't getting their targeted audience and that adults were visiting Gardenview instead of kids lmao-)

this is a comic I made

yes glisten is bulimic stfu if you dont like it.

Edit: I just realized it cut off the part that said Glisten was bulimic on the drawing

but yea

Glisten has an eating disorder

I mean it makes sense if you look at the 10938528938402382 sweets in his room

[lokh]

would u trust me to be able to carry heavy grocery bags

[oceanwithouthermoon]

tbh i hate when people are like "idk how anyone makes angst or gets serious topics out of saiki k when its literally just a gag manga🤓" when the akechi arc, the cattank arc, the volcano arc, and literally every episode where he feels guilty about hiding his powers all exist????

[unoriginal-and-dumb]

I’m just kind of curious about your OC Trevor when you draw art of them you say you don’t want them in regretelevator tags but draw them with Lampert I’m not trying to be rude at all. I’m not trying to offend you but just curious is he like a regretelevator OC or something different I don’t know this is really random or do you just draw them with Lampert because you like that character

Sorry if this sounds rude at all, I was just curious

Im waiting on something for that to change so we can really leave the whole regretevator thing behind

since lampert has always been @lucid-daydreaming-art ‘s thing and, given my entire blog so far, trevor is LITERALLY Just infected but now hes mine because ive branched so far from the original source material. Because of all that its, in a way, still attached to regretevator as of now

I like lucid’s version of lampert, that version of lampert is much more of a personal thing to us

Im not gonna just make him friendless because i decided to make him officially an oc, yknow?

I guess you could say i could just make up a new character, and while i could do that, that kind of robs the point that me and lucid had with these characters

[qiqi-guai-guai]

Thinking about Lin Wan'er.... Her brother is dead and he was one of her only companions during a devastatingly lonely childhood and she owes it to him to avenge him. She owes it to herself to avenge him. The Lin family's pride still stands, however fragmented, in its least viable heir. If Fan Xian lost someone he loved he would burn down the world; she would too, but she doesn't have the ability.

It doesn't matter whether or not his murder was justified. He was her brother.

[harvestmoth]

more rejuv things but its. its just this guy again, im sorry shes all i can draw

[overly-verbose]

Seriously, bro's a professional yapper lmfao

Tbf it's not completely unprovoked and he does just want to at least try explaining some things, if in a roundabout way, to make people more at ease (if not in the moment then overall) but, well-

sometimes it has the opposite effect lmao 😂

Also like, it's absolutely hilarious how I thought

'oh but this is just, like three scenes - how long could this be'

but all the freaking talking and stuff that everyone's doing is making Part 8 the second longest in the series 😂😂😂💀😂

(I fear for my poor brain, man - we've only just barely almost covered the Detention Center Arc

(and a little bit of the VS Mahito Arc Mahito Gets Curse PTSD Arc but I do wanna fill in some of the gaps between those)

and it's already gonna be over 40k words???

Why am I being so ambitious for my first ever proper writing project frrr *perishes a bit*

but I do hope to get it to the end - and beyond because there's no way I wouldn't constantly add to the post-main-plot shenanigans lol - however long that takes heh (just try to be patient with me pls I try my best here 😂) 👍)

[alchemicaladarna]

I'm thinking about making a pre-fallen angel q!BBH design soon. When I have the motivation to... But basically my vision for angel qBBH is that he is almost like an antithesis to demon/current q!bbh. Basically, if his demonic form has dark, shadowy void skin, I think it would be perfect if his angelic form looked a little less humanoid and more like a physical form of light itself. Something that is otherworldly, ethereal, and terrifyingly unknown...

Actually, the fact that it's so hard to explain my interpretation right now is kind of perfect, because I think angels are meant to be abstract and so far removed from the physical world, therefore humanity, that you can't really explain them.

I've noticed some people designing angel q!BBH that looks more human, and while I don't think there is anything wrong with that (design characters to your heart's desire <3) in my opinion, angels are beings that the human mind simply can't comprehend. Like, that time when Bad was explaining the whole concept of the 4d time thing, it took someone drawing a diagram for me to understand it, and even then I still have trouble fully comprehending that. That's what angels are, and my interpretation of q!BBH, at least. Plus, it would go so well with him falling, becoming a demon and literally being corrupted by darkness yk?

And when I say symmetrical- like light vs dark, I don't really mean that as a parallel to good vs evil because there are so many gray areas with how heaven vs hell and character morality is presented in the qsmp. So I think heaven/light lines up with order and perfection. A cleanliness that must be kept pure, emotionless, and distant. Whereas hell/darkness is chaos, desire, and flaws that relate more to humanity.

Anyways, I went in a little tangent but basically: angels=light=strict order/harsh justice and demon/falling from heaven= darkness=chaos=humanity.

[jonathanbyersphd]

Jonathan Byers who wanted to escape Hawkins since he was six. Except he's absolutely miserable in California but insisting he has to stay.

[ink-going-insane]

update on my mcd rewatching journey! i finished all of it!! here have another out of context note from season 2 lol

i loved the series and it was great but i also feel like a lot of the characters were really messed up near the end and bits of the lore was kinda inconsistent so it bothered me a bit, but i was mostly upset about how a lot of characters end up being ooc at a lot of points (at least in my opinion). i would say more but uh. i don't wanna ramble too long...but i'll put some stuff in the tags cuz why not

i will say personally my least favorite season is probably season 3 because of both the time skip and a lot of other factors that personally bothered me. i still wish it was actually finished though :(

anyway time for me to now rewatch mystreet -w-

[doctorwhoisadhd]

hmm thinking about the idea of love songs. i think the idea of what a love song is that we have in our culture is inherently a little bit flawed because we have the idea that any song written about romantic feelings is a love song and im thinking thats not exactly true because there is a difference between "romance" and "love". what i'm saying is not that love is a broader category and applies to things that are not romantic in nature. this is in fact true, but it's not what makes the important distinction here. the true distinction between "romance" and "love" is that romance is a societally defined type of interest in another person, whereas love is, essentially, a promise that you make when you build a relationship.

as such, what i call "love" here might be better defined as "care", as that implies more time and effort, but that's a different suitcase to unpack and largely unimportant to my point here, which is more about the societal conventions of what we call love songs. the point is, relationships can be built with other people, yes, but also animals, places, organizations, ideas, so on and so on, whereas romance requires another person, hence the difference between the ideas of "romance" and "love".

with that in mind, there are two types of songs we in western, english speaking, society call "love songs":

1) songs that are about a person's romantic interest in someone that is either definitively known to be unrequited (existing monogamous relationship, sexuality that doesn't align, etc) or simply not requited (aka romantic interest being unknown); and

2) songs about an existing relationship (keeping in mind my points about relationships not just being with people, but also places, things, etcetera) as is.

(some examples of the latter category: mountaintop by relient k, which defines the relationship in question as non-romantic; or i miss my mum by cavetown, which is - as the title implies - a song about the singer missing their mother.)

now, the thing that makes distinguishing these two difficult is the fact that songs about an existing relationship CAN be about wanting certain aspects of that relationship to change. in these cases, determining that a song is one or the other will hinge either on a) authorial intent or b) whether the song is more about what the singer wants (thereby implying #1) or the lack thereof in that relationship (which would imply #2).

to get back to the subject at hand: the term "love song", as we think of it, is an umbrella term that include both of these two categories, and i think that perhaps it is reductive to do so. with that in mind, i think perhaps it would be more appropriate for "love song" to mean only the latter, whereas the former is a category of its own. WHICH is not to say that the two can't overlap — just that if a song is about a person with whom the singer has no relationship, it cannot be considered a love song due to the fact that it is a song about infatuation, not love.

(another interesting wrinkle this provides is the fact that a song might start out in the first category and, as the writer develops a relationship with a person, might move into the second category as they write more.)

[fjordfolk]

beginners guide to hiking in western norway:

step 1: go up step 2: go down