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weirdworldofwinnie · 1 year ago

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Happy Halloween!🎃Here's a treat for all you Jonathan Crane lovers out there:

Face Me...

Dr. Jonathan Crane aka Scarecrow x Female Reader (NSFW 18+ only smut)

Summary: You work at Arkham Asylum in Gotham and Dr. Crane has been stalking you for a while, but you are leery of him and have been avoiding him outside of professionalism at all costs. One night though as you are leaving work, he tracks you down at your car to see just what you're so afraid of.

Word Count: ~4,426

Warnings: Semi-rough car sex, non-con elements, forced oral (male receiving), dirty talk/language, slight degradation, hair pulling, slapping, stalker behavior, talk of virginity loss, birth control, Dr. Crane being kind of a creep in general

Note: Reader does not know he is actually Scarecrow! And images above are sourced from Pinterest. This story is based only on Cillian Murphy's version in the Batman films and is my interpretation of the character; I don't own him or any part of the franchise, this is just for fun.

Tonight was swathed in misty sheets of rain in the gritty darkness lightly tainted by the glow of streetlights as your car, parked a few blocks from Arkham Asylum, beeped to unlock and you slung your purse over your shoulder, sighing after a long day and wanting to get home to a hot bath and a drink or two. But a strange feeling in the pit of your stomach at a shadow from your peripheral vision made you hesitate and you squinted through the hazy shower that was tapering off to a light drizzle, dampening your hair.

A suited man, height on the shorter side, was stopped no more than twenty feet away and a jarring jolt rushed to your bones when you saw the street light glint off his narrow framed glasses and you paused, hand on the car door. He was utterly silent and you were unnerved by his stiff posture and oddly clenched fists, half thinking to jump in your four-door-sedan and peel out of his presence, but he then walked forward causally, those hands relaxing and slipping into the pockets of his black slacks.

"Good evening," he called out, stepping into view under a streetlight with a smirk and you clenched your jaw, crossing your arms defensively as he slowly approached, that sick smile never sliding off his features that were - you'd have to admit - frankly handsome... No, beautiful was a better term.

"Why are you stalking me, Dr. Crane?" you asked with edginess to your tired voice. It was late and you didn't even live in Gotham City, you just commuted here for work.

"Stalking? Oh no, I am simply observing," he replied smoothy, but it came off as more snappy and insincere.

"Right... Don't you have somewhere to go?"

"Do you?"

"Yeah, home to my apartment miles away. It's been an exhausting day and too late to be out on the town, so if you're proposing anything, I can't take it tonight."

"It's always a long, late night in Gotham."

He moved within a few feet of you and you swallowed nervously, but remembered a man like him could smell fear, so you put up a brave front.

"So when do you finally fuck off and leave me alone? It's unprofessional to follow someone without their permission, you know. Keep this up and I'll need a restraining order."

"But you always avoid me during work and now you reject my offer for simple company?"

"Company late at night at my car in the rain? And aren't you technically my boss? We aren't friends and I don't know why you're so interested in me, but I don't think you should be. I'm not looking for a man like you. Right now I'm just looking for a nice glass of red wine honestly."

"Really...?" he drew the word out to almost a parodying tone and you pursed your lips.

"Yes, really. Now I bid you goodnight, Dr. Crane." You opened the car door fully, ducking and stepping a foot in when the door caught and you looked up to see him holding it in a firm grip. He was stronger than you expected.

"Stop denying it, I see the way you look at me when you think I'm not paying attention. Stop hiding and face me once and for all," he insisted darkly.

You took a breath, desperately trying to calm your beating heart and yet the horrible feeling that this evening wasn't going to end on a dull note persisted.

"Don't hurt me, I'll-" you started to warn and his eyebrows shot up with a shake of his head.

"Call the police?" It sounded like mockery from his mouth and you scowled as he continued, his pale hand sprinkled with rainwater sliding up and down the car door frame.

"Hurt you, hm? Well, only if you want me to." He chuckled and you stared at his slightly floppy dewey dark hair and raised eyebrows.

"Why the hell would I want you to hurt me?"

"You tell me. I do know you secretly want something else, don't you? Something more... erotic?"

You scoffed angrily, hating how he was worming his way past your exterior and into attraction, but you couldn't let it happen.

"Take a raincheck. I'm going home." You tried to shut the door but he was still holding it in a death grip, knuckles white and veins bursting out the back of his hand.

"Stop fucking around, I don't have time for this sh-" you cut off your sentence with a yelp as Dr. Crane shoved you inside the backseat of your own car and you landed flat on your back as he came inside to hover over your vulnerable body, wetting his pink lips.

"Please! Don't do this!" you cried out of panic and he leaned back, breathing heavily.

"Don't go anywhere," he warned and you struggled to sit up, throwing your purse up front and he slammed the side door shut, getting more comfortable in the backseat, which you were not pleased about.

"This is MY car, get out," you commanded, but he was as cool as a cucumber as he cleaned his glasses with a cloth from his suit jacket.

"I just want to talk one on one, which we never do outside of the usual board meetings and it can be so boring, always about psychiatry and stats and police reports and this patient and these crazies and-"

"Oh sure you just want to talk. I'm not some kind of naive idiot to the desires of the opposite sex," you rolled your eyes and he scoffed, settling back on the seat with a cross of his legs and looking up to the car ceiling.

"It's so cold and wet tonight, shame we aren't someplace more cozy," he muttered and you awkwardly crawled into the driver's seat with your keys and fumbled to insert them in, starting the ignition.

"What are you doing there?" he asked mildly and even that sounded passive aggressive. God, he sure was insufferable.

"Turning the heat on because you're whining about it. I just wish you'd get out of here, completely violating my privacy."

"This is a public street you're parked on, isn't it? And is this how you treat all passengers?"

"I never have any passengers," you remarked bitterly and Crane leaned forward, putting his hands on the back of the seat and peering around to you as you glanced at him in the rearview mirror.

"Indeed. I know you're mostly a loner with almost no friends and orphaned from family or maybe you've lied and they aren't dead and are only estranged... Either way, no one cares and no one understands how you spend office hours in a facility full of the most criminally insane but you do it for the money and to quench your curiosity because deep down, you know - you know you're a freak too who sees no normal in what you have deemed a, oh say... corrupt kind of world."

You swallowed at his assertions and unfortunately fairly accurate reading.

"I don't need sympathy from you of all people," you snapped, putting the heat to full blast. It was freezing tonight and the defrost was battling the condensation filling up the windshield.

"I'm only trying to understand you myself, it's my job to psychoanalyze."

"I'm not one of your patients or experiments," you told him in disgust.

"Every human being is an experiment in the eyes of their creator, which is me for you because I happen to be the one who hired you in the first place. Without me, you would not have a job and therefore I created you in that respect," he replied in absurd smugness.

"Then what am I? Frankenstein's monster?"

His eyes flashed and he adjusted his glasses reflexively.

"I wish. No, you're my first prototype I have yet to diagnose."

You shut the heat off once the internal temperature was fairly toasty and cracked a window down a fraction for circulation. A beat of silence befell until he suddenly climbed into the front, dropping into the passenger seat confidently, and you realized how lithe he was, how easily he fit into spaces not designed for someone with such an overshadowing, all-encompassing ego.

"Now what are you doing?" you asked exasperatedly. He didn't answer and you hated the way looking at him was making your heart flutter despite your anger and the alarm bells ringing in your brain. Something about him was always... very off and you never could quite place your finger on it, he was a blind spot, but it was undeniable. Which was telling considering the people you were exposed to every day.

Crane reached up and removed his glasses entirely with a swipe to set them on the dash and your breath caught with that simple action. You admitted how he was very visually pleasing without those lens obstructing his intense blue colored orbs were. You glanced down and fiddled with the keys when he suddenly snatched them up out of your lap and pocketed them into his own pants with a manic expression.

"Hey, give those back!" you yelled and began to wrestle with him, arms flailing as he held his own above his head, palms up and empty.

"You want those? You have to do something for me first."

"I-Okay, what is it?" You dropped your arms and glared at him suspiciously. He smirked once, speaking with a tremor of excitement.

"If I was civilized, which I'm admittedly not, I'd ask you out on an old fashioned dinner date and then walk you to your door, give you a nice polite kiss and send flowers to your desk on Monday. But I can't wait anymore for that saccharine romantic scenario, so we'll get straight down to business. I want to fuck your brains out, right here in the car."

You blinked, rather stunned.

"I... I-I no, I can't, I mean that's-"

And here was where your confidence utterly failed as he suddenly lunged and grabbed you to pin you down inbetween the passenger and driver seats, head flung upside down almost to the backseat floor and legs helplessly kicking towards the windshield.

"Please, don't do this!" you yelped anxiously.

"Don't tell me you're a virgin who has never had a dick in you before," he whispered, misreading your fearful hesitant expression. Actually, you'd had sex once with a lame boyfriend back in college and since then, avoided the dating and hookup scene, content just to masturbate when you could.

"Oh, fuck, I should've guessed. What a shocking discovery," he wrongly concluded rather sarcastically and you cringed, twisting your head away from his warm breath and ridiculously good looks.

"This makes it all the more interesting, then," he murmured with a feathery caress to your cheek and you flinched, giving him a kick and successfully wriggling out of his grasp to curl up against the door in the backseat.

"I've been waiting a long time for our encounter," he mused, utterly unfazed at the negative reaction.

You immediately went to open the door, ready to run for your life if he became overly threatening, but he hit the button that locked all the doors. You manually unlocked your one door - thank God for that safety feature - but his deadly voice made you freeze.

"Are you quite sure you want to do that?"

"T-This is my ensured vehicle and y-you are violating every right of mine by t-taking over like this," you stated, but your voice was shaking like a leaf through the words.

"That's it, you are afraid of me..." he whispered slowly and the pure delight with pride in his voice was unmistakable. You turned to look at him directly, unable to hide and deny anything any longer.

"I think you are being very inappropriate right now," you admitted nervously.

Crane moved to join you in the backseat, but you felt stuck even though you could technically open the door and make an escape. There was no way he could really stop you, was there? He didn't have a weapon on him, did he?

"If you were really frightened, you would have bolted by now," he said as though reading your thoughts and you gulped, realizing he was right.

"Dr. Crane, I-" you were broken off by him abruptly grabbing your face and kissing you, his tongue sloppily forcing its way into your mouth and you naturally reciprocated while inhaling his sharp stinging scent of expensive cologne. He pulled back with a gasp and a mischievous spark in his eyes that made something awaken deep inside.

"You kissed me," you said in a stunned voice.

"That's precisely what I did, Y/N," he answered with another touch of smugness and you closed your eyes, knowing you were in too deep now. He was going to take this all the way and you felt helpless to stop it. Did you even want to stop him?

"I knew if I exposed myself enough to you, you'd finally stop being immune," Crane told you with a sort of self-righteousness as he ran his hands down your back and shrugged your coat off before moving to your front to remove your blouse carefully, button by button.

"I hate to see such pretty tits contained and so oppressed... Let's free them, shall we?"

He unclasped your bra and removed it, tossing it to the floor and you shivered, goosebumps peppering your bare arms and neck.

"Aww, is it too cold?" He made a pout and privately you wanted to smack those stupid lips right off his condescending face but it was if you were under a spell of a sudden, entranced by his actions and his hypnotic eyes. He trailed his fingers down from your throat to your nipples and you hardened at the stimulation, closing your eyes in regret. Dr. Crane was turning you on, dammit.

"Better than I could imagine..." he breathed, taking in your appearance for a minute while groping your breasts, squeezing, and you gritted your teeth as he teasingly tickled you under your arms, making your breath hitch and a stupid giggle slipped out.

"Sensitive, are we? I promise I won't hurt you."

You leaned back, casting a fretful look out the windows in case of onlookers, but the street was empty and the glass was streaky with rain, creating a thickly translucent rippled covering not unlike a shower curtain.

"No one knows," Crane stated flatly in response to your paranoia while untying his dress shoes and pushing them under the seats. You just nodded, taking off your own and then unzipping your pants the same time he undid his own. His tight dark grey briefs were bulging with his cock and you hesitated, absolutely unsure of what to do when he completely stripped and out popped out his erect glistening-at-the-tip penis in full view.

"Take it in your mouth," Crane ordered abruptly, pushing you down beneath him.

"Um, no I think that's disgus-" Your voice was cut off as you nearly choked; he roughly shoved his cock so fast into your parted mouth. The silky end of his tie tickled your nose as he inched closer, and clearly this was much more enjoyable for him than it was for you as he groaned in building ecstasy and you kept your mouth closed around it, afraid that if you moved, you'd gag or get hurt. He forced your head up a little and bobbed, but you could feel a dribble of precum seeping down your throat and now you reflexed, yanking yourself from him with a loud noise and banging the car door open to cough and spit violently out onto the pavement below.

"Get back in, do you want someone to see us?!" Crane hissed and you felt a sharp tug on your hair as he pulled you back. You shrieked and self defensively twisted to slap him straight in the face. He gasped from the unexpected blow, falling back and banging his head on the opposite window as you spat, wiping your lips of his mess.

"Can't take it like a common whore, can you? Feel like being a goddamn difficult bitch, don't you? Think you're better than me, do you?" he seethed, rubbing his cranium and you huffed.

"I thought you'd just put your dick in me, not that bullshit."

"It's called oral and many women in fact enjoy it."

"How do you know, you've done that before?"

He had a strange expression when he replied briskly.

"I've read up on the concept, you know."

"You've studied about women and sex. Amazing. Is that what you do on your lunch break or...?" you almost laughed, but the way he was staring at you wasn't in a joking manner. He had the look of an inmate one straw away from a full psychotic behavior break down. Basing from your training, you decided to distract his frustrating anger and talk nonchalantly to calm him down.

"Okay, I'm kidding around, I get it, and I don't mean to hate or spite you. Remember when I was initially employed at Arkham, fresh out of college, and I met you for the first time? I personally thought you were extremely cocky and looked waaay too young to be a top psychiatrist in such a grand high security institution. Now I can say with certainty that while you are, um, creative in your methods with the inmates and I do admit I find you very terribly attractive, I have to say Dr. Crane... I still think you're an arrogant son of a bitch."

"Call me Jonathan," he replied, unimpressed by the insult and wrestling off his tie.

"Well, Dr. Jonathan, you sure are a pretty piece of work," you replied with ample attitude and he was fed up, dumping his jacket and shirt from his body and twisting the tie in his fingers. He held it up and a muscle spasmed in face, jaw clenching and enunciating his cheekbones.

"You want me to choke you with this?"

"I'd really prefer you didn't and it would be very nice if you weren't such a dick forcing your sex on me," you answered matter-of-factly.

"Lie down or I'll fucking fire you from your position, understand?" he snapped loudly and was extremely serious as you glared, but then reluctantly laid back obediently on the seats just to avoid complications and he came down swiftly, carefully aligning to position his penis at your entrance. He cautiously touched the moist head to your vaginal lips when you held up a hand onto his chest, stopping him.

"Now hang on doctor, don't you want to warm up first?"

"I'm obviously already warmed up, Miss Y/LN."

"But I don't have lubricant on me, so you're going to have to get me naturally very wet for penetration because right now I'm dry as a bone," you warned for your own protection, but hardly expected him to listen.

"Don't tell me how to do it," he replied, snippy.

"I'm serious, you can't just stick it in there; it will be just as hard for you as it'll be for me and I don't want to end up seeing a gynecologist."

"So you aren't a virgin after all?"

"I had my hymen broken with a loser in the past," you told him and he raised one brown eyebrow, creasing his forehead with a few fine lines.

"Then how should I start, Miss doctor?"

You wordlessly took a hold of his index finger and guided it to your opening and he pressed lightly, feeling pooling liquid.

"You little liar, you're already discharging," he whispered disapprovingly and he massaged your clit in slow jerky rhythm. You nodded in approval, losing your control as he slipped a finger in and moved around enough to make you clench a bit, trapping his digit.

"How does that feel?" he asked almost clinically and you closed your eyes, urging him to put in another finger. He did and you almost orgasmed when he extracted much too soon, sighing.

"This isn't much fun for me," he whined and you made a face, shifting position to spread your legs wider, putting your arms up and accidentally smearing the fogged window with your fingertips. You looked utterly submissive, practically begging to be fucked, to get it over with (so you convinced yourself).

But for all his aggression to trap you in your own car for penetrative sex, Jonathan was now becoming oddly timid as he hesitantly closed the gap between you, realigning his bare body to yours.

"Wait, have you done this before?" you asked suspiciously and he was sheepish in answering.

"I told you, you are my first prototype."

"Shit, you're the virgin here?!" You laughed as though this made this experience any less stressful or partially contrived.

"Do you masturbate?" you then asked and he rolled his eyes.

"What kind of man of do you think I am?"

"Is that yes or no?"

"Doesn't matter, Y/N. Now, let me ask you a more important question: are you on birth control of any type?"

"I..." you hesitated to answer because if you told him 'no' would he go any further? You had pills at home as a precaution, but neglected to ever take them, assuming you'd be remaining single. But you had no intention of getting into a full relationship and certainly not being impregnated by this man.

"I left them at home," you finally answered truthfully.

"I have something for that then," he assured and you stared as he leaned back and rummaged in the pockets of his clothes on the floor. He produced a tiny pill container and dropped a pill into your open palm. You didn't ask why he was carrying around birth control pills, but assumed he had indeed been planning this for a while.

"Don't want any unnecessary side effects of something that I'll have to end up terminating anyway," he muttered bitterly as you popped it in and climbed into the driver's seat to swig some water from your plastic bottle in the cupholder, feeling grateful that at least he didn't administer that Fear Toxin he was always messing around with in the asylum.

"Now can we get started?" Jonathan asked impatiently and you took a breath, easing the front seat down so you were lying parallel to him. Jonathan clamored on top of your naked flesh and straddled you, his cock rubbing up against your thighs, then vaginal area and you squirmed, clutching onto his back. He pushed in gradually, but densely, and you whimpered at the stinging pain and then the growing pleasure bubbling around his cock within your walls and you clenched hard, much harder than you had with his fingers.

"Oh... Fuck, Jonathan..." you groaned and he bounced up and down lightly, thrusting with slaps of skin and you felt your bottom sticking with sweat to the leather seat as he kept at it for several minutes, gripping your hips and nearly plowing you apart. It hurt, no getting around it, and he wasn't privy to what you were feeling as he seemed entirely in his own zone, racing for his pleasure until you moaned loud enough to cause him glance down, realizing you were getting close to free falling off the edge.

"C'mon, you're so close with that pretty little pussy of yours, almost..." Jonathan breathed in your ear and as he hit the spot, finally the climaxing orgasm came with a bang and it was so intense, probably fueled by adrenaline and stress more than actual love, that you emitted a high pitched shrieking whine which trailed into a low moan of relief while it tapered off and he grunted, somehow thrusting even further. Yes, you had minimal experience, but had never ever been penetrated this far before and you dreaded how much longer he could rail you, but thankfully his own orgasm came with a grunting groan as he spilled into you and you held on, digging nails into his shoulder blades and nearly biting his neck. He panted heavily in your ear and his tickle of breath made your stomach flip.

He laid still on top of you for awhile, cock twitching and warming your insides. The windows were fogged up completely and the cold was now non-existent with the heat you and him were creating out of friction alone.

"You enjoy yourself?" you whispered hoarsely to Jonathan as his breathing slowed sluggishly and he looked like he was falling asleep, so you shoved him off your aching body and he blinked, rubbing his forehead.

"Yeah, that was satisfactory. Maybe I should bump up your paycheck."

"I'm not a prostitute, but thank you."

He smiled lazily, eyes rather unfocused, and you pulled your seat up with the lever, reaching for his glasses on the dash and handing them back to him. He, in turn, retrieved the car keys from his pants and tossed them back to you with a clanging jingle.

Casting a look around your car, there were streaky handprints on the fogged glass, thin swipes of fingers and imprinted palms decorating the back windows and you reached over to one and drew a heart outline in a patch of blank space. Jonathan's own finger speared through it, making a arrow.

"Very romantic," you commented sarcastically and moved to join him in the backseat as he started to draw a creepy face reminiscent of a familiar spooky icon (a clown? Maybe a scarecrow?) when he stopped and checked his watch.

"I need to go," Jonathan coldly stated out of the blue and began to hastily gather up his clothing, awkwardly dressing before he stepped outside and zipped up his pants, and inhaled the late October city air, somewhat out of breath. The rain had stopped and the skies were clearing, the full pearly white moon slicing through the curtain of storm clouds, and you drew your blouse around yourself with a shiver before sliding into underwear, realizing you'd never look at Dr. Crane the same since this intimately raw experience.

"So I'll be seeing you around tomorrow...?" you wondered aloud and although you meant for that to be purely work related, he clearly took it the other direction.

"Oh, I'll be seeing you." He smirked knowingly and then slammed the car door closed in your face, leaving you sore and to reel from whatever the hell this twisted specimen of a man just put you through. Did you like it?

Maybe.

Thanks for reading 🖤 First time writing for Jonathan Crane, so I hope this was halfway decent!

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aespicysstuff · 11 months ago

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Scream

Jenna Ortega x Fem!Reader

Description: "When Jenna can't help but fall in love with her coworker, but she's too much of a coward to confess believing you don't feel the same, however, the girl is wrong you would kneel for her."

Words: 18.1k

Saju: "ENJOY IT LOVE"

---

Jenna Ortega is a well-known name. She is an authentic woman with unreal beauty, creativity, cuteness, education, intelligence, and more. I could spend days complimenting her without getting tired. Like many people, I know Jenna from her works. Watching her performances on screen is already something gratifying and magnificent, but nothing compares to witnessing her talent in person.

How do I know this? Well, perhaps because, thanks to my job, I had the opportunity to work alongside one of the people I admire. Since a very young age, I have always been interested in parkour, martial arts, and boxing. Recognizing my potential in these areas, my father ensured I learned everything. Thankfully to him, I have the most enjoyable job – being a stunt double.

---

You logically started with small films and series, sometimes even commercials and a few games. You had begun to gain popularity among directors, especially after being the stunt double for Zoë Kravitz in "The Batman" and being the motion and body model for a new character in the Resident Evil game franchise. The director of "Scream VI" was looking for a stunt double for Melissa Barreram, the actress playing Sam Carpenter. Like other stunt doubles, you submitted a video showcasing your skills. After seeing your performance and how adept you were at both agile and heavy movements, they hired you for the role. You've been enjoying the experiences to the fullest.

At this moment, you were heading to the set and also meeting with the cast. During the filming, you had gotten close to almost all the actors, especially Jenna and Melissa. As you arrived, you spotted Jasmine and Mason from a distance, quickening your pace to reach them. "GOOD MORNING, BEAUTIES!" You kissed both of them on the cheek. "Good morning, lovely! You woke up in high spirits today," Jasmine said after you sat beside her. "I also noticed. Does it have something to do with a 5'1" Latina who loves playing characters with no sanity?" Mason teased while ruffling your hair.

You weakly slapped his arms, scoffing as they both broke into laughter. But when you were about to say something, a familiar scream interrupted. "MELISSA, STOP!" In minutes, you saw a small figure running towards you and hiding behind you. "Y/n, protect me, plea—" Jenna was interrupted by a furious Melissa chasing her. They ran around the table, making everyone laugh at the actresses' cuteness.

You decided it would be better to stop them before someone got hurt. You got up, caught Melissa in your arms, and held her tight. She struggled a little, but your grip was firm. Though she might be taller, you were stronger. You placed her beside Mason and sat back down, chuckling. Jenna sat beside you, and you offered her a water bottle. After she thanked you and turned to the group, you couldn't help but laugh at the situation.

Your eyes roamed every detail of her face, from her freckles to her dimple, her button nose, and the lips you wanted to feel so badly. Jenna felt her heart jumping in her chest, as if she would pass out from how intensely you were looking at her. She started leaning her face towards yours, interlinking her gaze between your eyes and your lips. Hypnotized, both of you were so entranced by each other that you didn't notice when you were called, "LOVE BIRDS!! WE HAVE SCENES TO SHOOT!! STOP EATING EACH OTHER AND GO TO THE SET!!" Jasmine, always the sweetheart, got your attention, making both of you jump a little and put some distance between yourselves.

The staff and some actors had already entered; only you and Jenna were missing. You remained in silence, trying to tame your heartbeats and your blush. You heard Jenna clearing her throat, "Uh... I-I think it's better if we go inside too." Jenna said while getting up and walking to the set, not giving you time to reply. You stayed for a bit longer, trying to absorb what just happened. Would you guys really have kissed if you weren't interrupted? You put your hands on your head, sighing, and started your way to the set.

You had started the recordings, and now you found yourself restless and apprehensive. At the moment, you were shooting the theater scene, and seeing Jenna hanging there wasn't pleasant. You couldn't believe how many times this girl faced danger without fear. She had mentioned loving to do her own stunts, and you couldn't blame her. You felt incredible after your own acrobatics. Still, you feared that one day she might get seriously injured. You couldn't help but worry about her.

You almost ran towards her when the director gave the order for her to fall, but you held back and sat down again. Her character and Jack's had a brief dialogue, and following the script, Tara thrust the knife into Ethan's mouth. You couldn't deny that seeing her smile of relief after her action and the blood on her face made you more infatuated with her than you already were.

Just as it was said, you knew Jenna from other works, and since then, you admired her. Just like her fans, you couldn't resist the charms of this Latina. Since the first day of filming, you've been falling more and more in love with her. She doesn't help much in easing these feelings since, from the first day, she hasn't let go of you. Not that you're complaining, but trying to stop liking her is almost an impossible mission.

You would really like to confess your feelings to Jenna, but you feel that she deserves someone better, someone who understands her (in the work sense) and who is a beautiful woman that fits with her. You're just the stunt double, the tomboy, as some call you, simply because you have a more sculpted body, a muscular physique, and a tomboyish style. You've always faced these kinds of unpleasant comments for these reasons. Your friends always comfort you, and your small fan community defends you as much as they can.

Jenna also always comforts you when some of these comments shake you. She always says that you're like a Doberman, always with a stern face, ready to snap at anyone who comes close. She said she feels safe with you, as if she were at home. Lost in your thoughts, you hadn't noticed that they had finished the scenes. You also didn't see a certain short girl watching you attentively.

Jenna observed every trace of your face, every bit of you. From your curly hair to your tattoos, she loves every part of you. She finds herself hopelessly in love with you, every aspect of you, habits, words—you leave her fascinated. It wasn't in her plans to fall in love, but on the day she saw you, she knew her heart wouldn't hold up. She perfectly remembers how her heart skipped a beat after seeing you. You were in simple clothes that highlighted your curves and, most importantly, your muscles. But the fatal blow was the smile you gave her after hugging her.

But Jenna is afraid of this, of these feelings. She has always been more focused on work, never paid much attention to romance. But now, after getting to know you, she daydreams about your life together.

She wants to confess, but she never manages to. She always retreats before revealing her feelings, afraid that you won't fit into her life or even that you'll distance yourself because of it. That's why she hasn't confessed yet. But the desire is there, what's lacking is courage and a bit of shame.

Jenna shook her head slightly to get rid of these thoughts and silently approached you since you were still distracted. She came close to you, laughing at your expression, and on impulse, she squeezed your shoulders and gave you a kiss on the neck, staying with her face there. "Jenna! Why did you scare me like that?" You said in a playful manner, covering your face, hearing the girl laugh at the situation. "Sorry, mi corazón, it wasn't my intention, but you looked so beautifully distracted, and I couldn't resist." She hugged you, and you turned a bit, pulling her onto your lap, hugging her waist and resting your head on her shoulder.

Jenna put her arms around your neck and planted a kiss on the top of your head. You didn't say anything, just enjoyed each other's presence. It was enough. The connection you two had was visible for everyone to see, and it was a beautiful thing. That's why many didn't bother you two. Unfortunately, your moment was interrupted by the director calling you to shoot some stunts. Both of you sighed; you gave Jenna a little pat on the thigh signaling her to get up. "No! I'm not leaving. I'm home..." She said in a cute, whiny voice, and your heart skipped a few beats. "I'm home," you couldn't help but smile.

You tightened your embrace. "It's okay, my love. I promise to spend the whole rest of the day with you." You cupped her face, caressing her cheek. Jenna felt butterflies having a party in her stomach. Ugh! How she wanted to kiss you until the air evaporated from her lungs, but she restrained herself, moving away a bit and raising her pinkie finger, "Do you promise with your pinkie?" You laughed at her cuteness and joined your pinkies, "I promise, mi amor." You kissed her fingers, making Jenna even more infatuated.

"Then go do those stunts quickly because I want to be cuddled up with you all day." You picked her up, making her squeal and then burst into laughter. You put her down and started walking toward the actors, but you stopped, turned back, and ran towards Jenna. However, what she had to say got stuck in her throat. You had given her a kiss on the eyebrow and whispered in her ear, "See you later, mi amor."

You ran off after the director shouted your name, leaving a paralyzed and tomato-red Jenna behind. She snapped out of her trance and ran to her trailer, laughing like a love-struck teenager.

---

The sun had already set when everyone was released from the recordings. The sky was partially orange, and its dim light guided you to your trailer. You knocked on the door, and it didn't take long for Jenna to open it. "You took your time!" She pulled you into a hug. "Mi amor, you were the one who got released early, haha!" You squeezed her in your arms, resting your chin on her head. You stayed like that for a few more minutes.

"Let's go inside; you must be tired." She led you in, closing the door once you entered. "Can I take a quick shower, princess?" You asked, seeing a cute pout forming on her face. "But... I wanted to cuddle with you now." She pouted, and you couldn't resist the cuteness, pinching her cheeks, making her pout intensify.

"My love, this will only take me a few minutes, and then you can have me all to yourself." Jenna looked at you with those bambi eyes and agreed, going to sit on the couch while you prepared. As you had said, after a few minutes, you were already by her side, watching none other than "Puss in Boots 2" haha. You were lying on the couch, and Jenna was lying on top of you.

There was a pleasant silence between you two, only the sounds of the movie were heard. You lowered your gaze to Jenna, observing every detail of her, from eyebrows to lips. You became (once again) hypnotized. Jenna felt your burning gaze on her head and turned her face, resting her chin between your breasts, "What's wrong?" She asked, giving you a small smile. You just shook your head, watching her, seeing how every part of her reacted. God, you were hopelessly in love and didn't know what to do.

You wanted to shout at the top of your lungs about how much you love her, wanted to kiss her, love her, take care of her, wanted to be with her. But you are a coward who can't take action and is afraid of losing her in every way. You ran your hand over Jenna's face, gently caressing her with your thumb, watching her close her eyes and practically melt into your embrace.

Jenna turned her face, depositing a kiss in the palm of your hand, still with her eyes closed. She felt the temperature of her body increase with each touch of yours; to feel you so close is a blessing and a curse at the same time. She wanted to have you like this but as her girlfriend, as the love of her life and not as "friends"; she hated that term. She wants to have the freedom to kiss you, love you, but fear and insecurities consume her, and gradually she gets closer to possibly losing you.

You were in your bubble; no one spoke anything, just felt the touches of your bodies and souls. Jenna opened her eyes, seeing your eyes fixed on her, and you realized you’d been caught. So, you sent her a crooked smile with your cheeks reddish. You realized how close your faces were, and with courage taken from your ass, you gradually started to close the distance between you two.

Jenna also started to close the distance; she felt her body tremble in anticipation. She put her hands on your shoulders, grabbing your shirt. "Kiss me… Kiss me please Y/N." Jenna grabbed your face, putting her forehead on yours. She slightly dragged her lips across your face, whispering, "kiss me mi amor."

"F*ck it," you pulled her neck and kissed her. The kiss was hurried, but firm. In it, love and desire stored for so long were transmitted. Sighs were released, hearts accelerated and synchronized, bodies hot like the embers of a bonfire, hands exploring every part of the bodies, every curve, caressing the skin like a brush caresses.

The air became scarce, and both, reluctantly, separated. Jenna had opened her eyes slowly, trying to reason if what just happened was true or just another one of her dreams. She lay on your chest, still panting, and looked at you, waiting for you to open your eyes and snap out of the trance.

You felt like you were in the clouds, more alive. You opened your eyes, seeing the woman of your dreams watching you. "Are you real? Like... did this really just happen, or am I delirious?" You asked her while caressing her hair. Jenna smiled, showing her dimple, and hid her face in your neck.

You both were euphoric, finally! You had fulfilled one of the wishes, but the doubt still lingers. Even though you had just kissed each other with all of you, with your hearts, you can't help but question, "Does she really like me?"

You cleared your throat, bringing Jenna's attention back to you. "Uh... I know we just kissed as if the world were ending, but... uh... what are we now? Like, do you really like me? Because I like— No! I... I love you, Jenna." You confessed, watching Jenna react with disbelief. "I've loved you since the day I met you, with your more reserved way, your somewhat eccentric humor, your sarcasm, your freckles." You said everything with a smile on your face and a special sparkle in your eyes. "You can't imagine all the times I held back from kissing you, telling you how much I love you. All the tears I shed for you, feeling insufficient for you." You let out a shaky sigh; getting all of this off your chest is a relief.

Jenna couldn't explain what she felt at this moment. Relief? Happiness? Sadness? She couldn't believe that you were really saying all this; her heart felt like it was going to explode with so much happiness. But she felt sad hearing your last words, "How dare you feel that way?!? Y/n, I've never felt so happy, safe, and comfortable with anyone like I feel with you. It's like my heart already knew that you would take care of it with your life." She passed her hand over your face, wiping away the tears that you didn't even realize were falling.

"You make me feel so many things at once, but none of them is something bad. You always take care of me, make me feel beautiful, make me feel like I can conquer the world and the universe. You are my star; you are more than enough for me, mi amor. And answering you, I love you too, and I want this to turn into something more. I want you as my partner for the rest of my life." She chuckled lightly; her soul felt light after confessing, after knowing that you also love her.

You hugged each other with big smiles on your faces. Both have a lot to learn, but now, they won't do it alone. You have each other, and this union will be hard to break. Your love is special, like the love of the sun for the moon.

#jenna ortega x reader #tara carpenter x reader #i love this woman soo much #black reader #fem reader

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theragingpan · 2 years ago

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i've been thinking about that one tumblr post about how modern batman interpretations have been saturated with these films that are dark and gritty - films that, because the writers can't craft mysteries only batman could solve, make batman break the law and be violent and generally just be cops that can invade your privacy and beat you up until you confess and, more importantly, why batman should be about taking on the police and the systemic injustices done to people in gotham

i've also been thinking about that one tumblr post about how modern sherlocks have been portrayed as these emotionless monsters who are only in it for the kicks and are heartless bastards otherwise, with no regard for the consequences of their actions and again serve as a second arm of the police when in the original novelizations, sherlock was a figure who took the cases no one else would take, and listened to the people no one else would listen to

AND FINALLY i am thinking about how the knives out franchise embodies those ideals perfectly. blanc does detective work for the thrill, yes, but do you remember how gently he treated whiskey when she was crying over duke's body?? how kindly he told marta that she was a good nurse??? the glass onion focuses on the case no one else would take - because of miles' army of lawyers and pile of money - AND THE WAY HE ENABLES HELEN TO METE OUT JUSTICE ON HER OWN fdsljfdslkjdfklj and marta!! he could have shown how smart he was by pointing out the blood on her shoe in the first two minutes of the movie, but he doesn't. why?? because he doesn't just want to solve the crime, he wants to help the people!! and he intuits that marta is a good person. fjklsafd;lkjfds;jlk i could write an essay on this but im just. emotional. i love these movies so much they should keep making them

#knives out #the glass onion #glass onion #spoilers

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synergysilhouette · 3 months ago

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"Batman: Caped Crusader" review

Binge-watched this show, and I wanted to be one of many people to share my thoughts on this--plus I was spurred on by getting a wish of mine granted from the show. Make sure to check out the show if you can!

The animation is beautiful--I know this is a weird comparison, but soemthing about the animation reminds me of 2010s Scooby Doo animated films, and I kind of adore that.

The voice acting was...fine--I can't tell if it was poor performances or poor direction; Hamish's Bruce Wayne sounds too raspy/rugged some of the time, like he's still playing Batman, and many of the other actors felt like they were just reading lines rather than performing lines, not enough emotion. IDK if they're more used to live-action work, but voice-acting is a different ballgame, since your voice is all you have to convey the character. A lot of performances fell flat for me, but it wasn't 100% unbearable, just underwhelming. I have some people I'd recommend instead (both familiar to the role and otherwise), but I don't wanna start anything.

LOVED Harley (but not her costume)--Jamie Chung had one of the better performances in the group, and I really LOVED the angle they did for Harley; I feel like the media often flanderizes her as the goofy crazy chick, so seeing her actually utilize her psychology skills (like I've been asking for!) is so satisfying. That said, the outfit has GOT TO GO. Gold and black is gorgeous, but it ples in comparison to her black and red look. And a weird nit-pick; when I first saw the stills, I was under the impression she was wearing a carnival-esque mask rather than face paint, and I find that idea a lot creepier. I wish we'd gotten more of Harley's antics--and even seeing her get close to Bruce in the way she did with Barbara and Renee--before revealing her as a big bad to the public. And I appreciate that she isn't 100% evil; she is doing what she believes is a noble cause, just doing it in an illegal and unethical way. I needed a backstory!

Not enough Batman--Maybe it's just me, but it definitely felt like there were some episodes where Bruce and Batman were supporting characters and more focus was on the GCPD. While I don't mind it too much, I enjoy superhero shows for the superheroes, not the heroes; this is why I had a love/hate relationship with "Gotham."

Batman (and Bruce) isn't quite likeable enough--In earlier incarnations, Batman was more kind and caring before becoming more emotionally closed off with time, but here he's that way from the get-go. Not to mention that Bruce Wayne puts on a facade around everyone, even people he trusts (he probably did that anyway; I can't remember), and his session with Harleen really frustrated me because I don't expect his walls to come down immediately, I don't expect them to be this high this early. I wanted him to be a bit warmer and transparent, rather than curt and cold like he's usually seen in the show. I feel like this is an issue often seen in comics, too; people prioritize Batman's "coolness" and thus push his feelings to the wayside.

Using underrated and familiar villains--I'm sure the real experts are gonna chew me out for this one, but as someone who got into comics in the 2010s and didn't catch up on the acclaimed 90s series, it was fun to see villains I loved and villains I didn't know; one of the best things a popular property can do is use underrated characters, since it helps the show feel original and fresh (thus why "Teen Titans" is so enjoyable; the whole franchise is underrated).

Too modern for the 1940s--I can't put my fingers on it exactly, but the vibes feel too modern; I assume the 1940s was for aesthetics, but since everything else feels updated (from the way people talk to Harley and Renee seemingly being open about their feelings for each other), I don't think it was a wise choice to have it both ways. I see no reason not to have it in modern-day, but I suppose you'd have to get more creative with technology.

Barbara and the Robins--First off, I should've gambled with someone that Jason would be a redhead; I'd have made SO MUCH money. Secondly, I'm not crazy about how all four kids are orphans; If I recall correctly, both Carrie and Stephanie's parents were alive when they joined the Batfamily. In any case, I'm confused on why Barbara is significantly older than them when they're all supposed to be within the same age bracket (I think; someone has told me otherwise since posting this, so I could be wrong). Not to mention, a part of me worries that because of the quartet's young ages and Barbara getting so much screentime as a lawyer, we won't get any of them as Robins or Batgirls unless something drastic happens, and/or we get a time jump.

Overall, I think my biggest gripes are the voice acting and how Batman/Bruce Wayne is written. That said, I enjoyed the show overall. IDK why HBO Max dropped it. Hopefully season 2 will introduce Poison Ivy, Catman, Tim Drake, Ghostmaker, and Gardener, since the finale already showed us a certain someone who IS coming to Gotham.

#batman #bruce wayne #batman caped crusader #caped crusader #harley quinn #catwoman #barbara gordon #dick grayson #stephanie brown #jason todd #carrie kelly #two face #dc comics

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doyouknowthisactor · 2 months ago

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By "roles" I mean playing a different character, and in a different piece of media; someone playing one character across a franchise only counts as one thing for the purposes of this poll, as does playing multiple characters in one franchise/piece of media

Below are some of this actor's roles. Please only check after voting!

Top Gun films as Tom 'Iceman' Kazansky

Batman Forever as Batman / Bruce Wayne

Kiss Kiss Bang Bang as Gay Perry

Heat as Chris Shiherlis

Kilmer was formerly married to actor Joanne Whalley. Their son Jack Kilmer is also an actor.

More roles

#actors #movies #television #do you know this actor polls #tumblr polls #polls #val kilmer #multiple roles #watched actors #known actors

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traceytonight · 6 days ago

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Tracey rambles about Tron Ares again

Tron Ares fills me with so much dread, each passing day is like a countdown to the death of a franchise I care so much about.

The producer, title & main character, is literally Joker Morbius alleged pedophile since the early 2000s himself Jared Leto. That alone ruins the movie for me, and yet every following bullet point makes everything about and around it so much worse.

-Premise is explicitly "What if the Grid came to the real world".

NO, the interesting part of the series is THE GRID, where all of the deeply meditative commentary about our world and visually interesting splendor is supposed to be! Yes we had the lingering plot thread of Quorra coming to our world, however;

-Nothing directly tied to Tron Legacy is specifically being followed up

So no seeing where Sam Flynn could have taken Encom, no Quorra adjusting to our world, No Edward Dillinger Jr scheming with the resurrected MCP; But most disrespectfully of all, they didn't even bother to get Bruce Boxleitnter back, THE GUY WHO PLAYS TRON (and Alan Bradly & Rinzler). The one guy who actively loved this series and campaigned for a Third Tron film for over a decade, and previously Tron Legacy for even longer. But you know who they are bringing back?

-Kevin Flynn is back

THE GUY WHO FUCKING DIED IN THE LAST MOVIE. Undermining the noble sacrifice that was integral to the core themes of the film.

And just today we got this:

This is so far from an advancement design wise of the Light Cycle from either film. None of the simple shape language of the original. None of the sleek visual melding of human & technology of Legacy. While the light cycle was always cool for being a futuristic video game-ass motorcycle, its was just one of the multitude of visual elements that served the thematic purposes of Tron flawlessly.

Meanwhile, this not only physically separates the driver from the cycle, they further emphasize it through all the little gaps where there were none on either prior design. They so easily could've had the red line on Ares connect into the obviously aligned part of the bike.

Even if this is meant to show the separation of the programs from the grid for some thematic element we're unaware of at the moment, we're already going to be getting a lot of that considering the movie takes place in an average ass city.

Also, to be truly nitpicky, it looks really uncomfortable to sit in & I don't like all the added greebles.

To circle back around, what I really hate about the cast, besides the obvious one, is that there are a lot of actors who I think will work extremely well in the world of Tron. Greta Lee, Gillian Anderson, Evan Peters? Inspired casting choices.

Meanwhile production wise we're literally taking David Fincher's collaborator trifecta. Jeff Cronenweth (Cinematographer), Tyler Nelson (Editor), and Trent Reznor (Composer, backed up by Nine Inch Nails) all worked on The Social Network, another one of my favorite films. Jeff is literally the son of Blade Runner's cinematographer, Nelson was co-editor on The Batman, a film with incredible pacing thanks to their hardwork, and while I'm not the most familiar with Reznor's full body of work, I've sincerely liked everything I've heard and think in conjunction with Jeff & Tyler he will make something fantastic and fitting for the tone of this film.

However, the screenplay is done by the writer of Harry Potter & the Cursed Child, and is being handled by the director of Pirates of the Caribbean 5. Choices that feel at odds with the prestige praise I was just handing out a paragraph ago.

Theres so many good elements that are eclipsed by its central glaring protagonist, seeming lack of the interesting setting/designs or integral thematic elements that I look for in Tron, and lack of expectation regarding the choice of director & writers.

Because my two greatest fears are not about if the movie is awful and destroys the franchise as I'm expecting it could, it's either:

What if the movie is genuinely good? Well acted and performed, somehow actually has the same level of philosophical inquiry that Legacy & Identity have? How am I gonna face that reality with the enormous horrific issue starring in it?

What if the movie is bad in everyway that I think it will be, but does financially and/or critically better than the first two? The franchise is not killed again, but revives and bases everything going forward around this awful outlier in the series?

Unless this movie fails so horrifically that Disney wants to scrub it from existence, as they tend to do, the future of any Tron media will undeniably be forced to cohere itself to the existence of Ares.

If you want something that actually expands on the musings and universe of Tron, play Tron Identity. A game so lovingly crafted for fans of those elements of Tron as a connected series. And I know this factually, as the writer of the game itself (who also created Thomas Was Alone) watched my twitch stream of it and confirmed my ramblings about the deep seeded lore and intent of design of the TREES that appear in the game. Only one example of the incredible attention to detail the game delivers on. Plus its also getting a sequel that unlike Ares, I'm awaiting with bated breath.

#Tron #Tron legacy #Tron Ares #Tron Identity #Im so sorry I needed to get this out of my head lol

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laughterbynight · 3 months ago

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I could be wrong of course but I think it would be beneficial to a few people’s blood pressure to consider that fans DO probably know their fanon versions of things are not always compliant with the comic canon. That’s already an unrealistic expectation because there’s a dozen different canons, but honestly if you get mad when you see fans playing with characters like paper dolls you might want to step back from fandom for a bit. That’s just what people do. We all have our preferences. I KNOW the Batfam is often chaotic and fights a lot etc. per the comics, but I don’t enjoy that so I choose other media with them that fits my tastes better. Doesn’t mean I’m unaware or that my personal views on character have less merit than someone who chooses canon. It’s ALL fiction. It just means I’m engaging in a different way, and that’s okay. My preference for BTAS style Batman for example is a drop in the bucket compared to like, Snyder creating a whole film franchise where it’s normal for Batman to kill people. It’s like carbon footprints. I can use biodegradable straws all I want but it has almost no impact when private jets are a thing. Remember, perspective. This is fandom. This is what we do. It’s PLAY.

If you really gotta get mad at someone you can look in house at DC comics and find far more examples of canon that contradicts itself yet HAS to be accepted as canon because of the source. Fandom is like the least threatening thing to the legacy of a comic character. We show up even when canon is trash because we like the possibility of what could be.

#batman #dc comics #batfamily #batfam

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maybe-boys-do-love · 2 months ago

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The Trainee, Episode 10: Direction

Take a break from the discourse around the couples to appreciate the references to directing in this episode! From the literal meanings to directions in life.

We open on Ryan's dad directing Jane's photoshoot. lol. You fix those clothes, Ryan ;) And Jane, give us a smile like your falling head over heels for someone.

2. Then we get Pah (making friends with every single person at the office, as usual) directing the front desk assistant (I haven't caught her name and she's not on the mydramalist or imdb cast and crew list) to a spot for lunch. Then we have the accounting manager come in and show us how her and Pah's relationship has grown. The scene reminds us that Pah, since early on in the show, has demonstrated incredible relationship building skills--a necessity for any director. And these relationships come to a beautiful fruition in this episode.

3. Tae, on the other hand, emerges as a directionless ghost, jump-scare appearance and all! Heartbroken and provided with downtime by his department for the first time during his internship, he has no idea what to do with himself.

4. Pi and Ryan are seemingly talking about the controversial Todd Haynes film, Joker, from 2019. If you're either knowledgeable about the Batman franchises or interested like me in trying to figure out why the writers chose this film to include as a conversation point, you'll realize that Harvey Dent was not in Joker. He was, however, in The Dark Knight in 2008, directed by Christopher Nolan. This mix-up between the movies seems intentional when we look at the theories of directing and humanity the show is exploring, which I'll expand on in number 5! In Joker, we get a depiction of a single misunderstood victim genius who takes out his suffering and any failures of his art on others and inspires other people who feel hurt and misunderstood to do the same. In Dark Knight, we have the day saved thanks to a collective group of people's refusal to harm others despite threats that others will be forced to harm them, and, as far as Harvey Dent, his reputation is preserved despite his failings because of the hope it can bring others. The comparison sets up a comparison between the individual heroes and villains versus the collective, which is a really important comparison to ideas the show explores about directors (and is just really important in general theories of direction like conversations about auteur theory, etc.). Note that Jane says in this ep that he doesn't like hero movies...

5. We then see Judy directing Ba Mhee on how to correct her typo on a document. She's checking over a draft before it goes out, like a good director ought to, but Judy's direction of Ba Mhee, of course, gets taken up as a motif and major sticking point for their dynamic in this episode as it encroaches into personal time rather than just work. We have witnessed that outside of work, Ba Mhee is actually quite capable and eager to play the directing role.

I want to point to the specific typo mistake that read "God Pick" instead of the company's name of "Good Pick," though, because it seems to refer to one view of a director's role. Alfred Hitchcock explained, "...in fiction film the director is god; he must create life. And in the process of that creation, there are lots of feelings, forms of expression, and viewpoints that have to be juxtaposed. We should have total freedom to do as we like." So this moment of direction gives us two references, for the price of one!

Even more, it presents us with the theory of auteur Directors, that the show has been actively engaging with through the whole series. Does the director have a god-like power to pick and choose what they want their work to be without any input from others? Do individuals, as directors of our lives, get to pick and choose what we create out of them without others' input? To both answers, the show has emphatically replied, no! The studio is not called God Pick, it's 'Good Pick.' The director, just like each of us, is working on communicating with a whole massive team of people to bring a certain vision of theirs' to life within quite constrained limits. From budgets to time, from client desires to our own insecurities, we do our best to be good knowing that mistakes will be made and we can pick up and keep on going.

6. Baimon, the director of the studio, instructs Pie on some of the grunt work of directing. He's been presented as so flighty in the series, so it was nice to see him getting down to business in this fashion. That business, however, was printed upon the backs of some big emotions, which I think, in addition to being a funny little gag about Jane and Ryan's hidden relationship, is a beautiful metaphor about the combination of emotional and logistic work that directors, especially, are tasked with performing. A vulnerability lies under each shot and camera angle.

7. Idk if this was intentional, but the choice to show sticky-notes as the art department's current medium for this scene reminded me of directors story-boarding with sticky notes. It's also the moment Tae is encouraged to make an attempt at directing himself and providing his direction to his relationship with BaMhee in a way that's considerate of her desires.

8. Baimon directs Jane and Ryan in another intimate scene lol. He's staging them, referencing the storyboard, checking the camera, doing all the director jobs! And, of course, instead of a perfect god, he makes a mistake with the very basics of left and right that his intern corrects for him, and this mistake is not used by the show to signal to us as the audience that he's incompetent. It's to show that the people with 'big' dreams, visions, careers, or awards are not more special than those who choose to do the small tasks in life. Directors are the first job Ryan lists to Jane when talking about adults with special talents that he feels like he's supposed to aspire towards. Jane asks Ryan "Why must people want to become something big?"

There's also a development in Ryan and Jane's performance here. They're playing and improvising in the scene. It's a nice development for them as character and a sweet commentary on directors allowing actors to perform with some flexibility. Based on what I've read about Gun and Off's development as actors and a pair, their characters' development in their different stand-in moments almost seems like a commentary on Gun and Off's growth as a performing pairing, but that's just a fun stretch. Really, I'd say it's more representative of the growing comfort of actors in film work.

9. How could I not discuss one of my favorite sequences in the show (right up there with BaMhee's chase scene)?! Pah has been amassing a crew of comrades at the studio throughout the series, and I knew it was building towards something. I stated during the first shoot when he was a part of Unit B that I could see his arc leading him to becoming a director because he was just so good at befriending and organizing people. And here's where he becomes the director! Not through his personal auteur vision, but through his communication with others!

I had been imagining this plot development in some fashion for a while. Getting it would've satisfied me. Great comedy for me, however, is about seeing a well-constructed set-up pay off for a better value than you could've expected. The Alfred Hitchcock quote above comes from a portion of an interview about plausibility in fiction and his films. He ends the quote by saying, "A critic who talks to me about plausibility is a dull fellow." The moment Pah slid off his sling, The Trainee leapt out of the realm of plausibility it had meticulously built to give us a stratospheric pay-off to the joke it had been building for 9 episodes. And it was a joke grounded in the deepest themes of the show, praising every creator and assistant working in the background of this show and all the shows we love. It made my heart so full. It presented a democratic vision of a director's role (in a country where people continue to need to fight for their democratic values). And, it did it all while making me laugh.

10. Despite all the people running this scene and Judy giving Ba Mhee so much direction in the workplace, it's Ba Mhee who finally gets to realize her direction in life here. Notably, she's let go of the big overly romantic dreams and visions. She's come to appreciate and understand the importance of the seemingly mundane aspects of her relationships, the day-to-day jobs of directing one's life, and she's directing Tae to commit to this direction, too. Directing involves paying attention to the small things, the communication, and the people who help make them meaningful.

There's a beautiful transition between Judy's conversation with BaMhee and Tae's where they fade into one another exactly, letting us know in some ways that Judy and BaMhee could've had a conversation and started growing and finding a direction together, too. The problem as BaMhee points out is not finding an exact right fit. She just still has feelings for Tae, which would make developing a relationship with Judy more challenging. It was mature and honest, and that precious little fade let us know the show saw the possibilities for BaMhee to love them both. Has a film cutting choice ever been so bisexually coded???

10. It's a cute little reversal that our final scene is one of the first steps in directing: the concept stage. We also get Jane's appreciation, not only for Ryan's ideas here, but for all the things Ryan does at his family's business that align with the same kind of work happening in a production house. It sets the two of them on equal footing, disrupting this fantasy of the film industry and the class systems that could divide them. And Ryan's other insecurity about feeling too immature and un-adult to compare to the people at the office, which is a another division that might separate Jane and Ryan (HOW OLD IS JANE!?!?!?!) also got a dressing down ;) during this episode. We're getting ever closer to Ryan feeling ready to direct his own life!!!

#the trainee #the trainee the series #gmmtv #offgun #janeryan #ba mhee #taebamhee #judybamhee

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talxns · 4 months ago

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Characterization Disparities in the Adam West Batman-Verse: 1960s vs Now

I’d like to talk about something I found interesting and revealing about how differently certain characters from the Batman franchise are portrayed in this cinematic universe, particularly how the characters of Catwoman and Batman (and his relationship with Robin) are shown behaving and how their modern interpretations differ from their original.

The comparisons I’d like to draw are from the original TV series Batman (colloquially known as Batman 66), made in the years 1966-1968 and the modern animated films based off the same versions of these characters, Return of the Caped Crusaders (2016) and Batman vs. Two-Face (2017).

Despite being set in the same universe and depicting the same characters (who also retain their original voice actors), the way the characters are written reflect an extremely modern interpretation, making the two animated films feel out-of-character particularly for the characters of Batman and Catwoman.

Catwoman has a varied history of characterization in the comics, going from complete villain to reluctant hero and eventual ally of Batman. However, Catwoman’s characterization in Batman (1966) is that of her original imaginings, a remorseless villain. This Catwoman will murder to get whatever she wants and has never gone out of her way to help Batman. She very frequently expresses to Batman her desire to kill Robin to get him out of the picture. In all of her appearances in the show, she attempts to kill both of them.

In both modern animated films– Return of the Caped Crusaders (2016) and Batman vs. Two-Face (2017) –Catwoman is characterized as a reluctant hero/ally. She almost immediately chooses to fight for Batman and Robin’s side against the other villains in both films. The animated modern version's reluctance to make Catwoman a complete villain is a reflection of her modern (softer, yet more complex) characterization, but goes against her character in this universe. West-Verse Catwoman would not go out of her way to help the heroes, especially not Robin, whom she despises.

What I feel is most egregious in terms of inaccurate portrayal, however, is a particular moment between Batman and Robin. Prior to Frank Miller’s reconstruction of Bruce Wayne/Batman’s character as we know it in the 80s, Bruce Wayne and Dick Grayson did not have a fraught relationship. They had their little spats, the occasional bonking Robin on the head to knock him out for his own good moments, teenage Dick being insecure about his position in Bruce’s life, etc., but the relationship between Bruce and Dick was not at the level of devastating angst that it was until the 80s and seems to be continuing further and further as time goes on, leading to the modern portrayals of Bruce and Dick’s early relationship being cold, neglectful, harsh, domineering, etc. (Thanks Frank Miller I Hate It).

Being made prior to Miller’s The Dark Knight Returns, Batman (1966) relies on the portrayal of Bruce and Dick from the inception of their relationship in 1940 until the creation of the TV show in 1966. Because of this, there are not really any dark or cold tones reflected in their relationship on screen.

In fact, Adam West-Verse Bruce Wayne is one of the sweetest Bruces to exist. He is exceptionally kind and attentive to Dick, incredibly patient, and would never lay a violent hand on him. I repeat. He Would Never Lay A Violent Hand On Him. I can say this with confidence. I have proof.

There are two instances in the TV Show Batman where a fight is instigated between the two heroes: Season 2 Episode 23 and Season 2 Episode 40. Both times, Robin is injected with a mind-altering drug and attempts to fight Batman at the behest of the women who have drugged him. Both times, Batman refuses.

In the first instance, Robin attempts to sword fight Batman. Batman refuses the fight and surrenders to capture. In the second instance, Robin attacks him with his fists. Batman raises a hand as if to counterattack, but cannot bring himself to deliver the blow. He lowers his hand and lets Robin continue beating him until he is called off.

In both instances we see something very important. This Batman won’t hit Robin. He would rather be beaten or captured than even attempting to fight his old chum, even when Robin is in a mind-controlled state and beating him mercilessly. That is the dynamic these two have in this universe.

Alright, so now that we have that acknowledged, what happens in Batman vs. Two-Face? Robin gets infected with a mind-altering substance and begins attacking Batman. So what does Batman do?

He fights back. This is waaaaay out of character for this Batman. But it is because we live in a time where Batman physically harming Robin is considered the norm, and so it infects even this originally companionable, secure dynamic.

I think another reason they did this was because modern audiences think that the Robin of the past is gay (derogatory) and they really wanted to see Batman do a violence on him for it.

It is interesting to see how a return to this universe carries with it modern interpretations of the characters, perhaps without even meaning to. It is frustrating to see dynamics that have come to the forefront of these characters' stories that you don’t like (for me I don’t like the new dynamic modern stories given to Bruce and Dick’s earlier years) and yet they are treated as the accepted and anticipated versions now.

#batman #batman 66 #batman analysis #meta

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